
Story from Chariho Furniture: Traditional and classic furniture makes a comeback
The article highlights the resurgence of traditional and classic furniture in home decor, driven by a desire for comfort, durability, and timeless design, especially in the wake of increased time spent at home due to the pandemic. Stephanie Smith, co-owner and COO of Chariho Furniture, notes that the shift is partly due to people re-evaluating their living spaces and seeking out pieces that are built to last and can be passed down through generations. Traditional furniture is characterized by well-made, durable pieces with classic shapes and designs, such as Queen Anne style legs, rolled arms, and deep cherry or mahogany woods, which offer a sense of coziness and history. This contrasts with contemporary furniture, known for its clean lines and lighter woods.
Smith, holding certifications in Furniture Product Knowledge and Interior Design, explains that while contemporary Mid-Century Modern furniture has its roots in the 1940s, traditional and classic styles span centuries. She emphasizes that these styles are not mutually exclusive and can be effectively mixed, allowing homeowners to blend classic elements like Queen Anne highboys with more contemporary pieces. The pandemic has significantly influenced this trend, leading individuals to prioritize comfort and longevity over transient modern styles. Even in home offices, there's a move away from sleek, modern designs towards more substantial, traditional desks and accent chairs, providing a homier and more robust feel.
The article also touches on generational differences in furniture preferences. While millennials might have historically favored modern aesthetics, Generation Z shows a growing interest in eco-friendly and sustainable options, often found in traditional, pre-owned pieces from family, flea markets, or antique stores. This aligns with a conscious effort to reduce waste and appreciate the history embedded in furniture. Chariho Furniture offers a variety of traditional wood species, including cherry, oak, and walnut, noting that cherry, in particular, maintains its timeless appeal across various furniture types. Mahogany and walnut are also popular choices for their dark, rich tones.
Upholstery for traditional and classic furniture typically features neutral colors like gold, beige, and brown, though jewel tones such as emerald green, sapphire blue, ruby red, and amethyst purple are gaining popularity for adding a touch of bold elegance to traditional frames. Smith advises that while there are some guidelines, mixing traditional with modern elements can be done successfully, creating an eclectic and personalized space. She points to transitional styles that combine traditional silhouettes with modern twists, such as a skirted sofa with flared arms.
Chariho Furniture's Millcraft Amish line is highlighted for its blend of traditional and contemporary options, offering classic designs like Queen Elizabeth and Victoria styles, along with Windsor beds, which are becoming harder to find elsewhere. Smith underscores that traditional classic furniture is renowned for its durability and proper construction, citing the Windsor chair as an example of historical craftsmanship. These chairs, originally used in various public and private settings, were built with multiple wood species and specific techniques like steam bending and scoop seats, ensuring their longevity. Chariho Furniture, a family-owned business in Richmond, Rhode Island, emphasizes American-made, solid wood furniture and offers expert design services to help customers find or custom-design pieces that fit their aesthetic and functional needs within their 25,000-square-foot showroom.
#TraditionalFurniture #ClassicFurniture #HomeDecorTrends #InteriorDesign #FurnitureLongevity #SustainableFurniture #CharihoFurniture #HomeFurnishings #TraditionalFurniture #ClassicFurniture #HomeDecorTrends #InteriorDesign #FurnitureLongevity #SustainableFurniture #CharihoFurniture #HomeFurnishings
0 comment in total
No comments yetYou may also like
































































