Lisa Tharp Gives a 19th-Century Greek Revival Home a Contemporary Makeover

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article explores the transformation of a 1910 Mediterranean Revival home in Seattle, which underwent a significant modern update while meticulously preserving its historic essence. The homeowners, with a young family, aimed to integrate contemporary systems and design elements without compromising the residence's original grandeur and craftsmanship. This ambitious vision was realized through the collaboration of Studio AM Architecture and Kelly Hohla Interiors, who balanced modern functionality with historical integrity. The initial challenge involved updating the home's outdated layout, which featured segmented spaces typical of its era, including separate areas for servants. Studio AM reconfigured the downstairs space by removing a back staircase, thereby enlarging the entry and improving circulation to the mudroom, powder room, and kitchen. This adjustment also enhanced sight lines to the kitchen and the outdoors, creating a more open and cohesive flow. Kelly Hohla Interiors introduced calm and textural hallway designs that seamlessly connect the original front door and period detailing with the refreshed interiors. Contemporary consoles with gilt detailing were strategically placed to contrast with the wainscoting and moldings, while modern artwork with geometric patterns subtly echoed the historical architectural elements. The kitchen's design exemplifies the juxtaposition of old and new, featuring a traditional black range hood and stove alongside contemporary lighting and a striking geometric tile backsplash. This mid-century style geometric motif is recurrent throughout the home, appearing perfectly integrated with the existing architecture. An adjacent dining nook was enhanced with a glass table and banquette seating, offering uninterrupted views of the backyard. Enlarged windows and glass doors in the kitchen, coupled with an open floor plan, significantly increased natural light and improved the connection to the home’s entertaining areas. The dining room, leading into a sunroom, showcases pared-back furniture, including a dark wood table and contemporary chairs, allowing the room's original architectural details to stand out. The smaller family room adopts a cozy atmosphere with a wrap-around taupe color scheme and a gray sectional sofa, drawing inspiration from an original fire surround for its paint effects. In contrast, the main living room features a more formal arrangement of armchairs and couches, whose curved forms complement the home's arched windows, alongside a gilded cabinet that adds a touch of modern glamor. The study is a notable space, blending dark wood paneling and bookcases with a decorative plasterwork ceiling and contemporary furnishings. A patterned rug and curtain fabric echo the ceiling motifs, creating a cohesive design. The primary bedroom, benefitting from new windows, is a serene space with a harmonious scheme of soft neutrals and blue accents, highlighted by a mid-century style chandelier and an upholstered bed. A child's bedroom features nature-inspired butterfly wallpaper, paneled walls, and geometric bedding, combined with luxurious touches like a pink stool and a gold lamp. Off the child's room, a den created from a covered balcony serves as a vibrant hangout space with extensive windows, a hanging rattan chair, and sofa beds for sleepovers. The family bathroom incorporates matching geometric wall and floor tiles, enhancing the definition of the space with smart detailing such as square drawer pulls and brass/gold fittings. The exterior maintains its whitewashed Mediterranean Revival aesthetic. This renovation project, while not historically registered, successfully transformed a well-known community landmark into a modern family home. The architects and designers carefully integrated contemporary systems and elements, using new fabrication methods to recreate historical details and ensure the home's longevity for future generations. The result is a residence that seamlessly marries modern comfort with historic grandeur, demonstrating that thoughtful design can bridge the gap between different eras. #HistoricHomeRenovation #MediterraneanRevival #ModernInteriorDesign #SeattleArchitecture #LuxuryHomes #InteriorDesign #HomeTransformation #ArchitecturalPreservation

This article features Liz Toombs of PDR Interiors, a Kentucky-based interior designer known for her work on homes, offices, and especially Greek housing across the South. Toombs, an alumna of Alpha Gamma Delta, leverages her personal experience in the Greek collegiate system to inform her specialized design approach for sorority houses. Her foray into Greek housing began through a business contact of her husband, and she has since expanded her client base through word-of-mouth referrals. Toombs describes her aesthetic as featuring clean lines for furniture and a soft, relaxing color palette, punctuated with bold patterns and colors. She notes a mid-century modern influence with a touch of whimsy, exemplified by a 1960s Drexel China cabinet lacquered in cobalt blue with gold hardware. She highlights the distinct challenges and considerations involved in designing for on-campus Greek housing compared to individual residential projects. While residential design caters to a single family, Greek design must accommodate a large group of 50 to 300 women annually, necessitating a blend of residential aesthetics with commercial durability. This balancing act ensures the spaces are both inviting and resilient. The article showcases several of PDR Interiors' notable Greek housing projects. For instance, the Gamma Phi Beta sorority house at Oklahoma State University underwent a significant renovation. This project preserved the existing iron staircase railing and chandelier while updating everything else, including new flooring, a branded inlay in the tile, custom artwork by Kayla Weber, and new furniture and carpet on the stairs, creating an impressive entryway. The "Card Room" in the same house features a grand piano and trophy cases, and a study room is equipped with branded, engraved chairs and ottomans that include hidden power sources. Custom-made fabric with Gamma Phi Beta branding was used for throw pillows, further personalizing the space. The dining hall at OSU's Gamma Phi Beta house boasts an ornate ceiling designed by Krittenbrink Architecture. Toombs' favorite project is a recently completed major remodel at the University of Georgia. Beyond Greek housing, the article also presents examples of her residential work, including a tranquil seating area in a Nicholasville, KY home overlooking a deck and pool, and a living space with a blue marble fireplace that received all-new furniture after pandemic-related delays. For college students moving into dorms, Toombs advises choosing multi-functional, durable items like Rubbermaid totes and storage benches that can serve both storage and moving purposes. Regarding current trends, Toombs observes that Boho style remains popular in college spaces, characterized by macrame wall hangings, textured pillows, and a neutral palette of blush, cream, and white. In her own home, her favorite space is the sunroom, valued for its natural light and durable, easy-to-clean materials like Crypton fabric on the sofa and commercial carpet squares for the rug. She expresses excitement for lighter-colored wood flooring trends, moving away from dark stains. Toombs' design philosophy is summarized as "Connect and collaborate to create," emphasizing the importance of building rapport with clients to achieve optimal results. She also mentions a desire to collaborate with Reese Witherspoon, appreciating the colors and patterns in her Draper James brand. The article also provides a glimpse into other PDR Interiors projects, such as the Alpha Chi Omega sorority house at the University of Kentucky, which features a large seating area, spa-like group bathrooms, and a grand staircase with a tile inlay of the sorority’s emblem and a stunning chandelier. Another project at the University of Kentucky is the Gamma Phi Beta chapter, showcasing a cozy living room with a fireplace and framed artwork with Greek letters. Her residential designs include a kitchen with custom cabinets by Barber Cabinet Company and Visual Comfort light fixtures, and a small bathroom with a custom-made vanity and a vibrant Sherwin-Williams Seaworthy paint color to maximize impact in the compact space. #InteriorDesign #PDRInteriors #LizToombs #GreekHousingDesign #SororityHouseInteriors #ResidentialDesign #CollegeInteriors #SouthernDesign #HomeDecorTrends

Matt and Christina Meisner, high school sweethearts with a shared appreciation for historic homes, embarked on a significant renovation of an 1852 Greek Revival double-gallery townhouse in New Orleans. The couple, who had previously lived in Austin and Melbourne, purchased the nearly 4,900-square-foot property, which includes a main house and a garçonnière, in May 2020. Their primary objective was to undertake improvements while maintaining respect for the home's historical integrity. This involved preserving a timeless style that highlighted the existing patina of multi-color plaster and paint layers throughout the residence. The renovation journey began with addressing immediate repairs and improvements, with the assistance of King Cole Construction. Austin-based Curated Studio, specifically Lauren Taylor and Kakin Nichols, played a crucial role in visualizing designs for fireplaces, living and dining rooms, bedrooms, and bathrooms. They helped select materials designed to age gracefully, such as honed marble and brass fixtures. The Meisners also collaborated with King Cole Construction and Mark Derby of Derby Pottery and Tile to restore all six fireplaces, incorporating new tiles, hearths, and summer fronts. Sweeney Restoration was responsible for most of the general interior renovations and repairs. A significant challenge arose when the Meisners, still residing in Austin, discovered they needed to renovate the kitchen before moving in and could not manage the process remotely during a pandemic. This led them to engage Albert Architecture, with Leslie Raymond and Dan Akerley overseeing general maintenance, repairs to historic elements, and conceptualizing the design. Albert Architecture also served as the Meisners' on-site representatives. The kitchen underwent the most dramatic transformation. Its original layout was inefficient and lacked natural light, with a prominent range and vent hood blocking views. The renovation team converted a courtyard door into a window, significantly increasing counter space and natural light. Matt Meisner's goal for built-in cabinetry with a library ladder to utilize the high ceilings was realized by Pomar Gutierrez Renovation, who custom-built the kitchen cabinets on-site. The kitchen now features pine wood flooring, a window wall, floating walnut shelves with integrated lighting, weathered white Zellige tile, a custom walnut island, honed Calacatta Vagli marble countertops, and a walnut ladder with a brass rail. The original patina pantry door was retained. Beyond the kitchen, Pomar Gutierrez Renovation also crafted a built-in for the living room, vanities for the primary and guest bathrooms, an office bookshelf, and a new bedroom closet. The Meisners meticulously preserved many original details, including aging faux bois trim, doors, and double-hung pass-through windows. Sylvia T. Designs repaired salvageable plaster walls and added new plaster with complementary patina in the master bedroom. For missing original Henry Howard fireplace mantels, Picardie Timber Frame + Millwork created custom reproductions. The home's existing framework guided the color palette, with each room's design drawing inspiration from elements like a plaster fireplace, a green door's patina, or a mossy green clawfoot tub. The Meisners intentionally incorporated playful elements, such as Schumacher wallpaper in the powder bath and House of Hackney wallpaper in the water closet, to add personality and reflect their travels. The project underscored the Meisners' commitment to honoring the home's rich history while imbuing it with their unique character. #HomeRenovation #HistoricPreservation #GreekRevival #NewOrleansHomes #InteriorDesign #CustomCabinetry #KitchenRemodel #ArchitecturalRestoration #PeriodHomes

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

Updating a historic home while preserving its original character presents a common design challenge. This article details the process of reinventing a mansion-scaled limestone townhouse in Brooklyn, NYC, built in 1898, which featured wood-paneled walls, ornate ceiling moldings, and polished parquet floors. Jason Saft, founder of Staged to Sell Home, undertook this renovation, introducing contemporary, high-end furnishings to appeal to potential buyers while honoring the special historic details of the property. The renovation focused on several key principles. First, respecting the property's history was paramount. The neo-Italian Renaissance townhouse, designed by architect Montrose Morris, holds significant historical presence overlooking Prospect Park. Saft's approach was to enhance, not diminish, this heritage. Second, the project emphasized preserving original features. In areas like the hallway with mirrored closets and stained glass windows, architectural integrity was maintained, with modern art serving as the sole contemporary addition. This strategy allowed the inherent character of the home to shine through, complemented by modern elements. Achieving balance in the color palette and styles was another crucial aspect. Drawing inspiration from Prospect Park, varying shades of green were incorporated. To counteract the visual weight of the dark wood paneling, a palette of creams, beige, and white was introduced to lighten the space. Saft strategically mirrored existing architectural details, such as ceiling moldings, with furniture choices like curved ivory couches, creating visual symmetry and connectivity throughout the rooms. Light-colored upholstery was extensively used to modernize the space, addressing concerns that dark woodwork could make the home feel dated or museum-like. By integrating lighter case goods and upholstered pieces, the living areas were brightened, and the woodwork appeared less heavy. The shape of new furniture, such as contemporary couches, was also considered to introduce modern lines. To foster a collected atmosphere, lighter profiled pieces were chosen for areas like the staircase, contrasting with the grand original features. This approach aimed to make the home feel welcoming rather than overwhelming, blending grandeur with comfort. Curating views within the home was also important, as exemplified in the dining room, where a custom dowel table and Rodin dining chairs brought a contemporary flair, harmonizing with traditional elements like ceiling beams and dark wood paneling. The design philosophy advocated for a mix of antique and modern pieces, recognizing that successful integration often requires trial and error. Dressing the space with well-chosen pieces provided an instant uplift. In the home office, a period-style fireplace and paneling were complemented by a comfortable mix of midcentury furniture, antiques, and found objects. Saft underscored the importance of researching historical design styles to inform the integration of traditional and modern elements. Finally, selecting timeless, transitional pieces for major furnishings, such as beds and couches, ensured longevity in design. Art played a significant role in every room, with contemporary artworks often placed in traditional frames to bridge design styles. Midcentury-style furniture was combined with custom contemporary pieces to create a cohesive and updated aesthetic. The transformation of this historic home, executed with speed and precision, demonstrates how a thoughtful blend of styles, colors, art, and furnishings can update a property while preserving its inherent charm and maximizing its appeal. #HistoricHomeRenovation #TransitionalDesign #NYCRealEstate #InteriorStyling #HomeStaging #VintageCharm #ModernInteriors #DesignBalance #ArchitecturalPreservation

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection

This article details the comprehensive renovation of a 190-year-old Federal-style townhouse in Tribeca, Manhattan, which was originally constructed in 1828. The house, initially a residence for a genteel family, transformed into a poultry and egg shop during the area's wholesale produce market era, and later, after the market relocated, was one of nine homes granted individual landmark status by the Landmark Preservation Commission in the 1960s to prevent demolition. A previous owner, an artist, lived in the house for nearly 40 years before it was purchased by a new pair of artists who embarked on a significant remodel. The challenge for the new owners and their team, architect Susan Yun of Yun Architecture and interior designer Penelope August, was that while the exterior remained largely unchanged and landmarked, the interior had lost all original features. Their approach was not to recreate historical accuracy or adopt a modern interpretation, but rather to create a layered, evolving aesthetic that combined vintage and modern elements, reflecting the passage of time. This involved incorporating salvaged materials, antique finds, and contemporary designs to achieve a unique, lived-in feel. The exterior restoration was meticulous, focusing on preserving the landmarked facade. Energy-efficient wooden windows were installed to match the original design, and a new porch with ironwork railings was crafted, inspired by neighboring buildings but meeting modern code requirements. Inside, the design team established a historic-appearing background with elements like plaster crown molding, wide-plank salvaged wood floors from Reclamation Lumber, and newly designed handrails and balusters with classic lines. The owners actively participated in the sourcing process, finding doorknobs and some light fixtures on eBay, and purchasing antique and vintage sinks, bathtubs from Big Reuse, wallpaper from Secondhand Rose, and doors from Demolition Depot. Modern interventions include sleek limestone fireplace mantels (reactivating all four wood-burning fireplaces), a spacious kitchen with colorful terrazzo countertops by Precast Terrazzo, and a Jean Prouvé-inspired built-in designed by August. A key architectural modification involved relocating the first-floor staircase from the back to the center of the house, which facilitated the creation of a generously sized kitchen with an outdoor connection. The kitchen features purple-gray Shaker-style cabinets with glass pulls, a vibrant mustard-yellow Lacanche range, and custom terrazzo countertops made with recycled glass chips. Lighting fixtures were a mix of eBay finds and custom pieces by Penelope August and Andrew Hughes. In contrast to the modern kitchen, a study was designed to evoke a more traditional ambiance, featuring antique wallpaper, a wood mantel recreated after an unfortunate theft, and modern art and furniture to avoid a museum-like feel. The powder room exemplifies the eclectic approach with electric blue hex tiles by Fireclay Tile, a vintage pedestal sink from Demolition Depot, and unique sconces repurposed from an optometrist's shop. A midcentury-inspired shelving unit designed by August, with cork shelves and orange cabinet fronts, displays the owners’ diverse collections. Working with vintage and salvaged materials required considerable patience and effort due to necessary repairs and size adjustments, but the result was a highly customized and authentic interior. The owners expressed a deep appreciation for the history of New York City and viewed their role as caretakers of this historic property, embracing the restrictions that came with renovating a landmarked building. #TribecaTownhouse #HistoricRenovation #EclecticDesign #LandmarkPreservation #InteriorDesign #SalvagedMaterials #VintageFinds #ModernInterventions #NewYorkCityHistory

The article details the renovation of Unit 622, an apartment located within Montreal's historic Habitat 67 housing complex. Designed by the interior and industrial design firm Rainville Sangaré, the project transformed the space into a bright, open, and modern home. The renovation focused on simple lines, material integrity, and a minimalist aesthetic, drawing inspiration from the Brutalist architectural style of Habitat 67 itself. The original complex, conceived by Israeli-Canadian architect Moshe Safdie in the 1960s, aimed to provide affordable urban living through 158 stacked, prefabricated concrete units. Unit 622 features a unique T-shaped layout formed by two prefab blocks. A key aspect of the renovation involved preserving the concrete junction where these two volumes meet, leaving it exposed as an homage to the apartment's history, complete with original construction markings. The design choices were also influenced by Habitat 67's location on the Saint-Laurence River, particularly the challenging winter conditions. Rainville Sangaré opted for a minimal material and color palette, incorporating raw finishes like steel and concrete throughout the space to enhance the natural light and reflect the building's robust character. The living room features built-in shelves framing the window, and custom-made ventilation grids were installed, reflecting the owners' interest in local craft and design. A notable artistic element is a commissioned piece by local artist James Kennedy, mounted on a sliding door that conceals the television. The apartment is entirely outfitted with Sangaré’s UNITÉ lighting, a collection inspired by Habitat 67's rectangular prefab blocks. The kitchen, designed for efficiency, was crafted by local brand À Hauteur d’homme. The guest room is designed for versatility, featuring a hideaway bed that allows the space to function as an office, also lit by Sangaré’s UNITÉ lighting. The main bedroom is predominantly oak, with a custom-designed bed and nightstand, and also features lighting by Sangaré. Streamlined oak panels are used for the wardrobe. In contrast to the minimalist living areas, the bathrooms introduce color and intriguing finishes, including a dichroic glass shower divider that changes color under different lighting conditions. Concrete tiles in the bathrooms further reference the building's Brutalist origins. The renovation successfully marries contemporary design with the historical and architectural integrity of Habitat 67, creating a sophisticated and functional living space. #Habitat67 #MontrealRenovation #ModernApartment #BrutalistArchitecture #MinimalistDesign #InteriorDesign #PrefabHomes #RainvilleSangaré

Developer Steve Jones of bettershelter has redefined the concept of house flipping in Los Angeles, introducing what he calls the 'slow flip' movement. This approach focuses on thoughtfully and lovingly redesigning neglected properties, often referred to as 'zombie houses,' to create unique homes that blend seamlessly with their historical neighborhoods. Unlike typical quick-flip projects that prioritize speed and cost-cutting, Jones's method involves higher budgets and a deep consideration for potential buyers, whether they are families, young couples, or single individuals. His goal is to create homes that feel gently cared for rather than overtly renovated, often leading people to believe original features are present when they are in fact new additions crafted with historical accuracy. Jones's philosophy stems from the desire to avoid the common pitfalls of standard house flips, which often result in shoddy construction, leaky plumbing, and generic, 'cookie-cutter' designs lacking personality. He actively works against trends, quoting Karl Lagerfeld's adage that 'trendy is the last stage before tacky,' to ensure his designs possess timeless appeal and quality. The success of his approach is evident in how often people mistake new fixtures and flooring for originals, indicating that he has effectively created homes that honor their historical context while incorporating modern comforts and aesthetics. His strategies for achieving this 'slow flip' success include several key design principles. Firstly, he emphasizes using materials that evoke a historical feel, such as black and white tile in bathrooms, vintage pencil liner trim, and white subway tile, often complemented by vintage sconces. Secondly, Jones advocates for adding personality to homes through subtle details like brightly painted front doors, hand-painted address plaques, or distinctive fences, which help a house stand out without being ostentatious. A third crucial tip addresses kitchen updates. Acknowledging that nobody desires a 1920s kitchen, he pays particular attention to kitchens and bathrooms, ensuring they are light, bright, and functional for contemporary living while still fitting the home's overall character. Fourthly, vintage furnishings play a significant role in his designs. Jones sources unique pieces from flea markets, swap meets, Etsy, and architectural salvage yards, creating an eclectic yet coordinated look where colors complement each other, as exemplified by pairing a vibrant green sofa with subdued vintage black leather chairs. Fifth, decor and styling are paramount for adding visual interest and sophistication. Jones uses a variety of vintage items, including paintings and unusual three-dimensional objects, to create layered collages that elevate the home's aesthetic beyond flat artwork. Sixth, using fixtures that appear original, such as vintage sconces and light fixtures appropriate for the period of construction, helps maintain the illusion of a gently preserved home rather than a complete overhaul. Finally, Jones advises restraint in renovation decisions, urging renovators to consider what a 'home' truly means to them and to respect the property's inherent character. He believes that for many, the conception of 'home' is rooted in the past, and his designs aim to evoke that feeling of timeless care and preservation. #HouseFlipping #HomeDesign #InteriorDesign #VintageDecor #RenovationTips #HistoricalHomes #RealEstateDevelopment #LosAngelesDesign #Bettershelter

This article provides an in-depth look at a unique open-concept living and dining room located in an 1840s rowhouse in Northern Liberties, Philadelphia. The design, executed by Phoebe Schuh of PS & Daughters, successfully integrates historical elements with modern aesthetics, creating a family-friendly and livable space. The primary design goal was to create a mixed-use area suitable for both family life and entertaining. One notable feature discussed is the use of salvaged large interior doors, which were originally from a demolished church in the neighborhood. These doors contribute to the room's eclectic charm and historical depth. The article highlights a bold design choice: a dark grey accent wall painted with Valspar's Mark Twain Grey. This decision was made to enhance a large print with an oversized white frame, making the artwork 'pop' against the darker background. This illustrates how strategic use of color can dramatically impact the presentation of art within a space. The house, built in the 1840s, features original rustic wood beams and flooring, which were intentionally left unrestored to preserve their character. To prevent the exposed wood beams from feeling overwhelming or making the tall ceilings appear lower, simple Italian light fixtures were chosen. This decision maintained a youthful and livable ambiance, avoiding the heaviness that a more elaborate chandelier might have introduced. A significant design victory involved the fireplace. Initially covered with multiple layers of lavender paint, the entire brick fireplace and a hidden square tile medallion from the 1840s were meticulously restored. The paint was removed to reveal the original tile work, adding significant warmth and historical authenticity to the room. Further enhancing the fireplace, an 1840s wooden mantelpiece was salvaged from Architectural Antiques Exchange. This piece, with its rustic yet clean lines, provided a perfect finishing touch that integrated seamlessly with the room's eclectic style. To define different zones within the large open-concept space, a custom sisal area rug was used to delineate the living area, creating a distinct zone for seating, conversation, and television viewing. The fireplace naturally divides the space, while an oversized window and a modern chandelier contribute to the spacious feel of the dining area. The biggest design challenge was harmonizing the eclectic art and furniture with the 1840s townhouse architecture without creating an imbalance. This was achieved through careful paint choices and the selection of clean, minimal furniture, which helped maintain a light and accessible feel throughout the space. #HomeDecor #InteriorDesign #NorthernLiberties #PhiladelphiaRealEstate #HistoricHome #EclecticDesign #RowhouseRenovation

This article details the transformation of a 19th-century Federal-style town house in New York’s West Village by SPAN Architecture, converting it from multi-family apartments into a single-family residence. The original structure, an 1820s building, presented challenges such as deep lots leading to dark interiors, insufficient natural light on lower floors, and low ceilings. Recognizing these limitations and the absence of significant period details for restoration, principals Peter Pelsinski and Karen Stonely opted for a comprehensive gut renovation. A key aspect of the renovation capitalized on the property’s 60-foot backyard, enabling the architects to extend the first two floors by 30 feet while preserving ample outdoor space. To enhance the connection to the garden, the rear facade was removed, a second-floor terrace was added, and full-height windows were installed facing north, integrating modern design elements while respecting the historic lines of the surrounding houses. Internally, the building lacked a cellar, prompting excavation to create one. The roof was also leveled, increasing interior height by nearly eight feet, which required careful restructuring of ceilings to align with the existing front facade windows. The result is a 5,800-square-foot, four-bedroom home spanning five levels, featuring ceilings over ten feet high on the parlor floor, yet maintaining an unaltered exterior appearance. The interior design consciously blends traditional and contemporary aesthetics. Given the project's spec nature, a neutral palette was chosen, featuring white oak floors that establish a fluid connection between spaces. Subtle historical references are incorporated through baseboards, trim, and crown moldings. The steel-and-oak staircase, while traditional in form, lacks nosing and respects the original footprint, complemented by skylights that draw natural light deep into the lower levels, giving the house an “extroverted character” as Pelsinski describes. The property was acquired by a young family who enlisted Moises Esquenazi of Waowig Studio for interior decoration, providing him considerable artistic freedom. Esquenazi focused on creating inviting spaces that would complement the family’s art collection. His design approach included bold choices, such as a fuchsia-colored den, intended as a lively focal point upon entry. This vibrant room sets a playful tone for the rest of the home, which integrates contemporary Latin American art with pieces by mid-century designers like Milo Baughman and Pierre Guariche. Esquenazi also designed custom furnishings, including a lacquered-goatskin dining table, drawing inspiration from the 1970s. Two years after the family moved in, SPAN Architecture was re-engaged to modernize the kitchen and expand the master bathroom into a spa-like retreat, concluding a decade-long project. The revitalized town house now offers a bright, open living environment, seamlessly integrated into its urban setting while providing ample personal space. #TownHouseRenovation #SPANArchitecture #WestVillage #HistoricHome #ModernInteriorDesign #ResidentialArchitecture #NaturalLight #InteriorRenovation #LuxuryHomes

Designer Melissa Rufty's pied-à-terre in downtown Charleston, South Carolina, known as "Elizabeth," is a Greek Revival home from the 1860s that embodies the Low Country aesthetic. Rufty's design approach for this historic property blends Charleston's characteristic refined restraint with the "more is more" philosophy often seen in New Orleans, her primary residence. The interior design reflects her personal history and connections to both cities, incorporating antique mirrors and family heirlooms. Rufty describes her design style for the Charleston home as having a subtle irreverence, particularly in the color choices and the mix of furniture that might not typically be found in historical Charleston residences. While Charleston design often leans towards more austere schemes, New Orleans embraces a layered, maximalist approach. Rufty, however, adopted a respectful restraint, carefully preserving the home's original character. She made a conscious decision not to over-design the space, wanting to maintain its raw charm, which she fell in love with initially. This involved a cautious selection of colors to avoid appearing overly trendy or historical, and a thoughtful editing process for fabrics and furnishings. Her design process involved backing off when elements appeared too coordinated and adding a touch of humor when things became overly formal. This extensive editing was challenging due to the sentimental value attached to many of her belongings. The home's interiors narrate Rufty's personal journey and the stories of the cities that influenced her. She integrated many antiques collected by her mother, such as the secretary and chairs in the living room and a mirror in the bathroom. These pieces, alongside the centuries-old architecture, intertwine with Elizabeth's own history, creating an evolving narrative. Rufty views herself as a temporary steward of the house, acknowledging its long history that predates and will outlast her presence. The piazza, a highlight of the home, is notably spacious for Charleston, measuring 450 square feet. It is furnished with wicker from Sika Design and wrought iron pieces from Chairish, accommodating both dining and lounging areas. The front door, featuring a screen door, opens directly into the kitchen, a detail Rufty particularly enjoys for its evocative Southern sound. The living room showcases Rufty's collection of sweetgrass baskets, a traditional Low Country art form. Two sleeper sofas from Avery Boardman in the living space provide flexible sleeping arrangements for her daughters. The bar area features an 18th-century portrait and an early 19th-century Northern Italian console table. The eat-in kitchen, lacking a formal dining room, creates a casual and intimate atmosphere with a European feel, featuring an antique mirror and a 19th-century farm table. The two-tone kitchen, largely preserved from the previous owner, reflects Rufty's design restraint. The single bathroom, serving as both a powder room and a full bath, is designed with a jewel-box effect using sage hieroglyphic-inspired wallpaper and curtain fabric from Lewis & Wood. The bedroom includes a mahogany canopy bed and utilizes saturated, complex magenta hues for textiles, ensuring richness and depth without being saccharine. An antique gilt mirror and a stone tassel table complete the bedroom's furnishings. #CharlestonHome #NewOrleansInfluence #MelissaRufty #GreekRevival #SouthernDesign #AntiqueDecor #InteriorDesign #HistoricHome #LowCountryStyle

The Brooklyn town house belonging to actor David Harbour and singer-actor Lily Allen is a vibrant and unconventional space, designed in collaboration with AD100 designer Billy Cotton and architect Ben Bischoff of MADE. The home, described as a "familial fantasyland of daring beauty and individual connoisseurial vision," stands in stark contrast to the prevailing trend of minimalist, neutral aesthetics. Its interiors feature a dynamic mix of chintz balloon shades, crystal chandeliers, pink silk, tiger-patterned textiles, and Mylar wallpaper, reflecting Allen's bold, eclectic, and fun personal taste, as noted by both Cotton and Harbour. The project began with the renovation of a late-19th-century Italianate brownstone in Brooklyn’s Carroll Gardens neighborhood. Architect Ben Bischoff recalls the house's initial deteriorated state and the subsequent discovery of original moldings and doors beneath layers of past renovations. The couple sought to preserve the historical character while creating a casual, family-friendly environment, rejecting overt formality. Billy Cotton presented three design directions: traditional English, modern Brooklyn town house, and a layered Italian style, which the couple embraced due to the neighborhood's Italian-American history and Allen's desire for something "weird and wonderful." The layout of the house also deviates from typical conventions. The second level features a primary bath-cum-sitting room, adorned with wall-to-wall floral carpet, Zuber wallpaper, and sink stands fashioned from Louis XVI–style commodes. This eclectic design prioritizes the owners' preferences over traditional resale value concerns, as highlighted by Allen. The primary bedroom, uniquely situated as a windowless chamber between the main bath and dressing rooms, further exemplifies the personalized approach to the home's design. On the piano nobile, the kitchen and dining area are positioned at the front of the house, immediately accessible from the street, signifying its role as the home's central gathering space. Conversely, the living/garden room, featuring a double-sided sofa in emerald velvet, is located at the rear. The lower-level media room, devoid of original 19th-century details, adopts a crisp, contemporary interior with a glamorous, Madeleine Castaing-inspired aesthetic, showcasing matching tiger-patterned carpet and sofa against high-gloss, creamy-white walls. This design choice, according to Cotton, is a reflection of Allen’s captivating presence and her aversion to conventional living spaces. David Harbour, a self-proclaimed "suburban boy" accustomed to a more conventional aesthetic, expresses admiration for his wife's distinctive vision and willingness to take design risks. Despite the unconventional style, which their children playfully refer to as the "clown house," the home embodies a deeply personal and creatively executed living environment that perfectly suits the family's unique preferences. The collaboration between the homeowners, designer, and architect resulted in a unique and character-filled Brooklyn residence. #HomeDesign #InteriorDesign #CelebrityHomes #BrooklynRealEstate #EclecticDecor #RenovationProject #ArchitecturalStyle #LuxuryInteriors