The Secret to This Lowcountry Artist’s Abode? Abundant Natural Light

The Swoon Art House, located in North Boulder, Colorado, is a minimalist artist retreat designed by Denver-based tres birds workshop. This project transformed a previously undeveloped site into a functional and aesthetically pleasing space, emphasizing environmental stewardship. The design integrates sustainable practices and materials, aiming for 100 percent renewable resource utilization. The retreat is a key component of the Swoon/Boulder Museum Contemporary Art International Artists Residency program. Spanning 7,000 square feet, the Swoon Art House showcases a blend of modern design principles with ancient construction methods. The architectural layout consists of two elongated structures positioned at an angle to each other. These buildings are distinctive for their rounded metal roofs, which provide a contemporary contrast to the substantial 30-inch-thick rammed earth walls. The material for these walls was sourced directly from the site, minimizing transportation impact and integrating the structure with its natural surroundings. The design also incorporates four vertical geothermal wells, which are responsible for powering the building’s heating and cooling systems, thus reducing reliance on conventional energy sources. The first of the two main structures is dedicated to accommodating artists in residence. It features two lofted bedrooms, each with its own bathroom, and a fully equipped kitchen. This arrangement is designed to provide comfortable and self-sufficient living quarters for the resident artists. A glass-walled passageway connects this living area to the second building, which functions as a private art studio. The studio is characterized by energy-conserving windows that allow ample natural light to permeate the space, creating an ideal environment for creative work. Hidden storage solutions are integrated throughout the studio, maintaining a clean and minimalist aesthetic, which is a core design principle of the retreat. The underlying philosophical concept for the architecture, as articulated by tres birds workshop, is based on the symbol of the circle. This symbol, recognized across various cultures, signifies eternity and continuity, lacking a definitive beginning or end. This principle is reflected not only in the physical design and flow of the structures but also in the holistic energy systems employed. The project emphasizes sustainability, artistic function, and a harmonious relationship with the environment. The use of rammed earth and geothermal energy highlights a commitment to eco-friendly building practices, providing a model for sustainable architectural development. #MinimalistDesign #ArtistRetreat #RammedEarth #RenewableResources #GeothermalEnergy #SustainableArchitecture #ColoradoArchitecture #TresBirdsWorkshop #EcoFriendlyBuilding

Tamsin Saunders, founder of the design studio Home & Found, has transformed a 1930s cottage in south-west London into a deeply personal home. Initially drawn to the property for its generous, albeit unloved, garden rather than its architecture, Saunders envisioned creating something beautiful. The house, a modest red-brick building, overlooked an open meadow and, despite its unremarkable exterior, presented an opportunity for transformation. Upon moving in, Saunders initially focused on essential structural updates and decoration. However, as her three children grew, the need for more flexible living and entertaining spaces prompted a comprehensive reconfiguration and expansion. A significant addition was an airy rear extension on the ground floor, meticulously designed to integrate a kitchen, dining area, a garden-view seating area, a study, and a laundry room within a relatively small footprint, all while maintaining the cottage’s graceful proportions. Wide French windows in this space frame views of mature trees and lush planting, creating a seamless flow between the interior and the garden. The design emphasizes simplicity, utilizing thoughtful joinery and furniture placement to define distinct areas without creating a sense of separation. The home's design reflects cherished memories and an intuitive approach to beauty. For instance, the wood paneling in the extension was inspired by a tiny outbuilding Saunders admired at a friend's house. Similarly, a sofa was created by reupholstering and reshaping a chaise found in a market, demonstrating her love for improvisation and unique pieces. A separate study provides Saunders with a workspace, offering views of nature and housing a collection of botanical drawings found by chance, adding a layer of serendipity to the decor. The former front living room was converted into a cozy snug, a family favorite during winter. The room features deep, glossy chocolate brown walls, which cleverly dissolve its edges and create an intimate atmosphere. This rich background highlights a mix of textures, materials, and objects, such as a sofa upholstered in Dutch linen with an old blanket and another covered in a rejected Bennison fabric, showcasing Saunders' ability to find beauty in unexpected places. Upstairs, each bedroom reflects the occupant's personality. Freya's room features a headboard upholstered in Svenskt Tenn's 'Mirakel' linen, with Chinese watercolors echoing its vibrant palette. Freya, who founded Black Lion Workshops, also painted various details in her room, giving new life to old lamps and decor elements. Tamsin’s own bedroom, located in the attic extension, is sparsely decorated with soft off-white walls with green undertones, allowing the windows to act as dynamic artworks framing the natural views. The tranquil shed at the end of the garden, built from reclaimed wood and hidden by trees, further exemplifies the home’s organic evolution. Its interior, adorned with patterns painted by Freya, draws inspiration from natural forms and historical motifs. Ultimately, the cottage embodies an approach where every element is brought together instinctively, rooted in memory and emotion, creating a natural and evolving home experience. #HomeDesign #CottageRenovation #InteriorDesign #GardenLiving #PersonalizedDecor #SustainableDesign #LondonHome #FamilyLiving #IntuitiveDesign

The article presents an exclusive tour of the Mountain Brook, Alabama home of interior designer Annie Bayer Goldberg, co-founder of AG Interior Design. Collaborating with her design partner Ginny Monheit Maguire, Goldberg transformed a traditional 1970s house into a space that reflects her personal style while offering practical design advice. The renovation prioritized minimal structural changes, focusing instead on impactful cosmetic updates. The initial design challenge involved addressing the dated and traditional aesthetic, particularly the extensive dark wood paneling prevalent throughout the home. Their primary strategy, often recommended to clients, involved repainting the wooden walls white. This choice preserved the home's traditional architectural integrity while imbuing the space with a modern feel. The white paint effectively highlighted the intricate details of the paneling and molding, demonstrating its transformative power. The family room, while maintaining its traditional white paneled walls and classic molding, integrates modern elements such as pop art, patterned side chairs, and a cowhide rug. Annie's preference for black and white is evident, balanced with unexpected touches of color, like yellow pillows. The living room features white walls and sofas, allowing colorful artwork and pink pillows to stand out. Antiques are strategically incorporated to introduce warmth and a sense of history, including three antique shields in the family room that align with the black and white theme. The foyer showcases a mid-century modern table, and careful consideration was given to furniture proportions to complement the high ceilings. The formal living room, for instance, features a large William McLure artwork above the fireplace, tall bookcases, and a substantial wooden bead chandelier to maintain scale. The dining room blends French-style chairs and an antique French sideboard with a modern mirrored table. A black-and-white dining nook is characterized by red gilded stools, acrylic ghost chairs, a ghost chandelier, statement wallpaper, and a contemporary table and centerpiece. A significant element of the design is the strategic use of black accents to create dramatic flair and cohesion. High-gloss black paint was applied to the cased openings in the foyer. The dining room walls and ceiling, as well as the powder bath walls, were painted black, and the hardwood floors were stained black. The master suite continues this theme with black bedroom walls and a striking black and white striped marble tile floor in the bathroom. This consistent use of black and white contributes to a fresh, clean, and unified aesthetic throughout the home. Splashes of color are introduced to further modernize the traditional setting. Pink accents appear in pillows in the family and formal living rooms, and colorful artwork, including pieces by William McLure, provides vibrant focal points. The central hallway features a bold Ralph Lauren Chinese red grasscloth wall covering, creating a significant impact without overwhelming the adjacent spaces. Annie's daughter Emory's room features a whimsical large pink and white stripe wall covering, LED "LOVE" marquee letters, and soft pink and white tones designed to adapt as she grows. Her daughter Madison's room is adorned with girly Ralph Lauren pink bow wallpaper and gold accents. Her son Pierce's room, initially monochromatic in shades of gray, is enlivened with playful stuffed animal mounts and increasing pops of color to reflect his developing personality. The playroom, an oversized space with a wall of bookshelves, was organized with professional help. The home’s traditional roots are respected, yet the integration of modern elements, color, and unique pieces results in a fun, outgoing, warm, and inviting atmosphere. #InteriorDesign #HomeDecor #TraditionalModernBlend #MountainBrookHome #AnnieBayerGoldberg #AGInteriorDesign #BlackAndWhiteDecor #HomeRenovation #ResidentialDesign

SlowStudio’s Cottage B&B No.11 is a residential design project located in Chicheng Valley, Hebei, China, envisioned as a prototype for a countryside regeneration initiative. The project stands behind the only preserved historical temple in the northern Chinese village, offering a unique opportunity to integrate modern living with the natural landscape and the site's seasonal changes, as well as its popularity for stargazing. The design emphasizes harmony with the rugged textures of the valley through the use of natural wood and stone, aiming to create a dynamic spatial experience for its occupants. The interior design of Cottage B&B No.11 blends modern amenities with rustic countryside charm, creating a welcoming dwelling that encourages immersion in the surroundings. This approach is achieved through thoughtful color schemes, nuanced lighting, and the incorporation of organic materials, which together instill a sense of dynamism and lyricism within the space. The design celebrates nature, enabling residents to experience the changing seasons and establish a profound connection with the landscape. A key architectural feature is a semi-circular skylight on the roof, designed to introduce dynamic light patterns throughout the day as natural light interacts with the interior walls. At night, this skylight transforms into a window for stargazing, further enhancing the connection to the natural environment. Additionally, the design incorporates an adjustable rotating platform that links the roof with the mezzanine. This platform, capable of a 45-degree rotation, manipulates light and shadow patterns, creating an artistic and ever-changing visual effect within the room. SlowStudio conceptualizes Cottage B&B No.11 as an earthly sanctuary where individuals can find peace and joy, appreciating both the beauty of nature and the passage of time. The project, covering an area of 101 sqm, was designed by Vincent GU and Chen JIN, with a design team including Wan Huiyang and Li Juan Service. The construction drawings and FF&E were managed by Lily Zhao, and the client for the project was UNICO. Boris Shiu was responsible for the photography, capturing the essence of the design and its integration with the environment. #SlowStudio #CottageBBNo11 #ChichengValley #ResidentialDesign #SkylightArchitecture #DynamicLighting #CountrysideRegeneration #NaturalMaterials #Stargazing

This article details the design and execution of a mountainside residence in Aspen, Colorado, for an art-collecting couple, a project undertaken by CCY Architects in collaboration with David Kleinberg Design Associates. The house, situated on a 6-acre site straddling an aspen grove and forests, was conceived to harmoniously blend with its natural surroundings while providing an ideal backdrop for the clients' extensive art collection. The design process began with an unusual 90-foot entry path, atypical for Aspen homes due to heavy snowfall. This long approach was intentionally designed to feature a reflective PVD-coated stainless-steel sculpture by Swiss artist Not Vital, positioning it at the end of an allée of aspens. This strategic placement frames nature, draws visitors toward the entrance, and slows their pace before revealing a panoramic view, thereby establishing the home's dual focus on art and the outdoors from the outset. The architectural concept involves two distinct volumes of weathered steel and board-formed concrete, linked by a glass-walled corridor. The two-story main house accommodates the primary bedroom, living areas, and a downstairs rec room, while a single-story guest wing is positioned at the rear of the property. This layout allows nature to integrate seamlessly with the interior spaces and ensures that the 10,750-square-foot, five-bedroom residence can comfortably host anywhere from two to sixteen people. A significant challenge for the design team was the north-facing orientation of the site, which, while ideal for displaying art due to consistent light, posed difficulties for maximizing natural brightness in a vacation home. To counteract this, CCY Architects incorporated winged roofs equipped with south-facing clerestory windows to draw in additional light. Paradoxically, the pool and terrace were strategically placed on the north side of the house to capture the most sun. For the interiors, David Kleinberg Design Associates, a firm with prior experience working with the clients on other homes, implemented a restrained, neutral palette. This included black porcelain-tile flooring and white-oak ceilings and millwork. Triple-pane, full-height windows were installed to offer uninterrupted panoramic views of the valley and intimate glimpses of the surrounding woods. Kleinberg emphasized that the design ensures that “There’s always an event at the end of a room, where your eye is either directed at an art wall or a window wall.” The art collection, beyond the Not Vital sculpture, was curated in consultation with Kleinberg to integrate seamlessly into the home. Notable pieces include an Alexander Calder tapestry above a guest-room bed, a James Rosenquist painting at the top of the stairs, and a David Hockney drawing in the dining room that complements the mountain views. The dining area features three square oak tables that can be configured flexibly to accommodate different group sizes, highlighting the home's practical and livable aspects. The design successfully marries the grandeur of the art and views with interiors that are equally compelling, creating a multifaceted aesthetic experience. #ResidentialDesign #AspenArchitecture #CCYArchitects #DavidKleinbergDesignAssociates #ArtIntegration #MountainsideHome #ModernArchitecture #SustainableDesign #ColoradoLuxuryHomes

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

Artist Lorien Stern resides with her partner, Dave, in a renovated single-wide trailer located within her family’s salvage yard in Inyokern, Mojave Desert. Despite the compact living space, Stern's home and studio, which are converted from old trailers and shipping containers, are vibrant and filled with her distinctive art. Her work often features cartoonish mirrored ghosts, ceramic shark heads, and animal-themed bath mats, all characterized by a playful and colorful approach to subjects often considered sinister or dark, reflecting her philosophy of facing fears through art. Stern emphasizes her preference for surrounding herself with colors and items that evoke happiness, drawing inspiration from the desert's natural beauty and its vibrant sunsets. The artist and her partner are planning an expansion, acquiring the adjacent property to develop a larger living space, a metal steel shop, and a business warehouse. This expansion will accommodate larger-scale artistic creations, such as a 10-foot snake sculpture. Their current home is outfitted with highly functional, artistically crafted, and brightly colored items, many sourced from fellow artists and friends like Katie Kimmel, Dusen Dusen, and India Jacobs. Among the recommended products, Stern highlights the Terra Kaffe Super Automatic Espresso Machine for its ease of use and ability to produce cappuccinos, enhancing morning routines. She also features her own designs, including a Seal Bathmat and a Black Duck at the Park Throw Pillowcase, which bring comfort and personal touches to her home, celebrating her pet ducks and providing a welcoming feel to her bathroom. Dave's Clubhouse Duck Wall Hanging Light is another cherished item, adding joy and ambient lighting to their home, particularly as it resembles their pet duck, Slim. For travel organization, Stern recommends the Baggu 3D Zip Set, praising its durability and cute designs. The Areaware Pattern Glasses are favored for their stability and versatility, suitable for both fancy cocktails and daily water consumption. A Dusen Dusen Stripe Dog Bed is featured, noted for its cheerful design and its appeal to both her dog and cat. The Katie Kimmel Dalmatian Vase is a beloved piece, combining Stern's affection for dalmatians and flowers. Her workspace includes an IKEA Trotten Sit/Stand Desk, chosen for its ideal size, white surface, ease of cleaning, and adjustable height, which supports both sitting and standing work. India Jacobs's creations, such as the Honeydew Arm, repurposed as a toilet paper holder, and a custom dog bowl, showcase unique artistic utility. Lastly, the Helen Levi Beach Mega Mug is her preferred drinking vessel due to its large capacity and unique, marbled design, which she often purchases as gifts. Kindah Khalidy's prints are also mentioned for their ability to brighten any room, with Stern appreciating the availability of prints that make the artwork more accessible. The article underscores Stern's artistic vision extending into her personal living space, creating an environment that is both functional and deeply reflective of her colorful, playful, and fear-confronting artistic style, even amidst the serene backdrop of the Mojave Desert. The curation of items within her home not only serves practical purposes but also acts as an extension of her creative spirit and her appreciation for fellow artists' work. #LorienStern #MojaveDesertHome #ArtistRecommendations #ColorfulInteriors #SmallSpaceLiving #ArtisticHomeDecor #ProductSpotlight #CreativeLiving #HomeDecor

Lisa and Gary Mieran, owners of Akyrah Kitchens, designed and largely built their two-storey, industrial-style home with modernist influences in Gympie, Queensland. The house, completed in December 2019 after a two-stage construction, is situated on land historically owned by Lisa's family. The design draws inspiration from Heide II, a modernist icon in Melbourne, celebrating concrete, timber, abundant light, and earthy tones. Lisa envisioned a home that would rise organically from the earth, becoming an integral part of the landscape and improving with age. The structure features off-form concrete, walls of glass, and tactile timbers, with the lower storey clad in cedar and the upper storey in recycled hardwood. Steel balustrading, handcrafted by Gary, complements the exterior, which also includes a swimming pool with Andorra limestone pavers. The interior features a breezeway offering spectacular views and airflow, with ceilings made of Henley Oak Grove engineered timber. The foyer includes a BassamFellows 'Geometric' day bed and artworks by Steve Waller. Given their expertise with Akyrah Kitchens, the kitchen in their home is a highlight, featuring blackbutt veneer doors, Basaltina benchtops, Circa taps from Brodware, and Inax 'Ceravio G' tiles. The living areas include a guest sitting area with a B&B Italia 'Le Bambole' sofa and a living room with a Cheminées Philippe fireplace and Jardan furnishings. The home was built in two stages to accommodate their grown children, Taren and Kirra. The first stage was a self-contained flat, which served as their temporary residence during the main build and now functions as a guest wing. The main house and another guest wing are connected by glassed walkways, with the main bedroom suite located upstairs. This design allows for three self-contained bedrooms with ensuites, providing private quarters for everyone while centralizing communal living spaces. Practicality and functionality are key design principles, evident in the integrated laundry within the bathroom behind a blackbutt joinery feature wall, and the kitchen's two large islands designed for simplicity and ample storage. The materials used throughout the home emphasize natural elements. Recycled timber is used for the upper storey and blackbutt joinery adds warmth, while the seamless flow of concrete from exterior to interior reinforces the architectural aesthetic. The home is designed for climate control, with generous light for winter warmth and cross-breezes for summer cooling. Lisa also undertook the landscaping, incorporating native plants like Xanthorrhoea, pandanus, native grasses, and succulents. The furniture, much of it Australian-made from brands like Jardan, is chosen for its timeless appeal and durability, reflecting the couple's preference for classic design over fleeting trends. The house stands as a testament to the couple's comprehensive involvement and shared vision, combining their professional skills with personal passions to create a harmonious and functional living space. #ModernistArchitecture #IndustrialStyle #ConcreteDesign #TimberAccents #SustainableMaterials #HomeDesign #OwnerBuilt #QueenslandHome #InteriorDesign

Perched on a hill in Los Angeles, this 1,300-square-foot Echo Park residence, designed by OWIU Design for creative producer Sue Chan, merges Japanese minimalism with a cabin-like warmth. The home functions as both a tranquil retreat from the city and an ideal workspace, catering to Chan’s frequent travel between New York and Los Angeles by offering a curated environment that highlights the best of the West Coast. The property features a main house and a separate, newly constructed office unit. A curved walkway introduces visitors to the home, which is strategically built to embrace its natural surroundings. OWIU Design meticulously integrated existing trees into the fencing, creating openings for branches to continue their growth, thus blurring the lines between built structure and nature. The elevated position of the home provides expansive views of East Los Angeles, which are maximized through thoughtful architectural choices. The living room, designed for entertaining, seamlessly transitions to an outdoor deck overlooking the Echo Park hills, allowing for open-air gatherings. The interior layout is open-plan, connecting the kitchen directly to the living area. Privacy in the bedroom is achieved through a custom-fabricated shoji screen by local Japanese artisans. The bedroom itself is set on a discreetly raised platform, a signature design intervention by OWIU to subtly delineate spaces for meditation without the need for traditional walls. In the kitchen, co-designed with Reform, a slanted skylight ensures abundant natural light. The material palette, characterized by continuous cedar and oak finishes throughout the house, imbues the space with an earthy warmth reminiscent of a cabin. OWIU and Reform collaborated to optimize the compact kitchen space, incorporating hidden storage solutions and floating shelves to maintain a minimalist aesthetic and functionality. The separate office unit mirrors the main house in its use of cedar clad siding and oak finishes, maintaining material continuity while establishing a distinct functional purpose. This unit, unlike the main house designed for entertaining, is conceived as a sanctuary or hideaway. Similar to the main house's bedroom, the office features a raised platform, signifying a space of retreat and privacy. A prominent picture-window in the office frames views of the surrounding trees, further connecting the interior with the natural landscape and enhancing the sense of calm and focus. #EchoParkHome #OWIUDesign #SueChan #JapaneseMinimalism #CabinInspired #LosAngelesArchitecture #HomeOfficeDesign #IndoorOutdoorLiving

Architect Omar Gandhi undertook the design of his family home, the OG House, situated on a narrow, formerly abandoned lot in Halifax, Nova Scotia. Initially, the ground floor was intended for Gandhi's architectural practice, but its purpose evolved during construction. The space is now dedicated to community projects, specifically providing housing for individuals experiencing homelessness and other public amenities within the neighborhood. The exterior of the OG House features a two-story cedar-clad structure resting on a brick base. The ground level, constructed from brick, incorporates a rounded corner designed to guide visitors towards the rear of the property, where the main entrances to both the home and the studio are located. The upper volume houses the residential areas and is characterized by a screen of vertical cedar slats, which offers privacy from the street while maintaining aesthetic appeal. At the rear of the property, a garage and parking area are connected to a broad brick staircase, providing access to the main residential entrance. Upon entering the home, a steel-clad, oval-shaped closet serves a dual function, offering storage solutions and defining the pathway into both the living quarters and the studio. The main living space, located directly above the studio, encompasses the kitchen, dining room, living room, and a bathroom. The interior design emphasizes warmth and coherence through the extensive use of white oak paneling on both walls and ceilings. This material choice, combined with a restrained color palette and carefully selected furnishings, imbues the space with a Scandinavian minimalist aesthetic. An oversized, rounded island serves as a central feature in the kitchen, complementing a continuous wall of white cabinetry that extends from the kitchen into the living room. In the dining area, a white oak table is illuminated by a pair of white Louis Poulsen PH 5 pendant lights. A notable architectural element on the living room side of the main floor is an oak-clad lightwell that extends upwards to the roof. Extensive light studies and parametric modeling were employed during the design phase to optimize the lightwell's form, ensuring that natural light adequately permeates the main floor. An interior window from a child's room on the third floor offers a direct view into this lightwell and down to the living room below. The home features several bathrooms, each maintaining the minimalist and modern design principles evident throughout the residence. Ema Peter Photography documented the project. #ArchitecturalDesign #MinimalistHome #HalifaxArchitecture #LightwellDesign #ScandinavianInterior #CedarCladding #OmarGandhi #CommunitySpace

Bev Adam and Craig Shearn, residents of an 1800s double-fronted miner's cottage in Melbourne's inner north, undertook a significant renovation of their home with the help of designer David Flack of Flack Studio. The exterior of the cottage was painted in a dramatic, heritage 'Oxblood' by Porter’s Paints, a choice that garnered attention and conversation from neighbors, suggesting a potential trendsetting move. The homeowners, both involved in the property industry, sought a professional's expertise for their 'last and biggest hurrah' in renovating, aiming to create a space tailored solely for their enjoyment, rather than focusing on resale value. The renovation involved stripping the residence back to its bare bones and implementing a new scheme and footprint. The brief included establishing a new master wing with a wet area and walk-in wardrobe, a guest bedroom, a den, a powder room, and a spacious new extension. This redesign transformed four period bedrooms into two, prioritizing personal comfort and luxury over the original layout. The interior design showcases a blend of vintage and contemporary elements with a vibrant mix of hues and textures. A key feature of the updated home is the oversized open-plan kitchen, centered around a custom island bench with a honed white Arabescato stone top, mild black steel legs, and brass feet. An adjoining bar, backed by glossy green stone, complements the kitchen. David Flack also designed a cozy nook with a custom leather banquette, a Cassina armchair, a vintage Bonacina side table, and a cowhide, which he describes as a 'crazy little maximalist corner' filled with objects and art. This area, along with the bar, has become a popular spot for guests, fulfilling the homeowners' desire for a space that encourages regular entertaining. The furniture selection combines pieces accumulated by the couple over the years with newly sourced items, including vintage Italian, Danish, and contemporary Australian pieces. These are thoughtfully arranged, particularly under the cathedral ceiling at the rear of the house, overlooking a large fireplace and plunge pool. The main bedroom features walls painted in Porter’s Paints ‘Donkey Grey’ and copper linen curtains. Dulux’s ‘Royal Battle’, a rich Prussian blue, is used in the walk-in wardrobe and to accent the hand-glazed Spanish shower tiles in the ensuite, which David discovered locally. Throughout the renovation, Flack Studio emphasized a methodology of 'testing and sculpting on site' to capture nuances and adapt designs, aiming for a project executed with integrity. The use of varied materials such as American oak timber veneer, polished plaster, steel frames, and Elba stone tiles further contributes to the home's unique character. The project successfully transformed an historic miner's cottage into a vibrant, personalized, and luxurious home that reflects the homeowners' desire for comfort, color, and a distinctive aesthetic. #FlackStudio #MelbourneCottage #HomeRenovation #InteriorDesign #ColourfulHome #VintageContemporaryMix #CustomDesign #LuxuryHome

This article details the renovation of a Park City, Utah, vacation home for a Chicago-based family of four, transforming it from a dated 1990s aesthetic into a serene sanctuary. The homeowners sought a space that would serve as a retreat from ski trips, distinct from the typical rustic ski lodge, and tasked designer Susannah Holmberg with the transformation. A central challenge and opportunity in the renovation was the home's existing round windows, which Holmberg initially found "hysterical" due to their nautical yellow wood trim and makeshift pantyhose shades. Instead of removing these unique features, she chose to embrace and enhance them by simplifying the framing with drywall and paint, turning them into a striking architectural element. The renovation began with addressing the overall outdated interior, which included a circular kitchen island with black countertops and "bad" pink walls. Holmberg recognized the potential despite the home's eccentricities and worked to modernize it while retaining its distinctive curved elements. The goal was to create a comfortable and refined atmosphere suitable for a second home where relaxation was paramount. The previous dark hardwood and mismatched carpeting were replaced with engineered white oak floorboards throughout the space, contributing to a brighter and more cohesive feel. Key design decisions were made to balance the home's unique character with a modern, soothing aesthetic. The existing wood ceiling beams and stonework were preserved to subtly nod to the mountain setting, while contemporary furniture pieces were introduced to create a sense of softness and sophistication. In the living room, low, chunky furniture, such as a Gubi slipper chair and a Ferm Living floor lamp, along with a shaggy rug, were selected to provide comfortable lounging areas for unwinding after outdoor activities. This emphasis on comfort acknowledged that second homes often see more relaxed use than primary residences. Holmberg also skillfully integrated the home's existing curved structures into the new design. The twisting staircase, another original feature, was updated by painting its oak rail and cap in a cream color, making it appear less rustic and more aligned with the refined aesthetic, while also being a budget-conscious decision. Similarly, a curved shower wall, originally clad in red tile and glass bricks, was retained but updated with delicate, chalky small tiles from Stone Source. The choice of small tiles allowed them to seamlessly wrap around the partition, creating what Holmberg describes as one of her favorite details in the house, notable for its uneven, grid-free appearance. The circular motif was extended into the kitchen, where a new softly curved island with stained oakwood slats and a dark butcher block countertop echoed the round windows. The selection of rich burgundy-plum lower cabinets was inspired by the natural red rock formations surrounding the property, ensuring the interior colors complemented the exterior landscape. Privacy was also considered, especially in the main bedroom, which featured large sliding doors and another round window. To address the need for light control without obstructing the unique window, floor-to-ceiling curtains were installed to wrap around and block the glass, providing an optional darkening solution while preserving the architectural quirk. The overall renovation successfully transformed a peculiar 1990s house into a harmonious, modern retreat that highlights its unique features as works of art. #HomeRenovation #InteriorDesign #UtahHome #CircularWindows #ModernMountainHome #ArchitecturalFeatures #DesignTransformation #SecondHomeDesign #SoothingInteriors

This article highlights the transformation of an Aspen home into a serene “treehouse” through interior design, focusing on creating a space that harmonizes with its natural surroundings and caters to the owner's lifestyle. The project was undertaken by designer Amanda Furlong of Basalt-based firm Cathers Home. The homeowner, an avid hiker and mother of two, was captivated by the property's lofty ceilings and a balcony offering expansive views of Independence Pass. However, the original interior's dark, brown-and-burgundy color palette obscured these scenic vistas. Furlong's primary objective was to infuse the living and dining areas with light, bright elements to "invite the outside in," thereby enhancing the home's connection to the surrounding nature. To achieve this, a muted color scheme was applied throughout the rooms. Walls were painted in Sherwin-Williams’ Aesthetic White, a crisp white hue that reflects natural light and creates a sense of openness. The sofa was upholstered in a cream-colored, easy-to-clean Crypton performance fabric, a practical choice for a homeowner who enjoys entertaining. This selection of durable, no-fuss materials allows for a relaxed atmosphere, enabling the homeowner to host gatherings without concern for potential spills or wear. The furniture arrangement and selection further contribute to the home's mountain-transitional style. A variety of seating options, including a modular sofa and a classic wingback chair, offer comfort and versatility. These pieces, while adhering to a timeless aesthetic, also provide practical functionality for both casual lounging and social events. To introduce warmth and anchor the airy spaces, Furlong incorporated a midcentury-style coffee table and a media console crafted from deep-toned wood. These darker elements subtly echo the existing ceiling beams, creating a cohesive and grounded design. In the dining room, a large round dining table was chosen to foster inclusivity and conversation during meals and gatherings. This design decision encourages interaction among guests, making the space more inviting. Statement light fixtures were integral to the design's finishing touches. Notably, the dining area features Oly’s Muriel bubble chandelier. Furlong describes this fixture as having individual glass bubbles that emit a light reminiscent of clouds in the sky, further reinforcing the home’s “treehouse” ambiance and its elevated connection to its natural environment. The overall design successfully shifts the focus to the breathtaking outdoor views, transforming a previously dark interior into a bright, harmonious, and inviting living space that celebrates its unique Aspen setting. #HomeDesign #InteriorDesign #AspenHome #MountainLiving #ZenDesign #MutedPalette #NaturalLight #PerformanceFabric #StatementLighting

Designer Jennifer Hunter, a lifelong city dweller, fulfilled her dream of a country estate in Washington, Connecticut, alongside her husband and two daughters. The couple discovered their ideal location over ten years ago, envisioning a classic Greek Revival home that would integrate with Litchfield County's historical architecture while showcasing Hunter's distinctive bold and playful design philosophy. Collaborating with Hinkel Design Group, a local architect, and Prospect Mountain Builders, they embarked on transforming this vision into a tangible home. The completed residence is a timeless yet functional space for Hunter’s family, characterized by durable finishes, intricate custom millwork, and a curated selection of custom wallpapers, antiques, and commissioned art, all designed to be appreciated without excessive formality. Hunter notes the positive reception from clients, many of whom have been inspired by the home to request similar materials or even engage her design services. The 4,500-square-foot house features four bedrooms and four-and-a-half bathrooms. The living room, painted in a high-gloss aubergine, provides versatile seating arrangements for various activities, including after-dinner cocktails, board games, and quiet reading. A custom portrait of George Washington serves as a playful homage to the town. Custom couches in Mughal Floral fabric by Botanica Trading, a custom art piece by Paste, an antique coffee table from 1stDibs, and sconces from Visual Comfort complete the space. Crisp white molding and chartreuse accents, such as a custom chaise covered in Sister Parish's Dot fabric, maintain an open and elegant feel. The family room, with its muted tones inspired by the natural landscape, openly connects to the kitchen but retains its distinct character. A soft green vaulted ceiling contributes to an effortless and grounded atmosphere. Exposed beams provide architectural interest and define the boundary between the kitchen and family room. The entryway immediately conveys Hunter’s signature style, combining traditional millwork with personalized elements like botanical collages by Paste, a Temple Studio runner, and a custom green wallpaper inspired by Albert Hadley’s ‘Happy’ pattern. In contrast to the vibrant hues found elsewhere, the kitchen adopts a serene approach with creamy cabinetry and natural stone countertops that are expected to develop a beautiful patina over time. Hunter aimed for a classic, clean, and calm space. The kitchen includes Farrow and Ball ‘Wimborne White’ cabinet paint, Fireclay Tile backsplash, Armac Martin hardware, Calacatta Luccicoso countertops from La Pietra Tile and Stone, Visual Comfort pendants, and a Lacanche range. A sunlit dining nook with a custom plate wall offers a cozy spot for family meals and activities. Adjacent to the dining room, a hunter green pantry provides a saturated nook reminiscent of an English larder, featuring open storage and baskets. The dining room itself boasts a whimsical mural by Zoe Design, inspired by the Garden Room at the nearby Mayflower Inn, complemented by furniture from Scout and Nimble and fabrics from Namay Samay and Etsy. The guest suite, known as “The Tree House,” is situated above the garage, providing privacy and a kitchenette. Its walls are adorned with a custom colorway of Sandberg’s Raphael wallpaper. The primary bathroom features a more masculine design with plaid floors and effortless materials, creating a spa-like retreat. A Kohler soaker tub offers a place for relaxation. The girls' room exudes childhood magic with floral Schumacher wallpaper, vintage twin beds, and a custom lamp shade in Schuyler Samperton fabric. The primary bedroom's aesthetic was inspired by a picnic basket, featuring woven textures, natural tones, and a custom bed with Jasper fabric, setting a tone of casual elegance. The mud bathroom on the ground floor combines style with practicality, serving as a full bath for outdoor clean-up while incorporating pattern play with Fireclay tile and Jasper wallpaper. The girls’ bathroom presents a feminine design with a powdery pink palette and a custom tile floor mimicking rosettes. The mudroom, painted in rich burgundy, offers functional storage for coats, shoes, and hats. Finally, the expansive porch, with its classic wicker furniture and striped textiles, invites relaxation, while the home's exterior, a Greek Revival design, was meticulously planned to blend seamlessly with the historic architecture of Litchfield County, incorporating custom elements like door hardware inspired by George Washington's jacket. #InteriorDesign #HomeDecor #CountryEstate #JenniferHunter #LitchfieldCounty #CustomMillwork #PatternPlay #GreekRevival #TailoredInteriors

Farmhouse style, a popular aesthetic for over 15 years, has deep roots extending far beyond its recent boom, largely attributed to HGTV and Chip and Joanna Gaines. This enduring style is characterized by charm, soul, and comfort, evolving into various forms such as modern, industrial, rustic, and refined farmhouse. While some elements, like exposed beams and wood paneling, are timeless, many ubiquitous features have become outdated. Several designers suggest retiring specific trends to refresh and update farmhouse interiors. One significant trend to move away from is the overuse of reproductions and kitschy Americana. Designer Ali Mahon advocates for replacing mass-produced signs, weathervanes, and game boards with authentic folk art from the 19th century, which offers unique stories and character. For instance, in Mahon’s own farmhouse, vintage folk art roosters add a distinctive patina against new wallpaper, complementing antique furniture like a trestle table surrounded by rattan armchairs. This approach emphasizes originality and historical value over imitation. Another trend designers recommend ditching is the strict adherence to a black and white color palette. While black and white is a classic combination, its excessive use can make a modern farmhouse feel sterile and uninspired. Austin-based designer Jamie Allen suggests incorporating more vibrant colors into both interiors and exteriors. She recommends Benjamin Moore’s Solitude or Smokey Mountain for indoor spaces and advises easing into exterior colors with shades like Benjamin Moore’s Collingwood or Edgecomb Gray. Painting the front door a bold color, such as Behr’s Hidden Gem or Sherwin Williams’ Salty Dog, is also encouraged to add a touch of personality, especially against a white exterior. An example of this is seen in a bunk room designed by Katie Rosenfeld, where soft blue walls create a warm and inviting atmosphere. The pursuit of perfection in materials is also identified as an outdated practice. New York-based designer Christina Salway emphasizes the beauty of patina over polished finishes. She notes that the “mega-modern farmhouse” aesthetic often relies on synthetic materials like spotless engineered French oak floors, gleaming synthetic stone countertops, and overly black hardware. Salway argues that these materials lack the ability to soften and evolve over time, unlike natural materials that develop character and show signs of life. Her preference for natural elements highlights a desire for interiors that feel lived-in and authentic. Wall-to-wall wood open shelving, while aesthetically pleasing in photographs, presents practical challenges. Austin-based designer Murphy Moon acknowledges the appeal of displaying cherished items like granny’s blue-and-white dishes or Pyrex collections. However, she points out that extensive open shelving can become cluttered and requires constant curation and dusting. As an alternative, Moon suggests glass-door cabinets with reeded or seeded glass, which provide a sense of depth and allow for display without demanding perfect organization. This solution maintains visual interest while reducing maintenance. Finally, the use of cheap, mass-produced barn lights is another trend to avoid. Ali Mahon advises against generic lighting fixtures, instead recommending the sourcing of vintage, one-of-a-kind gooseneck lanterns or original wheel chandeliers. Custom-designed lighting fixtures are also suggested as a way to create unique heirlooms. For example, Deep Landing Workshop is known for its handcrafted interior and exterior lights. In one Texas guesthouse bungalow kitchen, antique sconces and a milk glass pendant provide period charm and character, illustrating how thoughtfully chosen lighting can enhance a space. Interior barn doors, while sometimes charming, are also often impractical due to privacy concerns and the significant wall space they consume. Designers suggest alternative door solutions, such as five-panel doors, which are timeless and versatile, or antique carved wood doors for a distinctive touch. Even standard slab doors can be transformed with a glossy paint finish to add visual flair, as demonstrated by Stephanie Watts, who painted her bathroom’s original door the same warm ochre as the trim. #FarmhouseStyle #InteriorDesign #HomeDecor #DecoratingTrends #AuthenticDecor #ColorPalette #NaturalMaterials #KitchenDesign #LightingFixtures

This article details the transformation of a 100-year-old American Craftsman home in the foothills of Colorado’s Rocky Mountains by the design firm Salvesen Graham. The project was initiated when a young couple, one American and one British, relocated from California and sought a home that blended their cultural traditions, offering both relaxation and elegance without being overly formal. The designers, Mary Graham and Nicole Salvesen, aimed to create a comfortable yet sophisticated living space. The house, part of a community of heritage homes dating back to the early 20th century, presented a unique opportunity for Salvesen Graham, a firm more accustomed to working with buildings over 100 years old in the UK. The designers meticulously preserved and enhanced the home's period features, such as its brick and shiplap exterior and expansive veranda. Their approach balanced respect for the original architecture with a desire to update it for modern living, rather than creating a "living museum" of a 1900s mining town house. In the entryway, a small-scale patterned wallpaper contributes to a Victorian aesthetic, complemented by an Arts and Crafts lantern. The designers made a conscious decision to paint some of the original pine woodwork a sage green to neutralize its overwhelming orange tones, allowing the unpainted sections of craftsmanship to be appreciated more easily. This thoughtful intervention highlights the delicate balance between preservation and contemporary adaptation. The drawing room was designed as a sophisticated space for entertaining, with the clients actively participating in sourcing art, including an abstract floral piece. The living room, in contrast, serves as a more casual gathering area. The project was significantly impacted by the early days of the COVID-19 pandemic, leading to initial client-designer interactions via Zoom. This period also amplified the British client's desire to infuse English design elements into the American architectural style. A central pass-through space in the house was transformed into a hallway-cum-library, offering an intentional quiet zone that connects different rooms. The kitchen, designed in a Shaker style, bridges functional utilitarianism with English charm. Its formal layout was maintained, rejecting the trend of open-plan spaces, and features fitted units and a large island painted in various shades of blue. The dining room, referred to as the "hearth room," provides an informal dining experience with windows on three sides, creating a sense of dining among treetops. The space incorporates a striped floral fabric for curtains and Roman shades, aligning with painted tongue-and-groove paneling on the ceiling. Upholstered dining chairs, vintage rattan chairs, and a vibrant green built-in window seat contribute to a layered aesthetic. The bedrooms, particularly the master suite, are characterized by a rich interplay of color and pattern, featuring florals, stripes, paisleys, and soft geometrics in a cheerful palette of pinks and greens. Salvesen Graham, founded in London in 2013 by Mary Graham and Nicole Salvesen, is known for its layered aesthetic and timeless approach, aiming to create warm and soft interiors inspired by Georgian England and 18th- and 19th-century Indian textiles, while bringing an edge to quintessential British charm. #HomeDesign #InteriorDesign #AmericanCraftsman #BritishCharm #SalvesenGraham #ColoradoHomes #HistoricRenovation #TraditionalModern #LayeredAesthetic