Tuscan holiday home is almost entirely decked out with Italian materials

This article showcases six distinctive homes across the United States, each featuring significant Italian architectural and design influences. The properties range from historic estates to modern villas, demonstrating how Italian aesthetics, from grand Renaissance styles to rustic Tuscan elements, have been integrated into American residences. These homes highlight various Italian-inspired features, including Palladian windows, arched doorways, intricate stenciled beams, marble accents, and specific room designs like wine cellars and Italian farm-style kitchens. The first featured home, Villa Amore in San Antonio, Texas, was built in 1922 and commissioned for an Italian wife, reflecting classic Italian design with its arched doorways, Palladian windows, and a 1,000-bottle wine room. Its exterior boasts an imported marble fountain, a pool, and an al fresco fireplace, accompanied by a carriage house. Next is a Tuscan-style four-bedroom home on Hilton Head Island, South Carolina, constructed in 2004. This property incorporates reclaimed beams, Italian stone, heart-of-pine floors, a 1,000-bottle wine room, and an Italian farm-style kitchen. Its waterfront location offers panoramic views, a pool, a private beach, and direct access to the Intercoastal Waterway. In Nyack, New York, Palazzo Mare stands as a 15th-century-style Venetian villa built in 2001 on the Hudson River. Characterized by its ornate front door, a grand staircase, 27-foot ceilings, and Corinthian columns, the villa also includes a master suite with a green marble bathroom and a spa tub. The property extends to a sandy beach, a pier, and a pool with a spa. The Rialto House in Venice, California, built in 1905, was part of Abbot Kinney's vision for "Venice of America." This four-bedroom home features hardwood floors, Islamo-Byzantine stained-glass windows, a marble-floored sunroom, and an Italian-tile bathroom. A notable addition is an 840-square-foot guesthouse situated above the garage. Casa del Sole in Newport, Rhode Island, is an early 20th-century Palladian mansion extensively renovated in 2017. Owned by former Olympic figure skater Michelle Kwan, the four-bedroom home showcases marble floors, a chef's kitchen, two fireplaces, and formal living and dining rooms that open to a loggia. The two-acre landscaped property includes a fire pit and various seating areas. Finally, the Rohlfing House in Attica, Indiana, an Italianate brick home built in 1887 and listed on the National Register of Historic Places, underwent a three-year renovation completed in 2010. This renovation preserved historical elements such as period fixtures, original woodwork, oil-on-canvas wall coverings, a stained-glass window, and the kitchen’s original sink and prep room. These properties collectively illustrate the enduring appeal and versatile application of Italian design principles in diverse American settings. #ItalianArchitecture #HomeDesign #LuxuryHomes #RealEstate #ArchitecturalStyles #HistoricHomes #InteriorDesign #TuscanStyle #VenetianVilla

Emilie Haas and her late husband instantly fell in love with their DeKalb County home, deciding to purchase it from the foyer itself due to its unique charm. The residence, described as one of the most unusual Haas has seen in 30 years of real estate, exudes an Italian architectural style characterized by ornate molding throughout and high arched doorways. A notable feature that Haas particularly appreciates is the surprising absence of hallways, contributing to a warm and comfortable atmosphere despite the house's large size. The home spans 7,000 square feet, featuring five bedrooms, five bathrooms, and two half baths. It was built in 2005, and the terrace (basement) level was later built out and finished. The builder was Barbara Ames, and the architectural design was handled by Architectural Design & Detailing, Inc. The core architectural elements include intricate molding and arched doorways, reinforcing the Mediterranean/Italian aesthetic. The interior design style is an eclectic traditional, blending various influences while maintaining a cohesive look. Haas's design philosophy centers on incorporating sentimental pieces, many of which are inherited items or hold connections to loved ones. For instance, her mother’s roll-top desk sits to the right of the living room fireplace, and her mother's breakfront china cabinet has been cleverly repurposed into a granite-topped buffet. Two lamps in the living room were crafted from vases belonging to her grandparents. These personal touches infuse the space with a sense of history and connection, serving as a tribute to her ancestors. Key interior design elements reflect Haas's approach to integrating inherited furniture, which she often renovates to align with her personal style and taste. The screened-in loggia stands out as a favorite outdoor element, providing a comfortable space for relaxation. The furniture and decor throughout the house are sourced from a variety of retailers, including high-end brands like Henredon and Bloomingdale’s, as well as more accessible options like Ikea and Cost Plus World Market, and antique/consignment stores such as Antiques & Beyond and Consignment Furniture Depot. Emilie Haas is a retired real estate agent who shares her home with her two dogs, Cutie Pie and Maggie. The article highlights the successful blend of architectural elegance with personalized, sentimental decor, creating a home that is both grand and deeply personal. The timeless architecture and warm ambiance were significant factors in her decision to acquire the property. #HomeDesign #ItalianStyle #DeKalbCountyHome #MediterraneanArchitecture #EclecticTraditional #InheritedFurniture #HomeRenovation #InteriorDecor #ArchitecturalElements

London-based journalist and interiors expert Kate Watson-Smyth, alongside her husband Adam Leigh, unexpectedly acquired a 300-year-old, 24-room villa near Turin, Italy. Initially seeking a smaller second home, they were captivated by the grand property. The couple first saw the villa in spring 2023 and despite its daunting scale, decided to purchase it. The previous owner facilitated the transition by offering to sell some existing furnishings, and Watson-Smyth also brought furniture from her London home, streamlining the initial decorating process for the numerous rooms. Watson-Smyth, an experienced renovator and interior design educator, aimed to refresh the historic home while preserving its original character, rather than undergoing a complete overhaul. She admired the existing faded wall colors and opted for a traditional Italian country kitchen aesthetic, featuring a simple marble countertop and open shelving. Due to budget constraints, significant structural alterations were avoided. Instead, she meticulously organized the layout, designating six bedrooms, four bathrooms, two studies, two kitchens, and two lounges. She designed an indulgent primary suite for herself and Leigh, complete with an adjoining bathroom and dressing room. The inspiration for the primary suite's wallpaper came from the century-old wisteria plant growing outside, a detail beloved by the previous owner, Claudia, in whose honor the room was named. A coordinating lilac shade was chosen for the freestanding bathtub in the adjoining bathroom. Watson-Smyth extended the practice of naming rooms, calling a floral-ceilinged bedroom Iris and a pink and yellow suite Gloria, after Leigh's mother who cherished Italy. To further personalize each space, she collaborated with Graphenstone paint brand, developing a series of 12 hues that are now commercially available. The selection of Graphenstone paints was also influenced by their breathable properties, which are beneficial for maintaining indoor air quality and preventing mold in a property that may be unoccupied for periods. Another design element was the encaustic cement bathroom tile, created in partnership with Maitland & Poate. One of the tile patterns was inspired by a piece Watson-Smyth discovered in a Turin reclamation yard, and the colors were precisely matched to her new paint range. Beyond personal use, the extensive property has opened up a business venture for Watson-Smyth, who now hosts design retreats offering workshops, talks, and shopping excursions. For her adult sons, Watson-Smyth transformed a formerly awkward corridor into a cozy game room with an immersive mural and card table. The upstairs sitting room, originally white, was reimagined with bold green paint and Liberty wallpaper. When old terracotta tiles under the carpet were found to be beyond repair, they were removed, and the concrete subfloor was kept, with plans to polish it, creating a striking contrast with the luxurious wall coverings. The most gratifying feedback for Watson-Smyth has been the approval of the local community, including Claudia, who appreciated that the renovation respected the villa's historical integrity, making it appear as though it had always been this way. #HomeTour #ItalianVilla #RenovationProject #InteriorDesign #CountryKitchen #HistoricHome #WallpaperTrends #ColorPalette #DesignRetreats

Interior designer Sarah Magness undertook the renovation of an early 19th-century property in Panzano, Italy, transforming it into a modern Tuscan villa while preserving its historical essence. The project involved a main villa, a barn, and a guesthouse, focusing on a design that harmonized with the natural landscape and abundant sunlight of Tuscany. Magness was particularly drawn to the property's orientation, where major rooms face west, providing spectacular sunset views. The homeowner, a long-standing client, desired a residence that felt integrated with its tree-lined surroundings, capable of hosting family and social gatherings comfortably, and featuring subtle traditional and historical influences without being overly ornate. The existing structures provided an ideal foundation, as their original design already promoted excellent air and light circulation, reducing the need for artificial lighting and air conditioning. Consequently, the main house's floor plan remained largely unchanged, with no interior walls moved due to its robust original construction. While the architectural integrity was largely maintained, the interiors, last renovated in the 1980s, required significant updates. Magness's approach honored Tuscany's architectural heritage through material selections, blending them with contemporary comfort. Much of the original terra-cotta flooring, wood beams, and plaster walls were preserved. Local craftsmen were employed to restore and clean surfaces, ensuring authenticity and quality. All marble used in the renovation was sourced from Carrara, and cabinetry was crafted by the Como-based company Promemoria, highlighting a commitment to local resources and expertise. The furnishing strategy combined antique pieces with new additions. The clients' appreciation for antiques meant that some prominent items inherited from the previous owners were integrated, contributing to a contemporary Italian aesthetic within the main house. The entrance features a barrel-vaulted brick ceiling and antique pieces that function as sculptural art, designed for circulation rather than prolonged dwelling. The dining room, also containing inherited antique furniture including a 19th-century sideboard, was enhanced with vertical mirrors to maximize natural light, particularly from the west-facing orientation. The formal living room maintains a minimalist, all-white aesthetic with comfortable sectionals, acknowledging that most entertaining occurs outdoors. A short distance from the main house, the former caretaker's residence, 'casa dei custodi,' was converted into a self-sufficient apartment with two bedrooms, a bathroom, and a kitchen. The most extensive transformation was the barn, initially the most dilapidated structure. Magness collaborated with New York–based architect Brian Boyle to extensively gut and refit it. This former hayloft now serves as a luxurious guesthouse, complete with two bedrooms, two-and-a-half baths, a central living room, a kitchen, and direct access to a pool. A key design element in the barn's renovation was relocating the staircase to the west wall, which allowed sunlight to illuminate both floors through a latticed window, a significant improvement from its previous dark, dungeon-like state. Magness emphasized working in harmony with the natural environment, ensuring that the redesigned spaces quietly fulfill the family's needs while respecting the existing character of the property. Magness underscores that despite extensive planning, the true understanding of a residence comes from experiencing it firsthand, observing how light interacts with the spaces, calling it a 'holistic experience.' #TuscanVilla #InteriorDesign #HomeRenovation #ItalianCountryside #SarahMagness #ArchitecturalHeritage #LuxuryHome #HistoricPreservation #Panzano

This article showcases a newly constructed Tuscan-style villa in Valley Village, Los Angeles, designed by Shlomi Sfadia of SLS Properties. Completed in 2024, the five-bedroom home integrates contemporary Italian style with relaxed California living, drawing inspiration from Sfadia's travels in Italy to create a unique blend of rustic, organic, and modern aesthetics. The designer aimed to infuse the brand-new property with character and warmth, transforming it into a space that transports its inhabitants. The design focuses on creating a sense of 'La Dolce Vita' in California. The kitchen, situated at the heart of an open-plan family room, features white oak cabinetry, natural plaster walls, and a large island with a white countertop and built-in stovetop. It also incorporates classic modern farmhouse elements like open shelves with rustic pegs and a farmhouse sink. The living room, adjacent to the kitchen, is defined by a Mediterranean-revival arched fireplace and natural lime plaster walls, which soften the new construction and provide a rustic, organic backdrop. Reclaimed wood alcove shelves add a touch of patina and character. Spaciousness is a key design element, with natural wood flooring and a wall of sliding glass doors in the living area opening to a landscaped backyard. The outdoor space is designed as a continuation of the Tuscan theme, featuring plants commonly found in Italian villas such as olive trees, cypress, rosemary, and lavender, ensuring a cohesive design from inside out. The downstairs area, while open-plan, maintains distinct zones, including a cozy dining alcove with an elegant arched window. A classic Mediterranean-style arch also frames the staircase. One of the home's highlights is the upstairs landing, treated as a room in its own right, complete with a rustic lime plaster fireplace and a built-in bench seat, aligning with current staircase trends. The primary bedroom combines rustic and textural details, featuring a contemporary paneled accent wall that bridges the gap between the lime plaster and modern villa aesthetics. Steel-framed glass doors and a balcony connect the bedroom to the outdoors. The seven bathrooms in the house feature clean, minimal plaster finishes, inspired by historic Moroccan designs, and the primary bathroom strategically positions a freestanding tub to maximize exterior views. The pool house offers a bolder color palette, deviating from the neutral tones of the main house with rich wine-colored lime plaster walls and limestone flagstone flooring from Eco-Outdoor, extending to the patio. Custom white oak cabinets and vaulted ceilings with reclaimed wood beams complete this space, which Sfadia considers his favorite part of the project due to its unique and expressive design. #LosAngelesHome #ItalianStyle #CaliforniaLiving #ModernRustic #TuscanVilla #InteriorDesign #HomeTour #LuxuryHomes #ArchitecturalDesign

This article details the seven-year restoration project undertaken by Gustavo Antonioni, a former Hollywood executive, to transform an 18th-century nobleman's villa, Masseria Partemio, in Puglia, Italy, into a stylish and soulful home. Antonioni, a cosmopolitan individual born in Argentina to Italian and Greek parents and raised in Mexico, moved to the U.S. in the early 1980s. After falling in love with Puglia's raw beauty during a visit in 2010, he decided to pursue a career change and search for a property in the region. The villa, located in Latiano, was a derelict masseria (agricultural estate) spanning over 40 acres, which had been vacant for nearly five decades and was inhabited by approximately 200 goats when Antonioni first encountered it. The property lacked basic amenities like electricity, heat, and running water, and its structure was in a state of decay, with no foundation, floor tiles, or windows. Despite its dilapidated condition, Antonioni was captivated by the estate's energy and historical significance, noting its unique blend of Spanish, Greek, and Italian architecture. The property, Parts of the Palladian structure date to 1753, when it was built as a hunting lodge, while sections of it, including a Moorish-style tower, were added in the mid-1800s. It was later owned by Benedictine nuns and then a wealthy family. The acquisition process itself was challenging, as the property was not initially for sale and was entangled in family disputes common to historic properties in Puglia. Antonioni finally closed on the property in June 2017. Antonioni, who holds a degree in architecture from Carnegie Mellon and has experience with renovations in London, Miami, and Los Angeles, was drawn to the historical preservation aspect of the project. He collaborated with local architect Maria Formosi, known for her work on churches in southern Puglia, to navigate the region's strict rules for renovating historic buildings. The restoration aimed to integrate ancient elements with contemporary desires, respecting traditional materials and building techniques. For instance, the distinctive Pompeian-red and ochre-yellow facade colors were recreated using traditional methods, including boiling animal bones and mixing the paste with ferrous oxide. Inside, the renovation revealed striking blue frescoes beneath layers of calcium paint, commonly used as a disinfectant. The 13 vaults of the house, each forming an eight-pointed star, had to be reinforced. Antonioni opted for contemporary flooring, using terrazzo made from marble chips and cement, and traditional cementina tiles in the entry. The decor features a seamless blend of local crafts, linen upholstery, and Antonioni’s personal art collection. Significant structural changes included combining four small rooms into a large living area and converting the eastern stable into suites using recycled materials, and the western stable into a modern kitchen and dining room with stainless-steel counters and custom oak tables. The project, initially estimated to take three years, extended to over seven due to challenges such as conflicts with contractors, pushback from city officials, and the global pandemic. Antonioni temporarily left for two years to work remotely in the Netherlands before returning with a more relaxed approach to complete the renovation. The property now features a unique swimming pool inspired by 1970s Capri, and the Moorish-style tower serves as a social hub for gatherings. Antonioni moved into Masseria Partemio in June 2024 and plans to convert a smaller structure into a guest house and operate the estate as a luxury bed-and-breakfast, embodying the Italian saying, “Slowly, slowly, you will go far.” #Puglia #Italy #HistoricRenovation #VillaRestoration #MasseriaPartemio #HomeDesign #ItalianArchitecture #GustavoAntonioni #LuxuryRealEstate

This lookbook presents a curated selection of ten Italian interiors that embody a distinct rustic aesthetic, drawing inspiration from the country's rich history and Mediterranean heritage. These projects, which include both residential homes and hotels, consistently feature elements such as wooden beams, natural stone, and diverse textures, reflecting a design approach that honors tradition while incorporating modern sensibilities. Italy, renowned for its contemporary furniture and lighting design, also boasts a wealth of historic architecture, with buildings dating back centuries across its cities and villages. The featured examples range from a 17th-century house in Puglia to a hotel situated within a 1,000-year-old castle, all demonstrating how historical contexts can be harmoniously integrated with current design preferences. One notable project is the Monteverdi Hotel in Tuscany, where restoration specialist Ilaria Miani revitalized crumbling structures in Val d'Orcia. This boutique hotel successfully blends the region's history with modern design influences from Milan and Rome, utilizing salvaged wooden beams and locally handcrafted furniture. Similarly, Jonathan Tuckey Design meticulously restored a 19th-century farmhouse in Piemonte, emphasizing original features like stone walls and wooden beams, complemented by a muted color palette and brass accents. Casa Soleto in Puglia, a building with sections over 400 years old, was renovated by Studio Andrew Trotter and Marcelo Martínez, who preserved its irregular walls and incorporated natural materials such as lime plaster, linen, jute, and antique furniture to create an authentic atmosphere. Further examples include the Monastero Arx Vivendi, a 17th-century ex-monastery near Lake Garda, transformed into a hotel by Network of Architecture (noa*). Here, rippled antique-effect plaster, pale wooden floors, and restored original doors contribute to a cohesive design. Studio Andrew Trotter's Casolare Scarani in Puglia, a former girls' school, maintained its vaulted ceilings with lime plaster and incorporated earthy tones and traditional stone flooring. The Hotel Castello di Reschio in Umbria, a 1,000-year-old castle converted by Count Benedikt Bolza, features terracotta-brick or wooden floors, hand-stitched linen curtains, and locally crafted marble and brass vanities, along with antique portraits, alluding to its storied past. The Brolettouno Apartment in Lombardy, housed in a 15th-century building, was sensitively updated by Archiplan, preserving distressed floor tiles and faded frescos, and furnishing it with light-hued wooden pieces. Studio Andrew Trotter's Casa Maiora in Puglia, though a new build, embraces rustic influences with flagstone floors, lime-washed walls, and local antiques. The G-Rough hotel in Lazio, located in a 400-year-old Roman building, combines historical features with contemporary art and mid-century furnishings, creating a 'rough-yet-refined' aesthetic. Finally, the Palazzo Monti hotel in Lombardy, a pop-up project by Julie Cloos Mølsgaard and Vipp, adopted a minimalist approach to furnishings to highlight the 13th-century palazzo's original features. These projects collectively demonstrate a profound respect for Italian architectural history and local craftsmanship, while skillfully adapting spaces for modern living and hospitality, offering visual inspiration for interiors that seamlessly merge the old with the new in a rustic style. #ItalianInteriors #RusticDesign #HistoricRenovation #MediterraneanStyle #BoutiqueHotels #ResidentialArchitecture #TraditionalCraftsmanship #InteriorDesignInspiration #ArchitecturalPreservation

This article details the creation of a unique resort-style home in Bali for Alexander Jovanovic, designed by the A2Kreasitama (A2K) team. The project addressed the challenge of an irregularly shaped plot of land, which ultimately inspired the central octagonal foyer, serving as a functional meeting point and a symbolic compass for the house. The design aimed to merge the characteristics of a resort villa, emphasizing natural airflow, with the functionality of a traditional home where spaces could be fully enclosed. To achieve this dual functionality, the A2K team incorporated aluminum glass doors that can be fully opened to allow natural ventilation while also being tightly sealed to prevent insect intrusion. Strategic placement and height of the house were crucial in maximizing natural airflow, effectively eliminating the need for air conditioning. The home's location in Dreamland – Pecatu, Bali, allowed for the integration of Balinese contemporary design elements, starting with intricate wooden carvings at the main entrance. The octagonal foyer, inspired by Taoist cosmology, was intended to bring balance and stability to the irregular landform. The interior of the foyer features white granite tile floors, a sleek console table with a painting, and a contemporary chandelier above a central round table. From the foyer, access is provided to two bedrooms through oversized solid wood doors, and a glass door opens to the swimming pool. The guest bedroom is situated to the left, adjacent to a staircase leading to the upper floors, while the master bedroom on the right offers direct access to a green-stone swimming pool and a private wooden parquet patio. The master suite includes a walk-in closet connecting to a Balinese semi-outdoor bathroom, which features a freestanding bathtub, a solid wall finish, and a stonescape garden, enhancing the private resort-like ambiance. An outdoor whirlpool is located between the master bedroom and the main pool. The guest bedroom also has an open terrace for entertaining or enjoying sunsets, and its bathroom is equipped with a glass wall shower and a small garden leading to the swimming pool. All bedrooms are finished with wooden parquet floors and adorned with solid wood and natural stone accents. An eye-catching contemporary staircase, constructed from steel and solid wood with frameless glass railings, leads to the upper levels. A high synthetic rattan ceiling above the staircase not only serves as an aesthetic feature but also demonstrates a clever use of local materials. The living and dining areas are uniquely positioned on the upper floor to offer magnificent views during daily activities, cultivating a recreational, resort, and tropical atmosphere. The living room, encased by transparent glass doors and solid wood columns, is a focal point of the house. It includes a solid wood dining table with an integrated teppanyaki-style stove for entertaining. Above the dining room, an attic serves as a relaxing space and provides access to a rooftop with panoramic views of Jimbaran Bay and the airport runway, ideal for social gatherings. The lower ground level accommodates a service area, laundry room, and a spacious garage with a carport that can function as a versatile multi-purpose space. Given the owner's background in the hospitality business, the A2K team meticulously designed the home to offer luxurious comfort and a distinct resort feel. The public and private areas are clearly delineated, and the designer used scale effectively to maximize space and apply hospitality industry standards to a private residence. For example, the octagonal foyer's atrium was designed to be larger than typical for a home of its size. The innovative design on the 505 sqm plot successfully integrated various functions to cater to the owner's lifestyle, resulting in a truly unique resort-style home. #ArchitectureInterior #ResortStyleHome #BaliDesign #A2Kreasitama #SustainableDesign #BalineseContemporary #LuxuryLiving #ArchitecturalInnovation

Limewash, a centuries-old paint trend, offers a versatile, environmentally-friendly, and charming wall finish that evokes the aesthetic of Italian villas and French country cottages. While traditionally seen on Greek island homes or modern city lofts, limewashing has recently gained mainstream popularity, with more companies offering a variety of colored options. It provides an "old-style plaster look" at a more budget-friendly price point than actual plaster. Limewash is made from crushed limestone mixed with water, resulting in a thin, milky consistency. Unlike conventional paints, which often contain plastics, biocides, and formaldehyde, limewash, as explained by Bronwyn Riedel of Bauwerk Paints, is VOC-free, making it a more eco-conscious choice. Although most commonly found in neutral tones, pigmented versions are available. Lisa Rickert, CEO of Jolie Paint, suggests using a translucent wash over regular paint for an existing wall, emphasizing that limewash is applied with a brush to create texture and reflect light differently than rolled paint. She cautions against using paint with a sheen, as limewash produces a matte finish. Limewash is adaptable for both exterior and interior walls, though surface material is a crucial consideration. Jamie Davis, cofounder of Portola Paints, notes that traditional lime paints are best suited for raw masonry surfaces like plaster, cement, stucco, and brick. For non-porous interior surfaces, a primer is necessary, and Portola offers a specific primer for this purpose. The article provides examples of limewash applications in various rooms. In a bedroom, a designer used sandy beige limewash to create a tropical, vacation-like atmosphere after a canceled trip. A garage in Joshua Tree was transformed into a guest suite featuring saturated limewash tones in the sleeping nook and broad brushstrokes in the living area. In an industrial Los Angeles loft, white limewash was applied to offset exposed pipes and beams, achieving an airy, ethereal ambiance desired by the homeowner. The application process for limewash involves thin layers to prevent a powdery appearance. Riedel recommends applying each coat in one continuous session, suggesting it can be a communal and enjoyable activity. Davis advises testing the color and pattern on a smaller surface before full commitment. For porous surfaces like brick, one coat may suffice. For interior walls, the process involves first applying a primer coat with a regular paint roller. Subsequently, a 5-inch box brush is used to apply the limewash in a crisscross 'X' pattern, working from the top corner down, without overworking the same spot. It's important to allow the first coat to dry completely, as limewash appears darker when wet. A second coat is then applied using the same 'X' pattern. The article concludes by showcasing various limewash color options from brands like Portola Paint, Kalklitir Paints, and Bauwerk Color, including shades such as El Coyoté, Aqua, Amethyst, Petrolio, Merida, and Squid Ink, encouraging readers to explore the range of available hues for their home design projects. #LimewashPaint #TuscanVillaStyle #EcoFriendlyPaint #InteriorDesign #WallFinishes #HomeRenovation #DIYHomeDecor #PaintTrends #TexturedWalls

The article delves into the unique and eclectic home of Giorgio Taroni, a 77-year-old collector and chatelain, located in a 9,000-square-foot lakeside villa overlooking Lake Como, Italy. Built in the early 1900s by his grandfather, silk industrialist Ettore Taroni, the eight-bedroom, three-story house is designed to maximize views, featuring a buff-colored brick exterior and a gray stone tile roof, surrounded by a half-acre of gardens. Inside, the villa is described as a private museum, meticulously organized and filled with Giorgio Taroni's vast collections, spanning entomology, textile design, illustration, rationalist art, ancient coins, and local history. The narrative also incorporates the perspective of Giorgio's son, Guido Taroni, 35, a photographer residing in Milan. Guido recounts his childhood, spent commuting between his parents' distinct homes. His mother, Anna Gastel, 70, a descendant of two prominent Italian families (Visconti di Modrone and Erba), lived across the lake in a converted 12th-century Benedictine convent, a 40-room yellow stucco villa with Empire-style trompe l'oeil frescoes. Guido describes an idyllic childhood, often navigating Lake Como by ferry, which his parents allowed him to steer, transporting himself, his sister, and cousins between the two residences. The article highlights Giorgio Taroni's past as the chief designer of Taroni Disegni, a firm producing extravagantly patterned silks for fashion brands like Versace and Valentino. His passion for collecting led to nearly every surface of his home being adorned with his possessions. The entry hall features porcelain parrots and ceramic animals, while a two-story salon, once repainted yearly in vivid hues, now showcases over 300 oil paintings of the Como environs against Ferrari red walls with saffron trim. The furniture is upholstered in fabrics from Taroni Disegni's archives, and the floor is a mosaic of multihued cotto lombardo shards. A smaller ground-floor salon, painted peacock blue, displays canvases by abstractionist Manlio Rho, and the dining room walls are covered with drawings of vintage French seed packets. The garden house, formerly the textile design team's workspace, has been converted into a climate-controlled library, housing thousands of first-edition design books, silk-screens, and original fabric paintings. This library also contains an 18th-century series of watercolors used as tapestry patterns by Aubusson weavers, a collection rare enough to be compared to those in the Victoria and Albert Museum. The second floor of the villa is where Taroni's entomological collection reaches its peak: over 30,000 stag beetles, ranging in size and iridescent colors, meticulously mounted and hand-labeled, are stored in custom-made wooden flat files. Alongside these are pre-Napoleonic coins and various ephemera, including 19th and early 20th-century advertising, vintage postcards, and nearly 20,000 paper cigar bands. Guido Taroni, inspired by his father's collecting habits, has cultivated his own collections in his Milan apartment, including vintage ceramic jars by Piero Fornasetti, ceramic dishware designed by Gio Ponti, and framed photographs of couture gowns from his maternal great-grandmother's trunk. He is also undertaking the revival of Gi.Vi.Emme, a historical fragrance brand founded by his great-grandfather, actively collecting vintage perfume bottles, gift boxes, and advertisements for the line. This endeavor mirrors his father's meticulous collecting, demonstrating a generational continuation of an deep appreciation for history and design. #ItalianVilla #LakeComo #EclecticDecor #ArtCollection #EntomologyCollection #TextileDesign #FamilyLegacy #HistoricHomes #InteriorDesign #Collecting

Architects Grooppo have undertaken the refurbishment of one of the three floors within a nineteenth-century Italian house located in Albissola Marina. The project, termed CASA G+S, specifically focuses on a 120-square-meter area of the single-family residence, originally constructed in 1870. The design approach is deeply rooted in the historical context of the building, aiming to preserve and highlight its original characteristics while introducing contemporary elements. A key design feature of the renovation is the use of hexagonal porcelain tiles for the flooring. These tiles are employed to create distinct patterns and color schemes across seven of the eight rooms on the renovated floor, establishing a visual flow and emphasizing the continuity of the spaces. In contrast, the kitchen features a traditional black and white chequerboard pattern with square tiles, offering a different aesthetic while maintaining a sense of classic design. This meticulous attention to flooring serves to define individual rooms while also linking them through a consistent design language rooted in historical precedents. Another significant detail in the interior scheme is the consistent application of black paint to door frames and skirting boards throughout the refurbished level. This deliberate choice creates a stark contrast against the white walls, making these architectural elements stand out and providing a contemporary edge to the historic structure. The combination of classic tiling and modern detailing contributes to a layered aesthetic that respects the building's past while embracing current design sensibilities. The refurbishment also integrates a blend of old and new furniture. The architects incorporated existing family heirlooms and antique pieces, carefully chosen to interact with other salvaged objects that have been reinterpreted with a modern purpose. This curatorial approach ensures that the renovated space is not just aesthetically pleasing but also rich in personal history and character, reflecting the lives of the inhabitants across generations. The project's emphasis on memory and the peculiarities of the original building guides the selection and placement of these elements, fostering a dialogue between different eras within the home. Grooppo's involvement spanned architectural design and site supervision, ensuring a cohesive execution of their vision. The refurbishment of Casa G+S in Albissola Marina, Savona, Italy, demonstrates a thoughtful renovation strategy that marries historical preservation with contemporary interior design, creating a unique and functional living space within a venerable Italian home. The project successfully showcases how modern interventions can enhance the inherent beauty and character of an older building without overshadowing its original charm. #ItalianHouse #ResidentialInteriors #HexagonalTiles #HistoricRenovation #GrooppoArchitecture #InteriorDesign #AlbissolaMarina #PorcelainTiles #ContemporaryRefurbishment

The five-star Palazzo Avino, a hotel housed within a 12th-century private villa on Italy's Amalfi Coast, has undergone a significant redesign of seven of its rooms. Architect Cristina Celestino was tasked with revitalizing these spaces, drawing inspiration from the abundant gardens of Ravello and the mystical tales of the Tyrrhenian Sea. The goal was to infuse the rooms with a sense of place, blending historical elements with a contemporary aesthetic. Celestino's design approach centered on two primary concepts: the "inner garden" and the "mermaid refuge." The inner garden concept is brought to life through the integration of custom-designed terracotta flooring from her Giardino all’Italiana collection for Fornace Brioni. This flooring, which takes inspiration from the famous Boboli and Tivoli gardens, acts as a unifying element across the rooms. It is complemented by patterned onyx and marble accents, reflecting the vibrant flora of the region. The color palette employed by Celestino, featuring aquamarine, sand, and coral, directly references the natural surroundings of the Amalfi Coast. The mermaid refuge concept is expressed through iridescent mother-of-pearl finishes, which evoke the shimmering quality of the sea. Embossed headboards and intricate brass castings further contribute to this theme, adding a touch of aquatic elegance. Celestino emphasized the importance of light, colors, and material selection in her projects, aiming to create a magical atmosphere that resonates with the heritage and natural beauty of the location. She noted that her works often combine historical elements with modern aesthetics and draw forms from nature and art. Prior to Celestino's intervention, the rooms were characterized by a more traditional style, featuring glazed ceramics, white walls, Persian carpets, and antique pieces from the early 1900s. Her vision sought to imbue each room with a distinct personality, establishing a stronger connection between the interior design and the panoramic views of the gardens and the sea. This was achieved not only through the selection of materials and colors but also through the thoughtful placement of furniture. For instance, beds were strategically positioned in the center of the rooms to maximize visual impact and draw attention to the architectural elements. The bedding and the curvature of the bed frames were designed to harmonize with the dramatic arches present in the villa's architecture. Textiles played a crucial role in the renovation, with delicate natural fibers and Dedar fabric curtains featuring oversized patterns, including CC-tapis textiles adorned with large flowers and fruits native to the Italian coast, which are now part of the Avino collection. Celestino faced the challenge of balancing the hotel's existing identity and the expectations of its established clientele with her contemporary design vision. Her objective was to make these historical spaces feel more modern while simultaneously deepening their connection to the coastal landscape. The bathrooms were also updated, incorporating luxurious materials such as Rosa Portogallo marble and Rainbow onyx by Budri, further enhancing the hotel's opulent and nature-inspired aesthetic. The renovation successfully transformed the rooms, creating spaces that are both rooted in tradition and refreshingly contemporary. #AmalfiCoast #CristinaCelestino #PalazzoAvino #HotelRenovation #ItalianDesign #LuxuryTravel #InteriorDesign #HistoricalArchitecture #CoastalDecor

The article details the interior design project of an ancient Tuscan farmhouse in Italy, undertaken by British interior designer Nicola Harding. The project aimed to reconcile the differing tastes of an Italian husband and an American wife, creating a soulful, warm, and friendly home suitable for family life and entertaining. The couple, who achieved success in New York, sought to establish a comfortable and future-proofed residence near the husband's childhood home, accommodating their adult children and potential future grandchildren. A key aspect of the design challenge was to make the American wife feel at ease having people in her space, as she initially found this difficult. Nicola Harding addressed these requirements by focusing on the core living areas. She designed intimate dining rooms and easy-going spaces such as the kitchen, sitting room, and snug on the ground floor, alongside four bedrooms and bathrooms upstairs. To expand the usable space, an outdoor pool house was constructed from scratch, featuring its own kitchen, dining, and living areas. Additionally, existing outbuildings were converted into guest cottages, some with their own kitchens and sitting rooms, ensuring a balance of privacy and conviviality for both the family and their guests. In terms of material choices and renovations, Harding prioritized reusing hard finishes wherever possible. This included retaining and revitalizing existing stairs and tiled floors by overlaying them with large rugs. Metalwork was rubbed down and repainted, and a less attractive fireplace was artistically enhanced with brick and plaster. These choices not only preserved the farmhouse's character but also led to creative and effective design solutions. Structural modifications included enlarging a main bathroom by removing a former toilet cubicle, creating a butler’s pantry adjacent to the kitchen, and organizing the basement to house a wine cellar, billiard table, and ample storage, thereby preventing clutter. Color and light management were central to Harding’s design philosophy. She carefully adjusted the color palette based on each room's location to maximize light flow and complement the external views of the olive groves. For instance, in the naturally darker dining room, shaded by a vine-covered terrace, she opted for a red ceiling and teal blue grasscloth walls, using varying tones within the same color family to maintain a cohesive yet vibrant atmosphere. Conversely, the light-filled sitting room featured layers of white with subtle blue accents in textiles and lamp bases, leveraging blue's calming properties. Nicola Harding describes the resulting home as both 'smart and grown up but also welcoming and approachable.' This outcome is largely attributed to her commitment to collaborating with local craftspeople. These artisans contributed to elements such as textural fresco wall finishes, tiling, joinery, and rattan work, imbuing the spaces with depth and a sense of history. Harding also sourced pieces from renowned makers like Matthew Cox for the dining table, Rose Uniacke for sofas, lighting, and linens, and Soane Britain for rattan furniture and fabrics. Her approach involves matching unique pieces with interesting stories to the homeowners, fostering a strong sense of affinity and connection that makes the house feel like a true home from the outset. Harding's design style is characterized by being soulful, curious, and user-friendly, emphasizing the creation of a desired feeling through color palettes, furniture, and lighting. #InteriorDesign #FarmhouseRenovation #ItalianCountryside #NicolaHarding #HomeDecor #ColorPalette #SustainableDesign #ArtisanCraftsmanship

The Italian furniture and accessories brand Morici, established in Recanati in 1979 by Luciano and Doriana Morici, unveils the intricate production process behind its Venezia collection of luxury boxes. The company, known for its fundamental craftsmanship vocation, integrates centuries of woodworking tradition with innovative production technology. Morici's approach involves the careful selection of natural woods and leathers, combined with the skilled hands of Italian master artisans, to create high-quality, meticulously detailed modern products. The Venezia collection specifically showcases a series of colorful luxury boxes, homewares, and furniture, segmented into five distinct lines with high-impact palettes. These lines include Cannaregio and Mestre, which blend earthy tones with blues and a mix of red and yellow, respectively. Rialto features a more vibrant and randomized palette by incorporating elements from other lines, while Sestiere is characterized by shades of purples and pinks. Laguna offers a cool combination of blues and pearlescent whites. The design process for the Venezia collection is a seven-step journey, starting with the design phase. This initial stage focuses on developing unique color combinations that define the collection's various color lines, emphasizing the interplay of colors with different precious wood essences to achieve Morici's characteristic style. Following design, the inlay process involves a highly manual technique used since the 14th century to customize products. Craftsmen meticulously combine laser-cut wood veneers, colored with natural dyes, to create intricate patterns and mosaics. The selection of veneers and their characteristics is crucial for achieving an elegant and balanced mosaic, with each piece of wood contributing to a unique, unrepeatable natural pattern despite predefined designs. Carpentry is the third step, where the finished inlay is applied to wooden panels, then shaped and refined to form the desired design. This stage concludes with sanding, ensuring a smooth and perfectly formed product. The fourth step, painting, involves applying multiple layers of paint to strengthen the surface and enhance durability. Morici highlights its commitment to environmental safety by evolving towards the use of eco-friendly paints. Polishing, the fifth stage, is executed by highly skilled artisans using manual polishing machines. Their expertise in selecting the correct abrasive paste and applying precise pressure ensures a unique, long-lasting finish that maintains its quality over time. The penultimate step is assembly, which serves as a crucial quality control point. Various components like locks, hinges, and drawers are carefully put together to ensure the product's functionality and integrity. The final step, covering, involves manual processing in the covering department. Here, skilled artisans use cutters and sewing machines to select and apply various fabrics and leathers, creating a custom finish for each product, tailored to its specific purpose. This elaborate process underscores Morici's dedication to artisan know-how, combining traditional techniques with contemporary aesthetics to produce the high-end items in the Venezia collection. #HomeDecor #LuxuryDesign #HandmadeCraftsmanship #ItalianDesign #Woodworking #VeneziaCollection #ArtisanKnowHow #FurnitureDesign #DesignProcess

Caitlin Cavagnolo and her husband, Tyler Randall, transformed their 650-square-foot Jersey City apartment into a space evoking the serene grandeur of an Italian villa. Their vision for a calming and soothing yet somewhat grand environment was realized with the help of Caitlin's sister, Hayley Cavagnolo of Hayley Bridget Interiors. The couple purchased the one-bedroom apartment in 2016, drawn to its practical features like an in-unit washer and dryer, a basement, and a balcony, despite its lack of Italian cypress trees or frescoes. Over the years, they made initial light renovations, including new kitchen counters and replacing laminate floors with wood. The renovation began in earnest when Hayley, noticing the apartment's potential for improvement, stepped in. A key focus was enhancing the kitchen's functionality, as Caitlin is an enthusiastic cook who enjoys making pasta from scratch. The existing marble countertop was extended, providing additional shelving for her cookbook collection and a dedicated workspace for her pasta maker. New millwork on the opposite wall created deep drawers and cabinets for bulkier items, significantly improving storage and accessibility compared to the previous setup that required a ladder for retrieval. The apartment's color palette was carefully chosen to exude a warm glow, reminiscent of an Amalfi Coast summer. Hayley selected Farrow & Ball’s Hay, a dusty yellow, for the kitchen cabinets and Benjamin Moore’s Elephant Tusk for the walls. Caitlin's request for blue doors led Hayley to use two shades of blue, creating a trompe l’oeil effect that made the panels appear deeper and more decorative. This cohesive color scheme was crucial for layering design elements effectively within the small space. The dark blue accent from the doors is echoed in the bedroom's linen bedding. The couple, particularly Tyler, emphasized sustainability and reusing existing furniture. Their simple wood bed frame was reimagined with a custom slipcover for the headboard, and dining chairs were updated with round cushions. Hayley re-covered these dining chairs in a Rose Tarlow stripe fabric, which harmonized with the Loro Piana Gritti Midnight fabric used for the living room armchairs, a Chairish find. This choice reflected a desire for classic, enduring design. In the living room, a linen slipcover was created for the TV, discreetly concealing it when not in use. A durable mohair mat was added to the couch to protect it from their dog, Jackson, who frequently claims a spot. Tyler’s shift to remote work necessitated a dedicated workspace. Using CAD renderings from Hayley and woodworking tools from previous renovations, he crafted a narrow wood desk base, which Hayley topped with a honed marble slab. This custom piece is now in the bedroom, accompanied by a sleek leather and chrome chair. The tiny bathroom, which also houses the washer and dryer, underwent a significant transformation. A new vanity cabinet was installed to store laundry detergent and toiletries, addressing previous clutter issues. To maximize the sense of space, Hayley moved the inset medicine cabinet to a side wall and installed an extra-large mirror, with sconces layered directly on top of the glass sheet. The aim was to create a “jewel box” effect, transforming the small bathroom into a beautiful and functional area, further solidifying the Italian villa aesthetic throughout the apartment. #ApartmentRenovation #ItalianVillaStyle #SmallSpaceDesign #HomeTour #InteriorDesign #JerseyCityLiving #CustomMillwork #ColorPalette

This article, featured on Dezeen Showroom, highlights eight distinct products from Italian brands and designers, showcasing Italy's enduring legacy in craftsmanship and design. The selection encompasses various home furnishings and accessories, demonstrating both innovative and traditional approaches to design. One featured product is the Slow Cold tiles by Marazzi, a tile brand from Sassuolo. These tiles are notable for their texture, which mimics rammed earth, a sustainable construction technique involving compressed organic matter. Available in six muted colors, these dimpled, dimensional tiles are suitable for both indoor and outdoor applications. Next is the New Logica storage system by Gabriele Centazzo for Valcucine, a kitchen brand based in Pordenone. This system provides a multifunctional kitchen storage solution where appliances are discreetly hidden behind sleek cabinet fronts. It integrates lighting and various storage options to streamline the cooking process from preparation to cleanup. Antolini, a stone company, in collaboration with audio brand Bang & Olufsen, created the Beosound Balance Natura speaker. This unique speaker combines high-specification audio equipment with natural stone, available in white and pink colorways for its base, highlighting a fusion of technology and natural aesthetics. From Como-based furniture brand Porro, the Tablo table by architect Piero Lissoni draws inspiration from workshop workbenches. This all-metal table is offered in two sizes: a smaller coffee table with a marble top and a taller dining or work table with a verde gris top. Both versions feature distinct tapering legs folded at a 90-degree angle. Philippe Malouin designed the Hum tapware for northern Italian brand Quadro Design. These tapware pieces are characterized by their stripped-back, tubular elements, emphasizing functionality and an unadorned aesthetic. They come in various brushed metallic finishes and formats, including wall-mounted, surface-mounted, floor-mounted taps, and shower fittings. Casalgrande Padana, an Italian tile brand from Casalgrande, ventured beyond its tile-centric catalogue to release the Convivialis tables. These tables feature stone tops in a range of shapes, sizes, and stone options, each piece showcasing unique natural striations and variations. Ceramiche Keope, an Italian surfaces manufacturer, introduced Grace tiles, inspired by a natural limestone quarried in France. These tonal tiles incorporate a blend of cool and warm-toned areas, resulting in a neutral and understated aesthetic suitable for various interior schemes. Finally, the Striche tables by Matteo Zorzenoni for Miniforms, a design brand located near Venice, are crafted entirely from colored glass. These tables utilize three different glassmaking techniques to create a dappled pedestal-like base and a bubbly top adorned with white stripes, offering a vibrant and artistic furniture piece. #ItalianDesign #HomeFurnishings #KitchenStorage #Tiles #LuxurySpeakers #FurnitureDesign #Tapware #StoneTables #GlassTables