The Catskill Home of Artist Jesse Bransford

The Mary Heaton Vorse house in Provincetown, a historic home purchased by interior designer Ken Fulk, serves as a unique exhibition space for the Provincetown Arts Society. Rather than a conventional white-box gallery, the house, with its meticulously renovated yet historically preserved interiors, provides a domestic setting for showcasing art. Gene Tartaglia, director of the Provincetown Arts Society, highlights the distinctiveness of exhibiting art within this context, noting that the art “resonates in a way it doesn’t in a gallery.” This approach creates a more intimate and personal connection between the artwork and the viewer, contrasting sharply with the often sterile environment of traditional galleries. The current exhibition, “A Community Affair: PAGA at the Mary Heaton Vorse House,” is the largest to date, featuring 140 works by 40 artists from 14 galleries, all members of the Provincetown Art Gallery Association. This marks the second group show for PAGA at the Vorse house. The interior design, overseen by Fulk, intentionally retains elements of the house's history, such as peeling paint, exposed laths, and worn treads, which are complemented by eclectic furnishings. These historical traces provide a rich backdrop against which contemporary and traditional artworks are displayed, creating a dialogue between the past and present. Tartaglia emphasizes the curatorial process, which involves considering how each artwork interacts with the house's interior. For example, Joel Janowitz’s watercolors of dune pathways are strategically placed next to a window, giving the impression that the pathway leads outside. Rob DuToit’s painting, "The Raft," with its cool tones, harmonizes with the patina of the wall behind it. Joshua Meyer’s "Polyphony," a portrait painted with a palette knife, finds a textural kinship with the exposed wood where it hangs. These thoughtful placements create “vignettes” throughout the house, encouraging close looking and discovery in various nooks and hidden corners. Notable pieces in the exhibition include Jane Paradise’s photograph of a dune shack, displayed in a small bathroom, offering a unique self-reflection moment for the viewer. "Mary’s Room," formerly Vorse’s bedroom, hosts a range of historical and contemporary paintings, including Charles Hawthorne’s full-length female nude, whose demure pose and placement reflect the sensibilities of its era. Another bedroom features Mike Carroll’s abstract painting, "Pareidolia," whose horizontal width corresponds to the bed next to it, inviting contemplation on its title's meaning. Downstairs, Bailey Bob Bailey’s "GLOW" at the east entrance complements and contrasts with the surrounding bookshelves, showcasing its compositional symmetry and stacked forms. The Provincetown Arts Society, under Tartaglia's direction, aims to be a “conduit and collaborator” for existing arts organizations in Provincetown. Beyond exhibitions, it hosts artist residencies, fundraising events, film screenings, dinners, and lectures. Tartaglia curates based on his instinct and personal preferences, believing that if he loves a piece, others might too, leading to sales that support the artists. The unique atmosphere of intimacy and informality at the Vorse house fosters a personal connection between art, artists, and the community, embodying the quirky spirit of Provincetown. The exhibition is open on Fridays from 5-7 p.m. and Saturdays from 11 a.m.-3 p.m. through May 18, and admission is free. #ProvincetownArtsSociety #MaryHeatonVorseHouse #ArtExhibition #KenFulkDesign #ProvincetownArtGalleryAssociation #CuratorialPractices #LocalArtists #HistoricHome #CommunityArts

Delphine and Reed Krakoff, known for their distinct design philosophies in fashion and interior design, embarked on a significant undertaking by acquiring and renovating Lasata, a historic 11-acre estate in East Hampton, New York. This Arts and Crafts residence, built around 1917, holds historical significance as the childhood summer home of Jacqueline Kennedy Onassis. Despite its esteemed past, the property had seen minimal improvements since the 1960s, a condition Delphine described as featuring “vintage wallpaper and vintage plumbing.” The couple’s decision to purchase the estate was driven by their shared passion for revitalizing unique houses with rich histories that often deter other buyers. The property includes the main residence, a guesthouse, a poolhouse, and a small cottage. The initial phase of renovation focused on modernizing the essential systems of the house, addressing outdated plumbing and electrical infrastructures. Following this, the Krakoffs meticulously restored architectural elements, fixtures, and hardware, ensuring that all new additions were consistent with the home's original period. They opted for plaster with metal lath for walls instead of Sheetrock and chose reclaimed 200-year-old oak for flooring to maintain the house's authentic, creaky character after the original floorboards were damaged during re-leveling. A notable discovery occurred in the living room, where Louis XVI–style boiserie had been installed. Upon finding an old drawing of the room from Jacqueline Kennedy's childhood featuring simple grid-pattern millwork, the couple investigated, uncovering perfectly preserved original oak panels beneath the later addition. This find allowed them to restore the living room to its earlier state. While the architectural restoration aimed for historical accuracy, the interior decoration adopted a different approach, prioritizing an eclectic mix of furnishings to create a lived-in feel, as if the house had been furnished gradually over time. The living room exemplifies this blend, showcasing a 1970s John Dickinson mirror alongside an 18th-century Jacob Frères marquise chair and Queen Anne wing chairs, which were strategically used throughout the house to balance modern pieces. In the dining room, a midcentury Samuel Marx table with Lucite legs is paired with 1910 Tiffany pendant lamps. To ensure visual cohesion across the first floor, where multiple rooms are often visible from various points, all decorative lighting was selected from vintage Tiffany pieces. The bedrooms, though each featuring a dominant color palette, maintain a consistent theme with similar furnishings, including four-poster beds and geometric-patterned rugs, harking back to the original thematic designations like the “yellow room” or “blue room.” The exterior landscaping was entrusted to Perry Guillot, a long-time collaborator and Southampton-based landscape architect. Guillot refined the formal gardens by streamlining plantings and opening up the far side to enhance access to the expansive lawn. His work aimed to distill the original design into a contemporary yet appropriate form, reducing its Victorian formality. In the wooded areas surrounding the estate, neglected plantings were augmented with more of the existing species, such as cedar, linden, and rhododendron. This subtle approach to landscaping, mirroring their work on the house itself, aimed to create an impression that minimal intervention had occurred, allowing the natural beauty and historical integrity of the estate to shine through. #homeDesign #interiorDesign #historicRenovation #eastHampton #luxuryHomes #artsAndCrafts #jacquelineKennedyOnassis #krakoffEstate

In 2003, Australian architect Craig Bassam and American creative director Scott Fellows launched BassamFellows, a multidisciplinary studio renowned for its "Craftsman Modern" aesthetic, which blends modernist principles with exquisite craftsmanship and luxurious natural materials. Their initial breakthrough came with the Tractor Stool at Milan’s Salone del Mobile, a piece that encapsulated their design philosophy. Since then, BassamFellows has applied this aesthetic across various domains, including architecture, furniture design, and even apparel. The summer of 2021 marked a significant period for the partners, featuring two notable exhibitions. "BassamFellows: Carve, Curve, Cane" at R & Company gallery in New York displayed their sculptural furniture alongside Jean Arp bronzes. Concurrently, "Modern in Your Life: Design and Art at the Schlumberger Building," curated by James Zemaitis and Erica Barrish, showcased their work alongside rare pieces by design luminaries such as Josef Albers, Laszlo Moholy-Nagy, and Jens Risom. This latter exhibition was hosted at the studio’s newly renovated Ridgefield, Connecticut, headquarters. The headquarters itself is a delicately restored 1952 Philip Johnson office building, Johnson’s inaugural non-residential project, situated a short distance from Bassam and Fellows' own residence, the 1950 Hodgson House, also designed by Johnson. The renovation of the Schlumberger building, initially discovered through a serendipitous conversation between Bassam’s parents and a Ridgefield town council member, became a monumental undertaking. The town council was concerned about the preservation of the Johnson building, and the partners, known for their expertise in residential restoration—including their previous 1956 Willis N. Mills house in New Canaan, which earned a spot on the National Register of Historic Places post-renovation—were an ideal fit. Upon acquiring the building, Bassam and Fellows found it severely water-damaged after years of vacancy. The renovation proved to be far more extensive than anticipated, requiring meticulous attention to detail. For instance, the original red oak woodwork, discolored by years of office workers smoking, necessitated hand-sanding and bleaching. The steel columns, originally black, were repainted dark gray. Vinyl flooring was replaced with French quarry tile of a similar hue, ensuring a continuous visual flow throughout the public areas, while new carpeting was installed in the private offices, mimicking the original design. A significant aspect of the restoration involved the brickwork. The walls separating hallways from offices are remarkably thin, allowing for a unique visual effect when illuminated at night, revealing the building's cubic volume. The previous owners had obscured this feature with bookshelves. All replacement bricks were sourced from the same Pennsylvania company Johnson used, ensuring historical accuracy with their iron-rich glazing process that imparts a mottled, variegated color, consistent with the brickwork of the nearby Hodgson House. Craig Bassam and Scott Fellows view the renovated structure as more than just an office; it functions as a study, embodying their philosophy of blurring the lines between life and work. The abundance of natural light and air, facilitated by an open courtyard, contributes to an optimistic and inviting atmosphere. The building's blend of industrial elements and craftsmanship, combined with its rational clarity and material palette, perfectly aligns with the BassamFellows aesthetic. They believe this adaptive reuse of architectural gems, even less prominent suburban houses, offers a valuable model for rethinking and revitalizing existing structures. #BassamFellows #Connecticut #CraigBassam #ScottFellows #OfficeDesign #Workplace #ArchitecturalRenovation #ModernistDesign #CraftsmanModern

The home of Dr. Srikant and Ruta Gir, located in the gated Nottoway subdivision near Poplar and Kirby, is presented as an evolving work of art, meticulously designed and crafted. The Girs, both born in India, drew inspiration from Srikant's childhood estate in Hyderabad, an architectural wonder with 30-foot ceilings, mosaic tile work, a fountain, and European chandeliers. This early exposure motivated Srikant to imbue his own home with similar architectural grandeur and detail, including custom-made chandeliers from Hong Kong that replicate those from his grandfather's home, and traditional Indian imagery throughout the decor. Beyond Indian influences, the Girs incorporated elements from their extensive travels to Europe and Southeast Asia. Srikant, an engineer and co-director of the University of Memphis’ Biofuel Energy and Sustainable Technologies Center, spent over three years conceptualizing floor plans and acquiring pieces for their nearly 7,000-square-foot residence. In 2008, construction began with the help of Memphis builders Millard and Bonnie Townsend, bringing their vision to life. The exterior and interior design prominently feature Balinese influences, a result of Srikant's annual visits to Bali to source artists and materials. The front entrance is framed by a hand-carved sandstone border and pillars, a direct reflection of Balinese design. Inside, similar hand-carved sandstone Corinthian columns and a large wall art panel depicting cranes and lotus flowers reinforce this theme, reminiscent of his grandfather's home. A focal point upon entering is the flowing steel stairway banister and second-floor railing, a creation by renowned Memphis artist Yvonne Bobo. This piece, which took nearly eight months to complete, features creeping vines, gold leafing, and Swarovski crystals that refract light. The sitting room showcases a magnificent collection of hand-carved Louis XVI-style chairs, crafted over two years by French artisan Jean Phillips in teak wood, featuring intricate details and gold leafing. The dining room table, a custom creation, features an old European marquetry look. The Girs spent seven months acquiring a 5-foot by 13-foot solid mahogany piece for the tabletop and then enlisted skilled artists in Bandung, Indonesia, for the marquetry work, which involved carving veneer organic patterns inlaid into the table's top and sides. The final wood finishing was done by Furniture Medics in Memphis. Another distinctive feature is an abalone shell sink in one of the bathrooms, with the abalone sourced from New Zealand and then crafted into a unique basin in Bali. The home boasts two kitchens: a spice kitchen for Ruta's Indian cuisine and a second for dining and entertaining. The European-style cabinetry in the main kitchen was hand-carved in Bali with an ivory marble finish, complemented by speckled Brazilian granite countertops sourced locally. Local handymen Bill and John Rush were responsible for cabinetry installation, trim work, and other finishing touches. The Girs are also planning an addition: an eighteenth-century sitting area, styled after traditional Indian homes, adjacent to the kitchen. This project underscores the Girs' belief that patient effort and collaboration with skilled artisans from around the world can transform ideas into tangible, artistic living spaces. #HomeDesign #ArtisanCraftsmanship #GlobalInfluences #CustomFurniture #ArchitecturalDetail #InteriorDesign #MemphisHomes #BalineseDesign #IndianCulture

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

The Vestibule, an art gallery in Ballard, Seattle, has reopened in a new location, evolving from its original concept as a live/work space that doubled as an Airbnb. Created by Kascha Semonovitch and John Snavely, the initial Vestibule combined an art gallery with a short-term rental. This unique model allowed guests to "live within the art" and provided a sustainable funding mechanism for exhibitions through Airbnb rental fees. Semonovitch and Snavely emphasized their commitment to "public life," choosing to invest in a shared art space rather than a private collection, focusing on exhibiting art not confined to material, possessable objects. The original Vestibule, known for its vibrant art openings, required Semonovitch to frequently transform the space from a gallery to a more conventional Airbnb setting within a tight 24-hour window after each show. This demanding process involved removing furniture, painting, installing art, and then reverting the space back for rental guests. The decision to transition to Vestibule 2.0 was driven by the desire to continue supporting artists in North Seattle while eliminating the logistical challenges of the dual-purpose space. The new Vestibule 2.0 is located at the corner of 15th Ave NW and NW 60th St. While it no longer includes an Airbnb component, the larger space offers an expanded canvas for artists and allows Semonovitch to host more exhibitions. A distinctive feature of the new space is the "banana art" in the bathroom, an idea that originated from Semonovitch's six-year-old child and has since evolved into a humorous commentary on art and commerce, complete with a Spotify playlist of banana-themed songs. Semonovitch, also a writer and poet, actively seeks out visual artists for future collaborations. She discovers new talent by attending various art shows at galleries, schools, and organizations like 4Culture, and maintains a keen interest in artists she admires and their subsequent work. She has recently conducted numerous studio visits and expressed interest in showcasing installations by Tyna Ontko and Jia Jia, as well as collaborating with Michael Swaine of Futurefarmers. Demonstrating a commitment to democratizing access to the art world, Semonovitch issues open calls for submissions, such as the upcoming "carbon" exhibit. She believes that small galleries like Vestibule play a crucial role in providing opportunities for artists. Semonovitch also contemplates an exhibition exploring the intersection of faith and art, noting how many artists, particularly in a secular city like Seattle, have complex relationships with religious upbringings or spiritual practices that influence their work, even if these topics are often unspoken within the art community. Vestibule 2.0 commenced its new chapter with "Dinner with Agnes Martin," a group exhibition featuring artists such as Amanda Salov, Emily Gherard, Emma Royer, Ilana Zweschi, Lakshmi Muirhead, Season Evans, and Sharon Arnold, characterized by its textual and textural depth. The upcoming exhibition, Allyce Wood's "Soft Systems," will feature tapestries and open-studio weaving hours. Semonovitch draws inspiration from previous influential Seattle galleries like True's Western Bridge, Lawrimore Project, and The Alice, and acknowledges contemporary venues like Greg Lundgren's Museum of Museums, positioning Vestibule as a significant contributor to Seattle's current art scene. #ArtGallery #SeattleArt #Ballard #KaschaSemonovitch #JohnSnavely #ArtistCollaboration #Exhibition #CommunityArt #LocalArtScene

This article explores an abandoned circus-themed house nestled in New York's Catskill Mountains, captured through the lens of urban explorer and photographer Bryan Sansivero. The Jacobean Revival mansion, constructed in 1925, was left vacant by its Italian-American owners for unknown reasons. Despite several attempts to sell it, the property was mysteriously delisted in 2018. The exterior of the house reveals a landscape reclaimed by nature, with unkempt grounds and overgrown lawns contributing to a sense of foreboding. Inside, a canary-yellow entrance hall, despite peeling wallpaper, retains original features like hardwood floors and an elegant wrought iron banister. An open door leads to a cellar, hinting at unknown depths beneath the house. The parlor, also in Day-Glo canary yellow, features a grand carved fireplace, but its worn and buckling floorboards suggest damp issues. An ornate cast-iron grate in the hearth indicates the reliance on open fires during cold upstate New York winters. A dilapidated salmon-pink room, bathed in sunlight, holds an unsettling ambiance, with an open umbrella on the dusty floor, considered a bad omen by the superstitious. Heading upstairs, yellow wallpaper clings to the stairwell, alongside recessed alcoves and red crosses, potentially decorator marks or more ominous symbols. The bedrooms on the upper floor embrace a vibrant, kaleidoscope of primary colors, reflecting the home's circus theme. One child's room or playroom strongly resembles a big top, with yellow and purple harlequin borders and croquet mallets and balls scattered as if by a poltergeist. The big top tent design on the ceiling, originally in dramatic yellow and red, is now in significant disrepair. Another adjacent bedroom features a loud color scheme of tonal oranges, moss-green, and a sky-blue ceiling. The master bedroom, once grand, is decorated in powder blue with a royal blue border and a Regency-style fireplace. A French door from this room opens onto a terrace with an intact roof and decent brickwork, suggesting renovation potential. The small bathroom continues the circus theme with bold red and white striped wallpaper, creating a spooky atmosphere, though the washbasin remains intact. A second staircase leading to the top floor has a curious rope handrail and scattered croquet balls. The vast yellow bedroom on the top floor features worn carpet and striped curtains, with a crumbling ceiling. A bizarre discovery is a painting of a bullfighter by Spanish artist Antonio Casero Sanz in a closet. Keys for the property's numerous outbuildings are found on a windowsill, prompting questions about the owners' sudden departure. The sprawling estate includes at least five other buildings, some residential, others commercial in their prime. A rundown stone and wood cottage, though overgrown, appears ripe for renovation. Inside the cottage, a fading fresco of a fantastical landscape covers an entire wall, possibly restorable. A blackened fireplace, solid oak paneling, and grand built-in cupboards furnish the room, where an antique backgammon set sits on the floor, implying unfinished business. Overgrown vines outside hint at the property's past as a winery, a common industry in the region. The barn on the property was used for wine processing and storage, containing a tapped cask, demijohns, and even a demijohn with wine. Labels with a red stag and 'Deerhaunt Wine' suggest a small-scale family operation. Additionally, an abandoned child's treehouse with a slide and rickety swings adds to the eerie atmosphere, evoking a sense of lingering ghosts from the estate's heyday. The property, steeped in mystery, holds many unanswered questions regarding its abandonment. Once a playful space, it has transformed into a derelict, haunting shadow of its former self. #AbandonedHouse #UrbanExploration #CatskillMountains #CircusTheme #JacobeanRevival #HauntedProperty #ArchitecturalHistory #RenovationPotential #Mystery

This comprehensive guide highlights some of Nashville's premier home decor establishments, catering to a diverse range of styles and needs, from artistic pieces and framing services to unique gifts and furniture. It features six distinct businesses, each offering specialized products and services that contribute to enriching a living space. Bennett Galleries, established in 1978 in Green Hills, specializes in custom archival framing and features a curated collection of fine art from both established and emerging artists. They are recognized for their expertise in providing framing solutions for various art types and settings, from formal to modern. The gallery also offers an exceptional selection of art available for viewing on their website, serving interior designers and homeowners seeking unique artistic additions. COLOR, located in the White Bridge neighborhood and operating since 2005, is presented as a distinctive home decor and gift destination. This store emphasizes a personalized shopping experience, assisting customers with hostess gifts, bridal registry setups, and designing elaborate tablescapes. COLOR's inventory is dynamic, continually changing to include various home accessories, lighting fixtures, dinnerware, and other items, with a price range of $10-$400, offering options to refresh living spaces and find meaningful gifts. Epergne, situated in Belle Meade, offers an exquisite selection of tabletop items, ceramics, china, and fine table and bed linens. The store's collection is inspired by the extensive travels of its owners, Laura Chadwick and Susan Dyke. Epergne stocks prominent brands such as William Yeoward Crystal, Matouk, Juliska, John Derian, Gien, Agraria, and Mz Wallace, making it a go-to spot for unique gifts and elegant home essentials that are not commonly found elsewhere in the city. Ed Nash Studio, based in East Nashville, showcases the work of London-native artist Ed Nash. Nash, an alumnus of Reading University with a background in Fine Art and Psychology, creates large acrylic paintings characterized by vivid color transitions that evoke landscapes and deeper emotions. His abstract yet approachable pieces are suitable for various environments, from corporate installations to residential dining rooms. As an art appraiser, Nash also assists clients in finding the perfect placement for their art, highlighting his dual role as an artist and a consultant. GasLamp Antiques & GasLamp Too, located in the Design District/100 Oaks, is renowned as one of Tennessee's largest antique malls. It is a favored destination for designers, artists, and home decor enthusiasts seeking unique and salvaged items. The stores maintain a constantly updated inventory that includes furniture, art, and jewelry, ensuring a fresh array of discoveries for those looking to add distinctive touches to their homes or wardrobes. Margi’s Furniture & Design in Green Hills provides a blend of elegant and modern furniture with eclectic and timeless decor. The store offers a carefully curated selection of home furnishings alongside personalized interior design services. Whether customers are searching for a specific piece of furniture, decor, or guidance on fabric choices, Margi’s aims to fulfill diverse home design needs, further enhanced by convenient parking facilities. #NashvilleHomeDecor #InteriorDesign #ArtGalleriesNashville #AntiqueStores #FurnitureStores #TabletopDecor #LocalArtistsNashville

Perched on a sprawling 1.4-acre promontory within Los Angeles's exclusive Bonhill enclave, a mid-century residence originally designed by renowned Southern California architect Allen Siple in the 1950s has recently re-entered the market. This unique property, a testament to its original design, is listed for $11.995 million. Its prime location ensures both privacy and panoramic views, being set well back from the street and framed by mature trees and natural canyon terrain. The bungalow has undergone a comprehensive nearly four-year restoration and expansion, meticulously preserving its quintessential wood-and-glass architecture while enhancing its connection to the surrounding natural environment. This renovation aimed to rejuvenate the home's historic integrity while integrating modern amenities and expanding its footprint to cater to contemporary living standards. At the heart of the home lies a generously proportioned great room, distinguished by an original old-growth timber ceiling and a historic fireplace. These elements serve as anchors, underscoring the home's rich mid-century lineage. Sliding glass walls in this central space facilitate a seamless transition between the interior and the expansive outdoor living areas, which include various terraces, meticulously landscaped gardens, and a swimming pool. The home's living, dining, and kitchen areas are thoughtfully arranged in a lateral configuration, each strategically oriented to maximize natural light exposure and capture the breathtaking views of the Santa Monica Mountains and the distant Pacific Ocean. The interior design prominently features Douglas fir, used extensively throughout the residence, complemented by a combination of hardwood and stone flooring, contributing to a warm and sophisticated aesthetic. Accommodation within the property comprises a luxurious primary suite, three additional bedrooms, and a detached guest house, all designed with direct access to the outdoors, fostering an indoor-outdoor lifestyle. Beyond the main living spaces, the estate also includes a dedicated wellness zone, featuring a sauna, a cold plunge, and various studio spaces, offering residents a comprehensive sanctuary for relaxation and recreation. The property is currently being marketed by Compass, presenting a rare opportunity to acquire a restored piece of Southern California architectural history. #CaliforniaProperty #LosAngeles #MidcenturyModernism #SouthernCaliforniaModernism #AllenSiple #BrentwoodBungalow #ArchitecturalRestoration #LuxuryRealEstate #PacificViews

Hyphen House, a historic Hudson Valley farmhouse dating back to the 1700s, has undergone a significant transformation from a flower farm into a live-work artist's retreat. Originally built for the Dutch Van Messler family, the property once functioned as three separate apartments, now reconfigured into a single, cohesive residence. The name "Hyphen House" signifies this reunification of fragmented spaces, emphasizing the delicate balance required to merge its historical integrity with modern functionality. The renovation was spearheaded by artist Michele Lobo, the owner of Hyphen House, who commissioned her daughter’s design practice, NoNo Studio, co-founded by Susannah Stopford and Alejandra Murillo. The core challenge for NoNo Studio was to modernize the centuries-old structure without sacrificing its inherent historical soul. The designers described the process as a "high-stakes game of chess," navigating thick stone walls and inherent structural quirks to create a flowing layout while preserving the imprint of its past. Upon Lobo's initial acquisition, the house was a 'time capsule' filled with floral motifs, from wallpaper to light switches and lampshades, a legacy of its flower farm origins. While some original elements, such as specific wallpaper in the southern living room and powder room, were retained, others were reimagined. Notably, a quirky wax melter for candle making, hidden behind a fireplace, was preserved, as was the original wood of a mantle stripped back after extensive paint removal. Other enduring features include silk-screen wallpaper, a stone wall in the kitchen, a powder room under the stairs, and a built-in bookcase filled with art books. The aesthetic choices, including color palettes and material selections, were heavily influenced by the home's history and Lobo's extensive collection of art and objects. The designers aimed to create a dialogue between heritage and contemporary freshness, integrating 18th-century antiques with Lobo's globally sourced pieces. The guiding principle was to identify and amplify the distinctive character of the house. A primary goal of the renovation was to establish a home that could support Lobo’s artistic endeavors. After decades abroad, she sought a space near family that could accommodate her work across various mediums and scales. The property now thrives as a creative compound, featuring a sculpture studio in the former flower shop and a barn converted into an art gallery and entertaining area. NoNo Studio embraced the building's peculiarities, such as parallel staircases and duplicate living areas, transforming them into unique design opportunities. The project stands as a testament to the idea that preserving the spirit of an old building is as valuable as constructing something new, resulting in a warm, 'unbuttoned,' and inspiring "incubator of creativity." #HistoricRenovation #ArtistRetreat #HudsonValleyHome #NoNoStudio #InteriorDesign #AdaptiveReuse #ArchitecturalPreservation #LiveWorkSpace #FarmhouseRenovation

This article highlights the renovation of a home at 1909 Baymiller Street in Cincinnati's West End, undertaken by Rosie Kovacs and Hayes Shanesy, the husband-and-wife team behind Brush Factory. The West End is presented as a vibrant neighborhood with a rich history, known for its unique homes and ongoing revitalization efforts, exemplified by previous renovations like a church-turned-home. The current owners' dedication to restoring historically significant buildings contributes to the area's distinct character. The renovation of the three-bedroom, three-bath home focused on maximizing square footage and enhancing the existing south-facing window exposure. A significant aspect of the project involved the complete rehabilitation of the staircase. Hayes Shanesy, with the assistance of his father, a retired master cabinetmaker, meticulously disassembled the curved cherry handrail and balusters. Each piece was stripped and refinished before being painstakingly reassembled, a process described as a labor of love due to the staircase's intricate design, wrapping around three flights. Custom woodwork is a prominent feature throughout the residence, reflecting the owners' craftsmanship. In the living room, built-in cabinets span the entire length of the space, offering both aesthetic appeal and practical storage. The kitchen showcases light wood cabinets paired with black hardware, creating a striking contrast against the tile backsplash. These custom elements contribute to the home's unique and refined interior design. The primary bathroom is another highlight, featuring a claw-foot tub, a walk-in shower, and a custom vanity. Adjacent to the bathroom, a door leads to a private deck, accessible from the owner's suite, providing an exclusive outdoor retreat. These details underscore the thoughtful design and high-quality finishes incorporated into the renovation. Shanesy reflects on the transformation of the property and the neighborhood, noting that when he purchased the house in 2016, it was a vacant, abandoned building in disrepair, a common sight on Baymiller Street at the time. He observes that most homes on the street have since been renovated, contributing to a beautiful streetscape. The owners appreciate the historical significance of the homes in the West End, particularly along Dayton Street's "Millionaire's Row," enjoying walks with their dog and daughter. The article concludes by emphasizing the neighborhood's romantic charm and its immense potential. #RosieKovacs #HayesShanesy #BrushFactory #Baymiller #WestEnd #HomeRenovation #CustomWoodwork #InteriorDesign #CincinnatiRealEstate

Rachel Schlather, the blogger behind CLEfashionista, transformed her new Strongsville home with a Cleveland-themed gallery wall, making it a central decorating priority upon moving in last year. Her approach involved a curated collection of prints, posters, and art sourced from local shops, reflecting a style she describes as “midcentury modern with a touch of Cleveland.” Schlather aimed for a cool, un-kitschy vibe by taking her time with the selection process, acquiring pieces over several months. This allowed for a blend of budget-friendly items and more expensive art, ensuring a balanced aesthetic. Color coordination was a significant factor, leading her to even paint some frames to perfectly match the overall scheme. The meticulous planning involved laying out the gallery wall on the floor numerous times before finalizing its arrangement. The gallery wall is prominently displayed in the joint dining and living room of her 1960s ranch-style home, creating an immediate and lasting impression on visitors and serving as a conversation starter. One of Schlather's most cherished pieces is a print of the Leonard Schlather Brewing Co. This find holds personal significance as her husband is a distant relative to one of the brewery’s namesakes. Operating from 1857 to 1902, the company's storage facilities were historically located in the building that now houses the Great Lakes Brewing Co., a detail often mentioned during brewery tours. Further enhancing the local theme are two framed maps from Lakewood’s Cuyahoga Collective, positioned above the dining table. These maps feature Strongsville, her current hometown, and Marblehead, the location of her family’s lake house, a frequent summer retreat. These pieces serve as year-round reminders of cherished family memories and important geographical connections. A framed copy of The Plain Dealer front page commemorating the 2016 NBA Championship is another key element, included at her husband's insistence. This newspaper article celebrates a significant moment in Cleveland sports history, adding a dynamic and commemorative aspect to the collection. Beneath the gallery wall, a cozy sitting area is bathed in natural light. This space features midcentury-style chairs in a warm hue paired with a gray couch, designed for both admiring the art and relaxation. Schlather emphasizes the functional and inviting nature of this area, noting that the furniture and decor are not overly formal, making it practical for a household with two children. This sitting area is regularly used for enjoying coffee or working, underscoring the blend of aesthetics and utility in her home's design. #ClevelandThemedDecor #GalleryWall #HomeStyle #MidcenturyModern #LocalArt #StrongsvilleHome #HomeDecor #CLEfashionista

This article offers an exclusive tour of the vibrant Potts Point apartment belonging to Chrissie Jeffery, the renowned textiles and interior decorating expert behind No Chintz. With over 30 years in the design industry, Jeffery is celebrated for her masterful use of colour, a trait vividly demonstrated throughout her inner-city home. The apartment, shared with her optometrist husband, Richard Banks, showcases a thoughtful integration of diverse artworks and custom colour schemes, reflecting Jeffery's deep passion for art and meticulous approach to design. The tour begins in what Jeffery affectionately calls the "good room," a tranquil space featuring eucalyptus-green walls that serve as a backdrop for two works by Sydney artist Clare Milledge. This area exemplifies Jeffery's ability to create harmonious yet dynamic interiors. Her kitchen, a testament to her love for cooking, draws its colour palette from handmade zellige splashback tiles from Teranova, with joinery painted in Dulux Palmerin and a dark-stained oak island by DSK Kitchens & Furniture. A custom pendant light from Opal Lighting illuminates the space. Jeffery's profound connection to art is evident throughout the apartment. Her history as a fashion student at East Sydney Tech included frequent visits to the Art Gallery of NSW, a habit she maintains today as a member of the gallery's Contemporary Collection Benefactors committee. The dining room, bathed in gentle light, hosts significant Australian art pieces, including Rosemary Laing's "groundspeed (Red Piazza) #4" and Caroline Rothwell’s aluminum leaf and PVC sculpture "Composition 4." The heritage-listed apartment, built in 1912, was acquired by Jeffery and Banks in 2010. It retained its original layout, having been previously owned by the Albert family, known for their contributions to the Australian music industry, and later by only a few subsequent owners. The couple's decision to move from their decade-long residence, a 1930s top-floor flat that graced Vogue Living covers, was prompted by the Potts Point apartment's lofty ceilings and additional rooms. Despite initially painting the apartment white for rental purposes, Jeffery, known as Sydney's "queen of colour," embarked on a year-long process to infuse it with her signature vibrant palette after they unexpectedly sold their previous home. Jeffery expresses a strong attachment to Potts Point, having cherished childhood memories of the area. She highlights the friendly and supportive community within her building and the suburb. The apartment underwent a renovation 14 years after its purchase, with architect Jeffrey Temple, a fellow resident, leading the transformation. Temple, known for his ability to create light-filled spaces, collaborated with his partner, Sky Grove, on the project. Jeffery shares valuable insights into her colour selection process, emphasizing the importance of testing colours within the specific room, considering natural light sources and external reflections. She draws inspiration from unconventional sources, such as the pink hue of calamine lotion for her bedroom walls, a colour she has carried since childhood. Her early fascination with Derwent pencils further ignited her lifelong passion for colour. Peter Lewis, a specialist in natural paints, is her trusted advisor, capable of mixing custom shades from unique inspirations. The article concludes by capturing Jeffery's contentment with her home, where each room, meticulously curated, becomes her current favorite. #ChrissieJeffery #InteriorDesign #ColourfulHome #PottsPoint #HomeTour #ArtCollection #NoChintz #Renovation #ColourPalette #HomeDecor

Brandon Maxwell, a designer renowned for his glamorous, modern Americana aesthetic in womenswear, has expanded his design sensibilities into home decor through a new collaboration with Pottery Barn. This marks Maxwell's first foray into the home space, coinciding with the tenth anniversary of his runway collection. The collection heavily features toile, a decorative pattern that holds personal significance for Maxwell, drawing inspiration from his Texas upbringing. Toile, characterized by repeated pastoral scenes typically in blue on a white background, originated in Ireland, gained popularity in 18th-century France, and later in Colonial America, experiencing a significant resurgence in the 19th century and again in contemporary home design. The Pottery Barn x Brandon Maxwell collection encompasses a wide range of home goods, including tableware such as plates, runners, and candle holders, alongside bedding sets, pet beds, bathrobes, and shower curtains. The pieces are presented in a timeless color palette of navy, white, and green, accented with leather, silver, and velvet, reflecting Maxwell's refined aesthetic. Maxwell expressed his passion for interiors, stating that each item in the collection reflects personal aspects of his life and memories shared with influential people, offering a glimpse into his creative expression beyond fashion. Toile's current popularity in home decor is evident across various platforms, including TikTok, where related hashtags accumulate thousands of posts and likes, showcasing its application in headboards, bed throws, wallpapers, and even kitchen cabinets. The fashion world has also contributed to toile's modern resurgence, with prominent designers like Dior and Stella McCartney incorporating the pattern into their collections. This widespread appeal underscores toile's timeless elegance and versatility. The collection offers essential items for every area of the home. For dining, there are Groveland Toile Cereal Bowls and Groveland Toile Napkins, designed to elevate everyday meals and entertaining. Bedrooms can be adorned with top-quality toile-printed sheet sets, shams, duvet covers, and bolster pillows, providing both glamor and comfort. The collection also includes a Groveland Toile Decanter and a set of three Double Old Fashioned Glasses, featuring engravings that bring a natural element to evening entertaining. Additionally, the Groveland Toile 3-in-1 Pet Bed ensures that beloved pets can also enjoy Maxwell's luxurious aesthetic. Key pieces from the collection include the Pottery Barn x Brandon Maxwell Groveland Toile Appetizer Plates (Mixed Set of 4) priced at $59.50, the Groveland Toile Upholstered Dining Chair at $699, the Groveland Toile Sheet Set at $189, the Groveland Toile Catchall at $24.50, the Groveland Toile Napkins (Set of 4) at $48, the Groveland Toile Robe at $149, the Groveland Toile 3-in-1 Pet Bed at $249, the Groveland Toile Decanter & Double Old Fashioned Glasses (Set of 3) at $120, and the Groveland Icon Wine Stoppers (Mixed Set of 4) at $99. These items collectively allow consumers to transform their living spaces with Maxwell's signature style, blending elevated Americana with the classic charm of toile. #HomeDecor #BrandonMaxwell #PotteryBarn #HomeCollection #ToilePrint #InteriorDesign #FashionCollaboration #AmericanaAesthetic #LuxuryHome

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence