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Perfect Darkness is an apartment installation that shows how to make the most of tiles
H+O, a collaboration between Italian architect and designer Elisa Ossino and Danish creative director Josephine Akvama Hoffmeyer of tile brand File Under Pop, unveiled a domestic interior called Perfect Darkness during Milan Design Week. The apartment installation aims to redefine the perception of tiles, moving beyond their traditional use to showcase their potential in creating bold, contemporary interiors. Designed as an antithesis to the often "cold" showroom environment, the apartment serves as an exhibition space that also functions as a livable home, emphasizing the importance of creating a refuge in one's living space. The installation, which will remain in place for 10 months, also intends to host talks, dinners, and cultural activities, fostering a dynamic engagement with design.
The apartment, situated on the third floor of a building off Via Solferino in Milan's Brera district, features a single bedroom and bathroom, alongside four interconnected rooms: a kitchen with a striking red tiled storage column, a living room, a dining room, and a narrow office space. The bedroom and bathroom are located at the back of the apartment, accessible from a wedge-shaped entrance hall. Each room is meticulously designed with its own unique atmosphere, incorporating walls and ceilings painted in earthy tones using paint by File Under Pop, complemented by numerous tiled surfaces. The designers aimed to utilize tiles not merely as decorative elements, but as architectural components that shape the interior space.
Ossino and Hoffmeyer developed a new collection of tiles for this project, focusing on a contemporary application that incorporates three-dimensional geometric patterns rather than printed designs. This approach sought to democratize the handcrafted aesthetic of traditional tiles by making them industrially reproducible. The renovation of the apartment, which began in October the previous year, involved significant structural changes, including the removal of 1960s wood laminate floors to reveal original 17th-century terrazzo floors in the main rooms.
The interior design showcases a thoughtful blend of textures and colors. The bedroom features deep olive green walls and floors, with the mattress resting on a white tiled base. White perforated brick-like tiles create a permeable screen, filtering light in an ancient Mediterranean tradition, reinterpreted in a modern context. The narrow bathroom is transformed into an "optical space" or an art installation, tiled from floor to ceiling with spotted tiles. The living room walls are adorned with reddish-brown terracotta tiles featuring a subtle three-dimensional diamond pattern, designed by H+O. This is contrasted by a bright red tiled fireplace and furnishings such as an ochre sofa by Menu and a white boucle chair by House of Finn Juhl.
The kitchen floor is laid with black tiles interspersed with white tiles to form a rectangular pattern, while a Gino Sarfatti light produced by Flos hangs above the kitchen table. The surface along the back wall is tiled with red grouting, and bespoke speaker systems by Artcoustic match the wall colors. Ceramic pieces from Officine Saffi are strategically placed throughout the apartment, adding to the curated aesthetic. Ossino and Hoffmeyer plan to redecorate the apartment annually, introducing new collections and refreshing the interior's ambiance. This ongoing project reflects a harmonious blend of Mediterranean culture, with its emphasis on tiles, and the clean lines characteristic of Danish furnishings, creating a unique cross-cultural design narrative.
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