Moby Dick Meets Northwest Hipster at This Reimagined Inn

The NoMad Hotel, located in Manhattan, offers a unique blend of Old World charm and modern-day influences, making it a distinctive destination for travelers. The hotel opened in a fully restored, turn-of-the-century Beaux-Arts building, with interiors designed by French designer Jacques Garcia. Garcia is renowned for his ability to integrate 17th- and 18th-century European aesthetics with contemporary design elements, a style evident throughout the hotel. Upon entering the guest rooms, visitors find reclaimed maple hardwood floors adorned with handmade vintage Heriz rugs, complementing French mahogany writing desks. The emphasis on luxurious comfort is further highlighted by linens, bedding, and bathrobes supplied by Sferra and Frette, along with Argan bath amenities. Many rooms elevate the bathing experience with the inclusion of freestanding, clawfoot bathtubs, offering a touch of classic indulgence. Art plays a significant role in the hotel's ambiance, with each room featuring pieces from a carefully curated art program. This collection includes vintage correspondence, antique travel collectibles, and original sketches and photography by contemporary artists, designed to immerse guests in a journey of discovery and intimacy. The aesthetic extends to common areas, where opulent textiles provide a rich and inviting atmosphere, and the staff's uniforms, designed by Bespoken, a New York-based menswear collective, reflect English tailoring traditions. A notable feature of The NoMad Hotel is its two-level library, which is connected by an original spiral staircase imported from the South of France and includes a mezzanine catwalk. This space provides a tranquil retreat for guests. Culinary excellence is a cornerstone of the hotel experience, with the restaurant managed by Chef Daniel Humm and Restaurateur Will Guidara, both acclaimed for their work at the three-Michelin-star-rated Eleven Madison Park. The stately dining room is characterized by dark oak furnishings and richly textured fabrics, creating an elegant setting. An original fireplace, sourced from a French château, adds historical grandeur to the common areas. The bar area features a dramatic 24-foot-long mahogany bar, and guests can enjoy a unique beer crafted exclusively for The NoMad by brewmaster Garrett Oliver of Brooklyn Brewery. A sunlit atrium dining space is created by natural light filtering through a glass roof, offering a bright and airy environment. The architectural firm Stonehill & Taylor played a crucial role in the historical renovation and conversion of the 1903 Johnston building into The NoMad Hotel. Beyond its design, the hotel is praised for its prime location at 1170 Broadway & 28th Street in New York City and its exceptionally friendly staff. The hotel's design highlights include European-style bathrooms with free-standing tubs and the distinctive curated artwork, all contributing to a memorable stay that blends historical elegance with modern comfort. #HotelDesign #InteriorDesign #LuxuryTravel #NewYorkCity #HistoricRenovation #BeauxArtsArchitecture #FrenchDesign #BoutiqueHotel #ManhattanHotels

The San Francisco Proper, a luxury hotel located in the city's Mid-Market neighborhood, showcases the interior design prowess of Kelly Wearstler, often referred to as "the presiding grande dame of West Coast interior design" by The New Yorker. Wearstler was responsible for the interior public areas, restaurants, and guest rooms of the 131-room boutique hotel. The historic building, originally constructed in 1926 by architect Albert Pissis, features a facade of brick, stone, and terracotta. It was recently repurposed by the local firm Hornberger + Worstell into its current hotel iteration. Wearstler's design concept for the hotel revolves around a narrative of a bohemian woman. She envisioned the hotel as the home of this sophisticated individual, creating a series of living rooms that invite guests to linger in an eclectic, artful salon. This imaginative backstory adds a layer of character and intimacy to the hotel's ambiance, suggesting a sense of awaiting its intriguing inhabitant and her black cat, Charmaine. The aesthetic draws from various eras, blending contemporary sensibilities with old-world charm. Wearstler curated a collection of custom furniture, fabrics, lighting, and wallcoverings, complementing them with vintage pieces sourced from Paris, Milan, and San Francisco. This meticulous selection injects historical depth and a vibrant, modern feel into each space. The lobby salon exemplifies this approach, featuring unique artwork and furnishings arranged to evoke a residential setting. Art plays a significant role, with paintings by local artists such as Joe Ferriso and Jonathon Anzalone displayed prominently in the lobby. In the guest rooms, Wearstler’s innovative use of patterns is evident; she combines four different patterns to modernize classic designs, adding depth and dimension. She designed 32 original patterns exclusively for the hotel, drawing inspiration from vintage graphics across Europe. This diverse mix of textures and natural materials harmonizes with the original building's patina, introducing a touch of modern wit and comfort. The intimate dining room further showcases this fusion of styles, furnished with elements from an array of modernist designs. Throughout the hotel, thoughtful details abound. For instance, the bathrooms integrate different colored tiles on floors and walls for visual contrast. The guest rooms are distinguished by rich, warm oak floors, and some even feature stylish bunk beds, catering to families. Wearstler's overarching goal was to create an updated version of a European salon, a hotel that offers a residential atmosphere reminiscent of the comfortable, artful living spaces of the past. The San Francisco Proper stands as a testament to her vision, seamlessly marrying historical grandeur with a distinctly bohemian, contemporary spirit. #HotelDesign #InteriorDesign #BoutiqueHotel #SanFrancisco #KellyWearstler #BohemianStyle #VintageModern #LuxuryTravel #HospitalityDesign

This article details the comprehensive renovation of a 190-year-old Federal-style townhouse in Tribeca, Manhattan, which was originally constructed in 1828. The house, initially a residence for a genteel family, transformed into a poultry and egg shop during the area's wholesale produce market era, and later, after the market relocated, was one of nine homes granted individual landmark status by the Landmark Preservation Commission in the 1960s to prevent demolition. A previous owner, an artist, lived in the house for nearly 40 years before it was purchased by a new pair of artists who embarked on a significant remodel. The challenge for the new owners and their team, architect Susan Yun of Yun Architecture and interior designer Penelope August, was that while the exterior remained largely unchanged and landmarked, the interior had lost all original features. Their approach was not to recreate historical accuracy or adopt a modern interpretation, but rather to create a layered, evolving aesthetic that combined vintage and modern elements, reflecting the passage of time. This involved incorporating salvaged materials, antique finds, and contemporary designs to achieve a unique, lived-in feel. The exterior restoration was meticulous, focusing on preserving the landmarked facade. Energy-efficient wooden windows were installed to match the original design, and a new porch with ironwork railings was crafted, inspired by neighboring buildings but meeting modern code requirements. Inside, the design team established a historic-appearing background with elements like plaster crown molding, wide-plank salvaged wood floors from Reclamation Lumber, and newly designed handrails and balusters with classic lines. The owners actively participated in the sourcing process, finding doorknobs and some light fixtures on eBay, and purchasing antique and vintage sinks, bathtubs from Big Reuse, wallpaper from Secondhand Rose, and doors from Demolition Depot. Modern interventions include sleek limestone fireplace mantels (reactivating all four wood-burning fireplaces), a spacious kitchen with colorful terrazzo countertops by Precast Terrazzo, and a Jean Prouvé-inspired built-in designed by August. A key architectural modification involved relocating the first-floor staircase from the back to the center of the house, which facilitated the creation of a generously sized kitchen with an outdoor connection. The kitchen features purple-gray Shaker-style cabinets with glass pulls, a vibrant mustard-yellow Lacanche range, and custom terrazzo countertops made with recycled glass chips. Lighting fixtures were a mix of eBay finds and custom pieces by Penelope August and Andrew Hughes. In contrast to the modern kitchen, a study was designed to evoke a more traditional ambiance, featuring antique wallpaper, a wood mantel recreated after an unfortunate theft, and modern art and furniture to avoid a museum-like feel. The powder room exemplifies the eclectic approach with electric blue hex tiles by Fireclay Tile, a vintage pedestal sink from Demolition Depot, and unique sconces repurposed from an optometrist's shop. A midcentury-inspired shelving unit designed by August, with cork shelves and orange cabinet fronts, displays the owners’ diverse collections. Working with vintage and salvaged materials required considerable patience and effort due to necessary repairs and size adjustments, but the result was a highly customized and authentic interior. The owners expressed a deep appreciation for the history of New York City and viewed their role as caretakers of this historic property, embracing the restrictions that came with renovating a landmarked building. #TribecaTownhouse #HistoricRenovation #EclecticDesign #LandmarkPreservation #InteriorDesign #SalvagedMaterials #VintageFinds #ModernInterventions #NewYorkCityHistory

The Kaufman House, a historical landmark in Zelienople, Pennsylvania, originally built in 1902, has undergone a significant restoration after being severely damaged by a fire in 2011. This 121-year-old building, which served as a hotel, factory worker housing, and an iconic tavern, was a vital rest stop for travelers and a community focal point. After the fire, the building remained closed until 2020, facing potential demolition. However, the Zelienople Borough recognized its cultural and economic importance, purchasing it in 2017 with a state Redevelopment Assistance Capital Grant to ensure its preservation. The restoration project aimed to maintain the building's original aesthetic, particularly concerning its windows. James Druschel, former vice president of finance and CFO of Veka, played a crucial role by initiating the project and facilitating the donation of window profiles from Veka Inc. Wincore Windows contributed by charging only for labor, glass, and hardware. The choice was made to use residential windows, specifically the 7700 Series from Veka, to replicate the original single-hung, wood windows. These included double-hung, fixed, and awning glass windows, with picture windows on the street level and double-hung windows on the upper floors. The 7700 Series is an LC-rated product, deemed suitable for the project. Technical specifications include white interior and exterior frames and low-e argon insulated glass with a 0.29 U-value, totaling 51 double-hungs, 30 fixed, and 3 awning windows. Beyond windows, the restoration also involved reinforcing the Main Street-facing balcony on the second floor with beams and updating it with VEKAdeck in Signature Storm color and white Veka rails, with the contractor receiving a reduced price for these materials. The rehabilitation proved more extensive than initially anticipated, as structural deficiencies were progressively discovered. Many previous repairs had overlooked structural integrity, leading to a situation where 60 percent of the building's structural integrity was found to be compromised and required replacement. The interior was gutted, re-walled, rewired, and re-plumbed, essentially rebuilt to meet modern codes. In its reimagined state, the Kaufman House now serves multiple purposes. The ground floor has been re-established as a restaurant, coffee shop, and bar. The second floor features a banquet hall, retail and office spaces, and meeting rooms. The third floor accommodates the regional office of a marketing firm. The basement is designed to host entrepreneurs offering complementary products to the restaurant. To ensure compliance with local codes, an elevator and a new stairwell were installed. Looking ahead, the building is also slated to function as a boutique hotel and a training facility for the tourism, culinary arts, and hospitality industries, further cementing its role as a revitalized community asset. #HistoricPreservation #BuildingRestoration #ArchitecturalDesign #WindowRenovation #KaufmanHouse #CommunityRevitalization #VekaWindows #WincoreWindows #ZelienoplePennsylvania

Native, an experiential hostel in Austin, Texas, is situated within a renovated 1890s railroader hotel and an adjacent midcentury warehouse. This establishment offers a distinctive blend of boutique hotel design, amenities, and service, combined with the social and communal atmosphere typically found in hostels. The project's vision and execution were a collaborative effort involving Icon Design Build, un.box studio (designer of record), Joel Mozersky Design (interior designer), and Helms Workshop (creative branding). The design philosophy behind Native emphasizes a moody, rough-hewn aesthetic, characterized by playful juxtapositions such as charred rafters alongside silky Venetian plaster walls, and warm velour integrated with black steel. Antonio Madrid, a partner at both Native and Icon Design Build, explains that the design pays homage to the building's historical use as a railroader hotel, incorporating tramp art-inspired woodworking fabricated on-site. The intention was to restore the 'faded elegance of a forgotten gem' while simultaneously envisioning Austin's future, creating a space envisioned as an incubator for thinkers, makers, and creatives. Native's lodging options include 12 suites, each featuring 65 custom-built bunks. These bunks are equipped with privacy curtains, individual lamps, and power outlets. Additionally, the hostel offers a communal 'Romper Room' with eight single handcrafted bunks, a California king-sized bed, sofas, three full bathrooms, and 1,000 square feet of shared space, designed for larger groups or 'rock star nights.' Beyond accommodations, Native functions as a multifaceted venue. It houses a cafe and parlor lounge that serves as a co-working space for both guests and local residents during the day. Further enhancing its offerings, Native includes a bar and kitchen that provides craft cocktails and cuisine overseen by executive chef Virginia Pharr. A 3,500-square-foot multipurpose event space is also available. The concept aims to make quality design accessible while maintaining a lively atmosphere appealing to a younger demographic. Other communal features include a 'Loft Room' with privacy-equipped bunk beds, a 'Common Area' exclusively for guests, and a cozy built-in lounge within this common area. Guests also have access to a full, residential-style kitchen. The bar and kitchen serve breakfast, lunch, and dinner, catering to both hotel guests and local patrons. The property hosts daily on-site events and activities, such as DJ sets, live music performances, curated film screenings, and city excursions, fostering a vibrant community environment. Antonio Madrid highlights the natural light as a favorite aspect of the property, noting how it transforms the ambiance of each room from day to night. This integration of historic preservation, modern design, and community-focused amenities positions Native as a unique lodging and social hub in downtown Austin. #ExperientialHostel #AustinTravel #HistoricPreservation #BoutiqueDesign #CommunitySpace #AdaptiveReuse #InteriorDesign #HospitalityInnovation #TexasLodging

Designer Anthony D’Argenzio and his wife, Hillary, transformed a dark and dated 1970s log cabin in Upstate New York into a modern, light-filled rustic retreat. Drawing inspiration from various rural countrysides including Upstate New York, the U.K., and Southern France, the couple aimed to create an airy living space suitable for hosting and family time with their daughter, Havana. This project marked a departure for Anthony, who typically focuses on restoring old-world Victorian and Edwardian homes, but the cabin’s inherent openness and rich wood textures appealed to them. The renovation involved several key steps to modernize the rustic aesthetic without losing its charm. They widened existing windows to increase natural light and whitewashed the heavy log walls using a half-water, half-paint formula (specifically All White by Farrow & Ball) to achieve a lighter feel. The couple meticulously added texture through a mix of matte and shiny tiles, reclaimed marble, and vintage antiques, emphasizing a blend of old and new to imbue the space with character. The project concluded in November 2021, just in time for them to host Thanksgiving. Key design elements and their modern application are highlighted throughout the cabin. The exterior features a 4-foot-wide hickory Dutch door, which serves as a statement piece and is complemented by a dark-stained exterior that mimics the Japanese shou sugi ban charred wood technique. This choice was deliberate to achieve a contemporary yet timeless look, using Black Arborcoat Semi Solid Finish by Benjamin Moore after testing over ten different black paints. Inside, the formerly heavy trophy room was converted into a light-filled family room with added small windows. A round iron chandelier, coupled with vaulted and beamed ceilings, defines the space. Furnishings include a comfortable sectional sofa (Anthropologie’s “Relaxed Saguaro”), a handmade oak stump side table, and a wood-and-iron coffee table. The cabin's unique floorboards, varying in width from 6 to 12 inches, were sanded and finished with a water-based clear coat for a Scandinavian aesthetic. The dining area features a Shaker-style table surrounded by straight-back hickory chairs. The living room's focal point is a cast-iron stove, chosen in a cream color to brighten the space, set on a slate and fieldstone perch. Modern striped cushion wingback chairs introduce a playful contrast to the traditional setting. Anthony’s collection of Hudson Valley stoneware crocks adds a personal touch. The powder room was given character with a wall ledge and zellige tile, with sanded natural logs contrasting the tile. A chippy cabinet, sealed with a clear coat, was repurposed as a vanity with a porcelain sink, accented by unlacquered taps and brass pulls. The kitchen incorporates blush-toned zellige tile, designed by Anthony, which provides a subtle pop of color against the wood elements. Exposed piping and rustic antiques complete the primitive country look. Wide one-inch grout lines define the thin brick floor tiles (Foundry Flats brick in Sand Cast by Clé Tile), inspired by a U.K. cottage. A reclaimed marble-topped, circa-1910 printer's table functions as a unique, storage-rich island. Custom millwork is balanced with antique pieces, such as the bottom half of an old hutch used for additional storage. The bedroom showcases curved elements, such as an iron bed and a vintage gold 1840s mirror, which soften the room’s angled ceiling and rough-hewn wood beams. Venetian plaster-look wallpaper adds depth and warmth. The primary bathroom features zellige tile for shimmer against marble trim and matte marbleized terra-cotta floors. Bronze accents on faucets, lighting, and mirrors provide contrast, and an antique French light fixture hangs above a modern freestanding tub, enhanced with a tub filler for an aged effect. #RusticModernDesign #CabinRenovation #UpstateNewYork #InteriorDesign #HomeTransformation #LogCabin #DesignInspiration #VintageAntiques #CountryLiving

Chad Stark, the senior vice president of Stark and president of Scalamandré, embarked on a journey to renovate his first apartment in Manhattan’s East Village, aiming to create a space that encapsulated his personal style while honoring his family's rich legacy in textiles. At 29, Stark represents the future of a formidable fabric and rug empire, founded by his grandparents and later merged with Scalamandré. To achieve his vision, he collaborated with 31-year-old interior designer Sasha Bikoff, known for her distinctive and unconventional aesthetic, notably her Memphis Group-inspired staircase at the Kips Bay Decorator Show House. Bikoff and Stark sought to blend two seemingly disparate influences: the "urban cowboy" vibe of downtown New York with the rugged, adventurous spirit of Aspen, Colorado, a favorite heli-skiing destination for Stark. This conceptual fusion guided their design choices, which extensively drew upon the vast archives of Stark, Scalamandré, and other allied brands like Lelievre and Old World Weavers. The overarching color palette chosen to unify these themes was blue, reflecting Stark's favorite color and serving as a visual thread connecting the "Aspen-meets-New York" narrative throughout the apartment. The renovation transformed Stark's one-bedroom apartment into a showcase of sophisticated yet personal design. The foyer, for instance, features Scalamandré’s iconic Zebras pattern, reimagined in a striking blue, diverging from its traditional red. Vintage dining chairs were upholstered in the luxurious Le Tigre silk velvet, a testament to the brand's enduring elegance. The living area is a vibrant display of dark blue fabrics, including bespoke designs by fashion icon Jean-Paul Gaultier for Lelievre, creating a rich and inviting atmosphere. The bedroom, accessed through hand-carved Indonesian wooden doors, offers a more subdued but equally opulent experience. A paisley wallcovering provides a muted backdrop, allowing the deep red velvet upholstery of the bed to stand out, which Stark playfully describes as exuding a sense of allure. A significant personal touch is an antique oil painting of a hunting dog positioned above the headboard. This piece, according to Stark, encapsulates his deepest passions: an affection for carpets, fabrics, skiing, and most profoundly, dogs. This project highlights a thoughtful integration of personal history, brand heritage, and contemporary design, resulting in a unique living space that articulates Chad Stark’s identity as both a textile scion and a modern Manhattan resident. The apartment effectively balances the grandeur of traditional textiles with a fresh, youthful energy, bridging diverse elements into a cohesive and stylish home. #InteriorDesign #TextileHeir #NewYorkApartment #SashaBikoff #Scalamandré #StarkFabrics #LuxuryDecor #HomeRenovation #UrbanCowboyStyle

Fifth Group Restaurants, known for establishments like La Tavola and Ecco, is set to transform its Midtown seafood restaurant, Lure, into Lure Saltwater Kitchen and Bar. The original Lure will close on September 2nd, with the new concept opening just a week later. The renovation reflects changes in the dining scene and habits within Midtown, aiming to inject new excitement and energy into the space that has been operational for 13 years. Lure Saltwater Kitchen and Bar will maintain its focus on sustainable seafood, but with a revamped approach centered around small plates prepared on a newly installed wood-fire grill. The interior will undergo a refresh, and a new patio bar is being added to enhance the dining experience. The beverage program is also being updated to complement the new culinary direction. To lead this transformation, the team has brought in chef de cuisine Olivier Reedholm, formerly of The Grey in Savannah and the Michelin-starred Under in Norway. Reedholm will collaborate with Fifth Group's vice president of culinary, Mark Jeffers, and director of culinary, Brandon Chavannes, who was involved in the initial opening of Lure. This culinary trio is partnering with Farmers & Fisherman Purveyors to ensure that all seafood items adhere to the Monterey Bay Aquarium’s Seafood Watch List, promoting sustainability. A key feature of the new menu will be the daily-to-weekly changing “Fleeting Moments” selection, offering fresh oysters, aguachile, crudo, ceviche, and tartare. This ensures a dynamic menu, encouraging repeat visits. A unique shared plate option, the “Tackle Box-Chef Assortment,” will present raw bar items in a vintage tackle box. The small plates section will feature imaginative dishes such as mussels in Thai coconut broth, blue crab tamale with pumpkin mole, and crispy shrimp with Chinese chili garlic crunch, peanuts, and seaweed. For diners preferring more traditional entrees, five options will be available, including pork shank, wood-grilled chicken, wagyu steak frites, and a filet of fish in brown butter sauce. These dishes aim to provide a classic yet approachable dining experience, distinct from a formal chop house. The wood-fire grill is expected to impart unique and dynamic flavors to these offerings. To cater to health-conscious guests, Lure Saltwater Kitchen will offer “Breadless Service” with house-made kimchi, pickles, and spicy condiments, alongside gluten-free anchovy garlic bread. Salads and vegetables will be available from the “From the Soil” section of the menu. A notable dessert item will be wood-fired, slow-roasted pineapple in rum caramel, served with house-made ice cream. The beverage program, curated by Fifth Group head of beverage innovation Ian Mendelsohn, will feature cocktails designed to complement the kitchen’s bright and exotic flavors. Options will include a frozen “creamsicle” cocktail and drinks incorporating shochu, yuzu, lemongrass, and chili. The wine list will expand to about 50 sustainable, biodynamic, or organic varieties, and eight beers will also be on offer. The aesthetic changes, guided by design team ai3 (who also designed the original Lure), will introduce new pops of color, including red and green, throughout both the indoor and outdoor spaces. New patio furniture and murals by a local artist will contribute to the refreshed ambiance. The new patio bar will host a happy hour from 4 p.m. to 6 p.m. daily, featuring half-price oysters. Beyond culinary and design enhancements, Lure Saltwater Kitchen emphasizes environmental sustainability. The restaurant will collect rainwater for toilet flushing and plant watering. It has also partnered with Shell to Shore, a nonprofit organization that repurposes oyster shells to rebuild reefs, thus contributing to marine ecosystem restoration. The new Lure will soft-open on September 10th, with its official grand opening slated for September 16th. #FifthGroupRestaurants #LureSaltwaterKitchenAndBar #MidtownAtlanta #SustainableSeafood #RestaurantRedevelopment #WoodFireGrill #SmallPlates #EnvironmentalSustainability

The Maker Hotel, a boutique establishment in Hudson, New York, is the creation of Lev Glazman and Alina Roytberg, co-founders of the skincare brand Fresh, and hospitality expert Damien Janowicz. This 11-room hotel is designed to embody an "old-world bohemian glamour" by integrating original decor features and a collection of vintage treasures. The hotel's concept revolves around celebrating craftsmanship and providing guests with inspiring and unique spaces. Glazman emphasized the desire to expand the hospitality experience by offering a dream-like atmosphere, a vision that he believed was perfectly suited for Hudson due to its rich artisan community, history, and design scene. The hotel's design intentionally moves away from standardized aesthetics, instead harmoniously blending various periods and styles to create an eclectic feel. Physically, The Maker Hotel is a complex of three historical buildings: a Georgian mansion, a Greek revival-style property, and a carriage house, all dating back to the early 1800s. Extensive construction was undertaken to connect the different rooms across the 14,000-square-foot (1,300 square meters) property. New structural additions include a central courtyard filled with lush greenery and a 'jewel box'-like conservatory, which now serves as the hotel's main restaurant. The interior design, largely overseen by Glazman, prioritized the preservation of original architectural elements. This involved retaining ornate fireplaces, hand-painted ceilings, stained-glass windows, and tiled mosaic flooring. Over 70% of the decorative items are either antique or custom-made, incorporating salvaged objects, with some artworks even sourced from Glazman's personal collection. This approach contributes to the hotel's distinct aesthetic, characterized by an unexpected fusion of global design influences acquired over decades of travel. The guest accommodations are categorized into five types: The Bedrooms, The Terrace Lofts, The Corner Studio, and The Maker Studios. Each of The Maker Studios is individually themed, drawing inspiration from different creative professions such as an architect, artist, gardener, and writer. For instance, The Artist room features a vintage easel, and The Writer room is adorned with book-lined shelves surrounding an oak fireplace. Beyond their rooms, guests have access to amenities including a pool, a cafe, and an intimate cocktail bar. The Maker Hotel joins a growing trend of getaway destinations outside Manhattan, offering a retreat from the city's fast pace. Another example mentioned is The Hoxton in Williamsburg, Brooklyn. Photography for The Maker Hotel was carried out by Francine Zaslow. #BoutiqueHotel #HotelInteriors #EclecticDesign #VintageDecor #HudsonNewYork #HistoricBuildings #Craftsmanship #HospitalityDesign

In 2017, Amy Hughes established Maplewood Mercantile at 145 Dunnell Road in Maplewood, envisioning it as a collaborative space for women business owners and a community hub. The location, a renovated 1920s auto garage, serves as a center for design and social gathering. The Montclair Girl interviewed Amy Hughes in 2022 to discuss the Mercantile's evolution and her entrepreneurial journey in Maplewood. Amy Hughes and her husband relocated from New York City to Maplewood. Previously a journalist and editor for *This Old House* magazine, Amy developed expertise in DIY, antiques, and vintage furniture while writing her book, *This Old House: Salvage Style Projects*. This led her to launch Salvage Style, a vintage furniture resale business, initially as a side venture in 2013, which later became her full-time occupation. Her business started in a 300-square-foot storefront on Baker Street, expanding to require multiple storage units across town to manage inventory. By 2017, the logistical challenges of managing scattered inventory prompted a search for a larger space. Amy identified a large warehouse in Maplewood, previously used by an interior designer primarily for storage with occasional sales. After a five-month process to finalize the lease and permits, Amy moved Salvage Style into the 3,000-square-foot former auto garage. The Mercantile's initial tenants included two other women-owned businesses, highlighting its foundational commitment to supporting female entrepreneurs. The transformation of the raw garage space into a retail environment required significant effort. The Mercantile's location is a key asset, situated near the Maplewood train station, Memorial Park, and local schools, which attracts both New York City commuters and local teenagers. A notable benefit is the dedicated parking, a rare commodity in downtown Maplewood. The 1920s auto garage featured concrete floors, 25-foot ceilings, exposed brick, and large windows. The landlord collaborated with Clawson Architects to replace the original windows with historically accurate and energy-efficient alternatives. The renovation involved pressure washing the interior and applying over 40 gallons of white paint, preserving the concrete floors with their original paint splatters and one exposed brick wall, creating a distinctive aesthetic. Upon entering the Merc through a 12-foot carriage door, visitors are greeted by a large acrylic 'Moonlamp,' an architectural salvage piece from Austin, Texas. The interior's airy and rugged design, coupled with its high ceilings and abundant windows, provides excellent natural ventilation, which proved beneficial during the COVID-19 pandemic. The space became a refuge for the community, encouraging browsing and cultural engagement. Amy Hughes oversees the merchandising, while partner businesses curate their sections to create a cohesive yet diverse aesthetic. The current retailers at the Merc include Anna Herbst Photography, which operates a studio benefiting from the natural light and high ceilings, specializing in product, lifestyle, fine art, and portrait photography for women-owned businesses, realtors, and interior designers. The Collector, founded by Emma O’Shea, offers new and vintage clothing, focusing on sustainable practices and ethical sourcing from small NYC-area designers. Piper’s Talisman, led by Piper Jon, creates unique jewelry by upcycling antique pieces like watch chains, vintage coins, and keys, and has gained recognition from figures such as actress Melissa Gilbert. Salvage Style, Amy Hughes's original business, offers styling consultations and sells vintage and reclaimed furniture, including Mid-Century Modern pieces and antique rugs. Community engagement is central to the Mercantile's operation, with regular pop-ups and cultural events featuring live music to support young local musicians. Amy Hughes expresses pride in the Merc's role as an incubator for small, women-owned businesses, noting that several businesses have successfully launched from the space. An example is deVINE Plantery, which started online during the pandemic, joined the Merc as a pop-up, became a permanent tenant, and eventually opened its own dedicated store in Montclair. Amy credits the success of these businesses to the entrepreneurs' hard work and innovative ideas, viewing her role as providing a supportive environment. #MaplewoodMercantile #CommunitySpace #WomenOwnedBusinesses #VintageFurniture #SalvageStyle #RetailIncubator #AdaptiveReuse #LocalGems #InteriorDesign

In Old Havana, a boutique hotel known as A|S Residence offers an intimate lodging experience, blending contemporary design with historical elements. The project is the result of a two-year restoration by Havana-born dancer and musician Sandy Solano Diahave and Dutch fashion designer and artist André Visser. The hotel, formerly a baroque 19th-century mansion, is situated in a city recognized for its diverse architectural heritage, encompassing Spanish colonial, Art Deco, and 1950s styles, many of which face challenges from environmental factors and economic conditions, despite their UNESCO protection. The A|S Residence comprises five suites and four junior suites. The restoration aimed to maintain the original character of the building while integrating modern design. This approach is evident in the preservation of architectural features such as towering five-meter-high ceilings, exposed brickwork, stripped doors, and woodwork. Original elements like carved columns, intricate ironwork, Carrara marble, and handmade floor tiles were meticulously conserved and serve as a foundation for the interior design choices. The interiors are curated with a mix of influences. Rooms feature Italian lighting and are adorned with Cuban art alongside Visser’s abstract canvases. The furniture selection includes modernist pieces, such as Barcelona lounge chairs, complemented by items crafted by local artisans. The blend of European and Cuban design sensibilities creates a distinctive atmosphere within the residence. Beyond accommodation, A|S Residence engages with the local community through its ground-floor establishment, HAV Coffee. This space functions as both a cafe, serving Cuban coffee and brunch, and an art gallery, showcasing works by emerging local and international artists. The hotel also boasts a rooftop terrace that offers views of Havana. This area is available for activities like yoga sessions and dance classes, and it also serves as a tranquil spot for guests to relax with a drink after exploring nearby attractions. The hotel's capacity is limited to ten guests, and it enforces a policy of no children under 16, contributing to its quiet and exclusive ambiance. The location of A|S Residence provides convenient access to significant landmarks and vibrant streets in Old Havana, including Obispo and Mercaderes Streets, Belém Convent, Plaza Belém, the Capitolio, the Museo Nacional de Bellas Artes, and the Gran Teatro de La Habana. The thoughtful restoration and design of A|S Residence contribute to the preservation of Havana’s architectural legacy while introducing a contemporary hospitality experience. #HavanaHotels #BoutiqueHotel #CubanDesign #ArchitecturalRestoration #OldHavana #InteriorDesign #ArtAndCulture #TravelCuba

Life House, a tech-driven hotel brand, distinguishes itself through a core philosophy of celebrating neighborhood heritage and identity through design, a strategy evident in its new Denver Lower Highlands (LoHi) property. This marks Life House's first expansion outside the eastern seaboard, following locations in Miami and Nantucket. The company’s in-house studio manages all creative aspects, from interior design to branding and digital content, ensuring a cohesive and thoughtful narrative. VP of Design Jenny Bukovec outlines their three-part approach: developing a locally rooted architectural story, creating a local character as a protagonist, and incorporating spirited cultural references to define the property’s personality. For the Life House Lower Highlands, the design draws inspiration from a 19th-century pioneer’s dwelling, juxtaposing Victorian-era opulence with contemporary industrial elements, mirroring LoHi's historic character. The hotel's exterior, a five-story building, leads into an interior that exudes a homey ambiance. The color palette features muted dusty grays, mustards, rusty reds, and saturated bluebell hues. To further evoke the homestead theme, the design incorporates honey-hued leathers and cowhides, parquet flooring, textured amber glass, and subtle nods to Colorado wildflowers. Throughout the hotel, vintage objects add whimsical touches. A notable piece is a Victorian three-panel leather screen from the late 1890s, hand-painted with motifs of the American Wild West frontier. Bukovec emphasizes the effort to infuse soul into the space, noting that some millwork and furniture, such as banquettes and bed frames, are custom-produced in Colombia. Walls are adorned with illustrative textiles, including wallpapers and murals hand-drawn by Lei Xing, an artist within the Life House team. A salvaged Victorian-era walnut armoire in the lobby features a curated selection of goods from Colorado vendors and candles with the hotel’s signature scent. The bespoke fragrance, a blend of bergamot, fig, vetiver, and cedar, permeates from the lobby and bar to the guest rooms. The 17-key hotel offers various room configurations, many specifically designed for group stays. Options include full-sized bunk chambers, king suites, and combined rooms accommodating up to eight guests. This innovative bunk layout, unique to Life House, provides privacy curtains and staircases instead of ladders, catering to adult travelers seeking communal yet personal spaces. Wildflower, the on-site restaurant and cocktail bar on the ground floor, offers a seasonal, vegetable-forward menu that blends Italian and Mexican flavors in tapas-style dishes, reflecting LoHi's history as an immigrant enclave. Desserts are presented on Victorian trolleys, accompanied by homemade lavender limoncello, amaro, and Colorado meads. Although indoor dining was restricted at the time of publication, Wildflower provided delivery, takeout, and in-room service. In response to the COVID-19 pandemic, the hotel implemented safety protocols, including temperature checks for guests and staff, mandatory masks in public areas, and socially distanced seating, aiming to enhance Lower Highlands' hospitality scene. #HotelDesign #BoutiqueHotel #DenverTravel #InteriorDesign #Hospitality #ArchitecturalNarrative #VictorianEra #ColoradoCulture #GroupTravelAccommodation

The Russell, a new 23-room boutique hotel in East Nashville, exemplifies adaptive reuse by transforming the historic Edgefield Cumberland Presbyterian Church. Developed by Anchor Investments and designed by Powell Architecture + Building Studio, the project aimed to preserve the building's impressive architectural heritage while infusing it with the vibrant, eclectic character of East Nashville. The hotel also has a philanthropic mission, with proceeds from its "Room for Rooms" program supporting Nashville’s homeless community through free housing, showers, and meals. The design narrative for The Russell is largely inspired by the building's original 1904 Romanesque facade and its two arresting, 16-foot stained-glass rose windows in the lobby. The color schemes throughout the property, including the bright tile arrangements and the herringbone wood floor pattern in the lobby, mirror the hues illuminated by these windows. The lobby itself is an airy space featuring a 40-foot ceiling, gold chenille curtains that create "confessional" alcoves, and a wall adorned with "church banners" hand-sewn and painted by Chicago-based artist Shelby Rodeffer of Finer Things. One notable banner, _Queens of Country_, pays tribute to Dolly Parton, Loretta Lynn, and Tammy Wynette, drawing inspiration from masonic regalia and local culture. During construction, a significant discovery was made: the church's attic possessed substantial unused volume and potential. This led Powell Architecture + Building Studio to swiftly revise their plans, incorporating the space into the design. The unexpected addition of a third floor resulted in five extra guest rooms, including a bi-level suite that creatively integrates the church’s imposing bell tower into a meditative sleeping area. The guest rooms, largely converted from former auditorium and classroom spaces, welcome guests with illuminated door markers crafted by New York lighting studio Rich Brilliant Willing, which are formatted like Biblical verses. The rooms feature exposed brick walls and headboards fashioned from vintage church pews, blending historical elements with contemporary design. A collective of over a dozen local artists and makers contributed to the modern touches, such as the arched wooden bathroom mirrors by Maple Built and powder-coated sconces by Southern Light Electric. Color-blocked walls, echoing the lobby’s stained-glass window hues, further tie the rooms to the building’s past. Efficient wardrobes designed by Holler Design integrate amenities like a built-in fridge, safe, coffeemaker, and desk. This thoughtful integration of old and new creates a welcoming and uniquely characterful experience for guests, all while contributing to a meaningful cause. #HotelConversion #AdaptiveReuse #ChurchRenovation #BoutiqueHotel #NashvilleDesign #HistoricPreservation #CommunityImpact #InteriorDesign #ArchitecturalHeritage

A meticulously restored 19th-century co-op situated on a highly sought-after street in the East 70s has recently entered the real estate market with an asking price of $3.95 million. This apartment, located at 5 East 75th Street, is characterized by its original architectural details and impressive views, which are highlights despite the presence of bold wallpaper choices and numerous mirrors. The building, a historic limestone mansion, offers direct elevator access to the unit. Upon entering the co-op, residents are greeted by a mirrored foyer adorned with checkered marble floors and intricate dental oak molding. Adjacent to the foyer, a high-end kitchen features cabinetry that contributes to a serene, almost 'religious' ambiance. On the opposite side of the foyer, a spacious great room captivates with carved wood-paneled walls and towering twelve-foot ceilings featuring authentic carved beams. The exquisite millwork is a continuous design element throughout this room, extending to a functioning wood-burning fireplace and floor-to-ceiling cabinetry that includes bookshelves accessible by a library ladder. The private living quarters, located on the upper level, comprise a master suite that also includes a wood-burning fireplace. An adjoining second bedroom offers two generously sized built-out cedar closets. Both bedrooms provide picturesque "Parisian" views, looking out over the copper rooftops and mature trees of the elegant block. The property at 5 East 75th Street is ideally positioned within a historical limestone mansion, just steps away from Fifth Avenue. Its location offers convenient access to Central Park, with the Metropolitan Museum of Art located merely blocks away. This co-op represents a blend of historical charm and luxurious living in a prime Manhattan location. The emphasis on restored original details, such as the millwork and carved ceilings, preserves the character of the 19th-century building while providing modern amenities. The direct elevator access, high-quality kitchen, and the presence of two fireplaces enhance the comfort and sophistication of the residence. The apartment's views and proximity to iconic New York City landmarks further contribute to its appeal, offering a unique living experience in one of the city's most prestigious neighborhoods. The property is listed by Frances Katzen of Douglas Elliman, with additional details available through CityRealty. #CoOp #LuxuryRealEstate #HistoricHome #UpperEastSide #ManhattanRealEstate #ArchitecturalDetail #Millwork #NYCProperty #DouglasElliman

The Woodhouse Lodge, an A-frame structure built in 1962 in Greenville, New York, has been transformed into a modern retreat by New York-based interior designer Megan Pflug. Pflug, an alumna of RISD with a background in fine art, relocated from Brooklyn to Greenville to open this 10-room hotel. Her design philosophy for the lodge centers on blending midcentury modern aesthetics with historic elements, resulting in a "modern meets rural" atmosphere. She achieves this by combining contemporary items with antiques, creating a space that feels authentic and inviting rather than overtly stylized. The lodge's first floor features a common area encompassing an open kitchen and a lounge with a fireplace. Pflug considered the kitchen to be a central feature of the hotel and devoted considerable effort to its modernization, incorporating soapstone countertops and a white ceiling. The lounge area is characterized by clay plaster walls, contributing to a simple and timeless ambiance. Throughout the lodge, Pflug integrated a variety of vintage pieces to honor the building's midcentury modern heritage while introducing a fresh perspective. Attention to detail is evident in various aspects of the renovation. Shaker rails were installed in most rooms to acknowledge the lodge's traditional nature, and fine details were incorporated to foster a relaxed atmosphere. The guest rooms feature custom felt and leather headboards paired with Brooklinen sheets, and each bathroom is stocked with natural amenities from Village Common. The exterior, which was originally reddish-brown, was updated with a blue-black paint from Farrow & Ball, modernizing the hotel's appearance. Pflug and her husband reside on the second floor of the A-frame. They are also developing a new event space and wine bar on the property, slated to open in the spring. The Woodhouse Lodge, conceptualized as an escape for city dwellers, offers a unique blend of historical charm and contemporary design, providing an ideal weekend getaway in the Catskills. The renovation showcases a thoughtful approach to design that respects the building's past while catering to modern sensibilities, making it a compelling destination for those seeking a tranquil and stylish retreat. #WoodhouseLodge #CatskillsGetaway #MeganPflug #AFrameDesign #HotelRenovation #InteriorDesign #MidcenturyModern #RuralEscape #BoutiqueHotel

The Quoin, a newly opened minimalist boutique hotel in Wilmington, Delaware, represents a collaborative design effort between Method Co and Philadelphia-based Stokes Architecture + Design. This hotel is established within a historic former bank building, showcasing a unique blend of preserved architectural elements and contemporary design. The design philosophy embraces a subdued, earthy color palette and incorporates modern, handmade decor alongside vintage furnishings. Upon entry, guests are greeted by a thoughtfully designed reception area. This space features intricate floral wallpaper, highlighted with metallic gold accents, and is complemented by a custom-made credenza that combines contemporary hues with taupe mulled leather. Adjacent to the reception, a retail area provides a curated selection of boutique brands for guests to explore. To the right, an antique Malayer rug leads into the connected lobby and cafe spaces. The lobby itself is furnished with pieces like Lawson-Fenning sofas, Lina swivel chairs, and an Adnet-inspired Crillon chair crafted from hand-stitched leather. Lighting is provided by a cotton shaded lamp from Santa & Cole. These elements contribute to an atmosphere that balances historical charm with modern comfort and sophistication. The hotel's ground floor also houses a restaurant, accessible from the lobby, which specializes in wood-fired cuisine drawing inspiration from Southern France and Northern Italy, aiming to become a local culinary destination. Further enhancing the guest experience, The Quoin offers a rooftop area, providing a versatile space for various social occasions. This rooftop is designed for happy hours, gatherings, and light dining, offering views and an open-air ambiance. The hotel comprises 24 luxury guest rooms and suites, each meticulously designed to integrate restored original architectural details with the hotel's overarching minimalist and contemporary aesthetic. The design approach focuses on creating serene and functional spaces that honor the building's past while providing modern amenities. The aesthetic throughout The Quoin is characterized by its minimalist tendencies, emphasizing clean lines, understated elegance, and a calming material palette. The selection of furniture and decor reflects a commitment to quality craftsmanship and a sophisticated yet unpretentious style. The blend of vintage finds with newly commissioned pieces ensures that each space possesses a unique character while maintaining a cohesive design language. The lighting choices further enhance the hotel’s ambiance, creating warm and inviting environments. Overall, The Quoin hotel aims to offer a distinctive hospitality experience in Wilmington, Delaware. Its design seamlessly integrates the historical context of its bank building origins with a fresh, contemporary, and minimalist aesthetic. The combination of carefully chosen furnishings, a refined color scheme, and thoughtfully designed common areas and private rooms creates an environment that is both luxurious and welcoming for its guests. #HotelDesign #MinimalistInterior #BoutiqueHotel #HistoricPreservation #AdaptiveReuse #DelawareHospitality #ContemporaryDesign #LuxuryAccommodation #InteriorArchitecture