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Dan Brunn Renovates Frank Gehry’s Very First House
The article details the renovation of Frank Gehry's first house, originally built in 1974, by Dan Brunn Architecture for artist James Jean and his wife Chihiro Torikai. The property, located in Los Angeles, holds significant architectural provenance, being Gehry's initial residential project before his more renowned deconstructivist works. Despite Gehry's original involvement, many of his design details for this particular house went unbuilt, leaving it as a relatively blank canvas for the subsequent renovation.
James Jean, a celebrated commercial and fine artist known for his work with Prada, sought a living space that would integrate his artistic practice with his family life, desiring a home studio rather than a separate workspace. He gave architect Dan Brunn significant creative freedom, having developed a friendship after meeting at a street-art festival in Hawaii. Brunn's approach honored Gehry's legacy while infusing the home with contemporary design elements and personal touches reflective of Jean's artistic style.
Brunn acknowledged Gehry's original design at the recessed entry, cladding it with overlapping copper panels that subtly reference Gehry's signature fish-scale motif. Inside, Brunn focused on transforming the space, starting with a central staircase. This staircase, crafted from 2-by-8-inch solid walnut planks of varying lengths, features a dual geometry: a crisp crease line combined with a subtle curve. This curved element subtly alludes to the fluid and lyrical forms characteristic of Jean's drawings and paintings.
The staircase is not merely a vertical connector; it also defines the horizontal flow of the ground level, compressing the space between the foyer and the main living, dining, and studio areas. A significant design feature is a 12-foot-wide pivoting plasterboard partition. When open, it allows the living area to connect directly with the library. When closed, it converts the library into guest quarters, demonstrating a versatile use of space.
Adjacent to the library-bedroom, an alcove was designed as a contemplative retreat. This open-sided box, constructed from canted walnut planes, is inspired by Japanese teahouses. Sliding glass doors allow this volume to merge with the meticulously landscaped garden, which features bamboo, ginkgos, and Japanese maples, creating an atmosphere of absolute zen.
Lighting throughout the ground level is designed to be diffuse, providing a shadow-free environment ideal for photography and everyday living. At night, LEDs ringing the alcove's walnut box offer programmable color cycles, controlled by a handheld remote, serving as an homage to light artist James Turrell. This multi-layered approach to lighting underscores Brunn's nuanced take on minimalism.
For furnishings, Brunn selected a mix of modern and contemporary design icons. The library features classic Eames swivel armchairs and ottomans. The dining area includes a slimmed-down Parsons table by Bertjan Pot, surrounded by Jonathan Prestwich side chairs and Diez Office armchairs. In the living area, an Antonio Citterio pale gray sectional is paired with Jean Prouvé black sling chairs, gathered around a custom cocktail table made of reclaimed Douglas fir, detailed with turquoise inlays and copper staples.
Upstairs, Brunn made a significant decision to reduce the total square footage to 3,600 by removing a bedroom. This sacrifice created private outdoor space, a glass-walled pocket terrace for the master suite. This solution unexpectedly echoed Gehry's original plans for the same spot, which had envisioned a greenhouse. The project team included Aras Burak from Dan Brunn Architecture, structural engineer Chris Salas, CBM Woodworks and Woodmaster Kitchen & Bath for woodwork, KR Welding for metalwork, and RealCo Creations as the general contractor.
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