Step Inside the Most Colorful Cottage on the Connecticut Coast

Maggie Griffin, an interior designer, found her charming 1940s cottage in Gainesville, Georgia, and immediately fell in love with its historic appeal. The house, with its original features, small rooms, and quirky ceilings, perfectly fit her design philosophy of mixing old and new. Maggie's passion for items with history is evident throughout her home, which is filled with inherited pieces like an antique secretary and settee, alongside modern elements such as lucite and parsons tables. Her approach creates a warm and welcoming environment that reflects her personal style. Upon moving into the Gainesville cottage, Maggie and her husband, David, made minimal cosmetic changes. They focused on refreshing the space with new paint, countertops, and a few faucets, maintaining the integrity of the home's original character. The previous homeowner, who shares a friendship with Maggie, had impeccable taste, which facilitated a smooth transition. The cottage's curb appeal, characterized by painted brick, a charming side addition, a gable roof over the front door, and single-pane windows, embodies the quintessential cottage style that Maggie admires. Inside, the original floors and slanted ceilings on the second floor further enhance the cozy, historic atmosphere. Maggie's keeping room, located off the kitchen and breakfast area, serves as the central hub of her home. This multi-purpose space is designed for family gatherings and features a mix of antique market finds and contemporary pieces. The Thibaut wallpaper adds a touch of happiness, and layered rugs provide depth. The breakfast table and server were sourced from Scott’s Antiques, while the chairs are from Serena & Lily. A settee, inherited from her maternal grandmother, has been re-covered in velvet, adding a layer of family history to the room. An acrylic coffee table from Amazon.com offers a practical, easy-to-clean surface, ideal for a home with a young child. The kitchen, though previously remodeled, received Maggie's personal touch. She painted the cabinets and island, incorporating a wooden countertop for warmth and swapping perimeter counters for granite. This blend of finishes and the natural light from a large window over the sink contribute to the kitchen's inviting ambiance. The exterior also received attention, with shutters painted in Benjamin Moore’s “Herbal Escape,” complementing the vibrant spring blooms of her ten bright pink peony bushes, which bring Maggie joy each summer. Outdoor living is a significant part of the Griffins' lifestyle. From April to October, all meals are enjoyed on their back porch, which is furnished with a comfortable sectional for watching football games and a farm table from Scott’s, paired with easy-to-clean metal chairs. This space is designed for entertaining, accommodating both adult dinner parties and neighborhood playdates, and even hosted over 150 guests for a Halloween gathering. The master bedroom showcases Maggie's affinity for blue and white, with the design originating from a remnant bolt of "La Grenade" fabric by Bailey & Griffin, used for the bed skirt. Nightstands, acquired from a friend’s mother, were painted in Benjamin Moore’s “Half Moon Crest.” A custom upholstered headboard, inspired by Bunny Williams, and a bench from Scott’s with a leopard-print cushion from Lewis & Sheron further personalize the space. The bedding combines elements from Pine Cone Hill and Serena & Lily, alongside a custom bolster. An upstairs sitting room features original pine paneling and flooring, creating a charming den for guests. A camelback sofa, inherited from her paternal grandmother, is recovered in navy velvet. A hand-me-down ottoman and bobbin chairs from Pier 1, re-covered in fabric from Scott’s, complete the seating arrangement. The room also includes an IKEA jute rug layered with an antique store find, and a gallery wall displaying a mix of collected art, personal creations, and pieces from artist friends. Her son Henry’s room, located off the breakfast room, features a sophisticated look with Schumacher linen on the headboard and elephant art by Erika Lackey. A dark-blue chest from Scott’s Antique Market, framed alphabet book pages, and discarded turtle shells decorate the space, reflecting a blend of whimsy and personal history. Henry's bathroom includes Schumacher wallpaper, gray-painted trim and vanity, a Target turtle shell, and antique silver canapé dishes with the New Orleans crest. Maggie's background in furnishings and interiors, influenced by her chic grandmothers and mother, led her to a career in design. Her early experiences at Heery’s Too!, a high-end home furnishings gift shop, allowed her to transition from assisting shoppers with small decorative tasks to managing larger design projects, establishing her career as an interior designer who cherishes history and mixes it with modern sensibilities to create unique, inviting homes. #HomeFeatures #InteriorDesign #CottageStyle #AntiqueDecor #HomeDecoration #GainesvilleGeorgia #MaggieGriffinDesign #OldMeetsNew #FamilyHome

Wendy and Cleve Meredith, drawing inspiration from their New England background, undertook a significant renovation of their 1930s Cape Cod-style home in Atlanta. The house, which had remained largely unaltered for decades, presented a unique opportunity for an update without expanding its original footprint. Wendy, an interior designer, collaborated with Atlanta architect Brad Heppner to refresh the property, beginning with its curb appeal. Subtle yet impactful changes were made to the exterior, including repainting the brick a warm light brown to blend with the surrounding trees. A new cedar-shingled roof, a flared awning over the front door, and black shutters on the dormer windows were added, enhancing the home's architectural definition. Inside, the objective was to improve living spaces without increasing the home's size. The kitchen, despite retaining its original square footage, now appears more expansive. Much of the kitchen, along with an adjacent pantry and breakfast area, was reconfigured to maximize space planning. Existing scalloped-niche and Shaker-style cabinetry was ingeniously adapted to conceal a refrigerator and pantry. Custom cabinets throughout the kitchen were designed to be slightly oversized, with upper cabinets deepened by 2 to 3 inches to accommodate larger items, and lower cabinets equipped with drawers for easier access. A wooden plank backsplash was chosen over tile to maintain a seamless, old-fashioned cottage aesthetic. A central, space-saving pocket door now connects the kitchen to the dining room. The dining room itself was updated to evoke a sense of history without feeling overly formal. The upper walls were painted the same gray as the kitchen island, creating continuity between the adjacent spaces, while creamy horizontal wood planks were installed below the chair rail. The original hardwood floors were refinished to their former beauty. Wendy selected a round table and antique chairs, upholstered in simple linen and checked fabrics with a delicate scalloped edge, to foster a welcoming atmosphere. A family heirloom, a 13-arm meeting-house chandelier, serves as a distinctive focal point. The former back porch, previously housing a washer and dryer, was transformed into an essential butler's pantry, extending the kitchen's functionality. This area features wood-plank walls, a quaint and practical brick floor, a walnut countertop for added patina, and open shelving to display bar items. A former bedroom was converted into a sitting room, now offering direct access to the newly designed courtyard through French doors. The backyard, originally with a small brick patio, was re-envisioned as a lush courtyard to provide more living space and a garden retreat for the Merediths and their two corgis. A new garage/carriage house anchors the back of the yard. The hardscape includes a picket fence, bluestone tiles, and a pea gravel drive and path, softened by a green-and-white-themed garden. This garden is thoughtfully planted with camellias, a tea olive hedge, hostas, hydrangeas, and ferns, ensuring year-round greenery and blooms. A unique personal touch was added with a quarterboard displaying the name "Glory Cottage," a nod to Nantucket tradition and a symbol of adoration, praise, and thanksgiving. #CapeCodCottage #HomeRenovation #InteriorDesign #ExteriorMakeover #KitchenRemodel #CourtyardDesign #TraditionalHome #ArchitecturalDetails #GardenLandscaping

Jim and Jennifer Wissing, residents of a three-bedroom, 2 ½-bath ranch home in the North Shore area, have meticulously transformed their 1963 house into a Victorian-era abode, reflecting their shared passion for the period's aesthetics and history. The couple, who acquired the house in 1977, initially decorated it in a traditional style. However, about two decades ago, after their children moved out, they began collecting antiques, progressively upgrading their pieces over time. Their collection is not merely an assortment of old items; the Wissings specifically seek out pieces with a historical connection to Milwaukee. For instance, they own three documented artifacts from the Schandein mansion, which once stood at 24th Street and Wisconsin Avenue. These include a large wood carving of a court jester, a newel piece shaped like a lady, and two carved wood panels that extend their crown molding. These particular items were acquired from the Alpine Village restaurant when it was sold. Another notable acquisition is a wrought-iron lunette by Cyril Kolnik, originally an archway piece from the Blatz Hotel on North Water Street, also sourced from the Alpine Village sale. Their collection further includes a chandelier from the Josiah Noonan House and hand-carved wood statues from the Brumder mansion. Beyond purchasing antiques, Jim Wissing contributes significantly to the home's Victorian ambiance by crafting furniture that aligns with the era's style. He constructed the three-piece bedroom set in their master bedroom, designed by Jennifer, as well as bookcases in the office, a decorative block front chest in the living room, and wall paneling in the family room. When asked about their choice of a ranch house over a period home, Jennifer explained that while they considered Victorian homes in areas like Concordia, they ultimately prioritized their preferred neighborhood, close to their parents. They have adapted the ranch structure to better suit their Victorian decorating style by installing new six-panel oak doors with gold leaf corner blocks and adding thick molding and trim throughout the house. A primary challenge has been fitting large Victorian pieces into the ranch's smaller spaces, necessitating creative solutions such as using a smaller gaming table from the 1880s or 90s in the kitchen and shortening chandeliers to accommodate lower ceilings. The home’s interior colors are all Victorian-inspired, with Jennifer drawing inspiration for the living room from “Victorian America, Classic Romanticism Through Decorating” by Wendell Garrett. The kitchen underwent a significant transformation, with Jennifer designing custom cabinets with raised panels and a hutch, built by Jim. They also incorporated stained glass windows from a house on Brady and Prospect Avenue, black granite countertops with bronze flecks, and hardware chosen to match the bronze accents. The couple collects epergnes, decorative glass pieces for dining room tables. The family room features a French hunting cabinet from around 1850, two 1870s newel post figures, and a three-piece parlor set. The living room is furnished with mahogany pieces, reupholstered in teal sculpted velvet, and includes high-back chairs from an Atlanta courthouse. The guest bedroom showcases an R.J. Horner & Co. three-piece set from the 1880s, with a bedspread made from reproduction fabric from St. James Place castle in England. The dining room boasts an antique oval table that extends to 11 feet, with six chairs upholstered in sculptured velvet damask, and custom-made window treatments. Large gasoliers, typical of Victorian mansions, are present in most rooms, including a piece by Cornelius & Baker in the dining room. Their future plans include transforming the basement into an old beer hall. The exterior complements the interior with an English garden, chosen for Jennifer’s love of roses and its suitability for the light-colored brick exterior of their home. #VictorianDesign #HomeRenovation #AntiqueCollection #MilwaukeeHistory #InteriorDecorating #RanchHomeTransformation #CustomFurniture #ArchitecturalSalvage #PeriodStyle

The term "cottage" refers to a category of house rather than a specific architectural style, encompassing small homes characterized by charm. Its origins trace back to the Middle Ages in England, where peasant farmers, known as "cotters," resided in modest, rural dwellings. Historically, English cottages were simple structures designed to provide warmth, typically featuring a single large living room on the ground floor and two bedrooms upstairs, often beneath a thatched roof. These homes were functional and cozy, prioritizing protection from the cold climate. In the United States, the concept of a cottage evolved to include small-frame vacation homes situated near beaches or lakes, as well as secondary, smaller residences on larger properties intended for guests or laborers. Despite this diversification, American cottages maintained their inherent charm and widespread appeal across both urban and rural settings. During the Gilded Age, the ultra-wealthy adopted the term for their vacation homes, which, while still called "cottages," were significantly larger and incorporated modern amenities such as electricity, plumbing, and heating. Several distinct types of cottage houses exist globally. Coastal Cape Cod cottages, originating in the northeastern U.S., are compact, one-and-a-half-story homes with dormer windows and steeply pitched roofs, designed to withstand harsh winters. These homes are frequently found near coastal areas, featuring cedar shingles, and are now seen across the United States. Southern cottages, particularly Creole cottages in New Orleans, are narrow, one-story homes with front porches and side-gabled roofs, emphasizing outdoor living due to the warmer climate. English cottages, still prevalent in the British countryside, often feature thatched roofs and are characterized by lush, overgrown gardens that blend with the natural surroundings. Nordic cottages, found in regions like Sweden and Norway, are typically wooden, often painted bright red, and combine coziness with minimalist interiors. Bungalows, while a specific architectural style, can be considered cottages if they incorporate features like sloping roofs, dormer windows, and overhanging porches, though not all cottages are bungalows. Despite the architectural variations, all cottage houses share consistent fundamental elements. Coziness and comfort are paramount, often achieved through layering textures and textiles such as pillows, blankets, rugs, and curtains. Natural materials, including wood post-and-beams or brick exteriors, are frequently used, seamlessly integrating the homes into their landscapes. An open floor plan is another key element, maximizing the efficiency of the small living spaces. Built-in features enhance the craftsmanship, and earthy elements complement the warm, inviting furnishings. Cottages are generally defined by their small size, typically ranging from 1,000 to 1,200 square feet, which is about half the size of an average American home. Their exteriors often include pitched roofs, covered porches, and natural elements, while interiors are warm, cozy, and may incorporate pastel colors, floral motifs, and vintage decor. The primary distinction between a cabin and a cottage lies in their location and amenities: cottages are usually more centrally located in towns or near destinations, whereas cabins are more secluded and minimalist, designed to encourage interaction with nature. #CottageHome #HouseStyles #ArchitecturalHistory #HomeDesign #CoastalCottages #EnglishCottages #SouthernCottages #Bungalow #SmallHomes