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London It Girl Matilda Goad Reveals How to Decorate Like a Brit
The article explores the distinctive qualities of British interior design, drawing insights from homeware designer and creative consultant Matilda Goad. While French style has long captivated attention, the homes in the United Kingdom are gaining recognition for their bold wallpaper, bright colors, and prevalent use of rattan. Matilda Goad, known for her scalloped rattan lampshades and whimsical country-meets-city interiors, offers guidance on achieving this modern British aesthetic.
One significant characteristic of London homes, according to Goad, is the abundant use of color. She attributes this to the climate, where extended periods of low light necessitate designs that create warmth and coziness through layered elements. When decorating small apartments, Goad advises against filling them with numerous small items, which can make a space feel cramped. Instead, she suggests opting for the largest possible piece of furniture a room can comfortably accommodate, as this can paradoxically make the space feel more expansive. For rooms with low ceilings, she recommends avoiding pendant lights in favor of flush-mount fixtures or strategically placed lamps. Goad also advocates for the use of wallpaper in smaller, unusually shaped spaces, citing a personal experience where a clover print wallpaper by Josef Frank completely transformed a tiny room.
A key aspect of Goad's design philosophy is the balanced integration of vintage and new pieces. She emphasizes the value of one-off vintage items, not only for their aesthetic appeal and cost-effectiveness but also for their sustainable nature, giving old objects new life. The creation of juxtapositions, such as pairing an antique sideboard with a modern artwork, is crucial for achieving balance in an interior. When navigating flea markets and antique shops, Goad advises a cautious approach. While vintage shopping can be enjoyable, it's important to consider the condition of items. She is open to pieces that can be restored but draws the line at damaged linens, mirrors with irreparable flaws, and obvious chips.
Finally, Goad expresses a strong preference for respecting the historical character of old buildings. She is critical of modern renovations that completely strip away original features, favoring instead designs that honor and preserve the property's heritage. In her own home, she chose a calming pink shade to mimic plaster, integrated cupboards that blend into the wall, and used thick, striped mustard-and-cream blinds. This approach not only maintains the property's character but also offers financial benefits by retaining existing elements. The article concludes by asserting the growing appeal of British decor over French style, highlighting its charming and distinctive qualities.
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