The 18 best things to do in Honolulu if you love design

Meleana Estes, a jewelry designer and author of 'Lei Aloha,' along with her family of three, downsized from a large, renovation-needing home to a 1,000-square-foot turnkey beach bungalow on Honolulu’s south shore. The move necessitated a strategic approach to organization to accommodate Estes' extensive vintage collection. Key elements of her collection, such as an antique Indonesian dresser and original artworks by Allen Akina, were successfully integrated into the smaller space. A significant aspect of the transition was converting a small back cottage into a "muumuu sanctuary," ensuring her fashion collection was preserved. Heirloom furniture, large casegoods, and a collection of surfboards also made the move. Estes' design philosophy is heavily influenced by her Hawaiian heritage, which she describes as an inclination towards adornment, layering, and embracing the "extra." This is evident in the vibrant color palette throughout her home, particularly her fondness for pink, which she integrates in various areas, allowing different elements to complement each other. Her approach suggests that if something brings joy and feels right, it is meant to work together. The 1926 bungalow, already tastefully updated with a light touch, provided an ideal backdrop without requiring additional renovations. The white walls and black double-hung windows establish an elegant foundation, with matching shades offering both light control and architectural definition. Incorporating sufficient storage was a priority for Estes. She implemented open shelving in the kitchen and freestanding cabinetry, including a large glass-front piece in the living room acquired from a friend's shop. Her son's bedroom features a green hutch, offering an organized solution for his monster trucks, books, and trinkets. Estes also collaborated with local design studio Woven to create a blue bar cart for the kitchen, which serves a dual purpose for drinks and storage of books and seashells. Woven also fabricated the coffee table in the living room's sitting area. The home seamlessly blends vintage finds with modern furniture. Inherited pieces form the core of the design, reflecting Hawaii's historical practice of crafting furniture from local materials and passing them through generations. The rattan sofa and chair set in the living room, belonging to Estes’ grandmother, were updated with new upholstery. A pedestal dining table made from Koa wood, indigenous to Hawaii, is another cherished family heirloom. Estes encourages mixing styles and eras, emphasizing trust in one's personal taste, stating that if you love something, there's a reason it belongs. Although the bungalow is not intended as a permanent residence, it currently perfectly suits their lifestyle. The home has become a central hub for social activity, often resembling a "surf club." Estes' husband keeps his boat in the garage, and friends frequently visit to rinse off after surfing. Her son's friends also pass through between beach volleyball games. Their expanding collection of colorful surfboards doubles as decorative elements when not in use. This communal atmosphere, combined with the beautiful water and frequent gatherings with food and drinks, encapsulates what Estes describes as the "best of Honolulu life." #HomeTours #DesignInspiration #HawaiianDesign #SmallSpaceLiving #VintageDecor #MaximalistStyle #InteriorDesign #HonoluluHome

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

Makani’ Eka, a family compound located on The Big Island, Hawaii, is situated on a hardened lava flow and offers expansive views of the sky, sun, and water. Designed by Walker Warner Architects, the property balances modern aesthetics with traditional Hawaiian influences. The compound comprises four independent structures, including a cedar-clad main living pod, strategically arranged to provide both communal gathering spaces and private retreats. The architectural design and interiors integrate modern elements with traditional materials and concepts, aiming for enduring quality and livability across generations. Greg Warner, the principal architect, describes the arrangement as a “village,” drawing inspiration from the loose clusters characteristic of traditional Hawaiian villages. The 1.5-acre site plan and architectural style reflect this inspiration. Features such as canted steel columns, steep-pitched roofs, and rhomboidal window and door openings are contemporary interpretations of early Hawaiian hale shelters. The property is nestled within a landscape of lava and native grasses. The main living pod is positioned closest to the sea, maximizing ocean views, while supporting structures, housing two guest suites and communal relaxation areas, are set further back. Guest bedrooms open to private, concrete-walled courtyards, ensuring seclusion. Despite approximately 4,800 square feet of interior space, the layout creates a sense of spaciousness within the three-bedroom residence. The design incorporates heavily mortared lava rock, reminiscent of the historic Mokuaikaua Church in nearby Kailua. Windows are framed with stained sapele mahogany, and Western red cedar is used extensively for cladding and roof shingles due to its resistance to heat, moisture, and insects. Inside, stained and lightly polished concrete flooring contributes to a cool interior climate. Interior spaces seamlessly connect with the outdoors through sapele-framed sliders and operable windows that promote cross-ventilation. The living room, for example, can transform into a porch-like area, with consistent floor and ceiling materials bridging indoor and outdoor zones. Marion Philpotts-Miller of Philpotts Interiors curated the interiors, opting for durable, solution-dyed acrylic upholstery for casual furniture to accommodate the open-air design. The living room features Christian Liaigre furnishings, including an oak lamp, sofa, and wenge lounge chairs, complemented by a Lee Kelly oil painting and bleached Douglas fir ceiling slats. The kitchen boasts an island and table topped with honed Carrara marble. The rec room displays custom surfboards, one hand-painted and another crafted from paulownia, mounted above an Eero Saarinen table. Philpotts-Miller aimed to capture the clients' adventurous spirit through playful and dynamic color usage. A koi pond serves as a central feature in the courtyard between the main living and master suite pods. The interior design exhibits a simple, airy, no-frills aesthetic with a midcentury vibe, influenced by Hawaiian modernist Vladimir Ossipoff. The thoughtful architecture and natural textures meant minimal need for excessive interior embellishment. The master bedroom features whitewashed wood paneling, a walnut bench, and accents of sky-blue in the rug and throw pillows. A custom cast-concrete tub in the master bathroom courtyard is enclosed by concrete walls and cedar slats. Throughout the residence, polished, stained concrete is used for flooring. The master suite's study includes a sitting area with a Charles and Ray Eames lounger, offering views of Maui. #HawaiiArchitecture #LuxuryHome #WalkerWarnerArchitects #TropicalDesign #ModernTraditional #SustainableMaterials #InteriorDesign #IslandLiving #ResidentialArchitecture

The article details the story of Jean Charlot, a French American muralist who, despite initially intending to complete a commission and leave, made Hawaii his permanent home after arriving in 1949. His artistic journey evolved in Hawaii, shifting from interpretations of Catholicism and Mexican Indigenous traditions to a profound focus on nature, influenced by the native Hawaiian worldview where the spiritual and material worlds are interconnected through elements and daily life. This appreciation for the islands profoundly influenced his art and subsequently, his home design. Charlot's home, built in 1958 near Kahala Beach in Honolulu, was a collaboration with local architect George “Pete” Wimberly. This 2,856-square-foot, two-story dwelling, primarily constructed from redwood and concrete bricks, reflects Charlot's artistic sensibilities and his deep connection to Hawaii. The design intentionally integrates the outdoors, featuring elements like a cantilevered wood table extending from the dining room to a lanai, blurring the lines between indoor and outdoor living spaces. Walls covered in dried _hāpuʻu_, an endemic fern, and a large fresco depicting tropical foliage further enhance the home's natural aesthetic. Despite being in a neighborhood now dominated by larger residences, the Charlot House is noted for its modest yet elegant tropical Modernist design. Wimberly, an accomplished architect in this style, shared Charlot’s commitment to organic building materials and passive cooling strategies, orienting the house to utilize cross breezes. The home's design incorporates local Hawaiian concepts, with spaces divided into _mauka_ (mountain-facing) and _makai_ (sea-facing) areas, creating a dynamic sense of movement and connection to the landscape. A dramatic reveal upon entry, through a long driveway to a stately front door with Charlot's tile mural, leads into a deceptively cavernous interior. The house served as a vibrant cultural hub where Charlot and his wife, Zohmah, entertained a wide circle of artists. Their home was adorned with art from friends like Max Ernst and José Clemente Orozco, alongside Charlot’s own works, including sketches for the numerous Hawaiian murals he would complete for local institutions. A wraparound cork wall in his upstairs studio showcased his creative process. In 2001, the family gifted the house to the University of Hawaii at Manoa, ensuring its preservation and preventing demolition or significant alteration. In June 2022, the house was returned to the family, who remain dedicated to safeguarding its cultural significance. The home is further enriched by Charlot's hand-painted ceramic tile petroglyph friezes, featuring 167 tiles of Hawaiian-inspired figures and dogs, strung across both interior and exterior spaces. These friezes, along with other multicultural elements like Mexican-inspired brick floors and Papua New Guinean masks, underscore the artist’s profound kinship with his adopted home. The house, through its design and artistic elements, not only enshrines a bygone era of Hawaiian architecture but also consistently reinforces its primary purpose: to be a home that celebrates the spirit of Hawaii and its people. #JeanCharlot #HawaiiArchitecture #TropicalModernism #HonoluluHome #ArtistHome #MidCenturyDesign #CulturalPreservation #Muralist

The article presents an overview of the top home design trends for 2020, as identified by various renowned designers and architects. It highlights both emerging trends and those that are considered outdated, offering insights into evolving aesthetic preferences and functional considerations in interior and landscape design. Integrated hardware is emphasized as a contemporary trend, favored for its minimalist, seamless, and sleek appearance. This approach often features vertical lines that emulate molding, contributing to a calming and ordered visual effect. Conversely, oversized pulls and handles, including old-style refrigerator handles on cabinetry and clunky painted hardware, are seen as dated and are being replaced by more streamlined, integrated options. Floral wallpaper is experiencing a resurgence, with clients gravitating towards fresh interpretations of floral patterns, such as Raoul Textiles’ Celeste linen used to upholster walls. This trend replaces the 1970s geometric prints, which are currently out of favor, giving way to more feminine chintz and granny-chic British florals reminiscent of Mario Buatta's style. Environmentally-friendly fireplaces are gaining popularity due to their ease of installation and lack of ventilation requirements. These models can be integrated into built-in furniture or used as decorative stand-alone pieces, offering a more cost-effective and eco-conscious alternative to conventional wood-burning and gas fireplaces, which require more maintenance and contribute to CO2 emissions. Kitchen island design is also evolving, with a focus on cantilevered eat-in areas. These designs often feature natural stone countertops that extend to dining table height, providing more comfortable and child-friendly seating options compared to traditional islands with counter-height stools. Grandmillennial style, which blends traditional design elements like chinoiserie, scallops, natural fiber rugs, and topiaries with a contemporary edge through modern art and clean-lined furniture, is currently in vogue. This trend marks a departure from the monochromatic grey palettes that dominated the late 2010s, with a preference for warmer-toned palettes and rich accent colors. Bold monochromatics, using colors such as Cobalt Blue, Kelly Green, or Aubergine, are favored for their personality and elegance, contrasting with pale monochromatic rooms that are perceived as too safe and lacking excitement. Layering old and new pieces, including locally made souvenirs from travels, is encouraged to create a personalized and authentic home aesthetic. This move away from the pursuit of perfection embraces worn pieces with patina, making living spaces more comfortable and less precious. Dark painted interior doors, paired with elegant hardware, are gaining traction for adding warmth and character, transforming a standard element into an artistic focal point. This trend signals a shift from standard white doors and trim. Single print drama, where a room is covered floor-to-ceiling in the same print, is celebrated for its overtly glamorous and timelessly chic appeal, inspired by design icons like Gloria Vanderbilt and Lee Radziwill. This style contrasts with industrial design, which is seen as cold and uninviting, with a preference for nurturing and enveloping spaces. Antiqued landscape tapestries, particularly Belgian verdure tapestries, are highlighted as focal points that bring outdoor colors and textures indoors. This trend replaces the traditional dining table in the kitchen with more comfortable upholstered chairs and lower tables, conducive to relaxed socializing. Earth tones, such as chocolate brown, wine, olive green, and yellow ochre, are replacing cool tones, offering warmth and saturated color to create layered spaces with personality. Fun and experimental bathroom designs, incorporating vibrant colors, unique materials, and wallpapers, are encouraged, while open shelving in kitchens is becoming less popular due to practical concerns about tidiness. Washing a room in a single paint color, including walls, ceiling, and trim, is favored for creating a chic and enveloping feel, replacing accent walls. Performance fabrics are essential for their durability and fashionable aesthetic, making all rooms functional for families, in contrast to outdated granite countertops, which are being supplanted by more durable and low-maintenance quartz. Monochromatic palettes are out, with a shift towards bolder interiors that embrace color and pattern. Classicism, featuring busts and Grecian details, adds perspective to contemporary designs, moving away from mirrored furniture. Real indoor plants are preferred for adding personality and natural character, unlike faux plants that can appear artificial and accumulate dust. Furniture with European-inspired details, such as sloping arms and metal legs, is trending, replacing dated mosaic tiles with sleek alternatives like slab backsplashes and wide-cut marble. Quality bedding, including a good bed, mattress, and sheets, is emphasized as a worthwhile investment for comfort. Over-the-range microwaves are considered impractical for main kitchen focal points, with a preference for tucked-away but accessible microwave spaces. Rattan and wicker furniture are experiencing a resurgence, balancing modern and traditional styles, while subway tiles are seen as overused, making way for new and exciting tiles with diverse colors, textures, and organic shapes. Upholstered walls are preferred for making a statement, offering a more dramatic alternative to tall headboards. Karate chopped pillows are considered outdated. Biophilic design, which connects indoor spaces with nature, is gaining importance for its health, environmental, and economic benefits. This trend discourages temporary void shopping for furniture, advocating for patience and thoughtful, permanent design choices for sustainability. Multi-functional spaces, where areas like closets and home offices are combined and can be discreetly hidden, are becoming popular for optimizing unused space. This is a departure from formal separation of spaces, as clients seek fluid living areas and often convert underutilized rooms into new dressing spaces. Finally, fire bowls are emerging as functional art pieces in landscape design, replacing dated and impractical resin fire coffee tables. Terrazzo flooring, with its endless color and pattern combinations, is re-emerging as a stylish alternative to cold, flat concrete floors. Faux marble, made from porcelain and man-made materials, is gaining favor for kitchen countertops due to its low maintenance, offering a practical alternative to real marble which requires significant upkeep and is prone to staining and etching. Neotenic furniture and accessories, characterized by chunky, organic shapes, add a playful touch to spaces, signaling the decline of arches as a prominent design element. Classic interiors, emphasizing timeless taste and comfort, are making a comeback, moving away from the sterile all-white kitchen trend. Furniture with rounded edges, inspired by the 80s, is becoming popular for its fun and modern appeal, while uncomfortable metal-framed furniture, associated with glamorous but less practical designs, is on its way out. #HomeDesignTrends #InteriorDesign #HomeDecoration #KitchenDesign #FurnitureTrends #ColorPalettes #EcoFriendlyDesign #GrandmillennialStyle #BiophilicDesign

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

Hale Kiawe, a contemporary dwelling in Kailua-Kona, Hawaii, designed by San Francisco-based architecture firm Walker Warner in collaboration with Philpotts Interiors, embodies a minimalist aesthetic while fostering a warm and welcoming atmosphere. The project draws inspiration from the principles of Vastu Shastra, an ancient Hindu architecture theory, aiming to create a tranquil escape that prioritizes a deep connection with nature and harmonious living. The design reflects the client's desire for a space stripped down to essentials, with a layout centered around an east-facing entry, a traditional Indian orientation, which then unfolds into various open and spacious living areas. These rooms are designed to evoke serenity and renewal, maintaining a minimalist aesthetic throughout. The home's architectural language takes cues from historical pastoral structures prevalent in the region, featuring simple lines and geometries. The exterior is clad with corrugated metal roofing and natural wood siding, offering a striking contrast to the undulating Hawaiian landscape and the scenic coastline. This design choice harmonizes the built structure with its natural surroundings. The entry to Hale Kiawe is discreetly positioned away from the road, accessible via a meandering pathway that leads to a water feature and an enclosed lanai. This open-air pavilion functions as the central hub of the home, inviting residents to engage with the natural environment. The architecture is elegantly situated above tall grasses and lava rock, a nod to the arid climate of the area. Throughout the house, large windows and full-height doors maximize scenic views and ensure a continuous visual and experiential connection with the surrounding nature. The interior color palette is intentionally muted, designed to complement the landscape rather than compete with the vibrant natural beauty of the island. The previously barren land surrounding the home has been meticulously transformed into a thriving oasis, featuring native and naturalized plant species. This thoughtful integration of flora and the existing lava flows, all nestled beneath the canopy of kiawe trees, creates a unified living experience between the built environment and the natural landscape. The interior design further reflects the homeowners' diverse cultural background and commitment to natural materials. Custom-made furniture, sourced from Bali, Mexico, and India, adds unique character to the spaces. Locally sourced kiawe wood is prominently used in various elements, including the master bedroom's desk and side tables, and the headboard, which is crafted from Hawaiian Ash. Indian textiles and artwork are incorporated to introduce subtle splashes of color within the otherwise pared-down aesthetic, enhancing the home's connection to both local and global influences while maintaining its overarching sense of tranquility and minimalist elegance. #HaleKiawe #WalkerWarner #HawaiianArchitecture #VastuShastra #MinimalistDesign #SustainableDesign #NaturalMaterials #PhilpottsInteriors #KailuaKona #ResidentialArchitecture

Living walls are emerging as a prominent trend in urban Honolulu, bringing lush greenery to various spaces. These vertical gardens, a hybrid art form, are primarily attributed to 1st Look Exteriors, a family business with over 12 years of experience in this specialized field. Greg Lee, with a background in landscape architecture and plant nursery expertise, leads the company alongside his wife and business partner, Terri Rios-Lee. They emphasize the complexity involved in creating and maintaining these structures, highlighting that going vertical introduces unique challenges not found in traditional landscaping. Their work involves continuous experimentation with plant varieties, watering systems, and design adaptations, as there is no established manual for vertical gardening of this scale. The state's largest living wall, located at Ward Village, exemplifies the intricate nature of these projects. This particular installation required four years of planning and approximately two weeks for physical setup. It features an impressive array of about 10,000 tropical plants, including bromeliads, syngonium, and various ferns, elegantly arranged on the Anaha condo wall. The watering system is discreetly integrated, ensuring the plants remain hydrated. Beyond Ward Village, 1st Look Exteriors has contributed living walls to several other notable locations across Honolulu, such as the Tommy Bahama Waikīkī restaurant, South Shore Market at Ward, the exterior of Whole Foods Kailua, and two installations at the Pacific Guardian Center’s downtown office complex. These projects range in scale and cost, from smaller residential installations costing hundreds of dollars to large commercial ventures costing thousands. Despite the investment, clients like Howard Hughes Corp. see significant value in these living art designs. Todd Apo, vice president of community relations for Howard Hughes Corp., notes that living walls are a strategic way to introduce nature into urban environments that often lack ample green space. He states that these walls help bring nature to street level, enhancing the aesthetic and potentially the environmental quality of the urban core. The Lees' work is characterized by a deep passion for their craft and a continuous learning process. They often face unexpected issues, such as a client turning off an irrigation system during a rainy period, which led to the demise of vertical wall plants despite the survival of surrounding landscaping. They also highlight the unique advantage of Hawai‘i’s diverse plant palette, which allows them to create vibrant and varied living walls that might not be possible elsewhere. The design considerations extend to color schemes, with doctors' offices often preferring soothing green tones, while other businesses opt for more vibrant colors, such as plants with pink leaves. Terri Rios-Lee stresses the importance of these living spaces in creating healthy and stimulating environments for people. The evolution of their work involves adapting plant selections based on the specific environmental conditions of each location. This adaptive approach ensures the longevity and vitality of the living walls. Their innovative solutions and dedication have transformed vertical gardening into a sophisticated art form that not only beautifies urban spaces but also contributes to a sense of natural tranquility and health. The article underscores the Lees' significant contribution to Honolulu's urban landscape through their pioneering efforts in vertical gardening, showcasing the blend of horticultural expertise, architectural understanding, and artistic vision required for such projects. #LivingWalls #UrbanGreening #LandscapeArchitecture #VerticalGardens #HonoluluDesign #TropicalPlants #SustainableDesign #EnvironmentalArt

Helsinki Design Week 2024, themed 'Underneath,' highlighted Finland's integral approach to design within everyday life, emphasizing a surge of progress driven by design innovation in the capital. The event, held from September 6 to 15, showcased a variety of design-related initiatives and developments across Helsinki. Beyond traditional trade fair exhibits, the week featured explorations of architectural landmarks, including new projects by notable architects like Steven Holl, alongside innovative urban developments such as a new hotel and headquarters predominantly constructed from wood for the forestry company Stora Enso. Discussions also revolved around the planned redevelopment of Helsinki's old harborfront into a new museum quarter, spearheaded by an architectural competition for a Museum of Design and Architecture. The event also served as a platform to introduce new creative directors of established Finnish design brands, signaling a vibrant and forward-looking design landscape. The article touches upon the broader Finnish societal context, noting the country's high ranking in global happiness surveys and highlighting unique social provisions such as free, state-funded hot meals for children under 16 during summer holidays, and an extensive underground tunnel system designed to shelter the entire urban population during a catastrophe, complete with essential services and amenities for three years. While acknowledging these remarkable social aspects, the piece also addresses the economic challenges facing Helsinki, particularly in its tourism sector due to geopolitical events and the impact on air travel, which has affected the city's role as an Asian transit hub. Despite these hurdles, a director from the digital design agency Reaktor explained Finland's agile transition from manufacturing to a technology-driven economy, positioning the country as a laboratory for brand development. Key highlights from Helsinki Design Week 2024 included a significant focus on education and research at Aalto University. The university, formed by the merger of business, technology, and design institutions, inaugurated a new building dedicated to AI, augmented reality, brain research, and communication. Its 'Designs for a Cooler Planet' exhibition showcased student work on sustainable solutions, such as textiles made from recycled banknotes, alternative packaging, and wood-based sequins, underscoring the university's role as a future-oriented research hub. Iittala, under its new creative director Janni Vepsäläinen, presented a captivating 'Kaamos' exhibition, featuring ten monumental glass sculptures that explored the interplay of light and glass, celebrating the brand's heritage while embracing a dynamic future. The Helsinki Design Museum, recently merged with the Museum of Finnish Architecture, hosted 'FIX: Care and Repair,' an exhibition that thoughtfully examined the cultural impact of maintenance and repair on belongings and buildings, coinciding with plans for a major new design and architecture museum. Further enriching the design week was the Finnish Design Shop's launch of its own-brand collection, 'Pelata,' celebrating its 20th anniversary with a range of playful wooden objects for children and adults, emphasizing engagement over mere aesthetics. The Habitare trade fair, while primarily serving the Finnish market, showcased emerging talents like Myceen, which explores mycelium as a building material, and Teemu Vidgren, who reinterprets traditional Finnish vernacular objects. Lastly, the upcoming Ruoholati Playground, a collaboration between children's author Linda Liukas and Helsinki's chief design officer Hanna Harris, was introduced as the world's first computer-themed playground. This innovative space aims to demystify digital culture for children through interactive play, aligning with Alvar Aalto's philosophy of learning through engagement. #HelsinkiDesignWeek #FinnishDesign #DesignInnovation #SustainableDesign #AaltoUniversity #Iittala #HelsinkiDesignMuseum #UrbanDevelopment #PlaygroundDesign #Architecture

Delving into the archives of *Paradise of the Pacific*, a predecessor to *HONOLULU Magazine* that commenced publication in 1888, a particular feature from January 1952 titled “Ideas for Island Living” offers a glimpse into mid-century Hawaiian home design. This article spotlighted the Liliha residence of a young couple, designed by architect R.E. Windisch. The house, constructed from redwood with white-waxed interiors and concrete flooring, exemplified a forward-thinking approach to island living. The architectural design emphasized openness and natural ventilation, a concept that resonates with contemporary preferences. The residence notably lacked full-height walls or partitions, except for those enclosing the bathroom. Instead, Windisch ingeniously incorporated sliding Japanese-style shoji doors and burlap drapes to define spaces, thereby maximizing airflow and creating an expansive feel. A key innovative feature was the primary bedroom, which could integrate seamlessly with the living room through shoji doors designed to disappear into a wall. Additionally, other bedrooms opened onto a sunken interior patio with a stone floor, further blurring the lines between indoor and outdoor living. The interior details of the Whitaker home showcased a blend of functionality and mid-century aesthetic. The fireplace, crafted from natural tile and topped with a concrete slab, served as a subtle divider between the living area and a compact kitchen. The kitchen itself featured open shelving, allowing pots and dishware to be both accessible and decorative. Complementing the mid-century design, the living space was adorned with Eames molded plywood lounge chairs, which had been introduced just a few years prior in 1946, highlighting the era's taste for modern and functional furnishings. This historical review draws parallels between mid-century design principles and current interior design trends, noting the enduring popularity of open-concept layouts in contemporary homes. While shoji doors may not be as prevalent today, the influence of Japanese design, particularly its emphasis on simplicity and harmony with nature, remains evident in many Hawaiian residences. This influence can be observed in elements such as raku-style ceramics, Noguchi lantern lamps, and Zen-inspired tropical gardens, demonstrating a continuous thread of aesthetic and functional choices in island home decoration. #HawaiianDesign #MidcenturyModern #InteriorDesign #ArchitecturalHistory #OpenConcept #JapaneseInfluence #HomeDecor #RERWindisch #ParadiseOfThePacific

O&O Studio and REhyphenation collaborated to create “Meet’n Meal,” a spatial and cultural installation featured at the Sai Kung Hoi Arts Festival in Hong Kong. This project serves as a pilot tourism initiative, spanning three years, aimed at diversifying tourist offerings and enriching the visitor experience, both for local residents and international guests. The installation explores the intricate connections between architecture, cultural heritage, and community gathering, specifically reinterpreting Hakka traditions through its spatial design. At the heart of the installation is a dining table, which functions as a central symbol of reunion and shared history, drawing inspiration from the Chinese hieroglyph for 'Home' (家) and integrating elements of traditional village life. The installation is strategically placed against the historic front wall of a former village house, a location chosen for its significance in reflecting the island’s past. The circular dining table, crafted from steel framing, fiberglass, and stone-textured paint, draws a direct parallel to the island’s historical salt pans, which were crucial to its economy and culinary practices. The round shape of the table symbolizes inclusivity and community participation, inviting visitors to gather and engage. Rather than relying solely on physical artifacts, the project gathers oral histories and traditional Hakka culinary practices, using these narratives to evoke memories and deepen the cultural experience. A key artistic component of “Meet’n Meal” is the inclusion of sixteen plates, some of which are traditional Hakka bowls. These plates feature AI-generated representations of local dishes, such as fish, puffer fish, pork stew, steamed glutinous rice cake, and glass candy. This artistic choice highlights the historical and cultural importance of food within the village community. The plates themselves are constructed from vibrant mosaics, a design choice that not only adds visual appeal but also symbolically links the installation to the stained glass found in the island’s Catholic church, thereby connecting the past with the present. O&O Studio, a multidisciplinary design practice, and Joyce Fok, an artist from REhyphenation, intentionally selected materials and design elements that emphasize a strong connection to nature. The installation integrates light-filtering effects, designed to absorb sunlight throughout the day and subtly warm the space. This thoughtful interaction between the chosen materials and natural elements reflects the rural lifestyle historically practiced on the island, where food and resources were traditionally sourced directly from the surrounding environment. This approach underscores the project's commitment to ecological and cultural authenticity. “Meet’n Meal” aims to foster cross-generational participation, reconnecting former villagers with their cultural heritage and inviting visitors to delve into the island’s rich history. The project actively encourages dialogue and interaction, facilitating storytelling, poetry writing, and conversations between guests and long-time residents. Beyond its artistic merits, the installation serves as a symbolic gathering space that effectively bridges architecture, memory, and cultural preservation. It provides a multi-sensory experience, enabling visitors to rediscover Yim Tin Tsai’s heritage through its culinary and spatial narratives, ultimately contributing to the revitalization of this historic Hakka village. #AIArt #FoodArt #MosaicArt #CulturalHeritage #InteractiveInstallation #HakkaCulture #HongKongArt #CommunityEngagement #ArchitecturalDesign