The Insider: Bright Modern Touches Unite With Tradition in Gut Reno of East 'Burg Rowhouse

A comprehensive renovation project was undertaken for a landmarked five-story brownstone in Cobble Hill, Brooklyn, prompted by the structural deterioration of its rear wall. The initial repair evolved into a complete top-to-bottom transformation, encompassing significant architectural and interior design changes. The project involved the installation of a new three-story wood and glass window system on the rear facade, enhancing natural light and views. The formerly low-ceilinged attic space was converted into a skylit home office, complete with a kitchenette and access to a newly created roof terrace. The restoration work paid careful attention to preserving historical elements, including the meticulous repair and reinstallation of original lacy plasterwork and other intricate historic details throughout the house. Concurrently, the homeowner, an interior designer, curated an entirely new color palette and furnishings scheme, blending modern aesthetics with the home's 19th-century character. Built in 1850 in the Anglo-Italianate style, the house is part of a unique architectural complex where three row houses are designed to appear as a single, larger mansion. This architectural type, characterized by its approximately 16-foot width and absence of a high stoop, is a notable, albeit rare, feature of the neighborhood. The English basement primarily serves for storage, with utilities entering at this level. The first floor, historically the staff and kitchen area, was reconfigured to improve light, airflow, and sightlines. The front room was preserved as a cozy sitting area with an arched window, while the kitchen and dining area were relocated to the middle and rear, offering expansive views of the backyard. The elegant second floor, known as the _piano nobile_, features a grand staircase leading to a central hall that separates a formal living room at the front from a more casual family room at the rear. The decorative plaster crown moldings on this level were restored, and the staircase was reinforced and given new treads. The third and fourth floors are dedicated to bedrooms, with a primary suite on the third floor and children's rooms on the fourth. The primary suite's layout was reconfigured so that it is entered from a generous hallway in the center of the house, rather than at one end, which is typical for row houses. A fitted closet connects the bedroom and bathroom, with the two-level bathroom design dictated by plumbing considerations. Children's rooms and bathrooms on the fourth floor were designed with vibrant patterns and colors. In the former attic space, The Brooklyn Studio created a functional penthouse study and a central kitchenette/bar area that opens onto an outdoor deck with a brick fireplace. An oval glass insert in the kitchenette floor allows natural light from the new skylight and sliding glass doors to extend to the floor below. The kitchen features a custom brass stove hood, a marble backsplash with prominent veining, and hand-blown glass knobs by Danish artist Nina Norgaard on the stained oak millwork. The design prioritized an airy feel by minimizing upper cabinetry. Throughout the renovation, existing floor structures were maintained where possible, with new parquet veneer flooring laid over original surfaces in some areas to preserve the underlying structure. #CobbleHill #BrownstoneRenovation #InteriorDesign #HistoricPreservation #TheBrooklynStudio #HomeOffice #Kitchenette #RoofTerrace #StructuralRenovation

This article details the comprehensive renovation of a 1927 Tudor-style house in Riverdale, New York, transforming its traditional interior into an avant-garde space. Purchased by Fritz and Lee Michel, the house initially featured a dated aesthetic with floral-print wallpaper and an abundance of brown tones. Designer Molly Luetkemeyer, founder of M. Design Interiors, spearheaded the project, drawing inspiration from the Wiener Werkstätte movement, contemporary to the house's original construction. This movement, known for its black and white geometric shapes and vibrant accents, became the guiding principle for the new interior. The renovation involved extensive structural changes to open up the cramped original layout. Thaddeus Briner of Architecture Outfit collaborated with Riccoboni Contracting to create a light-filled, open-plan living space. The entire renovation process spanned two years, allowing meticulous attention to detail, including a custom triangle-patterned carpet for the stairs, reminiscent of 1920s Viennese design. Each area of the house received a thoughtful modern update. The frequently used basement level, serving as the family’s primary entrance due to the house’s hillside location, was not overlooked. It was revitalized with a colorful paint scheme, bespoke cabinetry, and polished concrete floors. A central, open-concept kitchen was also integrated into the design. A key aspect of the project was the strong collaborative dynamic between the Michels and Luetkemeyer. Lee Michel contributed the idea for an Yves Klein blue dining-room table, while Fritz Michel sourced a unique chain-mail curtain to serve as a room divider from a Canadian armor maker. Even the couple's young daughters participated, requesting neon tubing, which Luetkemeyer translated into personalized nameplates above their beds. The most challenging design decision was the smoky-black color chosen for the living room, which required some persuasion but ultimately became one of the house’s most elegant and memorable features. The article highlights how the design team successfully merged the historical charm of the Tudor exterior with a bold, contemporary interior, creating a family-friendly home that is both personal and stylish, while subtly nodding to the architectural era's modern design movements. #DesignHunting #InteriorRenovation #TudorStyle #AvantGardeDesign #MollyLuetkemeyer #WienerWerkstätte #HomeDesign #RiverdaleRenovation #ModernInterior

The article details the renovation of a vintage three-story row house in Prospect Lefferts Gardens (PLG), led by Brooklyn-based architectural practice Studio Officina. The project was initiated by new homeowners who expressed a strong preference for vibrant colors in their interior design, a departure from currently popular monochromatic schemes. However, the renovation faced significant initial challenges, as extensive structural issues, including considerable termite damage and unresolved leaks, were discovered after demolition began. These issues necessitated the replacement of numerous joists on each floor, delaying the implementation of the homeowners' colorful vision. Once the structural repairs were completed, Studio Officina proceeded with the comprehensive renovation of the parlor level and the addition of a new bathroom on the top floor. The original layout of the 50-foot-long structure, which had been a two-family residence, featured four rooms per floor with two internal rooms and a meandering corridor, creating a somewhat inefficient and disjointed feel. The architectural team retained but modified the long hallway on the parlor floor, strategically narrowing the middle rooms to integrate a coat closet, a new powder room, and pantry storage. This adjustment aimed to enhance functionality and flow within the space. The core of the aesthetic design revolved around the bold use of paint and tile. The homeowners’ desire for color was met with unabashedly bold primary hues, meticulously balanced with substantial amounts of white to prevent the spaces from feeling overwhelming. The architect emphasized that at eye level, even in the hallway, white surfaces largely dominate the visual field, providing a clean contrast to the vibrant accents. A notable design element is the use of patterned tiles from the Margherita range by Mutina, designed by Natalie du Pasquier, a co-founder of the 1980s design collective Memphis, available through Stone Source. These tiles are featured prominently throughout the project. Specific design choices highlight the colorful theme. The staircase structure was painted a vivid blue, tempered by white wainscoting. The front parlor, serving as the living room, features walls painted in Farrow & Ball’s Stirabout, a neutral earthy tone, complementing a brown velvet sofa from Sarah Ellison, which was one of the few new furniture purchases. The kitchen, a central focus, was designed around the clients' specific request for a "pink kitchen" from "Day One." This vision materialized with a pink Samsung Bespoke refrigerator and custom cabinetry by Jon Besch. A backsplash of zellige tile from Zia Tile and natural wood elements, including open cubbies and a cabinet, were incorporated to provide textural variation and prevent the pink from dominating the space. Countertops are stone slabs from Geraci Stone Gallery, and pendant lights above the kitchen island were crafted by one of the homeowners, a ceramic artist. The dining area, adjacent to the kitchen, was created by removing a load-bearing wall to establish a wider, more open space. A Noguchi Akari light fixture illuminates the dining table. The newly added powder room and upstairs bathroom also showcase the project’s commitment to distinctive tile work. The powder room features graphic wall and floor tiles from Mutina’s Margherita line, while the upstairs bath includes a vanity from Alape and Pixel tile from Italian supplier 41zero42. Studio Officina also utilized an existing light well, enlarging it to accommodate a new skylight, enhancing natural light in the new bathroom. The article concludes by noting that until all rooms are renovated, the homeowners' children are given artistic freedom on the walls, underscoring the family-centric and personalized approach to the home’s ongoing evolution. #HomeRenovation #InteriorDesign #ColorfulInteriors #ProspectLeffertsGardens #StudioOfficina #BrooklynRealEstate #TileDesign #StructuralRepair #CustomCabinetry

Architect Alexandra Barker, founder of Gowanus-based Barker Associates Architecture Office, undertook a comprehensive gut renovation of a four-story townhouse in Boerum Hill. The project involved a complete overhaul, addressing every aspect from mechanical systems, kitchen, baths, and flooring to the creation of new moldings. A central design motif in this renovation is the extensive incorporation of curved elements, drawing inspiration from the classic arched doorways found in 19th-century row houses. A significant architectural feature is the installation of a deep vaulted arch with fluted plasterwork on the parlor floor. This arch serves as a strategic element to create a defined threshold between the front and back sections of the floor. This design addresses common challenges associated with open-plan layouts, such as discreetly integrating necessary functions like powder rooms, closets, and bar areas, as well as concealing HVAC elements and other mechanicals, without disrupting the main living spaces. The meticulous execution of this fluted plaster arch required the expertise of a skilled craftsperson from Brooklyn-based SuperStrata, highlighting the project's commitment to detailed craftsmanship. Curves are consistently applied throughout the townhouse, exemplified by the ceiling soffits in the deep-purple garden-level family room. These soffits cleverly conceal lighting, HVAC systems, and window-shade pockets, demonstrating how curves can gracefully integrate utilitarian elements while enhancing the aesthetic. Barker notes that curves contribute to a sense of connection rather than interruption, allowing for more elegant concealment of structural and functional components. The interior design, curated by Barker Associates Architecture Office’s team, features sculptural, contemporary furnishings with a distinct '70s/'80s influence. The color palette deviates from conventional choices, focusing on mushroom, green, and purple tones, deliberately avoiding blue to establish a unique and adventurous ambiance. Notable selections include a white Julep sofa by Tacchini, a hand-knotted Hatsu rug, a custom walnut sideboard, and a gold painted relief by Andrew Zimmerman in the front parlor. The Galatea armchair, sourced from 1stDibs, further contributes to the eclectic and modern-retro aesthetic. The kitchen showcases a custom tambour stove hood, providing textural contrast to the smooth, Shaker-style cabinets painted in Farrow & Ball’s Jitney. The upper cabinets are designed to appear more like furniture than built-ins by not extending to the ceiling. Calacatta Vagli Viola marble, with its pronounced veins of mushroom, purple, and green, was chosen for the countertops and backsplash, serving as a foundational color template for the entire house. The dining area features a curved pantry cabinet, a pale oak dining table from Maiden Home, and Giraffe chairs by Juliana Lima Vasconcellos. The second floor, housing the primary suite, continues the curved theme with multiple arches defining room divisions and framing the walk-in closet. The primary bedroom is painted in Farrow & Ball’s Pegnoir with a mottled treatment by Faux Coos. The primary bath includes a freestanding tub with a steel casement window overlooking the garden, and features green onyx for the vanity top and shower lining. A new circular skylight on the top floor extends the curvilinear design to the highest level of the building, enhancing natural light and architectural interest. Additional spaces include a taupe guest bedroom with a green velvet bed and clay pendant lamps, and a son’s room featuring trompe l’oeil arcade wallpaper by Monologue, chartreuse stools, and a custom capsule-shaped rug. The home office incorporates custom tambour millwork and specialized lighting. The garden-level playroom is furnished with an iconic Togo chair, a La Pepino chaise, and a Squiggle rug, reflecting a playful yet sophisticated design. The aubergine-colored family/media room, complete with an inset marble bar and steel-framed windows, offers a luxurious setting. A second powder room on the garden level features black and white marble, maintaining the elegant and bold material choices throughout the renovation. #BoerumHill #TownhouseRenovation #CurvedArchitecture #InteriorDesign #ModernFurnishings #ArchitecturalFeatures #ColorPalette #CustomMillwork

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

Updating a historic home while preserving its original character presents a common design challenge. This article details the process of reinventing a mansion-scaled limestone townhouse in Brooklyn, NYC, built in 1898, which featured wood-paneled walls, ornate ceiling moldings, and polished parquet floors. Jason Saft, founder of Staged to Sell Home, undertook this renovation, introducing contemporary, high-end furnishings to appeal to potential buyers while honoring the special historic details of the property. The renovation focused on several key principles. First, respecting the property's history was paramount. The neo-Italian Renaissance townhouse, designed by architect Montrose Morris, holds significant historical presence overlooking Prospect Park. Saft's approach was to enhance, not diminish, this heritage. Second, the project emphasized preserving original features. In areas like the hallway with mirrored closets and stained glass windows, architectural integrity was maintained, with modern art serving as the sole contemporary addition. This strategy allowed the inherent character of the home to shine through, complemented by modern elements. Achieving balance in the color palette and styles was another crucial aspect. Drawing inspiration from Prospect Park, varying shades of green were incorporated. To counteract the visual weight of the dark wood paneling, a palette of creams, beige, and white was introduced to lighten the space. Saft strategically mirrored existing architectural details, such as ceiling moldings, with furniture choices like curved ivory couches, creating visual symmetry and connectivity throughout the rooms. Light-colored upholstery was extensively used to modernize the space, addressing concerns that dark woodwork could make the home feel dated or museum-like. By integrating lighter case goods and upholstered pieces, the living areas were brightened, and the woodwork appeared less heavy. The shape of new furniture, such as contemporary couches, was also considered to introduce modern lines. To foster a collected atmosphere, lighter profiled pieces were chosen for areas like the staircase, contrasting with the grand original features. This approach aimed to make the home feel welcoming rather than overwhelming, blending grandeur with comfort. Curating views within the home was also important, as exemplified in the dining room, where a custom dowel table and Rodin dining chairs brought a contemporary flair, harmonizing with traditional elements like ceiling beams and dark wood paneling. The design philosophy advocated for a mix of antique and modern pieces, recognizing that successful integration often requires trial and error. Dressing the space with well-chosen pieces provided an instant uplift. In the home office, a period-style fireplace and paneling were complemented by a comfortable mix of midcentury furniture, antiques, and found objects. Saft underscored the importance of researching historical design styles to inform the integration of traditional and modern elements. Finally, selecting timeless, transitional pieces for major furnishings, such as beds and couches, ensured longevity in design. Art played a significant role in every room, with contemporary artworks often placed in traditional frames to bridge design styles. Midcentury-style furniture was combined with custom contemporary pieces to create a cohesive and updated aesthetic. The transformation of this historic home, executed with speed and precision, demonstrates how a thoughtful blend of styles, colors, art, and furnishings can update a property while preserving its inherent charm and maximizing its appeal. #HistoricHomeRenovation #TransitionalDesign #NYCRealEstate #InteriorStyling #HomeStaging #VintageCharm #ModernInteriors #DesignBalance #ArchitecturalPreservation

Keren and Thomas Richter of White Arrow, a Brooklyn design studio, undertook a seven-year renovation of their 2,000-square-foot, two-bedroom, two-bath apartment located in a landmarked 1892 Williamsburg building. This building originally functioned as a business college before being converted into artist lofts. The renovation is characterized by custom millwork, arched windows, distinctive tiled bathrooms, and the integration of salvaged Victorian doors and hardware, resulting in a meticulously detailed home. Keren Richter emphasizes that the extended renovation period allowed for a more thoughtful design evolution, ensuring a higher degree of nuance and attention to detail that might have been overlooked in a quicker process. Keren acquired the co-op unit in 2010, initially performing a basic paint job and floor refinishing. The design vision shifted significantly after she met Thomas, who has a background in visual effects. Their shared experiences in Europe led to a design language that incorporated Mediterranean influences, such as Portuguese tile work, and a blend of various styles to create a more European aesthetic, moving away from Keren’s initial rustic concept. Architect Kevin Greenberg of Space Exploration collaborated on the project from its inception, playing a crucial role in establishing the floor plan and the placement of electrical and plumbing systems. Greenberg also contributed to the design of the kitchen cabinetry, which drew inspiration from 19th-century French bakery cabinets, and the master bath and dressing room. Keren engaged in extensive international online sourcing for materials, utilizing platforms like eBay’s U.K. and Italian sites, Craigslist, Chairish, Etsy, and Live Auctioneers. A key focus of her search was acquiring historically significant doors, prioritizing those with grand proportions and original etched glass to enhance light flow into interior spaces, as well as period-appropriate Victorian hinges and knobs. The apartment's cohesive aesthetic is maintained through a consistent color palette, featuring Farrow & Ball’s Wimborne White on walls in rooms with wood floors and Webet in areas with black painted floors. Tristan Warner Studios served as the general contractor for the renovation. A focal point near the apartment’s entrance is a magnificent arched doorway, which Keren acquired early in the project. This doorway, repurposed from its original location, now leads to what serves as their young daughter's bedroom. A mid-20th-century chandelier from eBay Italy illuminates the apartment’s original, largely preserved tin ceilings. The living room features modern furnishings with a 1970s influence, including a Tobia Scarpa leather sofa, an Yves Klein coffee table, a Josef Frank rug, and chrome table lamps. White Arrow designed the custom floating credenza, and a newly created arch above the windows echoes the building’s exterior architectural elements. The apartment also incorporates salvaged items such as a fireplace mantel and extensive moldings and trim that align with the building's late 19th-century character. The master bedroom is painted in Farrow & Ball’s Hague Blue and furnished with a Shaker-style four-poster bed. A custom dressing room/closet utilizes salvaged doors, with bespoke metalwork by Mitchell Dose, who also fabricated a metal and glass partition for the master bath’s wet room, which includes a shower and a footed tub from Build It Green. The master bath vanity and gilded mirror evoke an Art Deco style. In the dining room and kitchen, North American chestnut floors are laid in a herringbone pattern. White Arrow designed the dining table, paired with Børge Mogensen chairs and a Moroccan rug. Lighting includes a chandelier by Brendan Ravenhill and Gubi pendant lights. The Richters replaced an existing structural arch between the kitchen and dining areas with a flatter one featuring millwork detail. The custom kitchen cabinetry, inspired by antique French bakers’ cabinets, incorporates wavy mouth-blown restoration glass from Bendheim. Vintage faucets from eBay England and other vintage hardware complete the kitchen. The nursery, formerly a guest room, features wainscoting and metallic wallpaper from Calico Wallpaper. The second bathroom showcases a collection of ceramic Delft and Portuguese tiles sourced online, with faucets from the British company Barber Wilsons & Co. on an antique earthenware sink. Thomas Richter provided the photography for the article. #InteriorDesign #ArchitecturalSalvage #LoftConversion #WilliamsburgRealEstate #WhiteArrowDesign #HomeRenovation #VintageFurnishings #BrooklynInteriors #HistoricBuilding

A 19th-century brownstone in a Historic District, featuring extensive mahogany woodwork, underwent a significant renovation to balance the preservation of its original details with the creation of a brighter, more contemporary living space. The project was led by architect Kim Letven of NV/design.architecture, with construction completed by Brooklyn-based Burda Construction over 14 months. The brownstone's layout was reconfigured, dedicating three floors to the homeowners and reserving the garden level for visiting relatives. The parlor floor now houses the living room and a new kitchen/dining area, the second floor contains the primary bedroom, a study, and a new bathroom, while the third floor accommodates two children’s rooms and two new bathrooms. A key aspect of the renovation involved extensive structural modifications, including blowing out the rear walls on both the parlor and garden levels. These openings were then fitted with large steel and glass installations to maximize natural light entry. Despite these modern interventions, great care was taken to restore the original architectural elements. The magnificent burled mahogany doors, carved moldings, and plasterwork throughout the house were meticulously retained and repaired, ensuring that the historical character of the home remained intact. Beyond aesthetics, the renovation encompassed a complete overhaul of the building's infrastructure. All mechanical systems, including plumbing and electrical, were replaced. Radiant heating elements were installed beneath new pale white oak floors, which feature a herringbone pattern on the parlor floor and a straight run elsewhere, contributing to both comfort and a clean, modern aesthetic. The interior decor was influenced by the clients' preference for the color blue, evident in the sectional sofa in the front room. Specific design choices highlight the blend of old and new. The kitchen features lower cabinets painted in Benjamin Moore’s Beau Green, complemented by white Caesarstone countertops and matte gold fixtures from Restoration Hardware. A subtle gap in the crown molding above the new window wall discreetly integrates an automatic roll-down window shade. The primary bedroom emphasizes minimalism, allowing the intact original moldings and window trim to stand out. The second-floor study/library is distinguished by blue-backed bookcases and a preserved plaster arch. Bathrooms throughout the house received modern updates. The primary bath employs a subtle color scheme with a custom wood vanity designed to resemble furniture, gold-toned hardware, and gray marble hex tiles. One of the top-floor baths features turquoise glass tiles in the shower and marble mosaics on the floor, while another uses Popham encaustic cement tiles from Ann Sacks. A new large skylight and a wood-veneer pendant from LZF illuminate the top floor landing, further enhancing the home's brightness. Even a boy's room was personalized with a wall covered in a rocket ship blueprint, adding a unique touch. The lower level, designated for guests, also received an expansive kitchen as part of its renovation. #ParkSlope #BrownstoneRenovation #HistoricPreservation #InteriorDesign #ModernHome #ArchitecturalRenovation #BrooklynRealEstate #NVdesignArchitecture

A circa 1824 brick townhouse in Brooklyn Heights, formerly owned by landscape designer Alice Ireys, underwent a decorative makeover by Brooklyn-based design studio White Arrow for a family with two school-age children. The homeowners desired a design that honored the home's history while incorporating a fresh, modern sensibility, with a particular appreciation for cozy, antique elements and the simplicity of modern design. Keren Richter, co-founder and principal designer of White Arrow, aimed to create interiors that felt rooted in tradition yet updated for a young family. This project was a decorative overhaul rather than a gut renovation, as the townhouse's historical integrity, including Federal-era details like the newel post, stair, and parlor moldings, had been well-preserved by the previous owner. The structure, mechanical systems, and the four-story layout were suitable for a family of four, described by Richter as not overly grand, allowing for an intimate living experience. The design approach was strategic, focusing on enhancing existing features and introducing new decorative elements. Inspired by British decorating aesthetics, characterized by pattern mixing, florals, and a sense of coziness, White Arrow removed old wallpaper, repainted walls, and introduced layered lighting. Most of the furnishings were new acquisitions. The front parlor, designated as an adult entertaining space, features a crescent-shaped green velvet sofa and a Kant coffee table by RW Guild, chosen for their curvilinear forms to promote gathering and a convivial atmosphere. The room's white paint was selected to highlight the patterning of the antique fireplace tiles, avoiding visual clutter that wallpaper might introduce. The entry hall includes a Sawkille Rabbit bench beneath a contemporary photograph by Dean West. The rear parlor houses the formal dining room, which is adorned with hand block-printed wallpaper by Marthe Armitage for Hamilton Weston. A custom O’lampia chandelier illuminates a Nickey Kehoe Harvest dining table and Svenskt Tenn dining chairs. A modernist console and various artworks were brought by the homeowners from their previous residence. The garden level hosts the kitchen in the center, with a dining/breakfast area at the rear and a children's play area at the front. The kitchen cabinets are painted a pale blue from Fine Paints of Europe, complemented by Gordon stools from Lostine and rattan cone lights from Soane. The family dining area, situated at the rear of the garden level, opens to the backyard through sliding glass doors and features a round Bobbin table by Alfred Newall. A boldly striped stair runner connects the four floors of the house, adding a consistent design element. The second floor includes a sitting/family room adjacent to the primary bedroom. This room, painted in a deep blue, is conceived as an evening space with ample seating, including a rolled-arm sectional and a Chinese Art Deco rug. The dark color scheme in this room is intended to create a cozy, English library-like atmosphere and discreetly camouflage the television. The primary bedroom is furnished with a Kyma headboard by Ensemblier and a Nickey Kehoe bench upholstered in striped fabric by Flora Soames. The main bathroom retained its existing claw-foot bathtub and blue painted floors, requiring minimal intervention. The children’s top-floor bedrooms feature dormer windows, with the daughter's room enveloped in Svensk Tenn botanical wallpaper and the son's room decorated with bold primary colors, both designed to create lasting memories. #BrooklynHeights #TownhouseRenovation #InteriorDesign #EnglishDesign #WhiteArrow #HistoricHome #DecorativeMakeover #FamilyHome #TraditionalModernBlend

In the vibrant Greenpoint section of Brooklyn, a creative couple, Jill Magid, a conceptual artist, and Jonny Bauer, an advertising executive, embarked on a significant remodel of their row house. This property, originally a workman’s cottage, underwent a head-to-toe transformation completed in mid-2013, blending its historical essence with modern design sensibilities. The exterior of the home immediately signals its updated character through subtle yet impactful design choices. For instance, the house numbers, a sleek neon '175' rendered in a sans serif font, serve as a modern beacon on a street otherwise characterized by more traditional architecture. This miniature, functional art piece, created by Magid herself, hints at the artistic and thoughtful approach taken throughout the renovation. The project focused on preserving the historic 'bones' of the structure while introducing contemporary interior updates to suit the couple's lifestyle and aesthetic preferences. This careful balance ensures that the home respects its past as a workman's cottage but simultaneously functions as a modern family residence. The renovation involved a comprehensive overhaul, from structural adjustments to the selection of finishes and fixtures, all designed to enhance both the functionality and visual appeal of the space. The integration of modern elements, such as the distinctive neon house numbers and potentially other interior design features, contrasts with the traditional brick siding, creating a unique visual identity for the property. The article highlights how the couple approached the renovation, suggesting a collaborative effort that infused their individual creative and professional backgrounds into the home's design. The choice of materials, color palettes, and spatial arrangements would have been meticulously considered to achieve a harmonious blend of old and new. This thoughtful renovation process aims to create a living space that is not only aesthetically pleasing but also highly functional for a contemporary family. The remodel transforms the historic dwelling into a personalized sanctuary that reflects the artistic inclinations of its owners while maintaining a connection to its architectural heritage. Ultimately, the project in Greenpoint serves as an example of how historic properties can be revitalized through careful and creative renovation. By updating the interior while honoring the original structure, Magid and Bauer have created a home that stands out with its unique blend of artistic expression and historical charm. The narrative implicitly suggests that the renovation involved strategic decisions to modernize living spaces, improve natural light, and optimize the layout, all contributing to a more comfortable and visually engaging environment. The home becomes a testament to how art and design can elevate everyday living within an urban historical context. #BrooklynHome #HomeRenovation #HistoricPreservation #ModernInteriorDesign #Greenpoint #ArtisticHome #RowHouseRenovation #CreativeCouple #UrbanDesign

Interior designer Boo Randle undertook a comprehensive redesign of her 1906 Uptown New Orleans home, transforming a previously all-white interior into a vibrant, personalized space. Randle, who moved into the home in spring 2022, aimed to create a living expression of her personal style that was also family and animal-friendly, and conducive to entertaining. She approached the project with a structured methodology, similar to how she manages client projects, assembling a team of an architect, contractor, fabricators, installers, and artisans from the outset. The redesign began with conceptualization, moving through design, procurement, and installation. Randle envisioned a home that felt collected, layered, and timeless, incorporating a mix of antique, vintage, and modern pieces. Many items have a personal history, such as 1960s wingback chairs that have been reupholstered multiple times, a glass and iron table from her childhood home, and mid-century modern lamps acquired from a former employer. This approach ensures that the home tells a story and retains sentimental value, aligning with her philosophy of integrating clients' special pieces into their designs. A distinctive aspect of Randle's design is her color palette, which features a blend of greens, blues, and soft pinks. She strategically used darker, richer colors in the front rooms, transitioning to cream paint in areas with more natural light towards the back of the house. To maintain cohesion, the same green trim was used throughout the main level, and a consistent color palette was echoed in various combinations across rooms. Randle views the downstairs as a single, interconnected space, where each room flows into the next, and elements like rugs and trim complement each other seamlessly. Whimsical elements are also integrated to add a playful touch. For instance, the formal dining room features music-inspired wallpaper from MINDTHEGAP, reflecting Randle's love for music. Near the bar area, a southern tropical wallpaper adds another layer of print, complemented by bold-patterned vinyl floor covering from Spicher and Company, which Randle praises for its durability and aesthetic appeal in high-traffic areas. The renovation encountered structural challenges typical of historic homes, particularly in the kitchen. Instead of moving the range due to electrical issues, Randle opted for sleek European custom cabinetry to enhance aesthetics and storage. An island made of Infinity White Quartzite was added to the kitchen, creating more prep space and fostering an open, welcoming environment for entertaining, a crucial aspect given the kitchen's role as the central gathering spot for her family and guests. Upstairs, a significant design decision involved combining two bedrooms and two bathrooms into a quad design, achieved in collaboration with architect Kim Payne Allen of Studio BKA. This transformation was driven by the need for more functional space, including a large, multifunctional closet and a larger bathroom, sacrificing a fifth bedroom to accommodate these desires. Architectural obstacles, particularly concerning existing plumbing, led to creative solutions like a walk-through shower. The design prioritized natural light, especially in the primary bedroom and bathroom, where wood plantation shutters offer views of pecan trees and enhance the lustrous marble surfaces. Allen's design for the closet made the original fireplace a focal point, framing the display of Randle's shoes and bags, creating a stylish backdrop. The expanded space also includes an office nook, his and her closets, and a small exercise area. Randle's personal touches, such as French artwork, vintage dressers, plush rugs, and objet d’art, further personalize the bedrooms, which are kept light and bright to maximize natural light, with color accents in upholstery and accessories. The entire project reflects Randle's ethos of surrounding oneself with beloved items, resulting in a home that is authentically her, functional, and imbued with warmth. #HomeRedesign #HistoricHome #InteriorDesign #UptownNewOrleans #BooRandle #ArchitecturalRenovation #PersonalStyle #ColorPalette #WhimsicalElements

This article highlights the extensive renovation and interior design transformation of a historic Federal-style townhouse in Smith Row, Georgetown, Washington, DC. Built in 1815, these homes are rarely available, and the current owners undertook a nearly three-year project to update the property while honoring its historical integrity. The renovation involved a "full-gut" and an excavation to add space in the basement, overseen by Overmyer Architects, Goldsborough Design Build, and DCA Landscape Architects, with Tracy Morris Design handling the luxurious interior finishes. The entry foyer was designed to complement the home's elegant Federal-style detailing with contemporary furnishings. Overmyer Architects introduced wall paneling for subtle detail, and the space was kept clutter-free with minimal furnishings. The original floors were replaced with warm walnut by Welborn & Wright, and modern fixtures like a lantern from Urban Electric and a console by Alfonso Marina were incorporated. The design intent was to create a contemporary contrast that highlights the home's historic architecture, a significant undertaking given the property's neglected state prior to the renovation. A new family living room was added to the home, featuring an enormous skylight and a wall of windows designed by Overmyer Architects, including a modern pivot door. The room is grounded by a washed Oushak rug from Afghanistan, and a custom Vanguard sofa was built to fit the space, providing comfort without overwhelming it. This addition exemplifies how modern functionality and aesthetic preferences were integrated into the historic structure. The kitchen, also an addition, was conceived as a clean-lined galley space. It showcases a stylish combination of white, slab-front cabinets with warm walnut sections, blending contemporary design with a nod to the home's original era. High-end Gaggenau appliances contribute to the streamlined aesthetic. This design choice reflects a commitment to both modern utility and visual harmony within the renovated property. The first-floor living room serves as a more formal area, embodying the balance between elegance and comfort the clients desired. Tracy Morris describes it as her favorite room, combining old and new elements effectively. A. Rudin sofas with clean lines are balanced by classical column fluting, creating a transitional aesthetic. The homeowner's artwork was used as a color base, and a washed Oushak rug tied the color scheme together. Custom console tables from Ferrel Mittman, Vaughn Lamps, and bespoke framed mirrors complete the sophisticated yet approachable ambiance. The bedroom offers a blend of traditional style and modern comforts. The calm decor is highlighted by smart features, such as a painting over the fireplace that conceals a wall-mounted TV and a remote-controlled fireplace. Benjamin Moore’s Winter Solstice paint color was chosen for the walls to create an enveloping atmosphere that makes cream accents stand out. In the primary bathroom, generous proportions allowed for luxurious design elements. A stone fireplace was created using book-matched slabs, serving as a focal point. A gently curved Kallista tub and single faucet mirror the tub's shape, offering a soft contrast to the hard stone. The exterior of the 200-year-old Federal-style home was meticulously preserved, with windows refurbished by hand and millwork given a new paint job using Benjamin Moore’s Lafayette Green in a high gloss for the shutters and front door. The overall renovation successfully combined traditional period details and original features with contemporary design elements, resulting in a beautiful and comfortable modern home. #HistoricHome #HomeRenovation #InteriorDesign #GeorgetownDC #FederalStyle #ModernTraditionalMix #LuxuryInteriors #ArchitecturalRenovation

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

This article details the renovation of a late 19th-century row house in Red Hook, Brooklyn, a project spearheaded by architect Allison Reeves of arDesign as her first solo endeavor. The homeowners initiated the renovation by demolishing many of the small, dark rooms, setting the stage for a comprehensive gut renovation. The building, which had not been updated in decades, was transformed into a single-family residence, with an open-plan living room, kitchen, and dining area situated on the top floor to maximize natural light and views of the skyline. Reeves' design philosophy for this project centered on a modern yet warm aesthetic, emphasizing natural materials and a balanced palette. The extensive demolition provided an opportunity for selective rebuilding, allowing the architect to integrate elements like bare brick and wood, which contribute significantly to the interior's warmth and character. A major structural change involved the complete removal and reconstruction of the rotted, sloping roof. Reeves implemented a distinctive "double flat roof" design, featuring a higher front section, a lower rear section, and a new clerestory window in the middle. This innovative roof structure visually enhances the sense of space while only minimally increasing the building's overall height. Material selection played a crucial role in achieving the desired aesthetic. The homeowners sourced reclaimed barn wood from a Pennsylvania company, which was subsequently used for the new ceiling and roof beams on the top floor, as well as for the flooring throughout the house. General contractor John Fasano oversaw the construction process. The exterior underwent significant changes, including the replacement of the original, deteriorating brick with new black brick. A striking design feature is the large, slanted window on the front facade, strategically punched out and tilted to optimize natural light and views, and which also functions as an interior window seat. The installation of new triple-glazed European windows, including casement and tilt-and-turn styles, further enhances energy efficiency and aesthetic appeal. Inside, the existing brick was cleaned and left exposed, complementing the homeowners' collection of vintage Danish modern furniture and a sofa from Design Within Reach. Reeves provided the kitchen layout, with the homeowners collaborating with a kitchen company for appliance, cabinetry, and finish selections. The original steep and narrow staircase was replaced with a new one in the same general location, featuring oak treads made from the reclaimed barn wood. Eidan Dehri was responsible for the custom steelwork, including the railing. A glass panel in the floor allows light from a large skylight and glass doors on the roof level to filter deeper into the house, contributing to a brighter interior. The staircase extends to the roof, where a deck was installed. Mindful of previous storm damage, particularly from Hurricane Sandy, a bulkhead was incorporated to house the home’s mechanical systems, such as the hot water heater, air-conditioning condensers, and manifolds for the radiant heating system installed under all floors. The ceiling beams on the second floor, which contains two bedrooms and a bathroom, were retained as original features, preserving a connection to the house's history. Lesley Unruh provided the photography for the project. #RedHookRenovation #AllisonReeves #arDesign #ReclaimedWood #ExposedBrick #ModernDesign #RowHouseRenovation #BrooklynInteriors #NaturalMaterials

This article details the transformation of a 19th-century Federal-style town house in New York’s West Village by SPAN Architecture, converting it from multi-family apartments into a single-family residence. The original structure, an 1820s building, presented challenges such as deep lots leading to dark interiors, insufficient natural light on lower floors, and low ceilings. Recognizing these limitations and the absence of significant period details for restoration, principals Peter Pelsinski and Karen Stonely opted for a comprehensive gut renovation. A key aspect of the renovation capitalized on the property’s 60-foot backyard, enabling the architects to extend the first two floors by 30 feet while preserving ample outdoor space. To enhance the connection to the garden, the rear facade was removed, a second-floor terrace was added, and full-height windows were installed facing north, integrating modern design elements while respecting the historic lines of the surrounding houses. Internally, the building lacked a cellar, prompting excavation to create one. The roof was also leveled, increasing interior height by nearly eight feet, which required careful restructuring of ceilings to align with the existing front facade windows. The result is a 5,800-square-foot, four-bedroom home spanning five levels, featuring ceilings over ten feet high on the parlor floor, yet maintaining an unaltered exterior appearance. The interior design consciously blends traditional and contemporary aesthetics. Given the project's spec nature, a neutral palette was chosen, featuring white oak floors that establish a fluid connection between spaces. Subtle historical references are incorporated through baseboards, trim, and crown moldings. The steel-and-oak staircase, while traditional in form, lacks nosing and respects the original footprint, complemented by skylights that draw natural light deep into the lower levels, giving the house an “extroverted character” as Pelsinski describes. The property was acquired by a young family who enlisted Moises Esquenazi of Waowig Studio for interior decoration, providing him considerable artistic freedom. Esquenazi focused on creating inviting spaces that would complement the family’s art collection. His design approach included bold choices, such as a fuchsia-colored den, intended as a lively focal point upon entry. This vibrant room sets a playful tone for the rest of the home, which integrates contemporary Latin American art with pieces by mid-century designers like Milo Baughman and Pierre Guariche. Esquenazi also designed custom furnishings, including a lacquered-goatskin dining table, drawing inspiration from the 1970s. Two years after the family moved in, SPAN Architecture was re-engaged to modernize the kitchen and expand the master bathroom into a spa-like retreat, concluding a decade-long project. The revitalized town house now offers a bright, open living environment, seamlessly integrated into its urban setting while providing ample personal space. #TownHouseRenovation #SPANArchitecture #WestVillage #HistoricHome #ModernInteriorDesign #ResidentialArchitecture #NaturalLight #InteriorRenovation #LuxuryHomes