Daniel Arsham’s modernist home informs his domestic installation in Miami

Shutterstock founder Jon Oringer and his wife Talia embarked on a search for a home in Miami Beach that would align with their vision of a welcoming oasis, distinct from the prevailing aesthetic characterized by aggressive geometrics and glossy surfaces. Their quest led them to a property overlooking Biscayne Bay, which, despite requiring significant renovation, offered an exceptional location and views. To transform this property into their dream home, they enlisted the expertise of AD100 interior designer Kelly Behun, who had previously worked on their Bridgehampton residence. Behun is recognized for her ability to create interiors that blend fanciful elements with refined sophistication, resulting in spaces that are both imaginative and serene. The home’s architectural transformation was initiated by Blaze Makoid of BMA Architects, who softened the exterior’s angularity with bronze and wood accents and introduced a sculptural staircase to enhance the interior’s dynamism. This established a visual language emphasizing fluidity and warmth, a quality the homeowners desired. Behun further collaborated with To Better Days Building, another AD PRO Directory firm, to realize the couple's vision. Within this architectural framework, Behun curated a vibrant collection of pieces from a global network of artisans, combining them with striking art and vintage items. Each room's design is often anchored by a central element, such as a unique lighting fixture or a captivating artwork, which harmonizes the color, pattern, and scale. Contemporary materials like white oak, plush fabrics, and muted metals are employed in sculptural forms, grounding the whimsical elements in an atmosphere of elegance and luxury. The entryway, for instance, features a custom stained glass light fixture by Greek artist Kostas Lambridis, whose design reflects the client's personal narrative. This piece hangs above a Mimi table by Garcé & Dimofski, complemented by Martino Gamper circus stools and a woven chair from Space Available Studio, all echoing the fixture's colors. Similarly, a stained glass fixture by Maarten de Ceulaer commands attention in the dining room, balancing a substantial table by Yabu Pushelberg. In the double-height library, four ceiling pendants by Bennet Schlesinger, inspired by cumulus clouds, playfully disrupt the room's formal upholstered seating arrangements. The lounge is enlivened by a cut-paper collage of dancing women by Heidi Lanino, set against curvaceous furniture by designers like Achille Salvagni and Chris Wolston. For the children’s playroom, a Nuage fixture by Wout Wessemius creates an ethereal ambiance. Beyond individual pieces, foliage plays a crucial role in animating the spaces. Large Alocasia Calidora leaves at the second-floor atrium window add drama to the primary bedroom. Landscape architect Raymond Jungles collaborated on the home's vegetation, including an immense American oil palm at the entryway that helps scale down the property, contributing to a relaxed and comfortable atmosphere despite its grandeur. The overall design achieves a ravishing and rejuvenating effect, perceived as both sublime and sensual by the homeowners. Jon Oringer praised Behun’s capacity to translate their identity into the living space, affirming that the designer successfully delivered a home that is uniquely theirs. #HomeDesign #InteriorDesign #LuxuryHomes #MiamiArchitecture #ContemporaryDesign #CustomFurniture #ArtCollection #LandscapeDesign #ArchitecturalDigest

The article offers a detailed look into the Atlanta home of interior designer Whitney Durham, owner and lead designer of Whitney Durham Interiors, and her husband Nathan Durham. Purchased in 2013, the 1932 cottage-style home, measuring 3,800 square feet with four bedrooms and three bathrooms, has undergone several updates to reflect Whitney's evolving design aesthetic while retaining its original charm. The Durhams initially bought the property with existing additions, such as an owner’s suite, an expanded kitchen, and a screened-in porch, which they later enclosed in 2016 to create a sunroom. In early 2020, a pool and cabana were added to the backyard, enhancing the outdoor living space. Whitney's design philosophy centers on injecting color, mixing old and new, and combining high-end and budget-friendly pieces to create a curated, joyful atmosphere. This is evident throughout the home. For instance, the foyer features an antique Turkish rug and an abstract painting by Michelle Armas, complementing the home's original Gothic blue front door. The living room showcases new sofas from Ellenburg Chair Company alongside antique mirrors and a vintage zebra hide, while an abstract painting by Elaine Burge and a two-tier chandelier by Aerin from Circa Lighting serve as focal points. The formal dining room was converted into a sitting room, furnished with custom swivel tub chairs, a vintage Lucite chandelier, art by Renee Bouchon, and a large abstract painting by Whitney herself. This space also incorporates Schumacher fabric for window treatments and Moroccan ottomans from B.D. Jeffries. The guest suite, which was the original owner’s suite, features bold coral walls with Hale Navy accents, beds from SWOOX Curated Consignment, a vintage dresser, and art by Teil Duncan and Christina Baker. The sunroom, created from the enclosed porch, provides a family gathering space with a custom sectional, swivel chairs, layered rugs, and an open connection to the kitchen. The kitchen itself has been updated with white quartz countertops on the island, a classic white subway tile backsplash, and vintage Turkish runners. Lighting fixtures by Sean Lavin and art by Elaine Burge further enhance the space. The owner’s suite is characterized by high ceilings, a collection of art, an antique canopy bed, and lamps made from vessels passed down from Whitney's grandmother. The children's bedroom features custom headboards, bedding from Serena & Lily and Ballard Designs, and monogrammed pillows, while their shared bathroom includes new mirrors, shiplap, and a whimsical cowboy painting by Elaine Burge. The playroom offers ample seating with a custom sofa and leather club chairs, adorned with their sons' artwork. The article highlights the collaborative effort in the home’s renovation, with landscape architect Graham Pittman working on the backyard. Whitney emphasizes that a home should be a source of happiness, filled with meaningful and carefully chosen pieces, reflecting her consistent approach to interior design. #InteriorDesign #HomeDecor #AtlantaHomes #WhitneyDurhamInteriors #HomeRenovation #CottageStyle #EclecticDesign #ArtCollection #FamilyHome

The Armadale Residence, situated in the inner-city Melbourne suburb of Armadale, represents a harmonious blend of minimalist design and subtle glamour. This family home is the product of a collaborative effort between two distinguished Australian design studios: Conrad Architects, responsible for the architectural framework, and Mim Design, which masterminded the interior aesthetics. The project's core philosophy was to create an elegant yet comfortable home with generous proportions, fitting its prestigious location, by emphasizing timeless design, tactile materials, and overall quality. Conrad Architects responded to the client's brief by designing a structure that incorporates classical proportions and manipulates open and opaque surfaces to establish an elegant rhythm across the façades. A notable architectural feature is the frontage's limestone colonnade, which provides a visually striking grid, accentuates verticality, and defines the home's external appearance. This colonnade also ingeniously integrates various details, such as bronze French doors, balustrades, planter boxes, and louvred screens, adding to the architectural richness. Inside the residence, a predominant sense of calm and understated luxury prevails. Mim Design implemented clean lines and surfaces, which are softened by carefully selected fabrics, such as ethereal curtains that adorn the living spaces. Key features like a sculptural, curved staircase serve as focal points. The interior layout efficiently manages open-plan areas, with different zones delineated through graphic elements, including partitions and joinery, ensuring both flow and functional separation. The circulation spine within the residence is linear, directly connecting the front and rear of the house and facilitating a clear distinction between public and private domains. The open-plan kitchen, living, and dining areas are designed as light-filled and luxurious spaces, offering framed views of a meticulously maintained garden. The material palette for the interiors includes chevron timber flooring, polished plaster walls, cloudy Versilia marble, rich timber joinery, and gunmetal tapware, all contributing to the sophisticated yet warm atmosphere. The outdoor spaces and planting were expertly conceived by Paul Bangay Garden Design, ensuring a seamless integration of the home with its natural surroundings. The combined efforts of Conrad Architects and Mim Design in weaving together the architecture and interiors result in a residence that feels both majestic and refined, while simultaneously being warm, comfortable, and highly functional for everyday family life. This thoughtful collaboration underscores a commitment to creating a home that is visually stunning, enduring, and perfectly tailored to its inhabitants' needs. #ArmadaleResidence #ConradArchitects #MimDesign #MelbourneArchitecture #MinimalistDesign #LuxuryInteriors #TimelessDesign #AustralianDesign #ResidentialArchitecture

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

Kohler, a company known for its high-quality design, has partnered with New York-based contemporary artist Daniel Arsham to create an immersive luxury lifestyle experience. This collaboration, titled "Arsham in Kohler," integrates Arsham's distinctive artistic vision with Kohler's design heritage, offering a fresh perspective on luxury living and resort experiences. The partnership encompasses several key elements, including six large-scale sculptures displayed across the Kohler resort property, a bespoke luxury guest cabin overlooking Lake Michigan, and a specially designed bathroom collection named "Landshapes." The centerpiece of this collaboration is the Arsham Cabin, part of the Kohler Cabin Collection, which functions as a private luxury retreat. Guests staying at the cabin can fully immerse themselves in Arsham’s artistic world, with his art and design principles seamlessly integrated throughout the space. Conveniently located a short drive from the American Club resort-hotel and in proximity to the renowned Whistling Straits golf course, the cabin is designed to accommodate four guests. It features two bedrooms, two bathrooms, a comfortable living area, and a fully equipped kitchen. Thoughtful amenities enhance the guest experience, such as a stocked pantry filled with Arsham’s preferred items, a cozy wood-burning fireplace, and a wrap-around porch that provides expansive views of the lake and a serene zen garden. Beyond just accommodation, the Arsham Cabin offers a comprehensive experience, granting guests access to the resort's extensive amenities. These include the Sports Core Health & Racquet Club and the River Wildlife wilderness preserve, which offers a range of outdoor activities like hiking and fishing. This unique combination of art, nature, and luxury creates an unparalleled environment for guests. Arsham's "Landshapes" collection for Kohler, prominently featured within the cabin, draws inspiration from natural forms. The designs incorporate Arsham's signature artistic motifs, such as elements that suggest water droplets and chiseled textures. The collection includes a hand-carved freestanding tub and distinctively designed vanities, both reflecting Arsham's travels to Japan and Japanese chinoiserie aesthetics. Further pieces in the "Landshapes" collection include a vessel sink, which evolved from Arsham’s previous "Rock.01" sink creation, and glass faucet handles designed to mimic the appearance of water droplets. Additionally, the collection features Kohler’s Veil Smart toilet, whose design evokes natural erosion, a characteristic style of Arsham’s work, alongside organically shaped mirrors and lighting fixtures. The "Landshapes" collection is anticipated to be available for commercial purchase later in the year. The Kohler resort property is also home to six of Arsham’s large-scale public sculptures, strategically positioned to encourage visitors to explore and reflect. These installations are spread across Destination Kohler’s grounds, including its golf courses and resort areas. The sculptures on display include "Bronze Eroded Leica Camera," "Bronze Eroded Porsche 911," "Pokemon and Trainer," "Amalgamized head of Hermes of Olympia," an unearthed head of Melpomene, and a "Bronze Eroded Venus de Milo." These sculptures are intended to provoke discussion and encourage viewers to perceive golf and its surrounding landscape from a new artistic perspective. Arsham notes that incorporating his sculptures into the golf landscape aims to foster conversations about creative expression within golf, highlighting the inherent artistic, architectural, and sculptural qualities of the game. The collaboration seeks to create an atmosphere where unexpected wonders appear, offering moments of surprise and inviting guests and the community to engage with the environment from a fresh viewpoint. In addition to the cabin, the bathroom collection, and the sculpture installations, Arsham also collaborated with Stephen Malbon on a merchandise collection for the lifestyle golf apparel brand Malbon, all forming part of the comprehensive "Arsham in Kohler" project. #Kohler #DanielArsham #LuxuryDesign #ArtInstallation #HomeDecor #InteriorDesign #ResortExperience #ModernArt #ArchitecturalDesign

Brillhart Architecture, a South Florida-based firm founded by Jacob and Mellisa Brillhart, has established itself as an expert in local building traditions, specifically within the Tropical Modernism movement. The firm emphasizes integrating the surrounding landscape into its designs and creating spaces that evoke emotional responses from occupants. A prime example of their work is the Brillhart House, the duo's private residence, which embodies a "back-to-the-basics approach." The design was guided by four core questions: necessity, minimizing environmental impact, respecting neighborhood context, and buildability, challenging the prevailing culture of large-scale construction. The Brillhart House seamlessly integrates into the lush Florida landscape, surrounded by palm trees and southern foliage, exuding a serene and idyllic atmosphere. Reflecting traditional Floridian building types, it fosters a strong connection between indoor and outdoor spaces. The design pays tribute to a "forgotten American Vernacular," blending Florida's postwar architectural heritage with elements like French doors and louvered window walls, giving it a distinctive Floridian character. The home's construction draws inspiration from Florida Crack Architecture, a regional style characterized by wood-frame construction, raised floors, central straight hallways, and wide verandas. Given Florida's humid climate, these traditional architectural elements facilitate passive heating and cooling. The 1500-square-foot residence exemplifies this approach, promoting a fluid transition between interior and exterior areas. The interior layout, consistent with "shotgun" or "dogtrot" style hallways, allows for a continuous flow from front to back. The architects deliberately moved away from conventional concrete-only construction, opting instead for a steel and glass superstructure. This choice resulted in reduced material waste, simplified assembly, and decreased construction costs and time. Furthermore, the use of steel and glass enhances cross ventilation, fostering a heightened sense of living in harmony with the natural landscape. The Brillhart House serves as a testament to the firm's commitment to thoughtful design that respects regional architectural history, embraces environmental consciousness, and creates evocative living spaces. #Miami #Florida #Residential #BrillhartArchitecture #SpotlightOnMiami #Landscape #Projects #VernacularArchitecture #TropicalModernism

Jessica Davis, founder of Atelier Davis and creative director of Nest Studio, shares her current design inspirations, which are heavily influenced by Miami's oceanside landscape and Art Deco architecture. Her approach blends sophistication with a playful whimsy, seeking a balance between intriguing elements and lighthearted touches. Davis draws specific inspiration from the pattern play found in Streamline Moderne buildings and the nautical motifs prevalent during the heyday of steamships. Her color palette, while acknowledging Miami's perpetually warm climate, incorporates grounding browns and moody blues to provide a sense of escape and depth. She describes these as "complex browns with purple or red undertones" and "inky tones that remind me of the turbulent ocean," ensuring they remain interesting despite their moodiness. To offset these deeper hues, she integrates naval-style elements, such as ropelike cord and hardware featuring porthole designs. This circular motif is subtly echoed in her choices of embroidered fabric and printed wallpaper, creating a cohesive visual theme. Davis highlights several specific items that embody her current aesthetic. For textiles, she selects Zak+Fox's Temari fabric for its Japanese-inspired feel and subtle yet provocative colors. Maharam's Firma fabric is chosen for its durability and intriguing weave, mixing blue and purple in a textural wool. The Kettlewell Collection's Vera fabric, a large-scale cotton patchwork, appeals to her for its compelling nature, while Knoll Textiles' Cato fabric in green provides an impactful and unexpected pop of chartreuse. Larsen at Cowtan & Tout's Tanago fabric in ivory is favored for its nubby, nautical texture and durability. In terms of hard surfaces and architectural elements, Davis is enthusiastic about Townsend Harbor Brown paint by Benjamin Moore, appreciating its rich, complex brown tones. She expresses a particular interest in sophisticated glass blocks, specifically the Thickset 90 Endura Glass Block by Seves Glass Block, moving beyond standard wavy 1980s styles. Adelphi Paper Hangings’ Viennese Trees wallpaper, a 1920s pattern, is admired for its blend of architectural and organic Art Deco aesthetics. For stone, she opts for Rosso Luana marble by ABC Stone, seeking a dark and moody, high-impact stone with significant movement, departing from white-background marbles. Custom metal samples with cooler finishes are also incorporated to add to a project's distinctiveness. Her own Nest Studio Aperture handle in waxed white oak is chosen for its integral yet interesting linear and minimal design, suitable for wood cabinets. The Shade Store’s Waterfall woven wood shade in Sienna Almond is included to introduce texture and soften interiors dominated by hard surfaces. A custom textured rug by Marc Phillips, made of wool, serves as a sophisticated yet durable base layer. Finally, nylon cord in gold and blue from Knot & Rope Supply offers a fun element for custom furnishings, and Bilbao tile by Bert & May provides a patterned, muted, and weathered floor option that feels both historic and contemporary. #InteriorDesign #JessicaDavis #AtelierDavis #NestStudio #MiamiInspired #ArtDeco #StreamlineModerne #MaterialSelection #ColorPalette

This article features an interview with Daniel Arsham, a Miami-raised, New York-based artist known for his large-scale installations that manipulate perceptions of space and architecture. Arsham's artistic journey began at Cooper Union, where he met architect Alex Mustonen, leading to the formation of Snarkitecture in 2008. Snarkitecture is a collaborative practice that blends art and architecture, recognized for its inflated scale and monochrome aesthetics, with projects including KITH boutiques and flagship stores for brands like Valextra and COS. Alongside Snarkitecture, Arsham maintains an individual art practice focused on structural experiments, often featuring crumbling walls and decaying cultural artifacts, challenging conventional architectural norms. Arsham's 2018 solo exhibition, “3018,” at Galerie Perrotin in New York, showcased pop culture icons, such as the Delorean from *Back to the Future* and the Ferrari from *Ferris Bueller’s Day Off*, rendered in materials like crystal, volcanic ash, pyrite crystal, selenite, and quartz, appearing where mechanical components would typically be. These works illustrate his exploration of a dystopian future where contemporary culture undergoes erosion. The year 2018 was particularly eventful for Arsham, encompassing “3018,” Snarkitecture’s retrospective “Fun House” at the National Building Museum, the release of Snarkitecture’s monograph, his own upcoming book through Rizzoli, and an exclusive sneaker design for Adidas. In the interview, Arsham discusses how his upbringing in Miami, a city built on a swamp with a fabricated sense of fantasy, influenced his artistic sensibilities. He elaborates on his fictional archaeological works, which involve degrading contemporary objects to appear ancient, emphasizing the importance of materials in conveying his concepts, such as using crystal to suggest a geological timeframe. Arsham reflects on 2018 as a year of introspection, with his Rizzoli book covering two decades of his work, tracing back to his thesis exhibition at Cooper Union, where he first used architecture as a medium for manipulation to create unsettling, uncanny spaces. He identifies stage design, particularly his work with choreographer Merce Cunningham, as one of his most exciting and challenging commissions. This experience, despite his lack of formal training in dance or theater, profoundly impacted his practice by teaching him to translate sculptural methods to a stage environment with fixed audiences and crucial lighting. The discussion also delves into the origins of Snarkitecture, which arose from Arsham's need for architectural expertise to execute larger-scale public art pieces, leading to a partnership with Alex Mustonen. Their collaboration thrives on the interplay between Arsham's chaotic, experimental artistic approach and Mustonen's ordered, precise architectural background, embodying an ethos that balances precision with chaos. Arsham shares a key business lesson: recognizing failure as a vital tool for learning and avoiding repetition. He cites Hurricane Andrew's devastation of his Miami home 24 years prior as a pivotal experience that shaped his understanding of architecture in flux, decay, and rebuilding, significantly influencing both his personal art and Snarkitecture's work. Ultimately, Arsham finds the best aspect of his profession to be the freedom inherent in not having a conventional "job." #DanielArsham #Snarkitecture #ArtAndArchitecture #ContemporaryArt #Sculpture #ArchitecturalInstallation #Exhibition #Materiality #DesignProcess #CollaborativePractice

Max Strang, founding principal of Strang Design, along with partners Alexandra Mangimelli and Elizabeth Starr, crafted a unique Miami home for a Brazilian family, diverging from typical South Beach aesthetics. Situated on a 1.5-acre oak grove, 20 minutes from downtown, the residence integrates the family's heritage through its design, materials, and landscaping. The original house on the property was demolished to allow for a new construction that seamlessly blends with its natural environment. Strang Design specializes in contextualizing homes using natural materials, avoiding a 'plain white box' approach. For this project, this philosophy resulted in an earthy color palette and strategic placement of plant life and the structure itself, creating a harmonious relationship between the building and the landscape. The design team carefully sited the house to work with existing oak and gumbo limbo trees. Planters wrapping the second-floor exterior, supplemented by aluminum privacy louvers that act as trellises, will eventually allow vines to partially envelop the facades. The project embodies Strang Design’s 'environmental modernism' fused with Brazilian tropical modernism. An H-shaped footprint allows abundant light to penetrate all corners of the home. Many rooms feature floor-to-ceiling glass pocket doors that open onto a pool, fostering a fluid indoor-outdoor connection while maintaining privacy. The design also addresses Miami's hot climate with generous shade and an open layout that facilitates breezes. The openness accommodates the clients' entertaining lifestyle, with various seating areas and smooth circulation between indoor and outdoor spaces, including a patio-adjacent club room with an exhaust system for cigar smoke. The furnishings reflect the owners' journey and heritage, featuring midcentury pieces by designers like Jorge Zalszupin and Jean Gillon, who relocated to Brazil and were known for their use of local materials and traditional techniques. Sergio Rodrigues, often called the father of Brazilian furniture design, also contributes pieces that complement the country's tropical climate and relaxed lifestyle. While the dominant palette is earth-toned with travertine flooring and extensive teak paneling, vibrant splashes of color come from the homeowners' international art collection. Works by Elias Sime, Janaina Tschäpe, and Amir Nikravan are thoughtfully integrated, with one piece, Sime's 'Tightrope: I Want to Slow Down and Think,' finding a serendipitous placement in a secondary seating area after the house was under construction. In line with South American tradition, the kitchen is located off to one side rather than being a central hub. It features a striking geometric-patterned encaustic mosaic backsplash, adding a dramatic focal point. The residence maintains a clear public/private division; the more secluded second floor houses bedrooms, a family room, and a gym. One wing is dedicated to guest quarters and the two children's rooms, while the other accommodates the primary suite. Despite its substantial size of 10,000 square feet, the home contains only five bedrooms, prioritizing spacious and tranquil sanctuaries over maximizing the number of rooms. The 1.5-acre plot features a garden designed in collaboration with La Casona Garden. Landscape designer Ana Miron describes it as a 'manifold sensory experience of sight, smell, hearing, and taste,' incorporating diverse plantings, native species, and a section certified by the National Wildlife Federation as a wildlife habitat, creating an ideal environment for both nature and the human residents. #TropicalModernism #MiamiHome #StrangDesign #EnvironmentalModernism #IndoorOutdoorLiving #BrazilianInfluence #SustainableDesign #ArtCollection #LandscapeDesign

Ambika Hinduja Macker undertook the design of her brother Shom's suburban Mumbai home, transforming an octagonal guest cottage into a modern sanctuary. The original structure, over 30 years old and designed by architect Phiroze Pantaki with interiors by the late Parmeshwar Godrej, served as the foundation for Ambika's vision. Shom's desire for a space of relaxation and reflection led him to Ambika, a polymath with diverse experience in film, interior and product design, and art curation. The design ethos for the home was a blend of old and new, incorporating the original octagonal form with contemporary rectilinear elements. Key influences included the natural world, particularly flora and fauna, the Japanese aesthetic of wabi-sabi which embraces imperfection, and the minimalist styles of Scandinavian and Japanese design. To achieve Shom's vision, Ambika retained only parts of the original octagonal structure and its sloping roofs, which were converted into green roofs to promote sustainability—a principle both Shom and Ambika, as a conscious designer, strongly support. The rest of the structure underwent significant reinforcement, restructuring, and redesign. A central aspect of the renovation involved opening up the living spaces. Exposed beams and columns were removed to create a more expansive and free-flowing interior with larger rooms and cleaner lines. Ambika collaborated with landscape designer Kunal Maniar to enhance the surrounding lush gardens, ensuring that the interiors and exteriors harmonized. Each room was imbued with a distinct personality, designed to be deeply calming, sensual, and evocative, benefiting from uninterrupted views of the garden and the Arabian Sea. The dining area, a part of the original design, maintained its sloping ceiling structure, which Ambika clad in naturally oiled Burma teak, creating an engaging contrast in design language. This area features vintage 1952 tan leather dining chairs by William Katavolos, Ross Littell, and Douglas Kelley, and a 1960s ceramic screen by the Cloutier Brothers. Artwork plays a significant role, with Bruce Munro's 'Whizz Pop' fibre-optic light installation adding a fantastical element, and Alex Turco’s aluminum composite triptych of painted branches serving as a ceiling installation to conceal trapdoors. Janaina Mello’s 'Ciclotrama', a site-specific installation of unwoven strands, evokes natural forms like plant roots and circulatory systems. Shom's passion for cooking and hosting influenced the inclusion of two kitchens. The guest powder room features customized metallic wallpaper from De Gournay. In the den, Fred Eerdekens’s copper-wire sculpture creates a calming shadow. The focal point of the home's art collection is Joseph Walsh’s 'Magnus', a three-dimensional wooden sculpture that hangs gracefully in the living room ceiling, designed specifically for the space. Ambika, who represents Walsh as an artist, designed the entire living area around this piece. The overall design results in a home that feels like a luxurious yacht journey, particularly at dusk when the glazed living room offers panoramic views of the sea. #HomeDesign #InteriorDesign #BeachHouse #MumbaiArchitecture #AmbikaHindujaMacker #JosephWalshArt #LuxuryHomes #SustainableDesign #ArtInstallation

The article showcases a 1940s Miami Beach home that has been thoughtfully renovated to blend its historical Florida style with European influences, creating a unique and eclectic aesthetic. Situated in the Bayshore neighborhood, this two-story, four-bedroom residence stands in contrast to the more modern glass-fronted towers common in contemporary Miami. Its design, characterized by thick walls and a terra-cotta tile roof, reflects a traditional hacienda style that historically helps to keep houses cool in warm climates. The property's discreet exterior, with its red brick driveway and white plastered facade partially obscured by dense philodendrons and banana trees, belies the expansive interior. The focal point of the 7,000-square-foot home is a large rectangular courtyard. This central space is lush with palms and elephant ear plants and features a colonnade draped in wisteria, offering a naturally shaded and cool environment. The current owners, a couple in the hospitality industry, purchased the property over two decades ago specifically for its departure from Miami's contemporary minimalist architecture. In 2018, they enlisted Italian-born architect Fabrizio Casiraghi to redecorate, seeking a design that would honor the home's history while prioritizing comfort and suitability for frequent entertaining. Casiraghi, known for his eclectic and romantic designs, largely maintained the home's exterior while completely reimagining its interior spaces. He filled the rooms with vintage furniture and curios, aiming for a luxurious yet lived-in feel. The renovation draws inspiration from 1950s Mediterranean hotels and regional early 20th-century Miami architecture, which itself borrowed heavily from European styles. Subtle Italian influences are evident throughout, such as the use of Florida keystone and occasional pebble arrangements in the porch and courtyard, reminiscent of Italian churches. Further European inspiration is drawn from the Italian vacation homes of the Agnelli family and Jean Cocteau's Villa Santo Sospir in the South of France. This influence is reflected in the design of the three guest rooms at the front of the house, which feature pale cream walls, aged brass details, and crisp white linens, evoking a traditional Provençal manor. In contrast, the rooms at the back of the first floor are designed to be darker and more intimate, creating a welcoming atmosphere for entertaining. The study, for example, is wrapped in polished walnut veneer, and the dining room features an embroidered 19th-century Uzbekistani textile and straw-clad walls. The kitchen boasts a vibrant fresco by Lukas Geronimas on the ceiling, depicting a natural landscape. Despite the strong European influences, the house retains its undeniable Miami character. Casiraghi's redesign of the octagonal double-height hall includes a large Isamu Noguchi paper lantern and a Picasso lithograph. Historical elements, such as remnants of a wheelchair lift installed for Franklin D. Roosevelt during his visits when the home belonged to former Miami Beach mayor Elliott Roosevelt, are acknowledged. The upstairs rooms are designed to pay tribute to the surrounding lagoon, with a second study featuring hand-painted silk walls in coral and aquamarine tones. The floor plan was adjusted to create a narrow-arched corridor leading to the bedroom, reminiscent of a ship's passageway. The design allows for views of the owner's fishing boat and the natural wildlife, including iguanas, which, despite Casiraghi's initial surprise, contribute to the home's unique connection to its natural environment. The overall design philosophy emphasizes a blend of styles and periods, creating a space that is both timeless and deeply personal, reflecting the idea that truly beautiful homes are a rich amalgamation of diverse elements rather than adhering to a single, uniform style. #MiamiBeach #HomeRenovation #FabrizioCasiraghi #EclecticDesign #HistoricArchitecture #InteriorDesign #EuropeanInfluence #TropicalLiving #LuxuryHomes

Interior designer Ariella Duker embarked on a personal journey to create her dream home in Amenia, New York, after years of designing spaces for clients while living in a series of Manhattan rentals. Her venture into homeownership began eight years ago when she was captivated by the scenic beauty of Wethersfield Garden in Amenia. This discovery prompted her to research local properties, leading to the purchase of a 10.5-acre rocky and overgrown parcel of land in 2013. Duker's initial plan was to build her house from the ground up, a process she admits was filled with unforeseen challenges. She faced obstacles such as blasting through solid rock and encountering black bears, which served as a crash course in country living. Drawing inspiration from the symmetry and formality of European country homes, Duker collaborated with Sloan Architects in Millbrook. The final design of her dream home features a pared-down, more modern profile, better suited for the upstate New York climate and its practical needs. The main residence spans over 3,400 square feet, including a kitchen, living room, dining room, study, guest room/home office, mudroom, and powder room on the first floor. The second floor houses a primary suite, two additional bedrooms, two bathrooms, and a laundry area. Complementing the main house, Duker also added a pool, a 425-square-foot pool house, and a detached garage. Initially, Duker acted as her own general contractor, managing permits and subcontractors. However, she eventually enlisted the help of R.A. Nilsen Construction in Millbrook to get the project back on track. Once construction was complete, Duker focused on furnishing her home with a blend of antique finds from local shops and the renowned Brimfield Flea Market in Massachusetts. Her design aesthetic, characterized by warm whites and greiges, provided a consistent and elegant backdrop for these curated pieces, and also proved advantageous given pandemic-related supply chain issues. The interior spaces reflect Duker's personal style and practical considerations. The living room, designed for intimacy, features swivel chairs to encourage interaction and French doors that expand the space onto a porch during warmer months. Ombre drapes in the living room visually connect to the horizon. Her foyer is bathed in natural light through a glass front door, with neutral walls and pale wood accentuating classic molding. The dining room houses a vintage Swedish extension table with Savonarola chairs, which Duker restored with durable indoor/outdoor fabric. The crisp kitchen, designed and built by DeVol Kitchens, features English-made cabinetry and hardware, highlighting Duker's preference for functional elegance. A notable and cozy spot in the house is a velvet chaise, a sentimental piece that has accompanied Duker throughout her career, now serving as a favored resting place for her friends' dogs and her foster pups. Duker regards her home as a personal design laboratory, a space where she could finally express her full creativity, unlike her previous rental experiences in New York City. The completed home not only embodies her design philosophy but also radiates a positive energy, built on the support and camaraderie of friends and collaborators. It serves as a perfect setting for her to reciprocate the hospitality she has received over the years. Duker's team for the project included R.A. Nilsen Construction, Sloan Architects, Louis Fusco Landscape Architects, and Northwest Lawn and Landscaping, as well as Domenick Lopane Landscaping. #InteriorDesign #HomeOwnership #HudsonValley #Amenia #CustomHome #ArchitecturalDesign #Antiques #RenovationJourney

This Nashville home, initially a speculative build by Build Nashville, transformed into a personalized "Zen Abode" for co-owner Jamie Duncan, drawing inspiration from her experiences in Costa Rica. During the frame stage, Duncan decided to purchase the house, collaborating with interior designer Elena DeSoto while adding her own custom touches. The design prioritizes a blend of modernity and softness, achieved through the careful selection of textures, greenery, and art. Duncan's personal customizations primarily focused on the backyard, where she integrated a sunken fire pit, an outdoor shower, mondo grass, and a cabana. Inside, she introduced beams in the living room and basket lights in both the dining room and stairwell. The overarching inspiration for these elements, and indeed much of the home's aesthetic, stemmed from her profound appreciation for Costa Rica, particularly a luxury resort experience. She sought to replicate the finishes and textures observed there, incorporating details like polycarbonate panels with bamboo reeds in the cabana's skylights and the outdoor shower's design, echoing the resort's architectural features. The home's design philosophy emphasizes a minimal color scheme, which is then enriched by diverse textures to create a welcoming and serene atmosphere. Duncan views texture as a key element, allowing for a modern house to feel soft and organic rather than harsh or cold. This is evident in the juxtaposition of materials such as concrete for showers and floors with solid wood beams in the living room, showcasing a thoughtful layering of different elements. Beyond its architectural and textural considerations, the residence functions as a personal art gallery. Duncan highlights the 27-foot wall in the dining room, specifically designed to showcase a custom piece by local Nashville artist Cory Basil. She maintains a commitment to featuring art exclusively from local Nashville artists or those with whom she has a personal connection, or pieces acquired during her travels. This curated collection further enhances the home's unique character and personal significance. Ultimately, the home serves as Build Nashville's model house, demonstrating to potential clients the possibilities for creating their ideal living spaces. It exemplifies how thoughtful design, personal inspiration, and a focus on texture and natural elements can converge to produce a breathtaking and inviting environment that feels both contemporary and deeply personal. #homeDesign #interiorDesign #nashvilleHomes #costaRicanInfluence #zenLiving #modernSoftness #architecturalDesign #localArt #textureInDesign

Designer Chenault James undertook a complete interior overhaul of a five-bedroom, three-and-a-half bathroom beach house in Delray Beach, Florida. The homeowners, originally from Louisville, Kentucky, sought a vibrant departure from their traditional main residence. The property, one of the few remaining 'old Delray' houses, retained its original yellow stucco, cement tile roof, and terrazzo floors, contributing to its inherent Florida charm. James aimed to infuse the space with the joy and happiness of the family's years of vacationing in the beachside city. The design incorporated Palm Beach influences, a colorful palette, and whimsical decor. To achieve this, James integrated vintage finds, family memorabilia, and refreshed existing furnishings, which allowed her to reallocate budget to other areas, such as the kitchen renovation. The renovation began with the entryway, transformed from a drab space into a 'jewel box' featuring a Mario Lopez Torres crane lamp, a custom-colored Oushak rug from Nashville Rug Gallery, and Celerie Kemble for Schumacher wallpaper. The living room embraced a playful aesthetic with bubblegum pink, a color rarely used but effective in this context, alongside green, a classic Palm Beach combination. Notable items included a Grasshopper table from Circa Who, Porter Teleo drapery, and a Noir cabinet. Rattan furnishings were a recurring element throughout the home, including custom cushions for chairs and a wicker vase from Target. The sitting room showcased French blue fabric on sofas with contrasting blue brush fringe on club chairs, and a custom-designed coffee table. Bookshelves in this area displayed the client's existing collection of seashell decor. In the sunroom, the original whitewashed wood ceiling was deliberately preserved to provide a 'rough' contrast with the new, fresh elements and colors, maintaining a vintage vibe. This space featured a Bunny Williams Home sofa, Quadrille Fabrics and MD Home Collection pillows, and Mainly Baskets wicker tables. The kitchen was significantly updated, replacing tan ceramic tile with a black-and-white Greek key pattern tile from Mirth Studio and Sonoma Tilemakers, inspired by Palm Beach style. Cabinetry was painted in Farrow & Ball's Light Blue, complemented by Quartzite countertops. A distinctive Wayne Pate + Studio Four NYC Grove Citron print wallpaper was used extensively in the kitchen and extended into the adjacent laundry room. Dining room elements included raffia wallcovering by Phillip Jeffries, a Made Goods chandelier, and vintage pieces. A sentimental fish painting by the client's uncle was kept, and its rough aluminum frame preserved for authenticity. The powder room featured Meg Braff Designs Rainforest wallpaper, a custom bamboo vanity painted in Sherwin-Williams' Jovial, and a vintage mirror. The primary bedroom's design originated from the client's existing blue upholstered bed, which was then harmonized with salmon accents to create a happier and more playful ambiance. Key pieces included lamps from Chairish with custom shades, a Serena & Lily bench, and Christopher Farr Cloth fabrics. The children's bedroom was designed to be gender-neutral for a brother-sister pair, incorporating vintage Italian pottery lamps from West Palm Beach and custom headboards by Delray Upholstery. The primary bathroom continued the aqua theme from the bedroom with a fretwork bamboo wallpaper from Quadrille Fabrics, complementing the aqua and lemon yellow palette and antique sea life lithographs. The pool deck maintained its original charm with greenery and existing blue-and-white patio furniture. #InteriorDesign #HomeRenovation #FloridaStyle #ChenaultJamesInteriors #CoastalDecor #VintageFinds #ColorDrenched #DelrayBeach #HomeTour

Nestled within Odessa's Victoria Lakes community, a newly constructed four-bedroom, four-bathroom home by AR Homes by Custom Craft seamlessly integrates with its natural surroundings. The design draws inspiration from the local lakes and wooded landscapes, employing a palette of organic textures, lush greenery, and soothing blue tones to evoke Florida's inherent beauty while maintaining a sophisticated and refined aesthetic. This residence, built on the Grandview floorplan, emphasizes open-concept living, robust storm-safe construction, and cutting-edge smart home technology, alongside versatile spaces for both social gatherings and private retreats. A central feature of this home is the luxurious owner’s bath, offering a spa-like experience. The kitchen is designed to cater to a chef's needs, and a spacious great room serves as the heart of the home. This great room transitions effortlessly into the outdoor living area through 10-foot sliding glass doors, leading to a covered lanai, a dedicated cabana, a swimming pool, and a spa, creating a harmonious indoor-outdoor flow. Interior designer Jill Sunseri, from AR Franchising, Inc., was instrumental in shaping the home's ambiance. She meticulously curated the interiors with warm neutral colors—including creams, taupes, and soft grays—which are accented by strategic bold contrasts and reflective metallic finishes. These metallic elements subtly echo the brightness of the Florida sunlight, enhancing the overall luminosity of the space. The selection of materials such as natural stone, wide-plank hardwood floors, and sculptural accessories contributes to a tactile and visually rich environment. Every surface within the home is deliberately chosen to create a sense of thoughtful design and luxury. The furniture, characterized by its streamlined forms, combined with rich wood tones and dynamic ceiling designs, creates a balanced atmosphere that is simultaneously elevated and relaxing. Sunseri particularly enjoyed the process of selecting artwork and accessories, viewing each piece as essential to the home’s refined and collected appearance. This meticulous curation was pivotal in actualizing the overarching design vision. Ultimately, the residence achieves a delicate balance between elegance and understated style. It is designed to be impressive without being ostentatious, and its generous proportions are tempered with a sense of intimate personalization. This home is not merely constructed to make an impression; it is crafted to foster a deep sense of belonging for its inhabitants. #ARFranchising #ARHomesTampa #HomeDesign #InteriorDesign #LuxuryHomes #FloridaLiving #CustomCraftHomes #VictoriaLakes #OpenConcept

Surfside House, designed by Andrew Burges Architects, is a compact family home in Clovelly, a beachside Sydney suburb. This project involved converting an existing semi-detached dwelling, where the ground floor was reimagined into bedrooms, and a new open living space was added above. The design responds to the coastal hillside site, suggesting a new neighborhood character through its tower-like form and integrated garden platforms. The ground floor of the Surfside House houses three bedrooms arranged around a central stair and study. The architects utilized overly wide doors to enhance light distribution and extend the perception of space. A main bedroom faces the street, while two children’s rooms at the rear open onto a small garden and connect to each other. This thoughtful allocation of doors creates a sense of continuous space throughout the ground level. To maximize the utility of the small rooms, built-in sleeping lofts were incorporated, providing each child with a private elevated space featuring a small window. The varied ceiling heights on this level, with their bulkheads and thresholds, define distinct areas and manipulate natural light to create pockets of shadow, making the rooms feel discrete even when doors are open. In stark contrast to the ground floor, the first-floor living room is a singular, expansive open space. Large windows offer ocean views and invite breezes, while nearby treetops and new planter beds bring greenery close to the interior. Timber walls and sliding screens contribute to a treehouse-like ambiance. A rear deck extending from the kitchen further integrates planting through built-in garden beds. The kitchen, dining, and lounge areas are unified under a raked ceiling that ascends to a generous corner skylight, making the room feel large and spacious. The kitchen joinery is crafted to resemble bespoke furniture, reflecting its role as the heart of the home for a cooking-focused family. Despite its open plan and large windows, the living room maintains a cozy and inviting atmosphere due to deliberate design choices. Deep reveals around most upper-level windows encourage occupants to sit and converse by the sill. A subtle separation between eating and lounging areas is achieved through a few steps and a low credenza, effectively zoning the space without dividing it. This allows for a sense of containment provided by the timber furniture. The Surfside House stands out in Clovelly, an area that has seen significant development from its original simple cottages to a mix of units, duplexes, and contemporary homes. The state government's "Complying development" planning controls have often led to new constructions that disregard neighborhood character. Surfside House, with its hardwood board cladding, clean roofline, and raised planters, intentionally diverges from the traditional brick cottage aesthetic. Its tower-like form, visible through a gap in banksia trees, is designed to harmonize with the rich vegetation of the eastern suburbs. The timber cladding blends with the giant banksias, and the built-in planters integrate with the tree canopy. This design approach not only revived a dilapidated cottage but also provided a growing family with a functional and aesthetically pleasing home within their community, potentially offering a new vision for neighborhood character and priorities. #SurfsideHouse #AndrewBurgesArchitects #CoastalLiving #ResidentialArchitecture #SydneyHomes #CompactDesign #ArchitecturalRenovation #SustainableDesign

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

The article describes the transformation of an old Mexican house into an artist's retreat for financial adviser Dorsey Gardner, located in San Miguel de Allende. Gardner initially sought a small studio but acquired a significantly larger 19th-century cottage, which was later expanded to 12,000 square feet. The property, built in the late 1700s, was surrounded by high walls and presented several challenges. Upon acquiring the property, Gardner faced initial issues, including a dense "cactus farm" on the premises. Hundreds of cacti, including a large candelabra cactus, were carefully relocated. The house also featured numerous false ceilings installed in the 1950s in its oldest section, which architect Sebastian Zavala removed to restore the original height and appearance of the rooms. Zavala also enhanced some ceilings with grand wooden crossbeams and refinished existing 1950s wood doors and windows with a light whitewash. During the renovation, a hand-painted frieze in the primary bedroom was uncovered and preserved. Gardner, who had previously undertaken remodeling projects on his own homes in Boston, entrusted the design of this Mexican property to Zavala and Paris-born, San Miguel–based designer Anne-Marie Midy. Gardner expressed a preference for a neutral aesthetic, distinct from traditional Mexican decor. He provided the designers with inspiration from magazines and gave them "carta blanca" for the project before embarking on an extended trip. Midy, along with her partner Jorge Almada, founded Casa Midy, a design firm specializing in furniture and accessories. Gardner's house became their first major interior design project. He had discovered Midy and Almada at their former bistro, Plum, known for its distinctive all-purple decor, which Midy noted was an effective way to attract clients. Zavala converted the original structure into a three-bedroom, five-bathroom artist's retreat, maintaining the house's Spanish Colonial architectural elements, stone walls, and archways. He added a spacious studio and installed robust columns on the patio, using locally quarried stone. A new second-floor guest room was also added, offering views of the 17th-century parish church's Gothic-style tower, an 1880 addition inspired by European postcards. Midy and Almada adhered to Gardner's request for a more understated Mexican interior design. They avoided extensive use of decorative elements like talavera tiles, except for a minimal application in the kitchen, and chose muted colors. However, they integrated rich local decorative resources, using jute from Yucatán for curtains, linens from local cotton mills, and furniture sourced from regional antiques shops. Even the traditional lime-and-pigment paint was mixed with San Miguel dirt to achieve a warmer tone. Midy and Almada also designed furniture and accessories for the house, such as iron sconces, a leather cocktail table, and bed linens. They collaborated with Zavala to create trench-like fountains inspired by hacienda horse troughs. The project concluded after a year, with Gardner expressing immense satisfaction, declaring the house fit for a king. #MexicanDesign #ArtistStudio #SanMiguelDeAllende #HomeRenovation #InteriorDesign #SpanishColonial #ArchitecturalRestoration #CasaMidy #LuxuryHome