Step inside the colourful Potts Point home of the iconic Chrissie Jeffery

This blog post showcases a Chestnut Hill home designed by Michelle Gage, known for its vibrant and saturated color palette. The homeowner, a writer and mother of two, expressed a clear preference for bold colors, art, and brass, which became the foundational elements for the home's interior design. The design process began with a specific request for a hot pink velvet sofa, setting the tone for the playful and colorful aesthetic that permeates the entire residence. A significant challenge addressed by Gage was the open-concept layout of the first floor. This design choice necessitated a careful approach to ensure that each area, while distinct, harmonized with the overall flow of the space. Gage achieved this by utilizing a range of vibrant but complementary hues, and by incorporating unifying elements such as art, rugs, and brass accents throughout the connecting rooms. In more self-contained spaces, such as the entryway, mudroom, and bathrooms, Gage intensified the whimsical feel by layering multiple patterns, a signature aspect of her design style. The kitchen area features blue cabinets and is further enhanced by apricot-hued island seating and a patterned window treatment created by Claudia Clobes Yudis of Urban Loft Design Studio. A brass credenza in the adjacent family room establishes a cohesive metallic theme with the kitchen. The dining area is furnished with an expandable round table crafted by Chad Barranco of Salvage Works in Downingtown, complemented by oxblood chairs. In the living room, the central hot pink velvet sofa was chosen for its durability, making it suitable for a household with children and a dog. This bold piece is balanced by a gray vintage rug and drapery that echo the kitchen's cabinet color. An Anthropologie throw pillow and a ceramic table, repurposed from a patio, add further personalized touches to the space. The entryway makes a strong first impression with a vibrant wallpaper that perfectly matches the existing floor tiles. This area also displays one of 25 art pieces selected by Gage and the homeowner from The Little Gallery in Chestnut Hill. The primary bedroom continues the home's colorful theme with lively wallpaper and a striking purple bed frame. Rounded wooden side tables soften the bed's strong color, and additional pillows from Anthropologie complete the room's inviting atmosphere. This article was originally published as “Color Me Happy” in the January/February 2021 issue of Philadelphia magazine. #InteriorDesign #HomeDecor #ColorfulHomes #ChestnutHill #MichelleGage #OpenConcept #VibrantLiving #PhiladelphiaMagazine

This article highlights the interior design of a 7,500-square-foot Chestnut Hill home, orchestrated by Cohasset-based interior designer Katie Frazier. The project focused on creating a comfortable, convenient, and aesthetically pleasing living space for a family of five who transitioned from city life to the suburbs during the COVID-19 pandemic. The homeowners, both holding demanding corporate careers, sought a highly personalized interior for their newly acquired house, which was already nearing completion by architect Marcus Gleysteen when they purchased it. Frazier's design approach centered on a transitional aesthetic, blending modern and traditional elements to achieve a "light and bright with interest" scheme. A key aspect of the design was the integration of "invisible" features that prioritize functionality and comfort. For instance, the kitchen's stove hood conceals a television screen that can be revealed for viewing from the island, eliminating the need for guests to crane their necks. The home office includes refrigerated drawers for beverages and snacks, and a dedicated closet was designed specifically for luggage storage. The husband's T-shirts each have their own designated drawer, illustrating the meticulous attention to organization and convenience throughout the home. Furthermore, electronic wiring is seamlessly hidden, contributing to the clean and uncluttered environment. Despite the prevailing pale and serene color palette in many areas, Frazier introduced vibrant statements of color and pattern to add character and visual interest. Examples include a custom-designed red wallcovering in the powder room located off the mudroom, saturated teal cabinetry in the butler’s pantry, and a soft, dark gray hue for the woodwork in the home office. The living room features elegant green-velvet sofas, providing a rich focal point. The design also incorporated spaces to display the family's expanding art collection, with a colorful abstract painting by Josh Jensen in the home office and an enigmatic painting by Brittney Ciccone above the living room mantel. The majority of the furniture in the house is new, carefully selected to complement the larger scale of the rooms compared to their previous city residence. Custom cabinetry, crafted by JD Millworks, was installed throughout the home to meet the family's specific needs and preferences. Importantly, the design process did not involve any structural modifications to the house; the existing architectural layout proved suitable for the family's requirements. Frazier's firm, established after her mentorship at Hudson Interior Designs, undertook this project in April 2020. A significant challenge during the project was navigating the uncertainties and safety protocols associated with working during the COVID-19 pandemic. Despite these obstacles, the project was completed successfully and on schedule, without any health incidents, resulting in a luxurious and comfortable suburban sanctuary for the family. The article was originally featured in Boston Home's Fall 2024 issue under the title “Easy Living.” #InteriorDesign #ChestnutHill #HiddenFeatures #LuxuryHome #TransitionalDesign #CustomCabinetry #FamilyHome #KatieFrazierInteriors #BostonHome

This article details the transformation of a 100-year-old American Craftsman home in the foothills of Colorado’s Rocky Mountains by the design firm Salvesen Graham. The project was initiated when a young couple, one American and one British, relocated from California and sought a home that blended their cultural traditions, offering both relaxation and elegance without being overly formal. The designers, Mary Graham and Nicole Salvesen, aimed to create a comfortable yet sophisticated living space. The house, part of a community of heritage homes dating back to the early 20th century, presented a unique opportunity for Salvesen Graham, a firm more accustomed to working with buildings over 100 years old in the UK. The designers meticulously preserved and enhanced the home's period features, such as its brick and shiplap exterior and expansive veranda. Their approach balanced respect for the original architecture with a desire to update it for modern living, rather than creating a "living museum" of a 1900s mining town house. In the entryway, a small-scale patterned wallpaper contributes to a Victorian aesthetic, complemented by an Arts and Crafts lantern. The designers made a conscious decision to paint some of the original pine woodwork a sage green to neutralize its overwhelming orange tones, allowing the unpainted sections of craftsmanship to be appreciated more easily. This thoughtful intervention highlights the delicate balance between preservation and contemporary adaptation. The drawing room was designed as a sophisticated space for entertaining, with the clients actively participating in sourcing art, including an abstract floral piece. The living room, in contrast, serves as a more casual gathering area. The project was significantly impacted by the early days of the COVID-19 pandemic, leading to initial client-designer interactions via Zoom. This period also amplified the British client's desire to infuse English design elements into the American architectural style. A central pass-through space in the house was transformed into a hallway-cum-library, offering an intentional quiet zone that connects different rooms. The kitchen, designed in a Shaker style, bridges functional utilitarianism with English charm. Its formal layout was maintained, rejecting the trend of open-plan spaces, and features fitted units and a large island painted in various shades of blue. The dining room, referred to as the "hearth room," provides an informal dining experience with windows on three sides, creating a sense of dining among treetops. The space incorporates a striped floral fabric for curtains and Roman shades, aligning with painted tongue-and-groove paneling on the ceiling. Upholstered dining chairs, vintage rattan chairs, and a vibrant green built-in window seat contribute to a layered aesthetic. The bedrooms, particularly the master suite, are characterized by a rich interplay of color and pattern, featuring florals, stripes, paisleys, and soft geometrics in a cheerful palette of pinks and greens. Salvesen Graham, founded in London in 2013 by Mary Graham and Nicole Salvesen, is known for its layered aesthetic and timeless approach, aiming to create warm and soft interiors inspired by Georgian England and 18th- and 19th-century Indian textiles, while bringing an edge to quintessential British charm. #HomeDesign #InteriorDesign #AmericanCraftsman #BritishCharm #SalvesenGraham #ColoradoHomes #HistoricRenovation #TraditionalModern #LayeredAesthetic

Melanie Sramek-Bennett's passion for 1960s design is evident throughout her converted chalet on the Sussex coast. Inspired by her parents' glamorous 60s lifestyle, she sought out a 60s house to infuse with her love for vibrant colors and crisp Scandi style. The current four-bedroom detached property in Hove, though initially unappealing, captured her interest due to its proportions, large garden, and potential for expansion. The previous owners had done a quick renovation for sale, allowing Melanie and her husband Darren to move in while planning their extensive transformation. The couple designed the layout themselves, then hired an architect to finalize the plans. The initial goal was a contemporary double-storey extension with a large living space for entertaining and location shoots, and bigger bedrooms. However, they faced a three-year battle for planning permission, with the local authority objecting to the double-storey extension due to its perceived conflict with the chalet's low roofline and the character of the neighborhood. Eventually, they compromised on a single-storey extension and an enlarged rear dormer to improve the existing bedrooms, a decision Melanie now feels was not a compromise at all. During the renovations, the family rented another property, allowing Melanie to focus on the interior design. Her aesthetic combines mid-century and 60s influences with minimalist contemporary Scandi style, characterized by bold colors and expressive art. One notable piece is an Italian 1960s modular sofa sourced from a German vintage site. The new extension features a pale grey kitchen and white composite worktop, complemented by a white plywood dining table. Melanie initially wanted a yellow kitchen but agreed with Darren that a neutral base would better allow her to layer in colorful art and furniture. Subtle grey walls and cork flooring also contribute to a neutral backdrop, directing attention to the artworks. Upstairs, color blocking defines the rooms, with Melanie employing leftover paint and asymmetrical designs, such as angled walls and off-center art, to create unique spaces. Melanie's resourcefulness extended to sourcing furniture and decor. She found vintage yellow lecture chairs locally and imported mid-century armchairs by Czech designer Jaroslav Smidek from the Czech Republic, leveraging her father's connections there for cost-effective shipping. Budget-consciousness was a priority throughout the project. She acquired an imperfect Tom Raffield light from eBay, had her mother upholster some chairs, and spray-painted sale pendants grey to match colorful electrical cords. She also discovered graphic prints for £5 each at Brighton & Hove’s Phoenix Gallery. Melanie emphasizes that significant spending is not necessary for a beautiful home, and creative solutions can lead to deeply satisfying results. The house now offers flexibility for rearranging furniture and art, serving both as a happy family home and a successful location for photo shoots. #HomeRenovation #MidCenturyModern #InteriorDesign #ScandiStyle #ChaletConversion #SussexCoast #ColorfulInteriors #VintageFurniture #BudgetDecor #HomeMakeover

The Forager’s Cottage, a 1930s Australian weatherboard bungalow, is home to Helen May Petschel, a retired French homewares dealer. The cottage, steeped in history, showcases a deep appreciation for the past, with original features meticulously preserved by Helen over four decades. Golden autumn sunlight illuminates the interiors at 6 AM, highlighting the seasonal arrangements made from berries and foliage gathered from the garden. Helen expresses her preference for antique and vintage items, particularly European and rural primitive decor, over modern living, emphasizing that everything she acquires is from a bygone era. Her philosophy centers on authenticity, rustic charm, and utility, filling every space with pieces that hold a lifetime of memories. The kitchen is described as the most enchanting space, featuring an old enamel sink, original to the cottage, with a wooden draining board and a green pressed tin splashback that adds period charm. It is filled with well-worn pots and pans, chopping boards, and colorful jars of bottled fruits. Instead of a fitted kitchen, Helen opted for freestanding antique furniture when she and her late husband, Steve, purchased the property. This choice allowed for flexible arrangements over the years with minimal cost. A 1930 original larder remains intact, serving as storage for Helen’s utensils and food. Each item in the cottage carries personal significance, such as an antique dresser in the kitchen, a Christmas gift from Steve, which Helen connects to Beatrix Potter books. This dresser displays her collection of old wares, butter molds, breadboards, earthenware jugs, and bowls, all sourced from Europe. Helen, the second generation to live in the cottage, shares a profound connection to her modest home, which has provided solace through significant personal losses. In 2001, she and Steve lost their 19-year-old son, Phil, to a brain aneurysm, and in 2021, Steve, her husband of 41 years, passed away. Born in England, Helen experienced a transient childhood, frequently moving and never truly having a stable home. A brief, joyful period with her grandfather in Broad Chalke, Wiltshire, ignited her passion for English cottage decor, as the Australian bungalow reminded her of his Tudor cottage. The cottage’s original features contribute to its ethereal atmosphere. Helen recalls her first encounter with the property as stepping into a "time capsule," with everything preserved from 1930, including an old wood stove, a claw-foot bathtub, an old wooden draining board with an enamel sink, and a lead splashback, all of which remain today. In the dining room, an old seamstress’s worktable is repurposed as a dining table, set against Dulux’s ‘Vintage Green’ walls. The living room also features Dulux’s ‘Antique Green,’ enhancing its heritage ambiance. Helen finds joy in simple routines, like collecting pinecones for the evening fire, and appreciates the scent of pine and the sound of wind in the trees during this season. Her interiors, though unpolished, possess a raw charm, showcasing a lifetime of collected treasures that reflect her love for authentic vintage design. Despite its cracks and original paint, Helen chooses not to modernize the cottage, viewing it as a comforting refuge that has supported her through life’s tragedies and heartaches. #EnglishCountryLiving #VintageDecor #AntiqueFurniture #CottageInteriors #PreservedHistory #RusticCharm #HeirloomTreasures #Homemaking #InteriorDesign

The article showcases the 1799 Colonial-style cottage of interior designer Kari McCabe and architect Nate McBride in Stonington, Connecticut. The couple, who previously summered in the area, found this property in 2018. It had already undergone necessary renovations to the foundation and electrical systems, preserving its original character, including fireplaces, exposed beams, and rustic chestnut and oak floors. The home is situated amidst farmland, offering a serene, country living experience despite being only 10 minutes from the water. The renovation focused on infusing the cottage with personal touches, largely drawing from Kari's Scandinavian heritage and a collection of vintage family heirlooms. This approach involved incorporating Swedish rugs and textiles, along with a palette of vibrant colors and cheerful patterns, transforming the space into a joyful year-round residence. The exterior of the home was updated from a moss-green to a bright white, complemented by a blue front door and natural wood window frames. The side porch, now the main entrance, features a vintage Norwegian flag and a dog statue, reflecting family history and a playful nod to their Scottish terrier. The mudroom serves multiple functions as an entry and laundry room, designed with a waterproof rug and vibrant indoor-outdoor fabric curtains to conceal utility areas. The main living space, originally the primary bedroom, was expanded by removing a wall. It features a blend of high-end and affordable decor, such as an Isamu Noguchi paper lamp alongside IKEA bookshelves and vintage rattan furniture. The room is further adorned with a vintage Swedish rug, patterned textiles, and naive art from a Maine artist. Another living area combines sleek mid-century modern furniture with rustic wood beams and floors, creating an eclectic aesthetic. The dining room is distinctively decorated with an Indian dhurrie as a table covering, complementing the nature-inspired Josef Frank wallpaper and vintage pitchers on the mantel. Modern elements like a midcentury credenza and a Danish pendant light are integrated. The kitchen's breakfast nook offers views through ample windows and is furnished with a vintage trestle table and bentwood chairs, accented by Swedish pottery, a Scandinavian pendant, and a Josef Frank textile pillow. The kitchen itself, once dark, was brightened with pale gray cabinetry, open shelving, and modern lighting, removing elements that obstructed views. The primary bedroom features all-over wallpaper on both walls and ceiling, creating a cohesive, cocoon-like atmosphere, further enhanced by white-painted floors. Color is introduced through a patterned duvet, a handwoven Swedish rug, and artwork by Cornelia Foss. The guest bedroom continues the vibrant theme with garden-inspired wallpaper, a striped blanket, and a checked duvet, alongside a still life by Louisa Matthíasdóttir and a vintage Eames chair. The bathroom boasts botanical wallpaper, vintage French sconces, and a Swedish mirror, referencing the natural surroundings. Nate's office includes a vintage sawhorse desk, an Eames plywood chair, and an industrial lamp, while Kari's office features a Josef Frank curtain and family mementos. Finally, a newly added deck is furnished with vintage metal Woodard furniture and other collected pieces, extending the home's unique, collected aesthetic outdoors. #HomeDesign #InteriorDecorating #HouseTour #CoastalLiving #VintageDecor #ScandinavianDesign #ConnecticutHomes #Renovation #Wallpaper #EclecticStyle

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

Award-winning photographer Steven Laxton undertook a significant DIY renovation of his three-story early 20th-century home in Cypress Hills, Brooklyn, after realizing it was not as move-in ready as he initially believed when he purchased it in 2016. The extensive renovation, much of which was completed during the 2020 lockdown, included replacing floorboards, switching out doors with salvaged antique ones, and paving the back garden. A major focus of the project involved stripping layers of paint from historical woodwork, such as the pier mirror and staircase, to restore them to their natural wood finish. Laxton chose the Cypress Hills location due to its proximity to Highland Park, a 643-acre green space, which offers park views from some rooms and is a significant amenity for him. Despite the four-bedroom, 3.5-bath house being larger than he needs as a single occupant, he has enjoyed decorating the various rooms with his distinct arty style, occasionally renting them out for additional income. His design approach emphasizes bold colors, unique vintage finds, and quirky lighting elements. In the entry foyer, Laxton painstakingly removed multiple layers of paint from a carved door to reveal the natural wood. He is an enthusiastic collector of period lighting and furniture, often sourcing pieces online and in person. For example, a High Victorian piece is featured in the entry foyer. His philosophy is to acquire "interesting things that are solid and well made and have some personality to them." The parlor level of the house was already partially open-plan, with wide openings between rooms and a removed wall separating the kitchen and dining area. The living room blends contemporary and vintage items, featuring a sofa from CB2, artwork by Bryan James, and a chandelier from Restoration Hardware. Mid-century reissues, such as a Noguchi coffee table and a Mies van der Rohe tubular steel chair, are also present, alongside a distinctive brass lamp found on Facebook Marketplace. In the kitchen, Laxton updated the backsplash, faucet, and cabinet hardware. As a photographer, he emphasizes layered lighting, preferring not to use the existing recessed ceiling lights, stating that "Lighting can completely change a space." Chandeliers are used as sculptural elements throughout the home. The artwork displayed is a mix of his own creations, friends' work, and pieces he has acquired. An existing sunroom off the back of the house features a 1950s dinette set, one of the few items Laxton brought from his previous apartment, offering a view of greenery. The powder room on the parlor floor is decorated with thrifted vintage portraits, chosen purely for their whimsical appeal. Upstairs, each bedroom and a reading room has a unique character, achieved through bold wallpaper, deep paint colors, vibrant bed linens, and additional vintage lighting. Laxton completely renovated the top-floor bathroom, combining vintage and new fixtures. A red bedroom on the lower level, described as "a world unto itself," showcases his incremental design process. This room includes two early 1960s George Mulhauser lounge chairs, sourced from different states, and vintage lamps found online. A 19th-century Chinese carved wood piece serves as a distinctive wall decoration. The backyard, originally just dirt, was transformed by Laxton with laid pavers, a 6-foot-high privacy fence made of horizontal wood slats, and a picnic table constructed from leftover wood. He considers this outdoor space a valuable investment, utilizing it for outdoor dining and entertaining throughout the summer months. The project highlights Laxton's hands-on approach to home renovation and decoration, reflecting his personal style through a curated collection of vintage and contemporary elements. #CypressHills #HomeRenovation #DIYDesign #VintageStyle #InteriorDesign #BrooklynHome #SalvagedItems #LayeredLighting #StevenLaxton

This article showcases a rustic-contemporary home located near Traders Point Creamery in Indianapolis, offering a blend of natural materials and modern design elements. The residence features an expansive 8,970 square-foot structure with a detached three-car garage. The exterior is notable for its use of board-and-batten rough-sawn cedar, Brown County rustic rubble stone, and a durable steel roof, with the front facade drawing inspiration from traditional barn architecture, incorporating gaslights and a working double Dutch door. The interior of the home highlights a great room with a Wisconsin Limestone wood-burning fireplace, vaulted cedar ceilings, and white quarter-sawn oak floors. The galley kitchen is equipped with custom oak built-in cabinets, solid quartz countertops, a limestone backsplash, and an instant hot water heater. A distinctive 'bridge' structure connects two upstairs bedrooms, each with private baths, overlooking the kitchen and great room. The full bathroom in the upstairs bedroom suite is finished with Calacatta marble, enhancing its natural light. Additional features include a master bedroom suite with a walk-in closet and integrated washer and dryer. Large porthole windows are present in the upper-level bedroom suite, accommodating king-size beds. The property is designed to maximize privacy, situated on a wooded lot that eliminates the necessity for window treatments throughout the home. Outdoor living spaces include a private patio for entertaining, enveloped by trees, and a landscaped blue stone path with a pergola. An enclosed porch provides a covered breezeway connection between the detached three-car garage and the main house. Access to the property is secured via a gate on Lafayette Road on the Northwest side of Indianapolis. The design integrates robust, natural materials with functional contemporary living spaces, emphasizing both aesthetic appeal and practical utility. #RusticContemporary #HomeDesign #LuxuryRealEstate #IndianapolisHomes #CedarExterior #LimestoneFireplace #OakFloors #QuartzCountertops #PrivateProperty

This article offers a glimpse into the home of Joa Studholme, the colour curator for Farrow & Ball, located in a 19th-century converted schoolhouse in Somerset. Studholme, responsible for many of Farrow & Ball's popular paint colours and their whimsical names, discusses how her home serves as both a personal canvas and an inspiration for new shades. The house, which she shares with her husband and their dog, Tufnell, features distinctive elements such as huge arched windows overlooking rolling hills. Studholme details the colour choices throughout her home, starting with the entrance hall painted in 'Bancha,' a Japanese green tea-inspired hue she created to extend the feeling of the garden indoors and evoke protection. Her journey with Farrow & Ball began in 1996, and she is slated to appear in a TV show about the company's 75-year history. The hall transitions into a library area with bookshelves painted in 'Railings' to create a cozy atmosphere, contrasting with the main living area's vaulted double-height ceilings, a former classroom, which is painted in 'School House White,' a soft white created by Studholme to harmonize with exposed limestone and reflect light. She explains her creative process for developing colours and names, noting that sometimes the colour comes first, as with 'Bancha,' and other times the name, like 'Stiffkey Blue,' inspired by childhood memories, or 'Cromarty,' derived from a shipping forecast. 'Nancy’s Blushes' was named after her daughter’s teething cheeks. The article highlights unique features of the schoolhouse, such as an elevated floor in the living area, originally designed to prevent children from looking out windows during lessons. Studholme and her husband frequently debate whether to lower this floor for more space, weighing it against losing the views. Practicality also influences her choices, as seen in the floor of the living area, which she painted in 'Mouse’s Back,' an earthy, forgiving shade chosen for its ability to merge with garden mud and create warmth. Studholme advocates for painting walls, ceilings, and woodwork in the same colour, arguing that white ceilings do not necessarily make spaces appear larger and that painting window frames the same colour as walls directs focus to the view rather than the frame. The sitting room features concealed up-lighting that highlights the rafters and Tom Dixon silver globes for a contemporary touch. The home's decor emphasizes sustainability, with furniture sourced from previous homes, family inheritances, antique fairs, and flea markets. Studholme describes her approach as 'not overthinking things.' The kitchen incorporates a 'Babouche' yellow accent around a window reveal, chosen simply for fun, and features colourful bistro chairs as recent additions. The interior of the floor-to-ceiling kitchen cupboards is adorned with Farrow & Ball wallpaper samples, a lockdown project she suggests for those hesitant to use bold colours. She also mentions 'Jitney,' a colour she created to mark the end of 'grey mania,' inspired by a bus from the TV show Gossip Girl. Studholme observes a growing preference for earthy colours due to increased connection with nature during lockdown. The article concludes with her clever decor tips, including painting a stained lampshade, using wallpaper samples in an apothecary cabinet, and creating an illusion of light in a narrow corridor with a two-tone paint scheme. #HomeDesign #InteriorDesign #FarrowAndBall #ColourCurator #ConvertedSchoolhouse #PaintChoices #SustainableDecor #HomeRenovation #JoaStudholme

The Ivy House Designer Showhome, a collaborative effort by Jewel and Vincent Centanni of Ivy Residential Concepts, served as a showcase for high-end interior design while also contributing to philanthropy through ticket proceeds benefiting Basket of Hope. This article focuses on the private areas of the home, which include five distinct bedrooms, a lounge, an impressive bathroom, a study, and laundry facilities. Each space was curated by different designers, offering diverse aesthetic perspectives and innovative design solutions. Ty Larkins designed the main bedroom, opting to reintroduce the color red not as a dominant hue but as a sophisticated accent. The room features a backdrop of Benjamin Moore’s “Kendall Charcoal” on walls and ceiling, allowing rich red elements such as a vintage Oushak rug, a large Cecil Touchon artwork, and a custom linen pillow to stand out. Other notable features in this bedroom include a gold-leafed Oly four-poster bed, a grid of 30 architectural drawings that complements the room’s structural elements, and an oversized tripod reflector floor lamp by Thomas O’Brien for Visual Comfort. Larkins’ approach demonstrates how strong colors can be used with restraint to create impactful, memorable spaces without overwhelming them. The primary bathroom, envisioned by Ivy Residential Concept’s Jewel Centanni, combines classic elegance with contemporary flair. It showcases the liberal use of heavily veined Calacatta Caldia marble, including modern waterfall edges and curved details. The marble is contrasted with clean white walls painted in Benjamin Moore’s “White Dove.” High-quality fixtures from Rohl and Hydro Systems, lighting from Visual Comfort, and accessories from Texture BR complete the space. A reeded vanity serves as a subtle nod to design elements found in the home’s foyer, creating a cohesive design narrative throughout the residence. Albert Nolan designed a serene first-floor bedroom, drawing inspiration from the home’s open layout and clean aesthetic. Nolan focused on creating a clean and fresh atmosphere infused with warmth. The room includes 18th-century French side chests from Provence Antiques, a four-poster bed with an ocean blue velvet coverlet and fox fur lumbar pillows, and a bamboo silk rug. A modern chandelier by Bliss Studio and custom Ingot banded draperies by Stroheim enhance the room’s elegant yet comforting ambiance. Nolan’s design philosophy emphasizes balancing purity with inviting warmth. Another bedroom, designed by Erin Mixson, showcases a rich blend of antiques, floral patterns, and diverse artwork, highlighting the potential for personal expression in private spaces. Mixson’s initial inspiration for a light fixture faced supply chain delays, leading to the selection of a beautiful antique chandelier from Fireside Antiques that ultimately became a central feature. The room also includes an antique buffet à deux corps with an upholstered interior, a 19th-century French gilded mirror, and a gallery wall featuring contemporary art and antique paper pieces. Paintings, ceramics, and glass sculptures sourced from Ann Connelly Fine Art, along with a custom floral bed pillow, contribute to the room’s unique character. The fifth bedroom was transformed into a sophisticated gentleman’s lounge by the McMillin Interiors team, consisting of Meghann Landry, Dan Bergeron, and Paul Nguyen. This space draws inspiration from Ralph Lauren’s classic aesthetic, featuring a paisley-wallpapered ceiling with grosgrain trim and deep blue walls. A gallery wall displays both modern and traditional prints. The room is anchored by a bar cabinet with handpainted and gold-leafed doors, offering a refined setting for social gatherings. Custom furniture, such as a Taylor King chaise and a Ralph Lauren upholstered bench, provides luxurious seating options. The designers utilized a dark wall color to create a moody, enveloping atmosphere, enhancing the room's luxurious feel. The expansive laundry room, designed by Rachel Cannon, challenges the notion of utilitarian spaces by elevating it into a room of intentional design and aesthetic appeal. Leveraging the room's 12-foot ceilings and abundant natural light, Cannon painted the walls in a deep green. A salon wall features original artworks from Ann Connelly Fine Art, with a large Carlos Ramirez painting uniquely suspended from chains in front of a window. Dark soapstone countertops from Triton Stone complement the color scheme, while glass vessels for laundry essentials add a touch of sophistication. Custom cabinets by RTE Cabinets & Millwork conceal a dog bed, and a gilded light fixture from Capital City Lighting adds a final touch of elegance to this functional yet beautiful space. The study, designed by Colleen Waguespack, embraces South Louisiana culture by prominently featuring a 10-point buck mount, challenging traditional perceptions of animal trophies in interior design. Waguespack integrates this element with a bar cart beneath, creating a functional and culturally resonant display. A custom papier-mâché peacock by New Orleans artist Kaki Foley serves as a focal point within a built-in wall by RTE Cabinets & Millwork, flanked by antique pots, leather books from Fireside Antiques, and small artworks. Recognizing the rise of remote work, the study is designed to function as a home office while also being suitable for entertaining, complete with a custom desk by Conrad Freeman and David Cano, and an additional seating area, offering a versatile and distinct space for modern living. #InteriorDesign #LuxuryHomes #Showhome #HomeDecor #BatonRouge #ResidentialDesign #EclecticStyle #SouthernCharm

A retired couple moving to Crown Point from Washington sought to transform their new, cool-toned residence into a warm, eclectic, and family-friendly home, particularly to accommodate their children and growing number of grandchildren. They enlisted the full-service design firm Kristyn Harvey Interiors for this project, which commenced in July 2024 and concluded six months later. The design aimed to reflect the couple’s love for travel by incorporating global treasures while prioritizing warmth and practicality. The inspiration for the home’s redesign stemmed from its coastal location, being close to Mission Bay, and the clients' active lifestyle, including participation in outrigger canoe competitions. This led to a design aesthetic that incorporated warm, coastal tones infused with an eclectic humor, mirroring their well-traveled background. A prime example of this eclectic approach is a bronze bunny statue, an existing possession of the couple, which was deliberately placed in a bathroom to add a sense of mystery and playful storytelling, aligning with the designer’s philosophy of creating fun and laughter-inducing moments within a home. Kristyn Harvey Interiors focused on contrasting the existing cool elements of the house, such as the fireplace tile, flooring, and kitchen, with warm-toned materials to achieve a more vintage-inspired and less modern ambiance. In the living room, the large, cold fireplace was deemphasized through the addition of vertical paneling in the adjacent nooks. White oak floating shelves and a desk were installed, designed for both aesthetic brightness and functional eclecticism, reflecting the clients’ needs. A vintage coffee table from the 1970s, which had a minor repair, became a central piece, embodying the vintage-inspired goal. Consideration for the clients' new role as grandparents was a key aspect of the furniture selection. All living room furniture, including the sofa, swivel chairs, and ottomans by Rowe Furniture, were chosen for their performance fabric and rounded corners, ensuring safety and durability for grandchildren. The ottomans were designed with additional storage and reversible tray tops, enhancing their utility for family gatherings and board game nights. The dining room was conceived as an extension of the living room, featuring swivel head chairs that allow for interaction between both spaces. A dark-finished custom dining table by RBMZ Studio provided a striking contrast to the warm, coastal interior palette. The culmination of the design project aimed to create a home that not only showcased the couple's cherished memories but also provided a welcoming space for future family moments. A notable finishing touch was a 100-year-old Turkish olive tree trunk, cleaned and sealed with a marine-grade UV protectant, and hung above the entryway, symbolizing the home's longevity and its role as the clients' retirement and forever residence. The design elements and material choices, including paint by Benjamin Moore, artwork by Sophia Lind and Uttermost, and furniture from brands like Four Hands and Lulu and Georgia, contributed to the overall warm, eclectic, and family-centric transformation. #InteriorDesign #HomeTransformation #CoastalDecor #EclecticStyle #FamilyHome #KristynHarveyInteriors #CrownPoint #SanDiegoDesign #VintageFurniture

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article offers a detailed tour of "The Swallow," a custom home located in the Kiawah River waterfront community on Johns Island, just outside of Charleston, South Carolina. The residence is presented as an example of elevated, coastal chic design, situated in the region's unique "agrihood" community which includes a 100-acre working farm, goat dairy, beehives, and nature trails, reflecting a lifestyle connected to natural elements. Built by JacksonBuilt Custom Homes with interiors designed by Motif, the three-bedroom, three-and-a-half-bath home was conceived to integrate with its surroundings, drawing inspiration from local natural elements like driftwood, feather grass, and water. The homeowners, having relocated to escape Pennsylvania winters, sought to create a tranquil retreat. The home's design features distinct sections, giving the impression of organic growth and additions over time. The main living space, characterized by a vaulted ceiling, a plaster fireplace, and iron 'turnbuckles,' aims to evoke the feel of an original homestead. This area seamlessly connects to the kitchen, which offers views of the community park, and then extends to the primary suite. The living room's spaciousness is enhanced by high ceilings and a floor-to-ceiling fireplace surround. Driftwood beams and accents of sunshine yellow in throw pillows contribute to depth and ground the space in natural aesthetics. The interior styling incorporates unique pieces, including artwork by photographer Benjamin Walls, chosen by Motif, JacksonBuilt's sister company for finishing touches. Despite its expansive feel, the living room maintains a cozy warmth. The kitchen area features a blend of white oak and fluted accents on the cabinetry, providing ample space for cooking and social interaction. A bead board inlay under the kitchen island adds textural interest. The breakfast nook is designed with floor-to-ceiling windows that highlight the outdoor scenery and allow natural light to flood the space, offering views of the park. The exterior of the 2,950-square-foot home showcases a coastal farmhouse aesthetic, despite its location on an irregularly shaped corner lot, blending harmoniously with the landscape. A prominent live oak tree in the front yard serves as a significant natural focal point. The home's design and aesthetic were achieved in collaboration with architect Collin Cope, utilizing materials and furniture that complement the natural outdoor environment. The primary bedroom is depicted as a simple yet effective tranquil retreat, featuring greenery and a bed flanked by mirrors. Sliding barn doors lead to the master bath, which includes a freestanding tub offering serene views of the area's signature Spanish moss. White halls throughout the home provide a neutral backdrop for eye-catching artwork. A wet bar area also incorporates artistic elements. The balcony is presented as a carefully curated space, layered with cozy textures. The residence's design excellence was recognized with a “Best in American Living Award” from the National Association of Home Builders. #KiawahRiver #CustomHome #CoastalChic #JohnsIslandSC #HomeDesign #InteriorDesign #AgrihoodCommunity #LuxuryHomes #SouthernLiving

The article offers a detailed photo tour of the great room in the McGee home, highlighting its design process and key elements. This great room serves as the family's primary living space, combining formal and casual living styles. The design prioritizes an open-concept floor plan while maintaining distinct room identities. Upon entry through a barrel arch, the ceiling height dramatically increases from 10 feet in the entryway to 25 feet in the living room, creating a sense of grandeur. Crucial to the room's structure and aesthetic are the large Douglas fir wood trestles, which required precise craning during installation. A significant design challenge involved seamlessly matching the wood trestles with white oak floors, a task successfully achieved through custom staining by Killowen Construction and Lemco Design. The fireplace wall, initially designed as flat, was enhanced by building out the firebox to introduce dimension, with the break extending vertically to the ceiling. Custom steel-door built-ins flank the fireplace, crafted by the same artisan responsible for the banister, providing both storage and aesthetic appeal. Shiplap on the back of these built-ins connects to similar detailing in other areas of the home, such as the mudroom, laundry room, dining room, and master bedroom, creating a cohesive design language. These built-ins serve as a backdrop for a mix of new decor pieces from McGee & Co. and vintage finds, adding character and depth to the space. The integration of a large Samsung Frame TV above the fireplace addresses both functional viewing needs and aesthetic concerns, appearing as framed art when not in use. The height of the TV is strategically placed to ensure comfortable viewing from various points in the open-plan space, including the kitchen. The custom-built fireplace, constructed from natural stone sections, adds significant visual weight and texture to the room. The natural imperfections in the stone contribute to its unique character. A 72-inch diameter chandelier, suspended between the exposed trestles, was chosen for its substantial size and simple shape, ensuring it complements rather than distracts from the architectural elements. The furniture selection began with a strategic space plan to optimize flow and functionality. The Hale Sofa, over 100 inches long with a bench seat, serves as a central piece. Its Crypton fabric is highlighted for its cleanability, a practical feature for a family home. Floor outlets were incorporated under the sofa to discreetly manage lamp cords. Pattern mixing in the pillow combinations, using various textiles, adds visual interest and layers to the seating arrangements. The Reese Curved Sofa, upholstered in velvet, introduces a contrasting shape and texture, balancing the taller-legged Hale Sofa. Its curved design ensures it is aesthetically pleasing from all angles, particularly for those walking behind it. A faceted pedestal in the corner adds a sculptural element, elevating the room's formal-casual balance. The Beckett Chairs, featuring a wood frame and caned back, introduce additional wood tones and a visually light seating option without bulky arms. The design of these chairs allows the caned detail to be appreciated upon entry. Textile layering is crucial for creating atmosphere, exemplified by combining a vintage rug with a Girona Woven Rug. The layered rugs create a warm, creamy look, with the jute rug's stripe adding detail. The article advises using rugs one size apart when layering. Overall, the great room's design combines architectural strength, thoughtful material choices, and practical family-friendly features with elegant aesthetics.