Where to Get Antique and Vintage Furniture Refinished, Repaired, Rewired and Reinvented in Calgary

Rachael Rosenblum, founder of Double R Design, operates her furniture redesign business out of a Fort Greene carriage house. This studio serves both as a practical workspace for storing fabric swatches and works in progress, and as a showcase for her imaginative approach to furniture transformation. The studio itself, located on Vanderbilt Avenue, embodies Rosenblum's philosophy, featuring a blend of vintage and rehabbed pieces, including an antique French chandelier and a baker’s rack repurposed as a fabric library. This setup allows prospective clients to visualize how old items can be given new life and purpose. Rosenblum's work is driven by principles of sustainability and waste reduction. She emphasizes that older furniture is often constructed with superior craftsmanship compared to many modern pieces. Her core belief is in the potential of existing items, encouraging clients to consider how their current furnishings can be updated and transformed before purchasing new ones. To illustrate this potential, she maintains a collection of finished pieces in her studio, demonstrating the dramatic transformations achievable through redesign. Some of these are collaborations with other artists, while others are her own creations featuring carefully selected fabrics. This collection helps clients envision the longevity and renewed aesthetic an old piece can achieve. Rosenblum's passion for craftsmanship and repurposing was instilled in her during her childhood in Ohio, where her parents frequently took her to flea markets and secondhand stores. This upbringing fostered an appreciation for finding unique items and understanding their potential. The catalyst for establishing Double R Design came after 17 years in the fashion industry, when Rosenblum was given an antique bergère chair by her grandmother. She undertook its restoration, and seeing her children interact with the newly redone chair—which had moved from a seldom-used bedroom to a lively TV room—highlighted the chair’s renewed energy and purpose. This personal experience solidified her desire to bring similar joy and transformation to others. Following this realization, Rosenblum pursued interior design studies at Pratt online during the pandemic. She subsequently channeled her fashion background and love for textiles into her new career path. She launched Double R Design with an initial collection of 12 items, which she photographed and showcased to begin building her business. She actively promotes her work and process through local markets and an Instagram presence. Clients can visit her studio by appointment or when the doors are open on pleasant days to explore her offerings. When clients inquire about the cost-effectiveness of restoration, which can involve significant labor expenses, Rosenblum advises that it is worthwhile if the furniture possesses a sturdy foundation, particularly solid wood, or interesting design details. Furthermore, sentimental value, such as with a family heirloom, also justifies the investment. Beyond structural integrity, Rosenblum enjoys experimenting with dimensions and combining diverse colors and textiles in her designs. While prioritizing client aesthetics and ensuring the pieces suit their spaces, she often introduces subtle, distinctive elements, such as decorative tape on a sofa or double-sided pillows with reversible patterns, to add an extra layer of uniqueness to her projects. #FurnitureRedesign #SustainableDesign #VintageFurniture #InteriorDesign #FortGreene #TextileDesign #Craftsmanship #HeirloomRestoration #BrooklynLife

Incorporating antique furniture into contemporary interiors is a popular design strategy to achieve layered and lived-in aesthetics, adding character and interest. However, integrating these time-worn pieces effectively requires a balanced approach to prevent a dated or dreary feel. This guide outlines six key methods for modernizing antique furniture, ensuring each piece contributes to a cohesive and beautifully styled space without losing its inherent charm. One effective technique is to pair antiques with contemporary accessories. Designers emphasize the concept of 'tension' in creating interesting spaces, which can be achieved by contrasting antique furniture with modern decor elements. This includes using minimalist lamps, sleek picture frames, or modern chairs alongside vintage pieces. Contemporary lighting, in particular, is highlighted as a powerful tool to balance a room featuring antiques. This method results in a unique, collected, and evolved aesthetic, as demonstrated by designers who successfully blend an antique Rose Medallion garden stool with modern elements in a living area. Another significant way to refresh antique chairs is through reupholstery. Many antique chairs found in stores might have worn fabric or inadequate padding. Reupholstering not only refurbishes the furniture but also allows for an updated look that aligns with current interior design styles. Designers recommend using contemporary furnishing fabrics on antique upholstered items, with French fauteuils being particularly suitable due due to their minimal fabric requirement and neat design, making them ideal accent chairs with modern textiles. This approach ensures that the interior feels characterful, blending traditional and contemporary elements. Repainting or staining antique furniture is another transformative method. Just as color can refresh a room, it can breathe new life into an antique dresser, cabinet, or side table. This can involve painting the exterior one color and the interior another, or even wallpapering the back of pieces with glass fronts for added depth. For wooden items, staining can alter an orange-toned finish to a more natural wood, updating the piece without compromising its original character. The goal is to achieve a balance where the soul of the antique shines through, enhanced by a fresh finish. Swapping out hardware and legs is a subtle yet impactful way to modernize antique furniture. Hardware is often considered the 'jewelry of a room,' and updating it can significantly change a piece's aesthetic. Replacing old hardware with decorative knobs or contemporary chrome handles creates a striking contrast. Conversely, antique or vintage hardware can be added to more ordinary pieces to elevate them. Similarly, adding castors to furniture can introduce a functional and stylish update. This small detail can make a considerable difference in bridging the gap between old and new. Juxtaposing antique furniture with modern art is a powerful design choice. While sourcing vintage art is popular, pairing contemporary artworks with antique furniture can create a more modern feel. Hanging a modern painting above an antique chest of drawers, or placing a contemporary table lamp next to an antique sofa, exemplifies this 'considered blend.' Designers suggest that contrast is key, recommending bold contemporary paintings, oversized table lamps, and clean-lined objects like sculptural vases or sleek trays to complement antique pieces. Finally, displaying vintage paintings in contemporary frames, and vice versa, offers an accessible way to modernize antiques. This technique involves placing vintage or antique artwork in sleek, modern frames or contemporary art in vintage frames. Both approaches balance the aesthetic and style of one another, creating a dynamic interplay between eras. This 'contrast and conversation' allows antiques to engage with the modern world, making them feel current and relevant within a contemporary setting. These strategies collectively enable antiques to feel cohesive within a modern interior, elevating them without erasing their history. #AntiqueFurniture #InteriorDesign #HomeDecor #ModernizingAntiques #FurnitureRestoration #VintageDecor #ContemporaryDesign #DecoratingWithAntiques #Reupholstery

This article provides a comprehensive guide to professional repair and restoration services for various beloved belongings, emphasizing the value of craftsmanship over DIY solutions. It highlights local experts in the Twin Cities area who can breathe new life into items ranging from furniture and rugs to jewelry, clothing, and even specialized equipment. The guide begins by addressing "Fix-It Dilemmas" related to wood and woven items. The Wicker Shop in St. Paul offers refurbishing and seat-weaving services for wicker furniture, along with supplies for DIY enthusiasts. American Rug Laundry, a 129-year-old establishment in Minneapolis, specializes in repairing diverse rug issues such as unraveling edges, fraying, fading, holes, and stains. J Michaels Co., a Whittier-based shop with over 70 years of experience, provides furniture restoration for everything from kitchen cabinets to antique chests, serving interior designers and reupholsterers. The article then focuses on investment pieces and accessories. Don’s Leather Cleaning in Minneapolis is recommended for restoring suede and leather items, including salt-stained Ugg boots and faded designer handbags. Luggage World in St. Louis Park is presented as a resource for repairing luggage issues like wobbling wheels, broken zippers, and cracked shells. For seasonal storage of furs, All Seasons Garment Care and Tailoring, with its eight metro locations, is suggested as a reliable option, building on the legacy of the former Ribnick Furs. Niche repair services for collectibles and heirlooms are also covered. Gaytee-Palmer, a century-old company in Minneapolis, specializes in restoring stained glass for both monumental structures and residential windows, lamps, and cabinet doors. Museum Services Incorporated, also in Minneapolis, offers conservation and restoration for various art mediums—textiles, ceramics, paintings, and bronze—and can repair or create custom frames. Lazarus Crystal Restoration, run by Diann Clendening in St. Paul, provides repair services for cracked crystal, broken figurines, and chipped goblets by appointment. For dull blades, Vivront in Edina offers on-site sharpening, tip and chip repair, and mail services for knives. Repair Lair, a fix-it and consignment store founded by Nancy Ford in Minneapolis, focuses on extending the life of camping gear. Addressing clothing issues, the article highlights several tailors. Sew What Style in downtown Minneapolis is noted for quick and quality tailoring for various garments. Tom’s Tailor in St. Paul is recommended for complex alterations, including those for investment designer pieces. Amazing Alterations in Anoka specializes in tailoring vintage dresses, allowing for modern updates or preservation of originality. Satchel B. Moore at Science and Kindness focuses on mending and patching denim jeans, transforming them into wearable art. The article also features expert advice. Alex Hernandez from Danish Teak Classics’ restoration workshop shares insights on fixing furniture, advising readers to seek pieces with good pedigree and quality materials for restoration, and recommending a regular maintenance routine with oil, wax, or wood soap. Catherine Thies, owner of Filigree Jewelers, provides guidance on antique jewelry restoration and care, emphasizing the importance of professional cleaning, mindful wearing habits, and understanding that restoration is a time-consuming, multi-specialist process. Jacqueline Fortier, an interior designer and co-owner of J. Atelier, suggests inexpensive wooden chairs as versatile fixer-upper furniture pieces for adding charm to a space and advises against DIY repairs for complex items, recommending local experts like Bob’s Binding for rugs, J Michaels Co. for furniture, and Helen Miller Studio for traditional upholstery. Patric Richardson, known as the “Laundry Guy,” advocates for gentle and minimalist laundry practices, recommending oxygen bleach as a versatile stain remover and encouraging individuals to learn how to care for their vintage and sentimental garments themselves. #FurnitureRestoration #ClothingRepair #JewelryRestoration #HomeMaintenance #LocalExperts #VintageItems #Craftsmanship #TextileCare #SpecializedRepair

In the realm of interior design, the decision to paint antique wood furniture is a topic that elicits strong opinions and divides design professionals. While some advocate for preserving the original state of antiques, others see painting as a viable method for revitalization and personalization. This discussion is particularly relevant given the current trend of investing in furniture built to last generations and the increasing appeal of vintage and antique pieces as an alternative to new items facing supply chain delays. Designers generally advise against painting if the piece is a high-quality antique with significant resale value. Painting such items can diminish their long-term monetary worth, transforming their value to a personal one rather than a market-driven one. Renowned designers emphasize that true antiques in excellent condition should not be refinished, considering it a 'crime' to alter their inherent historical and material integrity. Furthermore, painting is discouraged for pieces made from exotic woods like cherry, mahogany, or satinwood, as these materials are rare and difficult to refinish authentically. If the furniture is constructed from common woods such as oak or pine with basic joinery, and especially if it's a thrifted item, painting is generally considered acceptable. Conversely, painting antique wood furniture can be beneficial in several scenarios. If a piece lacks substantial value on the secondhand market or its existing finish is in poor condition, a new coat of paint can significantly enhance its aesthetic appeal and functionality, effectively "bringing it back to life." Many designers support painting if it prevents the furniture from being discarded, highlighting that antique and vintage pieces often possess superior quality compared to modern alternatives at similar price points. The sentiment is that if painting allows a cherished family heirloom to integrate into contemporary decor, thereby extending its lifespan within the home, then it is a worthwhile endeavor. The objective is to give antiques a renewed purpose and personal touch, ensuring they continue to be enjoyed across generations. For those who choose to paint, thorough preparation is crucial. It is essential to first investigate the piece's history and material composition to confirm it isn't a rare or valuable specimen. Once confirmed, the process involves selecting the appropriate paint, such as chalk paint for a textured finish or lacquer for a glossy, modern look. Regardless of the paint type, meticulous cleaning, sanding, and drying of the furniture are necessary before applying multiple coats for comprehensive coverage. Applying sealants or topcoats is also recommended to ensure durability. As an alternative to painting, refinishing the wood itself is an option for those who wish to alter the appearance without a solid color. Restoration or refinishing is often considered a better investment for maintaining or increasing a piece's value, particularly if it features beautiful woodgrain. Techniques like cerusing, which defines the original wood and highlights its natural grain, are favored by some dealers as a way to refresh vintage finds while preserving their original character. This approach offers a middle ground, allowing for aesthetic modification while respecting the inherent qualities of the wood. #antiqueFurniture #furnitureRestoration #woodRefinishing #interiorDesign #homeDecor #vintageFurniture #DIYProjects #designTips #furniturePainting

Joe McGuier and Megan Prime, co-founders of Brooklyn-based JAM and JAM Shop, specialize in sourcing, restoring, and styling vintage furniture. They emphasize that while vintage pieces can add charm and character to any space, careful consideration is needed to prevent a 'museum-like' feel or to ensure neglected antiques don't detract from a room's potential. Their expertise is rooted in a career built upon finding and refurbishing antique items. The designers advise maintaining an open mind when sourcing vintage furniture. While specific pieces might be sought for client projects, unexpected finds often lead to design scheme adjustments, highlighting the role of 'serendipity' in the process. For JAM Shop, their online storefront and brick-and-mortar studio, there is more flexibility to experiment, allowing them to acquire a diverse range of styles and pieces that later undergo restoration. They emphasize that sourcing is full of surprises and unknowns, making an open mind crucial for success. For those new to antique hunting, Megan Prime suggests starting with online platforms like Chairish and 1stDibs, which offer extensive selections from global vendors. Instagram is also noted as a vibrant marketplace for vintage lovers. For a more tactile experience, she recommends large antique fairs such as Brimfield or Round Top. These events allow individuals to interact with a wide array of dealers and pieces, helping them to discover their personal design style and identify specific dealers or aesthetics that resonate with them. When selecting vintage items, the designers look for pieces from lesser-known makers or studio-made goods, which often feature exceptional craftsmanship and unique details not found in mass-produced items. While iconic designer pieces are also considered, their preference leans towards undiscovered gems. A critical eye is essential, especially when shopping online, to accurately assess the condition of an item. Reputable dealers will be transparent about wear or damage, allowing buyers to make informed decisions. After acquiring a piece, the next step involves deciding whether it needs repair or refinishing. While a natural patina is often desirable, significant wear or damage necessitates restoration. For upholstered items, the structural integrity and condition of the upholstery are critical. Joe McGuier advises sitting on chairs and sofas to check joint stability and cushion quality. For leather, a 'perfectly worn-in patina' is sought, akin to well-worn sneakers. Wooden pieces with excessive wear or sun fading may require professional refinishing. The restoration process involves evaluating existing successful features and identifying areas needing attention, ranging from simple cleaning to a complete overhaul. Reupholstering is a common update. When original fabric is beyond repair, a modern fabric is often chosen to refresh the piece. For sculptural chairs, a solid or textured fabric maintains focus on the shape, while clean-lined frames might be paired with bold prints to create contrast. Beyond aesthetics, restoring vintage furniture is a sustainable practice, offering heirloom-quality pieces that often surpass modern manufacturing in durability due to superior materials and techniques. For complex restorations, professional assistance is recommended to ensure proper care and preservation, particularly for valuable items. For DIY enthusiasts, starting with inexpensive pieces allows for a trial-and-error phase. Integrating refreshed vintage pieces into a space requires careful styling. To achieve an 'eclectic feel,' Joe McGuier suggests blending different periods and styles rather than adhering to a rigid aesthetic. He also emphasizes creating contrast through color, shape, and texture. For instance, pairing sleek lines with textural pottery or balancing a strong color with soft neutrals or greenery. The designers continually find inspiration in their work. Megan Prime mentions a current obsession with pine dining chairs from the Paris Flea Market and a Brazilian sofa with unconventional fabric and strap combinations, highlighting how past designs inform current aesthetics. They advocate for experiencing vintage items in person, emphasizing that tactile interaction is crucial for appreciating the unparalleled quality, craftsmanship, and details that define these enduring pieces. #VintageFurniture #FurnitureRestoration #InteriorDesign #Antiques #HomeDecor #SustainableDesign #ShoppingTips #DesignersAdvice #StylingVintage

The article explores the financial and practical considerations of reupholstering antique furniture versus purchasing new items, drawing on insights from interior design experts. While there isn't a single definitive answer regarding cost-effectiveness, designers generally suggest that reupholstering often comes at a slightly higher price point than buying new, primarily due to the cost of high-quality fabric and the need for skilled craftsmanship, especially for intricate pieces or traditional methods. The expense can range from a few hundred dollars to thousands, depending on the size of the furniture and the chosen upholstery material, with performance fabrics adding to the cost. However, the decision extends beyond mere cost. Designers emphasize the intrinsic value and sustainability aspects of reupholstering antique furniture. They highlight that antique pieces often possess superior craftsmanship and a unique character that cannot be replicated by modern furniture. Preserving these items contributes to environmental sustainability by diverting them from landfills and fosters a culture of valuing enduring quality over disposable trends. Many designers, like Rebekah Zaveloff of Imparfait Design Studio, advocate for reupholstering due to the benefits of customization, the ability to select specific fabrics and cushion fills, and the satisfaction of maintaining a well-made piece with historical significance. A crucial factor in deciding whether to reupholster is assessing the antique's condition. While most structural damages, such as wobbly frames or worn springs, can be repaired by skilled upholsterers, severe issues like termite damage, extensive water or fire damage, or irreparable hand-carved details might render a piece beyond economical repair. Aesthetic flaws, however, can often be cleverly disguised through reupholstery techniques, such as adding a skirt to hide damaged legs, as demonstrated by Shani Core Interiors. The sentimental and investment value of the furniture also plays a significant role. Heirloom pieces or items from renowned makers like Howard, Gillows, James Shoolbred, or George Smith are considered worthy investments for refurbishment, as their inherent value justifies the cost. For those without such prestigious provenance, the decision often hinges on personal attachment and appreciation for the item's history. The article provides practical advice on how to find a reputable upholsterer, including checking portfolios, asking detailed questions about repair methods (e.g., hand-tied coil springs for antique pieces), seeking multiple quotes, and utilizing social media for recommendations and vetting. It also clarifies the distinction between 'recovering' (simply replacing fabric) and 'reupholstering' (which involves structural repairs and re-springing, in addition to fabric replacement), advising that true reupholstery is essential for preserving the integrity and value of an antique. #AntiqueFurniture #FurnitureRestoration #Upholstery #InteriorDesign #HomeDecor #SustainableLiving #CostComparison #Craftsmanship #HeirloomPieces

Dirty Janes Canberra is the second location for the vintage store established by Athol Salter and Jane Crowley, following the success of their original outpost in the Southern Highlands. This Fyshwick-based store, which opened in March 2020, occupies a converted warehouse space, offering a diverse collection of items from 90 individual stallholders. The store's inventory includes vintage, new, and repurposed furniture, along with various interior accents, fashion items, and other finishing touches for the home. It aims to provide a curated selection for individuals looking to personalize their living spaces with unique finds. Beyond its retail offerings, Dirty Janes Canberra integrates additional attractions within its premises. It features an on-site blacksmith workshop, which contributes to the store's artisanal and handcrafted appeal. A cafe is also available, providing a spot for visitors to relax and extend their stay. Additionally, the establishment includes a hobby farm, further enhancing the eclectic and community-oriented atmosphere. These diverse elements collectively create an environment where visitors can engage in various activities, ranging from shopping for home decor and fashion to enjoying a meal or exploring artisan crafts. The store operates seven days a week, from Monday to Sunday, between 10 AM and 5 PM, offering ample opportunity for visitors to explore its extensive collection. It is located at 80 Collie Street, Fyshwick, making it a prominent destination within the Fyshwick industrial estate. The pricing for items falls within the '$$$' category, indicating a mid-to-high price range. The main products available include antiques and homewares, catering to a clientele interested in unique, often historical, decorative and functional items for their residences. Dirty Janes Canberra is identified as a boutique and vintage store, emphasizing its specialization in unique and often one-of-a-kind goods rather than mass-produced items. This focus aligns with the broader trend of seeking out distinctive pieces for home decoration and personal style. The store's concept, combining multiple vendors under one roof, allows for a wide array of styles and price points, appealing to a broad spectrum of vintage and design enthusiasts. The establishment serves as a destination for those interested in home styling, providing resources for individuals to discover items that reflect their personal aesthetic. The inclusion of a cafe and other amenities encourages longer visits, positioning Dirty Janes Canberra not just as a retail space but also as a leisure destination. The store's commitment to offering a mix of vintage and repurposed items supports sustainable consumption practices by giving new life to old goods. Overall, Dirty Janes Canberra presents a comprehensive retail and leisure experience centered around vintage and unique home and personal items. #VintageStore #HomeDecor #Antiques #Homewares #FyshwickCanberra #InteriorDesign #RepurposedFurniture

This article explores the renovation philosophy of designer Mark Lewis, who prioritizes respecting the existing architecture and age of a property rather than striving for a new, shiny aesthetic. Lewis, who founded his eponymous firm in 2008 and later launched a home store specializing in sand-cast bronze hardware, emphasizes the difficulty of finding finishes that appear aged, leading him to create his own. His guiding principle is to avoid anything that "screams 'shiny.'" The renovation of Lewis's Victorian row home in North London exemplifies this approach. In 2010, he and his partner, Abi Leland, began by purchasing the garden-level apartment and patiently waited five years to acquire the unit above, recognizing its value for their expansion plans. An extensive eight-month remodel followed, during which they moved out with their two children, James and Olive. The renovation involved integrating the two apartments, creating a striking double-height space with triptych windows overlooking the backyard. A distinctive feature of Lewis's design is the absence of a kitchen island and upper cabinets. His goal is for the kitchen to appear as freestanding as possible, as if it could be moved. To align with the house's historical era, he installed base cabinets along a single wall, extending approximately 8 meters, and mounted floating shelves precisely 55 centimeters from the countertop. These base cabinets are finished with an aged paint effect and feature hand-cast bronze cup handles. The kitchen space also incorporates functional elements like task lighting under concrete slabs, providing a soft glow, and a separate walk-in pantry designed to evoke a sense of stepping back 70 years, filled with fresh produce and minimal packaging. The living room reflects Lewis's aversion to modern technology, specifically televisions. Instead of a "black box," the cozy space features a wood-burning stove. For family movie nights or sports viewing, they utilize his son James's bedroom, which houses a large television. Olive's smaller room necessitated creative storage solutions, leading Lewis to design a custom built-in bunk bed with drawers that fits seamlessly into an alcove, topped with a slightly undersized twin mattress. The bedrooms are adorned with wallpapers from Robert Kime and painted in shades like Little Greene's French Grey and Normandy Grey, with furniture and accessories from Mark Lewis Home Store and Conran Shop. Lewis's favorite part of the house is the primary bathroom, which includes a fireplace to ensure warmth after using the cast-iron tub. He sourced the Art Nouveau-style mantel from a salvage shop, a significant investment at the time that he now cherishes. A vintage French chair in the corner has been updated with a brightly colored felt cushion by artist Laura Lees. Lewis demonstrates a keen eye for finding vintage pieces, with blackened steel stair railings held by antique brass screws and a powder bathroom that combines reclaimed tiles, the home's original brick, and wood from a previous kitchen floor, resulting in a unique blend of textures that appear to have been part of the house for centuries. His design ethos consistently aims to imbue new elements with an appearance of age and history, respecting the inherent character of the property. #HomeRenovation #VintageDesign #InteriorDesign #VictorianHome #AgedFinishes #KitchenDesign #BathroomDesign #CustomFurniture #NorthLondon

Refinishing wood furniture offers a sustainable approach to updating home decor by transforming old, tired timber pieces into fresh, functional items. This practice supports the reduce, reuse, and recycle mantra by giving new life to items sourced from salvage yards, charity shops, or online marketplaces. Refinishing can significantly enhance the character of a space, especially when integrating vintage pieces into modern settings, such as using an antique timber piece as a washstand in a contemporary bathroom. Tropical hardwoods from the mid-20th century, for example, are valuable resources that can be preserved and revitalized with treatments like hardwax oil, which enhances their natural qualities. The appeal of refinished pieces often lies in their existing 'bruises' and imperfections, which can make a space feel more relaxed and less focused on pristine perfection. Various finishing options exist, including waxes, oils, hard wax oils, stains, dyes, varnish, and limewash. The choice of finish depends on the desired aesthetic and the type of timber being treated. Waxes, oils, and hard wax oils provide the most natural look. Hard wax oils are particularly durable, making them suitable for high-wear surfaces like dining tables and doors. Oils are easy to repair, which is beneficial for households with children, and they penetrate softwoods more effectively. For hardwoods with tighter grains, thinner oils are recommended. Wax helps to retain the timber's character while restoring dry, worn, or scratched areas, and it can be buffed to a sheen or left natural. For those aiming to maintain the raw appearance of pale timber, products with a hint of white pigment, such as Osmo Raw or Fiddes Hard Wax Oil Natural, are ideal. Dyes and stains alter the wood's color, while varnish offers superior protection. Limewash creates a white effect on the grain, best suited for darker timbers. Before committing to a finish, it is crucial to perform a patch test on an inconspicuous area to ensure the desired outcome, including top coats. The refinishing process begins with thorough preparation, primarily sanding to remove any existing coatings, whether paint or unknown finishes. This step is messy and requires protective gear like masks and goggles. For painted surfaces, a paint stripper should be used first. Sanding should start with an 80-grit sandpaper and progress to finer grits to achieve an even surface. Proper preparation is essential to prevent a patchy finish. After sanding, the furniture must be degreased and cleaned. Wiping the surface with methylated spirit on a cloth effectively removes dirt, grease, and sawdust, and the piece should be allowed to dry completely, ideally overnight. The first coat of the chosen finish is then applied. Drying times vary significantly; stains, dyes, and waxes dry quickly, while oils can take 4-12 hours. Manufacturers' instructions should be followed carefully. Most finishes are applied sparingly with a brush, working with the wood grain, while wax can be applied with a cloth, sponge, or brush. After the first coat dries, a 'denibbing' step is recommended for oil, hard wax oil, or varnish finishes. This involves lightly sanding with fine sandpaper or a denibbing pad to remove imperfections and create a better surface for the second coat. This step is not necessary for wax. Finally, a second coat is applied in the same manner as the first. Typically, two coats are sufficient for oil, wax, or hard wax oil, and two to three coats for varnish. It is not advisable to stain over varnished wood without first removing the varnish, as the new product will not properly penetrate or adhere to the surface, potentially leading to an undesirable finish. Refinishing furniture is generally manageable for a weekend project, provided the right tools and products are used, although extended drying times for some oils may require an extra day. #woodFurniture #furnitureRefinishing #DIYProjects #homeImprovement #sustainableLiving #upcycling #interiorDesign #decorTransformation #woodCare

This comprehensive shopping guide, compiled by the editors of 5280 Home, details recommended showrooms and stores for various home renovation needs, focusing on fixed-in-place finishes such as cabinets, tile, lighting, appliances, and bath and kitchen fixtures. The selection prioritizes locally-owned businesses, with a few notable chains included, all chosen independently without advertising influence. The guide is structured by product category, offering specific store recommendations, addresses, contact information, and often highlights unique offerings or trending products. Under the 'Cabinets' section, the article introduces several distinguished showrooms. Aspen Leaf Kitchens on Tennyson Street is praised for its high-end, Colorado-made cabinets showcased in a renovated bungalow, emphasizing cabinets as a design focal point. Bulthaup, located in the Golden Triangle, is noted as the sole Colorado retailer for its German manufacturer, with a particular mention of its B3 drawer systems and anodized-aluminum finishes. Exquisite Kitchen Design, led by founder Mikal Otten, displays timeless kitchen concepts at the Denver Design District's Collection. Kitchen Distributors, with its 5,000-square-foot showroom in Littleton, is highlighted for its contemporary cabinetry and meticulous record-keeping. Kitchens by Wedgewood, featuring a manufacturing facility in Louisville, offers custom projects and various brands, suggesting options for hidden storage. Luxe Kitchens & Interiors, a Washington Park-based firm, specializes in elegant kitchens and baths using Plato Woodwork's custom cabinetry. Rifugio Modern, known for its flagship Arclinea line, emphasizes the kitchen as an ultimate refuge and plans a new Cherry Creek North location. Solesdi, a newcomer in RiNo, carries sleek cabinet systems from Italian brands Boffi and Dada. Studio Como, a RiNo mainstay, provides European minimalism with brands like Minotti and Poliform kitchens. Thurston Kitchen & Bath, with a 12,000-square-foot Denver showroom, presents a range from super-matte nano-tech finishes to Miele appliances. Vesel Contemporary Kitchens, located in LoHi, creates custom European-inspired cabinetry in Colorado. William Ohs, a 45-year-old Denver-based cabinet-maker, is recognized for its hand-applied finishes, rift-cut oak, and blue color trends. For 'Kitchen & Bath Fixtures,' the guide features the Kohler Signature Store by Facets of Cherry Creek, showcasing innovative products like ombré faucet finishes and the Wall-Mounted Farmstead Sink. Ultra Design Center, a locally owned depot, offers decorative plumbing and architectural hardware, highlighting fixtures for at-home wellness and the Victoria & Albert Barcelona 2 tub. Waterworks in the Denver Design District is noted for its _au naturel_ finishes, such as unlacquered brass, and the Henry Gooseneck Faucet. In 'Lighting,' Circa Lighting, opening in the Denver Design District, is lauded for its timeless offerings, including the Cynara Small Chandelier. Fusion Light and Design, with multiple locations, is described as having boutique-like showrooms. Galleria Lighting & Design, an emporium representing over 200 brands, features favorites like Arteriors and Currey & Company. RH Denver, the Gallery at Cherry Creek, is an essential stop for dazzling fixtures by designers like Jonathan Browning. Room & Board emphasizes American-made modern design wares with features like USB integration, recommending the Fairbanks Pendant. Urban Lights in Overland caters to every lighting need, showcasing fixtures from Kelly Wearstler and Vermont Modern, with a spotlight on the Vermont Modern One Light Mini Pendant. Under 'Appliances,' Builder Appliance Center (BAC) in Englewood provides 14 working kitchens for product demos and boasts experienced staff to answer questions about Alexa-integrated appliances, featuring the Viking Electric Single French Door Oven. Mountain High Appliance, with multiple locations, allows customers to try over 250 hooked-up appliances before buying. Roth Living, with a new showroom designed by Arch 11, presents luxury appliances in stunning kitchen vignettes, highlighting the Wolf Coffee System. Specialty Appliance, with three locations, is popular for its diverse inventory ranging from low-end to luxury brands like Miele and Sub-Zero, and the AGA Elise Range in Matte Black. Finally, for 'Tile,' Ann Sacks on Broadway showcases boundary-pushing tile, including handcrafted ceramic tiles in earthy palettes. Arizona Tile, a sprawling resource off I-70, offers slabs and tile, including marble mosaics and quartz countertops, featuring the Lucia Porcelain Tile in Walnut. Crossville Studios, the largest family-owned tile manufacturer, has multiple Colorado locations with renovated showrooms. Daltile, an international manufacturer, provides design consultants and a Room Visualizer tool online. Decorative Materials in the Denver Design District is the place for conversation-worthy backsplashes, such as the Maison Surface Pemberton Parquet tile. Julep Tile Company, run by a husband-and-wife duo, handcrafts sustainable tiles inspired by vintage wallpaper, recommending the Handmade Subway Tile with Pearl Trim. Materials Marketing, a national brand, is praised for its high-quality stone, glass, and ceramic tile, offering custom architectural stonework. Porcelanosa, moving to Suite A in the Denver Design District, offers a wide range of products from cabinetry to sinks, encouraging meetings with design consultants to reimagine spaces. This comprehensive guide serves as a valuable resource for anyone undertaking a home renovation project in the Denver area, providing curated recommendations for essential materials and fixtures. #HomeRenovation #ShoppingGuide #KitchenDesign #BathFixtures #HomeLighting #HomeAppliances #TileDesign #DenverDesign #LocalBusinesses

Vintage furniture offers a unique opportunity to infuse character and a sense of history into a home, distinguishing it from mass-produced items. The appeal lies in elements such as well-worn leather, artisanal details, and an inherent historic feel, all of which contribute to a personalized and soulful interior. While traditional hunting grounds like flea markets and sprawling antique stores offer a thrill, many consumers prefer a more curated shopping experience. This article highlights eight top vintage furniture stores, accessible both in-person and online, that specialize in hand-picking antique and vintage pieces. Chairish stands out as a well-established online marketplace with over a decade of operation, offering more than a million listings. It caters to a wide range of tastes, enabling users to search for specific styles like Louis XV dining chairs or chinoiserie desks and filter by preferred decor aesthetics. Litt Concept House, a Los Angeles institution since 1973 (originally Mitchell Litt Home), provides international antiques. After a change in ownership in 2021, it continues to offer a brick-and-mortar experience alongside its online presence, featuring items from the 19th and early 20th centuries, including tables, dressers, wardrobes, and settees. Everything but the House (EBTH), established in 2008, reimagines the estate sale experience as an online auction. Starting bids at just $1 allow for the potential acquisition of significant pieces, such as Biedermeier-style armoires or Hollywood Regency brass side tables, though buyers are advised to review shipping and pickup details carefully. Jayson Home, based in Chicago, serves as a hub for Midwestern designers and travelers. Its Clybourn Avenue store is complemented by a comprehensive website, showcasing unique finds like antique toile fabric folding screens, distinct light fixtures, and oak armoires with rich patinas. One Kings Lane is recognized for its sophisticated collection of antique and vintage furniture. Its online platform features a diverse range of rare and luxurious items, often with a global influence, including mother-of-pearl inlay benches, Moroccan poufs, and hand-carved cabinets from the early 1800s. High Style Deco, located in New York City, specializes in Art Deco furnishings. The store offers velvet dining chairs and sculptural cocktail tables in person, with an expanded selection available online, catering to those looking to integrate vintage glamor or timeless pieces like neoclassical vitrines and leather-wrapped club chairs into their decor. Authentic Provence, situated in West Palm Beach, Florida, presents a mix of pieces spanning various eras. Known for its garden statues and home furnishings, its online shop features 18th to 19th-century items, including Rococo and Baroque styles, alongside other beautiful vintage selections. Finally, Lolo French Antiques, located in Birmingham, Alabama, focuses specifically on French antiques that are at least 100 years old, while also offering a selection of vintage furniture and objets d'art. Their website provides access to pieces suitable for a French chateau, such as bleached walnut coffee tables and Bergère Marquise armchairs, with shipping services available nationwide. #VintageFurniture #AntiqueShopping #HomeDecor #InteriorDesign #OnlineShopping #CuratedCollectibles #FurnitureStores #DesignTrends

Maintaining the original finish on antique furniture is crucial for preserving its value, as advised by Karen Keane, CEO of Skinner Inc. Many antique pieces have been inadvertently damaged by owners attempting to "improve" their appearance through repainting, touching up, lacquering, oiling, or sanding. Keane emphasizes that the finish significantly impacts an antique's worth. For painted antique furniture, collectors prioritize items that retain their original appearance. Eighteenth-century pine country furniture, for instance, was often painted in vibrant colors like blue or barn red. Over time, these paints oxidize and fade, developing a desirable mellow, "dry" look. This natural aging process, known as craquelure, where paint begins to crack, is acceptable and even preferred by collectors as it indicates originality. However, owners should be wary of uniform craquelure, which can signify forgery. Applying modern lacquered finishes to originally painted pieces is generally disliked by collectors. Stained antique furniture also requires careful preservation. Historically, American furniture made from domestic woods like maple or cherry was stained to mimic mahogany. A common mistake is oiling stained wood, which Keane strongly advises against. Oil penetrates the wood grain, oxidizes, and can cause the wood to blacken, as observed in her own kitchen floor treated with Murphy Oil Soap. Instead, solid waxes—such as paste wax, butcher's wax, or French polish—are recommended. These waxes, typically containing beeswax, create a protective surface and can be easily removed, a quality valued by conservators. Liquid waxes should be avoided due to their potential inclusion of damaging oils. For antique pieces that have already been stripped, varnished, or oiled, owners have the option to leave them as they are or have them professionally restored to their original state. However, restoration of a damaged piece typically does not increase its market value. The trade market frequently encounters compromised pieces. Keane notes that owning a piece not in its original condition can alleviate concerns about further damage. She cites her own Victorian drop-leaf dining table, which was stripped of its original finish, as an example. She purchased it at a lower price and feels less stressed about potential wear and tear, occasionally waxing it but not overly worrying about spills or damage. #AntiqueFurniture #FurnitureRestoration #PreservationTips #HomeDecoration #AntiqueAppraisal #WoodFinishing #InteriorDesign #Collectibles #VintageHome

This article explores the growing trend of furniture flipping, offering expert advice on how to transform old or discarded furniture into profitable pieces. It addresses the increasing interest in sustainable practices and provides a practical guide for individuals looking to venture into the furniture flipping business, whether for personal projects or as a source of income. The content highlights the importance of strategic selection, proper restoration techniques, and effective sales methods to ensure profitability. The initial phase of furniture flipping involves identifying suitable pieces. The article emphasizes looking for items with quality craftsmanship, noting that well-made joinery contributes to both longevity and aesthetic appeal. Furniture crafted from solid, durable materials is generally a better investment than those made from cheaper alternatives like chipboard, which can be harder to sell. Minor defects such as small scratches and dents are considered desirable, as they are often easy to fix and present an opportunity to add value, distinguishing the piece from those that might deter casual buyers. The acquisition cost is also a critical factor; buying low is essential to maximize profit margins, especially for those new to the market without an established clientele. Furthermore, identifying the potential of a piece and having a clear plan for its improvement is crucial. This includes considering what material enhancements can increase its value and ensuring these upgrades are durable for future use. Once a suitable piece is acquired, the article details the necessary tools and a step-by-step restoration process. Essential tools include a microfiber cloth, warm soapy water for cleaning, a protective mask for safety, sanding sponges or an electric sander, a paint scraper, paint primer, the chosen paint, a paintbrush or roller, and a sealant or polish. The restoration process begins with thoroughly cleaning the furniture. This is followed by sanding or stripping, depending on the furniture's existing condition; multiple layers of paint may require stripping, while minor finishes can be addressed with sanding. Priming is recommended as an extra precaution to ensure an even and smooth paint application. The painting stage involves applying paint along the wood grain, with a suggestion to choose universal colors if the goal is resale. Protecting the finished piece with a sealant or polish is a vital final step to ensure its durability and maintain its renewed appearance. The article also suggests adding 'finishing touches,' such as replacing old handles with more stylish ones, to further enhance the furniture's appeal and market value. Selling flipped furniture for a profit requires a strategic approach to marketing and pricing. Understanding the target audience is paramount, whether selling to local buyers, interior designers, or high-budget clients. This audience dictates the choice of marketplace; high-end pieces might be best suited for platforms like Chairish or 1st Dibs, while more accessible items could sell well on Facebook Marketplace. Pricing should consider the initial purchase cost, material expenses, and the labor invested. Researching similar items in the chosen marketplace helps in setting a competitive price. A common recommendation is to price slightly above the market average to allow for negotiation while aiming for a markup of around 200% to ensure profitability. Ultimately, while challenging, furniture flipping offers an eco-friendly way to generate income and contribute to a circular economy, reducing waste and fostering creativity in home design. #furnitureFlipping #DIYProjects #sustainableLiving #homeDecoration #interiorDesign #thriftStoreFinds #furnitureRestoration #homeImprovement #resaleMarket

The article introduces RH Modern, Restoration Hardware's first freestanding retail platform, located on Beverly. This new concept is described as a minimalist haven, offering a fresh and refined aesthetic that departs from Restoration Hardware's traditional antique-minded style. The gallery integrates sophisticated design elements and aims to provide inspiration for home, office, and patio spaces. Upon entering, guests are greeted by contemporary art, specifically two massive Retna pieces, setting a modern tone. The interior design features luxurious yet understated room presentations, creating an immersive experience. The architectural and design choices highlight a commitment to modernism, evident in details such as palm tree-clad terraces and carefully curated displays. Key design features of RH Modern include the extensive use of rich brass and bronze hardware, adding a touch of elegance and warmth. Glass and aged mirrors are incorporated to enhance light and space, while platform and canopy beds offer contemporary bedroom solutions. Oversized ottomans and sofas and sectionals with integrated accent tables provide functional and stylish seating arrangements, promoting both comfort and modern living. The lighting in RH Modern is characterized by dramatic sculptural fixtures, which serve as focal points and artistic statements. Floating lounge chairs and vanities further contribute to the minimalist and sophisticated ambiance, creating a sense of lightness and openness. The material palette emphasizes luxurious leathers and a blend of rustic and refined woods, demonstrating a versatile approach to texture and finish. Gary Friedman, RH chairman and CEO, credits the collaborative effort of numerous talented individuals from various creative fields for bringing RH Modern to fruition. He highlights the contributions of artists, artisans, art directors, architects, designers, photographers, merchants, and manufacturers from around the globe, each contributing their unique perspective. Friedman specifically acknowledges Fabien Baron for his work in blurring the lines between a magazine and a catalog, thereby establishing a contemporary and revolutionary brand identity across RH Modern's Source Book, website, and advertising campaigns. The RH Modern Gallery is positioned as a source of next-level inspiration for those looking to enhance their living and working environments with modern design. The gallery's operating hours are Monday through Saturday from 10 am to 7 pm and Sunday from 11 am to 6 pm. #RHModern #RestorationHardware #ModernDesign #HomeDecor #InteriorDesign #BeverlyHills #LuxuryFurniture #RetailDesign #ArchitecturalInnovation

The Art Deco design era, characterized by its bold statements, sweeping modern lines, geometric details, and an optimistic outlook, is experiencing a significant resurgence, particularly among Gen Z. This aesthetic, which emerged alongside the 1920s' rapid industrialization, the silver screen, and the rise of urban architecture, is gaining traction as indicated by Pinterest's Fall 2025 Trend Report. The report highlights a substantial increase in searches for "art deco interior 1920s vintage" (up 745%) and "art deco vintage" (up 805%) among Gen Z users. Antiques experts and dealers, such as Greg Kowles from New Orleans Auction, confirm the timeless appeal of Art Deco furniture, sculptures, and lighting fixtures, likening the style to Old Hollywood glamour and elegance. This renewed interest suggests that now is an opportune time for enthusiasts to seek out Art Deco pieces before their prices escalate. The article identifies five specific Art Deco items that experts are currently thrifting due to their anticipated popularity and value. One such item is the dry bar, a piece of furniture designed for both storage and mixing drinks. Younger collectors are increasingly drawn to these items, which often feature beautiful wood grains, highly polished finishes, sleek designs, and sturdy construction. While high-end dry bars can be expensive, hidden gems can be found in thrift shops or antique malls. Lola Berbette, owner and curator of The Lion’s Mane, shares a personal anecdote of regret over selling a Turnidge of London bar cabinet, underscoring the desirability of these pieces. Velvet club chairs are another popular Art Deco find. These chairs, known for their curvy, sumptuous lines, shell-inspired channel backs, and sleek silhouettes, add a touch of glamour to any room, evoking images of vintage parties. Berbette notes that clients are often drawn to these "small luxuries." Even chairs with tired upholstery are considered valuable, as their vintage frames can be reupholstered for a fraction of the cost of new furniture, offering a personalized touch. Waterfall dressers, easily recognizable by their rounded front edge that mimics a gentle cascade, are a distinctive Art Deco staple. These pieces frequently incorporate inlaid wood details and striking geometric patterns and can be found as tall chests, wide dressers, and vanities. Berbette advises looking for items with clean lines and attractive wood grain. Though some can be pricey, many waterfall dressers are overlooked in thrift stores, providing opportunities for budget-conscious collectors. Statement mirrors offer an accessible way to integrate the Art Deco aesthetic without undertaking a complete room redesign. Berbette emphasizes that even a single, well-chosen mirror can dramatically alter a space. Shell-motif and flapper-style mirrors, along with linear, architecturally inspired designs, are common. These mirrors, which recall the grandeur of 1920s skyscrapers, theaters, and hotels, are often surprisingly affordable, with many available at thrift stores or antique markets for under $100. Finally, sculptural lighting, particularly skyscraper pendant lights, contrasts sharply with the ornate styles of the Victorian era. These fixtures make an impact with sleek lines and modern, machine-inspired shapes, often crafted from frosted or milk glass with bold detailing. Jen Bienvenue, an interior decorator and antiques dealer, notes that Art Deco pendants bridge antique and modern interior styles and that alabaster and frosted glass diffuses light evenly, creating a perfect ambiance. While pristine examples can be costly, pieces needing minor restoration or rewiring can be acquired more affordably, making a dusty frosted glass skyscraper pendant a worthwhile grab from a thrift shop. #ArtDeco #VintageFurniture #Thrifting #InteriorDesign #HomeDecor #AntiqueCollecting #GenZTrends #DesignHistory #FurnitureRestoration

Anne-Marie Eddy, owner of ReFabulous Decor in Vineyard Haven, transforms vintage furniture and household items through upcycling, giving them new life and purpose. Initially trained in corporate sales, Eddy, along with her husband Jim Eddy, first established Big Sky Tents in 1998 on Martha's Vineyard. Her creative pursuits led her to discover Annie Sloan Chalk Paint, known for its ease of use without priming or sanding, non-toxic properties, and quick drying time. This discovery prompted her to begin painting furniture in her own home, eventually inspiring her to open ReFabulous Decor in June 2013. ReFabulous Decor, which has relocated twice and is now situated at the corner of Main and Union streets, serves as both a retail store and studio. Eddy sources her pieces from various places, including yard sales, the Chicken Alley Thrift Store in Vineyard Haven, and estate sales conducted by Rush & Fisher auctioneers. She also has loyal customers who assist her in finding suitable items. Her selection criteria prioritize good quality pieces at affordable prices to ensure accessibility for Islanders. During her work, Eddy sometimes uncovers hidden treasures within the furniture, such as old notes from the 1940s, photographs, and pocket change, which adds to the historical narrative of each piece. The business plays a role in the local community by providing an affordable option for Islanders to acquire unique, beautiful furniture and to update their existing decor. Eddy emphasizes that many pieces have undergone an "Island shuffle," and her work helps them find a permanent home. Her most popular product is Annie Sloan Chalk Paint, with neutral colors like Old White and Paris Grey being the most requested. Customers are increasingly experimenting with color mixing for custom looks. The "driftwood" aesthetic is a particularly popular choice among clients, achieved through blending neutral tones with a damp cloth. ReFabulous Decor also offers a wider range of decorative finishes, top coats, metallics, glazes, and colored waxes to support further customization. The store also functions as a space for local artists to display and sell their work. Eddy and her staff offer personalized consultations, helping customers visualize how to restore their furniture using paint samples and providing advice on various techniques. They utilize social media platforms like Facebook, Instagram, and their website to educate customers through videos and tips. The store also offers a wide array of DIY tools, including Miss Mustard Seed Milk Paint, Saltwash for a sun-and-salt-wash effect, Prima Marketing mixed-media supplies, and Iron Orchid Designs products such as decor stamps, transfers, molds, and rollers. Additionally, they carry the General Finishes line of glazes, pearlized finishes, and topcoat sealers. The shop provides unique stencils and brushes, offers hands-on stenciling instructions, and rents out stencils for projects, alongside free in-store demonstrations of their DIY products. ReFabulous Decor also takes custom furniture orders and sells handcrafted jewelry and other home decor items. #furnitureUpcycling #DIYHomeDecor #AnnieSloanChalkPaint #vintageFurniture #Martha'sVineyardBusiness #refurbishedDecor #creativeEntrepreneurship #sustainableLiving #localBusiness