In Italy, a Fabric Designer’s Wildly Colorful Home (Published 2020)

Idarica Gazzoni, an Italian artist turned textile designer, began her journey into decorative arts two decades ago while transforming an 18th-century Milanese palace apartment into a family home. Faced with challenging, stiff Lombard furniture inherited by her then-husband, Gazzoni opted to redirect attention to the walls and ceilings, embellishing them with fantastical trompe l’oeil scenes. Her living room was reimagined as a Napoleonic military headquarters, complete with campfires and tiny soldiers. The sitting room took on the ambiance of an exotic boudoir with a ceiling painted in Cintamani symbols, while the bedroom was transformed into a Scottish woodland, featuring shimmering foliage in the mist. Her unique approach quickly garnered attention, leading to numerous commissions worldwide. These projects included a Mondrian-inspired room in an 18th-century country villa in Parma, a Pierre Loti-inspired Turkish salon in Tel Aviv, a bedroom in Venice reminiscent of a Fabergé box, and a wine bar in Florence adorned with floor-to-ceiling decorative motifs based on vine leaves. Three years prior to the article's publication, Gazzoni decided to pivot from large-scale wall painting to designing her own line of printed fabrics. She established an atelier in her home and named her fabric company Arjumand, a tribute to the Mughal empress whose story of deep love inspired the Taj Mahal. Gazzoni explains that the empress's story resonated with her during a personal period of transition, helping her reconnect with the idea of romance. Arjumand's legendary travels also influenced Gazzoni's creative process, inspiring distinct collections. Her Russia Collection draws from the 17th-century palaces of the czars, while the China Collection is a deep dive into the vibrant culture and colors of southern China's Miao people. The Japan Blue Collection emerged from her exploration of Japan's late-19th-century fascination with indigo blue. Beyond her fabric designs, Gazzoni continues to undertake interior decorating projects globally. She recently completed the interior design for Liza, a prominent restaurant in Beirut, in collaboration with decorator Maria Ousseimi. She also decorated a house in Patmos, Greece, incorporating fabrics from her latest collection. Despite her focus on textiles, Gazzoni admits to a continued inclination for painting walls, even finding herself back on scaffolding for these projects. Her fabrics are available through harbingerla.com. #IdaricaGazzoni #TextileDesign #PatternDesign #InteriorDesign #MilanPalace #TrompeLoeil #ArjumandFabrics #GlobalInspirations #HomeDecoration

The world is home to an incredible array of diverse buildings, with some standing out for their vibrant hues. This article explores 38 of the most colourful homes across the globe, showcasing how cultural, architectural, and social circumstances contribute to their striking appearances. From candy-striped huts in Portugal to hillside neighbourhoods in Mexico transformed with murals, these properties demonstrate that personality can be expressed boldly on the exterior of a home, not just within its interiors. Key examples include Zhengbin Fishing Port in Keelung, Taiwan, where 16 vibrantly-hued houses line the river bank, and Rainbow Row in Oklahoma City, USA, featuring six three-storey, candy-coloured homes designed by architect Sam Day. Indonesia's Kalisari Rainbow Village, or Kampung Pelangi, received a government-funded glow-up in 2017 to attract tourists, transforming buildings and bridges into multi-coloured murals. In New York, USA, artist Katwise and her partner transformed a rundown farm into a psychedelic wonderland with every colour imaginable, funding their renovations by making patchwork coats from old sweaters. The Bo-Kaap neighbourhood in Cape Town, South Africa, is known for its brightly painted houses, a tradition that began when freed enslaved people painted their homes in celebration after being allowed to purchase them. Jodhpur, India, is nicknamed the 'Blue City' due to its many blue homes, a colour believed to help keep interiors cool and deter termites. Italy’s Cinque Terre region features vividly decorated houses cascading down steep hillsides, where fishermen reportedly painted their homes in bright tones to spot them from sea. Las Palmitas in Pachuca, Mexico, saw a community project by the 'German Crew' transform a downtrodden area into a living art mural with rainbow-hued homes. Yves Saint Laurent’s Villa Oasis in Marrakesh, Morocco, is a vivid celebration of colour, Art Deco, and Moorish design. Poznań, Poland’s Old Market Square boasts Renaissance-style merchant houses, each unique with mismatched colours and patterns, rebuilt after World War II. Venezuela features old, traditional houses resembling abstract paintings, with strong colour pairings and bold lines. In Pattaya, Thailand, the Xanadu Beach Resort showcases elaborately painted accommodations. Burano, Italy, one of Venice's islands, is known for its rainbow-painted homes, a tradition thought to help fishermen locate their houses in the fog. Valparaíso, Chile, has houses painted with leftover ship paints, creating a vibrant, colourful town. Vienna, Austria, features the Hundertwasserhaus, an unusual apartment building designed by artist Friedensreich Hundertwasser, with an art-like quality and colourful exterior. Portland, Oregon’s Nob Hill neighbourhood is filled with historic Victorian and Craftsman homes painted in pretty hues. Singapore's Little India district is home to many bold structures, including a multicoloured, century-old Chinese villa. Ilulissat, Greenland, features brightly painted buildings where colours historically indicated function, and now serve as decoration. Guatapé, Colombia, is dubbed the world's most colourful town, with everything from doorways to balconies painted in eye-catching colours. London’s Primrose Hill and Notting Hill boast pastel-hued and brightly coloured terraced houses, respectively, with trends starting in the 1960s. Muizenberg, South Africa, has colourful bathing boxes along its beach. Caminito in Buenos Aires, Argentina, is a street museum revitalized by artist Benito Quinquela Martín, featuring brightly hued houses. Varanasi, India, has chaotically structured, radiant houses on the Ganges, with colours reflecting Hindu symbolism. Tenerife, Spain, shows coastal houses painted in bold colours, likely to help fishermen see them from afar. Bristol, UK, is known for its vibrant buildings, with theories ranging from sailors' navigation aids to a mayor's influence. Innsbruck, Austria, features buildings painted in every imaginable shade against its mountain scenery. Stockholm, Sweden’s Stortorget public square showcases Renaissance-style buildings with uniquely painted façades. Getsemani in Cartagena, Colombia, highlights colourful colonial homes, reflecting its diverse cultural history. Diessenhofen, Switzerland, has adorable painted houses in its main street, thought to welcome visitors. Stykkisholmur, Iceland, and St. John's, Canada, feature unique, bright structures, with traditions rooted in individual expression and making homes visible in fog, respectively. Lüderitz, Namibia, displays colourful Art Nouveau buildings in a Bavarian style, a relic of its German colonial past. Finally, Istanbul, Turkey’s Balat district is recognized for its vibrant, historic wooden homes, and Costa Nova, Portugal, is famous for its candy-striped huts, originally built to shelter fishermen and later painted to attract tourists. #ColorfulHomes #Architecture #GlobalDesign #HomeExterior #TravelInspiration #CulturalHeritage #UrbanArt #VibrantCities #CoastalHomes

Textile designer Aelfie Oudghiri's Brooklyn townhouse, shared with her husband, Hicham, and daughter, Mirah, serves as a living showcase for her eponymous line of bedding, soft goods, rugs, and furniture. Housed in a former industrial pencil factory, the 1,800-square-foot space reflects an easy, comfortable, and effortlessly stylish aesthetic deeply rooted in Oudghiri’s upbringing. Her parents, both builders and developers, introduced her to the transformative power of design early on, and an oversized Kerman rug from her childhood ignited her passion for textiles, inspiring her eventual career. Many pieces in her home are samples from her company, allowing her to live with and test products before their official launch, ensuring they are practical and durable. Oudghiri's journey into design began with an e-commerce store in her teens, focusing on products made by other young women, which taught her the foundations of design. Her childhood dream, however, was to design bedding, driven by frustration with the gendered, corny, or poor-quality synthetic options available at the time. Her early sketchbooks are filled with bedding concepts, foreshadowing her future in textile design. When designing her home, the living room was the starting point, prioritized for its comfort, openness, and suitability for entertaining. Her Moroccan husband influenced the layout, seeking a space reminiscent of a Moroccan salon with ample seating for guests. This led to the inclusion of a mint green sofa from CB2, praised for its durability, and another from ABC Carpet & Home. Oudghiri approaches home design with a lack of inherent attachment to spaces, a common sentiment in New York, preferring to evolve the design slowly. Her access to her own home decor line means her apartment is filled with a complementary array of her designs, from bath mats and pillows to poufs and tables, all serving as practical testaments to their wear and tear resistance. A key design element for Oudghiri was baby-proofing and creating a kid-friendly environment for her daughter, Mirah. The massive, open layout allowed for a play-friendly space free from hard obstacles or fragile items. The open and industrial nature of the former factory presented challenges in making the space feel cozy and welcoming. Oudghiri overcame this by strategically using rugs and artwork to soften the industrial brick walls and warm up the cold aesthetic. Her favorite aspects of the home include the exposed beams, high ceilings, abundant wall space for art, and the intricate texture of the floors. A design element she recommends for readers is foregoing a traditional coffee table in favor of side tables and poufs. This decision, initially driven by an inability to find a beloved coffee table, later proved invaluable for creating a large, open play area for her daughter. Visitors often comment on the home's established feel, assuming Oudghiri has lived there for a long time, despite only a few years passing, indicating the successful integration of her personal style and products. #TextileDesign #BrooklynHome #HomeTour #InteriorDesign #ColorfulDecor #PatternMixing #KidFriendlyDesign #IndustrialConversion #DesignerHome

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

The article showcases Liz Tew's favorite room, highlighting her approach to creating a relaxing and inviting living space. The design centers on a serene color palette, utilizing Benjamin Moore's Pale Oak for the walls, which sets a calming foundation for the room's aesthetic. This choice of wall color contributes significantly to the overall tranquil ambiance of the living area. Several key design elements are incorporated to enhance the room's visual appeal and comfort. Woven raffia wall hangings are prominently featured, adding texture and a natural, organic touch to the space. These hangings are noted as a growing trend in home decor, indicating a contemporary design sensibility. The integration of art pieces is another significant aspect of the room's design, with a collection from artists Annie Howell, Katie Hinshelwood, Grace Pouch, and Whitney Stoddard creating a cohesive and visually stimulating grouping. This curated selection of art reflects a thoughtful approach to personalizing the space. Natural elements are strategically used to introduce warmth and visual interest. A wooden circular mirror serves as a natural texture element, providing a contrast to the cooler tones in the room and adding a sense of organic elegance. Furthermore, a tall fiddle leaf fig tree is positioned in a corner, adding height and bringing a touch of nature indoors, which contributes to the room's freshness and vitality. Textiles play a crucial role in enhancing the comfort and style of the living space. The couch features throw pillows by artist Laura Park, which introduce patterns and colors that complement the overall design. These pillows are paired with thick banded curtains, creating a harmonious and polished look. The attention to detail extends to smaller accents, such as a beaded decoration on a vintage door knob, illustrating how minor elements can contribute to the room's character and charm. A particularly notable art piece in the room is "ÒLarry LlamaÓ" by local artist Marian Pouch. This painting not only serves as a focal point but also connects the interior space to the local art scene, as a larger version of the piece adorns the Camperdown Plaza in downtown Greenville. This inclusion underscores a blend of personal taste with an appreciation for local culture. Overall, Liz Tew's favorite room is characterized by a carefully balanced combination of calming colors, natural textures, curated art, and thoughtful decorative details. The design emphasizes creating an inviting and aesthetically pleasing environment through a harmonious selection of furnishings and decor, reflecting a contemporary yet timeless approach to interior design. #HomeDecor #InteriorDesign #LivingRoom #PaintColors #HomeStyling #ArtCollection #NaturalElements #TextileDesign #GreenvilleHomes

The interior design landscape for 2025 is marked by a bold shift towards expressive and personalized spaces, moving beyond the neutral palettes that have dominated recent years. Presentations at Milan Design Week 2025 and Paris’s PAD 2025 revealed a strong embrace of color, pattern, and experimental forms. While the influence of maximalism persists, there's also a subtle integration of 'quiet luxury' principles, emphasizing comfort, relaxation, and monochromatic schemes. However, the overarching theme is a departure from subdued tones, with designers championing vibrant colors, often inspired by natural elements. Clients are increasingly seeking interiors that not only offer a sense of sanctuary but also distinctly reflect their individual personalities, driving a willingness to experiment with diverse materials, textures, and furnishings. Designer Anne Dereaux notes that a space's uniqueness now stems from a mix of classic and sculptural pieces, handmade objects, or even found items with a narrative, contributing to a holistic sense of well-being. A significant trend emerging is "material drenching," a concept introduced by designer Jake Arnold. This involves decorating an entire room with a single material like wood, stone, plaster, or fabric, moving beyond the color-drenching trend of previous years. This approach adds dimension and an elevated aesthetic, drawing inspiration from historical paneled or plaster-clad rooms but with a brighter, lighter contemporary interpretation. Reflective materials, such as high-gloss paints and strategically placed mirrors, are also gaining traction to add energy and manipulate perception without making spaces feel confined. Furthermore, there is a growing demand for evocative and enveloping spaces where comfort and well-being are paramount. This translates into moodier interiors featuring dark wood cabinetry, plush textiles, and layered drapery, often incorporating bold colors and patterns reminiscent of 20th-century design luminaries like Sister Parish and Mario Buatta. Installations at Milan Design Week, such as Pierre-Yves Rochon's Villa Héritage and Dimoremilano's "La Prima Notte di Quiete" with Loro Piana, exemplify this trend with rich hues, luxurious materials, and inviting elements like conversation pits. Craft-focused furnishings are also experiencing a significant revival, driven by increased consumer interest in quality, uniqueness, and sustainability, especially since the pandemic. The global market for arts and crafts is projected to reach $74.3 billion by 2033. Designers like Laura Lubin highlight the value of handcrafted pieces for their detail, timeless appeal, and ability to tell a story, reflecting a broader movement towards supporting artisans and embracing slow design. Examples include bronze furnishings at PAD Paris and Studio Lugo's work at Alcova Milano, which utilizes traditional Turkish techniques and materials. This emphasis on handmade items also caters to the desire for personalized spaces, with retailers increasingly featuring artisanal craftsmanship and connecting consumers to the makers behind the pieces. Color palettes for 2025 are expanding beyond earthy hues to embrace a full spectrum of nature-inspired greens and blues. Reports from the National Kitchen & Bath Association indicate a preference for colorful kitchens and bathrooms over traditional all-white designs, with designers observing a growing client interest in extending these shades throughout the home. This trend is linked to a desire to strengthen the connection between indoor spaces and the outdoors, providing a calming ambiance. Kathleen Walsh, a New York City-based designer, notes that project palettes are deeply rooted in the surrounding landscape, using softer foundation hues punctuated with vibrant accents. The integration of statement colors with natural materials is seen as a sophisticated approach. Sustainability and durability are central to interior design in 2025, with homeowners increasingly prioritizing natural, long-lasting materials for well-being. Clients are more conscious of material origins, seeking to avoid plastic-based products and opting for furniture designed to endure. Milan Design Week showcased a strong focus on sustainable materials, from cork used in Rockwell Group's "Casa Cork" exhibition to textiles made from mycelium and lighting from waste oyster shells. This trend also involves an appreciation for existing structures, with designers noting a shift towards working with and enhancing current conditions rather than always starting anew, partly influenced by rising construction costs. Finally, sumptuous textures are making a comeback, reflecting a return to romanticism in interiors. While contemporary designs use less chintz, there's a clear appetite for soft, billowing drapery, plush furniture, Venetian plaster, and Moroccan tadelakt, creating luxurious yet inviting spaces that offer tactile comfort and reflect homeowners' personalities and the history of their homes. #InteriorDesignTrends #MilanDesignWeek #MaterialDrenching #Craftsmanship #SustainableDesign #NatureInspiredColors #LuxuryInteriors #HomeDecor #TexturalDesign

Milan Design Week annually transforms the city's historic streets with a multitude of installations, performances, and interventions, captivating visitors with creative displays in shop windows and hidden courtyards. In recent years, fashion brands have increasingly participated, extending their design expertise to furniture, interiors, and architectural spaces. This integration showcases a growing trend of interdisciplinary collaboration between fashion and design industries. Among the highlights of Milan Design Week 2019, Marni's 'Moon Walk' installation draws inspiration from celestial themes, merging 'primitive fascinations with the imagination of the future.' This project features a collection of brightly colored chairs, loungers, stools, and tables crafted from innovative materials by Colombian artisans, with whom Marni has a long-standing collaboration. The designs reflect an exploration of unexplored forms and textures, bringing a unique artisanal touch to the event. Jil Sander's 'Adjacent Field' installation, a collaboration between creative directors Lucie and Luke Meier and artist Linda Tegg, emphasizes sustainability and spontaneity. The Jil Sander headquarters in Milan houses a botanical display comprising mosses, succulents, weeds, herbs, and flowers, illuminated by a sophisticated lighting design by Nic Burnham. This installation transforms the space into a natural oasis, highlighting the beauty and importance of biophilia in urban environments. COS, an early adopter of Milan Design Week participation since 2012, partnered with architect Arthur Mamou-Mani for 'Conifera.' This futuristic bower, constructed from 3D printed wood and bioplastic conical bricks, occupied the courtyard of the historic Palazzo Isimbardi. The project exemplifies the brand's commitment to innovative design and sustainable practices through the use of advanced manufacturing techniques and eco-friendly materials. Tod's No_Code Shelter, a joint effort between Tod's and architect Andrea Caputo, created a multi-room exhibition within a cavernous space adjacent to the National Museum of Science and Technology. Surrounded by reconstructions of Leonardo da Vinci's inventions, the installation delved into themes of shelter, sustainability, and safety in contemporary society, prompting reflection on modern living challenges and solutions. Miu Miu presented 'M/Matching Colourstool,' a playful collaboration with creative agency M/M Paris. This design features a perforated linden wood stool that allows for customization with over 300 colored 'matchsticks,' offering owners a personalized decorative experience. The stool debuted at Milan's Teatro Gerolamo, underscoring Miu Miu's vibrant aesthetic and engagement with artistic expression. Issey Miyake, on its third appearance at Milan Design Week, collaborated with architect Jólan van der Wiel for 'The Strange Attraction of Water.' The piece, 'Journey of a Raindrop,' integrates water and design to simulate a raindrop's journey through various elements, showcasing an understanding of the natural world and its influence on creative expression. This installation offers an immersive experience, blending natural phenomena with artistic interpretation. Finally, Raf Simons and Kvadrat continued their collaboration with 'No Man's Land,' an installation at Garage 21 that explores the 'microarchitecture of yarn.' The exhibit featured apocalyptically styled soft furnishings, a prefab house by Jean Prouvé, and catering from London's Rochelle Canteen. This project highlights the innovative use of textiles and examines the intersection of fashion, architecture, and interior design in creating conceptual spaces. #MilanDesignWeek #FashionInstallations #InteriorDesign #ArchitecturalSpaces #SustainableDesign #ArtisanCraftsmanship #Biophilia #3DPrinting #TextileInnovation #CustomizableFurniture

This article details the transformation of a 1915 San Francisco home by designer Kevin Sawyers, who aimed to imbue it with the vibrant personal style of its owner. Although the house was in good structural condition, it lacked personality and cohesive color. Sawyers addressed this by developing a “lip-smacking and playful, but certainly sophisticated” color palette that directly reflects the homeowner's wardrobe choices. The design strategy involved a tight edit of recurring colors to create cohesion and whimsy. For instance, the deep red from the dining room wallpaper reappears on the kitchen backsplash, family room rug, and as the guest bathroom’s wall paint. Similarly, a peachy orange from the kitchen island is echoed in the primary suite. This intentional repetition of strong colors ensures a unified yet dynamic aesthetic throughout the home. Beyond color, the project emphasized custom woodworking, which serves as a grounding element for the bold palette. Built-in case goods and white oak murals cover many walls, providing functional storage and integrated furniture. These custom pieces also feature unique decorative elements, such as mountain range murals inspired by the family’s vacation to Switzerland, adding a personalized touch. Despite minimal structural changes, primarily limited to the children’s bathroom, the three-bedroom, three-and-a-half-bathroom home underwent a complete aesthetic overhaul. Virtually every surface was altered, updated, or replaced, making it unrecognizable from its initial state. The extensive design efforts ensured that the house not only became a reflection of its owner but also achieved a joyful, stylish, and clean atmosphere. Key areas of the home showcase this design philosophy. The entryway features a graphic 3D wall mural depicting Swiss mountains and practical storage solutions with circular wall knobs. The living room introduces the home’s ethos with a fireplace framed in Heath Ceramics tile, a nod to the client’s collection, and playful elements like an arch painted on the wall. The family room and playroom embody a flexible, family-friendly style, with wood slats providing subtle separation and a nocturnal Swiss mountain mural in the stairwell. The kitchen features updated cabinetry painted in bold colors like Snowy Shadow and Mysterious Blue, complemented by light fixtures and tiles that match the vibrant hues. A tucked-away pantry adds a playful touch with neon green floating shelves. The breakfast nook, designed for versatility, includes a custom banquette and fluted details that echo design elements found elsewhere in the house. The dining room offers a sleek space for entertaining, with Lee Jofa wallpaper over wainscoting and Benjamin Moore Magenta paint. The primary bedroom provides a tranquil retreat with softer tones like Daytona Peach, while the primary and guest bathrooms incorporate punchy hues, durable materials, and retro-inspired elements like terrazzo-style concrete countertops, maintaining the home's overall vibrant theme. #HomeDesign #InteriorDesign #ColorPalette #CustomWoodwork #SanFranciscoHome #PersonalStyle #ResidentialDesign #VibrantInteriors #HomeRenovation

Textile designer Aelfie Oudghiri, founder of her eponymous home goods company, embarked on a unique journey to build and decorate her Long Island East End home. Unlike her "madness" of a Brooklyn home, Oudghiri aimed for a colorful yet peaceful aesthetic in her Bridgehampton residence. The project began when she discovered an oddly shaped piece of land with two dilapidated shacks, which she decided to tear down and rebuild from the ground up with her father, Alfred P. Tuff, a builder and developer. This collaboration proved to be a significant learning experience, allowing Oudghiri to refine her design skills while incorporating her bold vision into her father's practical expertise. Construction of the two-story contemporary cottage took eight months. The exterior features a black wood finish, achieved using the Japanese _shou sugi ban_ technique, which chars wood for weatherproofing, mildew, insect, and fire resistance. The interior was designed with a modern floor plan and architectural details inspired by Oudghiri's travels, particularly to her husband’s native Morocco. Initially, she painted the interior Decorator’s White, creating a blank canvas that allowed her to introduce vibrant colors and textures through key design elements, including a striking cobalt blue kitchen faucet, a lavender velvet headboard in the primary bedroom, and marigold walls in the powder room. Color and texture were integrated in innovative ways throughout the home. The library, with its floor-to-ceiling shelves, became a repository for books and travel souvenirs. Oudghiri experimented with elaborate flooring, designing a graphic black and white marble inlaid pattern for the powder room, inspired by Optical Art, and recreating one of her early carpet designs using pink quartz, green granite, and black onyx in the main bathroom. To bring the outdoors in, she incorporated glass doors that open onto the yard, offering views of the garden and swimming pool, a nod to a vintage British garden print she and her husband cherished. For the interior furnishings, Oudghiri drew heavily from her own collection, Aelfie. A vintage Moroccan rug grounds the dining area, while a soft pink and marigold dhurrie rug from her Heat Wave in Rajasthan collection defines the living room. Pillows and poufs add comfort and warmth to every space. The guest bedroom features an overdyed rug and one of her company's first bedspreads, combining coral, blue, and royal purple to create a cohesive and inviting atmosphere. Oudghiri views the entire process as a period of growth, acknowledging that her taste is maturing, yet emphasizing that color will always remain a crucial element in her design philosophy, recognizing its powerful impact. #HomeTour #TextileDesigner #ColorfulInteriors #LongIslandHome #CustomBuild #ShouSugiBan #InteriorDesign #VibrantDecor #Aelfie

Julia Sobrepeña King, the designer behind Studio Roene in San Francisco and Los Angeles, is known for her ability to blend contrasting prints and colors, balancing bold hues with neutral tones and a mix of small- and large-scale patterns. Her current mood board is inspired by a recent trip to the Cabanon de Le Corbusier, a colorful seaside vacation home on the French Riviera, aiming to evoke a playful spirit with bright tones and natural woods. The resulting scheme highlights a balance of opposites, combining vibrant finishes and textiles with earthy, organic materials. King also incorporates hand-crafted pieces collected from her travels to add a personal touch, making the overall aesthetic adventurous and exciting. King details several elements that contribute to this unique mood board. These include one-of-a-kind colorful plastic cord baskets from Antiga Oaxaca, discovered during a trip to Oaxaca, which are woven by prisoners trained in traditional basket weaving. A custom Temples rug by Mark Nelson Designs is featured for its graphic nature, depth, and texture. The Alpi Quadra Noce Veneer by Patricia Urquiola at Alpi, with its modernist grid pattern, is envisioned for custom cabinetry or tables. Hard Maple with an oil finish by Sawkille is chosen as a less common yet refined and durable hardwood alternative to oak. The Seaside Bronze metal finish by Urban Electric Co. is appreciated for its worn copper or bronze verdigris appearance, offering a fresh, minty color and aged character. The mood board also incorporates a hand-glazed mustard tile called Thin Brick Tile in Pumpkin Field Gloss by Country Floors, a unique and saturated color ideal for a backsplash or bathroom. A custom woven fabric from Narda’s Handwoven Arts & Crafts, a famous weaving shop in the mountains of Baguio in the Philippines, is included, reflecting King's passion for collecting one-of-a-kind fabrics during her travels. Gotland Shearling in Natural Gray by Howe at 36 Bourne Street provides heavy texture, transforming gray from potentially dull to balanced when paired with fun colors and textures. A custom woven rug from Stark Carpet in a bright green spring color with a subtle geometric square pattern adds dimension and interest. Additional selections include Solana Honed Concrete Tile in Mocha by Concrete Collaborative, valued for its muted, earthy tone that pairs well with bold marble or ceramic tile. Unlacquered polished copper is chosen as a classic material that ages beautifully, ideal for combining with natural rustic woods and moody colors for a touch of shine. A vintage necklace made by her architect grandmother, featuring rare amber cylindrical beads and a unique gold medallion, adds a personal and inspiring element. The Primavera fabric in Claret by Lauren Hwang, with its hand-crafted feel and deep eggplant polka-dot pattern, offers elegance. Douglas Plank Flooring with a light oil finish by Dinesen is selected for its light color and contrasting grain. Orange Zellige Tile by Otto Tiles & Design, described as a shocking dull neon orange, is proposed as a surprising element for a powder room. The Ria fabric in 0741 by Raf Simons for Kvadrat, with its embroidered feel and subtle floral pattern in pastel colors, contributes a cheerful note. The Cambridge Strie Braid Tape in Heather by Samuel & Sons, a moody purple tone, is suggested as an accent for drapery or upholstery. Finally, the Saru fabric in No. ZFSU-02 by Zak+Fox, a playful tapestry with metallic yarns and rich blue tones, is deemed perfect for a pillow, alongside a hand-made ceramic bowl, which brings a personal, imperfect, and storytelling quality to the curation. #DesignInspiration #InteriorDesign #MaterialSelection #ColorPalette #GlobalCrafts #SustainableMaterials #TextileDesign #HomeDecor #ArtisticCuration

Ombre palettes and patterns, characterized by gently blended, graduating shades of the same hue, have transcended mere trend status to become an enduring design option. These designs effectively introduce a medley of dreamy gradient tones into a room, creating a sense of rhythm and movement whether they are applied to accent pieces or an entire wall. Designer Alex Alonso highlights the appeal of ombre for its ability to create a soft progression for the eye, enabling a playful use of color without leading to overly dramatic or harsh transitions within a space. Christina Roughan, a designer based in Greenwich, Connecticut, emphasizes that good design extends beyond visual appeal to enhance a client's quality of life. Her approach incorporates sprightly hues, lively prints, tactile textiles, and clean silhouettes to ensure spaces are comfortable, sophisticated, and light-hearted. Roughan recommends The Rug Company's exquisite blue ombre rug, noting its versatility for almost any room. She also favors Rosemary Hallgarten's Ombre Sheer Linen Fabric for its light and timeless quality, with subtly saturated colors that suit various home styles, from beach to city. For wall art, Roughan suggests pieces like Katie Heffelfinger's Cloudburst in Navy to White Ombre, which add depth and perspective to a room. Alex Alonso, a Miami-based designer known for his maximalist and "modern Victorian" aesthetic, embraces bold colors, shapes, and textures to create lush, layered, yet livable interiors. Alonso appreciates small details like Schumacher's Ombre Indoor/Outdoor Tape, which he recommends for window treatments. This tape acts as a subtle design element that personalizes window coverings, whether custom-made or off-the-rack. He also finds the Sharon Bench by Ottiu chic and simple, offering customizable options that evoke a 1980s vibe while remaining contemporary. Another recommendation from Alonso is The Rug Company’s Bamboo Border Blue Rug, highlighting how a good ombre pattern on the floor can define a space and draw the eye without harsh transitions. He suggests customizing rugs to have lighter edges and a darker center on dark floors to enhance movement. Katie Lydon, a New York-based designer originally from London, expertly balances classic and contemporary elements. Her projects often feature a harmonious blend of antique pieces, such as chandeliers or Louis XVI-style dining chairs, with modern items like acrylic consoles or contemporary art, resulting in fresh and timeless aesthetics. Lydon praises Rosemary Hallgarten's Ombre Alpaca Linen Fabric for its sophisticated texture and dramatic color, which makes the ombre effect crisp and special. She recounts using this fabric for curtains in a Hamptons primary bedroom, noting how they flutter onto the terrace in the breeze. Calico Wallpaper's Aurora is another favorite, used in a girl’s bedroom to introduce drama and style with just the right amount of color and a cool factor for a teenager. Lydon also points to Withers & Grain's Faded Dining Table as an example of understated elegance, demonstrating how ombre can subtly highlight and soften material finishes like metal, making it an elevated yet livable choice for a family in Brooklyn. #OmbreDesign #InteriorDesign #HomeDecor #ColorPalette #DesignTrends #Textiles #FurnitureDesign #Wallcoverings #RugDesign

Molly Mahon, a pattern designer, has transformed her English country cottage into a vibrant and highly personalized home, showcasing her unique block-printed designs throughout. The cottage, which dates back to the 1600s in its oldest parts, underwent significant renovations a decade ago, including moving the staircase to improve flow and lowering ceilings to accommodate her tall husband. During this period, Mahon and her family lived in tents in the garden for eight months, an experience she now humorously reflects on as a time of simplified living. Mahon's design philosophy centers on layering her own colorful fabrics and wall coverings, which she block-prints herself. She aimed to use her own creations, making the decorating process feel more intuitive. A prominent feature of her home's aesthetic is the extensive use of pink, specifically Farrow & Ball’s Pink Ground paint. Despite the cottage's forest location, which could make it feel dark, Mahon strategically applied pink in multiple rooms, noting its warm and comforting glow. She even admits that if she had her way, the entire house would be pink. Her home is filled with accumulated furniture and objects from previous residences. Mahon actively engages in DIY projects, such as creating needlework cushions backed with fabrics from her studio. The fireplace mantel is adorned with paintwork inspired by the nearby Charleston estate, a historical gathering place for the Bloomsbury Group. In the kitchen, plain shelves are given an inexpensive yet distinctive touch with block-printed paper edges cut into scallops, demonstrating her resourcefulness with scrap materials. The unstructured "skirt" lampshades found throughout the house are another example of her DIY approach, a design she loved so much that she began selling them. Mahon challenges the notion of craft being "granny-ish," emphasizing its transformative impact on her life. She also advocates for the use of bold patterns in tight spaces, such as hallways or staircases, to create a sense of depth and openness. Her own "ridiculously narrow" landing features oak leaf wallpaper, block-printed by her on-site, which effectively expands the visual space. The primary bedroom embodies a maximalist approach with clashing prints. Mahon, disliking white rooms, used a large swath of fabric behind the headboard as an alternative to a four-poster bed or framed artwork, providing a safe and stylish solution. Simple slatted-wood bedside tables with glass tops are strategically placed to incorporate more soft furnishings. The children's bedrooms, designed with her own upholstered fabrics, are intended to be timeless, accommodating their growth through teenage years. Guest accommodations are flexible, with Lani's room, for instance, featuring two movable single beds to facilitate sleepovers. Each room is designed to have its own character while remaining comfortable for anyone, aligning with Mahon's overarching aim of creating an inviting and personal living space. #HomeTour #TextileDesign #BlockPrinting #EnglishCottage #DIYHomeDecor #MaximalistDecor #PinkInteriors #PatternDesign

The article details a tour of the London home of Mexican-born interior designer Stephanie Barba Mendoza. Her house is presented as a vibrant and meticulously curated space, reflecting her design philosophy of injecting joy and unexpected theatricality into decor. The designer expresses her deep affection for her home, attributing its warmth to her family and the carefully chosen elements of space, lighting, textures, and colors. Stephanie Barba Mendoza's renowned use of color is a central theme throughout the article. She shares her approach to color, which is characterized by a playful attitude and a willingness to embrace bold and unconventional combinations. This is exemplified by the burnt umber paint covering the walls and ceiling of the sitting room, creating an immersive and rich atmosphere. Another instance of her innovative color application is the powder blue stair rail, designed to evoke a sense of climbing into the sky. The kitchen-diner features a vibrant green botanical print wallpaper, further illustrating her commitment to dynamic color schemes. Her kitchen is highlighted as her favorite area of the home, largely due to a significant renovation that involved lowering the floor by half a meter and adding steps from the hallway. This alteration created a more generous and airy space with high ceilings. The design intentionally blurs the lines between indoor and outdoor living, with doors that open to integrate the small patio into the kitchen area. The choice of green leaf wallpaper in the kitchen, paired with a green floor, door, and fence on the patio, aims to create a seamless transition and a strong connection to nature. Green is identified as a favorite color for Stephanie, appearing repeatedly throughout her home in various forms, such as an accent chair in the sitting room, the main bedroom's headboard, and in the playroom's artwork and couch. She explains that green is complementary with many other colors, promotes a sense of calm, and can contribute to inner peace and harmony. Despite the diverse and bold color palette used across different rooms, the article emphasizes that the house maintains a harmonious flow, with each space evoking a similar positive emotion. The article also includes a section where Stephanie Barba Mendoza shares insights into her personal style and inspirations. She reveals that her go-to decorative detail is beaded adornments, like rope on curtains or tassels on cushions. Her inspiration often comes from design pioneers like Michael Taylor, known for blending traditional and contemporary elements. She describes her style as "playful, warm, and unexpected." Her creative drive is fueled by an obsession with creation. The most recent item she purchased for her home was a unique bouquet of flowers, including a protea from South Africa, which she appreciates for its beauty both fresh and dried. Ultimately, she believes a home should feel "welcomed," a sentiment she achieves through the combination of family presence and her warm, inviting color and pattern choices. #InteriorDesign #HomeDecor #ColorPalette #StephanieBarbaMendoza #LondonHome #KitchenDesign #Renovation #TextileArt

This article highlights four distinctive home design projects by various architectural firms, showcasing innovative approaches to residential living spaces. Each project demonstrates a unique blend of creativity, functionality, and personalized style, reflecting contemporary trends in interior and architectural design. The first featured project is by Itch Società d’Architettura in Milan, focusing on the transformation of early-20th-century attic apartments and duplexes. These residences incorporate clever interventions such as a daylight-ushering glass rooftop extension that opens onto a balcony, enhancing natural light and outdoor access. The design also emphasizes refined color blocking, which serves to animate and add character to otherwise understated interiors, utilizing original wood-slat ceilings crisscrossed with steel beams as a foundational element. Next, Ubalt Architectes in Paris presents a conversion of a 1970s computer data center into a live-work unit on the outskirts of the Marais district. This project boldly reimagines the typically grayscale office environment with fearless design choices. Notable features include vertical blinds, a vibrant jolt of tinted Plexiglas cladding structural steel, and a unique staggered terrazzo jardiniere. This jardiniere, accessed by a surrealist pool ladder, ingeniously extends the terrace greenery into the interior space, blurring the lines between indoor and outdoor living. Office S&M;, an emerging London practice, contributes a remodeled lower level of a Victorian town house in Islington. Their design is characterized by a playful and vibrant aesthetic, incorporating joyous tropical colors and tinted mirrors that introduce warped views, adding a whimsical dimension to the space. Custom built-ins, designed with peaks and arches, reference the surrounding architecture and evoke a playhouse-like charm. A strong emphasis on sustainability is evident through the use of reclaimed materials, such as countertops made from melted-down plastics and pendant lights crafted from recycled crushed brick, giving new life to previously existing elements. Finally, Rowland+Broughton showcases a contemporary three-story family home in Aspen, Colorado. This residence is a crisp composition of natural and refined materials, including soap-finished larch, bleached oak, charred pine, and black steel. Situated adjacent to a meadow and surrounded by evergreens, spruce trees, and Gambel oaks, the home integrates seamlessly with its natural environment. Interior highlights include a sculptural spiral staircase featuring LED-lit treads and a hand-carved Pele de Tigre marble fireplace, a collaboration with the Haas Brothers, which serves as a central artistic statement within the home. These elements collectively define a sophisticated and modern living space deeply connected to its serene surroundings. #ResidentialDesign #CreativeHomes #InteriorArchitecture #HomeRenovation #MilanDesign #ParisianLiveWork #LondonTownhouse #AspenHome

The Danish company Notes has introduced a novel approach to the paint industry, simplifying the often-complex process of selecting paint colors. The company emerged from the observation that traditional paint brands present an overwhelming array of choices, making it difficult for consumers, designers, and architects to make informed decisions. Notes addresses this by offering a curated palette of 40 colors, which are carefully selected to embody Scandinavian aesthetic principles of simplicity and minimalism. The core philosophy behind Notes is to provide a foolproof color selection experience. The brand works with leading creatives in design and architecture to develop a cohesive and harmonious color palette, ensuring that any combination of their colors will result in an aesthetically pleasing outcome. This simplification is intended to empower individuals to confidently define the mood and aesthetic of their living spaces, highlighting that true freedom often stems from straightforward solutions. The brand's catalog serves as a source of inspiration, enhancing color awareness and demonstrating the profound impact color has on setting the emotional and intellectual ambiance of a home. Notes operates exclusively through an online shop, designed for ease of use and accessibility. The website features an editorial section where interior designers and stylists share their insights and experiences, providing guidance and inspiration for individual color choices. The online platform facilitates shade matching and combinations through clear examples and explanations, aiming to ensure optimal results for users. To further support customers, Notes offers free sample kits and a comprehensive tools section, supplying everything needed for a painting project, including brushes, primers, dust sheets, and tapes. Beyond aesthetics and user-friendliness, Notes places a strong emphasis on product quality and sustainability. The company offers a thick-textured paint formulated to provide a matte, uniform, and long-lasting finish, distinguished by its unique pigments. From an environmental perspective, the paint is water-based, features low Volatile Organic Compound (VOC) content, and is certified with both the EU Ecolabel and the Swan Ecolabel, underscoring the brand’s commitment to eco-friendly practices. The brand's innovative approach was showcased at the Milan Design Week 2023 as part of the “This is Denmark” exhibition, which highlighted how contemporary Danish creators interpret national heritage values through modern design. This exhibition featured 15 selected objects, with Notes demonstrating a practical and thoughtful application of Danish design principles to everyday home improvement. #HomeDecor #InteriorDesign #PaintIndustry #ScandinavianDesign #ColorPalette #SustainableDesign #MilanDesignWeek #OnlineShopping

London-based journalist and interiors expert Kate Watson-Smyth, alongside her husband Adam Leigh, unexpectedly acquired a 300-year-old, 24-room villa near Turin, Italy. Initially seeking a smaller second home, they were captivated by the grand property. The couple first saw the villa in spring 2023 and despite its daunting scale, decided to purchase it. The previous owner facilitated the transition by offering to sell some existing furnishings, and Watson-Smyth also brought furniture from her London home, streamlining the initial decorating process for the numerous rooms. Watson-Smyth, an experienced renovator and interior design educator, aimed to refresh the historic home while preserving its original character, rather than undergoing a complete overhaul. She admired the existing faded wall colors and opted for a traditional Italian country kitchen aesthetic, featuring a simple marble countertop and open shelving. Due to budget constraints, significant structural alterations were avoided. Instead, she meticulously organized the layout, designating six bedrooms, four bathrooms, two studies, two kitchens, and two lounges. She designed an indulgent primary suite for herself and Leigh, complete with an adjoining bathroom and dressing room. The inspiration for the primary suite's wallpaper came from the century-old wisteria plant growing outside, a detail beloved by the previous owner, Claudia, in whose honor the room was named. A coordinating lilac shade was chosen for the freestanding bathtub in the adjoining bathroom. Watson-Smyth extended the practice of naming rooms, calling a floral-ceilinged bedroom Iris and a pink and yellow suite Gloria, after Leigh's mother who cherished Italy. To further personalize each space, she collaborated with Graphenstone paint brand, developing a series of 12 hues that are now commercially available. The selection of Graphenstone paints was also influenced by their breathable properties, which are beneficial for maintaining indoor air quality and preventing mold in a property that may be unoccupied for periods. Another design element was the encaustic cement bathroom tile, created in partnership with Maitland & Poate. One of the tile patterns was inspired by a piece Watson-Smyth discovered in a Turin reclamation yard, and the colors were precisely matched to her new paint range. Beyond personal use, the extensive property has opened up a business venture for Watson-Smyth, who now hosts design retreats offering workshops, talks, and shopping excursions. For her adult sons, Watson-Smyth transformed a formerly awkward corridor into a cozy game room with an immersive mural and card table. The upstairs sitting room, originally white, was reimagined with bold green paint and Liberty wallpaper. When old terracotta tiles under the carpet were found to be beyond repair, they were removed, and the concrete subfloor was kept, with plans to polish it, creating a striking contrast with the luxurious wall coverings. The most gratifying feedback for Watson-Smyth has been the approval of the local community, including Claudia, who appreciated that the renovation respected the villa's historical integrity, making it appear as though it had always been this way. #HomeTour #ItalianVilla #RenovationProject #InteriorDesign #CountryKitchen #HistoricHome #WallpaperTrends #ColorPalette #DesignRetreats

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship