An architect transformed an all-girls school from the 60s into a welcoming home

Róisín Lafferty, founder and creative director of Kingston Lafferty Design (KLD), spearheaded a nearly five-year restoration, renovation, and redecoration project to transform a landmarked Georgian-style schoolhouse in coastal Galway, Ireland, into a five-bedroom, four-bath residence. The initial structure, while charming and historic, presented several challenges, including outdated electrical systems, a lack of central air, and inadequate bathing facilities for a family of seven. Furthermore, a series of mismatched rear extensions and small service buildings obstructed garden views and natural light penetration into the interior. KLD collaborated with Helena McElmeel Architects, a local firm that assisted in navigating the municipality’s strict conservation board regulations and managed the structural modifications. Significant changes were concentrated at the rear of the property, where a new, window-wrapped, skylight-capped modern addition now houses an orangerie-style dining room, replacing a damp lean-to. This space is seamlessly connected to the updated kitchen. An existing conservatory was also enhanced with new glazing to create a breakfast room, accessed through portals in the kitchen's thick stone walls, which are clad with green marble tile to emphasize the transition between the old and new structures. The interior design philosophy prioritized repurposing and integrating existing elements with new, vintage, and custom pieces. For instance, an old kitchen table was reconfigured with a stone slab to serve as the cooking island, and pendant fixtures from the house's corridors were repurposed for lighting. Antique cabinets left by previous owners were skillfully integrated into new millwork, such as the main bathroom's armoire, which was transformed into a vanity with a marble countertop and antiqued brass legs. Mismatched Michael Thonet chairs, inherited from family, were grouped around a custom dark-stained oak dining table, contributing to a curated aesthetic. A particularly distinctive feature is the conversation pit in the rear lounge, recessed into the concrete floor to maintain garden sightlines. This element, along with a moss-green velvet Mah Jong sofa, evokes a 1970s sensibility. The original pass-through hatch between the kitchen and the reading room was reframed with bronze-tinted mirrored panels, adding a unique, moody atmosphere to the latter space. Although a beautifully hued stair runner was too worn to salvage, its color palette of sky blue, burgundy, terra-cotta, and mustard was incorporated throughout the home. Upstairs, the sleeping quarters blend traditional and modern design with whimsical touches. The main suite, occupying most of the second story, features a bedroom, a walk-in dressing room, and a bathroom with a fireplace and soaking tub. Period-appropriate paneling and a curvilinear velvet headboard were introduced to make the large main bedroom feel more intimate. The children's zone on the third floor was designed to maximize space; for example, a hanging rattan chair on the adjacent stair landing serves as a lounge area for the youngest daughter. The two boys' shared room benefits from high ceilings, allowing for tall loft beds that create ample floor space for hangout and work areas. This comprehensive renovation and redecoration effort successfully transformed a historic schoolhouse into a functional, aesthetically rich, and personalized family home. #KingstonLaffertyDesign #HistoricRenovation #SchoolhouseConversion #GalwayIreland #ResidentialDesign #InteriorTransformation #SustainableDesign #RepurposedFurniture #GeorgianArchitecture

This article details the transformation of a neglected Federal-style schoolhouse in the Catskills into a glamorous and chic home, dubbed "Monkey Cottage," by lifestyle editor Jason Oliver Nixon and decorator John Loecke. The duo discovered the 900-square-foot former schoolhouse, built around 1840, listed for $30,000. Despite its dilapidated state—featuring no closets, low second-floor ceilings, and multiple layers of wallpaper and paint—they saw its potential. After purchasing the property, a pipe burst and the ceiling caved in a week later, leading to a complete gut renovation. Much of the work was undertaken by John and Jason themselves, with assistance from Jason's uncle Lary and father, Jary. A year of renovation resulted in a vibrant weekend retreat characterized by bold colors, playful prints, and a spirit of fun. The homeowners emphasize their commitment to preserving the original architectural style while imbuing the home with their personal touch. The kitchen, which also serves as the dining area due to the absence of a formal dining room, features striking black cabinetry, white marble counters, and a unique display of vintage state plates instead of upper cabinets. A circular window was added, mirroring an existing one on the home's facade. To address the lack of closets, built-in drawers and storage cubbies were incorporated throughout the house. A distinctive railing inspired by a Chinese garden bridge was installed, adding an exotic touch. The bathroom features faux paneling crafted from 4x4s, contributing to the cottage's unique aesthetic. The homeowners' passion for collecting is evident in the flea-market equestrian prints displayed against a chocolate-brown wall and a collection of colored tableware, which John strategically uses to make small spaces appear larger by employing a few substantial furniture pieces. The vibrant master bedroom is a testament to their love for color, with sunny-yellow paint and a lively green-and-white print that energizes the small space. To maximize functionality in the bedroom, a carpenter was hired to convert a three-foot-high gap created by the low-pitched roof into bookshelves on one side and cabinets and storage drawers on the other. John provides design advice on combining patterns, suggesting that a common color scheme prevents clashes and recommending the use of no more than two large-scale prints, with other patterns kept geometric. Collections, such as glassware and antique garden statuary, are meticulously arranged by color, type, and theme on walls and open shelving. The eclectic living room combines furniture of various sizes and heights to maintain visual interest. The design draws inspiration from classic English country interiors but is reinterpreted with unconventional elements like silver scallop sconces, giraffe print pillows, and a tropical-inspired chandelier. Ribbons are utilized throughout the house to embellish curtains, lampshades, and pillows, offering an inexpensive and versatile decorating solution. John's book, "John Loecke's Grosgrain Style," provides creative ribbon-based DIY projects, including a layered ribbon square that can be created with a hot-glue gun. The article highlights the transformation from a neglected building to a personalized and stylish home, emphasizing creative problem-solving and the thoughtful integration of personal style and collections. #SchoolhouseRenovation #CatskillsHome #HomeTransformation #InteriorDesign #EclecticDecor #DIYRenovation #SmallSpaceLiving #VintageFinds #ColorSchemes

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

Architect and designer Kartik Desai, along with his husband Zane Philstrom, transformed an abandoned mobile home property in Southold, North Fork of Long Island, New York, into a modern, cost-effective family residence with breathtaking views of the Long Island Sound. The couple purchased the dilapidated property in 2012, initially using it as a campsite while they designed their dream home, emphasizing the stunning natural surroundings as the primary inspiration. The design philosophy centered on maximizing the Long Island Sound view, ensuring every room and the swimming pool faced the water. To achieve this vision while adhering to budget constraints, Desai implemented several clever cost-cutting solutions. For instance, in the living room, instead of an expensive custom sectional, they opted for an affordable IKEA sectional and customized it with removable, washable linen covers from Bemz, providing both a polished look and practical maintenance for a beach house environment. The living room also features a massive 12-foot hearth fireplace that doubles as a bench, and a clever panel concealing the television. The dining room, kitchen, and living area were designed as a cohesive communal space. A continuous bank of sliding doors along the ground floor was a key design element to connect indoor and outdoor spaces. To avoid the high cost of a custom 50-foot sliding door system, they utilized four standard-width bay units. These were then integrated seamlessly with natural oak finishes, extending to cabinetry and using cabinet face material to fill the gaps, making it appear as a single, custom system. Desai highlights this as an example of making standard-sized elements look bespoke. In the kitchen, budget-friendly material swaps were crucial. The original plan for concrete floors, countertops, and fireplace surround was deemed too expensive. Instead, large format tiles from Porcelanosa were used for the floor, and quartz for the countertops and fireplace surround. These alternatives provided a similar aesthetic to concrete but offered benefits such as durability, stain resistance, and low maintenance. The open kitchen design allows Philstrom, an avid cook, to engage with guests in the dining and living areas or by the pool. The bedrooms and bathrooms also maintain continuity with the home's overall aesthetic and practical design. Bedrooms offer serene views of the ocean, with furniture from brands like CB2, Blu Dot, Parachute, and IKEA. The bathroom similarly boasts sweeping views of the Long Island Sound, utilizing the same practical and durable materials as the main living areas, with fixtures from Kohler, mirrors from Rejuvenation, and tiles from Porcelanosa. This strategic approach to design and material selection enabled the couple to create a sophisticated, zen-like Hamptons home without exceeding their budget, transforming an uninhabitable structure into a modern sanctuary. #HomeDesign #CostSavingTips #HamptonsHome #ModernArchitecture #DIYDesign #InteriorDesign #BudgetDecor #OceanViewHome #SustainableLiving

Shanti Crawford of Indigo & Ochre Design transformed a 2,600-square-foot, four-bedroom penthouse in Brooklyn from a "modern white box" into a vibrant, functional family home. The clients, a family with three daughters and a dog, sought to add warmth, color, character, and personality to the new build, which initially felt cold and barren. Crawford's approach emphasizes socially responsible and sustainable design, reflected in her use of colorful, thoughtfully collected, and layered decor. The primary goal was to create distinct and intimate areas within the open-plan layout, allowing each family member to engage in various activities simultaneously, such as working, studying, socializing, dining, and playing music. This was achieved through strategic furniture arrangements, custom built-ins, and the transformative power of color. AThe design process began with the clients' desire for a fresh start, especially as their children were growing older. Crawford provided guidance from the pre-closure phase, focusing on integrating character into the developer's clean, modern aesthetic. Key to her design was the incorporation of beloved pre-existing items, including a massive patchwork kilim from Morocco and a rustic sideboard. She aimed to ensure these pieces felt intentionally integrated and harmonized with the new, streamlined elements of the apartment. Crawford used color as a declarative element to define spaces. For example, the entryway was painted in a pale pink hue, Benjamin Moore Wheatberry, which subtly appears in other areas of the home, creating a cohesive visual flow. The entry also features practical storage solutions like hooks, baskets, and cubbies from Room & Board to accommodate the active family's needs. Texture was added through a ceramic disc wall hanging and a woven Tuareg mat. In the living room, the vibrant patchwork Moroccan kilim served as the primary inspiration for the color palette, influencing the selection of seating, artwork, and accessories. Crawford also introduced a gentle antique Oushak rug to complement the kilim without competing with its intricate patterns. The dining room features the clients' cherished kilim, anchored by a sleek Artisan Latus table and Gubi Beetle chairs, with brass legs that echo other metallic accents in the adjacent sitting area. This intentional mix of rustic and modern elements ensures balance and visual interest. The family room, referred to as a 'snug,' was designed to be a cozy, intimate space. It was painted in a warm, deep gray, including the ceilings, to embrace the lack of natural light. Deep jewel tones and lush textures, such as velvet upholstery, were incorporated, along with a vintage Heriz carpet to add personality. Custom walnut shelving units were built to span an entire wall, providing depth and delineation, and housing a Samsung TV and Noguchi Akari floor lamp. The master bedroom was conceived as a serene retreat, adhering to principles of "soothing neutral colors, simple and clean lines, texture over pattern." The primary colors are neutral, with subtle pops of deep color from peacock sconces and a luminous mouth-blown carafe and glass. The bed frame is custom, and the bedding and throw are from Wolves Within. The study, designed for multiple functions including a home office, occasional guest bedroom, and storage, features a custom-designed built-in bookshelf that frames a Kalon Studios daybed. A vintage Paul McCobb desk and a vintage Swedish Kilim rug complete the space, demonstrating how distinct areas were created while maintaining an open flow within the larger apartment. The collaboration with landscape designer Laura Harmon of LFH Studio for plants further enhanced the natural integration of the design. #InteriorDesign #ApartmentDecor #FamilyHome #ColorPalette #CustomBuiltIns #StrategicFurniture #BrooklynDesign #VintageDecor #SustainableDesign

Architect James Davies, founder of Paper House Project, undertook an ambitious endeavor to convert a derelict former schoolhouse in Hackney, London, into his personal two-bedroom residence. This challenging project, completed by October 2022, transformed a dilapidated brick structure into a high-ceilinged, concrete-floored home, showcasing Davies' vision and determination. The site presented significant hurdles, including being landlocked, lacking existing utility services, and navigating complex access negotiations with surrounding freeholders and leaseholders. Davies described these issues as challenges rather than obstacles, requiring immense patience and unwavering confidence to resolve, including extending new electric and water connections via a 90-meter trench across third-party land. Davies' architectural approach focused on restoring the original brick envelope of the building while implementing a modern interior design. He collaborated with engineers to minimize visible structural elements, thereby maximizing the double-height spaces and enhancing the sense of openness. A key design feature is the incorporation of new gridded steel-frame windows and an inner courtyard, which together flood the interiors with natural light and create a unique sense of volume, uncommon in typical London homes. Davies noted that the abundant natural light, height, and volume significantly contribute to mood and well-being, emphasizing the peaceful and tranquil atmosphere of the internal courtyard, which helps to create a serene environment despite the property's proximity to busy Hackney high streets. The interior aesthetic draws inspiration from industrial and warehouse conversions, influenced by notable structures such as the Turbine Hall at Tate Modern, Liverpool's Albert Docks, and the warehouse living styles prevalent in New York City. Davies consciously selected a limited palette of materials, predominantly concrete and steel surfaces, to achieve a smooth, stylized industrial look throughout the home. This choice of materials, combined with elements like a black marble splash-back, oak veneer door fronts, and a spruce-paneled staircase, introduces contrasting materialities that add depth and character to the design. Practical solutions were devised to overcome site access limitations, such as fabricating large components off-site and ensuring they were light enough to be manually carried through the courtyard by two people. Steel A-frame trusses with cable rod connections were ingeniously embedded to support the new slate roof, demonstrating innovative structural solutions. The downstairs living spaces are subtly divided by the staircase, maintaining an open feel while delineating functional areas. Wooden interior panels are strategically used to soften the white walls, adding warmth to the industrial aesthetic. Davies encapsulated the essence of the house's ambiance with a single word: 'calm', reflecting the successful creation of a tranquil urban dwelling from a complex, derelict site. #Architecture #ResidentialDesign #LondonRealEstate #HackneyHome #ConversionProject #IndustrialAesthetic #PaperHouseProject #ArchitecturalRenovation

This article details a significant renovation project undertaken by Shakespeare, Gordon, Vlado: Architects (SGVA) on a late 19th-century, four-story townhouse in Park Slope, Brooklyn. The clients, a couple with two young children, sought to address the common challenge of disconnectivity across multiple floors in townhouse living, aiming for better spatial interaction between family members and access to the garden. Architect Amy Shakespeare's innovative solution involved a complete gut renovation and a re-imagining of the internal floor levels in the lower half of the building. The redesign involved lowering the floor plate at the back of the house to create a sunken living room directly accessible at garden level. The kitchen's floor was also lowered, reducing the number of steps from the entry level and improving connectivity to both the entrance and the garden. This extensive structural modification was feasible due to the building's prior state, which consisted of four rundown apartments with no original features deemed worth preserving. The upper floors, the third and fourth, maintain a more traditional layout, accommodating a master bedroom, children's rooms, and additional bedrooms for visiting family. These floors also feature dedicated spaces for entertainment, such as movie-watching and video gaming nooks. Throughout the home, the design incorporates a predominantly white color palette, punctuated by bold, jewel-toned wall colors and dynamic textile patterns, adding vibrancy to the interiors. Upon entering, a vestibule and mudroom are located at the front, leading to a double-height library situated centrally in the floor plan. This library is distinguished by a striking wall of teal-colored bookshelves. Sustainable materials were a key consideration in the project, with extensive use of 100 percent certified wood, including fumed oak for the flooring. The double-height central space is illuminated by a Triad 15 light fixture from Apparatus. The sunken living room, furnished with a sectional sofa from B&B Italia, offers direct access to the garden. Visual transparency between spaces is enhanced by a glass panel incorporated into the kitchen's wood railing. The kitchen features a blue Lacanche range with nickel trim, a high-priority item for the clients, along with appliances from Sub-Zero/Wolf. The painted wood cabinetry was custom-built by the general contractor, Fulton Contracting. Nancy Angel, a Brooklyn-based designer, was responsible for all custom upholstery, including the dining area banquette adjacent to the kitchen. From the kitchen, an unobstructed view extends towards the front of the house, across the top of the library. Tempered glass and steel were used for the new stair railings, contributing to the open and modern aesthetic. The top floor includes a black-painted TV room, which also accommodates a queen-size platform bed for guests. On the exterior, the architects created a geometric composition on the blown-out back wall using standard-sized Marvin windows. Despite the lot being fully built out, a balcony was added by indenting the back wall to form a small terrace. The backyard was designed by Joanna Pertz Landscape Architecture, featuring a play area with a sandbox and swings at its far end. The project successfully transformed a multi-level townhouse into a cohesive and family-friendly living space. #ParkSlope #TownhouseRenovation #ArchitecturalDesign #InteriorDesign #FamilyLiving #SGVA #FloorLevelModification #SustainableMaterials #BrooklynRealEstate

The article details the transformation of a 2300-square-foot penthouse apartment in Williamsburg, Brooklyn, from a clinical, industrial space into a whimsical and functional family home. Keren Richter, co-founder of interior design studio White Arrow, led the redesign, prioritizing the tastes and needs of the clients' three young children. The project focused on softening the apartment's original hard-edged and high-contrast finishes to create a more playful and inviting environment for the family. One of the most notable features of the redesign is the kitchen. Richter expressed her particular fondness for this space, highlighting the custom cabinetry crafted from bleached maple. This choice provides a light and natural base, which is then complemented by aluminum cast hardware from Australian designer Studio Henry Wilson. A striking element is the refreshing green Calacatta turquoise marble used for the countertops and backsplash, creating a vibrant contrast with the playful powder pink kitchen cabinets. The kitchen also incorporates whimsical decor, such as abstract modern bar stools by Jack Rabbit Studio, and existing artwork from the client, all contributing to a balanced and uplifting aesthetic. Despite adopting some minimalist principles, such as built-in storage to conceal clutter, the space retains warmth and visual interest through its material and color palette, demonstrating that extensive decoration is not always necessary when materials speak for themselves. Contrasting with the lower floors, the top floor of the duplex was designed with cooler tones and a more pared-back aesthetic. The dining room, for instance, features sleek wood surfaces and mid-century modern furniture. Abstract elements are woven throughout, from a uniquely based dining table to an abstract midcentury pendant light, maintaining a visually engaging yet minimally decorated space. The design incorporates materials like chrome, mirror, hand-blown glass, and bleached maple, alongside bold Calacatta turquoise marble and cast aluminum hardware, to create a sophisticated atmosphere. Playful touches, such as a pink console, wavy candleholders, and angular lighting, are strategically placed to echo the home's overall whimsical theme without overwhelming the refined design. The living room provides a plush and inviting atmosphere, featuring a large powder-blue sofa and quilted modern armchairs that blend contemporary style with family-friendly comfort and practicality. The careful use of pastel colors and a colorful abstract rug adds playfulness without being overwhelming, balanced by a sleek chrome coffee table. This space exemplifies the fusion of sophistication with accessibility for children. In the master bedroom, the concept of softness is particularly evident. A cloud-like wall mural creates an airy and relaxing ambiance, ideal for a sleep space. While pink dominates the color scheme, it is balanced by neutral decor, including a boucle bed frame and a warm-toned geometric rug, preventing the room from appearing overly saccharine. A delicate chandelier adds an extra layer of sophistication, complementing the room's soft elements. Subtle gold accents and art pieces contribute to a luxurious, retreat-like feel. Throughout the home, the designers incorporated a refreshing and calming palette, contemporary art, unique wallpapers, locally made design pieces, and a mix of reflective 70s Italian lighting and furniture, seamlessly integrating custom White Arrow-designed elements. Wood, specifically white oak, is used extensively throughout the home to provide a refined yet durable finish capable of withstanding years of family life. Custom white oak features include a primary closet, a connecting staircase with curved detailing, and refinished floors. The design also incorporated curves in architectural details like window wells and maximized storage solutions to accommodate the active family's needs. The children's rooms on the lower floors feature more saturated colors and patterns, including an immersive scenic mural, hand-drawn wallpapers, and graphic rugs and window coverings, creating playful and intricate spaces that are balanced by abstract colorful rugs and curved wood furniture. The nursery, for example, combines a wood cot, a blue rug, an armchair, and polka-dot wallpaper with framed prints, reflecting a thoughtful blend of functional design and cheerful aesthetics suitable for young occupants. #InteriorDesign #FamilyHome #BrooklynApartment #HomeRenovation #WhimsicalDecor #ModernDesign #ColorPalette #CustomCabinetry #SpacePlanning

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

This article details the transformation of a newly constructed Brooklyn townhouse into a warm, personalized, and comfortable family home with a mid-century modern aesthetic. The homeowners, who are lovers of the outdoors, sought to create an urban oasis that felt like an escape from the city, particularly benefiting from the property's quiet, tree-lined street and enclosed backyard. Interior designer Lucy Harris led the project, focusing on seamless transitions between indoor and outdoor spaces, incorporating super durable pieces suitable for a young child, and maintaining a light and bright color scheme. The entryway, designed to function as both an entrance and a mudroom, immediately sets an eclectic and welcoming tone with custom millwork for storage and a colorful tiled floor from Heath Ceramics, featuring bright blues and golds. Accessories such as a natural-feeling leather mail/key holder from Lostine and a simple half-moon mirror from Bower contribute to the unique character. In the kitchen, which was recently installed in the new-build, minor but impactful changes were made to integrate it into the home's overall aesthetic. Rattan counter stools from Stahl and Band introduced natural materials, while green pendants from In Common With tied in with the dining area's color scheme. The dining nook is highlighted as one of the most dramatic alterations, featuring custom banquette seating upholstered in a deep green wool boucle fabric from Tibor, complementing the leafy street view. A brass fixture from Apparatus adds texture, and a custom-sized solid wood table from Yucca Stuff, along with vintage-inspired Tre 3 chairs by Angelo Mangiarotti, complete the inviting space. The living room was conceived as a casual, peaceful, and fresh area, utilizing a serene palette with vibrant earthy accents. It showcases a colorful area rug by Christopher Farr, an original Bauhaus design, and a soft sofa from Poiat, contrasting with an organic-shaped coffee table in the style of Paul Frankl. An adjacent reading area in the living room features a leather Ojai chair from Lawson Fenning, reflecting the mid-century modern influence throughout the house. A Miniforms Soda glass side table adds material contrast, and custom millwork displays the homeowner’s vintage objects, infusing personality into the new construction. The connection between indoor and outdoor living is emphasized through large houseplants and green color palettes inside, and an inviting balcony dining space leading to a landscaped backyard, designed by Michael Cafiero. The outdoor area includes Fermob Luxembourg chairs and a customized Croft House dining table, suitable for the terrace. The family room introduces a different palette with deep blues and rich rusty oranges, creating an inviting atmosphere with mixed patterns. A custom rug collaboration between Lucy Harris and Carini, a wool and leather ottoman, and a comfortable Albarese sofa by DePadova define the space. A home gym adjacent to an outdoor terrace benefits from a leafy view. The primary bedroom combines pastel colors with vibrant accents for a serene yet interesting backdrop, featuring a walnut nightstand by Hedge House, a scalloped sconce by Nickey Kehoe, and a colorful quilt by Thompson Street Studio. Subtle patterned wallpaper by Rebecca Atwood and Caroline Z Hurley drapes add texture and quirkiness. For the nursery, a playful desert theme was chosen, reflecting the owners' love for hiking. Geometric patterns, a neutral cactus wallpaper, and terracotta accents, including a Kartell Componibili, create a vibrant yet sophisticated space. The guest bedroom on the fourth floor extends the natural beige, orange, and brown palette, with a second walnut nightstand from Hedge House and a rug from Nordic Knots, complemented by green and blue accents in the Room & Board bed and Rebecca Atwood drapery. This comprehensive redesign transforms the builder's spec townhouse into a soulful city oasis with distinctive character and style. #InteriorDesign #MidCenturyModern #BrooklynTownhouse #HomeRenovation #FamilyHome #OutdoorLiving #CustomDesign #ColorPalette #SustainableDesign

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article details the renovation of a 1930s brick farmhouse located on two acres of waterfront farmland in Silverdale, Washington, overlooking the Dyes Inlet. A couple, long-time residents of the Kitsap Peninsula, discovered this rare brick home and decided to preserve and transform it rather than demolish it. The project was undertaken by Seattle-based SHED Architecture & Design. Initially, the 2,182-square-foot farmhouse was deemed too small for the couple's lifestyle and frequent family visits. The strategic decision was made to convert the historic brick structure into a guest house while constructing a new primary residence for the owners. SHED Architecture & Design's approach involved preserving the original roof pitch and the east and west facades of the farmhouse. However, the south facade underwent a complete redesign to maximize the stunning water views of Dyes Inlet. A crucial element of this transformation was the integration of new and replacement windows from Andersen Windows & Doors, a preferred choice for SHED in their historic brick renovation projects. An existing small dormer on the second level was significantly expanded to incorporate two en suite bedrooms. Each of these new bedrooms was outfitted with windows strategically placed to enhance views. Directly beneath these new windows on the south facade, sliding glass doors were installed, aligning vertically with the dormers above. This vertical alignment creates an architectural effect where the glazing appears to cut through the roofline. Prentis Hale, principal at SHED, noted that this alignment of bedroom windows and sliding doors, expressed as a dormer punching through the extended roof eave, was a key design decision. The interior layout, which was previously fragmented, was also significantly improved. The main floor plan was opened up to create a more functional and cohesive living space, better suiting the clients' desired lifestyle. The new sliding glass doors in the living and dining areas not only frame the views but also enhance the indoor/outdoor flow. This redesigned living and dining space has become a favorite spot for the clients, particularly the dining table area where they can enjoy the water views. Hale emphasized the goal to 'daylight the main rooms of the house—living, kitchen, dining, and bedrooms—in a strong, architectural way that was integrated with the building.' The original 1930s farmhouse featured small, compartmentalized rooms centered around a hearth. By removing interior walls, SHED transitioned these separate spaces into an open-plan layout, ideal for social gatherings. For the historic renovation, Andersen E-Series windows were selected for their affordability, quality, and code compliance. The reconfigured 2,182-square-foot home now includes two bedrooms and two-and-a-half bathrooms. The upstairs en suite bedrooms are nearly symmetrical and benefit from the new south-facing dormer windows, which provide views of the Dyes Inlet. The interior design features warm, Scandinavian-inspired aesthetics, creating an inviting atmosphere for both the couple and their guests. The SHED team successfully modernized the farmhouse while preserving its inherent charm and structural integrity, demonstrating that direct design gestures can lead to remarkable outcomes. #FarmhouseRenovation #DormerExpansion #ArchitecturalDesign #WaterfrontProperty #HistoricPreservation #AndersenWindows #OpenPlanLiving #ScandinavianInterior #KitsapPeninsula

The architectural design for a new gymnasium and performance center at Penleigh & Essendon Grammar School (PEGS) in Essendon called for a distinctive civic quality, aiming to enhance the student experience and create a focal point for the senior campus. McBride Charles Ryan (MCR) Architecture & Interior Design, a firm previously instrumental in shaping other PEGS campuses, undertook the project. Their approach involved drawing inspiration from renowned civic structures such as the Doge’s Palace in Venice and the Teatro Reggio in Turin, Italy. The MCR team, led by director Rob McBride and founding principal Debbie Ryan, sought to infuse a sense of drama and civic presence into the new building, strategically located on Centreway, previously considered the “back gate” of the campus. The design incorporates an arched brick portico, creating an almost ribbon-like facade upon arrival. A key innovation in the exterior design is the use of a glazed brick CORIUM system, which allows bricks to be manipulated like fabric, forming fluid arches and folds. This malleable system was a result of extensive research and a desire to move beyond a static facade. The architectural vision extended to designing diverse facades that respond to their specific surroundings. For instance, the western elevation, facing the main car park, features black steel walls adorned with abstract supergraphics of the word PEGS, visible through windows and other apertures. The building's aesthetic is further enhanced by signature MCR hallmarks, including fuchsia-pink accents that add depth to the columned facade and bands of blue tiles that evoke a subtle Moorish influence, contributing to the overall civic presence from all angles. Internally, the facility houses two basketball courts, above which a barrel-vaulted ceiling crafted from perforated timber is a prominent feature. This design element serves a practical purpose by reducing noise from sports activities for spectators. The ceiling also integrates skylights with automated louvres, facilitating the expulsion of hot air, particularly during warmer months or when large school assemblies or performances are held, ensuring optimal ventilation and comfort. The comprehensive brief for the project included not only the basketball courts for sports and performances but also areas for table tennis, storage for drama props, offices, classrooms, change rooms, a fitness area, and bicycle storage. To seamlessly connect this new center with an adjacent 1970s gymnasium, which MCR also refurbished, a staircase was designed with landings reminiscent of theatre boxes, adding to the dramatic flair. The interior design further incorporates rich blue walls, reflecting Ryan’s expertise in color usage and echoing the aesthetic grandeur found in historical civic buildings like the Doge’s Palace. The architects emphasized their enjoyment of working with color and geometry, shaping materials to create new forms where each fold or cut serves a specific design purpose. The design promotes transparency, diverging from typical gymnasium or performing arts centers that often feature opaque facades, thereby inviting people into the space and underscoring its civic function. #ArchitecturalDesign #SchoolFacilities #CivicArchitecture #BarrelVaultedCeiling #SportsComplex #PenleighEssendonGrammarSchool #MCRArchitecture #ModernDesign #EducationalBuildings

With the return of the school year, many families face the challenge of managing the influx of school-related items, from homework and forms to sports gear and backpacks. This article provides practical and simple organizational solutions for an entryway to minimize clutter and promote a smoother daily routine. The core idea is to implement a structured approach to how items are handled upon entering the home. The first essential component is the strategic use of hooks. Each family member should have dedicated hooks for keys, backpacks, sports bags, or purses, and for coats that are currently in use. The emphasis is on sturdy hooks and having separate ones for different items. The article suggests that hooks are generally more effective than a rod and hangers for quick access and tidiness. If wall space is limited, a freestanding coat rack can serve as an effective alternative. Next, the article highlights the importance of a designated area for shoes and boots, such as a tray, shelf, or bin. The key to maintaining order is to store out-of-season or less frequently used footwear elsewhere, ideally in each person's bedroom closet. For children who habitually leave shoes scattered, a concept called “shoe jail” is introduced, where a charge is levied to retrieve the shoes, serving as a deterrent and a way to encourage compliance. Another organizational element discussed is a basket or bin for hats and gloves. Depending on space availability, there can be separate bins for each or a combined one. An alternative suggestion is using soft over-the-door shoe racks, which, despite taking up more space, can effectively compartmentalize individual pairs of gloves and hats. Crucially, the article addresses the management of papers. It advises training children to empty their backpacks immediately upon returning home, placing artwork and any important documents that require parental attention into a designated basket or bin. This ensures that important papers are not misplaced or overlooked. Beyond physical organization, the article stresses the importance of establishing a consistent routine. Setting up the entryway with these tools is the simpler part; the challenge lies in consistently adhering to the routine. This involves immediate actions upon entering the home, such as hanging keys, coats, and bags, and stashing shoes in their designated spots. For children, the routine includes emptying backpacks right away, handling lunch items (unpacking, rinsing containers, disposing of trash), and placing papers in a parent's "in box" before engaging in other activities like snacks or television. The “shoe jail” tactic can also be extended to other items, like socks, to reinforce responsibility through a small financial consequence. The ultimate payoff of these organizational efforts is a well-structured entryway that leads to less household chaos, reduced nagging, and more pleasant greetings and goodbyes. This system aims to create a more harmonious home environment, allowing families to better enjoy the precious school years with their children. #DesignIdeas #RussellHazel #HomeDecor #EntrywayOrganization #BackToSchool #HomeManagement #FamilyOrganization #StorageSolutions

This article details the transformation of a 1985 colonial-style home in Northwest, Washington D.C., undertaken by Fowlkes Studio. The homeowners, with Italian backgrounds and frequent European travel, sought to infuse their residence with old-world charm, vibrant colors, and unique panache, moving away from its initial lack of architectural personality. The 10-month construction project resulted in an eclectic and sophisticated interior that blends historicist and modern detailing. The layout of the house is divided by a central hall, separating two living rooms on one side from a dining room and kitchen on the other. The architects addressed the initial repetitiveness of the rooms by adding textural elements, such as "sticking" to the family room ceiling, and incorporating varied trim and molding. A key focal point in the family room became a new honed super white marble fireplace flanked by metal bookshelves. The space was then furnished with contemporary pieces in bold, primary colors to create a lively atmosphere. Despite differing designs, the family room and the more formal living space are harmoniously connected by pale wood flooring. A brightly colored cabinet serves as a functional and visually appealing storage solution in the family room. The architects and principals of Fowlkes Studio, VW and Catherine Fowlkes, emphasized the collaborative process with the clients, highlighting how their willingness to take risks with design elements like two-toned cabinets and high-relief trim contributed to the project's success. The formal living room received custom-designed crown molding, an experimental layering element that creates a deliberate gap between the ceiling and walls, providing an unexpected touch. For the dining room, a central homeowner request, the architects removed the hallway wall, replacing it with a continuous run of freestanding millwork. These cabinets serve multiple functions: a coat closet accessed from the hall, storage for heirloom china and crystal in the dining area, and a coffee station extending into the kitchen. The dining space is enlivened with primary color accents, including a bright artwork and tomato-red wishbone chairs, illuminated by pendant lights from Louis Poulsen. In the kitchen, new wire-brushed white oak cabinetry with walnut accents defines the space. The central island acts as the sole divider between the dining area and the main kitchen, while taller cabinets replace traditional walls. Cabinet door fronts feature solid oak panels in the kitchen and burlap fabric in the dining room, adding textural contrast. Honed Saffron White Marble countertops and Grohe Essence faucets are complemented by Wolf and SubZero appliances, while a vintage runner introduces additional warmth and texture. A butler's pantry, created from a former laundry room space, provides a discreet service area for dirty dishes. A distinctive architectural feature above the kitchen window—a bulging header that engulfs the built-in range hood—adds a contemporary touch and mirrors the curvilinear form of the outdoor terrace. Upstairs, the primary suite was reconfigured by combining two bedrooms and a bathroom. The bedroom features an oak bed wall that mimics the material and function of the downstairs millwork, separating the sleeping area from closets leading to the bathroom. Playful touches include a russet headboard and asymmetrical FLOS reading lights. The ensuite bathroom incorporates geometric terracotta Zia tiles and Venetian plaster for a European aesthetic, with Phylrich Transition Line plumbing fixtures and a Victoria + Albert soaking tub. A white oak vanity with a honed Petite Blue limestone countertop offers a fresh take on old-world charm. Finally, the exterior of the house was updated to enhance its curb appeal. Shutters were removed, the red brick was painted, and original double-hung windows were replaced with gray casements. A single-panel front door matching the window color, a copper Poul Henningsen light, and a bright-orange custom steel handrail against the restrained exterior palette exemplify the project's overall blend of traditional and unexpected elements. #HomeDesign #InteriorDesign #BoldColors #ArchitecturalTransformation #FamilyHome #FowlkesStudio #KitchenDesign #BathroomDesign #LivingRoomIdeas

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation