'Not every piece of furniture needs to be as important,' says designer Tineke Triggs, who knows what makes a room comfortable – and what you don’t need to stress over

The article, written by interior designer Tineke Triggs, emphasizes that many details homeowners stress over in interior design do not significantly impact the overall feel or function of a home. Instead, she advocates for focusing energy on crucial elements like lighting, layout, and layers, rather than getting caught up in minor decisions. Triggs argues that agonizing over small choices, such as the perfect shade of white paint or matching metal finishes, can drain creative energy and lead to unnecessary stress, ultimately detracting from the process of creating a comfortable and authentic living space. Triggs highlights specific areas where homeowners tend to overthink, beginning with metal finishes. She states that there is no need to perfectly match metal finishes, such as cabinet hardware and faucets. Instead, mixing metals by considering their tone and texture (warm vs. cool, brushed vs. polished) can create depth and character, making a space feel more curated and less like a showroom. The key is thoughtful layering to achieve an intentional and unique aesthetic. This approach allows for greater design freedom and personalization without compromising cohesion. Another point of common over-stress for homeowners is paint color. Triggs advises against extensive deliberation over subtle variations of paint, reminding readers that paint is one of the easiest and most reversible design elements. She suggests choosing a few favorite shades, testing them directly on the wall to observe their appearance throughout the day, and trusting one's instincts. The flexibility of paint means that any initial dissatisfaction can be easily remedied, making it an area where excessive worry is unwarranted. Triggs also warns against designing a home to conform to external opinions or current trends, such as those found on Pinterest. She argues that chasing trends or trying to please others can lead to design regret and a lack of authenticity. Instead, she encourages homeowners to create a space that genuinely reflects their personal lifestyle, memories, and individual sense of comfort or humor. The most successful interiors, according to Triggs, are those that are authentic and personal, not necessarily the most fashionable. Furthermore, the article addresses the common desire to complete home decoration all at once. Triggs advises against rushing the process, as this often leads to regrettable choices and unnecessary expenditures. She suggests focusing on high-impact areas, such as the living room or bedroom, first and allowing the rest of the home to evolve gradually. Living in a space before fully furnishing every corner provides valuable insight into functional needs and personal preferences, leading to more deliberate and satisfying design decisions over time. Finally, Triggs identifies three core elements that warrant significant attention: lighting, layout, and layers. Effective lighting is crucial for setting the mood and enhancing the functionality of a room. A well-planned layout ensures optimal flow and usability, while thoughtful layering of textures and tones—through elements like rugs, pillows, curtains, and art—transforms a house into a cohesive and inviting home. By concentrating on these foundational aspects, homeowners can create spaces that are both beautiful and deeply personal, fostering joy rather than stress throughout the design journey. #InteriorDesign #HomeDecor #DesignTips #TinekeTriggs #HomeStyling #PersonalStyle #StressFreeDesign #AuthenticLiving #FunctionalDesign

This article explores the intersection of Feng Shui principles and manifestation, offering five expert tips to curate a home environment that supports personal growth and goal attainment. It posits that a well-designed living space can actively contribute to a positive mindset and attract desired outcomes. The initial step emphasizes the importance of decluttering, aligning with Feng Shui's primary commandment of removing stagnant energy. Holistic interior designer Gala Magriñá explains that editing possessions to retain only what resonates with one's current identity and future aspirations creates vital space for new opportunities. Maintaining a clutter-free home is presented as essential for inviting new experiences and avoiding limitations imposed by outdated items. The second tip highlights the significance of focal points in every room. Amanda Gibby Peters, founder of Simple Shui, suggests that each space should feature a striking element that captures attention, whether through vibrant colors, oversized decor, or objects of intrinsic beauty. These visual cues are intended to reinforce a sense of self-worth, courage in pursuing dreams, and the belief in an abundant life. The article clarifies that focal points do not always have to be traditional elements like a television and encourages creative expression. The third recommendation focuses on the intentional curation of art, particularly in the bedroom, a space central to daily manifestation. Given that the bedroom is where individuals rest, dream, and awaken, its environment is crucial for setting a conducive tone. Beyond adhering to traditional Feng Shui advice regarding bed placement and nightstand harmony, Peters advises selecting art for the wall opposite the bed with specific goals in mind. This ensures that the first and last images seen each day reinforce personal aspirations, leveraging these powerful moments of transition between conscious and unconscious states. The fourth piece of advice encourages embracing significant changes within the home to trigger substantial shifts in life. While minor adjustments can gradually alter a home's energy, a bolder approach, such as introducing an accent wall with positive colors or completely redesigning a bedroom layout according to Feng Shui principles, can lead to more profound transformations. This proactive approach to design is presented as a catalyst for breaking old patterns and manifesting new realities. Finally, the article underscores the principle of assigning purpose to every corner of the home, aligning with the foundational role of intention in both manifestation and Feng Shui. Amanda Gibby Peters stresses that every room should have a clearly defined function, and its elements should support that purpose without haphazard arrangements. For instance, in a bedroom, the bed should be the central focus, free from clutter on dressers or nightstands. This intentional organization helps guide visual focus, fostering an environment that actively supports desired experiences and lifestyle changes. The article concludes by suggesting resources for those new to Feng Shui and manifestation, emphasizing the importance of clear objectives and aligned actions. #FengShui #InteriorDesign #Manifestation #HomeDecor #Decluttering #HolisticDesign #Mindset #PositiveEnergy #GoalSetting

The article introduces molo's softwall collection, a range of flexible room dividers and furniture elements made primarily from kraft paper and non-woven polyethylene textiles. These products offer a sustainable and adaptable solution for space division and furnishing, challenging traditional rigid building concepts. The core idea behind softwall is its ability to compress into a compact form, comparable to the thickness of a book, and then expand significantly to create long walls or building blocks, demonstrating both innovation and efficiency. molo, a design and production studio based in Vancouver, Canada, was founded in 2003 by Stephanie Forsythe and Todd MacAllen. Their work spans art, design, and architecture, with a central focus on space. Their architectural projects, such as the Aomori Nebuta House in Japan, have received acclaim, and their original paper softwall prototype has been acquired for the permanent collection of the Museum of Modern Art (MoMA), highlighting its significance in design. The studio's approach emphasizes continuous material experimentation and iterative design processes, ensuring that their products are both original and authentic. The soft collection encompasses freestanding partitions, lighting, tables, and seating. These elements are constructed using hundreds of layers of paper or textile, folded into a pleated honeycomb geometry. This structure allows them to be highly compact when compressed and easily stretched to form desired configurations. The materials used, such as kraft paper and recyclable non-woven polyethylene textiles, underscore molo's commitment to sustainability. The design integrates magnetic panels at the ends of the softwalls, enabling them to form curved ends for stability, connect multiple units, or anchor to existing surfaces. Felt handles facilitate easy unfurling, and integrated holes allow for hanging, simplifying storage and cleaning. Functionally, softwalls provide both visual screening and sound dampening. They are offered in various heights and thicknesses, with softblocks available in different heights for modular construction. Accessories like circular lamb’s wool felt pads can be used as seating cushions or display surfaces. The collection's aesthetic combines elegance with functionality, featuring repeating accordion folds that create a distinctive lined texture. Different materials offer unique visual characteristics: brown kraft paper emits a warm glow when lit, white textile elements can be internally illuminated for a soft glow, and a black textile version mimics charred wood. A micro-coated aluminum textile adds a silvery, reflective quality. Over time, the materials are designed to develop a natural patina, creating a unique, organic texture as the top surfaces of seating soften while the honeycomb structure maintains its strength. Beyond partitions, the soft collection also includes furniture like the cantilever table. This table showcases the impressive weight-bearing capacity of the soft elements, capable of supporting a 1200mm diameter Carrara marble tabletop, weighing approximately 60kg. Tabletops are also available in engineered wood. Designed for collaborative workspaces and events, these tables are offered in both sitting and standing heights. They feature a central spinning paper disc for interactive use, providing a more tactile alternative to traditional whiteboards, and a glass pencil holder that doubles as a vase. The entire collection reflects a deep engagement with material properties and a drive to create flexible, transformative spaces, ensuring that the designs evolve and adapt to diverse user needs. #FurnitureDesign #FlexibleDesign #SustainableMaterials #SpaceDividers #InnovativeMaterials #ModularFurniture #InteriorDesign #DesignProcess #PaperFurniture

The article highlights designer Talia Mayden's philosophy that a "room with patina" is an essential element for creating soulful and stylish living spaces. Patina, though technically referring to the greenish film on oxidized bronze, is broadly defined as signs of wear and time. Mayden believes that spaces where everything looks brand new lack soul, and incorporating pieces that show the passage of time adds depth, artistry, and personality. Mayden's approach emphasizes intentionality and patience in design, contrasting it with the rapid consumption driven by trends and fast shipping. She advises against merely duplicating aesthetically pleasing mood boards by ordering new items online, as this often results in a soulless space. Instead, she advocates for seeking out well-loved, storied pieces that carry a sense of tradition and passion, imbuing a room with a unique point of view that cannot be easily replicated. Authenticity in design, according to Mayden, comes from this deliberate selection process rather than instant gratification. To achieve a patinated look, Mayden suggests a treasure hunt for vintage and secondhand items. She recommends exploring secondhand shops, vintage stores, estate sales, and online platforms like eBay and Facebook Marketplace. Patience is crucial in this process, as finding the right pieces takes time. Specific items she suggests looking for include vintage Artek stools with worn seats or deep leather sofas that show striations from use and sun. Newer furniture can also be given a sense of patina by adding vintage throws or cushions. For art, Mayden recommends framed sketches on yellowed paper or using vintage frames for contemporary art to add character. In textiles, she highlights vintage Turkish rugs from Etsy, noting that their sun-softened colors and wear create a less graphic and more welcoming feel compared to new rugs. She also suggests creative uses for vintage rugs, such as layering them or using them as tapestries. For lighting, vintage lamps with bronze bases or pendant lights with chain-link swags are recommended to add warmth and coziness, advocating for multiple light sources in a space. Mayden also provides guidance on striking the right balance. While patina adds character, too much can make a room feel thematic or stuffy. She advises anchoring a room with clean, contemporary foundational pieces, such as a white slipcovered sofa or a Scandinavian teak bedframe, and then layering in patina through styling elements. This could involve vintage books, antique lamps, or well-loved accent chairs. Ultimately, the goal is to develop a personal aesthetic eye, allowing individuals to gravitate towards patina that genuinely complements their style. Mayden describes her own aesthetic as 'studio curatorial,' focusing on spaces that reflect a creative process and high discernment, reinforcing the idea that good design is contextual, personal, and functional. #InteriorDesign #HomeDecor #VintageFurniture #PatinaStyle #SecondhandFinds #DesignTips #HomeStyling #LivedInLook

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

The Barrow Collection by Toronto-based designer Mary Ratcliffe represents an expansion of her design philosophy, initially introduced with the Barrow Dining Table in 2021. The collection, which now includes a bench, side tables, and a mirror, is unified by its sculptural aesthetic and a distinctive approach to woodworking, drawing inspiration from the centuries-old coopering technique of barrel-making. This method involves shaping repeated trapezoidal staves into curved, yet angular, volumes, thereby creating a visual language that blends traditional craftsmanship with modern design principles. Ratcliffe's work is characterized by a dialogue with wood as a dynamic material. The design process emphasizes the manipulation of wood's inherent properties to achieve precise, repeatable forms. This involves taking traditional rules governing wood movement and applying a contemporary interpretation, simplifying these principles to create shapes that evoke a sense of thoughtful repetition and sculptural meditation. The resulting pieces maintain a balance between a monumental presence and an approachable feel, defining a softness that also highlights a nuanced aspect of brutalism in design. The Barrow Table exemplifies this design approach through its clustered or split bases. The angled cuts within these bases interact with light and shadow, creating an illusion of lightness despite the table's substantial form. The Barrow Bench reinterprets the table's forms, applying them to its edges, which in turn reveals the precision of the design from different perspectives. A subtle six-degree contour in the bench's seat is incorporated to enhance comfort, demonstrating an attention to user experience alongside aesthetic considerations. The Barrow Side Tables, scaled-down iterations of the collection's larger pieces, feature cantilevered marble tops. These elements introduce negative space, creating visual breaks that contribute to a lighter overall composition. The side tables can be arranged individually or as a nested pair, offering flexibility in their display and function. The Barrow Mirror extends the collection's geometric language, featuring a hand-polished aluminum frame complemented by faceted wooden 'claws.' This design choice refines the collection's aesthetic into a more intricate, jewel-like, and wall-mounted form. The development of the Barrow Collection involved significant technical challenges, particularly in achieving the signature angled cuts. Ensuring these cuts were crisp, repeatable, and stable, despite wood's natural tendencies, required years of experimentation, the development of custom jigs, and a crucial innovation in construction. This breakthrough involved replacing solid sections with a veneered, hollow-core build, allowing for the precise execution of the designs. The evolution of these pieces, from initial concept to final form, reflects a hard-won technical journey that culminates in a seemingly inevitable design. The collection is presented in blackened oak, a deliberate choice intended to minimize the visual distraction of wood grain and allow the ethereal qualities of the forms to take precedence. When viewed as a cohesive unit, the pieces appear less as individual objects and more as a unified set of artifacts. They evoke the impression of originating from a shared architectural concept, embodying a tradition that values material honesty, conscientious construction, substantial presence, and the subtle drama inherent in well-defined forms. Ratcliffe's work redefines brutalism, presenting it not as cold but as a language of precision, patience, and craft delivered with warmth, emphasizing the human element in production through a small, dedicated team overseeing the process from raw material to finished product. #HomeFurnishings #InteriorDesign #FurnitureDesign #ModernDesign #Woodworking #ProductDesign #SculpturalFurniture #MinimalistDesign #DesignProcess

The ancient Chinese practice of Feng Shui, which focuses on optimizing the flow of Chi (energy) in one's environment through spatial arrangements, colors, and furniture placement, offers numerous benefits for creating a tranquil and restorative bedroom. Implementing Feng Shui principles can transform a bedroom into a sanctuary, promoting relaxation and improving sleep quality. Feng Shui expert Priya Sher emphasizes that a bedroom, where individuals spend approximately a third of their lives, should have balanced energy to facilitate recharging. This article outlines twelve key strategies, supported by insights from Feng Shui experts and interior designers, to feng shui a bedroom, regardless of its current style or size, in an achievable, affordable, and stylish manner. One crucial aspect is opting for furniture with soft, rounded edges. Sharp or pointy edges, commonly found in many furniture pieces, are believed to create negative energy. Instead, choosing organic lines and natural materials for items like bedside tables and beds can foster a sense of comfort and safety. Upholstered beds in tactile fabrics such as faux fur, velvet, or boucle are particularly effective in introducing softness and calm, aligning with current interior design trends that favor curves. Another vital element is the central positioning of the bed. While it should be central to a wall, it is advised to avoid placing it directly in line with or too close to the door. This 'dead man's position' is believed to cause energy to be pulled away throughout the night. Experts suggest placing the bed centrally to anchor the room's energy and ensure accessibility from both sides, especially for couples, to prevent a feeling of being trapped. Additionally, investing in a sturdy headboard that is fixed to the bed rather than just painted on provides a sense of support and security, symbolically preventing unseen objects from entering one's space. Color selection plays a significant role in establishing a serene atmosphere. Calm, neutral, and pastel shades like pale blues, sage greens, pale pinks, and lavenders are recommended as they psychologically create electronic waves in the brain that promote feelings of being settled, healed, or calm. Overusing bold, bright colors can over-activate energy and disrupt rest. Functional furniture, such as bookcases and well-organized storage units, is also favored, as items with meaning and purpose contribute positively to Feng Shui, provided they are aesthetically pleasing and decluttered. Clutter, particularly under the bed, is seen as detrimental to energy flow, making decluttering a primary step towards a zen bedroom. Lighting, both natural and artificial, is essential. A combination of diverse lighting sources, including floor lamps for dynamic nighttime illumination, is beneficial. Placing the bed to allow morning light to enter naturally is encouraged to welcome positive Chi. Bringing nature indoors through houseplants is highly recommended for creating harmony and reducing anxiety, as plants allow a room to breathe and offer healing properties. Orchids, in particular, are suggested for bedside tables to uplift energy and attract luck and blessings. However, certain plants like cacti and Golden Pothos are cautioned against. Minimizing electrical items in the bedroom is advised to prevent electromagnetic stress from draining energy and disrupting sleep. Removing laptops and keeping phones outside the room can contribute to a more restful environment. Setting the mood with candles or Himalayan salt lamps introduces a fire element, bringing comfort, inspiration, and even romance, while purifying energy. Finally, careful consideration of reflective surfaces, such as mirrors, is important. Mirrors should not be placed opposite windows or directly in front of the bed, as reflections can disturb sleep, even though they can visually enlarge a small room. Balancing the bedroom with a symmetrical layout, using homewares in pairs, creates equilibrium and a sense of stability, which the brain interprets as safe and calm, optimizing conditions for sleep. #FengShui #BedroomDesign #InteriorDesign #HomeDecoration #SleepImprovement #TranquilSpace #FurniturePlacement #ColorPsychology #Decluttering #NaturalElements #LightingDesign #SymmetryInDesign

Rita Konig's career trajectory from journalism to interior design highlights the transferable skills gained in media, such as research and meeting deadlines, which proved invaluable in her design work. Influenced by her mother, designer Nina Campbell, Konig developed an early appreciation for creating beautiful homes. Her decade in Manhattan, writing for publications like the Wall Street Journal and Vogue, further shaped her design philosophy and provided opportunities, including decorating Graydon Carter's restaurant, The Waverley Inn, annually. Upon returning to London, Konig established a design studio, expanding her portfolio with high-profile British projects such as Argyll House in Chelsea and several rooms at Bolton Abbey. Notably, over half of her current work is based in the USA, with significant projects in California, including a collaboration with architect Gil Schafer and the San Vicente Bungalows, considerably elevating her international profile. These projects exemplify her eclectic style, which blends diverse pieces and embraces a layering approach to interior spaces. Konig is known for her generosity in sharing knowledge, notably through online video courses with Create Academy, which gained popularity during the lockdown period. Her participation in WOW!house, an annual showcase of interior design talent, and collaborations with brands like Schumacher, The Lacquer Company, and Oficina Inglesa demonstrate her influence and reach within the design industry. She effectively demystifies interior design, breaking down the process into three core stages: spatial planning, layering pattern and color, and finally, decorating with a multitude of objects and pictures. Konig asserts that the final stage, incorporating objects, is the most crucial for bringing a space to life, emphasizing that without it, a room can feel like a mere showroom. Her philosophy stresses the importance of distinctive pieces, particularly in an era where design trends are quickly disseminated online. This leads her to prioritize antique dealers for sourcing unique items. Konig believes that the most meaningful interiors are those filled with personal belongings—heirlooms, travel souvenirs, and market finds—that tell a story and create a unique atmosphere. She also highlights the increasing significance of bespoke elements in her projects, ensuring originality that cannot be replicated through mass-produced items. Konig's own west London home serves as a testament to her design principles, showcasing a masterful blend of old and new, formal and relaxed, and serious with witty elements. By combining three apartments, she has created a cohesive yet richly layered environment featuring custom furniture, vibrant fabrics, contemporary art, and an abundance of curated objects. This approach, while potentially chaotic in less skilled hands, results in a space that exudes comfort and joyful coherence, embodying her belief in celebrating "stuff" to create truly personal and distinctive interiors. #InteriorDesign #RitaKonig #HomeDecor #DesignPhilosophy #EclecticStyle #JournalismToDesign #OnlineCourses #DesignProjects #SourcingAntiques

Negative space in interior design is often misunderstood as emptiness, but it is, in fact, a powerful tool for creating balance, flow, and visual calm within a room. Far from being a mere absence, negative space functions as a deliberate pause, drawing attention to cherished pieces and allowing the architecture to shine. This design principle is not exclusive to minimalist aesthetics; it enhances traditional, contemporary, and even maximalist interiors by preventing clutter and giving rooms a sense of 'breathing room.' Designers consistently emphasize that what is omitted can be as significant, if not more so, than what is included, making negative space a cost-free yet transformative element. Philip Thomas Vanderford, owner of Studio Thomas James, defines negative space as 'the deliberate absence of objects,' emphasizing that it provides 'breathing room that allows architecture, proportion, and select pieces to register with clarity.' He views it not as a lack of design, but as the design itself, creating intentional pauses, hierarchy, and a composed atmosphere rather than a crowded one. Sarah Hart, Principal Designer at Sarah Hart Interior Design, concurs, noting that empty space is often 'needed in order to create balance' and prevent visual overload. She playfully dismisses the common query about filling blank spots with a simple, '...Nothing.' Designers employ seven key strategies to effectively utilize negative space. Firstly, it accentuates favorite pieces by providing 'room to breathe,' elevating their presence and importance. This approach minimizes competition for attention, making each item, whether a sofa or a vase, stand out, much like a museum display. Secondly, 'floating furniture' away from walls creates a more intentional and dynamic layout in living rooms. Moving furniture inward, even by a few feet, establishes natural pathways and conversation areas, improving the room's flow. Thirdly, negative space enhances architectural features by allowing elements like arches, windows, or millwork to take precedence without being obscured by excessive decor. Designers resist the urge to decorate every surface when a room already possesses strong structural elements. Fourthly, negative space plays an active role in art composition. Asymmetrical placement of artwork, such as a small piece positioned dramatically to one side of a large wall, uses the surrounding emptiness to create tension, intention, and quiet drama. This approach explains the current popularity of 'tiny art' and how blankness can contribute to storytelling. Fifthly, it is crucial for juxtaposing busy or pattern-filled pieces. By providing visual 'rest' around bold patterns or colorful furniture, negative space allows individual patterns to be appreciated and prevents them from merging into a confusing blur. This strategy helps balance visual weight and ensures that showcase pieces can shine. Sixthly, thoughtful editing of furniture layout is vital. Designers advocate for 'fewer, better pieces' to avoid overcrowding and to maximize the impact of selected items. Generous clearances between furniture groupings improve circulation and create visual calm, especially in larger rooms where excessive furniture can undermine scale. The focus is on quality over quantity, with a single substantial sofa and ample empty floor space often conveying more luxury than a cluttered room. Finally, negative space establishes a visual rhythm, guiding the eye and body through a room. Alternating between filled and open spaces prevents a room from feeling chaotic and can even be applied between different rooms to create contrast and reinforce the overall design narrative. Bedrooms, for instance, often benefit from highly edited spaces, as negative space fosters a sense of calm essential for rest. Ultimately, negative space is portrayed as an intentional design choice that cultivates confidence and balance within any interior. #InteriorDesign #NegativeSpace #HomeDecor #DesignPrinciples #VisualBalance #FurnitureArrangement #ArchitecturalFeatures

An interior designer outlines seven categories of items she will avoid purchasing in the current year, prioritizing value, functionality, sustainability, and enduring style over fleeting trends and unnecessary acquisitions. The designer's approach emphasizes mindful consumption and strategic investment in home decor and furnishings. One key area of avoidance is overpriced brand-name decor. The designer stresses that high prices and luxury labels do not inherently guarantee quality. Instead, the focus is on discovering budget-friendly pieces that offer both style and substance, rather than succumbing to the allure of a brand name. Non-ergonomic office chairs are another item the designer will not invest in. For remote workers, a comfortable and functional home office is crucial. The designer explicitly states a disinterest in trendy, aesthetically pleasing but unsupportive desk chairs, advocating for ergonomic designs that provide comfort during extended periods of sitting. The designer is also steering clear of high-maintenance plants. A preference for low-maintenance greenery is highlighted, enabling the incorporation of natural elements into spaces without the burden of rigorous care routines. As an alternative to real plants, dried flowers and branches are suggested for individuals who struggle to keep live plants alive, offering a reliable and aesthetically pleasing solution. Cheap, mass-produced rugs are also off the designer's shopping list. The intent is to invest in durable, high-quality rugs that enhance a space's aesthetic and can withstand daily wear and tear, thereby avoiding frequent replacements. This decision aligns with a broader commitment to quality over quantity. Excessive throw pillows are another item the designer is avoiding. While acknowledging an appreciation for throw pillows, the article states that having more than three on a bed is considered excessive. The designer plans to prioritize quality over quantity, selecting a limited number of pillows that complement a space without creating clutter. Fast furniture, characterized by its affordability and mass production, is being bypassed due to its environmental impact and lack of durability. The designer's commitment to sustainability in 2024 leads to a preference for furniture built to last, even if it requires a higher initial investment. This choice aims to reduce waste and contribute to a more eco-conscious lifestyle. Finally, unnecessarily specialized kitchen gadgets are excluded from purchases. The designer expresses a disinterest in single-purpose appliances, such as avocado slicers or hot-dog toasters. The preference is for multifunctional tools that help maintain a clutter-free kitchen, emphasizing practicality and efficiency in culinary spaces. #InteriorDesign #HomeDecor #SustainableLiving #ErgonomicDesign #MindfulConsumption #KitchenGadgets #Furniture #OfficeChairs #Rugs

Trinket dishes are a small yet impactful design accessory that can be found in almost every space, regardless of personal aesthetics, budgets, or square footage. These versatile items, typically small, are often placed on nightstands or entry tables, holding various small objects like jewelry, lip balm, keys, or receipts. The article explores how interior designers use trinket dishes not merely as functional catch-alls, but as decorative elements that add charm and personality to a room. One styling approach involves using multiple trinket dishes, even on a small surface. Interior designer Kati Curtis, for instance, used two dishes on a built-in marble entryway table, combining a whimsical Haas Brothers dish that doubles as a key drop with a simple petrified wood alternative. This pairing creates a layered and intriguing entry, bridging personal collections with curated design. Curtis emphasizes that such pieces can spark conversation and add a touch of mischief, fostering a sense of curiosity in interior design. Another method focuses on playing with patterns. Nicky Mudie, founder and director of Violet & George, highlights the functional and beautiful aspect of trinket dishes, especially when used on bedroom nightstands. She points out that items like a Henry Holland ceramic dish, known for its color and pattern, can add charisma. Due to their small size, there is no need to worry about perfectly matching their colors or patterns with the rest of the room's decor, making them easy to integrate and personalize. These dishes are ideal for holding small items like jewelry, hair ties, or cufflinks, preventing clutter on bedside surfaces. Alternatively, a trinket dish can be left empty if its design is captivating enough to stand alone. Designer Kelly Ventura recounts her collaboration with a ceramicist to create a unique hand-painted dish that she uses to collect her children's small treasures, appreciating its decorative value even when empty. This perspective suggests that the inherent beauty and craftsmanship of a trinket dish can be a design statement in itself, serving as a daily reminder of creativity and the appreciation of small details. Vintage trinket dishes also offer a unique way to add character and history to a space. Interior designer Nicole Forina shares her find of a vintage brass 'pocket change' bowl, repurposed for modern-day small items. This approach infuses nostalgia and patina, providing functionality with a historical touch. Vintage markets and antique shops are noted as excellent sources for such charming and useful pieces. Maintaining a consistent color palette is another effective styling tip. Jennie Bishop, principal designer at Bishop Studio, advises selecting a trinket dish that complements the room's established colors. Whether it’s a funky ceramic, colored glass, or hand-painted porcelain, a well-chosen dish can add a subtle layer of personality and texture, keeping the space organized while contributing to its overall aesthetic harmony. Finally, designers suggest not being limited by traditional small sizes. Lisa Staton, a designer, advocates for using larger dishes if they are aesthetically pleasing and functional. She mentions a handmade pottery piece from Portland, Oregon, used for matches near a candle or keys at an entry. This demonstrates that practicality and personal preference should guide the choice of size, allowing for more substantial decorative impact while still serving a useful purpose in keeping essential items within reach. #InteriorDesign #HomeDecor #TrinketDishes #StylingTips #HomeAccessories #VintageDecor #DesignInspiration #PersonalStyle

The 'Igloo' coffee table, designed by Portugal-based Teixeira Design Studio, offers a contemporary multifunctional solution that integrates a cozy shelter for cats within a modern furniture piece. This design addresses the common issue of homes becoming cluttered with pet accessories, as well as a cat's natural instinct to seek out small, dark spaces for resting. The concept for Igloo stemmed from the observation that pet objects often contribute to a messy living environment and that cats instinctively look for secluded spots. The studio aimed to create a piece that serves both human and feline needs without compromising aesthetic appeal or home interiors. The Igloo coffee table is characterized by its Scandinavian aesthetic, featuring a minimalist design with bright hues, simple shapes, and a contrasting material palette. It combines smooth white surfaces with light wooden elements, creating a harmonious and elegant look. The design prioritizes comfort and practicality for the feline occupant by incorporating a spherical bed. This spherical shape was chosen to provide a cozy and secure resting space, aligning with a cat's natural curling sleeping position, thereby enhancing their sense of safety and comfort. The furniture piece is crafted with both form and function in mind. The spherical cat bed is discreetly nestled underneath a rounded tabletop. The side connectors of the sphere extend to attach seamlessly to the four table legs, ensuring structural integrity and a cohesive appearance. The tabletop itself features a white wooden finish, which complements the white plastic sphere of the cat bed, while the light wooden table legs provide a gentle contrast. This careful selection of materials and finishes contributes to the table's sophisticated and visually appealing design. Attention to detail is evident in the construction of the Igloo. At the points where the table legs meet the tabletop, smoothly carved cut-outs are incorporated. These subtle design elements elevate the overall sophistication of the product, showcasing a thoughtful integration of components rather than mere assembly. The design ensures that the cat's resting area is an integral part of the furniture, rather than an add-on, making it a functional and aesthetic addition to any home. The founder, João Teixeira, emphasizes that these details contribute to the Igloo being a sophisticated and visually pleasing product. Ultimately, the Igloo coffee table represents an innovative approach to pet furniture, blending contemporary design with pet-friendly features. It offers a practical solution for pet owners who wish to provide a comfortable space for their cats without disrupting their home's interior design. The table’s elegant appearance and dual functionality make it a distinctive piece that caters to the needs of both people and their pets. #FurnitureDesign #CatFurniture #MultifunctionalDesign #TeixeiraDesignStudio #ScandinavianDesign #PetFriendly #InteriorDesign #ConceptDesign #InnovationDesign

Choosing a comfortable sofa involves more than just aesthetic appeal; it requires understanding key ergonomic and design principles to ensure long-term comfort and compatibility within a living space. A sofa’s design, often perceived as a singular aesthetic choice, significantly impacts its functionality and the user’s physical well-being. This article outlines six essential rules to guide the selection process, moving beyond superficial attractions to practical considerations. The first rule emphasizes the importance of seat depth and height. An ideal seat depth allows an individual to sit with their back against the cushions while their feet are flat on the floor, avoiding pressure on the back of the knees. The average comfortable seat depth ranges between 21 and 24 inches. Seat height should also accommodate varying body types, ensuring that knees are bent at a 90-degree angle. Sofas with deeper seats might be suitable for taller individuals or those who prefer to recline, while shallower seats are better for shorter individuals or more upright sitting. Secondly, the backrest and its angle play a crucial role in supporting the spine. A good backrest should support the natural curve of the lower back. The angle should not be too upright, which can be rigid, nor too reclined, which can strain the neck and shoulders. A slight recline, often between 100 to 110 degrees, can provide optimal lumbar support and overall comfort. Different backrest designs, such as high-back or low-back, cater to various preferences for head and neck support. Thirdly, cushion quality and density are paramount for both comfort and durability. Cushions made from high-resilience foam or a combination of foam and feathers offer a balance of support and softness. While soft cushions initially feel inviting, they can sag over time and provide inadequate support, leading to discomfort. Firmer cushions maintain their shape and support longer, though they may require a break-in period. The density of the foam, typically measured in pounds per cubic foot, indicates its durability and ability to resist compression. The fourth rule focuses on the armrests, which contribute to relaxation and ease of getting up from the sofa. Armrest height should be comfortable for resting elbows without hunching shoulders. They should also be sturdy enough to provide leverage when rising. Armrests can vary in design, from wide and padded for lounging to narrow and firm for a more formal look. Some designs even integrate side tables or storage, enhancing functionality. Fifth, the sofa’s frame construction is a critical factor for longevity. A robust frame, preferably made from kiln-dried hardwood, ensures the sofa’s stability and structural integrity. Frames made from particleboard or softwoods are less durable and prone to warping or breaking over time. Joinery methods, such as dowels, screws, and corner blocks, are indicative of quality craftsmanship, offering a stronger and more stable foundation than staples or glue alone. Finally, considering the sofa’s overall dimensions in relation to the room size and intended use is essential. A sofa should not overwhelm the space but rather complement it, allowing for adequate circulation. Modular sofas offer flexibility in configuration, adapting to different room layouts and seating needs. Measuring doorways and hallways is also important to ensure the sofa can be delivered and assembled without issues. By adhering to these six rules, consumers can make informed decisions, selecting a sofa that combines aesthetic appeal with ergonomic design for lasting comfort and functionality. #InteriorDesign #FurnitureSelection #Ergonomics #HomeFurnishings #SofaBuyingGuide #Comfort #DesignTips

The author explores the concept of "Design with a capital D," a term coined by T magazine editor Pilar Viladas, which refers to high-end, statement-making interiors. While admiring such designs, the author questions the necessity of always making a bold statement in a room, noting that rooms can become "rudderless" if too safe. The author's personal approach is to seek an "anchor" rather than a "statement" in design. The author discusses the pitfalls of the "statement wall," suggesting it can lead to a sense of completion prematurely. An experience is recounted where a client had invested heavily in De Gournay wallpaper for a dining room, leaving the rest of the apartment undone. The author's solution was to elevate the surrounding decor to match the grandeur of the wallpaper, emphasizing that complete overhaul isn't always necessary to transform a space. The author also touches on situations where decor becomes too tasteful, requiring a "punch" to disrupt the complacency. A personal anecdote illustrates this: while designing her own sitting room with elegant, understated elements, she introduced a zebra linen fabric to add an unexpected jolt. The author reflects on the influence of style icons like Lee Radziwill, whose tiger silk velvet sofa served as an inspiration, but also cautions against "statement seating" becoming a design cliché. The author advocates for introducing bold elements later in the decorating process, after a sense of balance has been established, to prevent them from dominating the entire space. Balance is highlighted as crucial, comparing it to cooking, and a trick for achieving harmony between rooms with strong patterns involves using a complementary color from the wallpaper in the adjacent room. The author admits to a lack of restraint in her own decorating preferences, contrasting it with the admired minimalist approach of interior designer Joanna Plant, who expertly curates a few perfect items. This personal struggle stems from a desire to possess many beloved items. Ultimately, the author emphasizes that rooms are not meant to be static but should evolve, bringing life to otherwise inoffensive interiors. The author dismisses the worry of rooms becoming boring, stating that their primary purpose is to serve as a backdrop for living, not to constantly entertain. The underlying message is to have fun with decorating, allowing for playful elements without overthinking cleverness, as seen in the September 2025 issue of Elle Decor. #InteriorDesign #Maximalism #DecoratingTips #HomeDecor #DesignPhilosophy #RitaKonig #StatementDecor #RoomBalance

The editor-in-chief of Country Living, Rachel Hardage Barrett, discusses the common pitfall of seeking instant gratification in home decorating, a trend often fueled by social media. She argues that true, personal, and layered spaces—the kind frequently featured in Country Living—do not emerge overnight but rather evolve through a process she calls "Slow Decorating." This approach is likened to designer James Farmer's "cast-iron skillet strategy," where spaces are seasoned over time to achieve a more nuanced decorative flavor. Barrett highlights that her own regrettable design decisions were typically made in haste. Inspired by seasoned homeowners and designers, she now champions a more deliberate approach, emphasizing several key lessons. The first lesson is to "Shop for the Piece, Not the Room." Designer Libby Cameron, known for interiors that feel acquired over time, advocates buying versatile furniture that can be moved and repurposed across different rooms. Barrett suggests asking if a piece can be used in at least three different areas of the house before purchasing, moving away from a rigid, fill-in-the-blank decorating strategy towards a mix-and-match method. The second lesson, "Sweat the Small Stuff," involves focusing on thoughtful details that imbue a room with personality, such as unique artwork, sentimental souvenirs, or curated collections. Barrett recounts her experience renovating a Mississippi farmhouse, where she prioritized acquiring small, meaningful items like pheasant glassware and vintage books. This allowed her to feel progress in the project, making it easier to patiently wait for the right larger, more significant pieces like a sofa or sideboard. "Prioritize Quality" is the third lesson. Barrett advises investing in hand-crafted furniture or quality antiques, even if initially more expensive, as they offer long-term value compared to cheaper, mass-produced items. This principle echoes the Slow Food movement's emphasis on knowing the origin of products, extending to understanding the artisans or antique dealers behind home items. This connection often comes with interesting stories, adding to the intrinsic value of the piece. The fourth lesson is to "Mix Materials and Eras." As Country Living Senior Homes & Style Editor Anna Logan points out, the most compelling examples of Slow Decorating are timeless spaces that resist being categorized into a specific era. Embracing patience in decorating helps avoid falling for fleeting trends, preventing a home from becoming dated quickly, a common issue seen with styles like Modern Farmhouse. Finally, Barrett stresses that "Finished Isn’t the Goal." She argues against the desire to complete decorating, suggesting that homes, like individuals, should continuously evolve. Additions should reflect new interests and personal stories, turning a home into an ongoing narrative rather than a static endpoint. This approach resonates with collectors who value curation and experience over mere possession, finding greater happiness when items are connected to personal experiences. #SlowDecorating #HomeDecor #InteriorDesign #AntiqueFurniture #QualityOverQuantity #PersonalStyle #TimelessDesign #MindfulShopping

Patricia McGinnis, a Belfast-based interior design consultant and co-founder of Maven, an interior and lifestyle boutique, provides five essential tips for making considered design decisions in home décor. Her advice aims to help individuals create spaces they will appreciate for years, avoiding reliance on fleeting trends. McGinnis emphasizes that the most engaging rooms feature a blend of elements that offer continuous visual interest through variations in shape, color, and texture. She encourages experimentation and playfulness in design, suggesting that vintage and contemporary pieces can coexist harmoniously to create a rich and layered aesthetic. An example from her own home illustrates this principle, featuring a mid-century dining table on an antique rug, surrounded by contemporary Scandinavian chairs and lit by a Japanese-inspired pendant lamp, demonstrating how diverse styles can be integrated effectively. A key recommendation from McGinnis is to avoid compromising on personal preferences, especially when it comes to color choices. She advises individuals to trust their instincts and choose colors they genuinely love, asserting that future regret is more likely to stem from not following one's heart than from bold color decisions. She also cautions against allowing tradespeople to dissuade homeowners from their chosen designs, sharing anecdotes of painters initially resistant to certain colors who ultimately grew to admire them. Furthermore, McGinnis stresses the importance of investing in quality pieces, particularly for items such as sofas, dining chairs, and tables, which are used frequently. She suggests saving for desired items rather than settling for less, as quality furniture is more durable and can become cherished heirlooms, a philosophy central to Maven's curated collection. McGinnis strongly advises against being overly influenced by social media trends. She warns that homes designed strictly according to current trends can quickly become dated and feel inauthentic or impersonal. While acknowledging the inevitability of some trend influence, she advocates for a balanced approach where trending elements are integrated with timeless pieces. This strategy aims to create an enduring aesthetic that reflects the homeowner's personality rather than merely mimicking popular online aesthetics. The goal is for a home to be a unique reflection of its occupants, rather than a generic replication of another's Instagram feed. Layering is presented as another crucial aspect of effective interior design, likened to a chef adding spices to a dish. McGinnis explains that layering multiple textures, tones, shapes, and colors, along with thoughtful lighting, adds depth and richness to a room. This approach elevates a space beyond its basic components, creating a more sophisticated and inviting atmosphere. Finally, McGinnis highlights the practical importance of meticulous measurement. When investing in significant furniture pieces, she advises measuring not only the intended space but also doorways and awkward corners to ensure the items can be successfully moved into the room. This practical tip helps prevent costly mistakes and ensures that carefully selected pieces can be properly installed and enjoyed in their new environment. #HomeDecor #InteriorDesign #DesignTips #PatriciaMcGinnis #MavenBelfast #TimelessDesign #PersonalStyle #LayeringInDesign #QualityFurniture

The "Ideas for Business" initiative, launched by DesignWanted in May, aimed to reimagine the side table, a typically overlooked domestic object. The call challenged designers to explore new functionalities, materials, and meanings for this common furniture piece, in response to evolving domestic life and contemporary living. This platform connects designers with industry stakeholders to foster the development of innovative, relevant, and thoughtful projects through open calls and competitions. Over 150 proposals were submitted, each demonstrating creativity and effort. A jury comprising Juan Torres, DesignWanted’s Creative Director; Mario Alessiani, product designer; and Denis Aktay, designer and founder of DEZIN, selected three winning projects. The criteria for selection emphasized not only design quality but also the projects' ability to reflect and adapt to a changing understanding of domestic spaces. The modern home's side table is no longer merely a surface for books and lamps; it must accommodate diverse activities, serving as an office, lounge, or personal retreat. The winning designs stood out for their unique interpretations of care, intimacy, and daily life, illustrating how a simple object can become emotionally resonant, sculptural, or intelligently designed. The call revealed that the side table can act as a micro-stage, capable of shifting the narrative of domestic life and reflecting broader themes such as sustainability, technological integration, emotional well-being, and the increasing fluidity of home spaces. The selected projects underscore that effective contemporary design can be subtle, attentive, and purposeful without being overtly radical. Each of the three winning entries embodies distinct aspects of DesignWanted's research focus. "Bable" by industrial designer Abin Rajendran, a side table that subtly integrates ambient lighting, gentle notifications, and a ring light, reimagines the home robot without resorting to typical tech aesthetics. Its strength lies in its poetic restraint and emotional tuning, aiming to blend seamlessly into the domestic environment and provide quiet care. "Ardea" by product designer Giuseppe Campanale, is a sculptural and architectural piece that serves as both a shelf and a light. Its elongated vertical form impressed the jury with its formal coherence and its delicate balance between functionality and artistic expression, offering a calm presence in an interior space. "Bale" from Copenhagen-based Bundle Studio, is a highly functional side table crafted from a bio-composite of flax fiber and PLA. Designed for the living room, it functions as both storage and seating, featuring four thermo-pressed panels joined by visible snap rivets. This design was recognized for its material honesty, emotional clarity, and inherent adaptability, making it approachable, repairable, and ready for practical application. The diversity of the winning projects, which included speculative technologies, handcrafted aesthetics, modular systems, and social rituals, highlights the richness of the submissions received. All entries utilized the side table as a means to observe and re-envision contemporary living. This first edition of the call demonstrated that such initiatives can foster a dynamic dialogue between designers and their innovative approaches, reaffirming that even minor domestic details warrant reconsideration in a design landscape that often prioritizes revolutionary concepts. The three winning designers will receive dedicated editorial features, social media promotion, and newsletter inclusion to amplify their work within the DesignWanted community. DesignWanted encourages designers to participate in future "Ideas for Business" calls to share their visions. #Design #FurnitureDesign #SideTable #ProductDesign #InnovativeMaterials #SustainableDesign #HomeDecor #DesignCompetition #DomesticLife