Catherine Martin Debuts Fabrics Inspired by Elvis Presley for Mokum

The film 'Elvis,' directed by Baz Luhrmann, has sparked renewed interest in Elvis Presley's iconic style, influencing not only fashion but also home decor. In response to this cultural resurgence, Academy Award-winning costume designer Catherine Martin, who worked on the film, has collaborated with Mokum to launch a new textile collection called the Royal Menagerie. This collection offers fabrics and wallpapers that encapsulate the opulent and maximalist aesthetic of the 1970s, drawing direct inspiration from Presley's world, including his Graceland residence. One of the prominent designs in the collection is the Royal Peacock wallpaper, which features regal blue birds surrounded by tropical plants. This design pays homage to the recurring peacock motif found throughout Presley's Graceland, particularly the stained-glass peacocks that separated the living room from the music room. Catherine Martin, also Luhrmann’s creative and life partner, notes that the Graceland archivist suggested the peacock symbolized eternal life in some religions, aligning with Presley's spiritual nature. The collection also draws from Graceland’s famous Jungle Room, a space renowned for its unique decor, including a carpeted ceiling and an indoor waterfall. The aptly named Jungle Room pattern incorporates layers of tropical flowers and leaves, reflecting the room's lush environment. Another design, Monkey Business, is a wallcovering inspired by Presley’s ceramic chimp statues, depicting apes climbing a leafy tree. Big cat prints are another significant theme within the Royal Menagerie collection. These include a velvet jacquard tiger print, a direct reference to Presley’s famous tiger jumpsuit, and a colorful jacquard leopard print. The illustrative Panthera velvet also pays tribute to one of Presley's early nicknames, further embedding his personal history into the collection. For those seeking more understated options, the collection offers Grande Boucle and Monarque. The Monarque velvet, in particular, is inspired by the interiors of Presley’s tour bus, showcasing a different facet of his personal style. The inspiration behind Graceland’s distinctive aesthetic, particularly its wood-paneled and tiki-themed elements, is attributed to Presley’s father, who initially disliked the tiki furniture. According to Martin, Elvis purchased the furniture as a joke, which later became a defining feature of his home. This anecdote underscores the collection’s focus on storytelling, with each design element carrying a narrative from Presley's life. The Royal Menagerie collection aims to infuse living spaces with a sense of humor, fun, and exuberance, embodying the playful and extravagant spirit of the 1970s and Elvis Presley’s unique style without being overly serious. The collection offers a way for enthusiasts to incorporate a piece of cinematic and musical history into their homes, bridging the gap between film, fashion, and interior design. #ElvisPresley #TextileCollection #CatherineMartin #MokumTextiles #GracelandInspired #1970sDecor #MaximalistDesign #WallpaperDesign #HomeDecorTrends

The article details an unexpected collaboration between interior designer Kerry Joyce and artist Marian McEvoy, sparked by a social media connection. Joyce, known for his interior design work, discovered McEvoy's intricate collages of natural elements on Instagram, specifically under the handle @gustthepoodle. Intrigued by her unique artistic style, Joyce researched McEvoy and learned about her prominent background as a former editor-in-chief of ELLE DECOR and House Beautiful, as well as an editor for Women’s Wear Daily and W. This discovery led to a personal visit to McEvoy's home and studio in Wappingers Falls, New York. During this visit, Joyce recognized the potential to translate McEvoy's distinct artistic vision into fabric designs. He expressed his admiration for her creative energy and his conviction that her designs would be ideal for textiles. The collaboration materialized into a collection featuring five black-and-white botanical watercolors by McEvoy, which were then printed onto linen in ten different colorways. The collection showcases various nature-inspired motifs, including dotted leaves, whimsical vines, and striped florals, all stemming from McEvoy's imaginative work. McEvoy shared her perspective on this new chapter in her career, attributing her refined sense of color, style, and quality to her extensive experience in the fashion industry, particularly her 17 years spent in Paris working with couturiers like Yves Saint Laurent. She expressed gratification at the current level of interest in her work, especially at 73 years old, and highlighted the positive experience of collaborating with someone who genuinely appreciates and acts upon her artistic contributions. The success of this initial collection has already paved the way for a second collaboration between Joyce and McEvoy, scheduled for 2022, underscoring the fruitful nature of their partnership. The story, originally published in the September 2021 issue of ELLE DECOR, exemplifies how digital connections can evolve into tangible and impactful creative endeavors within the design world. #FabricDesign #DesignCollaboration #InteriorDesign #MarianMcEvoy #KerryJoyce #SocialMediaInfluence #TextileArt #BotanicalPrints #ELLEDECOR

London-based studio Custhom, founded by RCA graduates Nathan Philpott and Jemma Ooi, has introduced a new collection of digitally embroidered wallpapers that blend traditional embroidery patterns with contemporary digital stitching technology. The studio collaborated with skilled embroiderers in the North of England to adapt their techniques for use with paper, enabling the creation of large-scale designs that introduce both pattern and texture to walls. This innovative approach translates traditional embroidery styles using modern tools and digital techniques, imbuing organic designs with a clean, graphic quality. The collection features two distinct patterns: Berye and Aves. The Berye pattern, whose name is derived from the Middle English word for ‘berry’, draws inspiration from English historical patterns. It is produced by screen printing a base design by hand, which is then meticulously overlaid with digitally embroidered patterns. These embroidered elements are designed to mimic Crewel, a 17th-century embroidery technique, resulting in a multi-layered design featuring branches, leaves, and berries. The Berye design is characterized by flint grey and peach thread on a light grey background, creating a sophisticated and textured visual. The Aves pattern references traditional Mexican Otomi fabrics. This design showcases a variety of creatures, such as birds, stitched in either navy or soft grey threads onto either cream or dark charcoal paper backgrounds. The designers behind Custhom were particularly drawn to the narrative quality of Otomi designs, which traditionally utilize stitch and illustration to convey stories and cultural folklore. The research for these designs was conducted at the British Library, where the studio explored various traditional textiles and embroidery techniques. Custhom emphasized the rigorous development process involved in perfecting their technique, which required significant adaptation of textile craftsmen’s methods to suit paper as a medium. This careful development ensures that the wallpaper can withstand the perforation from embroidery needles without tearing, a crucial aspect given the delicate nature of paper. The wallpapers are manufactured using high-quality, FSC-certified non-woven paper, underscoring the studio’s commitment to sustainable materials. The Berye pattern has recently been launched to the public, while the Aves pattern made its debut earlier in the year at the Maison & Objet fair in Paris, a significant international event for interior design and home decor. Both patterns are produced in the UK, adhering to local manufacturing standards, and each roll measures 55 centimeters by one meter. This collection represents a fusion of historical craftsmanship and modern technology, offering a unique decorative option that adds depth, texture, and a narrative dimension to interior spaces. #Wallpaper #EmbroideredWallpaper #Custhom #DigitalEmbroidery #InteriorDesign #Homeware #DecorativeArts #TextileInnovation

Martyn Thompson, a New York-based artist and the creative force behind Martyn Thompson Studio, has discovered an innovative approach to repurpose discarded materials, transforming his used drop-cloths and rags into a collection of woven tapestries and fabrics. This initiative, aptly named ‘The Accidental Expressionist,’ debuted at The Future Perfect in New York. The collection is notable for its jacquard-woven textiles and murals, which reimagine the incidental marks and stains left by the artist during his previous projects. Instead of being mere by-products, these elements are elevated and given new significance, becoming the central focus of the final artworks. The essence of ‘The Accidental Expressionist’ lies in its celebration of often-overlooked details and the expressive traces of the artist's creative process. Each piece in the collection encourages viewers to engage in close examination, revealing layers of colors and stains that coalesce into Pollack-esque splatters. Thompson meticulously collects and photographs these incidental marks, transforming them from discarded elements into purposeful components of his art. This process not only breathes new life into otherwise waste materials but also redefines their aesthetic and conceptual value within a fine art context. At The Future Perfect’s showroom, the versatile applications of this collection were showcased, demonstrating how these unique fabrics can serve as upholstery for furniture, be crafted into pillows, and even form bespoke lampshades. A standout example is the 'Quarry' lamp, a collaborative effort between Thompson and artist Dove Drury Hornbuckle. Hornbuckle hand-crafts the lamp's structure, which resembles stacks of ceramic shards, while Thompson’s studio provides the distinctive bespoke shade, featuring the collection's unique textiles. The 'Quarry' lamp is also available in a cast bronze edition, offering a variety of patinas. ‘The Accidental Expressionist’ collection thus embodies a powerful narrative of transformation and artistic vision, converting what was once considered refuse into objects of beauty and design. It highlights the potential for creativity to find inspiration and value in unexpected places, challenging conventional notions of artistic materials and processes. The collection offers a fresh perspective on sustainability in art and design, illustrating how an artist's personal history and working methods can be intimately woven into the fabric of their creations. The exhibition at The Future Perfect provided an immersive experience for visitors to witness the innovative use of these transformed materials in various interior applications, from large-scale murals to intricate lighting fixtures. #MartynThompsonStudio #AccidentalExpressionist #TextileArt #SustainableDesign #WovenTapestries #ArtisanCraftsmanship #InteriorTextiles #TheFuturePerfect #CollaborativeArt

The article highlights the recent collaboration between Mark & Graham, a personalized lifestyle brand, and Sanderson, a British design group, which introduces a new collection of gifts and decor featuring Sanderson's iconic floral prints. This partnership is particularly exciting for those looking to infuse their homes with vibrant colors and soft floral patterns, especially during the colder months. The collaboration draws upon Sanderson's rich heritage, a brand that was granted a Royal Warrant in 1924 for supplying fabrics and wallcoverings to the British royal family, signifying over a century of trusted elegance. Mark & Graham's in-house design team meticulously selected six signature floral prints from Sanderson's extensive archives, some dating back over a hundred years, such as the Rose & Peony print from 1914 and the recolored Hollyhocks print. These historic designs are now featured across a diverse range of products, including everything from practical items like beach totes and pet bowls to decorative pieces like ceramic tissue box covers, luxury chess sets, and elegant packing cubes. The collection incorporates various textures and patterns, including woven raffia, subtle stripes, blooming flowers, and distinct inky botanical motifs. The article showcases several key items from the collection that stand out for their design and functionality. Among the recommended pieces are a Sanderson Ceramic Ring Holder, a versatile 3-in-1 Chess, Checkers, and Dominoes Game Set, and a 5-Piece Packing Cube Set, all adorned with the unique floral patterns. Other notable items include the Sanderson Ceramic Frame, featuring a scalloped trim and patterned border, and the Sanderson Ceramic Vase, available in different sizes and patterns to suit various floral arrangements. Additionally, the collection offers a Sanderson Dresser Top Jewelry Box, a Sanderson Dual Travel Organizer to keep accessories neat on the go, a Sanderson Scalloped Ceramic Catchall for everyday essentials, a Sanderson Scalloped Raffia Box for stylish storage, and a Sanderson Ceramic Tissue Box, designed to elevate mundane household items. The collaboration provides an opportunity for individuals to incorporate a touch of 'grandmillennial flair' into their living spaces, blending classic elegance with modern functionality. These pieces are presented as ideal options for housewarming gifts or as personal additions to one's home decor, offering a blend of historical charm and contemporary appeal. The collection celebrates timeless floral designs, making them accessible for everyday use and home enhancement. #MarkAndGraham #Sanderson #FloralDecor #HomeAccessories #BritishDesign #RoyalWarrant #SpringDecor #GrandmillennialStyle #InteriorDesign

The article details Kirkby Design's 'Underground Vol II' collection, a collaboration with Transport for London (TfL), which was launched at the London Design Festival. The collection features contemporary patterned woollen textiles, specifically upholstery velvets, inspired by historical moquettes from TfL's seating fabric archives dating back to the 1930s. Creative director Jordan Mould explains that the idea for the first 'Underground' collection originated when he observed the unique fabric designs on a tube carriage during an empty late-night journey, sparking the idea for a partnership with TfL. The 'Underground Vol II' collection reinterprets these vintage designs by adjusting their scale, texture, and color palettes to create a more sophisticated and luxurious aesthetic suitable for modern interiors. While the essence of the original designs is maintained, the updated color combinations are trend-driven. Each design in the collection is named after the London Underground line it was originally featured on, which helps customers connect with the historical aspect of the textiles, often evoking fond memories of their travels around London. Mould highlights 'Northern,' a design from 1965 by Marianne Straub, in the 'Biscuit' colorway, as one of his personal favorites from the new collection, appreciating its graphic statement. The article suggests that there is a vast amount of material within TfL's archives, hinting at the possibility of future collaborations. The collection is available from £89 per meter through Kirkby Design and was featured in the October issue of ELLE Decoration. This initiative represents a fusion of historical public transport design with contemporary interior textile trends, transforming functional patterns into high-end decorative elements. #KirkbyDesign #LondonDesignFestival #TextileDesign #UpholsteryVelvets #TransportForLondon #InteriorTextiles #DesignCollaboration #MarianneStraub #HomeDecor

The article discusses the launch of Weft, an innovative online platform aiming to revolutionize the woven fabrics industry. Developed by Brooks Hagan, an associate professor of textiles at RISD, and Steve Marschner, a computer science professor at Cornell, Weft provides direct access to manufacturing for custom woven fabric orders, starting from as low as three yards. This platform distinguishes itself from surface-printed fabric providers by focusing on true woven designs, offering a unique service in the market. The project received research support from the National Science Foundation and a Small Business Innovation Research grant, highlighting its technological and entrepreneurial significance. Weft empowers users to personalize their fabric designs by allowing them to select colors, weave structures, and quality parameters, as well as define repeat sizes. This level of customization is particularly beneficial for independent designers working on smaller-scale projects, enabling them to create unique textiles without the high minimum order quantities typically associated with custom manufacturing. Users of the Weft platform have the flexibility to upload their own designs or photographs, integrating personal artistic vision into their fabric creations. Alternatively, they can customize existing designs available on the site. Beyond custom design, Weft also features a curated selection of limited-edition textile designs created by various artists. The article names Stephanie Pender, Kevin Zucker, Julia Dault, John Caserta, and Julian Kreimer as some of the collaborating artists, emphasizing the platform's commitment to artistic diversity. Hagan explains that the selection of artists from diverse fields was a deliberate choice to demonstrate the software's accessibility and utility to a wide range of creative individuals, regardless of their background. This approach aims to democratize access to custom fabric production, making it available to more designers and artists. In addition to custom orders, Weft operates an online shop offering ready-made woven jacquard fabrics. These fabrics are manufactured in the U.S. and include open-source options, further promoting customization. The versatility of these fabrics makes them suitable for various applications, including upholstery, drapery, and apparel, catering to a broad spectrum of interior design and fashion needs. Weft ensures efficiency by fulfilling custom fabric orders through its network of partner mills, boasting a quick turnaround time of as little as three weeks. This rapid production cycle is a significant advantage for designers and businesses seeking timely delivery of specialized materials. #WovenFabrics #CustomDesign #TextileIndustry #RISDInnovation #DigitalLoom #ManufacturingAccess #IndependentDesigners #ArtisticCollaboration

The article introduces Inner Child, a home decor brand founded by Michelle Pham, which specializes in colorful, handmade, maximalist decor. The author, Tori Polizzotto Jones, shares her personal journey from a minimalist aesthetic to an appreciation for maximalism, influenced by sentimental family heirlooms. This shift in personal style led her to discover Inner Child, a brand that resonates with her newfound love for vibrant and expressive home furnishings. Michelle Pham, the founder of Inner Child, explains her inspiration for starting the brand. She observed a gap in the U.S. market for accessible, handmade textiles and crafts, which are often found only through extensive travel. Her aim was to bring these unique, artisanal items to a broader audience. Inner Child's products are distinguished by their 100% handmade nature, encompassing fabrics, patterns, and textures. The brand offers a variety of home linens, including blockprint tablecloths, napkins, placemats, and table runners. Additionally, Inner Child has developed a sustainable practice by creating recycled paper goods from leftover cotton textile production. The brand's name, 'Inner Child,' reflects Pham's philosophy that joyful and whimsical decor should not be outgrown. She notes that while adult tastes often lean towards muted, minimalist palettes, children instinctively gravitate towards color and experimentation. Inner Child seeks to reintroduce this playful approach into adult homes, encouraging consumers to embrace delightful and colorful items. The brand continuously innovates, transforming new design ideas into stitched realities quickly to meet consumer desires for vibrant home aesthetics. Among Inner Child's bestsellers are the Ocean Wave Waste Bin, made from hand-marbled and block-printed recycled cotton papers. This collapsible, sustainably made bin serves both as a waste receptacle and a chic storage solution. Another popular item is the Araminta Toiletry Bag, available individually or in sets of three. These bags are designed for functionality, featuring four inner pockets and a wipeable plastic liner, with fabric hand-block printed by an eighth-generation artisan team. The Purple & Blue Checkered Reversible Sujani Quilt is another standout, crafted by one of only two remaining families globally practicing the Sujani weaving technique. These cotton-filled quilts take over 16 hours to handloom and offer a unique 'puff pillow' effect. Pham's inspiration stems from her childhood experiences, including reading extensively about crafts and textiles, and traveling widely in her twenties, which exposed her to diverse crafts and ways of living. Her mother, a talented seamstress, also instilled in her a deep appreciation for colors, patterns, and fabrics from an early age. Living in New York City further provides daily inspiration from fashion and people's choices. Pham also sheds light on the realities of running a small business with handmade products. She single-handedly manages all aspects of Inner Child, from design and production to warehousing, shipping, and marketing. This hands-on approach has given her comprehensive mastery over her business operations, from recognizing ideal shipping boxes to understanding fabric compositions and maintaining daily communication with artisans. Despite the immense workload, she finds the work highly rewarding, emphasizing that it is a constant, demanding endeavor rather than a typical nine-to-five job. The brand's core message is to promote the accessibility of handmade items and to encourage adults to embrace joyful and whimsical home decor that allows for self-expression and happiness, regardless of age. #HomeDecor #MaximalistStyle #HandmadeProducts #SmallBusiness #MichellePham #InnerChild #TextileArt #SustainableDesign #Entrepreneurship

Peggy and David Matthews, celebrating their 30th wedding anniversary, undertook a significant interior design renovation of their Southside Place home, which they built 20 years ago. The initial design of the house catered to their young children, but with their five children now ranging from 16 to 28, and several back home due to the coronavirus pandemic, the family's needs and lifestyle have evolved. Peggy Matthews, who owns Rapid Record Retrieval, a legal support company, expressed a desire to upgrade, redo, and refresh their living space, driven by her love for change. The redesign project was spearheaded by Marie Flanigan Interiors, with Marie Flanigan and design director Melanie Hamel leading the effort. A key aspect of the renovation involved transforming a multi-purpose front room, which had served as a playroom and teenage hangout, into Peggy's personal retreat. This room now features deep blue lacquered walls and built-in bookshelves, a sofa reupholstered in white fabric, a bold geometric rug with chartreuse accents, and a dark blue tufted ottoman. This space allows Peggy to relax privately, though it remains appealing to other family members as well. Peggy's passion for fashion significantly influenced the design choices, prompting the designers to incorporate sophisticated yet functional fabrics inspired by runway trends, including Hermes and Jean Paul Gaultier fabrics. The home's existing art collection, notably Andy Warhol's "Cowboys and Indians" lithographs, served as a primary source of color inspiration. The rich ochers and cobalts present in Warhol's pieces, such as "Mother and Child" in the front room, "Geronimo" in the family room, and "Kachina Dolls" in the hallway, guided the selection of the home's new color palette. Flanigan and Hamel aimed to create a vibrant interior that matched Peggy's dynamic lifestyle, moving away from an all-white aesthetic. The dining room, frequently used for family gatherings, was reimagined with customized de Gournay "Willow" wallpaper featuring delicate branches and a Lindsey Adelman "Branching Bubble" chandelier. Vintage side chairs, discovered on firstdibs.com with garish green frames and old upholstery, were meticulously restored with a gold-bronze finish and reupholstered to complement the wallpaper. The family room was designed with two distinct seating areas to accommodate both large group television watching and intimate conversations, and even includes a designated "dance floor" for entertaining. Minor updates were also made to the kitchen, including replacing traditional island legs with edgier stainless steel ones to match the existing stainless steel counters and range hood. New barstools, combining wood frames with varied fabric on the backs and seats, added warmth. A geometric patterned backsplash was installed after a range replacement, contributing to the updated decor. The breakfast area received new furniture, including a round table that can expand to an oval for larger gatherings. Furthermore, part of the backyard patio was enclosed with large glass panels to create an indoor-outdoor sunroom, offering a climate-controlled space that can be fully opened to the outdoors. This sunroom is furnished with a mix of blue and white patterns in performance fabrics, including a bold Martyn Lawrence Bullard Perennials print on a large ottoman, a striped chair, a solid sofa, and a chevron rug, ensuring durability and a cohesive aesthetic that extends the home's style into the outdoor living area. #InteriorDesign #HomeRenovation #FashionInspiredDecor #LuxuryInteriors #ArtCollection #CustomWallpaper #ModernTraditional #IndoorOutdoorLiving #FamilyHome

Joon Loloi, an extension of Loloi's home furnishing offerings, has launched its inaugural collaboration with Seattle-based interior designer Heidi Caillier. This collection introduces over 30 pieces, primarily bespoke rugs and throw pillows, reflecting Caillier's signature timeless aesthetic and affinity for patterns. Caillier, known for her design work, including projects that have garnered attention from figures like Joanna Gaines, designed these pieces with a focus on integrating them into a family home setting, specifically showcasing them within her own residence. This approach highlights the versatility and livability of the collection. The collaboration emphasizes layered looks within interior design. For example, Caillier incorporated the Mayla rug, characterized by its antique touches, into her living room, and the Lilette rug, noted for its vibrant hues, into her sons' bedroom. The collection features a variety of materials and constructions, ranging from hand-tufted wool to natural jute, catering to different textural preferences and functional needs. A notable inclusion is Loloi's CloudPile rugs, which are praised for their softness underfoot. Caillier's collection offers three CloudPile options, appealing to those who prioritize comfort and a plush feel. Each item in the collection, whether a rug or a pillow, possesses a distinct pattern and style, allowing for individualized room refreshes while maintaining a cohesive collaboration. The Lindy Hand Tufted Wool Rug, inspired by Scandinavian design, features a boxy yet floral pattern that adds texture without overwhelming a space. It is made of 100% hand-tufted wool. The Ginna CloudPile Printed Rug combines the plush feel of CloudPile with an antique pattern and is designed to be resistant to shedding, making it suitable for high-traffic areas. The Mayla CloudPile Printed Rug offers a neutral option with a subtle, faded floral pattern, power-loomed for durability and ease of care. Beyond rugs, the collection extends to throw pillows designed to complement the rug offerings. The Kayleigh Lumbar Pillow provides both style and support, available as a cover or with poly or down inserts. The Liam Pillow, with its denim-inspired layered geometric design, aims to add a lived-in feel to sofas or armchairs. The Kate Pillow, offered in Clay or Wheat colorways, serves as an all-purpose throw pillow with a double-flange edge, adding a subtle pattern to a neutral design. The Rainier Rug, named after a Washington mountain, introduces a checkerboard pattern in an earthy palette, aligning with current design trends. The Dana Pillow incorporates a nostalgic, hand-embroidered aesthetic with a floral design and fringe trim. Finally, the Shrader Jute Rug provides natural textures ideal for layering, while the Aster Rug, adorned with storybook-style roses, offers a romantic touch for various rooms, featuring a low pile suitable for placement under furniture. The collaboration presents diverse options for home decoration, blending timeless aesthetics with contemporary comfort and style. The pieces are designed to be integrated into different home environments, offering both aesthetic appeal and practical considerations like durability and ease of maintenance. #HeidiCaillier #JoonLoloi #RugCollection #HomeDecor #InteriorDesign #ThrowPillows #NostalgiaInspired #CloudPileRugs #ScandinavianDesign

Meredith Heron, a Toronto-based maximalist designer, consistently integrates a diverse range of patterns and color combinations into her projects. Her design philosophy revolves around the idea that "more is more," prompting her to incorporate multiple fabrics within a single room while consciously avoiding a "matchy-matchy" aesthetic. Heron also embraces challenging color palettes, often selecting hues that initially intimidate her, such as contrasting reds and greens, to push her creative boundaries. To harmonize these bold elements, Heron strategically employs a nuanced spectrum of gradient blues. This approach prevents her vibrant selections from clashing, instead creating a cohesive visual experience. A key technique she utilizes involves incorporating the same pattern in various colorways throughout a space. Additionally, she often chooses paint colors that are slightly off from fabric shades to achieve a more lived-in and organic feel, viewing this deliberate mismatch as an enjoyable design puzzle. Heron's mood board, which serves as a visual representation of her current inspirations, exemplifies her eclectic style. It features a blend of striking motifs, including multitonal stripes, flame-stitched chevrons, and animal prints. Each element is carefully chosen to contribute to her signature maximalist aesthetic, without overwhelming the space. She thoughtfully curates each component, demonstrating how disparate patterns and colors can coexist in a harmonious and sophisticated manner. Among the specific items highlighted in her mood board are the Handsart Key Rug in Merlot, which she appreciates for its meandering design that helps open up a space. The Camber Stripe Fabric in Green and Blue by Jane Churchill is noted for its mint hues, allowing her to integrate other mutable greens into her palette. The Inferno Fabric in Sapphire by S. Harris, a flame stitch, is a favored choice for sofas due to its distinctive texture and pattern. She also features the Regal Fancy Fabric in Verdant by S. Harris, an Art Deco-inspired green with a shimmering sheen, and the Midori Fabric in Verdure by Clarence House, which she describes as textural and luxurious, particularly when paired with leather. Heron also incorporates unique accent pieces, such as an antique cloisonné vase, which she sources from auctions to add a sense of history and a richer narrative to her designs. The Fissure Rug in Azure, from her own Meredith Heron Collection, showcases her passion for ombres, a design element she frequently includes in her rugs and fabrics. For hardware, she selects the Pyra Mitered Handle in Bright by Shayne Fox Hardware, appreciating the craftsmanship of a fellow Toronto designer. An animal print is almost always a staple in her projects, represented here by the Darwin Fabric in Blue by Jane Churchill, which, despite being a dotted pattern, evokes the texture of a stingray or shagreen. Wallpapers also play a significant role in her designs, with the Marble Tile 1 Wallpaper in Pebble by The Vale London being a choice for creating a faux marble effect on ceilings or within decorative molding. Another selection from The Vale London is the Bagan Wallpaper in Deep Sea, a pearlescent paper that caught her attention for its unique finish. For anchoring her color schemes, she uses the Giles Embroidery Fabric in Red/Blue by Lee Jofa, which incorporates the majority of colors present in a room. Finally, the Cleo Fabric in Copper and Red by Jane Churchill is chosen for its feathery, animal print-like qualities, contributing to the "well-traveled" ambiance she aims to achieve in her interiors. #MeredithHeron #MaximalistDesign #InteriorDesign #FabricPatterns #ColorPalettes #HomeDecor #DesignInspiration #LuxuryInteriors #TextileDesign

Fashion designer Matthew Williamson has expanded his creative endeavors into the realm of home interiors with the launch of his inaugural collection of fabrics and wallpapers, developed exclusively for Osborne & Little. This new collection, named 'Eden,' seamlessly translates Williamson's distinctive fashion aesthetic—characterized by a masterful use of patterns and colors—into interior design elements. The 'Eden' collection draws inspiration from ancient myths and legends, featuring striking prints that include winged horses, dragons, tigers, and Williamson's signature peacock motif. These designs are paired with luxurious textures and a palette of bold, dramatic colors, aiming to bring a glamorous and imaginative touch to British homes. The collection includes several unique designs, each with a captivating narrative and specific applications. The 'Pegasus' design, available in both fabric and wallpaper, combines rich hues with an elegant damask pattern showcasing a winged horse, inspired by nature and mythological tales. The 'Sunbird' fabric and wallpaper draw inspiration from a print featured in Matthew Williamson's Spring 2003 'Flamingo Bay' fashion collection, depicting jewel-hued birds nestled amidst lush foliage. The 'Empress' fabric and wallpaper, with their opulent metallic beading and Moorish patterns, reflect Williamson's travels to Asia and Africa and recall elements from his spring/summer 2012 fashion line. These designs are intended to evoke a sense of grandeur fit for royalty. Further enriching the collection is the 'Eden Stripe' fabric, a luxurious upholstery material featuring vibrant stripes set against a richly textured velvet background. The 'Imperial Lattice' wallpaper presents a sophisticated beaded lattice motif on a striking mica background. For those seeking a bold statement, the 'Tyger Tyger' wallpaper, reminiscent of a print from Williamson's autumn/winter 2007 collection, showcases a stalking tiger on holographic foil. The 'Ocelot' fabric and 'Ocelot Ombré' wallpaper, inspired by 1970s glamour, offer an intriguing ocelot texture, with the fabric also available in an opulent silk mix. The 'Celestial Dragon' wallpaper features an imperial dragon motif, woven in metallic shades on fabric and dramatically rendered with beguiling beading on the wallpaper, available in four colorways. Completing the collection is the 'Peacock' fabric and wallpaper, a reinterpretation of Matthew Williamson's beloved peacock motif, which uses tiny beads to highlight the feathers, creating a dramatic visual effect. Additionally, a range of Matthew Williamson cushions are available, featuring an animal velvet design reminiscent of cheetah spots in classic bold colors such as teal, cerise, electric blue, and lemon. This comprehensive 'Eden' collection is poised to make a significant impact on interior design, offering consumers the opportunity to infuse their living spaces with the distinctive and glamorous aesthetic of Matthew Williamson. Stockists for the collection can be contacted via Osborne & Little. #MatthewWilliamson #OsborneAndLittle #InteriorDesign #FabricCollection #WallpaperCollection #HomeDecor #LuxuryInteriors #TextileDesign #FashionToInteriors

Margo Selby, a celebrated designer-weaver, has been at the forefront of innovative textile design for over a decade, distinguishing her work through the creation of colourful, three-dimensional fabrics that form the core of her vibrant cushions, throws, rugs, and various home accessories. Her signature style, characterized by strong graphics and intricate patterns, originates from her Kent studio, where she utilizes a 24-shaft dobby loom to develop her unique hand-woven textiles before they are put into production by specialized mills. Selby's artistic journey is deeply rooted in her family's tradition of textile craftsmanship, with her grandmother, Edith Selby, having taught her crocheting and cross-stitching. This early exposure to textile arts naturally led her to pursue a focus on textiles during her foundation studies at Chelsea College of Arts, where she also explored graphic design, sculpture, and three-dimensional design. Her formal education continued with an MA in woven textiles from the Royal College of Art, followed by a fellowship at The Ann Sutton Foundation. During her fellowship, Selby engaged in projects that included developing products for Shetland wool and designing dobby fabrics for the interiors fabric industry in Yorkshire, establishing her initial connections with industrial mills. It was through these experiences that Selby began to bridge her hand-woven concepts with industrial manufacturing processes, leading to the development of her brand's hallmark silk and Lycra fabrics. The inspiration for her innovative three-dimensional fabric concept stemmed from her fascination with surface and texture, particularly the desire to emulate the tactile quality of bubble wrap packaging using silk. This pursuit involved extensive research into different fibers that would shrink when exposed to heat, which she then wove in combination with silk to achieve the desired three-dimensional surfaces. Selby's design philosophy is intrinsically linked to the art of weaving, which serves as the primary source of inspiration for all her creations. Beyond her personal handloom work, she actively explores global trends in woven textiles, drawing stimulation from highly decorative designs rich in pattern and color. Recent collections reflect an appreciation for indigenous and tribal fabrics, including techniques such as Japanese dyeing and African prints. The design process for her fabrics begins with the careful planning of the warp, which forms the structural backbone of the fabric on the loom, allowing for experimentation with different structures and weft yarns until a satisfactory product is achieved. This methodical and contemplative approach allows the fabric to evolve one row at a time, providing ample opportunity for design refinement. Once a fabric design is perfected through numerous developmental warps, Selby explores its potential for industrial production, collaborating with mills. For her flooring collection, her woven patterns were adapted into carpet constructions, manufactured in the UK. Operating from an open-plan studio in Whitstable, Selby immerses herself in a creative environment filled with materials, yarns, and inspiring imagery. Her daily routine involves addressing emails and collaborating with her team before dedicating the majority of her day to weaving at her loom. Her collaborations extend to companies like Alternative Flooring, for which she developed wool carpet and runner designs inspired by her deflected double-weave hand-woven cloths. Selby sources yarns globally, with Japan and the US being notable for their vibrant hand-weaving communities, and emphasizes selecting the most skilled weavers for specific material types. The business, which began in her bedroom, has expanded significantly to a bustling textile studio employing eight full-time staff and additional piece workers in Whitstable, focusing on bespoke textiles for a diverse range of applications. The handloom and the traditional craft of weaving remain central to all her products. The current re-emergence of carpet and color in fashion presents an exciting opportunity for her designs, particularly the translation of soft silk and wool fabric designs into large-scale, recolored flooring options. Selby's future plans include developing interiors fabrics for sale by the meter and expanding her accessories range to include bedlinen and towels. #TextileDesign #MargoSelby #WovenTextiles #HandloomWeaving #ThreeDimensionalFabrics #InteriorDesign #HomeAccessories #Craftsmanship #IndustrialCollaboration

In an increasingly commoditized market flooded with generic products, establishing a unique brand identity and achieving customer recognition is paramount for designers. Textile designer Beatrice Larkin has successfully cultivated a signature style in her woven textiles, accessories, and interior products, making her designs instantly recognizable through their distinctive blurred edges and broken geometrics. Her creative process begins with hand-drawn sketches, where the initial marks, intricate patterns, and blotches made with pen and ink are deliberately preserved and celebrated in the finished fabric. This artistic approach ensures a consistent aesthetic across all her woven creations. The production of Larkin's textiles involves a collaborative effort with skilled manufacturers in the north of England. She works with a Jacquard mill in Lancashire to produce small runs of her woven designs, which are then washed and finished in the Yorkshire Dales. The process begins in her Margate studio, where she engages in extensive mark-making with inks, envisioning the final product's scale and application. These initial designs are then refined using Photoshop to determine fabric repeats and optimal sizing. Currently, her collection features two primary materials: fine Merino wool, typically used for throws, cushions, and accessories, and recycled cotton, a more robust option suitable for cushions, upholstery, and curtains. The Merino wool, known for its softness, is sourced from spinners in Italy. Similarly, the recycled cotton collection utilizes rejected fabrics from the clothing industry, which are re-spun and repurposed, also originating from Italian spinners. These yarns are then sent to the Lancashire mill for weaving, brushing, and washing before being returned to Larkin. The final products are then sewn either in her studio or by local Margate makers, though fabric is also available for purchase by the meter. This meticulous production chain underscores her commitment to quality and sustainable practices. Beatrice Larkin's entrepreneurial journey recently received significant recognition with the Start Up Award as part of the Women’s Launch Lab Incubator 2024. As one of ten female entrepreneurs selected from hundreds of applicants, she participated in an intensive three-day program. This program provided access to expertise from innovative female entrepreneurs, growth and marketing strategists, and public-speaking coaches. The experience culminated in pitching her business to venture capitalists and angel investors, including notable figures such as Alison Cork MBE, Akshata Murty, and Judy Naake MBE. Larkin emphasized that this experience offered valuable perspective and a significant confidence boost. Her business was founded in 2013, immediately following her Master's degree from the Royal College of Art, where her final collection garnered interest from prominent buyers like Heal’s. After graduating, she sought a British mill capable of producing her designs at scale. In 2015, Daylesford Organic provided funding for her initial fabric run, which was woven in the Cotswolds and Yorkshire. This collection was sold at Daylesford and served as a crucial launchpad for future manufacturing endeavors. By spring 2017, she began selling at Heal’s and unveiled her first collection at Clerkenwell Design Week. Larkin's immersion in the fabrics industry was a natural progression, deeply influenced by her upbringing. Her father owned Gordon Larkin Fine Wallpaper & Fabric in Canterbury, and her mother was also a textile designer, ensuring a household constantly surrounded by fabrics. Childhood memories of accompanying her father to design shows in Chelsea Harbour and exploring fabric showrooms further solidified her connection to the industry. She attributes her entrepreneurial spirit and the ability to forge her own path to observing her parents' lifestyle as business owners. Three years ago, Larkin relocated to Margate, drawn by its vibrant creative community. Since then, she has expanded her client base, with local stockists including Turner Contemporary and Harbour & Tide. Her brand, Beatrice Larkin, has also been embraced by renowned establishments such as Made, Studio Ashby, Conran and Partners, Tate Modern, and Piglet in Bed. Her journey reflects a blend of inherited passion, formal education, strategic partnerships, and a clear vision for her brand's aesthetic and ethical production. #TextileDesign #BeatriceLarkin #MargateDesign #WovenTextiles #InteriorProducts #SustainableMaterials #BritishManufacturing #Entrepreneurship #WomenInBusiness

Kelly’s Designer Drapes, owned by Kelly and Lee Nanney, specializes in creating custom-designed draperies and other window coverings to complement individual home aesthetics. The business focuses on providing high-quality, timeless curtains, shades, and valances. Kelly and Lee emphasize meticulous attention to detail and uphold high standards for the final product in every project. Their services include comprehensive fabric selections, in-home consultations to understand client needs and home styles, precise measuring, and professional installation. This end-to-end service aims to simplify the process for homeowners looking to enhance their interior spaces. Window treatments are presented not merely as functional necessities but as artistic elements that integrate with and elevate a home's existing furnishings. Kelly’s Designer Drapes also addresses the critical importance of substantial drapery hardware and proper installation for durability and aesthetic appeal. They offer a diverse range of hardware options, ensuring that clients have access to suitable choices for their specific design preferences and functional requirements. Professional installation is a core component of their service, guaranteeing that drapes are securely and beautifully mounted, contributing to the overall longevity and appearance of the window treatments. Beyond drapes and shades, the company extends its custom design capabilities to other home textile needs. This includes custom upholstery services, allowing clients to refresh or personalize furniture pieces with tailored fabrics and designs. Additionally, Kelly’s Designer Drapes provides custom bedding and pillows, enabling a cohesive design theme throughout a room. These offerings collectively empower homeowners to create a harmonized and personalized living environment, where every textile element contributes to the desired aesthetic and comfort. The business operates from an address at 2564 Hacks Cross Rd., Germantown, TN 38138, with operational hours listed as 24/7. Their social media presence, including Facebook and Instagram, allows them to connect with customers and showcase their work. The Nanneys' approach underscores a commitment to customer satisfaction through personalized service and expert craftsmanship, transforming functional home elements into decorative highlights that reflect individual style. #CustomDrapery #WindowTreatments #HomeDecor #InteriorDesign #CustomUpholstery #GermantownTN #HomeTextiles

Ikat patterns have gained immense popularity in both fashion and interior design, yet many consumers are largely unaware of the textile’s rich cultural origins. This article delves into the history and contemporary resurgence of ikat, particularly focusing on its Central Asian roots and its introduction to Western fashion by designers like Oscar de la Renta. The term ikat, derived from a Malay-Indonesian word meaning “to tie,” describes both the intricate resist-dyeing technique and the resulting fabrics and patterns. This labor-intensive process involves carefully resist-dyeing bundles of warp threads to create the design before weaving, a method distinct from other fabric production techniques where patterns are woven in. In the 19th century, Central Asian ikat production involved a sophisticated network of artisans, often organized along ethnic lines, with Tajiks handling red and yellow dyes, Jews managing indigo dyeing, and Uzbeks conceptualizing the patterns and undertaking the weaving. While the ikat technique developed in various parts of the world, Uzbekistan’s silk ikats became particularly renowned for their stunning quality. The origins of ikat in Central Asia, specifically in cities like Bukhara and Samarkand, in the early 19th century remain somewhat mysterious, as its sudden appearance was marked by a high level of sophistication, suggesting unknown precedents. The Smithsonian’s Arthur M. Sackler Gallery’s exhibition, “To Dye For: Ikats From Central Asia,” highlights this cultural journey by displaying a collection of Oscar de la Renta’s ikat-inspired pieces alongside historical Central Asian ikats. De la Renta, after being captivated by these textiles following the collapse of the Soviet Union in 1991, visited Uzbekistan and commissioned local weavers. He subsequently incorporated ikat motifs into numerous collections for both Balmain and his eponymous label, a move credited with popularizing the trend in Western fashion and home decor, seen in brands from Anthropologie to Target. The exhibition, which includes pieces from 1997 to 2013 on loan from de la Renta’s estate and about 30 historical Central Asian ikats donated by Guido Goldman, aims to educate visitors about the textile’s origins and cultural context. Goldman, a Swiss-born academic, amassed one of the world's most significant collections of ikats, including flat tapestries and ceremonial coats and robes. These historical garments, worn by both men and women, symbolized wealth and status in Bukhara and Samarkand. The exhibition thoughtfully juxtaposes de la Renta’s designs with 19th-century ikat coats, making the Central Asian pieces more accessible and emphasizing the shared luxurious and valuable nature of both contemporary and historical examples. The vintage Uzbek coats, cut in wide, loose styles reminiscent of Ottoman kaftans, are striking for their elaborate patterns and vibrant colors, often lined with Russian cotton or Indian chintz. A late 19th-century woman’s robe, for instance, showcases bold red, yellow, and white diamond shapes, stylized flowers, and zigzags on a black background, with a vibrant lining. De la Renta’s pieces, such as a robe from his fall/winter 2000 collection featuring pomegranate shapes, often referenced traditional Uzbek motifs like fruits, flowers, and geometric patterns. He sometimes used actual ikat fabric and at other times replicated its distinctive blurry effect through other techniques like embroidery. Beyond clothing, the exhibition also features noteworthy wall hangings. Flat Uzbek ikats served both decorative and functional purposes, such as insulating house walls or covering bedding. These were typically made from several narrow, loom-width lengths of material sewn together, creating an additional design element. An ikat from mid-19th-century Samarkand illustrates this with its cascading floral forms created by staggered fabric swaths. While Oscar de la Renta's designs played a crucial role in bringing ikat to global prominence, the exhibition subtly underscores the importance of acknowledging the cultural and historical origins behind this now-ubiquitous style. It serves as a reminder that many familiar contemporary designs have roots in diverse cultural traditions, and understanding these origins enriches our appreciation of the art form. #IkatFabric #TextileArt #CentralAsianCulture #FashionHistory #InteriorDesign #OscarDeLaRenta #SmithsonianSacklerGallery #CulturalAppreciation

The Parisian design fair Maison & Objet and the off-site exhibition Deco Off were postponed due to a COVID surge in France. In response, several textile brands collaborated to present a smaller version of the show in New York. These presentations, held at the New York Design Center in Nomad and the D&D Building on the Upper East Side, offered a sneak peek of upcoming trends in fabrics, wallpapers, murals, and trim to industry professionals and the press. The event highlighted five key themes anticipated to influence interior design throughout the year. One prominent trend is the re-emergence of pink, moving beyond the 'millennial pink' of previous seasons. This updated palette spans various shades, from nude and blush to dusty rose, with hints of coral to add vibrancy. Designers such as Lori Weitzner, with her Uplift fabric collection, describe the current pink as soft, romantic, and nurturing. British wallpaper brand Fromental introduced Deco Arches in Delano Pink, a large-scale paper that evokes the delicate sophistication of 1930s chalk pinks and nude tones. Sarah von Dreele also presented her interpretation with 'Brian,' a linen-cotton upholstery fabric in Heather, which she describes as a 'pink for those who love gray,' suggesting a more muted, versatile approach to the color. The art of marble patterns is another significant trend. Originally an ancient Japanese technique known as suminagashi, marble motifs evolved in Turkey before reaching Europe in the 18th century. Today, these fluid designs are considered timeless and classic, appearing on wallpapers and fabrics in diverse color combinations. Modern iterations include Harlequin's 'Marble' wallpaper, which integrates metallics in three colors, and Zoffany’s 'French Marble' velvet, suitable for upholstery. Pollack’s After Hours Collection features 'Ebru,' a fabric inspired by the Turkish craft, available in seven colorways, highlighting the adaptability and enduring appeal of marble patterns. Scribbles and scrawls are also gaining traction, offering versatile and easily layerable black-on-white patterns. This trend features bold drawings and deconstructed animal prints. Christiane Lemieux, a New York-based interior and product designer, channels this aesthetic in her work. Pierre Frey's 'Le Orchestra' reproduces sketches inspired by Erik Satie’s music, while Clarence House introduced 'Bérard,' a fabric from its 20th Century Collection, inspired by the Ballet Russe and French artist Christian Bérard. These designs offer a fresh, artistic touch to textiles, making them evergreen in their appeal. Ombré, the French term for colors that gradually fade from light to dark, is another key fabric trend. While traditionally used as a background element, contemporary ombré patterns are vibrant and bold enough to stand on their own. Unlike tie-dye, which is a resist-dyeing method, modern ombré focuses on smooth color transitions. Harlequin’s 'Re-wilded' collection utilizes digital printing to create psychedelic ombré effects in four shades, while Christiane Lemieux's 'Montrouge' for Fabricut offers a subtler watercolor stripe in neutral tones, catering to different aesthetic preferences. Finally, ancient Egypt serves as a significant source of inspiration. Following the silver-screen reboot of Agatha Christie’s _Death on the Nile_, decorative flourishes and fabrics based on Egyptian art are becoming prevalent. Maison Pierre Frey’s 'Merveilles d’Égypte' collection, created in collaboration with illustrator Louis Barthélemy, showcases the history of the pharaohs with a fresh perspective. Frey’s design studio also delved into the Louvre’s Egyptian archives, producing eight reproductions of fabrics, wallcoverings, and rugs for an exhibition. Similarly, Christiane Lemieux’s line for Fabricut, inspired by a visit to the Grand Egyptian Museum, incorporates the ancient resist printing process to create 'Montauban,' a hand-painted medallion print reminiscent of Egyptian tiles, emphasizing the timeless human expression through textile art. #FabricTrends #InteriorDesign #TextileBrands #DesignFair #PinkPalette #MarblePatterns #OmbreFabrics #AncientEgyptDesign #HomeDecor