Global Design: Be inspired by Art Nouveau spaces in Belgium and Singapore

The Singapore-based interior design firm, Prestige Global Designs, founded by Michael Ong and Jeremy Tay, has garnered international acclaim for its unconventional approach to design. Both founders bring distinct perspectives to their work, with Ong's early aesthetic sensibilities influenced by portraiture and Tay's unexpected entry into design sparked by the elaborate stage presentation of a Faye Wong concert. This diverse background has contributed to their brand's identity, which prioritizes unique and boundary-pushing designs. Ong and Tay draw inspiration from various sources. Ong admires architect Frank Gehry for his commitment to unique designs, innovative shapes, and materials, particularly highlighting Gehry's Knoll’s Cross Check Chair for its blend of form and function. Tay, on the other hand, is inspired by Godefroy de Virieu, the creative director of Petit H, a Hermès sub-brand that reassembles old or imperfect Hermès products into new forms, emphasizing sustainability and creative reuse. This philosophy translates into Tay's own practice, where he transforms items like chopstick rests into wall art or Hermès scarf rings into drawer embellishments, aligning with Gehry's belief in exploring and pushing creative envelopes. Beyond their professional inspirations, the founders share personal interests that subtly influence their design ethos. Both are food enthusiasts; Ong favors Gattopardo Ristorante di Mare for its unique setting in a shophouse and warm Sicilian hospitality, while Tay, who finds cooking therapeutic, appreciates The English House by Marco Pierre White for its colonial-inspired interior and quality food. They describe cooking as analogous to design, involving a careful balance of ingredients and concoctions. Their work attire, ranging from smart casual to formal, reflects a belief in neatness and respect for their work and clients, with Tay highlighting the subtle elegance of an Hermès Fantome jacket. Their design philosophy embraces both vintage and custom pieces, depending on the project's requirements. They aim to infuse character into their designs, often incorporating vintage items like artworks or armchairs, and are open to re-upholstering sentimental client pieces. An example of this is a vintage art deco lamp with a goose-shaped base found on 1stdibs, which they customized with a new lampshade for a showroom kitchen. In terms of personal development, Ong found guidance in Norman Vincent Peale's 'The Power of Positive Thinking' for navigating challenges and staying goal-oriented, while Tay appreciates Vince Poscente's 'The Ant and the Elephant: Leadership For the Self' for its insights into harnessing subconscious potential. Their travel experiences also offer design insights. Ong recalls the Sofitel Paris Le Faubourg, appreciating the architecture and cooler climate of Paris during winter, citing the Louvre Pyramid and Foundation Louis Vuitton as architectural highlights. Tay's preferred destination is Hilton Tokyo in Shinjuku, valuing Japan's blend of old-world charm and innovation, which provides a balance of relaxation and exploration. For them, a house becomes a home when it fulfills basic functional and aesthetic needs while also providing a sense of safety and relaxation, telling a unique story, and fostering memories. They envision the future of design to be increasingly experiential and digitally integrated, with innovations like 'smart walls' that can transform a room's scenery with a touch, offering greater flexibility and an evolving quality of life. #InteriorDesign #PrestigeGlobalDesigns #LuxuryDesign #DesignInnovation #SingaporeDesign #CreativeProcess #ExperientialDesign #FutureOfDesign

The article focuses on the work of Singaporean architect Edmund Ng, particularly his modernist approach to design and a recent project in the Sunset Way neighborhood. Ng views architecture as an art form that transforms client needs into artistic expressions, aiming to improve wellness through environmental design. His style is characterized by modernism, respect for material purity, and tropical adaptation, often utilizing off-form concrete and natural light to suit the local climate. Ng's clientele often return to him for subsequent projects, including their children, highlighting a strong client relationship and trust in his design philosophy. The article details a specific project: a new home for a retired couple on a 6,900-square-foot plot in Sunset Way, adjacent to the Ki Residences condominium. This location holds significant sentimental value for the couple, who previously resided in the now-redeveloped Brookvale Park within the same neighborhood. Ng’s design responded to the land's topography, which slopes towards the back, leading him to create a three-storey residence with a basement and swimming pool at the rear. From the street, the house maintains an unassuming facade of off-form concrete and black walls, but transforms upon entry. Upon entering, the house, named "The Green Sanctuary," reveals its porous design through full-height windows that frame views of lush greenery. Despite the unconventional placement of the living room and pool at the back, facing the condominium, mature and newly planted trees along the perimeter ensure privacy. The design prioritizes connecting residents with nature, offering vantage points for vegetation from various areas, including the dining room on the first floor and the master bedroom on the second. The master bathroom is uniquely cantilevered directly above the pool, enhancing the connection to the outdoor elements. The attic level provides panoramic views of the surrounding area, including trees, landed homes, and distant buildings. Ng incorporated tree patterns into specially commissioned metal screens on the second floor, shielding the guest bedroom while creating a visual effect of a forest silhouette when illuminated at night. This attention to detail reflects the architect's commitment to integrating natural elements and artistic expression into the home's fabric. The residence was specifically designed to accommodate the couple's extensive collections of art and classic cars, accumulated over three decades. Ng recognized these collections as integral to the couple's life journey and memories, shaping the home to serve as a personal art museum. The interior features simple materials and a black-and-white palette, allowing the diverse art pieces, ranging from sculptures by Daisy Boman and Li Chen to paintings by Lee Jung Woong, to become focal points. The husband's collection of car memorabilia and seven classic cars is housed in a dedicated double-volume den. The home is also designed for future adaptability, with an open-layout attic that can be converted into an apartment. This attic includes wall panels that slide to reveal a large mirror for the wife’s dancing, and opens to a terrace and a “secret garden in the sky.” Ng emphasizes that architecture should be soulful and responsive to client needs, asserting that a home is more than just a shelter but a reflection of the occupants’ lives and aspirations. He credits his wife for enabling his creative freedom, allowing him to "dream" in his architectural pursuits. #ArchitecturalDesign #ModernistArchitecture #ResidentialDesign #LuxuryHomes #ArtCollection #ClassicCars #SingaporeRealEstate #SustainableDesign

Art Nouveau, a pervasive design movement from 1890 to 1910, distinguished itself through its characteristic sinuous curves, intricate ornamentation, and stylized interpretations of natural forms. Drawing inspiration from Japonisme and the English Arts and Crafts movement, Art Nouveau emphasized material experimentation, allowing artists to translate the beauty of the natural world into highly individualistic expressions. Many prominent figures of the movement delved deeply into nature or traveled to diverse locales, seeking inspiration from unfamiliar flora, fauna, and insects. The core genius of Art Nouveau artists lay in their capacity to render the organic delicacy of natural forms using rigid materials such as glass, wood, and metal. Specialists like Victoria Tudor from Christie's Design department highlight the pivotal role of glassmaking, woodcarving, and marquetry during this period, with fruitwoods, mahogany, and satinwood being common choices. Designers skillfully manipulated structured materials to evoke the movement found in nature, mirroring the forms of flower stems or leaves. The masters of Art Nouveau, including Tiffany, Gallé, and Daum, excelled in working with their chosen materials, transforming themes and emotions into tangible art forms rather than merely words. Several key designers significantly shaped the Art Nouveau movement. Daum, founded in 1878 by Jean Daum, initially produced tableware. However, under the artistic direction of Antonin Daum and Henri Bergé, the company embraced floral designs in colored and cameo glass, greatly expanding its artistic range and production volume. Daum also engaged in significant collaborations, notably with Louis Majorelle, a key figure in the Ecole de Nancy, resulting in notable pieces like the 'Nénuphar' table lamp. Emile Gallé, another founder of the Ecole de Nancy and based in the glassmaking hub of Nancy, France, created works celebrated for their elegant forms, rich colors, and nature-inspired decorations. He pioneered experimental techniques such as glass marquetry and acid etching, creating complex layered glass pieces, often with inclusions like gold leaf. Gallé also introduced 'verreries parlantes' or 'speaking glassware,' which incorporated poetic inscriptions, requiring the viewer to interact with the object to read them. René Lalique dominated Art Nouveau jewelry and decorative objects. After achieving fame for his modern jewels, he began experimenting with glass around 1890. Lalique later opened a shop at Place Vendôme, showcasing both his jewelry and glass objects. He revolutionized the perfume industry with his glass bottles and, by the 1920s, focused exclusively on glassmaking, developing a distinctive technique of contrasting clear and frosted glass. His extensive output included numerous vases and other mass-produced items, and his business continues to thrive today, having adapted to subsequent styles like Art Deco. Louis Majorelle, renowned for his woodworking, operated a substantial atelier that produced a wide range of furniture, from standardized designs to exclusive commissions. He worked with a diverse palette of global woods, creating tonal designs, gradients, and fine art-like floral marquetry. Majorelle was a vice president of the Ecole de Nancy and maintained multiple shops across France. Tiffany Studios, led by Louis Comfort Tiffany, focused on stained glass design and production. Working with skilled American artisans, Tiffany Studios developed patented processes, such as for iridescent Favrile glass, and created iconic leaded glass lamps. Tiffany drew immense inspiration from his estate, Laurelton Hall, which was meticulously designed to reflect his artistic vision and served as a retreat for artists. Despite the estate's destruction by fire, the legacy of Tiffany Studios endures through its vibrant lamps and other decorative creations in glass, ceramics, enamel, and metalwork, which remain highly valued by collectors. The global influence of Art Nouveau extended to various international variations and localized movements. Italian designer Carlo Bugatti produced architectural furniture, while the Vienna Secession featured artists like Gustav Klimt. Cities such as Barcelona, with Antoni Gaudí's works, and Paris, with Hector Guimard's contributions like the Métro entrances, showcase the ambitious scope of Art Nouveau creators. The interplay between architecture and furniture design was crucial for many Art Nouveau designers, underscoring the holistic nature of their artistic approach. These diverse examples highlight the widespread and transformative impact of the Art Nouveau movement on design and art across Europe and beyond. #ArtNouveau #CollectingGuide #DecorativeArts #DesignHistory #Glassmaking #FurnitureDesign #TiffanyStudios #EmileGalle #ReneLalique #LouisMajorelle #Daum

The Beijing Xitan Hotel project, developed by Nikken Sekkei, is a resort that integrates traditional Chinese landscape design principles with contemporary aesthetics. The project draws inspiration from the landscaping philosophy of Tanzhe Temple, aiming to create a balanced environment that harmonizes with its natural surroundings. The design emphasizes an oriental aesthetic, focusing on both grand expansive views and delicate, intricate details. The total area of the hotel is 13,000 square meters, situated on a 21,000 square meter site in Men Tou Gou Qu, China, and was completed in 2022. The design process involved a comprehensive approach, encompassing concept design, schematic design, tender documentation supervision, and site supervision, all led by Nikken Sekkei Ltd. and Nomura Garden Laboratory. Beijing Shunjing Garden Co., Ltd. served as the construction contractor. The project's core concept revolves around the ancient Chinese belief of "Shijin Souou," which describes the four divine geographical features: the Blue Dragon (east), White Tiger (west), Vermilion Bird (south), and Black Tortoise (north). These mythological creatures symbolize different elements of the landscape—water, roads, forests, and hills—and their strategic placement is believed to bring fortune and protection. The hotel's layout integrates these principles, creating a protected and harmonious setting. The hotel's design specifically interprets the Tanzhe Temple's garden philosophy, which is known for its serene and naturalistic approach. This translation is evident in the hotel's landscape elements, which incorporate water features, sculpted terrain, and carefully selected flora to evoke a sense of tranquility and connection to nature. The overall aim is to provide guests with an immersive experience that reflects traditional Chinese culture while offering modern comforts. The use of natural materials, particularly stone, is prominent throughout the design, enhancing the aesthetic and tactile quality of the spaces. Key design features include the meticulous craftsmanship seen in elements like the custom-made stove and stone wall in the hotel lobby, created by Japanese stonemason Izumiya Sekizaiten. These details underscore the project's commitment to quality and cultural authenticity. The exterior spaces, such as the terraces and courtyards, are designed to offer diverse experiences, from expansive views to intimate garden settings. The landscape design carefully balances open areas with enclosed spaces, guiding visitors through a journey of discovery and relaxation. The integration of modern architectural forms with classical landscape elements creates a unique identity for the Beijing Xitan Hotel, presenting it as a contemporary interpretation of traditional oriental resort aesthetics. #HotelDesign #LandscapeArchitecture #ChineseDesign #OrientalAesthetics #NikkenSekkei #ResortArchitecture #TanzheTempleInfluence #SustainableDesign

Antwerp, a city at the crossroads of Europe, is a dynamic design destination that seamlessly blends its rich historical heritage with a vibrant, forward-thinking creative culture. Despite often being overlooked by international tourists, Antwerp offers an abundance of attractions for design enthusiasts. The city's unique character is evident in its architectural landscape, from gabled guildhalls and the grand gothic cathedral to modern marvels like Zaha Hadid's diamond-like Port House, which sits atop a historic fire station. This fusion of old and new symbolizes Antwerp's enduring creative spirit. Key cultural institutions contribute significantly to the city's artistic prominence. The Royal Museum of Fine Arts Antwerp (KMSKA), reopened in 2022 after an extensive 11-year restoration, showcases Old Masters alongside contemporary sculptures and hosts evening events with cocktails, DJs, and performances. The Rubens House museum is undergoing renovations, with a new garden designed by fashion legend Dries Van Noten set to open, featuring 17,000 plants. These institutions underscore Antwerp's dedication to preserving its artistic past while embracing modern interpretations. The city's avant-gardism is deeply rooted in its history as Europe's second-largest port, which fostered a melting-pot population of over 170 nationalities and progressive ideas, as seen in Christophe Plantin's 16th-century publishing house. Today, this spirit fuels various creative fields, particularly fashion. The Royal Academy of Fine Arts Antwerp has nurtured renowned designers such as Martin Margiela and the Antwerp Six. Brandon Wen, the new creative director of the fashion department, continues to foster interdisciplinary creativity, with the annual four-hour fashion show highlighting the technical craftsmanship and originality of Antwerp designers. The MoMu fashion museum serves as a central hub for students and stages thought-provoking exhibits. Innovative concepts like Bakermat, a venture by experimental alum Cedric Jacquemy and Quinten Schaap, combine a fabric shop with a virtual textile library, promoting transparency and environmental sustainability in the industry. Antwerp also offers unique shopping experiences tailored for design-led visitors. Jewelry brand Eliott & Ostrich, founded by Botswana-born Jennifer Elliot, operates a showroom called The Nest, where clients can create custom, ethically sourced heirloom pieces inspired by African decor and the ubuntu philosophy. The city's creative scenes frequently intersect, as exemplified by chef Nicolas Misera, who showcases local artists' work in his restaurant, Misera. Chef Nick Bril of The Jane, located in a former military hospital, is also a celebrated DJ. Fashion brand La Collection's flagship doubles as an art gallery, displaying works alongside luxury pieces inspired by Antwerp's multiculturalism and art. Handbag designer Lies Mertens, a pioneer in using mycelium from mushrooms as a leather alternative, hosts artists-in-residence at her guesthouse-gallery, Patina, located in the Green Quarter. This space encourages cultural exchange and offers insight into her craft. Goldsmith Pascale Masselis, an Academy graduate, has transformed two light-filled apartments above her boutique into a guesthouse, adorned with antique finds. Her townhouse on Zirkstraat street continues a historic legacy, having been occupied by a goldsmith two centuries prior. Private guided tours offer deeper insights into Antwerp's historic role in the gem trade and its contemporary artisans. These diverse examples demonstrate how Antwerp maintains its distinctive style, where innovation is continuously informed by its rich past. For accommodations, the Botanic Sanctuary, a former medieval monastery, provides a luxurious stay with centuries-old beams, chapel frescoes, and museum-quality art, offering a holistic spa and three Michelin-starred restaurants. Hotel Flora, a boutique hotel in a 15th-century merchant's mansion, features maximalist decor by Gert Voorjans and rooms named after gemstones. Guesthouse Galalith, owned by Pascale Masselis, offers short-term stays in tastefully decorated apartments. Hotel August, a former Augustinian convent, provides a serene retreat with a wellness space and a restaurant overseen by chef Nick Bril. Culinary highlights include PrivéPrivée, a private art-filled kitchen by chef Sergio Herman, and Cobra, a popular spot among Antwerp's creatives for cocktails and shared nibbles. Hertog Jan, a resurrected Bruges institution, is now located within the Botanic Sanctuary Hotel, offering innovative dishes. The Jane, a "designer-inspired culinary temple," celebrates its 10th anniversary with chef Nick Bril's multicourse tasting menus. Fiera, located in the historic Handelsbeurs, offers pan-global dishes in a trendy setting. Shopping destinations include Morobé for shoes, Lies Mertens for innovative handbags, Pascale Masselis for handcrafted jewelry, and La Collection for luxurious wardrobe staples. #Antwerp #DesignDestination #EuropeanTravel #Fashion #Art #Architecture #CulinaryExperience #LuxuryHotels #BelgianDesign

The Dutch design duo Stefan Scholten and Carole Baijings are celebrated for their innovative use of color and their ability to merge conceptual design with industrial production. Their Amsterdam studio is a vibrant space filled with their distinctive creations, ranging from textile panels in bold color combinations like hot pink and olive green to matte porcelain vases and tinted glass globes. Michael Maharam, a collaborator, likens their studio to a “candy shop for the curious eye,” reflecting the diverse array of objects designed by the firm, which includes clocks for Ikea, components for a Mini One car, and dishwasher-safe Japanese porcelain. Scholten and Baijings distinguish themselves in the typically subdued Dutch design scene through their vibrant aesthetic and their belief that creativity can coexist with manufacturing. Scholten, an alumnus of Design Academy Eindhoven, highlights the prevailing sentiment during his studies that design was either conceptual and handmade, or industrial. This perspective was heavily influenced by Droog, an influential design collective known for its postmodern, D.I.Y. approach. While Droog’s prototypes were often costly and difficult to mass-produce, many prominent Dutch designers of the past two decades were associated with the movement. Scholten humorously recalls the pressure to become a “Droog designer,” noting that the separation between creative and industrial processes seemed counterintuitive, especially considering how historical design greats integrated both. Scholten and Baijings’s partnership, both professional and personal, began in 1999. Their collaborative methodology, described by Baijings as the “atelier way of working,” emphasizes constructive thinking, hands-on experimentation with materials and colors, and a continuous evaluation of whether their ideas are effectively translating into tangible designs. This process allows them to explore new avenues simultaneously, leading to unexpected and fresh outcomes. Their three-bedroom 1920s Amsterdam home serves as a living showcase of their design philosophy. Design critic Louise Schouwenberg has described their meticulous attention to detail as “almost un-Dutch.” The house features a blend of original elements, like a marble-lined entryway and an antique Indonesian wedding chest, alongside modern renovations. The ash-green kitchen, for instance, boasts custom aluminum cabinets and a Pandomo-textured wall. Throughout their home, they create seemingly random yet thoughtfully curated arrangements of design objects and everyday items. These groupings are evident in their son’s room, where clothes are displayed like museum pieces, and in the living room, where timeless objects such as a Josef Hoffmann tea set intermingle with personal mementos and design prototypes, both successful and failed. Each item in their home, as Scholten explains, carries a narrative, contributing to the overall story of their lives and work. The duo continues to expand their influence, with plans to unveil a furniture collection with Herman Miller and curate an exhibition on Japanese porcelain at the Rijksmuseum, demonstrating how their refined style opens up new creative possibilities. #ScholtenBaijings #DutchDesign #InteriorDesign #ColorTheory #ProductDesign #IndustrialDesign #HomeDecor #CreativeProcess #Amsterdam

The search for compelling interior design stories is an ongoing endeavor for T Magazine's staff, with the director of design and interiors, Tom Delavan, primarily responsible for finding residences to feature. However, story pitches can come from various sources, including publicists, architects, interior decorators, writers, and photographers. The most exciting discoveries often arise through more serendipitous means, such as word-of-mouth recommendations or accidental encounters, a dynamic that has become an internal office joke where editors are encouraged to inquire about interesting houses during any meeting. A particularly noteworthy discovery occurred when editor-at-large Nick Haramis was researching artist collectives. He learned about a group of recent art-school graduates who were not only conceptualizing unique, unconventional furniture and decor but were also actively producing these items themselves. This collective, known as Espace Aygo, transformed a dilapidated building in a bustling Brussels neighborhood into their shared living and working space, where they crafted nearly every element of their home, including a sink fixture made from a pétanque ball and a bathtub from urethane rubber. While the initial artist collectives story never materialized, the scouting photographs of Espace Aygo immediately revealed its potential as an unforgettable home story for the magazine. This discovery is particularly significant in an era characterized by often overly polished interior design, where a homeowner's personal style can be overshadowed or even dictated by their decorator. Espace Aygo serves as a powerful reminder that a home achieves true memorability not through adherence to conventional politeness or perfection, but by expressing a distinct point of view and showcasing the creative effort of those who inhabit and shape it. It underscores the idea that creating a unique and personal living space does not necessarily require substantial financial resources, but rather demands perspective, imagination, and a commitment to authentic self-expression in one's environment. The author expresses a personal affinity for Espace Aygo's aesthetic, indicating a willingness to reside there. Even for those who may not share this specific taste, the collective's inventiveness, resourcefulness, and imaginative spirit are undeniable. Ultimately, these qualities are presented as the fundamental components that truly define and enrich a home, highlighting the value of individuality and creativity over conventional design standards. #InteriorDesign #HomeDecor #EspaceAygo #ArtistCollective #DIYDesign #Brussels #CreativeLiving #UnconventionalHomes

This article explores the most popular countries influencing interior design trends in 2022, based on research conducted by Secret Linen Store. The study cross-referenced social media data, including TikTok views, Instagram hashtags, Google searches, and Pinterest boards, related to the interior design of over 150 countries to identify global trends. The research aims to provide insight for individuals seeking inspiration for their home decor. The top ten countries identified as significant trendsetters are: Japan, France, Denmark, Brazil, Mexico, California (as a distinct region), Australia, Malaysia, Morocco, and Sweden. Japanese interior design emerged as the leading influence, driven by its principles of minimalism, simplicity, and organic silhouettes. Japanese homes emphasize balance between indoor and outdoor spaces, incorporating neutral colors and natural materials to foster serenity. The design philosophy avoids 'noisy' elements in favor of pared-back spaces, understated color palettes, wooden furniture, and abundant natural light. Order and organization are also key, with a preference for clutter-free environments over overly decorative elements. French interiors, ranking second, are characterized by an eclectic style that blends bold decor with rustic farmhouse aesthetics. This approach encourages a playful use of color and a highly personalized decorating philosophy. The essence of French interiors lies in mixing and matching diverse pieces, such as antique furniture with modern art or flea market finds, creating a unique and lived-in feel. This style celebrates individuality and the integration of items with personal history. Danish interiors secured the third spot, primarily due to their emphasis on functionality, simplicity, and efficient use of space. Rooted in the Scandinavian concept of hygge, Danish design promotes a welcoming and cozy atmosphere, ideal for relaxed entertaining and home life. Key features include streamlined shapes, simple designs that ensure timeless quality, and a significant use of wooden furniture. Rustic textures and neutral tones form the foundation, allowing for personalization with bolder decorative accents and colors. The research highlights a contrast in inspirational styles, with the vibrant patterns of Morocco and Mexico also making a notable appearance in the top ten, alongside the more subdued aesthetics of the top three. #InteriorDesignTrends #GlobalInfluence #JapaneseDesign #FrenchInteriors #DanishDesign #HomeDecor #Minimalism #EclecticStyle #Hygge

Art Deco interior design, drawing inspiration from the bold geometry and opulent style of the 1920s and 1930s, continues to captivate with its glamorous and sophisticated appeal. This design aesthetic is characterized by sleek lines, intricate patterns, and rich materials, offering a modern twist on a classic style. Several projects exemplify this blend, showcasing how historic buildings and contemporary spaces can be reimagined with Art Deco influences. One such example is the headquarters of venture capital firm Greylock Partners in San Francisco, located in a 26-story Art Deco tower originally built in 1925. Rapt Studio transformed the top floor into a modern office, incorporating a custom green banquette and matte-black laminate closets with fluted detailing that reference the building's original Art Deco architecture. This design honors the historical context while providing a functional contemporary workspace. Another notable project is the renovation of The Boca Raton hotel by Rockwell Group. This historic hotel, originally the 1926 Ritz-Carlton Cloister Inn, underwent extensive renovation to cohere its design, emphasizing luxury and site consideration while retaining its early 20th-century grandeur. Brooklyn’s King Tai bar, designed and refreshed by Palmer Thompson-Moss and Isobel Herbold of Salle, also features significant Art Deco accents. The updated interiors include a restored Art Deco bar, serving as a central focal point. The design of the South Beach lifeguard towers in Miami, created by William Lane Architect, also reflects Art Deco influences with their colorful and geometric forms, a modern reinterpretation of the style following Hurricane Andrew. Photographer Tommy Kwak documented these 38 towers, highlighting their unique aesthetic. Residential projects also embrace Art Deco. An Aspen, Colorado home belonging to an art collector and tech executive features vintage Art Deco furnishings, including tubular steel rocking chairs, incorporated into interiors masterminded by designer Ghislaine Viñas. The Neues Schloss Privat Hotel Zurich, built in 1935, combines Art Deco and Modernism. Its recent redesign by Carbone Interior Design incorporates a jewel-tone palette and velvety textures, maintaining the building’s original motto of bringing disparate elements together. Similarly, a Grand Rapids downtown office, redesigned by Eastlake Studio in collaboration with AMDG Architects, features custom walnut wood veneer walls with brass strips and fir wood feature walls, subtly referencing the area’s Art Deco history. In Melbourne, Australia, Hindley & Co. renovated an elegant 1930s Art Deco house, preserving its graceful arches and original terrazzo while updating the interiors to suit a modern family. The design includes Gubi pendants and contemporary furniture that nod to the Art Deco aesthetic. Lastly, the Georgian Hotel in Santa Monica, originally opened in 1933, underwent a revival by BLVD Hospitality and designer Tom Parker of Fettle. The hotel, known for its ocean-front turquoise facade and original Art Deco design, had its original luster restored, showcasing luxe curtains and blue sofas in spaces like the Sunset Bar. These projects collectively demonstrate the enduring appeal and adaptability of Art Deco interior design across various types of spaces, from offices and hotels to bars and private residences. #ArtDeco #InteriorDesign #ArchitecturalRenovation #HistoricPreservation #ModernAesthetics #HospitalityDesign #OfficeDesign #ResidentialDesign #DesignTrends

Shreyas Patil Architects embarked on a transformative project, converting a dilapidated century-old colonial dwelling on Havelock Road, Belgaum, into their eponymous architecture studio. The building, previously abandoned after multiple remodels, captivated founder and principal architect Shreyas Patil with its inherent character despite its disrepair. Patil envisioned the property's potential to house an offbeat office, blending vintage charm with modern architectural intervention. The exterior of the studio, primarily visible from the west, is designed to interact with the natural elements. Thin corten steel mezzanines, suspended by twisted metal cables, protect a series of west-facing windows from the elements while allowing western winds to permeate. These structures also serve as a shield against the southwest monsoons, safeguarding the original teak windows. The main entrance, relocated to the north face, features a bold blue metal door with a small pivoting window. This design subtly blurs the boundary between the street and a dense garden courtyard, which houses a temple tree, bamboo, raphis palms, lilies, bougainvilleas, and monsteras, fostering a seamless transition into the workspace. Internally, Patil reconfigured the layout by removing and repositioning existing fenestrations and internal walls to create a free-flowing, boundless interior. The original west-facing entrance was re-angled to the north, integrating it with the formerly overgrown backyard, which now functions as an informal outdoor waiting and discussion area. The material palette is thoughtfully curated, with each room featuring a distinct pigmented oxide finish on the hand-polished flooring, showcasing varied shades of greys, greens, and solid blacks. These diverse floor treatments are harmonized by a continuous teak skirting that contrasts with the white walls and rafters, maintaining a cohesive aesthetic throughout. An al fresco discussion area is a prominent feature, comprising a cast-in-situ concrete bench extending along the compound wall, mirrored by a wooden bench. The flooring here combines wood and leather-finish kadappa stone, evoking a bygone era. Pergolas running north to south cast dramatic, dynamic shadows on the white stucco-finished compound wall, offering an ever-changing visual element. This outdoor space is designed for informal discussions and tea breaks, with kadappa stone fins providing privacy and regulating light and ventilation. The studio emphasizes modularity in both its spaces and furniture, allowing for flexible configurations. The rooms are designed with fluidity, capable of functioning independently or as interconnected zones. The entrance features a five-piece, cement-finish lounger, where each modular cube can serve as either a seat or a table. These plywood units are light, movable, and can be arranged in numerous permutations, forming a sculptural and monolithic appearance when linked. Adjacent to the entrance is the main working area, characterized by teak-toned workstations arranged informally to promote circulation, light, and ventilation. A dark, smoky blue wall and old teak windows contribute to an offbeat, quirky atmosphere. This area seamlessly extends into Patil's personal cabin, separated by a fixed glass partition. Patil repurposed a window niche to create library shelves, and his desk is a simple wooden cantilevered structure supported by a truss on the blue wall. The conference room serves as a dedicated space for brainstorming and client meetings. A whimsical painted glass door separates it from the pantry, doubling as a marker board. The room's centerpiece is a table with a white duco top and a stacked frame of thick circular rods, adding a structural edge. The pantry, located behind the conference room, connects back to the courtyard and also functions as a lunchroom and model-making area, highlighting the studio's multifunctional design approach. #ArchitectsStudio #BelgaumArchitecture #BungalowTransformation #HeritageRenovation #ModernOfficeDesign #ModularFurniture #SustainableDesign #InteriorDesign #ArchitecturalRenovation

This article, a "Letter from the Editor" by Hanya Yanagihara, discusses the philosophy of interior design, particularly emphasizing the value of personal expression and individuality over highly polished, decorator-driven aesthetics. Yanagihara describes the continuous process of discovering unique residences for publication in T Magazine, highlighting that while many stories come from traditional sources like publicists and architects, the most captivating ones are often found serendipitously. She recounts a specific instance where an editor, Nick Haramis, researching artist collectives, stumbled upon Espace Aygo. This collective of young art-school graduates transformed a dilapidated Brussels townhouse into a unique living space by designing and crafting almost every element themselves, from a sink fixture made from a pétanque ball to a tub from urethane rubber. The discovery of Espace Aygo is presented as a pivotal moment for the magazine, offering a refreshing contrast to the prevailing trend of overly refined interior design. Yanagihara posits that a truly memorable home is not one that adheres strictly to conventional politeness or current trends but rather one that reflects the distinct vision and hands-on effort of its inhabitants. The Espace Aygo residence exemplifies this philosophy, showcasing that authenticity, imagination, and a personal point of view are more crucial to creating a home than significant financial investment. The article suggests that such spaces celebrate ingenuity and creativity, proving that a home's character is derived from the unique perspectives and personal touches of those who live in it, rather than from external influences or a desire for perfection. This approach challenges the commercialization of taste in design, advocating for a more genuine and lived-in aesthetic. Espace Aygo, despite its unconventional and perhaps 'rougher' aesthetic, is celebrated for its wit and imagination, qualities that Yanagihara argues are fundamental to the essence of a home. The piece implicitly critiques the homogenizing effect of professional decorators, where residents' tastes can be overshadowed by external design mandates. Instead, it champions spaces where the creative process and the individual's journey are evident, fostering a sense of authenticity and a strong identity for the home. The narrative underscores that the magazine actively seeks out and values these types of unconventional and personally crafted living environments, viewing them as more compelling and inspiring than those that strictly adhere to prevailing design norms. The article thus serves as a declaration of T Magazine's editorial stance, emphasizing the importance of unique design narratives that challenge traditional notions of interior perfection. #InteriorDesign #HomeDecor #EspaceAygo #ArtistCollectives #DIYDesign #BrusselsDesign #PersonalExpression #AuthenticHomes

This article highlights 20 distinct residential projects that exemplify the integration of indoor and outdoor living spaces, a highly sought-after feature for homeowners. The concept emphasizes maximizing space for entertainment and relaxation, providing harmonious connections with nature through elements like large windows, sliding glass doors, and open-plan layouts. These designs incorporate ample natural light, greenery, and picturesque views, transcending architectural boundaries across various settings, including modern country houses, chic city apartments, and luxurious beachfront villas. The article serves as an updated compilation of notable indoor-outdoor living designs. The featured homes showcase diverse approaches to this design philosophy. For instance, a Tropical Modernist Miami Home by Strang Design utilizes aluminum louvers and floor-to-ceiling pocket doors to create a fluid indoor-outdoor experience, tailored for a Brazilian family on an oak grove. Daniel Joseph Chenin's cinematic desert dwelling, Fort 137 in the Mojave Desert, draws inspiration from early Vegas settlements, using travertine floors and stucco ceilings to frame views of the arid landscape. In São Paulo, FCstudio's Casa Bento prioritizes outdoor living with a custom garden, firepit, and dipping pool, catering to a couple's desire for entertaining in a subtropical climate. Bobby Niven’s Scriptorium in Scotland, a tiny concrete structure for writer residencies, blends art with the environment, demonstrating how small spaces can also foster a connection to the outdoors. Thomas Melhorn's Florida home, inspired by Wabi-Sabi philosophy, integrates the design with its coastal surroundings, featuring a gently curved roof that mirrors the dunes and materials reflecting the local environment. Further examples include an equine-friendly oasis in Ecuador's Andes Mountains by Gabriel Rivera Arquitectos, which connects the home and stables, making some areas accessible to horses. Cini Boeri's vacation houses in Sardinia, resembling brutalist tents, are perched on a rocky shoreline, showcasing pioneering female architectural design that interacts with the rugged landscape. A serene home by Olson Kundig and Erica Colpitts Interior Design in North Vancouver, British Columbia, reimagines a mid-century structure to embrace the surrounding forest and rural British aesthetic. Hawk & Co.'s California coastal oasis features striking interiors and expansive views, with a design that nods to Napa Valley's rustic-industrial style. Pascali Semerdjian Architects' sustainable home in São Paulo incorporates extensive greenery and carefully curated interiors to reflect the city's modern style and connect with nature. The projects also include sculptural house designs by Standard Architecture in Los Angeles, which blend American vernacular architecture with modern pools and expansive oak interiors. T.K. Chu Design Group’s meditative home in Suzhou, China, integrates with the historic Couple Gardens through expansive windows and biomorphic furnishings. Aidlin Darling Design's soaring home on a Bay Area precipice is resolutely modern yet feels rooted in its rugged setting, designed to offer shelter from harsh elements. Zarysy's lake house in Poland reimagines the cabin aesthetic, drawing inspiration from its natural surroundings with raw materials and green forest hues. Laidlaw Schultz Architects’ Laguna Beach beauty offers contemporary intervention in a 1960s dwelling, maximizing Pacific Ocean views. Andreas Bründler transforms a 19th-century carriage house in Basel, Switzerland, into a family home with plenty of indoor-outdoor living spaces, framing views with a curved buttress and sliding glass walls. Another award-winning high desert retreat by Aidlin Darling Design in Coachella Valley is thoughtfully sited to preserve the boulder-strewn landscape. Abramson Architects and Magni Kalman Design's lush Beverly Hills abode features an expansive courtyard as its central heart. Studiohuerta’s residence in Cabo San Lucas works in concert with elements, using local materials and traditional building strategies for a modern sculptural form. Finally, Dylan Farrell Design's Sydney home renovation boldly stimulates the senses with quirky shapes, colors, and a dining room that opens to the outdoors, creating modern spaces for a young family. #IndoorOutdoorLiving #ResidentialDesign #ArchitecturalInnovation #SustainableDesign #ModernHomes #LuxuryRealEstate #LandscapeIntegration #InteriorDesignTrends #GlobalArchitecture

The eyewear brand KREWE transformed a former food storage warehouse in New Orleans' Lower Garden District into its new global headquarters. This project, spearheaded by KREWE's in-house designers and Olivia Erwin Interiors, aimed to create an adaptable, light-filled space centered around the sun, reflecting the brand's identity. The headquarters features an open floor plan that extends into a courtyard with a pool, serving as both a testing ground for new shade designs and a social club. The SUN_DAYS courtyard was designed in collaboration with hospitality group LeBlanc + Smith, intending to foster a community space for creative individuals in New Orleans. It offers amenities like a heated or chilled pool, wellness classes, and a sauna, and is utilized as a vital part of the company headquarters when not open to the public. The design emphasizes a minimalist aesthetic, built for function rather than preciousness, incorporating workstations from Poppin and Hem, alongside vintage finds. The kitchen areas feature concrete floors, marble counters, and Farrow & Ball's 'Breakfast Room Green' cabinets, with a nostalgic neon sign paying homage to a former Canal Street landmark. Beyond the headquarters, the article also explores KREWE's 1818 Magazine Street store and the gallery apartment above it, located in a historic early 1800s building. The store's interiors, a collaboration with Goodwood New Orleans and Nicole Cota, showcase a green terrazzo bar, custom-framed mirrors, and cypress cabinetry. The gallery apartment, designed by KREWE and Olivia Erwin Interiors, serves as a versatile space for hosting brand friends, dinner parties, or offsite retreats. This apartment signifies KREWE's evolution into a lifestyle brand, emphasizing physical spaces over an increasing number of products. Its entrance and stairway feature Farrow & Ball's 'Setting Plaster' and 'Cuban Heritage' tile, with a Signal Globe pendant from Workstead. The living room includes a vintage Milo Baughman sectional upholstered in pink, a custom coffee table, and a walnut dining table by Studioilse. The kitchen backsplash is pink marble, complemented by dark green fluted cabinets from Goodwood and a custom brass island. The apartment also features mid-century modern furniture, step-through windows leading to wraparound gallery balconies for natural light and indoor-outdoor flow, and outdoor furniture from HAY. A library features a custom sofa with paprika velvet cushions and automotive paint, with walls painted in Benjamin Moore's 'Dakota Shadow' and an Atollo Table Lamp. The bedroom includes a Nordic II Bed from Unison Home, an Ethnicraft 'Spindle' bedside table, a West Elm rug, and walls in Benjamin Moore's 'Winter Orchard'. The adjoining bath is painted in Farrow & Ball’s 'Green Smoke'. #WorkplaceDesign #OfficeInteriors #WarehouseConversion #NewOrleansDesign #EyewearBrand #CommercialArchitecture #InteriorDesign #LifestyleBrand #CommunitySpace

This article presents a curated lookbook showcasing eight distinct home interiors that intentionally feature exposed services such as wires, cables, ducts, and plumbing as a prominent design element. The trend of stripping back interior finishes to reveal the functional infrastructure of a building contributes to an industrial and often unfinished aesthetic, which is highlighted through various projects spanning different geographical locations and design approaches. The featured homes demonstrate diverse interpretations of this design philosophy. For example, the Gale Apartment in Brazil, renovated by Memola Estudio, reveals the concrete structure, piping, wiring, and ductwork, counterbalancing this raw aesthetic with warm, earthy-toned furniture and contemporary art. In Paris, Ariel Claudet's Shakers Studio ingeniously integrates copper pipes not only to conceal electrical cables but also to serve as a hanging rail, drawing inspiration from traditional Shaker peg rails within a 17th-century building. Another Brazilian project, the RF Apartment by SuperLimão, situated in a 1958 modernist building in São Paulo, features exposed pipes painted in a pale blue-green hue to align with the building's original period. The design further incorporates a burnt pink ceiling and peeled-back entryways exposing plaster and brick, enhancing the building's historical character while embracing its utilitarian elements. Auba Studio's NZ10 Apartment in Spain, a conversion of a former bakery in Palma, capitalizes on the building's original structure by exposing high ceilings, bare walls, and ductwork. A stainless steel kitchen island complements the industrial feel established by the visible services. In Barcelona, Takk's 10K House, a 50-square-meter apartment, leaves water pipes and electrical fittings exposed to facilitate free passage between nested rooms and to minimize material costs, emphasizing functionality and efficiency. Wenink Holtkamp Architecten's De Lakfabriek apartments in the Netherlands, a conversion of a 20th-century factory, preserve the industrial essence of the original building. These open-plan apartments feature visible raw concrete, metal ductwork, and wiring, creating a cohesive industrial aesthetic. Similarly, Ab Rogers Design's Fishmarket in Japan, an artist's studio and residence, strips the interior back to its industrial shell. Fluorescent rotating partition walls are introduced, offering vibrant color contrasts against the grey concrete and exposed metal pipework. Lastly, Studio McW's Earthrise Studio in London, transformed from a warehouse, celebrates the building's original features by exposing existing services, which contribute to an industrial look. Redundant overhead services were removed to increase ceiling height, and custom oak joinery was added to introduce warmth, demonstrating a balance between raw industrialism and refined elements. These examples collectively illustrate how exposed services can be purposefully integrated into home interiors, creating unique, characterful spaces that blend industrial aesthetics with contemporary living. #HomeInteriors #ExposedServices #IndustrialDesign #ArchitecturalRenovation #InteriorDesignTrends #BrazilianArchitecture #SpanishArchitecture #DutchArchitecture #JapaneseArchitecture

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

This article celebrates the ninth annual "Design Masters" feature by New Orleans Homes & Lifestyles, highlighting a dozen creative professionals across nine categories in the New Orleans design scene. These masters are recognized for their contributions to various aspects of home and landscape design, showcasing their unique backgrounds, inspirations, and the ways New Orleans influences their work. The Masters of Architecture, Kim Payne Allen and Ben Allen of Studio BKA Architects, both hold degrees from LSU and UT-Austin, respectively. They bring diverse experiences, from large real estate developments in NYC to urban historic renovations, to their practice in New Orleans. They find the city's rich urban framework stimulating for design but acknowledge the complexity of converging voices and ideas. They are inspired by Francis Kéré's work for its simplicity and social message. Amanda Talley, the Master of Textiles and proprietor of Studio Amanda Talley, earned her BA in studio arts and an MFA from Savannah College of Art and Design. She transitioned from working as an assistant at Gerrie Bremermann Designs to establishing her own studio, specializing as an abstract painter. New Orleans' creative culture and everyday experiences provide abundant inspiration, while the weather presents the biggest challenge. Her inspiration comes from Lee Krasner's ideas, particularly the concept of adding beauty to abstract expressionism. Alex Geriner, Master of Furniture Design and founder of Doorman Designs, initially built his own furniture after realizing his dorm room pieces didn't suit his New Orleans apartment. This led him to create a business focused on handcrafted, original furniture using local materials and artisans. The city's colorful vibe inspires unique designs that blend fresh aesthetics with an aged feel, though the humid climate poses a challenge for furniture construction. BDDW, a handmade furniture company, is a significant inspiration for him. Joe Evans and Barney Lighter, Masters of Landscaping from Evans + Lighter Landscape Architecture, established their firm in 2014 with a focus on elegant, sustainable, and regenerative environments that respect historical context. They specialize in integrated stormwater management and ecological systems design. New Orleans offers cultural and ecological richness, but also critical challenges like stormwater flooding and coastal erosion, which add urgency to their work. They draw inspiration from the communities, non-profits, and professionals they collaborate with. Katie Logan Leblanc and Jensen Killen, Masters of Interior Design from Logan Killen Interiors, are long-time friends who met in Baton Rouge and studied Interior Design at LSU. After a decade in architecture and production design, they founded their firm in 2012, later opening Sunday Shop. New Orleans serves as a constant source of inspiration due to its architecture and eccentric residents, allowing for creative freedom. However, specific architectural features like shotgun layouts and high ceilings present unique design considerations. They are inspired by designers such as Ilse Crawford, Studio Ashby, Nickey Kehoe, and Kelly Wearstler for their diverse approaches to design. Prisca Weems, Master of Green Design at FutureProof, has a background bridging architecture and science, exploring the interplay between built and natural environments. Having made New Orleans her home, she emphasizes the city's role as a leader in climate adaptation. The challenges presented by New Orleans' environment have expanded her work from green building to urban water infrastructure and international coastal community design. Her inspiration comes from individuals who envision and act on future possibilities, including local figures like Robert Tannen, Oliver Houck, David Waggonner, Robert Miller, and John Barry. Maria Barcelona, Master of Kitchen Design from Maria Bar, co-founded her firm in 2000 with Paul Dodson. Their collaboration combines her artistic vision with his detailed technical approach. New Orleans' rich architectural history is a constant inspiration, though they find the scarcity of local design resources challenging. They are currently inspired by Aviva Stanoff's ability to transform natural materials into luxurious textiles and home accents. Whitney Jones, Master of Home Accents and founder of Whitney J Décor, initially pursued physical therapy before realizing her passion for a creative field, leading her to interior design. She runs her firm as the principal designer, with an assistant managing projects and sales for her online shop. She finds unique homes and architecture in New Orleans inspiring for her design projects, but desires a wider variety of local showrooms. Kelly Wearstler is her greatest inspiration for her glamorous, boundary-pushing design style. Renee Lejeune Laborde, Master of Drapery, is a New Orleans native who studied Interior Design at LSU. She self-taught drapery making, which evolved into her sole proprietorship. New Orleanians' pride in their homes and the city's architecture with high ceilings and tall windows create a constant demand for custom draperies, offering a steady flow of work. Her inspiration comes from Ann Dupuy, who was known for her neutral palettes, mixing modern and antique elements, and beautiful curtains in her designs. #DesignMasters #NewOrleansDesign #Architecture #InteriorDesign #LandscapeArchitecture #FurnitureDesign #TextileArt #GreenDesign #HomeAccents #Drapery

This article highlights ten unique and inspiring interior design features observed in various Singaporean homes, drawing examples from a YouTube series. It demonstrates how homeowners have incorporated distinct elements to personalize their living spaces, ranging from HDB flats to penthouses and landed properties. The first design explored is a walk-up apartment featuring a pottery studio within the living area and a sizeable balcony transformed into an outdoor hangout spot. This setup challenges conventional dining room usage in Singaporean homes and encourages dedicated spaces for hobbies, even in urban environments. Following this, the article examines a "greenhouse" dining room in an older 1970s unit, showcasing how to leverage elongated layouts to create visual connections with a garden and maintain sunlit, yet cool, interiors by working with the climate rather than against it. This design also highlights a creative use of partitions as visual features rather than complete flow blockers. The third feature discusses an HDB flat where a balcony has been converted into a sky garden with movable glass panels, effectively expanding the living space and demonstrating the potential for sophisticated design even in public housing. This contrasts with a penthouse featuring a playful "treehouse" loft, complete with skylights and an accessible roof area for relaxation and dining, emphasizing the concept of a penthouse as an appended house rather than just an upper-floor unit. Next, the article delves into an Indochine-inspired living room that masterfully employs different tiles to subtly demarcate areas without relying on walls, preserving spaciousness and natural ventilation. This design underscores the importance of historical understanding when executing themed interiors. Another outdoor design, a Zen garden in a terrace house, is presented as an alternative to traditional potted plant arrangements, offering a rustic and natural feel in shaded areas, contrasting with the common practice of creating indoor Zen spaces. The seventh design marvel is a second-story lap pool with an underwater window, suggesting a unique architectural element that adds visual interest both to the pool and the room below, with potential applications for aquatic enthusiasts. This emphasizes an organic approach to pool design, integrating it more seamlessly with the surrounding environment. An unconventional ramp around the exterior of a bungalow is featured, created to provide children with ample play space on a smaller outdoor plot, thereby making the most of limited outdoor areas and offering a dynamic, multi-level play environment. This innovative solution provides an alternative to conventional grassy play areas. The penultimate design is a split-coloured kitchen, which embraces individuality by using contrasting color palettes to create a visually dynamic space that appears different from various angles, avoiding uniformity without expensive gimmicks. This kitchen also features a rounded island that softens the room's overall aesthetic. Finally, an HDB flat owned by an architect showcases an entryway carved out to serve as a balcony, bringing a touch of landed living to an apartment. This feature, combined with an industrial-themed interior and street art collection, illustrates how extensive personalization can be achieved in public housing for long-term residents. The article concludes by encouraging readers to explore more design ideas and property reviews for inspiration. #InteriorDesign #HomeTours #SingaporeProperty #ArchitecturalInnovation #SpaceUtilization #CondoDesign #HDBDesign #LandedHomes #HomeDecorIdeas

Indonesia's contemporary architecture is a rich blend of historical influences, including Dutch colonial, Hindu, Buddhist, and Islamic traditions, alongside its deeply rooted vernacular building practices and modern design trends. These diverse sources have been skillfully adapted to suit the country's tropical climate and abundant natural landscape. Over the past several decades, Indonesia has emerged as a hub for impressive developments in tropical modernist architecture. This style frequently incorporates local materials such as stone, concrete, and wood, reinterpreting traditional building forms and planning principles through a modern lens. The country has also been a fertile ground for sustainable architectural experiments, particularly in bamboo and mud construction. Notable examples include the Arc by IBUKU at Green School, Bali, and Realrich Architecture Workshop’s Piyandeling project. These structures, characterized by spectacular, intricate shell-forms and large-scale cascading vaults, are setting new benchmarks for low-tech sustainable architecture. Such approaches are crucial in addressing global architectural challenges, particularly those related to climate change. This article showcases seven groundbreaking projects from Indonesia, spanning various architectural typologies, to illustrate the multifaceted identity of its contemporary architecture. The YD House by Isso Architects in Jakarta exemplifies meticulous attention to detail and minimal aesthetics. Built on a compact 87 sqm plot, this concrete and brick residence integrates a distinctive “half-moon” motif, creating an uncluttered, homely atmosphere for a young professional couple. The design prioritizes natural light and functionality, employing a soothing palette of cream walls and wooden accents to achieve a harmonious yet understated living space. Casa Nomada Bali, designed and owned by Erika Calle Crespo and Marco Haberberger, is a 3,000 sq ft Mediterranean-style villa near Berawa beach. Primarily used for luxury fashion and lifestyle content creation, it features two bedrooms with en-suite bathrooms, an open-plan kitchen and dining area with a mezzanine, two rooftop terraces, and a large outdoor pool. The villa’s design consistently maintains a Mediterranean aesthetic throughout, with the outdoor pool area being a particular highlight. K-Thengono Design Studio’s Rice Barn House in Bintaro, Tangarang, reinterprets the traditional _lumbung padi_ (rice barn) typology. This three-story residence, topped with a trapezoidal pyramid roof, blends traditional construction principles with contemporary materials like stone, wood, and concrete. The design emphasizes passive cooling, natural light, and local materials, offering an innovative residential solution tailored to modern lifestyles while respecting its tropical context. Dukuh Haus, or “Hamlet,” by Maximilian Eicke in Bali, serves as the furniture and product designer's personal residence and a “living research and development lab.” Developed during the pandemic, the property comprises a main house and a guest house with contrasting styles. The angular, dark-shingled main house features Eicke's bespoke furniture and fittings, while the white guesthouse presents a minimalist concrete and glass aesthetic. An austere pool pavilion draws inspiration from Javanese Joglo structures, uniting diverse forms into a cohesive and stylish ensemble of steel, teak, and marble. Birdhouses by Alexis Dornier in Ubud, Bali, are elevated structures that appear to float above the rainforest. This project, conceived by a group of friends, includes a guest house, studio, and main house, all connected by a shared pool and fluid walkways within a thoughtful landscape design. The architectural language is tropical modernist, incorporating natural tones of wood and raw concrete, while the pivoting floor plans create adaptable, multifunctional spaces. Finally, WYAH Art and Creative Space by PSA Studio in Ubud is a multifunctional artists' retreat composed of suspended, cocoon-like pods. The design respects the land's contours, incorporating trees within the space to foster a deeper connection with nature. Pipe columns support the pods, lifting them off the ground and creating additional seating areas below. The structures avoid hard edges, featuring rounded, polygon-shaped lookout decks in timber and cascaded roofs covered in _sirap_ (ironwood). Clan Living – The Founder by Ruang Nyaman, also in Ubud, aims to integrate work and vacation for digital nomads. This micro-living space utilizes Balinese architectural language and innovative bamboo construction. An existing building was renovated, and a linear pool divides the site. The communal space on the north side, spanning two levels, is characterized by a massive bamboo roof. The main accommodation unit on the other side, a three-level structure, features a grid envelope with bamboo arches and hanging nets, giving it a distinct vernacular façade. These projects collectively demonstrate the dynamic and inventive spirit of Indonesian architecture in 2022. #ContemporaryArchitecture #IndonesianArchitecture #TropicalModernism #SustainableArchitecture #BambooArchitecture #ResidentialDesign #MinimalArchitecture #BalineseArchitecture #ArchitecturalInnovation