Modern Neoclassical Mansion in Old Preston Hollow

This blog post highlights a stunning Tuscan estate located in Mayflower Estates in Old Preston Hollow, designed by the late Dallas architect Elby S. Martin. Martin, inspired by American architect Addison Mizner, who was known for defining the architectural style of South Florida and designing grand estate homes such as the former Kennedy estate, La Querida, specialized in creating magnificent residences. The article praises Martin's architectural prowess, noting that he was driven to follow in Mizner's footsteps. This particular 12,612-square-foot estate, completed shortly before Martin's passing, is lauded for its architectural integrity, with architect Lloyd Lumpkins commending its impeccable scale, proportion, and massing. The property offers a truly immersive Tuscan experience, beginning with its landscape designed by Harold Leidner, featuring a formal fountain and expansive manicured lawns across more than an acre. The home's architecture is described as romantic yet sophisticated, rustic yet refined, evoking a sense of timelessness as if it has existed for generations. A grand formal entry boasts soaring 24-foot ceilings, leading to a 70-foot gallery with a groin-vaulted ceiling, creating a breathtaking first impression. Throughout the house, ceilings are artistic and dramatic elements, inviting continuous upward gazes. The formal living areas are designed to be warm and inviting, exemplified by a beamed living room that encourages relaxation. The dining room features a Venetian plaster finish and an artfully paneled ceiling, adding to the home's elegant details. The estate's kitchen is a chef's dream, featuring stone walls, a multi-barrel vaulted brick ceiling, and knotty alder wood cabinetry, reminiscent of authentic Italian kitchens. It is equipped with high-end appliances, including double Sub-Zero refrigerators, Asko dishwashers, and Wolf ovens, all while offering garden views. The residence comprises six bedrooms, six bathrooms, and two powder baths. The principal suite, situated on the first floor, includes a stone fireplace, views of the meticulously maintained grounds, and a 14-foot beamed ceiling, along with dual bathrooms and closets. Accessible by both staircase and elevator, the second floor houses two large en-suite bedrooms with private balconies. This level also features a billiard room, a game room, a media room with seven reclining motorized chairs, and a private fitness center, ensuring comprehensive entertainment and wellness options within the home. The outdoor living spaces are equally impressive, featuring an outdoor kitchen equipped with a Wolf outdoor grill, Sub-Zero under-counter refrigerators, and electronic screens for comfort. The extensive backyard is designed for both large gatherings and intimate relaxation, offering covered and electronically screened patios, a resort-style pool, a cabana, a sports court, and a private guest house. Advanced systems such as a full sprinkler system, a natural gas generator for emergency power, and a geothermal HVAC system ensure comfort and efficiency. Listing agents Kyle Crews and Terri Cox from Allie Beth Allman describe the property as an ideal residence for a discerning buyer seeking privacy, space, and peace of mind. The property is currently listed for $10.250 million. #TuscanEstate #OldPrestonHollow #LuxuryHome #ArchitecturalDesign #ElbySMartin #AddisonMizner #HaroldLeidnerLandscape #DallasRealEstate #CustomHome

This blog post introduces a newly completed Mediterranean Spanish Revival home located in Old Preston Hollow, Dallas, Texas. The sprawling 13,000-square-foot estate, completed in December 2016, sits on just over one acre with dual gated entries at 5326 Edlen Dr. Designed by architect Lloyd Lumpkins, known for his quality and eclectic European architectural influences, the residence is situated in a coveted area characterized by wooded landscapes and proximity to the Bachman Branch creek. The home boasts six bedrooms, including two dual masters, eight full bathrooms, and three half baths, alongside a library. Notable features highlighted by listing agent Patricia Stampley of Ebby Halliday Realtors include a two-piece clay-tile roof with copper flashing, a flexible floorplan, premium finishes throughout, a first-floor master suite, five fireplaces, an elevator, a seven-car garage, and a one-car lift. The property is designed for both everyday living and large-scale entertaining, showcasing quality construction and meticulous attention to detail. Upon entering, a two-story hall greets visitors with wrought-iron detailing and custom double front doors. Arched doorways are a recurring elegant architectural element. The grand entrance features a soaring, wood-beamed ceiling, a curving staircase with intricate wrought-iron railing, and a distinctive diagonal limestone floor with diamond black granite accents. One of the four living areas, located off the entry, features herringbone hardwood floors, a stone fireplace with a cast stone mantel, three contemporary crystal-and-chrome chandeliers, and built-in bookshelves. A second living room further into the house offers ample natural light, hardwood floors, tinted plaster walls, and a high, beamed ceiling, emphasizing the detailed millwork and museum-quality finishes throughout. The residence incorporates several 'green' features, including a 16+ SEER AC, low-E windows, foam insulation, a high-efficiency water heater, and a tankless water heater, reflecting a modern trend in luxury construction. The kitchen is designed for high-end culinary experiences, featuring a black leather granite island, a wood-beamed ceiling, dual dishwashers, a warmer drawer, a built-in ice-maker, and dual ovens (one convection). It is equipped with a Wolf six-burner commercial-grade gas range and a Sub-Zero refrigerator/freezer. The property also includes a full catering kitchen and a butler’s pantry, suitable for professional catering. Other luxury amenities include a media room with plush seating for six in leather recliners and a dedicated wine room. The dual master suites are a significant draw. The first-floor master, measuring 30-by-19 feet, features a marble fireplace, hardwood floors, a custom closet system with packing islands, and views of the swimming pool and backyard. Its ensuite bathroom is described as a 'wet room' with a soaker tub, marble tiling, architectural design, a stained-glass window, and dual shower heads with body sprays. The second master suite also includes hardwood floors, a custom closet system, dual sinks, and separate shower and vanities. The outdoor area is equally impressive, designed for entertaining. Adjacent to a serene swimming pool and spa is a 600-square-foot cabana, complete with an outdoor kitchen, fireplace, cabinetry, and tile work. The expansive yard is adorned with mature shade trees and manicured landscaping, enhancing the Mediterranean Spanish Revival aesthetic. This property is listed by Patricia Stampley for $8.65 million, with an open house scheduled for April 2. #MediterraneanArchitecture #SpanishRevival #LuxuryHome #OldPrestonHollow #DallasRealEstate #CustomHome #ArchitecturalDesign #HighEndAmenities #HomeEntertainment

Lauren and Jason Muir embarked on a significant renovation of their 1900-built Parkside home after returning to Adelaide from London and Sydney. The couple purchased the property in its original condition in late 2020, with renovation plans beginning almost immediately. However, due to pandemic-related delays and council approvals, construction didn't commence until two years later. Lauren, a strategy executive at Westpac, expressed the importance of honoring the home's 1900 heritage while integrating a modern aesthetic, a design philosophy inspired by Victorian homes in London's southwest. A key design objective was to create a seamless transition between the original structure and the new extension. This was achieved by extending the original timber floors throughout the house and meticulously matching architectural details like architraves. The couple also focused on cohesive styling, using art to introduce color and enhance flow between the old and new sections of the home. The front of the house retained its original character, while the rear extension was designed to complement it with a contemporary feel. The renovation project involved collaboration with The Building Company and Mavtect Designs, successfully navigating council requirements that mandated the extension not be visible from the street. Specific features desired by the couple included a wine cellar, which Jason envisioned as a space where one could walk down and be enveloped by wine. Lauren's primary desire for the living space was an abundance of natural light. While the front of the house, with its older structure and tree coverage, remained darker, the extension was designed to maximize light, leading to the creation of a seven-meter raked ceiling and a large wall of glass. This architectural choice not only floods the living area with light but also provides a view of the century-old hedge in the backyard, which offers significant privacy and a natural green wall effect. Outdoor spaces were also a crucial component of the renovation. With the help of Husk Projects and Evoke Outdoors for landscaping, Lauren and Jason created dedicated outdoor entertaining areas and a sauna area. The sauna was specifically inspired by Sequoia Lodge, aiming to replicate its serene garden setting where one could relax after using the sauna, creating a retreat-like atmosphere. The Parkside home became a labor of love, offering a convenient urban lifestyle, with easy access to parklands and local amenities. Despite their affection for the renovated Parkside home, the Muir family is now moving to Stirling in pursuit of more space for their young children. Their new 1920s home also requires renovation, signaling Lauren's continued preference for restoring older properties over new builds. The sale of the Parkside property, located at 9 Douglas Street, is being managed by Georgie Todd and Alexandra Green of Harris Real Estate, marking the end of one project and the beginning of another for the family. #HeritageHome #ParksideRenovation #ModernExtension #ArchitecturalDesign #LuxuryLiving #HomeRenovation #AdelaideRealEstate #InteriorDesign #OutdoorLiving

This article showcases an extraordinary Scottish home that exemplifies the preservation of historical architecture while integrating contemporary design. The project involved the transformation of a 300-year-old ruined farmhouse into a sleek, modern residence. The design approach, a collaboration between Nathanael Dorent, Lily Jencks Studio, and Nous Engineering, focuses on a unique three-layered building concept. The outermost layer consists of the stabilized and preserved ruins of the 18th-century farmhouse, maintaining its historical integrity. Within this ancient shell, a black rubber 'envelope' forms the second layer, echoing the original lines of the now-absent pitched roof. The innermost layer, referred to as the 'tube,' features organic-looking interior walls constructed from white polystyrene blocks. These curved, minimalist interiors provide a striking contrast with the rugged stone exterior and the matte black roof. A key design element is the deliberate integration of the original stone walls into the home's interior in certain areas. This feature serves to highlight the building's extensive history and create a dialogue between the old and the new. The interior design emphasizes simplicity and minimalism, utilizing white and pale wood tones to create a clean and contemporary aesthetic. Large window and door openings are strategically placed to offer expansive views stretching over 80 kilometers across two valleys. Beyond its unique aesthetic, the home is designed with practicality and sustainability in mind. It is solar-powered and heavily insulated to provide protection against the harsh Scottish winters. The inclusion of wood-burning stoves further enhances comfort and warmth during colder months. The combination of historical preservation, modern architectural intervention, and functional design results in a residence that is both visually compelling and highly livable, offering a blend of ancient charm and futuristic comfort. #ArchitecturalDesign #HistoricPreservation #ModernArchitecture #SustainableLiving #InteriorDesign #ScottishHomes #FarmhouseRenovation #ContemporaryDesign

The Old Hall in Netherseal, Derbyshire, a Grade II*-listed property, is a substantial home set within 14¾ acres of gardens on the edge of the picturesque village of Netherseal. This medieval residence, largely hidden by boundary walls, yew hedges, and lime trees, stands adjacent to the 13th-century church of St Peter, nestled in the heart of the Netherseal Conservation Area. The property is currently for sale through the Nottingham office of Savills with a guide price of £3.5 million. With a history spanning over 800 years, The Old Hall has seen numerous transformations by its various owners. The most recent custodians, Adam and Lizzy Devey Smith, have resided there for the past 14 years with their four children, enhancing the property with modern amenities while respecting its historical integrity. Their additions include a vast orangery, an outdoor kitchen, a heated swimming pool, and a sunken terrace. Mrs. Devey Smith describes the estate, which also features woods teeming with wildlife, a lake, and a football pitch, as "an absolute children’s paradise within a tranquil private oasis." The Old Hall offers extensive accommodation, totaling 10,560 sq ft across three floors. The ground floor comprises a formal reception hall, four large reception rooms, a bespoke Mark Wilkinson open-plan dining kitchen, the magnificent orangery, and a secondary kitchen and utility room. The first floor hosts the principal bedroom suite, a family bathroom, three additional double bedrooms, and two more bathrooms. On the second floor, there are three further bedrooms, a bathroom, and various storerooms. Additionally, the property includes a self-contained flat, suitable for dependent relatives or staff. The historical lineage of The Old Hall dates back to 1192 when Earl Ferrers granted the manor of Netherseal to William de Ridware. The manor passed through several prominent families—de Ridware, de Stafford, de Pipe, Vernon, and Mather—until 1648. In 1614, William Mather sold a portion of the land and the lordship of the manor to George Gresley, who constructed a new manor house, thereby diminishing the status of The Old Hall. However, The Old Hall continued to be a significant property. In 1648, The Old Hall estate was acquired by Zachary Johnson, subsequently passing through the Moore and Jervis families before being sold in lots in 1797. Major-General George Hewett became the principal purchaser, including The Old Hall itself. The Hewett family owned the property throughout the 19th century, making several alterations, notably the 1908 wing built of red brick. In 1928, Ernest J. Manners of Worthington Brewery purchased The Old Hall. He later acquired and demolished the 'new' Hall built by Gresley and, in 1931, installed exceptional linenfold panelling from Drakelow Hall in The Old Hall's dining room. Manners also expanded the property and hosted numerous society events. His wife, Alice Meakin, created a vibrant African garden, the structure of which remains visible today. Mrs. Manners was deeply involved in village life, with the hall's lawns hosting local school sports days and the house sheltering evacuated children during the Second World War. The property remained with the Manners family until her death in 1980. #HistoricHome #LuxuryProperty #CountryHouse #Derbyshire #Netherseal #RenovatedProperty #PeriodFeatures #ModernAmenities #Savills

This blog post details a four-family brownstone located at 34 7th Avenue in Park Slope, built in 1873. Despite its division into multiple units, the property retains a wealth of original architectural details that contribute to its period charm. These include various mantels, intricate moldings, decorative ceiling medallions, and tin ceilings. Notably, two bathrooms feature late Victorian tile, adding to the historical character. The brownstone is situated within the Park Slope Historic District and is recognized as one of the earliest examples of the Neo-Grec architectural style in the area. The building is part of what was originally a row of five brownstones, with one corner building having been demolished after the 1960 Park Slope plane crash. While No. 34 has undergone some exterior changes, such as the replacement of its original window enframements and pedimented door surround with a white limestone finish after the plane crash, it still boasts its original bracketed cornice, preserving a significant historical element. The interior layout consists of a one-bedroom, one-bath apartment on each of the four floors, complemented by a finished cellar that includes a tile floor, laundry facilities, and a half bath. The garden level features a central windowless den and a large kitchen at the rear, distinguished by a terra-cotta tile floor. The parlor level showcases the most impressive original details, including a heavily carved wood mantel with a mirror in the front parlor. A modest kitchen has been incorporated into the middle section of this floor. Pocket doors lead to the rear room, which currently serves as a dining room in the listing photos and features another mantel adorned with colorful period tiles. Upstairs, the units also boast marble mantels, and the top-floor apartment includes a small office space. The full bathrooms throughout the property are equipped with claw-foot tubs and exhibit the aforementioned late Victorian tilework. Externally, the property features a lushly planted, deep rear garden, accessible exclusively from the garden-level kitchen. This outdoor space is designed with a concrete patio and winding pathways that navigate through beds filled with trees, shrubs, and perennials, offering a serene green retreat. The brownstone has been under the same ownership since the 1970s. The listing does not specify recent upgrades to the mechanical, electrical, or plumbing systems, but the interior photographs suggest that the property has been well-maintained. The brownstone is listed by Paul Murphy, Carol Wang, and Rebecca Navarro of Compass, with an asking price of $3.47 million. #ParkSlope #Brownstone #NeoGrecArchitecture #HistoricHome #BrooklynRealEstate #FourFamilyDwelling #PeriodDetails #VictorianTile #ArchitecturalPreservation

This article details the transformation of an 18th-century farmhouse located in Philadelphia's Main Line suburbs into a modern family home with transitional design elements. The property, untouched for over a decade, was in a state of disrepair with failing windows and siding, an untreated cedar roof, a caving patio, and outdated interiors described as 'screaming late 90s'. The renovation was undertaken by PS & Daughters, led by founder Phoebe Schuh, who was drawn to the historical character of the house despite its challenges. The clients, a blended family with a wide age range of children, sought a home that honored its architecture while supporting a modern lifestyle. They also possessed a world-class art collection that needed to be integrated into the design. The primary objective was to create a transitional home, blending the best of old and new to achieve a relaxed elegance and comfort, without being overly precious, while incorporating sumptuous velvets, mixed patterns, and layered textures. The extensive remodel resulted in a seven-bedroom, eight-bathroom family residence equipped with contemporary amenities such as a pool, outdoor lounge, playroom, and games room. Throughout the house, custom-made modern pieces are seamlessly combined with vintage finds, ensuring a balance between historical nods and modern functionality. One of the favorite spaces for the designer was the master bathroom, reimagined as a luxurious wet room clad in Calcutta marble. The design incorporated a client's specific request for a window in the shower, leading to a massive shower area, a new freestanding tub, a floating marble slab bench, and intricate mosaics on the ceiling, all complemented by brass fixtures. For the children, a vibrant and functional playroom was designed. It features a jungle gym, an oversized jewel-toned mural depicting dreamy mountain tops, and a custom-built arched reading nook, catering to various age groups from teens to toddlers. The project encountered significant construction challenges, including failed stucco on the backside of the house. This was resolved by removing the stucco, properly sealing the home, and installing a new exterior elevation with bright white siding, a stone veneer foundation, a limestone patio, a glass railing, and a mahogany handrail. A unique, last-minute challenge involved rerouting a direct hot water line from the heater to the master suite shower to address a client's concern about water temperature, showcasing the team's commitment to client satisfaction. Ultimately, the farmhouse was transformed from a neglected historic property into a contemporary family haven, characterized by bold colors, statement artwork, and luxurious finishes, all while maintaining a respectful connection to its original architectural style. The project exemplifies transitional design, achieving a sophisticated yet comfortable aesthetic for modern family living. #TransitionalFarmhouse #HomeRenovation #InteriorDesign #HistoricHome #LuxuryInteriors #FamilyHome #ModernAmenities #CustomDesign

This article highlights a remarkable Preston Hollow French transitional residence designed by Nixon Custom Homes, owned by Mary-Margaret and Drew Scaggs. The home exemplifies a blend of traditional French architectural elements with modern design, creating a timeless and classic aesthetic without excessive ornamentation. Key architectural features include a slate roof, groin-vaulted hallway, and beamed ceilings. The article emphasizes the owner's bold and inspiring use of color throughout the home, setting it apart from many properties. The foyer makes a memorable statement with black and white marble flooring in a checkerboard pattern, a brass-altered handrail, and a staircase adorned with Stark’s Missoni carpet. The dining room features walls lacquered in Farrow & Ball’s Peignoir, painted by Martin Painting Corporation, with color inspiration drawn from a painting discovered at Round Top. The room is further enhanced by a rock crystal and brass chandelier from Nick Brock Antiques. A standout feature is the family room, which boasts custom-colored panels by Iksel. These panels are a homage to a first-century BCE fresco from Livia, the wife of Roman Emperor Augustus, offering a unique historical connection and a personal recreation of Livia’s Garden. The breakfast room incorporates Lee Jofa wallpaper with a tile-patterned design between its beams. Another distinctive space is the Mahjong room, inspired by its Patterson and Flynn Moulins Dusty Rose abaca floor covering. The room's paint color was matched to Thibaut Sisal wallpaper, creating a warm, enveloping atmosphere, and features a Moroccan light fixture sourced from Etsy. In contrast, the library serves as a retreat for Drew and his friends, notable for its preserved natural woodwork, offering a refreshing departure from painted home offices. The home measures 7,251 square feet, with five bedrooms and seven bathrooms. The Scaggs completed the extensive interior design work within six months, adhering to Mary-Margaret’s motto of thoughtful and effective decision-making. Her approach prioritized cohesion, ensuring that each room flows seamlessly into the next, creating a harmonious and joyful living space. The exterior features a backyard with a pool, spa, a screened-in porch with motorized screens, and a fully equipped summer kitchen. The property, located at 6223 Park Ln. in Dallas, Texas, is listed by Allie Beth Allman Realtor Erin Young for $4.75 million. The article concludes by presenting this home as a significant opportunity for prospective buyers to acquire a beautifully designed and thoughtfully curated residence. #PrestonHollow #FrenchTransitional #HomeDesign #InteriorDesign #LuxuryRealEstate #ColorPalette #NixonCustomHomes #DallasLuxuryRealEstate #NixonCustomHomes

This article details a Neo-Grec brownstone located at 213 St. Johns Place in the Park Slope Historic District of Brooklyn, currently listed for $3.25 million. Constructed between 1880 and 1881 by William Gubbins, who is credited as both architect and builder for this specific property, the house stands as part of a stretch of brownstones. The three-story residence features a full-height angled bay with incised ornament on the lintels and a bracketed cornice, reflecting its late 19th-century Neo-Grec architectural style. The single-family house has remained under the same ownership since the late 1960s, a factor that has contributed to the preservation of many of its original details. The interior layout largely maintains its 19th-century configuration, with the kitchen and dining room situated on the garden level, formal parlors on the floor above, and five bedrooms and two full bathrooms distributed across the upper two floors. The entry area of the house showcases an unusual patchwork wood floor, wainscoting, an integrated mirror, and an ornate newel post, setting a historical tone. The double parlor is designed as a bibliophile's space, featuring extensive bookshelves that frame an ornately carved wood mantel with a mirrored overmantel. This area includes a library ladder, original hearth tiles, and an inlaid border on the wood floor, highlighting the craftsmanship of the period. Pocket doors with their original ornate surrounds lead to a rear parlor, which contains built-ins within a niche and a wood "rug" with an inlaid border, further emphasizing the historical aesthetic. On the garden level, the dining room at the front of the house is equipped with a green-slate mantel, complete with its original insert, a ceiling medallion, and paisley wallpaper, maintaining a Victorian ambiance. Adjacent to the dining room is the kitchen, which presents a 1960s-era aesthetic, characterized by exposed brick, a wood-burning fireplace, minimalist white cabinets, and retro appliances. The property boasts a total of eight fireplaces, with at least one mantel appearing in a street-facing bedroom that also features a niche under a plaster arch and parquet flooring. One of the bathrooms shown includes a mix of design elements from various eras, such as bead board wainscoting, white fixtures, and wallpaper. The rear garden is described as lush, offering outdoor space. The property is listed by Alexandra Como Saghir and Tyson Lewis of Compass. This detailed examination of 213 St. Johns Place highlights its historical significance, preserved architectural features, and the blend of original and period-specific updates, providing a comprehensive overview for potential buyers or those interested in historic Park Slope residences. #ParkSlope #Brownstone #NeoGrecArchitecture #HistoricHome #BrooklynRealEstate #Woodwork #Mantels #BuiltIns

A well-preserved Neo-Grec brownstone, located at 427a 8th Street in the Park Slope Historic District, is currently listed for $2.45 million. This circa 1884 townhouse, part of a block designed by Jefferson F. Wood, is 17 feet wide and configured as a one-family home over three stories, although it is legally a two-family residence. The exterior of the brownstone showcases typical Neo-Grec architectural elements, including incised door and window surrounds, a bracketed wooden cornice, and original cast ironwork, featuring substantial railings and newel posts. The property also boasts modern amenities such as a hot tub in the flagstone-covered backyard and energy-efficient windows, which were installed prior to the 2012 extension of the landmark district. Inside, the residence retains a wealth of original details that contribute to its historic character. Notable features include five incised white marble mantels, a grand wood staircase with carved newel posts and a curving railing, extensive original hardwood floors, and intricate plasterwork, such as crown molding and medallions. The house also features period-appropriate elements like pocket doors and a stained-glass skylight. The double parlors and the garden-floor dining room are largely intact, preserving their original charm. The rear parlor is enhanced by a fireplace flanked by built-in bookcases and cupboards, adding both functionality and aesthetic appeal. The kitchen, situated in its traditional location at the rear of the garden level, maintains wood floors and a tin ceiling. It has been updated with modern conveniences, including a large stainless steel stove and contemporary cabinets lining two walls. The upper floor of the brownstone accommodates three bedrooms and a versatile office-slash-laundry room. The front master bedroom has been reconfigured into two smaller bedrooms and a walk-in closet, utilizing colorful modern shelving as a divider. While these shelves offer an attractive modern touch, a prospective buyer might consider reverting the space to its original master bedroom layout and converting the office/laundry room back into a small third bedroom or storage area. Functionality is further enhanced by two updated bathrooms, one on the parlor floor and another on the bedroom floor. These spacious bathrooms feature bathtubs and classic decor. One bathroom is designed with vintage-style black and white tile floors, while the other incorporates gray and white tiles, a marble-topped vanity, built-in cabinets, and a skylight, providing ample natural light. The property appears to be in move-in condition based on available photographs. Mechanical systems have also been updated, with a new gas furnace, electrical wiring, and plumbing, according to the listing. Public records indicate that the property has been under the ownership of the same family since at least 1977. The listing is managed by Aran Scott, Anthony Robles, and James Vallejos of Douglas Elliman. #ParkSlope #Brownstone #NeoGrecArchitecture #HistoricDistrict #RealEstateBrooklyn #LuxuryHome #HomeDetails #RenovatedHome

A Neo-Grec row house located at 137 St. Marks Avenue in the Prospect Heights Historic District is on the market for $5.5 million. Built in 1883 by owner and mason John Monas, with architect J.J. Gilligan, the house is a corner property featuring a garage and a triple-height bay window on the Carlton Avenue side, designed to maximize interior light. The facade largely retains its original Neo-Grec details, including a full-height angled bay with a box stoop, lintels, and a door hood with incised detailing. A bracketed wood cornice wraps around the property. While the interior currently presents some areas in need of extensive renovation, such as skim coating for walls and floor repairs, other rooms and existing kitchens and bathrooms are functional. The property is a legal three-family home, currently configured as two duplexes. A 3-D tour is available to provide a detailed view of the four floors of living space, highlighting surviving original features. These include fine plasterwork in the entry, a substantial pier mirror in the front parlor, and elaborate woodwork, albeit obscured by bright green paint in some areas. Throughout the house, five mantels are notable original features. The rear parlor contains a finely worked white-painted mantel with an original tile surround, alongside two arched niches and two original closets. The garden level features an updated kitchen with slab front cabinets, white counters, and an apron front sink, connected by a passthrough with built-ins to a bedroom. This bedroom, potentially the original dining room, includes a slate mantel with incised detailing. The lower duplex is completed by laundry facilities and a single full bathroom. The upper duplex offers two full bathrooms and three bedrooms, though a new owner might consider reconfiguring the layout. The living room on the penultimate floor, facing the street, boasts a mantel identical to the parlor level's, complete with original tiles and insert. The kitchen on this level, situated within the Carlton Avenue bay, is compact. A rear-facing bedroom showcases another mantel adorned with vibrant blue original hearth tiles. The top floor retains built-ins from the original passthrough between the front and rear bedrooms and features the fifth and final mantel. The property includes a small rear yard, accessible from the garden level, which contains a paved patio and planting beds, along with access to the garage. The house is being sold "as is," and the owners are looking for a spring closing. Listed by Miriam Driot of Barnes New York, the asking price is $5.5 million. This residence offers a blend of historical charm and potential for modernization in a desirable Brooklyn neighborhood, reflecting its enduring architectural character despite some current cosmetic needs. #ProspectHeights #NeoGrecArchitecture #Brownstone #HistoricHome #BrooklynRealEstate #OriginalDetails #HomeRenovation #ArchitecturalHeritage #NewYorkHomes

This article details the design process and outcome of a new home in University Park, Denver, which successfully blends modern and traditional design elements to create a transitional style. The homeowners, relocating from Florida, had differing preferences: the husband desired a hip, modern aesthetic, while the wife favored classic, traditional design. Residential designer Stephen Hentschel of Mandil Inc. and interior designers Angela Coleman and Cassy Kicklighter Poole collaborated to achieve a harmonious balance. Hentschel began the architectural design by drawing inspiration from the Denver Square style, a choice that allowed for maximizing the footprint on a narrow city lot and ensured the home would blend seamlessly into the established neighborhood. He incorporated subtle classical details on the exterior, such as cast-stone window headers and a barrel-vaulted front porch, while hinting at modernity with contemporary windows and light fixtures. Inside, Hentschel deviated from traditional layouts by shifting the central staircase to one side, creating an open-concept floorplan that directs flow towards the kitchen, breakfast nook, family room, and outdoor living areas. The second level features a 21st-century master suite with a hidden walk-in closet and an exaggerated cove ceiling. A modern, glass-railed staircase connects the two floors, signifying a clear departure from purely traditional design. Coleman and Poole then further refined the interior, carefully integrating elements from both modern and traditional styles. To satisfy the wife's preference for softer, curvier lines and classic touches, they incorporated traditional millwork, including coffered, beamed, and coved ceilings, paneled walls in the master suite, and kitchen cabinetry with beveled doors and furniture-style bases. For the husband's modern preference, they added contemporary wood accents such as walnut-wrapped door jambs and walnut floors with a custom gray-black finish. The kitchen exemplifies this transitional approach, featuring a classic combination of white countertops, subway tile, and cabinetry with brass accents. A standout feature is the raised walnut bar top, which appears to float above the island. While the master bathroom exudes elegance with Statuario-marble floors and a walnut vanity wall, the powder rooms showcase a more modern aesthetic with floating vanities and sleek finishes. Poole's furnishing choices continued this balancing act. In the breakfast nook, a mid-century modern tulip table is paired with more traditional upholstered chairs and a bench. The living room features a tailored Chesterfield-style sofa contrasted with a sculptural modern chair upholstered in deep-teal mohair. For the master bedroom, where the husband favored boldness and the wife preferred soft romance, Poole designed a custom rug in a shimmery beige to complement the upholstered bed, alongside two masculine wingback chairs in deep indigo. Across the home, a quiet palette of creams, beiges, and golds is punctuated with pops of rich blues and grays, creating a cohesive yet varied aesthetic. The designers emphasize that this consistent color palette was crucial in unifying diverse textures and patterns, such as the six different fabric patterns and a bold artwork in the dining room. The success of the project is attributed to the homeowners' trust in the designers, allowing for creative freedom and a truly personalized style. #HomeDesign #TransitionalStyle #UniversityPark #DenverArchitecture #InteriorDesign #ModernTraditionalBlend #OpenConcept #CustomCabinetry #LuxuryHome

The Dunn-Jacobson House, a midcentury modern post and beam residence in Brentwood’s Crestwood Hills, is currently listed for $3.35 million. Designed in 1955 by architect Gene D. Smith, who previously worked for Richard Dorman, the home offers 2,621 square feet of living space on a street-to-street ridgeline lot at 952 Stonehill Lane. While A. Quincy Jones, Whitney Smith, and Edgardo Contini are more commonly associated with the Crestwood Hills enclave, Smith’s design contributes to the area’s architectural heritage. Despite being updated, the residence maintains its original California modern character. Key features include exposed beamed ceilings, walnut floors, and three fireplaces, creating a blend of classic design and modern comfort. Expansive walls of glass are a prominent element, providing panoramic views of the surrounding hillsides and the Getty Center, integrating the indoor spaces with the natural environment. The home includes two bedrooms, with one of the bathrooms retaining much of its original vintage aesthetic, contrasting with a recently updated master bathroom. Recent enhancements to the property include a two-level walnut and concrete closet, a whole-house water filtration system, and solar panels, contributing to its modern functionality and sustainability. A video security system has also been installed. The exterior of the home is equally thoughtfully designed, featuring a substantial ipe wood deck with integrated seating, ideal for outdoor living and entertaining. An organic garden adds to the natural appeal, while a seven-foot-deep terrazzo koi pond, built with a false bottom for fish shelter, provides a serene water feature. The property spans a .32-acre lot, offering ample outdoor space. The interiors include a galley kitchen that has been updated with high-end appliances and custom-fabricated cabinet pulls designed to replicate the originals, ensuring consistency with the home's midcentury origins. The kitchen also benefits from glass walls that offer views of the hills and the Getty Center. A step-down library is a notable feature, complete with built-in furniture, shelving, and a brick fireplace, providing a cozy and functional space. The master bedroom boasts wood-paneled walls, wood floors, and beamed ceilings, with large windows that connect it to the natural surroundings and a gas fireplace. The property is marketed by Michael Fenton of Compass, highlighting its architectural significance and modern amenities within a historically rich community. #Brentwood #CrestwoodHills #MidcenturyModern #PostAndBeam #GeneDSmith #LuxuryRealEstate #ArchitecturalDesign #LosAngelesHomes

This blog post highlights a four-story, single-family Neo-Grec brownstone located at 217 Berkeley Place in the Park Slope Historic District of Brooklyn, New York. The property, built around 1883 by J. Doughtery & Son, showcases a blend of historical grandeur and modern amenities. The exterior of the brownstone features angled bays, dramatic cornices, and delicate ironwork, characteristic of Neo-Grec architecture. Its prime location is just blocks away from Grand Army Plaza and Prospect Park. The interior of the brownstone is distinguished by a wealth of original details that evoke its Gilded Age origins. These include meticulously carved wood, elaborate marble mantels, vibrant Minton tiles, intricate stained glass, and bordered parquet floors. The woodwork throughout the house is enhanced with elegant burl inlays, adding to its historical richness. These period elements are thoughtfully integrated with high-end modern updates, creating a harmonious living space. The front parlor retains several original features, most notably the imposing pocket doors adorned with burl inlays. The rear parlor, originally designed as the dining room, is a prominent highlight of the home. It boasts a wood-burning fireplace with a columned overmantel and a mirror, contributing to its opulent atmosphere. A bay overlooking the rear garden is extensively decorated with stained glass, including a curved ceiling that was historically referred to as a "dome light" in a 1900 sales advertisement. This area also includes a built-in window seat, and the sides of the bay are embellished with tapestries, described in the listing as reproductions of French Rococo works housed in the Metropolitan Museum of Art. Historical records reveal that the house was "newly decorated by Halbert" in 1900, referring to George Halbert, a notable "remodeler of interiors." Halbert specialized in supplying stained glass, upholstery, and architectural woodwork, and was also known for manufacturing his own wallpaper and plaster ornamentation, which contributed to the home's lavish original design. The layout of the house includes a former butler’s pantry, now converted into a study, situated off the dining room in a rear extension. While a dumbwaiter once transported food from the garden-level kitchen, the floor plan suggests this space may now serve as a closet. The kitchen, located directly below the dining room, has been thoroughly modernized. It features a wall of glass, radiant heated tiled floors, white Shaker-style cabinets, and high-end appliances such as a Wolf range and a Sub-Zero refrigerator. The upper two floors accommodate the bedrooms. The master bedroom is separated from its en suite bathroom by a wall of glass, with a Claudio Silvestrin bathtub serving as a focal point. This floor also includes two additional bedrooms, another bathroom, and a laundry room discreetly placed within a closet. The top floor offers an artist’s studio, complete with a skylight and access to a private terrace. The backyard, accessible from the kitchen and an adjacent sunroom, is designed with a stone patio and planting beds, enclosed by a horizontal fence. The property was last purchased in 2003 for $1.7 million. Following a significant renovation, it is now listed for sale at $5.25 million, represented by Debra Kameros of Compass. The article invites readers to consider the value and appeal of this extensively restored and modernized historic home. #ParkSlope #NeoGrecArchitecture #Brownstone #HistoricHome #BrooklynRealEstate #InteriorDesign #StainedGlass #GildedAge #HomeRenovation

This article details the refurbishment of a five-bedroom Victorian home in Shepherd’s Bush, West London, by architect McLaren.Excell. The property, spanning four levels, maintains a traditional facade from the front, akin to other bay-windowed Victorians on its street. However, the rear reveals a distinctive and modern transformation. A key feature of the renovation is the bold, weathered Corten-steel-clad extension, which seamlessly integrates with interlocking concrete panels in the garden. McLaren.Excell’s design approach skillfully juxtaposes the robust, 'monolithic' qualities of concrete and Corten steel with the original 19th-century brickwork of the house. Complementing these strong materials, softer natural elements like Grey Elm and Douglas Fir are incorporated into the new loft extension, creating a deliberate contrast. The interior design fosters a continuous interplay between the old and the new, blending period features with modern interventions. In the living room, the original Victorian fireplace is preserved, flanked by alcoves thoughtfully lined with bookshelves. New parquet flooring extends into an adjacent, cozy second lounge, which also features floor-to-ceiling library shelves. This flooring leads into the newly constructed kitchen extension, which is clad in rusted steel, reflecting the industrial aesthetic seen from the exterior. The kitchen's central element is a monumental concrete island, designed with a stepped surface that transitions from a food preparation area to a dining table, accompanied by matching concrete benches. To introduce warmth into the space, bespoke timber cabinetry is used. The kitchen’s design also incorporates exposed rafters and a skylight, which collectively enhance the room’s verticality and natural light. Steel-framed glass doors provide access to the garden, where a complementary concrete bench is situated on large concrete slabs, bordered by Corten steel planters filled with native flora. While the downstairs areas are characterized by rugged materials and a patinated finish, the upstairs rooms adopt a more vibrant and lighthearted aesthetic. The main bedroom is decorated in a cheerful yellow hue, with bold accents provided by intricately patterned wardrobes and a fiery orange mantelpiece. The children’s bedrooms, though more subdued, feature soft pastel tones, contributing to a lively and colorful ambiance within the private quarters. A sense of calm is restored in the loft suite, where a palette of pale wood, white walls, and patinated brickwork establishes a serene and tranquil environment, with windows offering peaceful views of the garden, sky, and trees. The West London home is currently listed for sale with The Modern House at £1.75 million. #VictorianArchitecture #WestLondonProperty #McLarenExcell #CortenSteel #ConcreteDesign #ArchitecturalRenovation #HomeInterior #ShepherdsBush #ModernHouse

Rosemary James, a designer and local literary figure, has meticulously transformed her 1910 Queen Anne-style home near Audubon Park into a personal sanctuary, dubbed the 'Putti Palace' by her late husband, Joseph DeSalvo. The 4,000-square-foot residence is a testament to James's passion for period detail, European antiques, and objects d'art, particularly those featuring winged infants known as putti. The home's design is heavily influenced by classical mythology, with Diana, the goddess of the moon, serving as its patron deity, and numerous images of Greek and Roman gods adorning its spaces. The renovation of the home, which James and DeSalvo purchased in October 2019, was extensive, addressing both aesthetic desires and practical needs. The couple's previous residence, a four-story French Quarter building above Faulkner House Books, became unmanageable due to DeSalvo's severe spinal condition, necessitating a move to a home where an elevator could be installed. This 1910 house provided the ideal solution, despite James' initial dislike for its Dutch Revival façade. The property's existing allee of tea olive trees and tall wrought-iron fencing were appealing features. A serendipitous discovery during the renovation revealed that the home had previously been owned by the family of Tom Lowenburg, co-owner of Octavia Books, another independent bookstore, adding to its literary charm. The renovation encompassed a complete overhaul, including rewiring, plumbing updates, and internal and external repainting. Significant structural and decorative changes were implemented, such as adding two bathrooms upstairs and incorporating Victorian embellishments like corbels, ornate door casings, and diamond-paned windows. The installation of classic marble in all bathrooms and the kitchen was a major undertaking, dictating much of the construction schedule due to high demand for the installer. Period-appropriate mantels replaced modern alternatives, enhancing the home's historical integrity. A decorative artist was commissioned to create custom Diana transoms, stencil the library ceiling, and apply a Shagreen pattern to the library walls. The artist also crafted a screen, copying an expensive Venetian painting, to discreetly conceal the library's television. James herself took an active role in the design process, creating custom furniture, bookcases, pocket doors, and a fountain wall specifically for her beloved putti. The exterior was painted in Benjamin Moore’s Winds Breath, complemented by French blue shutters in Farrow & Ball's Lulworth Blue No. 89, and a versatile Chantilly Lace white for the trim. James also restored the first floor's original layout, reinstating walls that had been removed over the house's 110-year history. This decision re-established distinct functional spaces, with the foyer serving as a clear transition point to public areas, the staircase to the second floor, or a hallway leading to the library and a full bath. James expressed her disdain for open-concept layouts, citing practical concerns regarding privacy, kitchen mess visibility, and heating/cooling efficiency. On the second floor, six bedrooms were reconfigured into three: a primary bedroom and two guest rooms. Another room was converted into a dressing room, with the potential to serve as an overflow bedroom. A primary bathroom was created from one of the former bedrooms, featuring a cabana-style shower. A rear exit and utility closet were also added, addressing practical storage needs. James lived in the home with DeSalvo until his passing in December 2020. Since then, she has continued to enhance the property, transforming a former garage into a rentable guest house and dedicating significant time to maintaining the extensive gardens surrounding the pool and driveway, likening the effort to farming. #HomeRenovation #PeriodDetail #Antiques #ClassicalDesign #NewOrleansHomes #InteriorDesign #HistoricalHomes #RosemaryJames #PuttiPalace