An Interior Designer Shares the "Tacky" Decor You Should Never Waste Your Money On

This article delves into nine common decor choices that interior designers frequently identify as 'pet peeves' or 'mistakes,' offering insights on how to refine one's living space. It emphasizes that while personal taste is paramount, these tips can help individuals who value professional opinions in design. The first mistake highlighted is the use of all-white kitchen cabinets. Designer Anita Yokota argues that while once popular, they can make a space feel sterile and lack visual rhythm. She advocates for layered neutrals, incorporating creamy whites, wood shelving, natural stone with movement, and a mix of matte and reflective finishes to create a warmer, more emotionally safe kitchen environment. The second point addresses an abundance of cheaply made items. Caroline Kopp, founder of Caroline Kopp Interior Design, suggests that too many low-quality pieces can make an entire space appear inexpensive. She advises saving up for well-made, beautiful items, even recommending thrift stores for finding pieces crafted from real materials rather than plastic, cardboard, or Styrofoam. The third common error is incorporating too many trends. Purvi Padia, founder of House of Revelry and Purvi Padia Interiors, cautions against making a home a slave to current fads. She stresses that homes should reflect an individual's personality through a collection of beloved items and a compilation of different styles, ensuring authenticity and timelessness. Buying all furniture from the same store is identified as the fourth mistake. Yokota explains that this can flatten a home's energy and prevent it from evolving organically. She encourages mixing eras, materials, and finishes, pairing heirloom pieces with new ones to create a dynamic and supportive living space that reflects the owner's journey. Wrongly-scaled artwork is the fifth issue. Kopp provides guidelines for hanging art, recommending that pieces be placed at eye level. She also advises against hanging small artwork on large walls, suggesting that smaller pieces should be displayed on appropriately sized walls where they can stand out. The sixth mistake involves overlooking accessories. Padia recommends dedicating at least 10 percent of a design budget to accessories. She warns that even with high-quality furnishings, a lack of thoughtful accessories can make a space feel incomplete or 'flat.' Literal themes are the seventh decor choice designers wish people would avoid. Kopp emphasizes that themes should be sophisticated and nuanced, rather than overt or repetitive with motifs. She suggests using high-quality, antique items to subtly convey a theme, avoiding mass-produced decor. Overhead-only lighting is the eighth mistake, according to Yokota. She explains that it can make a space feel dull and unnatural. Layered lighting, including lamps, sconces, pendants, and candles, is recommended to create gentle shadows, movement, and a more relaxing atmosphere. Finally, the ninth mistake is decorating solely with resale value in mind. Kopp acknowledges the concern for future home value but advises against letting it stifle personal expression. She encourages homeowners to embrace decor that truly resonates with them, asserting that homes should reflect personality rather than being designed out of fear of impacting resale. #InteriorDesign #HomeDecor #DesignTips #DecorMistakes #KitchenDesign #FurnitureSelection #ArtworkPlacement #HomeAccessories #LightingDesign

Mantelpieces, often seen as focal points in living rooms, offer a unique opportunity to enhance a room's aesthetic. However, interior designers emphasize the importance of careful curation to avoid clutter and maintain a sophisticated look. Overcrowding a mantel can detract from its style and the overall design of the fireplace. Professional designers advise against displaying certain items to ensure the mantel remains chic and impactful. One common item designers recommend against is an excessive number of family photos. While sentimental, a mantelpiece cluttered with mismatched frames can disrupt the visual flow and create a jumbled appearance rather than a cohesive focal point. To mitigate this, designers suggest selecting one or two coordinating frames for significant photos or reallocating the collection to a gallery wall elsewhere in the home. This approach maintains a personal touch without overwhelming the mantel. Another category to avoid is small, miscellaneous knick-knacks. These items can quickly make a mantel look cluttered and are better suited for other display surfaces like console tables or side tables. Instead, designers propose using a single large-scale piece of art or a modern television, such as a Samsung Frame TV, to create a striking visual impact above the mantel, offering a clean and curated alternative. Books are also often discouraged on mantelpieces, particularly large stacks. Given the typically narrow depth of mantels, books can appear overwhelming and out of place, making it seem as though there's a lack of proper book storage. If books must be displayed, they should be chosen carefully to match the mantel's scale, and their number should be limited, ideally to no more than three, to prevent a cluttered look. The display of multiple candles, especially those of varying sizes and colors, is another design faux pas. While candles contribute to ambiance, a diverse collection can create a chaotic impression. A more refined approach involves using a single, striking candleholder or a few matching or complementary candles to achieve a cohesive and elegant lighting effect. Finally, designers strongly advise against placing random objects on a mantel. The temptation to display a collection of individually appealing items can lead to an unsophisticated and visually chaotic arrangement. For a refined aesthetic, the focus should be on thoughtful selection and appropriate scale, prioritizing a few larger statement pieces over numerous unrelated items. Collections of such items are better presented in specialized storage like étagères or curio cabinets, allowing the mantel to maintain its status as an elegant and intentional focal point. #InteriorDesign #HomeDecor #MantelDecor #FireplaceIdeas #StylingTips #LivingRoomDesign #HomeStyling #DesignAdvice

This article highlights seven common interior design mistakes that can make a home appear cheap or tacky, drawing insights from interior designer Bri MacDonald. The central premise is that while wealth isn't a prerequisite for a well-decorated home, certain design elements can diminish its overall appeal and value. By addressing these pitfalls, homeowners can create a more sophisticated and timeless living space. The first error identified is the use of low-quality hardware. Mismatched or standard-issue cabinet handles, doorknobs, and sink fixtures can detract from a room's luxury feel. The solution involves upgrading to high-quality materials like polished nickel or brass, or exploring unique options such as marble, glass, or ornate carved pieces. This small change is presented as an easy and effective way to instantly elevate a room's aesthetic. Sloppy wiring is another common issue. In an age dominated by electronic devices, managing cables, cords, and plugs is crucial for maintaining an organized and clean home. While completely hiding all wires might be impractical, strategic placement under rugs, behind furniture, or within decorative organizers like baskets can significantly improve a space's appearance. For a more permanent solution, rerouting wires within walls is suggested, though cable organizers attached to baseboards or walls can serve as a suitable alternative. Generic-looking curtains are also cited as a design misstep. Thin, mass-produced curtains can make a home look inexpensive. Investing in fitted, proportional curtains and window treatments that effectively block sunlight and ensure privacy is recommended. For an added touch of luxury, layering heavier drapes with sheer paneled curtains underneath is proposed. The article cautions against incorporating ultra-trendy details. Micro-trends, similar to those in fashion, can quickly date a home. While statement ceilings, color-drenched rooms, and maximalism might be popular for a season, they lack timeless appeal. To achieve an elegant space, the advice is to stick to classic finishes such as wood and marble, and to introduce fads only in small, easily changeable decorative elements. Clutter is another significant detractor. Overfilling high-traffic areas like living rooms and kitchens with knick-knacks and trinkets can make a home feel chaotic rather than curated. The key is to strike a balance, thoughtfully arranging items on surfaces like coffee tables and bookshelves to create an impression of intentional design rather than haphazard accumulation. Artificial plants, particularly low-quality ones, are discouraged. While not everyone possesses a green thumb, opting for higher-quality fake plants or investing in low-maintenance natural vegetation like snake plants, fiddle leaf figs, or palm plants can add life to a home without cheapening its look. Finally, widely available wall decor, such as generic prints and posters, is identified as an aesthetic faux pas for a mature home. While acceptable for a college dorm, these impersonal pieces lack sentimentality. The article suggests replacing them with more personal items such as family photos, local art, or custom prints, which are often favored by high-end clients and contribute to a unique and sophisticated environment. #InteriorDesign #HomeDecor #DesignTips #LuxuryHome #AestheticErrors #HardwareUpgrades #WireManagement #CurtainChoices #TimelessDesign

The article discusses bathroom decor items that, according to interior designers, should always be purchased new rather than from thrift stores. While thrifting is a popular and often economical way to find home items, certain categories of bathroom accessories present hygiene, functionality, and aesthetic challenges when bought secondhand. Three design experts—Linette Dai, founder of Linette Dai Design; Haley Bennett, co-founder of It Takes Two Vintage; and Shelby Van Daley, founder of Daley Home—offer their professional insights on six specific items to avoid. First, shower curtains are highlighted as a crucial item to buy new. Linette Dai emphasizes that fabric and plastic shower curtains can easily attract mold, mildew, and odors. She recommends investing in high-quality linen or textured fabric curtains with a fresh liner to achieve a spa-like and elevated bathroom aesthetic. She also notes that even new shower curtains and liners have a limited lifespan, suggesting replacement every six months to a year for optimal hygiene. Next, the article addresses bathroom lighting. Haley Bennett advises against purchasing used light fixtures for the bathroom. Adequate lighting is essential for daily routines, and discarded, low-quality, or overly dated fixtures may not provide the necessary illumination or may be beyond restoration, compromising both functionality and design. Rugs are another item to avoid buying secondhand. Shelby Van Daley points out that it's difficult to ascertain the history of a thrifted rug, potentially introducing allergens into the home. Additionally, many rugs require specialized and costly cleaning. Haley Bennett adds that worn, faded, or overly plush bathroom rugs can make a space appear outdated, detracting from the overall aesthetic. Vintage towels are also on the list of items to skip. Bennett explains that used towels often exhibit wear and tear and have diminished absorbency, making them impractical. Given the affordability of new towels, it is more beneficial to purchase fresh, plush ones for the bathroom. Toothbrush holders and soap dispensers, despite their potential vintage appeal, are another category to reconsider. Linette Dai warns that while old glass or ceramic dispensers might seem charming, they can harbor lingering residue and prove challenging to clean thoroughly. She suggests opting for new dispensers and jars made from smooth ceramic or stone to ensure cleanliness and a modern look. Finally, storage bins are identified as items that should be bought new. Dai explains that secondhand plastic storage organizers and trash bins may contain unseen grime, scratches, or persistent odors from previous use. She recommends purchasing new containers made from materials like acrylic, bamboo, or coated metal. These options are not only more hygienic but also more durable, offering long-lasting protection for bathroom essentials and reducing the need for frequent replacements. Overall, the consensus among designers is that while thrifting can be beneficial for many home items, the bathroom requires careful consideration due to hygiene concerns, functional requirements, and the desire for a clean and fresh aesthetic. Prioritizing new purchases for these specific bathroom decor items can enhance cleanliness, functionality, and the overall appeal of the space. #BathroomDecor #ThriftStoreShopping #HomeDesign #InteriorDecorating #Hygiene #DesignTips #SecondhandItems #HomeAccessories

This article compiles a comprehensive list of 34 home design trends that people find particularly irritating or impractical, drawing from over 500 reader responses. The submissions highlight a range of aesthetic and functional concerns with modern home decor and architectural choices. Many readers express a preference for practicality and timeless design over fleeting trends. Kitchen design is a significant area of contention, with open shelving being a frequently cited annoyance. Respondents criticize open shelving for its impracticality in daily use, citing issues with dust accumulation and the necessity for dishes to always be perfectly matched and displayed. The lack of proper storage in large, expensive homes, particularly the absence of an entryway closet for coats and shoes, is another common complaint. This issue extends to a general lack of functional storage for household items like vacuums. Lighting choices also draw criticism, with many disliking huge, overly bright Edison-style bulbs that can be harsh on the eyes. Microwaves built into lower cabinets are highlighted as a significant accessibility problem, especially for individuals with mobility issues or families with young children, due to the difficulty in bending down and potential safety hazards. Bathroom trends receive considerable negative feedback, particularly the concept of "shower rooms" where a freestanding tub is enclosed within a large shower. Concerns include increased cleaning effort due to scum buildup on the tub, potential mold growth behind freestanding tubs, and the general impracticality of such designs. Similarly, narrow niches in showers without adequate shelving are deemed inefficient and poorly planned. Freestanding tubs, in general, are criticized for the difficulty of cleaning the area behind them. Architectural and structural elements are also critiqued. The trend of adding fake fireplace chimneys with artificial siding is seen as disingenuous. Open floor plans are widely disliked, primarily because cooking odors can permeate the entire living space, making it difficult to contain smells like fish. The placement of laundry facilities within the kitchen is also considered unsanitary and impractical. Critics of new builds point out the tendency to construct houses without sufficient trees on the property, leading to a bare and uninviting aesthetic, and the unusual practice of building entire sides of homes without any windows. Specific fixtures and materials are not spared from criticism. Flat-bottomed farmhouse sinks are described as problematic because water does not drain properly, requiring excessive water for cleaning. Pot lights are often seen as excessive and less appealing than a single, well-chosen light fixture. Two-toned kitchens, featuring cabinets or islands in contrasting colors, are frequently deemed uncoordinated and aesthetically displeasing. Two-handle faucets are disliked for their lack of single-hand temperature control, making tasks like dishwashing inconvenient. Roughly textured kitchen backsplash tiles and stones are criticized for being difficult to clean, especially in a functional kitchen environment, contrasting with the ease of maintenance of subway tiles. New construction features like ventless hood vents, which only offer lighting without actual ventilation, are highlighted as functionally useless. Pot fillers over stoves are seen as an unnecessary plumbing expense, as the filled pot still needs to be moved off the stove. In terms of cabinetry, the lack of drawers in kitchen renovations and new builds, particularly in senior communities, is a significant accessibility issue for older individuals. The trend of building "monster houses" on tiny lots, leaving no space for landscaping, is also unpopular. Mini-split air conditioning units are considered aesthetically unappealing, especially in historic homes, and are likened to an industrial or office environment. Safety concerns are raised regarding deck railings with horizontal balusters, which are seen as a climbing hazard for toddlers. Gray flooring is described as already dated, tacky, and cheap-looking. Painting brick on mid-century homes white is considered a regrettable and potentially illegal alteration. Fake stone, particularly the cheap, plastic-looking variety, is disliked for its inauthentic appearance. Layouts that require walking through a bathroom to access a closet are criticized for their lack of privacy, especially in multi-person households. Clear shower doors are also flagged for privacy concerns. Lastly, quartz countertops are viewed as a fake and plastic-looking material, similar to 1970s and 1980s laminate, and barn doors are widely considered an overused and inappropriate design choice unless the home is actually a barn. #HomeDesignTrends #InteriorDecor #HomeRenovation #ArchitecturalCritique #KitchenDesign #BathroomDesign #ReaderOpinions

This blog post compiles a list of the top ten interior design pet peeves, as identified by a panel of professional interior designers. The article aims to guide readers in making informed design choices to create more aesthetically pleasing and functional spaces by highlighting common mistakes. The insights are drawn from various designers, including Francesca Grace, Joelle Kutner and Jesse Rudolph of OME Dezin, Jessica Risko Smith of JRS ID, Tamarra Younis of Union of Art Interiors, Andi Morse of Morse Design, Shannon Eddings of Shannon Eddings Interiors, Ashley Macuga of Collected Interiors, Lauren Sullivan of Well x Design, and Annie Downing of Annie Downing Interiors. The first pet peeve discussed is the use of curtains that are too short or curtain rods installed too low. Designers emphasize that curtains should hang high, close to the ceiling, and lightly touch the floor to create a sense of height and completeness. Custom curtains are highly recommended for achieving the perfect length, though proper hardware installation can help. Another common error is mixing polished chrome and polished nickel metal finishes, which is seen as a subtle but significant design flaw. Interior designers suggest maintaining consistency in metal finishes to ensure a cohesive look. Ill-fitting rugs are also identified as a major design faux pas. Rugs that are too small make a room feel disproportionate and smaller than it is, failing to ground the space. The consensus among experts is that a larger rug is almost always better, as it helps tie the room together and provides a finished appearance. Hanging art too high is another common mistake that can disrupt the balance and proportion of a space, making it feel unbalanced. Art should be hung at an appropriate eye level to integrate seamlessly with the rest of the decor. The article also advises against furnishing an entire space from a single store. Designers recommend a more patient approach, collecting pieces over time from various sources, including online retailers and flea markets, to achieve a unique and eclectic look. This method ensures that each item is thoughtful and special, contributing to a curated collection rather than a mass-produced feel. Inconsistent light bulbs within a single room are highlighted as another pet peeve. Designers suggest choosing a consistent color tone and wattage for all bulbs in a room to avoid a disjointed and unappealing ambiance, especially in dimmable settings. Excessive recessed lighting, particularly when installed in a linear fashion like an "airport runway," is discouraged. Instead, designers propose using flush mount fixtures or monopoints and incorporating multiple lighting sources to create a more inviting and layered lighting scheme. Plantation shutters are another item designers recommend avoiding, especially in favor of drapes or other shades that offer more warmth and ambiance. This preference is particularly strong among designers in regions where plantation shutters are common. Furthermore, using white trim on colorful walls is seen as undermining a sophisticated design statement. Designers advise committing to color by opting for tone-on-tone or complementary hues for trim to enhance the overall color scheme. Finally, prominent microwaves are a significant pet peeve. Many designers prefer to conceal microwaves within cabinetry, pantries, or even on the back of an island, as they believe the range is the focal point of a kitchen and should be enhanced with a decorative range hood, not overshadowed by a microwave. #InteriorDesign #HomeDecor #DesignTips #ExpertAdvice #DecoratingMistakes #HomeStyling #Aesthetic

This article discusses ten common interior design mistakes that professionals immediately notice in a home. The first mistake highlighted is the use of too-small rugs. Designers emphasize that rugs should be large enough to ground furniture groupings, rather than floating in the middle of a room or solely under a coffee table. A larger rug is counterintuitively believed to make a room feel more spacious and cozier, and it is advised to size up if uncertain to achieve better balance. The second mistake addresses lightbulbs with inconsistent color temperatures. It is noted that a mix of warm and cold light from different fixtures can make a room feel off. The recommendation is to maintain consistent Kelvin measurements for all bulbs, adjust intensity, and consider using dimmers. The absence of accessories is identified as the third common error. While essential items like sofas and bed frames are necessary, smaller details such as styling pieces and artwork are crucial for giving a room a unique, personal, and complete feeling. Many clients reportedly neglect this final layer, leaving spaces feeling bare. Designers encourage selecting pieces one loves and integrating heirloom items. The fourth mistake pertains to a poor sense of scale. Homeowners frequently struggle to assess room dimensions accurately, leading to furniture choices that are either too large or too small. Designers advise using a few larger, heavier pieces balanced with smaller, more elegant items to avoid a cramped and unbalanced feel. Measuring the space and mapping out layouts before purchasing is also suggested. This also extends to smaller details like cabinet hardware, where varying arrangements on upper and lower cabinets are recommended over uniform choices to prevent a flat appearance. Sloppy painting skills are the fifth mistake discussed. While many homeowners attempt DIY painting, professionals argue that execution is as important as intent. It is recommended to hire a professional painter if one cannot achieve a clean, precise finish, as poorly executed paint jobs, especially sloppy corners, detract from even the most creative accent walls. The sixth mistake is making quick buying decisions. The ease of online shopping and fast delivery can lead to impulsive purchases, resulting in lifeless and bland homes. Designers advocate for a "slow decorating" approach, which involves incorporating vintage pieces and found objects to add character and personality. It is also advised to take time to shop around, understand the true value of items, and even negotiate prices. Choosing matching furniture sets is presented as the seventh error. While convenient, matching sets limit creativity and can make a space feel uninviting. The article suggests that variety is key, and selecting individual pieces that complement each other, rather than strictly matching, contributes to a home's unique character. Improperly placed curtains are the eighth mistake. Moving often necessitates new curtains due to variations in window length, height, and shape. Designers stress the importance of correctly installed curtains, as ill-fitting drapes can significantly detract from a room's aesthetic. The ninth mistake is hanging artwork and TVs too high. Art should be positioned at eye level, approximately 57 to 60 inches from the floor to the center of the piece. Similarly, TVs should be mounted at seated eye level to prevent neck strain, rather than high above a fireplace. Finally, the tenth mistake is having too many electronics on display. An abundance of gadgets and gear can create visual clutter and disrupt a sense of calm in a living space. The solution involves prioritizing functionality and selecting items that contribute to an elegant and balanced environment. Ultimately, the article suggests that even if a complete home overhaul is not desired, consulting an interior designer can help visualize improvements and achieve a high-end simplicity that enhances daily life. #InteriorDesign #HomeDecor #DesignMistakes #DecoratingTips #HomeStyling #InteriorDesigners #RoomPlanning #FurniturePlacement #LightingDesign

This article highlights common interior design mistakes, referred to as "pet peeves" by professional decorators, offering insights into subtle details that significantly impact a space's aesthetic and functionality. Drawing expertise from several renowned interior designers, the article identifies ten specific issues that can detract from a well-designed home. The first common error discussed is the use of curtains that are too short or curtain rods installed too low. Designers emphasize that curtains should hang high, close to the ceiling, and gently touch the floor to create a sense of height and elegance. Proper curtain placement contributes to a polished and integrated look, preventing windows from appearing disproportionately small. Another significant pet peeve is the improper mixing of metal finishes, specifically the combination of polished chrome and polished nickel. While mixing metals can be an intentional design choice, experts caution against certain pairings that clash rather than complement. The article also addresses ill-fitting rugs, stressing that a rug's size is crucial for grounding a space. A rug that is too small can make a room feel disjointed and smaller than its actual dimensions. Conversely, a larger rug typically enhances the overall cohesion and scale of a living area. The placement of art is another point of contention; art hung too high can disrupt the visual balance of a room, making it feel out of proportion. Designers recommend hanging art at eye level to ensure it harmonizes with the surrounding decor and furniture. The article further advises against furnishing an entire space from a single store, advocating instead for a curated approach that involves collecting pieces over time from various sources. This method allows for a more personalized and eclectic look, avoiding a showroom appearance. Inconsistent light bulbs within a single room are also identified as a design flaw, as they can create an unharmonious lighting scheme. The recommendation is to choose a consistent color tone and wattage for all bulbs in a room to maintain a cohesive ambiance. Excessive recessed lighting, often likened to an "airport runway," is criticized for creating harsh, unflattering illumination. Designers suggest incorporating multiple light sources, such as flush-mount fixtures and lamps, to achieve softer, more layered lighting. Plantation shutters are surprisingly listed as a pet peeve by one designer, who argues that they offer less warmth and ambiance compared to drapes or shades, despite their cost. The article also points out the common mistake of using white trim on colorful walls, which can undermine the intended sophisticated statement of a bold color choice. Instead, designers propose tone-on-tone or complementary hues for trim to enhance the wall color. Lastly, prominent microwaves are highlighted as a functional eyesore. Designers prefer to conceal these appliances, either by integrating them into cabinetry on an island or within a pantry, to maintain a clean and streamlined kitchen aesthetic. These expert opinions collectively underscore the importance of attention to detail in creating a truly well-designed interior. #InteriorDesign #HomeDecor #DesignTips #ExpertAdvice #HomeStyling #DecoratingMistakes #RoomDesign #Aesthetic

The dining room, particularly the dining table, serves as a central hub for social gatherings and meals, especially during the busy winter hosting season. It's crucial for the dining table decor to make a statement, enhancing the room's aesthetic and setting a memorable atmosphere. However, effective table styling is not just about what is added, but also about what is intentionally omitted. Certain items, despite their practicality or sentimental value, can disrupt the flow, make guests uncomfortable, or detract from the overall design. Achieving a balance between beauty and functionality is essential for both formal dining rooms and open-concept living spaces. Overpowering centerpieces are a common mistake. While a large floral arrangement might seem festive, it can be cumbersome and awkward, blocking views and occupying space needed for food. Instead of a single, large showpiece, designers recommend creating groupings of smaller floral arrangements in petite vases or even cocktail glasses. This approach offers a whimsical, guest-friendly look without impeding conversation or dining space. This principle extends beyond flowers; a well-styled dining table benefits from a clear, open surface with an understated centerpiece, such as a low bowl of seasonal fruits or a single large candle, ensuring ample room for dining. Tall floral arrangements, though beautiful, also present a common pitfall. If flowers are too tall, they can obstruct sightlines and hinder conversation among guests, detracting from the social aspect of a meal. To avoid this, it is advised to use bud vases or small glasses filled with shorter florals or greenery. These provide color and aesthetic appeal without impacting the ability for lively conversation. It is also important to consider the seating capacity and ensure adequate space and visibility for all guests. Placemats, surprisingly, are another item many designers suggest avoiding as a permanent feature. Leaving placemats out when the table is not set can make the space appear messy and unfinished. They are considered an unnecessary accessory to keep out constantly and should be stored away until needed for a dinner party or gathering. When the table is not in use, the advice is to keep it effortless, with a simple centerpiece being sufficient. The tendency to scatter numerous small trinkets and decor items on the dining table should also be resisted. While the generous surface invites such adornment, restraint is key to avoiding a cluttered look that can confuse the eye. Instead, focus on a few pieces with substantial weight to ground the design, complemented by a selection of smaller accent elements. Mixing various materials like bone china, hand-blown glass, stone, wood, and metals can add interest, provided that the overall arrangement remains polished and intentional. Finally, faux flowers are generally discouraged. Despite their low maintenance, they often lack the fresh, vibrant appearance desired for hosting. Preserved greenery offers a more natural and long-lasting alternative. For instance, preserved moss in a beautiful bowl or vessel can provide a consistent green element that is lightweight and easy to move. Other natural elements, such as citrus fruits in a marble bowl or greenery in a ceramic vase, can also add dimension and texture while maintaining a clean and intentional table design. Furthermore, modern dining tables often fall victim to everyday clutter, serving as temporary workstations or collection points for mail. This detracts from their primary purpose and makes the space feel less special. Incorporating effective dining room storage solutions or utilizing storage in nearby rooms can help keep the table clear, presentable, and ready for meals. The overarching principle for a beautiful dining table is restraint, focusing on fewer, carefully chosen pieces to create impact without overwhelming the space, ensuring a chic and functional setting for dishes, drinks, and conversations. #DiningTableDecor #InteriorDesignTips #HomeHosting #CenterpieceIdeas #TableStyling #DiningRoomIdeas #ClutterFreeHome #HolidayDecor #FloralArrangements

The article discusses various popular home design trends that interior designers predict will become dated quickly, urging homeowners to prioritize personal style over fleeting fads. One significant trend identified is the use of bold cabinet colors, such as yellow, green, or pink in kitchens. While these colors align with a resurgence of 70s vintage aesthetics, designers like Galey Alix warn that kitchen cabinets are a substantial investment, making it impractical to change them frequently as trends evolve. Instead, she suggests opting for bold backsplashes or lighting fixtures, which are less costly and easier to update. Another trend highlighted is color drenching, where an entire room, including walls, ceilings, molding, and often furniture, is painted in a single hue. Interior designer Rebecca Bobroff notes that while this can create a striking look, it risks appearing garish or impractical in the long term. Similarly, overly themed spaces, influenced by cultural moments like 'Barbiecore' or maximalist jungle aesthetics, are seen as short-lived. Cheryl Clendenon of In Detail Interiors advises against committing fully to these themes, recommending instead to incorporate subtle accents or curated vignettes. Open shelving in kitchens, a surprisingly controversial topic, is also on the list. While visually appealing when meticulously organized, designers acknowledge that it can quickly become cluttered and disorganized, making it an unsuitable choice for those who cannot maintain a high level of neatness. Minimalism, once a dominant trend characterized by clean lines and neutral colors, is now considered by many designers to be on its way out. Clendenon argues that homes should feel warm, lived-in, and unique, advocating for a blend of classic pieces with subtle contemporary touches rather than stark, personality-lacking interiors. The 'mob wife aesthetic,' a bold, maximalist style featuring animal prints, faux furs, and vibrant reds, is another trend that designers suggest approaching with caution. Sarah Henley of Henley Design emphasizes that authenticity should guide design choices, meaning this trend is only suitable if it genuinely reflects the client, home, or location. Faux molding, intended to mimic architectural details, is also discouraged, particularly if it doesn't align with the home's original era. Thea Bloch-Neal of Curated by Thea recommends embracing existing architectural details or investing in timeless artwork instead. Fast furniture, mass-produced items made from non-durable materials, is identified as a poor investment due to its lack of longevity and potential to prematurely age a space. Vyanca Soto of Market Studio Interiors advises investing in higher-quality, long-lasting pieces that serve as anchors for a more intentional design experience. Finally, limewash walls, while popular for adding texture, are noted as difficult to execute correctly, especially for DIY projects, and can lead to dissatisfaction. Overall, the article underscores the importance of timeless design and personal authenticity over transient social media trends. #HomeDecor #InteriorDesign #DesignTrends #HomeTrends #DecoratingIdeas #TimelessDesign #MinimalistDecor #MaximalistStyle #KitchenDesign

The article discusses interior design trends that are considered outdated or "tacky" by design experts, along with timeless styles that are expected to remain popular. It highlights that, similar to fashion, interior design trends continuously evolve, and some design choices can quickly become unfashionable. The article emphasizes that while social media often influences design ideas, it is better to pursue original concepts rather than copying trends that are already prevalent. Six design experts were consulted to identify specific home trends they believe should be left behind due to oversaturation, lack of practicality, or cultural insensitivity. The first trend identified as outdated is head-to-toe Midcentury Modern design. While acknowledging its historical significance, designers Mark Schubert and Allison Handler suggest that the market became oversaturated with this aesthetic. They recommend incorporating Midcentury Modern pieces judiciously, mixing them with other styles and softer textures to create a more integrated and less cringey look. Chevron-patterned upholstery is another trend that designer Amy Elbaum regrets, citing its bold, high-contrast nature that quickly causes visual fatigue and limits its versatility with other design styles. Mikel Welch expresses regret over his past enthusiasm for Ikat fabric, finding its loud and busy designs chaotic and less sophisticated than his current minimalist preferences. Welch also criticizes Buddha-inspired furniture, reflecting on his earlier use of a red Buddha chair in a model home project. He recognizes this choice as shallow and culturally insensitive, emphasizing the importance of depth and respect in design decisions. Designer Ali Budd points out the issue of cheap chrome pieces, particularly when they are knock-off versions of iconic furniture, highlighting a concern about design integrity rather than mere trendiness. Kristy Turner notes that over-the-top glam furniture, once a symbol of luxury, now appears dated and heavy-handed, with a shift towards understated elegance, clean lines, and natural materials. Alicia Held-Morris controversially names jewel-toned velvet sofas as a trend that has not aged well, primarily due to the practical downsides of certain velvets, such as their tendency to crush, show wear, and highlight stains, especially in rich colors. Finally, button-tufted Chesterfield seats are deemed problematic by Held-Morris due to their susceptibility to snagging, dust accumulation, and discomfort. She suggests opting for cushioned backs or placing such pieces in low-traffic areas. The article then shifts to discussing timeless design elements that designers believe will endure. These include natural materials like linen in slipcovered sofas, which Mikel Welch praises for their comfort and effortless elegance. Weathered wood, with its natural patina and evolving character, is another enduring choice. Amy Elbaum champions neutral hues and fabrics, explaining that they allow for aesthetic evolution through changes in accessories, rugs, pillows, and art, providing a lasting foundation. Quality antiques are celebrated by Kristy Turner for their craftsmanship, character, and ability to blend seamlessly with contemporary decor. Lastly, Hans Wegner dining chairs are highlighted by Alicia Held-Morris for their timeless beauty, comfort, and engineering marvel, representing practicality and style that transcends trends. #HomeDesignTrends #InteriorDesigners #HomeDecor #DesignMistakes #TimelessDesign #MidcenturyModern #NeutralColors #NaturalMaterials #Antiques

Entryways are crucial spaces in a home, serving as the first impression for guests and a vital transition zone for residents. Despite their importance, they are often challenging to furnish and decorate effectively. Interior designers emphasize that a well-designed entryway should be both aesthetically pleasing and highly functional, free from clutter and potential hazards. This involves careful consideration of what items to include and, more importantly, what to avoid. One common item designers advise against is chunky or slippery rugs. While rugs can add warmth and style, bulky options pose a trip hazard, especially in a high-traffic area where people are often rushing. Slippery rugs, even if less chunky, are also problematic unless securely anchored with a rug pad. Natural fiber rugs like jute and sisal are also not recommended for entryways. Despite their popularity, these materials are prone to staining, particularly from muddy shoes, making them impractical for an area exposed to dirt and moisture. Instead, designers suggest durable fabric rugs that are easy to clean and feature darker colors or patterns to conceal marks. Open shelving, while useful for displaying decorative items, can quickly lead to a cluttered entryway. Designers advocate for closed storage solutions to maintain a neat and organized appearance. Console tables with drawers and tucked-away baskets offer practical storage for essentials like keys, mail, and purses, keeping them out of sight. This approach ensures that the entryway remains welcoming and tidy, rather than appearing chaotic. Another element to reconsider is a prominent display of coats and shoes. While convenient, wall-mounted coat hooks often result in a messy pile of jackets, detracting from the entryway's overall aesthetic. Lucy Derbyshire of Studio QD advises concealed coat storage, such as an entryway wardrobe, to keep the area clean and spacious, creating a positive first impression. This is particularly important for storing a family's seasonal outerwear and footwear, which can otherwise overwhelm the space. Umbrella stands also fall into the category of items to avoid. Designers note that these can easily become cluttered, serving as receptacles for not just umbrellas but also hats, scarves, gloves, and pet leashes. A more discreet solution, such as a stylish wall-mounted holder or a designated, hidden spot, is preferred to prevent unsightly mounds of miscellaneous items. The goal is to keep such practical items accessible yet out of immediate view. Finally, excessive decor is a common mistake that can make an entryway feel cramped and overwhelming. While it's tempting to adorn this space with numerous decorative pieces, designers recommend a minimalist approach. Focusing on one or two statement pieces, such as striking artwork or a unique sculpture, can create visual interest without cluttering the area. The key is to balance aesthetic appeal with functionality, ensuring the entryway remains clear, inviting, and reflective of the home's overall design while also accommodating daily needs efficiently. #EntrywayDesign #InteriorDecor #HomeOrganization #ClutterFreeHome #InteriorDesignTips #StorageSolutions #RugSelection #FirstImpressions

The editor-in-chief of Country Living, Rachel Hardage Barrett, discusses the common pitfall of seeking instant gratification in home decorating, a trend often fueled by social media. She argues that true, personal, and layered spaces—the kind frequently featured in Country Living—do not emerge overnight but rather evolve through a process she calls "Slow Decorating." This approach is likened to designer James Farmer's "cast-iron skillet strategy," where spaces are seasoned over time to achieve a more nuanced decorative flavor. Barrett highlights that her own regrettable design decisions were typically made in haste. Inspired by seasoned homeowners and designers, she now champions a more deliberate approach, emphasizing several key lessons. The first lesson is to "Shop for the Piece, Not the Room." Designer Libby Cameron, known for interiors that feel acquired over time, advocates buying versatile furniture that can be moved and repurposed across different rooms. Barrett suggests asking if a piece can be used in at least three different areas of the house before purchasing, moving away from a rigid, fill-in-the-blank decorating strategy towards a mix-and-match method. The second lesson, "Sweat the Small Stuff," involves focusing on thoughtful details that imbue a room with personality, such as unique artwork, sentimental souvenirs, or curated collections. Barrett recounts her experience renovating a Mississippi farmhouse, where she prioritized acquiring small, meaningful items like pheasant glassware and vintage books. This allowed her to feel progress in the project, making it easier to patiently wait for the right larger, more significant pieces like a sofa or sideboard. "Prioritize Quality" is the third lesson. Barrett advises investing in hand-crafted furniture or quality antiques, even if initially more expensive, as they offer long-term value compared to cheaper, mass-produced items. This principle echoes the Slow Food movement's emphasis on knowing the origin of products, extending to understanding the artisans or antique dealers behind home items. This connection often comes with interesting stories, adding to the intrinsic value of the piece. The fourth lesson is to "Mix Materials and Eras." As Country Living Senior Homes & Style Editor Anna Logan points out, the most compelling examples of Slow Decorating are timeless spaces that resist being categorized into a specific era. Embracing patience in decorating helps avoid falling for fleeting trends, preventing a home from becoming dated quickly, a common issue seen with styles like Modern Farmhouse. Finally, Barrett stresses that "Finished Isn’t the Goal." She argues against the desire to complete decorating, suggesting that homes, like individuals, should continuously evolve. Additions should reflect new interests and personal stories, turning a home into an ongoing narrative rather than a static endpoint. This approach resonates with collectors who value curation and experience over mere possession, finding greater happiness when items are connected to personal experiences. #SlowDecorating #HomeDecor #InteriorDesign #AntiqueFurniture #QualityOverQuantity #PersonalStyle #TimelessDesign #MindfulShopping

Sheena Murphy, founder of nune studio, offers insights into her approach to interior design, emphasizing that thoughtful design enhances overall wellbeing. Her style is characterized as modern, eclectic, layered, and planet-aware, reflecting her belief in creating comfortable and livable spaces. Murphy has completed projects in both London and the US, currently basing her operations in London while incorporating a distinctive "Stateside cool" into her designs. She identifies her 8th Street Townhouse and Charles Street projects as personal favorites, highlighting the collaborative process involved in their creation, whether with architects or directly with contractors. Murphy primarily uses neutrals, particularly warmer tones, as foundational backdrops, citing Farrow & Ball's Purbeck Stone, Ammonite, Elephant’s Breath, and Jitney, along with Atelier Ellis’s Stony Plaster, as preferred choices. She expresses a particular enjoyment in designing children's rooms, which she finds allow for a more playful and whimsical approach, demanding multi-functionality and adaptability due to children's rapid development. These spaces often push her to experiment with color and pattern more extensively. Her creative process is also significantly influenced by the simplicity and natural beauty of the British countryside, which she finds invigorating. For timeless interiors, she admires Vincent Van Duysen and Axel Vervoodt, while for contemporary and layered designs, she looks to Decus Interiors, Templeton Architecture, and Ashe Leandro. She also keeps an eye on the distinctive work of designers like Brian Paquette, Rose Uniacke, and Disc Interiors, and draws inspiration from Instagram accounts such as Sarah Elliott, Rebecca Wakefield, The Modern House, and Genevieve Lutkin. When initiating a room design, Murphy prioritizes surveying the space and taking detailed measurements of existing architectural elements. For small spaces, she recommends investing in lighting, window treatments, and sofas, noting that curtains or roman shades and sculptural lighting can significantly transform a room. Sofas are considered a crucial investment due to their frequent use. In large open-plan areas, her strategy focuses on creating defined zones through furniture and textiles, emphasizing the importance of space planning, furniture layouts, rugs, lighting, and storage to provide division and definition. Regarding decorating, Murphy's color scheme and mood board development are informed by the property’s external environment, the client’s lifestyle, and the home’s architecture. This comprehensive approach guides the selection of color palettes, forms, and materials, influencing shapes and styles. For a single room, she typically uses one wall color, accentuating architectural details with tonal variations. She appreciates mixing patterns but stresses the importance of scale to allow each pattern to stand out, with the number of patterns varying based on room size and type. For eclectic furniture arrangements, a unifying color palette is essential to prevent a chaotic atmosphere. Murphy advises against chasing trends, advocating for timeless designs and planet-friendly, natural materials that ensure longevity. She encourages purchasing items loved and intended for long-term use, ensuring they serve a purpose and connect with other aesthetic elements. Functionality is paramount in kitchen design. While she favors wood and limestone for flooring, she cautions against wood for messy cooks due to maintenance. Limestone is highlighted as a durable, cost-effective, and easy-to-maintain natural alternative. For worktops, marble is her preferred choice, although she suggests limestone or quartzite as natural alternatives for those hesitant about marble's cost or perceived delicacy. She avoids porcelain or quartz, favoring natural stones, but acknowledges stainless steel for its utilitarian appeal in avid cooks' kitchens. Paint colors are always selected in natural daylight, with attention paid to bulb temperature to avoid distortion. Finally, Murphy advises splurging on lighting and vintage pieces, while saving on occasional items like side tables, secondary chairs, and accessories. For budget-conscious projects, prioritizing paint and lighting is key. She concludes by listing her preferred vendors for various interior design elements, including furniture, fabrics, joinery, kitchens, bathrooms, wallpaper, paint, lighting, flooring, tiles, and kitchen hardware. #InteriorDesign #SheenaMurphy #NuneStudio #HomeDecor #DesignTips #EcoFriendlyDesign #NeutralPalette #SpacePlanning #KitchenDesign

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities