reisarchittetura renovates + expands traditional dry-stone structure in apulia, italy

The article details the transformation of Torre del Falco, an ancient tower and 19th-century farmhouse located in Italy’s Tuscia region north of Rome, into a unique residence. The property is part of Villa Lina, an estate owned by writer and filmmaker Paola Igliori. Initially left untouched due to its dilapidated state, the tower became a passion project for Igliori's son, Filippo Chia, in 2004 when he was 21 years old and studying photography. Despite being uninhabited since the 1950s and covered in brambles with a collapsed roof, the structure retained traces of its original pastel-colored interiors, sparking Chia's desire to salvage it. The restoration process involved architect Pietro Belei and was guided by old photographs to accurately reconstruct the volume of the main house, the old tower, and an adjacent pavilion. Chia aimed to create a space that reflected the eclectic spirit of the other houses on the Villa Lina estate, drawing inspiration from the region's rich history, which blends the elegance of Renaissance villas with the rustic charm of medieval farmhouses. The facade of Torre del Falco, for instance, was finished with a stone-colored plaster, echoing the Villa Lante della Rovere in nearby Bagnaia, a Renaissance landmark once belonging to Igliori’s maternal family. Interior design choices also paid homage to local traditions and Chia's personal interests. In the main living room, triangular pigeonholes, a common feature in regional rural architecture, were incorporated. Chia also drew inspiration from other Italian locales, including Naples and Capri. He salvaged hand-painted tiles for the kitchen and bathrooms from Villa Quattro Venti in Capri, a historic home partially owned by his family. The minimalist open staircase in Torre del Falco is a nod to Capri's modernist Villa Malaparte. Chia's interest in Roman archaeology is evident in the ground-floor library, which features an Etruscan-style vase and murals inspired by Pompeii and Herculaneum. The guest rooms showcase further historical references, such as a Louis XV caned bed, a 19th-century faux-marble nightstand, and natural ocher stucco walls. The Neapolitan tile floor, hand-painted to resemble parquet, reflects 19th-century artistry. The house is adorned with art from friends, including an engraved print by Lola Schnabel. Chia also learned an ancient Roman method for laying terra-cotta floors from civil engineer and art collector Giorgio Franchetti, employing a checkerboard pattern with seams filled with a mixture of marble dust, white cement, and water. Torre del Falco is characterized as a 'capriccio' or 'folly'—a structure driven by creative expression and a desire to revive lost worlds, making it an experimental yet timeless home. #ItalianCountryside #TowerRenovation #HistoricHome #ArchitecturalRestoration #InteriorDesign #TusciaRegion #FilippoChia #VillaLina #CapriccioArchitecture

The article presents the SM House project by ta plan design, detailing a residential building's renovation and expansion in Morbegno, Italy. The existing structure features stone walls and is situated in a location that blends historical architecture with more recent urban development. The project focuses on integrating contemporary design with the historical context of the site, which is near a significant town entrance road. The renovation aimed to modernize the living spaces while respecting the building's original character and its surroundings. The architectural firm responsible for the project is ta plan design, with Arch. Ivan Gusmeroli serving as the lead architect. The house, completed in 2023, encompasses an area of 1000 square meters. Marcello Mariana is credited for the photography that captures various aspects of the completed project, including both exterior and interior views. The design incorporates natural materials like stone and concrete, reflecting a thoughtful approach to material selection that aligns with the building's heritage and the desired aesthetic. The project involved both renovation and extension components, suggesting a comprehensive overhaul that not only updated the existing residential space but also added new areas. This dual approach indicates an effort to enhance functionality and livability while preserving the historical essence of the original building. The integration of modern elements within the traditional framework is a key characteristic of the design. The visual documentation includes multiple images showcasing the facade, windows, living room, kitchen, and various interior details such as countertops and beams. Additional visual elements provide a deeper understanding of the architectural plans, including a ground floor plan, a 1st/2nd floor plan, a roof plan, and elevations from the north, south, and east, along with a site plan. These plans illustrate the layout, spatial relationships, and the overall design strategy employed by ta plan design. The project's setting in Morbegno, Italy, is significant, as the region offers a rich architectural landscape where traditional and modern forms coexist. Overall, the SM House project by ta plan design demonstrates a contemporary architectural intervention that respects its historical context while delivering modern residential amenities. The use of robust materials like stone and concrete, combined with a focus on both interior and exterior aesthetics, highlights a balanced approach to renovation and expansion in a sensitive urban environment. The detailed visual and textual information aims to provide a comprehensive overview of the design philosophy and execution. #ResidentialArchitecture #Renovation #Extension #Morbegno #Italy #Stone #Concrete #TaPlanDesign #IvanGusmeroli

The Monticello House, located in the Emilian countryside of Italy at the foot of the Parmesan Apennines, has undergone a significant modernist transformation orchestrated by Di Gregorio Associati. The project involved cloaking an existing rural house with a floating concrete pergola. The design aimed to translate elements from the original barn architecture while expanding volumes, widening openings, and restoring bricks, resulting in a new identity for the residence. The defining feature of the Monticello House is the concrete frame, which directly responds to the scale of the original structure without physically touching it. Francesco Di Gregorio, the lead architect, describes the void between the old brickwork and the new concrete frame as representing the intimate relationship between the past, present, and future, with the structure silently grounded in its environment. The design anticipates that plants will eventually grow within these interstitial spaces, further integrating nature with the architectural elements. Each new exterior cube of the concrete frame corresponds to an interior space, effectively doubling its perceived size through reflection. This illusion is further enhanced by the extensive use of glass walls and exposed concrete finishes on the ceilings. Inside, the design emphasizes smooth lines and clean volumes, creating a minimalist living environment. European oak is used to conceal facilities and provide integrated storage, while the original interior brick walls are upholstered with high-quality German fabrics, Italian ceramics, and quartzite sourced from the nearby Val Taro river. The architect's background also provides insight into the project's cinematic quality. Francesco Di Gregorio is an associate producer at Paris-based film production company ZID Films, which likely influenced the visual storytelling and framing of landscapes within the design. Furthermore, his architectural studies in Mendrisio under Mario Botta, known for his ability to bridge concrete geometry with organic forms, appear to have profoundly shaped his approach to integrating hard architectural elements with the natural surroundings of the Monticello House. This project showcases a deliberate interplay between historical context and contemporary design, where a functional structure like a pergola transcends its traditional role to become a dynamic element that frames views, creates new spatial experiences, and symbolically connects different eras. The careful selection of materials and the strategic use of light and reflection contribute to an environment that is both visually striking and deeply integrated with its Italian rural setting. #Architecture #ItalianDesign #ConcretePergola #ModernistArchitecture #DiGregorioAssociati #EmilianCountryside #ResidentialArchitecture #ArchitecturalRenovation

The Monticello House, located in the Emilian countryside of Italy, has undergone a significant modernist transformation by Di Gregorio Associati. The project involved cloaking an existing rural house in a floating concrete pergola, creating a unique interplay between the old and the new. While the house itself received a complete modernist makeover, many design elements were inspired by its original simple barn architecture. Volumes were expanded, openings were widened and glazed, and existing bricks were meticulously restored and rebuilt. The defining feature of this renovation is the new concrete frame, which provides the house with a distinct identity. This bold structure is designed to respond to the scale of the house but intentionally never physically touches it. Francesco Di Gregorio, the lead architect and son of the practice's founder, highlights the symbolic importance of the space between the ancient brickwork and the new concrete frame. This interstitial void is intended to represent the intimate connection between the past, present, and future, with the house subtly integrated into its landscape. Plans are in place for plants to grow within these spaces, softening the square concrete columns and cascading over the edges of the platform, fulfilling Di Gregorio's vision for a harmonious blend of nature and architecture. Each new exterior cube of the concrete frame corresponds to an interior space, effectively doubling its perceived size through reflection. This illusion is further enhanced by the architects' strategic use of glass walls and exposed concrete finishes on the ceilings. Inside, the design emphasizes smooth lines and clean volumes, creating a minimalist environment for living. European oak volumes discreetly conceal facilities and built-in storage. The original interior brick walls have been thoughtfully upholstered with German fabrics, Italian ceramics, and quartzite sourced from the nearby Val Taro river, adding texture and local character to the modern interiors. The architect's background in film production, serving as an associate producer at Paris-based ZID Films, offers insight into the "cinematic vision" of the house. The design incorporates unfolding frames, echoing exterior and interior landscapes, and seamlessly weaves together natural elements with concrete structures. Furthermore, Di Gregorio, born in 1985, studied architecture under Mario Botta in Mendrisio, a renowned architect known for his ability to bridge concrete geometry with organic forms. This academic influence is evident in the Monticello House, where the architectural design meticulously balances robust materials with natural integration. The project underscores a thoughtful approach to renovation, preserving the essence of the original structure while introducing contemporary elements that redefine its presence within the landscape. The Monticello House stands as a testament to the potential for old and new architectural forms to coexist and enhance each other, creating a living space that is both functional and artful. #Architecture #ResidentialDesign #ItalianCountryside #ConcretePergola #ModernistRenovation #DiGregorioAssociati #ArchitecturalDesign #SustainableArchitecture

Architect couple Maddalena Cerruti and Vincent Baisnée embarked on an ambitious project to transform a 100-year-old derelict stone house in the Ligurian hills of Italy into a sustainable and energy-efficient home. Their journey began in 2018 after meeting while volunteering for an architecture NGO in Tanzania, where they discovered a shared vision for sustainable architecture. After saving money while working in Australia, they returned to Europe to establish ateliermavi, their architecture studio, with this renovation serving as their inaugural project and first home. The search for a suitable property led them to a rundown house in Liguria, close to their respective families in France and Italy. They acquired the property, which was in a state of complete ruin with no electricity or water connections and had been vacant for over 30 years, for €44,000, significantly below its asking price. The 807-square-foot structure, crafted from local stone, presented numerous challenges including crumbling mortar, broken windows, a damaged roof, and interiors filled with debris. Their renovation strategy focused on using natural and locally sourced materials, emphasizing sustainability and respect for the building's history. The initial phase involved extensive outdoor work, clearing a 32,292-square-foot garden spread over seven staggered terraces, a task that took six months. Following this, they tackled the interior, stripping the property back to its core. They prioritized the removal of the old, dilapidated roof and internal walls, replacing them with structurally sound elements and natural insulation materials like hemp and lime. Legal requirements in Italy mandated hiring local builders for certain structural works, such as demolishing and rebuilding a back stone wall and constructing a new retaining wall. Despite these constraints, the couple actively participated in numerous DIY tasks, including removing 141 cubic feet of old plaster and replastering with a hemp and lime mix for insulation. They meticulously salvaged materials, reusing two chestnut beams from the old roof to create almost a dozen lintels for their new windows. The installation of a new, modern roof with hemp fiber insulation panels was a significant milestone, though they had to adhere to municipal regulations for Marseillaise tiling. They rebuilt external walls using one-foot hemp blocks and clad them with salvaged stones to maintain the original aesthetic. The internal flooring involved excavating the ground, laying a gravel layer for ventilation, and pouring hempcrete screed for insulation. They then installed stud walls to define rooms, strategically placing living areas to maximize natural light. For interior insulation, they used dry-wall (Fermacell) and hemp fiber. Custom timber windows, a significant investment at €18,000, were installed to ensure airtightness and energy efficiency. The complex process of plastering the internal walls, including the new hempblock walls and Fermacell surfaces, was a major undertaking. They also repointed the original stone walls after removing old mortar. By October 2023, the home had electricity, and they began painting and installing flooring. Reclaimed terracotta bricks were used for the floors, with careful preparation and laying in various patterns. They also built a stand for a highly efficient wood-burning stove and installed a solar thermal system for hot water. The kitchen features self-assembly units from Cubro, made from birch plywood and linoleum, a natural material. The bathroom incorporated a lime and screed floor, rough lime render, and a traditional waterproof plaster called Pastellone, creating a durable and eco-friendly finish. The couple created an outdoor patio using salvaged stone slabs from the original house. They moved into the restored property, noting that while details remain to be finished, the thermal comfort is exceptional. The renovation improved the house's energy performance from Class G to the highest Class A4, according to the Italian energy performance certificate. The surrounding land offers lavender and olive trees, with the latter still harvested by the former owner for local olive oil, and the couple restored demijohns found on-site as a nod to the home's history. Their advice for similar projects emphasizes not underestimating the job or budget, and having endurance during difficult times. This renovation not only provided them with a home but also allowed them to deeply integrate theoretical and practical aspects of architecture, enhancing their knowledge of materials and techniques, which they now apply in their architectural studio, ateliermavi. #HomeRenovation #SustainableArchitecture #NaturalMaterials #EcoFriendlyHome #ItalianStoneHouse #DIYRenovation #EnergyEfficiency #ArchitectCouple #LigurianHills

This article details the seven-year restoration project undertaken by Gustavo Antonioni, a former Hollywood executive, to transform an 18th-century nobleman's villa, Masseria Partemio, in Puglia, Italy, into a stylish and soulful home. Antonioni, a cosmopolitan individual born in Argentina to Italian and Greek parents and raised in Mexico, moved to the U.S. in the early 1980s. After falling in love with Puglia's raw beauty during a visit in 2010, he decided to pursue a career change and search for a property in the region. The villa, located in Latiano, was a derelict masseria (agricultural estate) spanning over 40 acres, which had been vacant for nearly five decades and was inhabited by approximately 200 goats when Antonioni first encountered it. The property lacked basic amenities like electricity, heat, and running water, and its structure was in a state of decay, with no foundation, floor tiles, or windows. Despite its dilapidated condition, Antonioni was captivated by the estate's energy and historical significance, noting its unique blend of Spanish, Greek, and Italian architecture. The property, Parts of the Palladian structure date to 1753, when it was built as a hunting lodge, while sections of it, including a Moorish-style tower, were added in the mid-1800s. It was later owned by Benedictine nuns and then a wealthy family. The acquisition process itself was challenging, as the property was not initially for sale and was entangled in family disputes common to historic properties in Puglia. Antonioni finally closed on the property in June 2017. Antonioni, who holds a degree in architecture from Carnegie Mellon and has experience with renovations in London, Miami, and Los Angeles, was drawn to the historical preservation aspect of the project. He collaborated with local architect Maria Formosi, known for her work on churches in southern Puglia, to navigate the region's strict rules for renovating historic buildings. The restoration aimed to integrate ancient elements with contemporary desires, respecting traditional materials and building techniques. For instance, the distinctive Pompeian-red and ochre-yellow facade colors were recreated using traditional methods, including boiling animal bones and mixing the paste with ferrous oxide. Inside, the renovation revealed striking blue frescoes beneath layers of calcium paint, commonly used as a disinfectant. The 13 vaults of the house, each forming an eight-pointed star, had to be reinforced. Antonioni opted for contemporary flooring, using terrazzo made from marble chips and cement, and traditional cementina tiles in the entry. The decor features a seamless blend of local crafts, linen upholstery, and Antonioni’s personal art collection. Significant structural changes included combining four small rooms into a large living area and converting the eastern stable into suites using recycled materials, and the western stable into a modern kitchen and dining room with stainless-steel counters and custom oak tables. The project, initially estimated to take three years, extended to over seven due to challenges such as conflicts with contractors, pushback from city officials, and the global pandemic. Antonioni temporarily left for two years to work remotely in the Netherlands before returning with a more relaxed approach to complete the renovation. The property now features a unique swimming pool inspired by 1970s Capri, and the Moorish-style tower serves as a social hub for gatherings. Antonioni moved into Masseria Partemio in June 2024 and plans to convert a smaller structure into a guest house and operate the estate as a luxury bed-and-breakfast, embodying the Italian saying, “Slowly, slowly, you will go far.” #Puglia #Italy #HistoricRenovation #VillaRestoration #MasseriaPartemio #HomeDesign #ItalianArchitecture #GustavoAntonioni #LuxuryRealEstate

This article details the sensitive restoration of a 17th-century baroque building, known as a 'palazzotto,' in Soleto, Italy, by Andrew Trotter and Marcelo Martínez. The property, which includes a chapel, had been untouched for two decades when Trotter, a self-proclaimed house restoration enthusiast, discovered it. His goal, alongside Martínez, was to create a home that felt inviting and lived-in, while maintaining its historical integrity. The designers, both with backgrounds in interior design and a shared appreciation for Mediterranean aesthetics, aimed to integrate modern comforts subtly. Upon first viewing, the house presented a nostalgic atmosphere with untouched furniture, books, and photographs left by previous occupants. Key architectural features included domed ceilings and striking details, all of which the designers sought to preserve and highlight. Their approach was to blend the old with the new, creating a transitional style that didn't overtly announce its modernity. The original layout was complex, described as a labyrinth. The building featured a decorative frontage, a courtyard, a garden, and two chapels—one at the rear and a newer addition at the front. The initial configuration included bedrooms accessible via an external staircase and only one bathroom serving them. The restoration involved thoughtful modifications rather than drastic changes. The dining and sitting rooms were swapped, new cloakrooms were added, and the older chapel was transformed into a media room. The first floor was reconfigured to provide an en-suite bathroom for each bedroom, while the external staircase was kept. The 1960s kitchen was also retained, embracing the existing patina and age of the structure. A central tenet of the design philosophy was the use of earthy neutrals, which permeate the interiors. Colors range from mushroom to forest green, complemented by sage or stone linens, walnut furniture, and sandy jute rugs. Texture played a crucial role in achieving the desired ambiance, with walls finished in chalky Belgian lime plaster, imparting a monastic feel. The designers sourced antique pieces, including an 18th-century walnut dining table from an Abruzzo monastery and a 19th-century red wardrobe from Lombardy. Additionally, many original treasures found within the house, such as a wooden kitchen table, a wrought-iron single bed, and a glass-fronted antique bookcase, were restored. Interior doors were refurbished, and exterior doors were faithfully reproduced. The decision to restore elements like terrazzo floors and rusty metal furniture stemmed from a belief that the benefit of fresh eyes allows one to see beauty in everyday objects that others might discard. The local community has shown curiosity and appreciation for the restoration, with residents, including the local priest and mayor, expressing interest. Trotter and Martínez cherish the authentic Italian town experience, where sounds of neighbors, church bells, and cooking create a vibrant atmosphere. Their design philosophy emphasizes simplicity, cleanliness, and texture, drawing inspiration from the Mediterranean lifestyle, which prioritizes outdoor living and communal activities. They believe that mellow lime washes or plasters significantly impact a space's atmosphere and favor natural stone for flooring, sinks, and worktops. #RusticItalian #ChapelHouse #RestorationProject #MediterraneanStyle #NeutralDecor #AntiqueFurniture #LimePlaster #HouseDesign #PugliaArchitecture

This Melbourne residence, owned by artist Kylie Thomas and her husband Tim Collier, underwent a significant transformation, evolving from a Federation home with a dated 1990s extension into a versatile space that functions both as a grand art gallery and a comfortable family sanctuary. When the couple acquired the property in 2015, they were drawn to its generous garden and the original Federation architecture, characterized by ornate timber detailing, bay windows, and a wraparound verandah. However, the existing open-plan addition from the 1990s presented challenges with poor flow, lack of zoning, and an awkward 45-degree angle that didn't integrate seamlessly with the older part of the house. The prevalent red timbers also contributed to an outdated aesthetic. Architect Chris Stanley of Splinter Society was tasked with a multi-faceted brief: to incorporate concrete's monumentality, which the owners appreciated, while maintaining sensitivity to the heritage home's elegant and flamboyant details. Additionally, a coastal feel, with weathered, driftwood tones, was desired to soften the concrete elements. The overarching goal was to harmoniously blend contrasting styles—old and new, grandeur and family warmth—and ensure a seamless connection with the extensive backyard. Stanley addressed the 1990s addition by replacing it with a new extension featuring a striking colonnade of windows framing the pool. These concrete columns visually echo the timber uprights of the Federation verandah, establishing a commonality between the heritage and modern sections. The colonnade extends throughout the new areas, mitigating sunlight and providing a monumental presence without being overwhelming. Infilled with banquettes and lit with spotlights, these spaces also serve as display areas for Kylie's art. A new entry on the south side now acts as a clear transition point between the old and new, creating distinct zones for family living. The original section of the house, previously a living room, has been reconfigured to house the children's bedrooms, each with an ensuite, emphasizing private spaces. The new open-plan extension, while maintaining connectivity, is effectively zoned by the columns, which function as nib walls, allowing family members to engage in different activities simultaneously. The material palette includes light-toned concrete, chosen to evoke a washed, coastal aesthetic, complemented by limed timber floors in the original section. The design prioritizes warmth through the strategic use of timber, curtains, and rugs, and incorporates judicious pops of color in furnishings, selected with the assistance of interior designer Danielle Balscheit. The kitchen, designed as a central gathering space, integrates the colonnade and concrete with metal-framed windows, a scalloped metal bench finish, and a soaring raked ceiling with a skylight, enhancing natural light. This area fosters a strong indoor-outdoor connection with views of the meadow, creating a feeling of spaciousness and height. The home also features practical considerations like heated concrete floors, providing comfort year-round. This thoughtful renovation has successfully transformed the property into a dynamic space that balances the homeowner's artistic inclinations with the needs of a modern family, bridging historical elegance with contemporary design. #HeritageHomeRenovation #ModernExtension #ArchitecturalTransformation #ConcreteDesign #ArtGalleryHome #FamilyLiving #CoastalInteriors #IndoorOutdoorFlow #FederationArchitecture

This lookbook presents a curated selection of ten Italian interiors that embody a distinct rustic aesthetic, drawing inspiration from the country's rich history and Mediterranean heritage. These projects, which include both residential homes and hotels, consistently feature elements such as wooden beams, natural stone, and diverse textures, reflecting a design approach that honors tradition while incorporating modern sensibilities. Italy, renowned for its contemporary furniture and lighting design, also boasts a wealth of historic architecture, with buildings dating back centuries across its cities and villages. The featured examples range from a 17th-century house in Puglia to a hotel situated within a 1,000-year-old castle, all demonstrating how historical contexts can be harmoniously integrated with current design preferences. One notable project is the Monteverdi Hotel in Tuscany, where restoration specialist Ilaria Miani revitalized crumbling structures in Val d'Orcia. This boutique hotel successfully blends the region's history with modern design influences from Milan and Rome, utilizing salvaged wooden beams and locally handcrafted furniture. Similarly, Jonathan Tuckey Design meticulously restored a 19th-century farmhouse in Piemonte, emphasizing original features like stone walls and wooden beams, complemented by a muted color palette and brass accents. Casa Soleto in Puglia, a building with sections over 400 years old, was renovated by Studio Andrew Trotter and Marcelo Martínez, who preserved its irregular walls and incorporated natural materials such as lime plaster, linen, jute, and antique furniture to create an authentic atmosphere. Further examples include the Monastero Arx Vivendi, a 17th-century ex-monastery near Lake Garda, transformed into a hotel by Network of Architecture (noa*). Here, rippled antique-effect plaster, pale wooden floors, and restored original doors contribute to a cohesive design. Studio Andrew Trotter's Casolare Scarani in Puglia, a former girls' school, maintained its vaulted ceilings with lime plaster and incorporated earthy tones and traditional stone flooring. The Hotel Castello di Reschio in Umbria, a 1,000-year-old castle converted by Count Benedikt Bolza, features terracotta-brick or wooden floors, hand-stitched linen curtains, and locally crafted marble and brass vanities, along with antique portraits, alluding to its storied past. The Brolettouno Apartment in Lombardy, housed in a 15th-century building, was sensitively updated by Archiplan, preserving distressed floor tiles and faded frescos, and furnishing it with light-hued wooden pieces. Studio Andrew Trotter's Casa Maiora in Puglia, though a new build, embraces rustic influences with flagstone floors, lime-washed walls, and local antiques. The G-Rough hotel in Lazio, located in a 400-year-old Roman building, combines historical features with contemporary art and mid-century furnishings, creating a 'rough-yet-refined' aesthetic. Finally, the Palazzo Monti hotel in Lombardy, a pop-up project by Julie Cloos Mølsgaard and Vipp, adopted a minimalist approach to furnishings to highlight the 13th-century palazzo's original features. These projects collectively demonstrate a profound respect for Italian architectural history and local craftsmanship, while skillfully adapting spaces for modern living and hospitality, offering visual inspiration for interiors that seamlessly merge the old with the new in a rustic style. #ItalianInteriors #RusticDesign #HistoricRenovation #MediterraneanStyle #BoutiqueHotels #ResidentialArchitecture #TraditionalCraftsmanship #InteriorDesignInspiration #ArchitecturalPreservation

Matteo Cainer Architecture (MCA) has proposed 'Colle degli Agrumi – Citrus Hill,' a tranquil retreat located in the Sicilian hills of Piedimonte Etneo. This project focuses on the restoration of existing farmhouse ruins, aiming to seamlessly integrate Sicilian history, culture, wellness, and art. The design prioritizes the natural landscape, particularly the abundant citrus groves, and offers views of Mount Etna and the Mediterranean Sea. The core vision for 'Colle degli Agrumi' is to revive a piece of 'invisible' Sicily by immersing guests in a biophilic environment that complements the Italian countryside without imposing upon it. The architectural approach references traditional Sicilian farmhouses, known as 'Masserie' and 'Bagli Fortificati,' which are characterized by their fortified and introspective layouts. MCA plans to activate this traditional architecture with a site-specific program of events designed to connect visitors with Sicily's natural and cultural heritage. Activities such as grape harvest, olive picking, and the recognition of local fruits and aromas will be offered alongside cultural and wellness moments. This multifaceted approach is intended to allow guests to experience the unique smells, flavors, and melodies of the land, fostering a deeper connection with the region. The site plan by MCA emphasizes preserving historical traces by highlighting hidden details and natural paths within the groves. Existing walls and buildings will undergo minimal restoration to retain their original forms, and new functions will be introduced while rethinking existing elements like stairways to enhance connectivity across the site. This synergy of moments and sensations is designed to create an environment conducive to relaxation and inner peace. Each restored building is assigned a function that aligns with its location and morphology, creating a cohesive and purposeful layout. For instance, the Palmento, historically a wine-making area, is envisioned as a laboratory for citrus-based products such as creams and oils. Adjacent dilapidated structures will be repurposed as a daytime resting area and an open-air cinema in the evenings. Moving through the citrus groves, guests will find a holistic therapy area and a wine cellar carved out of volcanic rock, complete with a terrace for tastings under the dappled light of medlar trees. The main building is set to become a lounge and restaurant, featuring a spacious terrace shaded by a bougainvillea-covered pergola, offering panoramic views of Taormina and the Mediterranean Sea. Scattered storage spaces will be converted into small guest rooms, designed with earthy tones and views of the landscape. An ancient tower, once used for citrus fruit storage, will be rebuilt to re-establish its original function on the ground floor, while the first floor will house a Sicilian music and academic library. At the very top, a belvedere terrace will offer views of Mount Etna. Additional new features include a natural pool and surrounding area, providing shade under olive trees during the day and transforming into an amphitheater for literary, theatrical, and musical events in the evening. Hidden paths and spaces within the vegetation are also being carved out for meditation, reading, and yoga, allowing visitors to fully immerse themselves in nature. The project, 'Colle degli Agrumi,' was proposed during La Biennale Dello Stretto, an event organized by Mediterranei Invisibili. #MatteoCainerArchitecture #SicilianRetreat #ColleDegliAgrumi #SustainableTourism #ArchitecturalRestoration #CitrusGroves #WellnessTourism #PiedimonteEtneo #MediterraneanArchitecture

This article details the restoration of a 19th-century stone farmhouse, known as Can Castellnou, located in the Alt Urgell region of Catalonia, Spain. The farmhouse, built in 1894, had been in the same family for generations but fell into disrepair after its last owner moved out. In 2017, the owner's adult children initiated a project to transform the abandoned property, including a main house, barn, and adjacent animal paddock, into a modern family retreat. Barcelona-based architecture firm Acabadomate was commissioned to rehabilitate the 2,100-square-foot structure. Architect Valeria Merola emphasized a philosophy of minimal intervention on the exterior facade to preserve the rural character of the old farmhouse. The building, now a recognized cultural heritage site, originally featured compact living spaces on the ground floor, a top-floor loft for food storage, and a basement for breadmaking and wine storage. One significant interior alteration involved connecting all three floors, which were previously difficult to access, with a new staircase. The architects opened up the levels and introduced transitional zones using concrete landings, deliberately chosen to symbolize spaces 'blurred by the passage of time.' The connection between the main floor and basement was enhanced by widening an existing opening and installing a new staircase with wooden treads and minimalist iron railings. The cramped rooms were expanded to increase spaciousness and natural light, achieved by removing walls between the living, dining room, and kitchen, creating a continuous open area. New windows and skylights were integrated throughout the house to combat its previous darkness, providing ample natural light and improved ventilation, while also framing views of the surrounding mountains. The restoration prioritized salvaging and celebrating original structural elements, such as cleaning and restoring the original stone walls and wooden ceiling beams to their natural finishes. Fresh white paint and new oak flooring were added to brighten the interior, fostering a welcoming atmosphere. Local carpenters crafted custom kitchen and bathroom furniture using regionally sourced natural materials. A ground-floor bedroom, originally adjacent to the kitchen, was maintained structurally, receiving only aesthetic updates. Modern amenities, including additional storage and updated kitchen and bathroom fixtures, were incorporated using materials that harmoniously blend with the existing structure, such as oak and green board flooring, lime walls, and wood and iron stairs. The two-year renovation and restoration project successfully revitalized the farmhouse, balancing historical preservation with modern livability through thoughtful design, natural materials, and efficient space planning. #FarmhouseRestoration #Catalonia #HistoricPreservation #ModernRenovation #Acabadomate #SpanishArchitecture #SustainableDesign #NaturalMaterials #FamilyHome

This blog post details the transformation of a typical ranch house in Corona del Mar, California, into a rustic-modern Italian-inspired home by architect Eric Olsen and his wife, Adriana. The Olsens, with their differing design preferences—Eric's affinity for modern ranch style and Adriana's desire for a character-filled Italian farmhouse—successfully merged these aesthetics to create a family-friendly residence. The renovation began with structural modifications to enhance natural light and indoor-outdoor connectivity, common features of a ranch house that were initially lacking. Eric added numerous windows and French doors. A significant change involved relocating the garage to the front of the house to accommodate a new master suite, a feature not typically found in traditional ranch configurations. The core of the home's transformation is the great room, which Eric expanded and elevated by lifting the 8-foot ceilings, integrating the kitchen into a large, open communal area designed for family gatherings. This space was intentionally created to be a central hub where the entire family could interact, whether preparing meals, engaging in art activities, or playing. To achieve the desired rustic-modern aesthetic, four primary materials were strategically incorporated: custom gray-painted slab and white quartz for a modern touch, alongside over-grouted brick and reclaimed wood for rustic texture. These material choices not only contributed to the warmth Adriana sought but also provided durability to withstand the demands of a household with young children. The kitchen features an oversized island, designed to be a gathering point, utilizing white quartz and leftover rustic wood strips from the flooring, showcasing a cost-effective and visually striking design element. Specific design elements further highlight the blend of styles. Wine storage is innovatively handled with circular cubbies next to the pantry. Adriana's request for an interior brick wall was fulfilled in the great room, where bricks were painted with four different gray hues and over-grouted to create a distinctive texture. The sofa in the great room features a dual-upholstery approach, combining different colors for the seat and frame to add character. The outdoor courtyard incorporates concrete pavers laid in a herringbone pattern, mirroring the kitchen floor, while the yard features drought-tolerant cypress and olive trees, reinforcing the Italian influence and providing privacy. The master bedroom is designed to appear more spacious with vaulted ceilings and a partially extended brick wall separating it from the closet, allowing natural light from the attached bathroom to filter in. A serene, neutral gray palette is maintained in the bedroom. The closet offers ample storage with shelves and sliding barn doors. The master bathroom emphasizes natural light through skylights and a large window behind the vanity, with unique faucet placement and vertical wooden beams concealing pipes. Other notable features include gray walls and playful animal prints in the girls' room, a budget-friendly decal headboard in the guest room, and a sliding screen panel made of reclaimed wood for privacy and light control. The office continues the material continuity with charcoal cabinetry and quartz countertops matching the kitchen. The home's exterior features a unique entry framed with rusted steel, a limited palette of rustic materials like over-grouted French limestone and reclaimed wood, and a striking red mailbox combined with reclaimed wood that sets the tone for the home's style. A new fence, made from rustic barn wood with clean, modern lines, is designed for low maintenance and aesthetic aging, complemented by drought-tolerant plants and trees that evoke Napa and Italy. #RusticModernDesign #RanchHouseRenovation #ItalianFarmhouseStyle #InteriorDesign #HomeTransformation #FamilyFriendlyHome #ArchitecturalDesign #SustainableLandscaping #MaterialSelection

This article details the renovation of a modest rural building, dubbed "Texturized House," by Bongiana Architetture, located in a valley of vineyards in Padova, Italy. The project aimed to transform the existing structure into a contemporary retreat suitable for family celebrations and intimate gatherings, emphasizing atmosphere through light and raw materiality. The design philosophy centers on raw purity, utilizing rough surfaces, exposed materials, and essential details to create a visual and tactile narrative where every surface contributes to the spatial perception. A central feature of the renovation is the double-height barn, re-envisioned as a large, luminous cavity. The design maximizes natural light, allowing it to filter through openings and reflect off textured surfaces, creating dynamic shadows that animate the space. A suspended bookshelf within this volume introduces an intermediate, airy, and intimate area that complements the open space below. The theme of fire serves as a connection between the home's past and present; the original fireplace is preserved in the older section, while a new cast-iron stove becomes a focal point in the barn. The walls surrounding the stove are clad with split terra-cotta tiles, a design by Bongiana Architetture for Terraformae, where the jointing pattern forms the primary decorative element. A notable innovation is the new concrete floor, which reinterprets traditional Venetian terrazzo. Instead of incorporating marble fragments, the design utilizes reclaimed terra-cotta slats, cut from hollow bricks previously used to clad the portico's pillars. This choice creates a material connection between the ground and the building's structure, blending historical memory with contemporary design. The furnishing strategy further reinforces this blend of old and new; carefully selected reclaimed pieces, such as a 1950s kitchen salvaged from an old house and repurposed, contribute to a coherent and lived-in narrative. The 3,229-square-foot project involved several key collaborators, including builder F.lli Schivo, structural and civil engineer Stefano Debiasi, and landscape designer Studio Annachiara Vendramin. Riccardo De Vecchi captured the architectural photography. The overall design of Texturized House seeks to create essential atmospheres through the interplay of raw surfaces and abundant natural light, making every detail and surface integral to the home's story. #BarnRenovation #ItalianArchitecture #TerraCotta #TerrazzoFloor #AdaptiveReuse #RawMateriality #SustainableDesign #ReclaimedMaterials #ArchitecturalLighting

Ghiora Aharoni, principal of Ghiora Aharoni Design Studio, undertook a renovation project on his apartment located in a 1903 tenement building on Leroy Street in the West Village. His approach to combining two separate apartments into a single modern living space involved a process akin to an archaeological excavation. The primary goal was to integrate contemporary living with a reverence for the building's original architectural character and materials. This involved stripping the apartments down to their structural foundations, exposing elements that had been concealed for decades. The renovation began with the removal of walls, leading to the discovery of 1903 newspapers tucked between ceiling beams, which confirmed the building's completion year. The process revealed the original bricks, beams, and wooden studs, which were then preserved and incorporated into the design. Aharoni's intention was to achieve a sense of Quaker-like simplicity in the aesthetic, emphasizing the raw, authentic materials of the building. The project involved the meticulous work of contractors, F&N Solutions, whose contribution Aharoni described as spectacular. A significant design challenge involved integrating the two original kitchens, which were separated by a common wall. Aharoni located the shared chimney that serviced both kitchens and subsequently created a unique connecting fireplace. This fireplace, an EcoSmart Fire model, is open on both sides and uses an alcohol-based flame, eliminating the need for a traditional flue and preventing the emission of fumes or smoke. The design of this central feature was crucial in linking the two previously distinct living spaces, transforming them into a cohesive home. Throughout the apartment, a black-and-white color scheme predominates. Aharoni noted that while this palette currently defines the space, it is not his ultimate vision. He expressed a desire to introduce color, specifically mentioning plans for two blue-and-red chairs, indicating that the current monochromatic design is a temporary stage in the apartment's evolution. Despite the minimalist color scheme, Aharoni emphasizes that the atmosphere is far from cold, attributing the warmth to the abundant natural light. One of the most cherished features of the renovated apartment for Aharoni is the presence of eight windows, which allow natural light to flood the living space, creating a luxurious and expansive feel. He describes the experience of waking up to beams of light across the floor as a significant luxury. The combined apartment now boasts a 50-foot living room, which, despite its origins in a tenement building, presents an unexpected sense of grandeur and luxury in disguise. The renovation also included specific design elements like a wooden statue of the goddess Parvati, placed under a supporting beam for protection, a wood-and-plaster ribbon sculpture by Aharoni himself, and a collaboration with artist Hisao Hanafusa on the dining table design, complemented by George Nakashima dining chairs. The bathroom was updated with a shower replacing a bathtub and a sleek Boffi sink. The kitchen features under-counter appliances and a clever storage solution behind a painting that doubles as a door, accommodating Aharoni's regular dinner parties despite having only two stovetop burners. Window coverings were designed to be graceful, covering two at a time rather than individual shades. #TenementRenovation #GhioraAharoniDesign #WestVillageApartment #ArchitecturalArchaeology #HistoricPreservation #ModernInteriors #OpenConceptLiving #SustainableDesign

This article details the transformation of a five-bedroom Edwardian property in southwest London, where homeowners sought a larger, more connected kitchen and better access to their garden. The existing kitchen was cramped and detached, lacking direct outdoor access, a significant drawback for a family with young children. To address these issues, the owners engaged architect Alex Bilton of Abhra. The project involved demolishing the original kitchen and an outdated extension to build a new six-meter-deep extension. A key challenge was designing this large open-plan space without unduly affecting neighboring terraced houses, which follow a stepped design. Alex Bilton emphasized the importance of early communication with neighbors to ensure a smoother construction process and prevent potential disputes. The new single-story extension spans the full width of the garden. Its facade features traditional hanging clay tiles in terracotta and grey, arranged in a hexagonal pattern to create a modern yet sympathetic finish that complements the host building’s exterior cladding. This design approach ensures the contemporary addition integrates harmoniously with the period context. The architects carefully managed the extension's footprint, stepping it away from the boundary to create a pantry nook and pitching the roof towards neighbors to minimize visual impact and lower eaves height at the boundary. Inside, the open-plan space is divided into a dining area and a built-in kitchen featuring a large island. Tall kitchen units and a bar are situated under the lowest part of the roof, with the island in the tallest section. Glazing plays a crucial role in defining zones and maximizing natural light; a five-meter-long high-level clerestory window floods the dining area with illumination. The roof structure is exposed above the dining table to add character and height. A poured concrete floor with underfloor heating provides comfort and contributes to an interior scheme that blends industrial, contemporary, and period elements. Maximizing natural light was a primary request from the homeowners. The roof design incorporates clerestory windows and fixed skylights, ensuring passive solar gain during winter and drawing brightness deep into the interior. The decor is predominantly neutral, featuring warm wood materials that soften the white walls and beams, directing focus towards the garden views. Built-in storage, including a bespoke unit and a wine fridge, optimizes space and maintains tidiness. These elements were integrated from the initial design phase, arising from the need to mitigate the extension's impact on adjacent properties. Views into the original part of the house are unobstructed, with timber flooring in the living area demarcating spaces. Two openings connect the original property to the new kitchen-diner: a larger one from the formal living room and a narrower one to the entry hall. Cleverly positioned glazing helps transmit light to the front of the house. The central kitchen island serves as a practical cooking and prep area and a social hub, with bar stools providing an informal dining spot. An oriel window, protruding into the garden, creates a cozy window seat that connects indoor and outdoor spaces, inviting relaxation. The cooking area features versatile cladding that pays homage to the period heritage while complementing the modern shaker style. Before the renovation, the Edwardian property had an existing rear extension that was poorly connected to the garden and had a disjointed internal layout. The goal was to create a distinctly modern extension that respected and celebrated the traditional elements of the original building, located in a conservation area. Architect Alex Bilton's advice for extension projects includes using angled roof designs for better drainage, exposing structural elements for texture, positioning skylights strategically, adjusting roof heights to create higher ceilings, and incorporating insulation or solar panels for energy efficiency. This project exemplifies how a sympathetic yet contemporary approach can successfully update a classic terraced home. #EdwardianProperty #TerracedExtension #KitchenDesign #OpenPlanLiving #ArchitecturalDesign #NaturalLight #HomeRenovation #SustainableDesign #InteriorDecor

Architects Grooppo have undertaken the refurbishment of one of the three floors within a nineteenth-century Italian house located in Albissola Marina. The project, termed CASA G+S, specifically focuses on a 120-square-meter area of the single-family residence, originally constructed in 1870. The design approach is deeply rooted in the historical context of the building, aiming to preserve and highlight its original characteristics while introducing contemporary elements. A key design feature of the renovation is the use of hexagonal porcelain tiles for the flooring. These tiles are employed to create distinct patterns and color schemes across seven of the eight rooms on the renovated floor, establishing a visual flow and emphasizing the continuity of the spaces. In contrast, the kitchen features a traditional black and white chequerboard pattern with square tiles, offering a different aesthetic while maintaining a sense of classic design. This meticulous attention to flooring serves to define individual rooms while also linking them through a consistent design language rooted in historical precedents. Another significant detail in the interior scheme is the consistent application of black paint to door frames and skirting boards throughout the refurbished level. This deliberate choice creates a stark contrast against the white walls, making these architectural elements stand out and providing a contemporary edge to the historic structure. The combination of classic tiling and modern detailing contributes to a layered aesthetic that respects the building's past while embracing current design sensibilities. The refurbishment also integrates a blend of old and new furniture. The architects incorporated existing family heirlooms and antique pieces, carefully chosen to interact with other salvaged objects that have been reinterpreted with a modern purpose. This curatorial approach ensures that the renovated space is not just aesthetically pleasing but also rich in personal history and character, reflecting the lives of the inhabitants across generations. The project's emphasis on memory and the peculiarities of the original building guides the selection and placement of these elements, fostering a dialogue between different eras within the home. Grooppo's involvement spanned architectural design and site supervision, ensuring a cohesive execution of their vision. The refurbishment of Casa G+S in Albissola Marina, Savona, Italy, demonstrates a thoughtful renovation strategy that marries historical preservation with contemporary interior design, creating a unique and functional living space within a venerable Italian home. The project successfully showcases how modern interventions can enhance the inherent beauty and character of an older building without overshadowing its original charm. #ItalianHouse #ResidentialInteriors #HexagonalTiles #HistoricRenovation #GrooppoArchitecture #InteriorDesign #AlbissolaMarina #PorcelainTiles #ContemporaryRefurbishment