Narch creates a collage of decorative tiles by removing walls in a Barcelona apartment

Many individuals find blank walls uninspiring, and while acquiring art or installing wallpaper can be costly and challenging, creating a mural offers an accessible and personal alternative. This article showcases the experiences and techniques of four DIY mural artists, demonstrating various approaches to transforming interior walls into artistic canvases. Luiza Solano, for instance, embraced a "bold and blocky" style for a closet mural in her Miami Airbnb. Working within a budget, she found inspiration in color references, particularly from a boutique hotel in Oaxaca, Mexico. Solano directly sketched lines onto the wall with a pencil, refining the composition until it achieved balance. To plan the wraparound mural's palette, she utilized a wide-angle photo and an image-editing app. Her final choice involved nine complementary colors, with three shades of blue created by mixing different amounts of white paint to maintain tonal consistency. Despite her initial inexperience, Solano "trusted the process" and layered an off-white, matte-finish paint from Behr in Shoelace over the entire mural to produce a "faux limewash effect." She noted that color blocking provided a high-design aesthetic without significant difficulty. Clare Sullivan, an interior designer and home-improvement content creator, adopted a "stencil and stamp" method for her Cape Cod-style house in Connecticut. Her goal was to achieve a wallpaper-like effect at a fraction of the cost. Sullivan sourced stencil templates online, recommending buying multiples to expedite the process. For color selection, she typically chooses a main color, a complementary shade, and two accent colors. Prior to stenciling, she repainted the room white and meticulously measured to create a symmetrical, wallpaper-like grid. Her essential tools included a bowl of water, cut kitchen sponges, the original wall paint for touch-ups, and Scotch Spray Mount Adhesive, which she preferred over painter's tape for its clean removal. Sullivan emphasized dabbing paint gently to prevent bleeding under the template and suggested cutting stencils for awkward spaces. She believes DIY projects are rewarding and cost-effective. Sydney Moss, a Brooklyn-based interior designer, chose to "split it in half" by painting a low mural in her narrow hallway. This design created a trompe l’oeil chair rail, effectively dividing the space and allowing her to paint while seated. Inspired by her gardening hobby, Moss freehanded marigolds using leftover sample paints, opting for Behr’s Dynasty paint line for its one-coat primer, fast-drying properties, and scuff resistance, which is ideal for rental properties. She acknowledged a learning curve, expressing a future intention to apply a base coat first. Moss approached her rental project with a Zen mindset, accepting that the mural might eventually be painted over. Following an unexpected move, she embarked on a new project: a floor-to-ceiling mural of trees in her windowless office, drawing on psychological research suggesting that nature imagery can promote calm and reduce anxiety. Finally, Brooklyn artist Laura Chautin used a "bits and bobs" approach to create whimsical mural vignettes around her bed. During her first trimester of pregnancy, she painted imaginative scenes with her usual art supplies, including acrylics. Rather than a full wall mural, she strategically positioned illustrations to frame her bed, avoiding the need to move furniture. Her height limitations influenced the scope of the paintings. Chautin’s murals, like her ceramic goods, are highly detailed, featuring moody clouds, blooming trees, and footpaths, all rendered in her characteristic color palette of pinks, reds, and greens. The existing warm white walls and Japanese pendant lights provided a pleasant backdrop, influencing the overall effect of her artwork. #DIYMurals #WallArt #InteriorDesign #HomeDecoration #CreativeProjects #BudgetDecor #Stenciling #ColorBlocking #ArtisticHomes

Designers are increasingly moving away from traditional, subdued tiling options, embracing bold colors, unique patterns, and varied textures to create distinctive interior spaces. This shift challenges the conventional use of standard subway tiles in kitchens and bathrooms, encouraging homeowners to infuse their personal style and vibrant hues into their living environments, even on floors. Katie Deedy of Grow House Grow, known for her narrative-inspired wallpapers, has successfully transitioned into designing cement tiles. Her Cuban heritage influenced her desire to create tiles reminiscent of those seen in family photos, but with a contemporary twist. While initially aiming for wallpaper-matching tiles, she adapted her designs to the tile format, exemplified by her cephalopod-inspired Captain Smith tile, which mirrors her best-selling wallpaper. The brand continues to prioritize nature-inspired themes, as seen in their three new tiles and the popular Otomi collection, featuring animal and floral folk art. These tiles are predominantly used on floors but are also gaining traction for backsplashes and walls, creating cohesive, patterned nooks in bathrooms. Artistic Tile, in collaboration with Michael Aram, also presents nature-inspired designs. Their Orchid Dimensional collection, a 2017 Interior Design magazine award winner for Best Wall Covering, combines innovation with natural stone. This collection showcases crystalline white Thassos marble flowers emerging from polished Bianco Carrara marble, offering a sophisticated and seductive aesthetic. Color is a significant trend, with Artistic Tile embracing vibrant palettes and mixed materials in their designs. Rachel Adler, a representative for the brand, highlights their new Fan Club mosaic glass design, which features a captivating blue ombre colorway. This design is suggested for adding a touch of elegance to wet bars or as a striking feature wall. Popham Design’s ceramic tile collection also emphasizes rich colors and playful patterns. Design editors, including Tori Mellott of Traditional Home Magazine, recommend these graphic tiles for entryways, noting their ability to set the mood and convey the homeowner's personality—whether formal, playful, artsy, or busy. Encaustic tiles, in particular, are praised for their individuality in entryways. Elle Decor editor-in-chief Whitney Robinson is particularly fond of India Mahdavi’s pink-driven collection for Bisazza, suggesting it for creating a personalized and cheerful washroom. Robinson argues that while bathrooms are utilitarian, they are also frequently visited spaces that should evoke happiness. Pink tiles, she notes, also have the added benefit of making skin appear radiant. Customization is another growing trend, allowing homeowners to create truly unique tile designs. Sarah Watson, founder of Balineum in England, specializes in small-batch custom orders. Her Hanley collection offers ceramic tiles in a dozen hand-mixed solid-color glazes, and clients can request custom glaze colors to match specific Pantone references, fabrics, or wallpapers. Watson highlights the passion customers have for finding the perfect hue, citing an instance where two brothers requested slightly different shades of blue for their shared bathroom. She suggests arranging custom tiles in graphic patterns like chevron to enhance their uniqueness. For those seeking texture and dimension, Granada Tile’s new Relief collection, launched after extensive development, masterfully combines color with unexpected tactile elements. Melanie Stephens, director of design and marketing, explains that these tiles achieve a tone-on-tone effect by contrasting a highly polished top surface with the matte finish of indented areas. Each pattern is available in four colors from Granada’s 40-color palette, with certain designs, like Tangalle, lending themselves to specific earth and rock tones. Textured tiles are also used to create futuristic and dynamic wall statements. The Tile Shop’s Yara Metal hex ceramic wall tile series, available in metallic black, silver, or white with a 3D geometric pattern, adds a reflective and conversational element. Pittsburgh designer Lauren Levant champions sculptural wavy tiles from Porcelanosa, emphasizing how textured tiles, made from materials like natural stone, porcelain, wood, metal, and glass, can introduce depth and allow light to interact beautifully with the surface. Even the classic subway tile receives a modern update. San Francisco designer Jon de la Cruz, known for the 2017 House Beautiful Kitchen of the Year, recommends Fireclay Tile’s handmade glazed thin brick. These recycled brick tiles offer texture and rich, saturated colors that suit both traditional and modern aesthetics, making them ideal for kitchen backsplashes and fireplace surrounds, adding a subtle patina while maintaining a clean and fresh look. The abundance of colorful and textural tile options makes decorating exciting, with the primary challenge being deciding where to begin. #TileDesign #HomeDecor #InteriorDesignTrends #CementTiles #NatureInspiredDesign #ColorPalette #CustomTiles #TexturedTiles #ModernTiling

Nikki Chu, an interior designer with over two decades of experience, has launched her inaugural tile collection exclusively with The Tile Shop. Despite not having previously designed tiles, Chu leveraged her extensive knowledge of incorporating tiles into various rooms to create a line that reflects her signature “global modernism” aesthetic. Her collection stands out by focusing on organic, impactful patterns rendered in versatile, earthy neutral tones, a departure from the often brightly colored or overly patterned options she found lacking in the market. Chu emphasizes that while vibrant colors are readily available, finding sophisticated neutral patterns has historically been a challenge. The inspiration for Chu's tile collection, much like her previous lines of decorative pillows, bedding, and rugs, is rooted in her global travels. She specifically cites Africa, Indonesia, and Bali as primary sources, drawing from the textiles and cultural patterns observed in bazaars and markets. These elements are then simplified and refined to be palatable for a wide range of decor styles, maintaining a clean, soft, and contemporary feel without an abundance of color, aligning with her brand's established reputation for neutral textures. The collection features three distinct tile designs: Zulu, Tangier, and Luxor. The Zulu ceramic tile is praised for its modern versatility, allowing for various layout configurations—alternating horizontal and vertical patterns—to create eclectic visual texture while maintaining a peaceful, subtly colored aesthetic. Chu is installing this tile in her own home, highlighting its longevity and classic appeal. Zulu is available in Graphite, Pumice, and Cement colorways, all offering quiet, understated hues. Tangier, a porcelain pattern, showcases loose, concentric diamonds that deliver a bold impact. Its hand-drawn quality lends it a timeless simplicity, preventing it from feeling dated. Chu notes that Tangier's patterns are “flowy, easy-to-understand,” and substantial enough to make a statement without being overwhelming. She plans to use Tangier on a lanai floor for a celebrity client, bordered by Zulu tiles, to create a durable, rug-like effect. Luxor comprises ceramic subway tiles designed to complement Zulu and Tangier. These tiles, available in Winter White, Cement, and Pumice, feature an organic, handmade feel with intentional inconsistencies in texture and slight color variations. Chu’s aim with Luxor was to provide a clean yet artisanal option that enhances the collection's overall aesthetic. Her overarching design philosophy for this collection was to achieve a balance between extremes, creating patterns that are modern and contemporary without being excessively so, thus occupying a “sweet spot” that she intends to build upon in future designs. #NikkiChu #TileDesign #GlobalModernism #InteriorDesign #NeutralTones #PatternedTile #HomeDecor #TheTileShop #CeramicTile #PorcelainTile

Studio GdB, founded by Gilles de Brock and Jaap Giesen in ‘s-Hertogenbosch, The Netherlands, has revolutionized ceramic tile production through the development of a custom-built digital printer. This innovative machine allows for the computer-controlled application of liquid glazes onto ceramic tiles in their biscuit state, resulting in unique and highly customizable designs. The studio's process addresses a previous limitation in finding suitable finishes for their design vision, prompting them to engineer their own solution. This bespoke technology enables them to create a diverse range of patterns and vibrant color schemes, offering endless possibilities for aesthetic expression in tile design. The tiles produced by Studio GdB are characterized by their bold colors and visually complex, almost psychedelic patterns, which evoke a handmade quality despite being digitally fabricated. This blend of precision engineering and artistic flair allows for a broad spectrum of design choices, from subtle and understated to highly intricate and elaborate, catering to various design preferences. The custom printer's capability to accurately apply liquid glazes directly onto the ceramic surface ensures a high level of detail and consistency in each tile, surpassing the limitations of conventional manufacturing methods. The development of this specialized machinery highlights a creative approach to overcoming technical challenges in the design and production of ceramic tiles. By taking control of the manufacturing process, Studio GdB has opened up new avenues for customization and artistic experimentation within the realm of interior design materials. The studio's commitment to innovation has enabled them to achieve desired finishes that were previously unavailable, offering designers and consumers access to truly distinct and personalized tile options for various applications, from staircases to coffee tables and backsplashes. The resulting product line from Studio GdB provides an opportunity for integrating unique and visually striking elements into interior spaces, allowing for highly personalized and dynamic environments. The ability to create seemingly infinite patterns and color combinations means that each project can feature a bespoke tile installation, reflecting individual tastes and design concepts. This innovative method bridges the gap between traditional craftsmanship and modern technology, creating ceramic tiles that are both a functional building material and a work of art. The tiles are suitable for diverse settings, adding a distinctive touch to both residential and commercial projects. #CeramicTiles #DigitalPrinting #CustomDesign #InteriorDesign #StudioGdB #HomeDecor #ArchitecturalSurfaces #GlazeApplication #InnovativeManufacturing

This article details the renovation of an apartment located on the third floor of an ancient building near the Palau de la Música in Barcelona, Spain. The project, undertaken by Colombo and Serboli Architecture, was designed for a young Italian fashion designer seeking a serene and warm living space in the Catalan capital. The architects were immediately captivated by the apartment's open proportions and five-meter-high ceilings, and sought to preserve and enhance existing charming elements such as massive wooden beams, wooden floors, a mezzanine overlooking the living area, and two-floor metal windows. A key challenge involved rationalizing a compact bathroom and replacing structurally compromised stairs leading to the second level. The design philosophy embraced a 'wabi-sabi' approach, integrating original features and imperfections while maintaining the apartment's inherent charm. Shapes employed are simple and bold, featuring recurring basic forms like squares, circles, and spheres, with sturdy solid surfaces to complement the monumental existing elements. The architects drew inspiration from the architectural styles of Luis Barragán and Carlo Scarpa, with Scarpa's influence particularly evident in the sculptural stairs and a central furniture piece that defines the entire project. The core concept revolves around a multifunction block, a layered central element around which the space and activities are organized, maintaining an open, loft-like layout. The dining area extends from the central stair element. On the kitchen side, the block incorporates niches, openings, and shelves for tableware and pantry storage. A substantial, arch-shaped travertine marble slab protrudes from the block, forming a one-legged dining table and an integrated bench. A small square niche cleverly conceals a spotlight, functioning as a disguised sconce. The stairs themselves are conceptualized as layers of materials, transitioning from a solid plinth to wooden block steps, then to a suspended micro-cement landing with a half-circle cutout designed to accommodate a tall plant. The final steps, made of light-colored wood, appear to float and double as a light source above the dining table through integrated LED strips. On the second level, the bedroom area remains open to the living space. A wicker panel serves dual functions as both a headboard and a balustrade. A suspended ledge, inspired by Paul Rudolph's Halston House, runs along the double-height space, forming bedside tables and a display shelf for the living area. The closet in the bedroom is designed as a warm monolith, clad in woven wicker screens. One screen cleverly conceals the entrance to a small bathroom, another hides a hand washbasin within a mirrored box, and a third integrates the stair's handrail through a diagonal cut. The bathroom is finished with vertical ceramic tiles featuring an elegant nacre finish, introducing a new texture to the apartment's overall palette of neutral shades. The architects utilized a neutral color palette but played with a variety of finishes, ranging from glossy to rough, selecting materials based on their tactile and textural qualities. These include white microcement for the stairs and seat block, light natural wood, and woven wicker panels. Enameled painted walls reflect light, contrasting with matte microcement, a rough travertine slab, and porcelain kitchen tops. A textured bouclé fabric was chosen for seat cushions, and brushed steel details, such as in the bespoke cooker hood, complete the material palette. #BarcelonaApartment #WabiSabiDesign #StaircaseDesign #ArchitecturalRenovation #InteriorDesign #ColomboSerboliArchitecture #ModernLiving #MaterialPalette #FashionDesignerHome

Photographer Sebastian Erras, known for his captivating series of mosaic floors, continues to expand his project by documenting diverse and imaginative tiled patterns across Europe and Cuba. Erras initially focused on the intricate floors found throughout Paris, meticulously capturing their unique designs. Over time, his project broadened to include other European cities such as Barcelona and London, where he discovered equally stunning examples of floor artistry. His work is primarily showcased on his Instagram account, @parisianfloors, where he shares his downward-facing photographic finds. The article highlights several of Erras's recent captures, including two distinct perspectives of a sea-themed floor located at the restaurant Le Bon Pecheur in Paris. One image features a friendly-looking crab rendered in mosaic, while another depicts a fantastically detailed conical shell. These examples demonstrate the variety and charm of the mosaic and tile work that Erras seeks out. The photographer's dedication to this niche subject reveals the often-overlooked beauty beneath our feet, transforming everyday surfaces into works of art. His collection serves as a visual archive of these intricate designs, many of which embody historical and cultural narratives through their patterns and motifs. By presenting these floors from a unique, direct-overhead perspective, Erras invites viewers to appreciate the craftsmanship and aesthetic appeal of these architectural elements, encouraging a closer look at the details that contribute to a space's character. His ongoing project underscores the importance of preserving and recognizing these traditional forms of interior design, which are often integral to the identity of the buildings they adorn. Erras's work not only documents these beautiful floors but also brings them to a wider audience, fostering an appreciation for the artistic heritage embedded in urban environments. The expansion of his project beyond Paris to other European and even Cuban locations signifies the universal appeal and presence of such decorative floorings, indicating a rich tapestry of design history waiting to be explored. #FloorArt #MosaicPhotography #TileDesign #SebastianErras #EuropeanFloors #ParisianFloors #ArchitecturalDetails #InteriorDesign #VisualCulture

The Whistling Well, led by founder and principal designer Milena Bica-Shibata, undertook the task of transforming an expansive yet outdated Manhattan apartment into a modern sanctuary for a family of three. The design focused on creating a home that supports the family's lifestyle, which includes frequent hosting and communal meals. The 1,800-square-foot apartment now features three bedrooms and baths, alongside generous communal areas such as a lounge and living room, all designed to foster tranquility and connection. Bica-Shibata emphasized the careful selection of natural materials to achieve harmony and a variety of textures and temperatures throughout the space. The chosen materials include stained oak, ash, leathered quartzite, linen, leather, wool, brass, artisan ceramic tile, marbles, and warm tinted glass. This diverse material palette is complemented by a balanced scheme of cool and warm colors, creating a dynamic yet serene aesthetic. The design incorporates clean lines and rounded edges, contributing to a soft and inviting atmosphere. A custom wood ceiling trim in the living room serves to balance the space and draw the eye upwards, adding architectural interest. This wooden element extends into the kitchen and a custom-designed bar area. The bar was specifically conceived as a continuation of the perimeter millwork, seamlessly transitioning into the eat-in area, which features an operable partition. The design team meticulously studied proportions and materials to ensure a cohesive and visually appealing composition for these integrated spaces. The kitchen itself is a multifunctional tranquil zone, complete with a breakfast nook and the aforementioned bar, catering to the family's culinary and social needs. The inclusion of playful wallcoverings adds a vibrant touch to various areas, such as the children's room where a bold pink and orange wallpaper creates a focal point behind a daybed, and the bathrooms, which also feature lively patterns. Subtle neutrals anchor the main bedroom, promoting a sense of calm and restfulness. Layers of natural materials and earthy hues are consistently applied throughout the home, imbuing it with an overarching sense of peacefulness. This careful curation of design elements and materials successfully transforms the apartment into an oasis, offering a serene escape for the family and their guests amidst the bustling environment of Manhattan. #ManhattanApartment #InteriorDesign #LuxuryLiving #NaturalMaterials #CustomMillwork #ResidentialDesign #Wallcoverings #ModernHome #TranquilSpaces

The French interior architect Pierre Yovanovitch emphasizes incorporating a youthful and playful element into every room, a philosophy evident in his bold and unconventional use of paint. While his portfolio includes high-end projects such as châteaux, ski chalets, and wineries, he approaches these spaces with a sense of whimsy, often including unique furniture pieces like Papa Bear chairs and wavy benches. Yovanovitch's recently released book highlights this perspective, particularly his creative application of paint beyond traditional wall coverings, focusing on surfaces like door frames, ceilings, and bookcases to inject personality. One of Yovanovitch's innovative techniques involves painting the inside of door frames. At Villa Noailles in Toulon, France, few surfaces remain unpainted. The interior of door frames, for instance, are painted in vibrant yellow, with curvy motifs adding architectural interest to an otherwise ordinary doorway. This approach demonstrates how a simple change in paint application can dramatically transform a space. Another method involves drawing on existing colors within a room to create a cohesive yet dynamic look. In a different area of Villa Noailles, geometric archways echo each other's colors. A back wall painted in salmon pink and royal blue has these hues repeated on a third arch, demonstrating how multiple colors can be harmoniously integrated. Even with five distinct colors, their recurrence ensures a sense of connection and flow throughout the space, preventing it from appearing disjointed. Furthermore, Yovanovitch uses paint to create trompe l’oeil motifs on ceiling beams. At a vineyard in Portugal’s Douro Valley, he leveraged existing beams to craft a mural with red and blue tones and geometric patterns. This technique immediately draws the eye upward, making the ceiling a focal point. Despite the walls remaining bare and the furniture being largely neutral, this artistic application of paint creates an instantly eye-catching effect and adds significant visual interest to the room. These examples showcase Yovanovitch's signature style of using paint in unexpected ways to enhance the aesthetic and character of interiors, proving that paint can be applied to surfaces beyond walls to add a unique touch. #InteriorDesign #PaintIdeas #PierreYovanovitch #HomeDecor #DesignInspiration #CreativePainting #ArchitecturalInterest

If a home's interiors appear bland, boring, or monotonous, incorporating layering techniques can transform these spaces into curated, inviting, and stylish environments. Layering involves combining various textures, finishes, and materials to add depth and make a space feel more "lived in" and vibrant. This approach goes beyond mere aesthetics, aiming to create a multi-sensory experience that engages sight, touch, and movement, resulting in a harmonious flow within the composition. One effective method for layering involves grounding the space by utilizing rugs. Since the floor is often the largest uninterrupted surface, it serves as an ideal canvas for introducing texture and depth. This can be achieved by starting with a large, handwoven base rug made from materials like jute, wool, or a silk blend, which anchors the room. To add personality and create a focal point, a smaller, patterned rug, such as a kilim, Moroccan Beni Ourain, or antique Persian, can be layered on top. Furthermore, using an organic-shaped rug over a rectangular base can soften architectural edges and help delineate specific zones within open-plan living areas, contributing to both visual interest and functional organization. Walls also offer significant opportunities for layering to enhance a room's character. Applying various wall treatments can impart a sense of architecture and tactility. Textured wallpapers, including grasscloth, silk, or linen, can introduce subtle richness and visual interest. Panelling, whether in wood, lacquer, or fluted profiles, creates dynamic shadow play and adds depth to the walls. A sophisticated and finished look can be achieved by combining these elements, for example, by framing a silk wallpaper within slim timber panelling, which adds a tailored touch. Textiles can transcend their traditional roles as upholstery or drapery to become striking art pieces. Hanging a vintage suzani, a woven wall hanging, or a contemporary tapestry can bring softness and a narrative quality to a room. To further enhance dimension and establish a dynamic focal point, a sculptural wall light or a floating shelf can be strategically placed in front of the textile, drawing the eye and adding another layer of visual complexity. Sculptural elements also gain presence when carefully layered with other materials. A ceramic, stone, or bronze sculpture can be positioned in front of a textured wall, such as one finished with silk, timber, or polished plaster, to create a compelling contrast. On shelving units, grouping smaller sculptures with books, framed art, and decorative vessels can contribute to a collected, lived-in feel, reflecting a curated aesthetic. Finally, achieving a balanced and cohesive layered look requires intentional contrasts. Pairing smooth materials like marble with open-weave linen, placing a matte clay vase against a lustrous lacquered cabinet, or introducing woven baskets into a room with clean-lined furniture can effectively soften the overall aesthetic and create a harmonious yet dynamic interior. #HomeDecor #InteriorDesign #LayeringTechniques #TexturedWalls #RugsAndThrows #SculpturalElements #TextileArt #VisualDepth #ContemporaryHomes

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

Porto-based architecture studio Fala Atelier undertook a significant renovation of a 60-square-metre apartment located in a historic tile-clad building in downtown Lisbon. The project, named Príncipe Real Apartment, was led by Fala Atelier co-founders Filipe Magalhães and Ana Luisa Soares. The primary objective of the renovation was to transform a cramped and spatially disorganised flat into a bright, open-plan living space. The initial state of the apartment was characterized by an erratic spatial system, with interior walls creating a tightly packed and inefficient layout. The architects decided to completely remove all existing interior walls, effectively gutting the apartment to establish a clean slate. Following this demolition, only two new partitions were introduced, allowing for a largely open-plan configuration that dramatically altered the flow and perception of space within the flat. A key design intervention involved the strategic relocation of living spaces. The architects moved the primary living and dining areas from the north side of the apartment to the south, thereby maximising access to natural light and offering enhanced views of the city from the small, enclosed balcony. This reorientation not only improved daylighting but also capitalized on the apartment's urban context. The redesigned layout incorporates mirrored and glass sliding doors, which play a crucial role in enhancing the sense of openness and light. These doors connect the central living and dining space to bedrooms and bathrooms positioned on either side. The reflective surfaces of the mirrored doors contribute to the illusion of a larger space and help distribute light throughout the interior. The balcony, featuring two glazed sides, was conceived as a direct extension of the living room, seamlessly integrating indoor and outdoor areas through two doorways and an adjoining white brick wall. Material choices further contribute to the apartment's aesthetic and functional improvements. The floor in the main living area is adorned with black and white patterned tiles, a design choice that subtly references the decorative facade of the building itself. Bright white paint was used extensively on both walls and ceilings throughout the apartment, creating a neutral and expansive backdrop. This 'clear canvas' approach allows for a curated selection of furniture pieces, which are treated as independent objects within the space, to stand out. Custom-designed furniture elements add character and functionality. A deep green sideboard, featuring a tessellating geometric print, is positioned in the living space, serving as a preparation area adjacent to the kitchen. In one of the bedrooms, a chest of pale-blue drawers with a diamond pattern cut into its surface provides both storage and a decorative accent. The apartment's previous layout included a windowless bedroom in the centre, which lacked views. This was rectified by re-situating both bedrooms side-by-side across the north facade, with the master bedroom gaining French doors that open onto a small balcony. The project effectively addressed the spatial deficiencies of the original flat, creating a modern, light-filled, and functionally superior living environment through thoughtful demolition, reorientation, and strategic material and furniture selections. #ApartmentRenovation #LisbonArchitecture #OpenPlanLiving #InteriorDesign #FalaAtelier #ResidentialArchitecture #SpaceRedesign #ModernInteriors

Dutch artist Suzan Drummen is renowned for her expansive and intricate art installations that feature thousands of glittering crystals and other reflective elements. These installations, often forming elaborate textile and mandala-like designs, are a testament to Drummen's spontaneous and site-specific artistic process. She does not pre-plan her designs but rather allows the unique characteristics of each location to guide her creative decisions. Factors such as the available light, the anticipated movement of visitors, existing color palettes, and the height of the space all contribute to the evolving nature of her artwork. Each installation, therefore, is distinct and slowly takes shape in response to its environment. Drummen's primary objective with her art is to create an overwhelming visual experience for the observer. From a distance, her installations present as clear and organized patterns. However, upon closer inspection, the sheer volume of details and visual stimuli can disorient the viewer. This dynamic interplay between order and chaos, between the ability to grasp the entirety of the artwork and being overwhelmed by its intricacies, is a central theme in her work. Through this intentional challenge to visual perception, Drummen aims to intensify and requisition the viewer's sensory experience. Her chosen materials include a diverse array of shiny objects such as pins for affixing crystals, chrome-plated metal, various precious stones, mirrors, and optical glass. While some of these materials are used to adorn walls, a significant portion is laid freely on the ground, allowing for fluid, unconstrained patterns. This method of arrangement contributes to the organic development of her designs. The kaleidoscopic effect achieved through the interplay of light and these numerous reflective surfaces is a hallmark of her artistic style. Drummen's work draws viewers into a vibrant world of color and sparkle, where the traditional boundaries of art are expanded to encompass entire spaces. Her installations transform ordinary floors, walls, and even people into canvases for her dazzling geometric patterns. This approach blurs the line between art and environment, inviting viewers to not just observe but also to immerse themselves in the dazzling visual landscapes she meticulously constructs. #SuzanDrummen #MandalaArt #CrystalArt #InstallationArt #KaleidoscopicDesigns #SiteSpecificArt #GemstoneArt #VisualPerception #DutchArtist

This article outlines a straightforward method for removing old wallpaper, aiming to dispel common misconceptions about the difficulty of the task. It features insights from George Kovacs, a wall-covering installation expert at 78 and Sunny Wallpapering in New York. Kovacs emphasizes that if the wallpaper was properly hung with the correct primer, its removal should be relatively easy. Issues typically arise when the initial installation was faulty. The article provides a step-by-step guide to simplify the process, preparing walls for a fresh new look, whether through paint or new wallpaper. The first crucial step is to protect the surrounding area. Before commencing any removal, it is important to safeguard trim, molding, and flooring from water and soap that will be used during the process. This involves using painter's tape to cover all trim and molding thoroughly. Additionally, laying down a drop cloth on the floor is recommended to shield the flooring from any spills or debris. Next, the article suggests attempting to scrape off the wallpaper initially without water, especially if it is already peeling. A taping knife, similar to one used for patching walls, can be used to find an edge and gently begin the scraping process. This initial manual removal can save time and effort if the wallpaper is loosely adhered. Once manual scraping becomes less effective, the third step involves spraying the wall with warm water. This helps to loosen the adhesive backing the wallpaper. Any standard spray bottle can be used, although a vacuum sprayer might accelerate the saturation process. For particularly stubborn wallpaper, a steamer is recommended for more effective penetration. Floors should be covered with plastic or a drop cloth before liberally spraying the entire wall surface. After allowing the water to soak in for a few minutes, the scraping process can be resumed. Using the same taping knife, the wallpaper should be gently stripped from the wall, moving either left-to-right or up-and-down, based on what feels most efficient. If resistance is met, repeated spraying can help. Care must be taken to avoid scratching the underlying wall, as this could lead to future surface imperfections. If multiple layers of wallpaper are discovered, each layer should be removed individually to prevent damage to the wall. Following the complete removal of all wallpaper, the wall needs to be thoroughly washed to eliminate any residual primer or paste. Kovacs highlights this as the most critical step. Using a damp sponge, the wall should be wiped down multiple times. Neglecting to remove old paste can cause significant problems, such as paint flaking and crackling or new wallpaper bubbling and failing to adhere properly. The sixth step focuses on smoothing the wall. Even minute traces of paste can compromise subsequent wall treatments. As stated by Family Handyman, incomplete removal of paste can lead to paint flaking, crackling, or bubbling of new wallpaper. To counteract this, any remaining paste patches should be treated with a gel stripper and then scraped off, ensuring the plaster surface is completely smooth. Finally, with the old wallpaper successfully removed and the walls prepped, the last step is to refresh the space with a new design. This can range from a fresh coat of paint to a new, stylish wallpaper pattern, allowing for creative interior updates. #WallpaperRemoval #HomeRenovation #DIYHomeImprovement #InteriorDesign #WallCovering #HomeDecor #ScrapingWallpaper

This article highlights two innovative wall panel collections that redefine traditional wall surfaces through geometric patterns and material experimentation. The first collection, Sfera, by New York-based designer Alison Rose in collaboration with Artistic Tile, offers a modern take on stone mosaics. Sfera features circular, waterjet-cut quartz layered with disks of Carrara, Calacatta, and Nero marble. The seemingly random arrangement of these stone elements actually forms repeating triplets, a design approach reminiscent of Rose’s previous Bauhaus-inspired mosaics. The inspiration for this geometric pattern play, available in Grafite, Lilac, and Verde colorways, stems from biological cell movement, imbuing the orbs with a dynamic, almost bouncing visual effect across the surface. These mosaics are versatile and can be specified for various applications, including walls, floors, and wet zones like showers, offering a refreshing update to conventional stone mosaic designs. The second collection introduces new mosaic-style wood panels from The Wood Veneer Hub, a family-owned U.S. manufacturer. These Hex Wood Mosaic wall panels infuse traditional wood paneling with geometric vitality. Measuring approximately 12.5 by 11 inches, these tile-like units are made from hemlock and Douglas fir. A key feature of these wood panels is their thermal modification process: they are treated at super-high kiln temperatures instead of being chemically treated to enhance resistance to insects, moisture, and rot. This environmentally conscious manufacturing process also includes the recycling of sawdust and wood scraps, demonstrating a commitment to sustainability. These innovative wood panels are designed to add visual interest to both exterior and interior walls, providing a unique blend of natural material and modern geometric design. Both collections showcase a creative approach to surface design, moving beyond conventional materials and applications to offer unique aesthetic and functional solutions for architectural and interior spaces. #WallPanels #StoneMosaics #WoodVeneer #GeometricDesign #InteriorDesign #SustainableMaterials #AlisonRose #ArtisticTile #TheWoodVeneerHub

This blog post from Wickes showcases their extensive range of tiles designed to help homeowners transform their living spaces. It emphasizes the variety of designs, materials, and applications available, catering to diverse aesthetic preferences and functional requirements. The article highlights that tiles can be used to reflect a unique personality and style, suggesting their versatility beyond traditional kitchen and bathroom settings to include hallways, conservatories, and even bedrooms. The content is structured to guide customers through different tile categories and provide helpful advice. It begins by encouraging users to explore various tile options, from intricately patterned floor tiles to sleek, modern designs, all aligned with current trends. The post categorizes tiles by their intended use, such as Bathroom Tiles, Kitchen Tiles, Floor Tiles, Wall Tiles, Outdoor Tiles & Paving, and Wet Room Tiles, making it easier for customers to navigate and find what they need for specific projects. Additionally, it features specialized collections like Boutique Tiles and Mosaic Tiles for those seeking unique or decorative options. Beyond just showcasing products, the article provides practical guidance through a dedicated "Tiling Ideas & Advice" section. This includes a step-by-step guide on "How to tile a bathroom wall," aiming to demystify the tiling process and empower DIY enthusiasts to achieve a professional finish. Another advice piece, "Tiling ideas & advice," offers inspiration for using tiles in various rooms and highlights the aesthetic benefits of incorporating them into home makeovers. The inclusion of a "tile buying guide" further assists customers in making informed decisions by considering factors such as application, desired aesthetic, budget, and maintenance requirements. The blog post addresses frequently asked questions regarding tile installation and selection. It specifically tackles whether it's possible to drill into tiles, providing detailed instructions on the necessary tools and precautions, such as using diamond-tipped drill bits and masking tape to prevent cracking. It also clarifies the different types of tiles available, including ceramic, porcelain, and glass, and explains their respective benefits and suitable applications. For instance, it mentions porcelain and ceramic tiles for durability, contrasting polished variations (beautiful shine, less slip-resistant) with matt tiles (more slip-resistant), and distinguishing between rectified tiles (straight edges for clean lines) and pressed tiles (natural look). Finally, the article lists various tile-related accessories and services offered by Wickes, such as Tile Adhesives, Tile Grout, Tile Tools & Accessories, and Underfloor Heating. It also promotes the availability of Tile Samples, allowing customers to test options before committing to a purchase. The overall aim is to position Wickes as a comprehensive resource for tiling needs, combining product offerings with practical advice and support. #Tiles #HomeImprovement #InteriorDesign #BathroomTiles #KitchenTiles #FloorTiles #WallTiles #TilingAdvice #DIYHome

IVC Commercial has broadened its Studio Moods collection of vinyl tiles, providing nine distinct geometric shapes that facilitate the creation of a myriad of patterns. The series prioritizes adaptability, aiming to accommodate diverse design requirements across various environments. The nine shapes available are Triangle, Chevron, Diamond, Big Diamond, Trapezoid, Hexagon, Big Hexagon, Small Plank, and Parallelogram. Each of these shapes is offered in over 150 different floor finishes from IVC Commercial's catalog. These finishes encompass a broad spectrum of colors and textures, including oak, terrazzo, slate, and concrete, enabling extensive customization. To assist customers, IVC Commercial has developed more than 100 pre-designed pattern layouts, showcasing the versatility and numerous possibilities for arrangement. Certain shapes offer multiple design outcomes; for example, the Diamond tile can form either pointed patterns or three-dimensional cubes, while the rectangular Small Plank tile can be configured into herringbone or grid formations. Additionally, the collection includes patterns that integrate multiple shapes, such as the hexagonal Pepper and the basketweave-inspired Wicker. The ability to blend various colors and textures introduces an added layer of complexity and customization to the designs. This customization can fulfill several functions, such as serving as directional signage, delineating distinct areas within a space, or simply making a bold aesthetic statement. Cindy Van Moorleghem, marketing director at IVC Commercial, emphasizes the personalized nature of Studio Moods, stating that it allows for individual expression, whether through mixing material effects or employing simple tonal patterns. The manufacturing of Studio Moods takes place in Belgium, in a facility designed with sustainability as a core principle. The production process is powered by renewable energy from a wind farm, and the tiles themselves are composed of 50 percent recycled materials. Studio Moods tiles are notable for their durability and ease of cleaning, making them suitable for a range of settings including workplaces, retail establishments, hospitality venues, leisure facilities, and residential properties. The tiles feature a matt finish, imparting a natural appearance. Some designs also incorporate Emboss in Register (EIR) technology, further enhancing their authentic look and feel. For projects requiring a quick flooring solution, a selection of pre-defined building blocks is available for immediate shipment, with no minimum order quantity. For larger, bespoke projects, custom creations are offered for areas measuring at least 75 square meters. This extensive range and flexible ordering options underscore the collection's commitment to providing both adaptable and sustainable flooring solutions. #FlooringTiles #GeometricPatterns #VinylFlooring #InteriorDesign #CustomizableFlooring #SustainableMaterials #CommercialInteriors #ResidentialDesign

Nathalie Van der Massen has unveiled REN, a limited-edition collection of room dividers that seamlessly merge design, art, and architecture. The collection, consisting of one four-panel divider and two two-panel dividers, is characterized by its use of natural materials and intricate weaving techniques, drawing inspiration from Belgian textile heritage. The designs are crafted to offer both privacy and transparency, adapting to various architectural contexts and aesthetic preferences. The genesis of the REN collection stems from Van der Massen's experience with requests for custom textiles in her architectural projects. This led her to develop a foundational framework that could integrate bespoke textile designs in a scalable and versatile manner. The creative process involves a blend of manual and digital techniques to produce the fabric wefts. A key aspect of her methodology is the selective removal of threads to achieve deliberate areas of transparency within the woven patterns. Furthermore, the designer manipulates the tightness of the weaves, introducing subtle variations in translucency and light interaction across the panels. The collection features three distinct designs: SAN, SAI, and DAN. The SAN room divider is a four-panel piece crafted from walnut wood. Its extended length allows for an alternative use as a headboard. The textile elements are woven directly around and within the wooden frame, making the wood an integral part of the design rather than merely a structural border. This approach blurs the line between furniture and textile art, highlighting the material's inherent qualities. SAI and DAN are both two-panel room dividers, each presenting a unique interpretation of the wood frame's visibility and interaction with the woven elements. SAI exhibits a sense of movement and lightness, with its paper weave dynamically interacting with the frame. This design allows for a greater flow of light, contributing to an airy and rhythmic aesthetic. In contrast, DAN adopts a more minimalist and conventional room divider appearance, emphasizing simplicity and clean lines. This design is characterized by its ability to absorb light through its fabric, creating a more defined and enclosed space. Each room divider within the REN collection possesses distinct characteristics that influence how it interacts with light and space. SAI's design promotes light transmission, while DAN's fabric composition absorbs light. The SAN four-panel divider combines both these properties, offering a versatile solution for different lighting environments. Despite their individual differences, all three designs share the common goal of providing both artistic appeal and practical functionality, enhancing the aesthetic and utility of any interior space. The collection is available in a limited edition of eight pieces for each design. #RoomDividers #NathalieVanderMassen #HomeFurnishings #TextileDesign #InteriorDesign #BelgianDesign #LimitedEdition #ArchitecturalTextiles #Materiality