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A House Where Old Miami Style Meets Old World Eclecticism (Published 2024)
The article showcases a 1940s Miami Beach home that has been thoughtfully renovated to blend its historical Florida style with European influences, creating a unique and eclectic aesthetic. Situated in the Bayshore neighborhood, this two-story, four-bedroom residence stands in contrast to the more modern glass-fronted towers common in contemporary Miami. Its design, characterized by thick walls and a terra-cotta tile roof, reflects a traditional hacienda style that historically helps to keep houses cool in warm climates. The property's discreet exterior, with its red brick driveway and white plastered facade partially obscured by dense philodendrons and banana trees, belies the expansive interior.
The focal point of the 7,000-square-foot home is a large rectangular courtyard. This central space is lush with palms and elephant ear plants and features a colonnade draped in wisteria, offering a naturally shaded and cool environment. The current owners, a couple in the hospitality industry, purchased the property over two decades ago specifically for its departure from Miami's contemporary minimalist architecture. In 2018, they enlisted Italian-born architect Fabrizio Casiraghi to redecorate, seeking a design that would honor the home's history while prioritizing comfort and suitability for frequent entertaining.
Casiraghi, known for his eclectic and romantic designs, largely maintained the home's exterior while completely reimagining its interior spaces. He filled the rooms with vintage furniture and curios, aiming for a luxurious yet lived-in feel. The renovation draws inspiration from 1950s Mediterranean hotels and regional early 20th-century Miami architecture, which itself borrowed heavily from European styles. Subtle Italian influences are evident throughout, such as the use of Florida keystone and occasional pebble arrangements in the porch and courtyard, reminiscent of Italian churches.
Further European inspiration is drawn from the Italian vacation homes of the Agnelli family and Jean Cocteau's Villa Santo Sospir in the South of France. This influence is reflected in the design of the three guest rooms at the front of the house, which feature pale cream walls, aged brass details, and crisp white linens, evoking a traditional Provençal manor. In contrast, the rooms at the back of the first floor are designed to be darker and more intimate, creating a welcoming atmosphere for entertaining. The study, for example, is wrapped in polished walnut veneer, and the dining room features an embroidered 19th-century Uzbekistani textile and straw-clad walls. The kitchen boasts a vibrant fresco by Lukas Geronimas on the ceiling, depicting a natural landscape.
Despite the strong European influences, the house retains its undeniable Miami character. Casiraghi's redesign of the octagonal double-height hall includes a large Isamu Noguchi paper lantern and a Picasso lithograph. Historical elements, such as remnants of a wheelchair lift installed for Franklin D. Roosevelt during his visits when the home belonged to former Miami Beach mayor Elliott Roosevelt, are acknowledged. The upstairs rooms are designed to pay tribute to the surrounding lagoon, with a second study featuring hand-painted silk walls in coral and aquamarine tones. The floor plan was adjusted to create a narrow-arched corridor leading to the bedroom, reminiscent of a ship's passageway. The design allows for views of the owner's fishing boat and the natural wildlife, including iguanas, which, despite Casiraghi's initial surprise, contribute to the home's unique connection to its natural environment. The overall design philosophy emphasizes a blend of styles and periods, creating a space that is both timeless and deeply personal, reflecting the idea that truly beautiful homes are a rich amalgamation of diverse elements rather than adhering to a single, uniform style.
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