2001: A Space Odyssey inspires Duffy London’s latest coffee table

The "Wave City Table," designed by Cyprus-based designer Stelios Mousarris, draws inspiration from the 2010 film "Inception," which explored themes of altered reality and the manipulation of urban landscapes. The movie is known for its visually striking scenes where cityscapes fold and bend, defying conventional physics. Mousarris's coffee table aims to bring a similar sense of surrealism and gravity defiance into a functional piece of furniture. The core concept of the Wave City Table involves a cityscape that appears to be folded in half, creating a dramatic, undulating form. This unique aesthetic is achieved through a combination of materials and manufacturing techniques. The main structure of the table, including its top and frame, is crafted from wood and steel, providing both stability and a sophisticated finish. The miniature buildings that constitute the bending cityscape are produced using 3D printing technology. This method allows for a high level of detail and precision in rendering the architectural elements, enhancing the realism of the miniature urban environment despite its surreal presentation. Despite its unconventional appearance, the Wave City Table is designed to maintain practical functionality as a coffee table. The flat wooden top provides a usable surface for placing items, ensuring that the piece serves its primary purpose while also acting as a striking artistic statement. The design carefully balances its surreal visual elements with the practical needs of everyday furniture, making it both an object of art and a useful household item. The table's curved shape is meticulously balanced, contributing to its illusion of a frozen, dream-like state. The creation of the Wave City Table highlights the synergy between traditional craftsmanship and modern manufacturing technologies. The use of 3D printing is particularly significant, as it enables the intricate and complex forms of the buildings to be realized with relative ease, a task that would be considerably more challenging and time-consuming using conventional methods. This integration of design and technology demonstrates how creative visions, previously confined to imagination or cinema, can be translated into tangible, physical products. Stelios Mousarris's work with the Wave City Table exemplifies an innovative approach to furniture design, where inspiration from popular culture and advanced technology converge to produce unique pieces. The table is presented as a limited edition item, emphasizing its artistic value and exclusivity. It appeals to individuals who appreciate architectural design, cinematic influences, and furniture that pushes the boundaries of conventional aesthetics, offering a conversation piece that is both functional and thought-provoking. #FurnitureDesign #3DPrinting #ArtDesign #InceptionInspired #SteliosMousarris #CoffeeTable #InnovativeDesign #Surrealism

Duffy London has introduced their latest creation, the Abyss Horizon Table, a circular coffee table designed to evoke the sensation of gazing into the profound depths of the ocean. This new iteration builds upon the success of their previous "Abyss" series, which included both coffee and dining tables that similarly captured the majestic cross-section of the sea. The development of the Abyss Horizon Table was an intricate process, requiring a full year of dedicated craftsmanship and experimentation. Designer Christopher Duffy's vision was brought to life through the careful sculpting and layering of various materials, including high-grade wood sourced from FSC-managed forests, sculpted glass, and Plexiglas. The objective was to faithfully replicate the visual complexity and serene ambiance of the ocean's layers, transitioning from shallow, clear waters to the mysterious, dark abyss. The resulting design features multiple levels that gradually shift in color and opacity, creating a three-dimensional illusion of oceanic depth. The interplay of blue-tinted glass and natural wood tones is crucial to achieving this effect, mimicking the way sunlight penetrates water and diminishes with increasing depth. Each layer is meticulously crafted and assembled to ensure a seamless and captivating visual experience for the viewer. Production of the Abyss Horizon Table is limited to an exclusive run of only 25 editions, emphasizing its status as a unique and collectible art piece. This limited availability underscores the meticulous handcraftsmanship and the intricate design process involved in each table's creation, ensuring that every piece is a distinct work of art. The use of FSC-certified wood highlights a commitment to sustainable practices, aligning the product with environmental consciousness while maintaining high aesthetic standards. This coffee table transcends its functional purpose, serving as a striking focal point in any living space. Its artistic design invites contemplation and brings a serene, natural element indoors, transforming a commonplace furniture item into a captivating conversation piece. The Abyss Horizon Table represents a harmonious blend of innovative design, artistic expression, and environmental responsibility, offering a unique furniture solution for those who appreciate bespoke and imaginative home furnishings. #CoffeeTable #DuffyLondon #AbyssHorizonTable #OceanInspiredDesign #SculptedGlass #FSCWood #LimitedEdition #InteriorDesign #HomeFurnishings

Zaha Hadid Design, in collaboration with pop culture collectible company Leblon Delienne, has launched a new coffee table named 'Le-a' that draws its distinctive corkscrew form from Princess Leia's iconic double-bun hairstyle in the Star Wars franchise. The table's design incorporates two straight ends that transition into a looping middle section, which also functions as a structural support. This piece is offered in a shiny black glass and carbon fiber finish, with additional customization options available in white, brass, or silver. This isn't the first instance of Zaha Hadid Design drawing inspiration from the Star Wars universe. Previously, the late architect Zaha Hadid designed a desk for a Disney event in London in 2016, which was inspired by Queen Amidala's headdress. The studio asserts that its aesthetic aligns well with the themes of Star Wars, embracing pop culture, science fiction, and a futurist style. Leblon Delienne, known for its products based on popular characters and series, including Mickey Mouse sculptures and Alice in Wonderland-themed homeware, positions the Le-a table as a suitable addition to contemporary interior spaces. Zaha Hadid Design, established by the architect in 2006, has a history of partnering with various brands to produce furniture and homeware. Notable collaborations include those with Alessi, Artemide, and Sawaya & Moroni. The article highlights other designers who have similarly found inspiration in the Star Wars saga. For example, Venetian designer Luca Nichetto created a table lamp called 'Vader', reminiscent of Darth Vader's helmet. Additionally, art director Scott Kelly conceived 103 distinct flag designs, each representing a planet from the Star Wars film series. These examples underscore the pervasive cultural impact of Star Wars and its capacity to inspire creative design across various fields. #ZahaHadidDesign #LeblonDelienne #StarWars #PrincessLeia #CoffeeTable #FurnitureDesign #PopCulture #FuturistStyle #InteriorDesign

Duffy London, an innovative design studio, has introduced its latest sculptural furniture piece, the ‘Dune’ coffee table, which is created using large-scale 3D printing with black quartz sand. This marks the studio's initial venture into 3D-printed sand furniture, building upon its previous handcrafted and CNC-machined marble table designs such as 'Civilization' and 'Monument Valley'. The project was a collaborative effort with German manufacturer Sandhelden. The ‘Dune’ coffee table is inspired by the natural, undulating patterns of desert sand dunes, reflecting a sense of fluidity and movement. The table features a rough, textured finish, available in either black or natural sand, and is topped with a thick glass surface, contributing to its grand aesthetic. Designer and founder Christopher Duffy expressed that the unique tactile quality and surprising weightiness of this new material are reminiscent of marble, making it an inspiring medium for their designs. Achieving the intricate, free-flowing twists and distortions of the table's base would be challenging with conventional manufacturing methods. Therefore, Duffy and his team sought a premium material and manufacturing process that could accommodate their artistic and concept-driven designs. The collaboration with Sandhelden allowed them to explore the versatility and beauty of 3D printing with sand, enabling the creation of complex forms that can be scaled up into larger furniture pieces and sculptural installations. Duffy noted that this new process allows their designs to be reimagined and formed in ways previously difficult to achieve, creating visually alluring, tactile, and weighty pieces. The 3D printing in sand provides exceptional flexibility and consistency in realizing the free-flowing design, aligning perfectly with the table's desert-inspired concept. Duffy found the ability to achieve fine details, down to the millimeter, and witness a permanent form emerge from millions of sand particles to be highly inspiring. This technology addresses the common challenge where design concepts are often limited by material constraints or inefficient manufacturing processes. The studio anticipates exploring future concepts and special editions with this method, considering it a significant advancement that redefines their design possibilities. Precision in the 3D printing process also allows for the integration of specific design elements, such as inlays for etched stainless steel authenticity plates and small rubber dots to support the glass tabletop. Duffy London plans to extend this finish to existing product lines, suggesting a 'Dune' version of their 'Abyss' table. The manufacturing technique, binder jetting, employed by Sandhelden, utilizes locally sourced quartz sand from Bavaria. This specific sand, with its edgy grain shape, ensures smooth binder penetration through each layer. The process is also approximately 40% more economical than other methods. Moreover, excess unbound material is recycled, and binders are made from renewable, locally sourced materials such as corn husks, rice hulls, sugar cane, and other biomaterials, promoting a sustainable manufacturing model. Laurens Faure, CEO of Sandhelden, highlighted the strong focus on regionality, with production facilities, partners, and suppliers all located in Bavaria, minimizing the carbon footprint. The studio offers both rectangular and circular variations of the coffee table and will also accept requests for bespoke pieces, emphasizing the adaptability and potential of this design concept. #DuffyLondon #3DPrinting #FurnitureDesign #CoffeeTable #QuartzSand #SustainableDesign #SculpturalFurniture #DesignInnovation #HomeDecor

The 2010 Christopher Nolan blockbuster film *Inception* features a memorable scene where a city folds in half, manipulating the laws of physics within a dreamscape. This iconic visual has served as the inspiration for a unique piece of furniture: the Wave City Coffee Table. Designed by Cypriot artist Stelios Mousarris, this coffee table creatively reimagines the urban landscape bending in an impossible way, bringing a touch of cinematic surrealism into a domestic setting. Mousarris, leveraging his background as a modelmaker for prominent firms like Fosters and Partners before establishing his own company in 2014, utilized a combination of traditional craftsmanship and modern technology to bring his vision to life. The Wave City Coffee Table is constructed from a blend of wood and steel, and crucially incorporates 3D printing technology to achieve its intricate and gravity-defying form. This fusion of materials and techniques allows for the detailed rendering of miniature cityscapes that appear to curve and fold over themselves, creating a continuous, undulating surface. The design evokes the sensation of a city being manipulated, much like the dream environments depicted in *Inception*. The table features buildings and street-like structures that rise from one end, arch over, and descend back towards the other, forming a sculptural and functional art piece. The edges and contours created by this bending cityscape produce fascinating visual illusions, challenging conventional perceptions of furniture design and spatial arrangement. While the Wave City Coffee Table stands as a testament to innovative design and artistic expression, its exclusivity is reflected in its price point. As a limited edition item, it commands a cost of €5000. This places it firmly in the luxury market, appealing to enthusiasts of unique art furniture, fans of the film *Inception*, and those seeking a distinctive statement piece for their living space. The table blurs the lines between art, furniture, and cinematic homage, demonstrating how pop culture can inspire functional design. #Inception #CoffeeTable #FurnitureDesign #SteliosMousarris #3DPrinting #InteriorDesign #ArtisticFurniture #LuxuryDecor #CinematicInspiration

Piper Dandy and Josh Shipp’s Memphis home, referred to as "The Unicorn House," is a vibrant and unique residence that stands in stark contrast to its unassuming exterior. Located in a mid-century ranch house in Whitehaven, the 3,000-square-foot home immediately surprises visitors with its maximalist interior, filled with an extensive collection of pop-culture memorabilia, toys, and comics. The couple, both avid collectors, consciously display their treasures throughout their living space, rejecting the common practice of storing collectibles away. This approach, which Dandy terms "Dopamine Decor," reflects their desire to live surrounded by items that bring them joy and reflect their personalities, rather than adhering to minimalist or conventional design trends. Their shared passion for collecting began in childhood, with Shipp’s artistic mother and sci-fi enthusiast father nurturing his interests, and Dandy’s upbringing with her father, James "Jim Dandy" Mangrum of Black Oak Arkansas, fostering creativity in a less conventional environment. Their home now proudly displays Mangrum’s RIAA-certified gold records. The couple met in 2018 at a comic and toy sale, finding common ground in their collecting habits and personal aesthetic. Both recognized a kindred spirit in the other's home decor, with Shipp noting that Dandy’s home was similar to his own, but with a more polished and professionally framed presentation, a testament to her philosophy of combining quality with individuality. The decision to purchase their current home came last year due to rising rents. Their realtor, Luci Gann, helped them find the mid-century house, which immediately appealed to Dandy for its architecture and slanted windows. A significant factor in their choice was a stained-glass unicorn window left by the previous owners in what is now Dandy’s dressing room, a detail that solidified their connection to the property. The renovation was largely a DIY project, undertaken by the couple with assistance from family and friends. They faced challenges, such as the unexpected deterioration of the kitchen’s original flooring, which led them to creatively use epoxy and paint to seal the subfloors. Dandy also used black epoxy with opalescent glitter to resurface their kitchen countertops, transforming them from granite that didn't fit their aesthetic. The brown cabinets were painted monochrome black, and Dandy introduced a signature wavy border, dubbed "The Wobble," to transition between colors, particularly notable in her brightly colored dressing room where it suggests a portal. This artistic detail epitomizes their unique design approach, aiming for creativity without being overdone. The house is a testament to their diverse interests, featuring separate dedications to "Team Trek" (Dandy) and "Star Wars" (Shipp), with an array of memorabilia from both franchises, including models of starships, action figures, and dioramas. Beyond sci-fi, their collection spans various pop culture items, including an 8-foot-tall toothbrush rescued from a Kmart dumpster, handmade eyeball cabinet pulls, and a rolling cooler shaped like giant Snickers bars. These "Easter eggs" are deliberately placed to spark recognition and delight. The couple’s weekends are dedicated to seeking out these unique items at estate sales, thrift stores, and antique malls. Dandy also sells her own creations online, and has built a social media following by sharing their home's transformation. The "Dopamine Decor" concept, for them, is about personal happiness and self-expression through their living environment, making their home a truly personalized and eclectic space. #DopamineDecor #PopCultureCollectibles #HomeRenovation #MidCenturyModern #DIYHomeImprovement #MemphisHabitats #StarWars #StarTrek #UniqueHomeDecor

The TARDIS, a central element of the Doctor Who series, functions as more than just a time and space vessel; it is depicted as a living entity that undergoes numerous transformations. Its name, an acronym for Time and Relative Dimensions in Space, alludes to its iconic characteristic of being "bigger on the inside." This article explores the various interior designs of the TARDIS throughout the show's extensive run, highlighting how these designs have evolved in response to both narrative needs and stylistic preferences. Throughout its history, the TARDIS interior has been presented in diverse styles, ranging from luminous white to industrial steampunk bronze. While the core concept of its internal vastness remains constant, the specific aesthetic details often shift. These changes provide set designers with opportunities to create unique environments that reflect the evolving personality of The Doctor and the overarching tone of each series. Significant overhauls typically occur every few seasons, necessitating the construction of entirely new sets to accommodate these artistic visions. Beyond these major redesigns, subtle modifications might be made between episodes to suit particular story requirements. One notable iteration, introduced with the Twelfth Doctor, featured a control room that largely retained the structural elements of the Seventh Doctor’s TARDIS but incorporated substantial additions. This version saw the introduction of bookshelves, chalkboards, and a shift to a darker, redder lighting scheme, contributing to a more scholarly and perhaps more introspective atmosphere for the new Doctor. This design emphasizes a sense of lived-in intellectualism, distinguishing it from previous cleaner or more minimalist interpretations. The TARDIS interior from Series Five presented a radically different aesthetic, canonically attributed to the ship rebuilding itself after a fire during the Tenth Doctor's regeneration. This redesign embraced a retro-futuristic steampunk theme, integrating a variety of anachronistic elements such as a typewriter, a bell, a 90s-style telephone, and a gramophone-style sound system. This eclectic mix of old and new technology created a visually rich and whimsical environment, reflecting a period of playful innovation in the show’s design. Upon the return of Doctor Who in 2005 with Series One, the TARDIS underwent a significant modernization. The traditional hexagonal control panel was replaced by a circular design, often described as resembling a "smooshed onion." This iteration marked a departure from earlier, more utilitarian designs, introducing multiple levels within the control room and a distinctive golden lighting scheme that became iconic for this era. This design conveyed a sense of warmth and grandeur, signifying a fresh start for the beloved Time Lord and his adventures. Each of these designs not only served as a backdrop for the Doctor's journeys but also became integral to the character's identity and the show's enduring appeal. #DoctorWho #TARDIS #ScienceFiction #InteriorDesign #SetDesign #TelevisionSeries #TimeTravel #FictionalArchitecture

The Space Age interior design style, originating from the 1960s and 1970s, is experiencing a resurgence in contemporary design. This aesthetic was born out of the excitement surrounding the space race and technological advancements of the era, leading to a fusion of innovation and visionary aesthetics in home design. Influenced by the cultural shifts of its time, Space Age interiors are characterized by bold colors, unique materials, and distinctive shapes, reflecting a futuristic and experimental outlook. While closely related to mid-century modern design due to their shared birth period and some common elements like color palettes and materials, Space Age interiors differentiate themselves with a sleeker, more avant-garde, and futuristic edge. Interior designers like Kerry Offsey of Hines Collective explain that mid-century modern is rooted in practicality and organic materials, offering a timeless and effortless simplicity. In contrast, Space Age design is more experimental and other-worldly, evoking a sense of excitement for the future. It allows for more imaginative and unexpected design choices. Key characteristics of Space Age design include sleek, curved forms, glossy and reflective surfaces, and innovative materials such as fiberglass, acrylic, molded plastics, and chrome metallic finishes. These materials contribute to an avant-garde and high-tech appearance. The motifs often draw inspiration from science fiction and space travel, manifesting in pod-like or egg-like shapes, spherical cut-outs, floating furniture, and fluid lines. The typical backdrop for these interiors features stark whites, silvers, and deep blacks, with bold color accents layered onto furniture and art pieces, often resulting in a monochromatic base with vibrant pops of color. Hugh Metcalf, editor of Livingetc, suggests that the current rise in popularity of Space Age interiors is a reaction to perceived societal regression. He views this aesthetic as an 'archetypal Utopian aesthetic' that offers an antidote to the complexities of the modern world. Maria Vittoria, an interior designer at Casa Ornella Studio, emphasizes that Space Age design is not merely about futuristic objects but about creating environments that transport and spark the imagination. Contemporary interpretations of Space Age interiors blend the past with the present, often softening the exaggerated curves and playfulness of the original era. Modern Space Age designs integrate today's technology, making the style less about fantasy and more about function. This modern approach balances retro elements with current trends, incorporating organic volumes, high-gloss plastics alongside raw materials, and chrome surfaces interacting with soft textures. It presents an aesthetic that is both bold and sophisticated, characterized by dynamic lines, saturated colors, and a sense of movement. Incorporating modern Space Age elements into a home doesn't require a complete overhaul. Designers suggest that adding a single futuristic piece, such as a floor lamp, an egg chair, or a chrome mushroom lamp, can significantly impact a room's aesthetic. Placing a Space Age item in a more neutral environment creates a vibrant and ironic contrast, adding personality and a theatrical touch to the space. The trend embraces playfulness and individuality in home design, demonstrating that a single detail can transform a room into a dynamic visual statement. #SpaceAgeInteriors #InteriorDesignTrends #MidCenturyModern #FuturisticDesign #HomeDecor #ContemporaryDesign #InnovativeMaterials #RetroRevival

The Disney Wish, which debuted in 2022, introduced a novel feature for Disney Cruise Line: themed stateroom hallways. These hallways are designed to immerse guests in a fairytale atmosphere even before they enter their rooms, with each style featuring unique artwork, carpeting, and character-inspired lighting. There are four primary Disney Wish stateroom and hallway themes, along with specific themes for the Royal Suites and the Wish Tower Suite. A popular tradition on Disney Cruise Line ships involves guests decorating their stateroom doors and participating in fan-led "fish extender" gift exchanges. On the Disney Wish, the door hooks are specially designed to fit each hallway theme and are affectionately nicknamed “Wish extenders,” allowing guests to continue this tradition with thematic flair. The article provides a detailed tour of each themed hallway, highlighting the visual elements, character touches, and associated stateroom categories. The 'Cinderella' and 'Frozen' themed hallways are located on Decks 2, 6, and 7. These areas exude classic Disney elegance, resembling a royal palace. The carpeting features soft icy blue tones with subtle swirls, hints of pumpkins and vines, and snowflakes, referencing Cinderella's transformation and the icy world of Frozen. Artwork near stairways and elevators depicts scenes from both films. Staterooms on these decks are themed to either Cinderella or Frozen. The 'Wish extenders' are shaped like pumpkin carriages, and the lighting throughout the hallways features 'Cinderella'-themed cut-outs, casting a magical glow. 'Frozen'-themed staterooms include a mural of Elsa’s ice palace, while 'Cinderella'-themed staterooms showcase her magical pumpkin carriage and iconic castle. These themes are available in various stateroom types, including Standard Inside, Deluxe Oceanview, Deluxe Family Oceanview, Deluxe Oceanview with Verandah, and Deluxe Family Oceanview with Verandah. Decks 8 and 9 host the 'Princess and the Frog' and 'Sleeping Beauty' themed hallways. The decor here evokes an enchanted wood and a lush swamp, with carpets and artwork featuring twisted, thorned vines, forest creatures, and water lilies, alluding to Tiana's bayou and Aurora's enchanted forest. Paintings of Tiana and Aurora are displayed in stairway and elevator areas. The 'Wish extenders' on these decks are shaped like the owl friend from 'Sleeping Beauty,' and the lighting creates a woodland ambiance with flickering leaves and fairy magic. 'Princess and the Frog'-themed staterooms feature decor inspired by Tiana’s bayou adventures, while 'Sleeping Beauty'-themed staterooms include a mural of Flora, Fauna, and Merryweather with woodland animals. These stateroom types also span Standard Inside, Deluxe Oceanview, Deluxe Family Oceanview, Deluxe Oceanview with Verandah, Deluxe Family Oceanview with Verandah, and Concierge Family Oceanview Stateroom. For those who prefer an aquatic theme, Decks 10 and 11 feature 'The Little Mermaid' and 'Moana' themed hallways. These corridors showcase vibrant carpeting with swirls of seaweed greens, coral pinks, and bubbly blues, along with shells, bubbles, and Moana’s wayfinding stars embedded in the design. The 'Wish extenders' are stylized nautilus shells. The lighting includes tiny silhouettes of Ariel and her tail fin, creating a dreamy, underwater reef sensation. 'The Little Mermaid'-themed staterooms immerse guests in Ariel’s world with prints of her at play and a mural of her underwater castle. 'Moana'-themed staterooms reflect the spirit of the ocean with a mural of Te Fiti and a playful Moana print. These rooms are available in Standard Inside, Deluxe Oceanview with Verandah, Deluxe Family Oceanview with Verandah, and Concierge Family Oceanview Stateroom categories. The Concierge Decks 12 and 13 are dedicated to a 'Tangled' theme. These hallways are adorned with shining suns, lanterns, and the Sundrop flower. The carpeting features emblems of the kingdom of Corona, providing a royal welcome. The 'Wish extenders' are gleaming sun symbols, and the lighting fixtures include silhouettes of glittering lanterns, inspired by Rapunzel’s story. 'Tangled'-themed concierge accommodations boast a rich color palette, original headboard murals, and framed artwork. Stateroom types in this theme include Concierge Family Oceanview Stateroom with Verandah and Concierge 1-Bedroom Suite with Verandah, with the latter even featuring a Pascal statue. This detailed thematic approach throughout the Disney Wish hallways and staterooms enhances the guest experience by extending the magic of Disney stories beyond the public areas of the ship and into the private accommodations, creating a cohesive and immersive environment for all passengers. #DisneyWish #CruiseLine #ThemedHallways #StateroomDesign #DisneyCharacters #InteriorDecor #MagicalVoyage #FamilyTravel

Kylie Robison, a senior reporter for The Verge covering artificial intelligence, offers a glimpse into her home office setup. She describes her living situation as a "studio deluxe," where her living room doubles as her bedroom and a dining nook serves as her office, with the kitchen conveniently located behind her. Her desk is a light oak Mittzon model from Ikea, chosen for its adjustable height and effective cable management. She notes that her current Amazon desk chair is due for an upgrade. Robison details her technology stack, which includes a new MacBook Pro M4, a Dell Ultra HD 4K Monitor, and an Asus ProArt monitor. She uses first-generation Apple AirPod Max headphones and two pairs of Ray-Ban Meta smart glasses, one of which is a limited edition. For audio recording, she employs a Vergecast-recommended Audio-Technica microphone, humorously mentioning it replaced a less-favored Blue Yeti. Her workspace is adorned with a variety of personal items that add character. A leafy pad under her keyboard provides an aesthetic touch, and a pink Kirby figure holds her Micron pens. A glass achievement award under her monitor commemorates her college days as a first-generation student and her work for her student publication, *The State Hornet*, where she covered technology during the COVID-19 pandemic. She highlights her good GPA during that time. Family photographs line her wall, including an old-school portrait of her grandmother, a high-school photo of her mother wearing a "girls kick ass!" T-shirt, pictures of her grandpa holding her as a baby, friends, her preschool class, her Burning Man ID, and a wood-burned Dril tweet. A large CD-R on her wall is described as her "best impulse purchase." Two Sonny Angel figurines, popular among young women and easily accessible from her San Francisco Japantown neighborhood, also reside on her desk, serving as "little friends" to brighten her day. Her shelves feature a diverse collection, including a Majora's Mask from *The Legend of Zelda*, reflecting her love for the game, especially *Breath of the Wild*. Other items include a 3D-printed Moo Deng (a biting baby hippo), signed books, a Lego Nezuko from *Demon Slayer*, her college degree, a pothos plant, an unreleased AI toy, dried flowers from a friend's celebration of life, and an ice cream scoop engraved "Slack scoop." The article concludes with a humorous acknowledgment of her less-than-perfect cable management, asking for understanding from readers. Finally, her black cat, Fang, is introduced, whose name became fitting due to a veterinary finding that only his fangs remained after dental issues. #HomeOffice #DeskSetup #TechGadgets #PersonalizedWorkspace #HomeDecor #GamingCulture #Cats #KylieRobison #TheVerge

Domino has announced a collaboration with Lenox Corporation to launch a curated collection of dinnerware. This partnership aims to introduce vibrant and distinctly patterned tabletop items, catering to various design aesthetics. The inaugural Domino by Lenox line is designed to offer essential dinnerware, providing options for those seeking a complete new set or merely a few complementary pieces for their existing collection. The collection features three distinct patterns, each embodying a unique character while aligning with the core ethos of Domino. The first pattern, named Optique, is set to debut at New York’s Tabletop Market. Optique draws inspiration from the grid-like appearance of digital pixelation, featuring an ombre effect with gradient blues, purples, and pinks. This design is described as simultaneously contemporary and classic, appealing to a wide range of consumers. Kate Berry, Domino Style Director, revealed that the inspiration for Optique considered the typical Domino reader and market viability, including individuals registering for weddings or furnishing their first apartments. The concept for the ombre pixelation originated from observing cross-stitching gradients and the pixelated appearance of zoomed-in screenshots of colors. Despite its bold nature, the modern print is versatile and can be integrated into minimalist settings by pairing it with crisp white linens and simple table decor. To further accommodate a pared-back aesthetic, the Optique line also includes pieces in solid colors such as deep cobalt blue and soft peach, which are designed to create striking contrasts when layered. Berry emphasized the collaborative nature of the design process between Domino and Lenox, highlighting that the collection was conceived with various complementary ideas, including regular ombre, pixelated versions, and solid colors with contrasting borders. Following its initial showcase at the Tabletop Market, Optique will be available for purchase nationwide in the fall on Lenox.com, in the Domino shop, and at select specialty retailers. Two additional patterns, Technic and Gradiance, are also scheduled for release in the autumn. Technic is a vintage-inspired design that incorporates pale pinks, deep blue, and electric citron, reminiscent of retro arcade games. Gradiance offers a softer aesthetic with floral-inspired reds and pinks, presented in smudged brushstrokes that evoke the appearance of watercolors. Technic will be available at Bloomingdales, while Gradiance will be sold at Anthropologie. Michele Barbone, CMO of Lenox Corporation, expressed enthusiasm for the partnership, stating that it reinforces Lenox’s position as a leading tableware and entertaining company in North America. She also highlighted the potential for growth opportunities that this new dinnerware brand presents. Domino echoed this excitement, affirming that the collaboration successfully translates their passion for entertaining into a collection that is simultaneously timeless, modern, and enjoyable. #TabletopDesign #DinnerwareCollection #HomeDecor #ProductLaunch #DesignCollaboration #Lenox #DominoMagazine #InteriorStyle #TableSetting

John Marsala and Becka Citron, the creative and business partners behind Modern Anthology, have shifted their focus to interior design services after closing their physical retail stores in Dumbo and Cobble Hill. This move builds on their original business model, as interior design was their primary focus before venturing into retail. Their signature industrial chic aesthetic, previously evident in their stores, is now a hallmark of their interior design projects, such as the Dumbo loft featured in this article. The project involved furnishing a 2,400-square-foot loft for a young couple with a small child. The loft, located in a converted industrial building, retained original features like exposed brick and wooden columns. The designers were tasked with creating a functional and stylish living space, moving away from the clients' initial plans for fully custom-made furnishings. A key structural change was the addition of a dividing wall to create a dedicated den/TV area, separating it from the main living space. The primary focus, however, was on sourcing new furnishings, predominantly from retail outlets. The design choices were influenced by the homeowners' existing art collection, which included quirky pieces such as a framed print humorously stating ‘I was young and needed the money’ and a striking, large-scale portrait. These artworks signaled to Citron that the clients were open to bold design elements and did not wish for an overly conventional approach. The designers integrated these artistic cues into a cohesive design that blended industrial elements with comfort and personality. Key furniture selections included a Chesterfield-style sofa and egg-shaped mid-century chairs from Restoration Hardware, demonstrating a blend of classic and modern aesthetics. A vintage wing chair was given a distinctive update with plastic-coated fabric imprinted with street signs on the back and a tailored pin stripe on the front. An over-dyed vintage rug from Nomadic Trading Company added texture and color, while a Serge Mouille wall-mounted sconce provided sophisticated lighting. For the informal breakfast area, blue vintage chairs paired with a Saarinen-style pedestal table created a casual yet elegant spot. The dining area features a live-edge table complemented by wire chairs reminiscent of Eames designs from Modernica. A long hallway leading to the bedrooms was transformed into a gallery space, displaying framed photos and art unified by simple wood and metal frames. The primary bedroom maintained a warm ambiance with natural brick, furnished with a bed by Brooklyn-based Uhuru Design, a dresser by L.A.-based designer Thomas Bina, and a chandelier from Apparatus, further emphasizing the blend of industrial roots with contemporary design. This project exemplifies Modern Anthology's ability to create warm, functional, and industrially chic interiors using a mix of sourced retail pieces and thoughtful design interventions. #DumboLoft #InteriorDesign #ModernAnthology #IndustrialChic #HomeRenovation #BrooklynDesign #FurnitureSourcing #ResidentialDesign

Space Age design, originating from the 1960s and 70s, is experiencing a resurgence in popularity. This aesthetic was born out of the excitement surrounding space exploration, beginning with the launch of Sputnik 1 in 1957. The era saw countries competing in a space race, fostering a sense of optimism and curiosity about technological advancements. This forward-thinking approach influenced interior design, moving away from the natural forms and wood that characterized mid-century styles. Space Age interiors are defined by their use of rounded furniture, bright plastics, and sleek, futuristic shapes. The current comeback of Space Age furniture is driven by several factors, including a recent increase in space-related news, such as NASA's oldest astronaut returning to Earth, new evidence of extraterrestrial life, and high-profile spaceflights like Blue Origin. Google Trends data shows a significant rise in searches for 'space age furniture' and 'lamps' in the past month. Social media influencers are also embracing the trend, and major retailers like Ikea and Heal's are incorporating retrofuturistic elements, such as chrome and curved furniture, into their offerings. Victoria Robinson, a style and trend expert at Hillarys, explains that the appeal lies in its blend of nostalgia and technology. The playful and imaginative spirit of the mid-20th century resonates with many, while the futuristic aspect aligns with the increasing role of technology in modern homes. This design trend provides interiors that feel both forward-thinking and comfortable. To help consumers integrate this style into their homes, several key pieces are highlighted. The tulip chair, designed by Eero Saarinen, is an iconic example of early Space Age design with its molded fiberglass and single-stemmed leg, pushing boundaries beyond traditional forms. The Panton chair, created by Verner Panton, was revolutionary as the first chair made from a single piece of material, showcasing the innovative use of plastic due to manufacturing advancements. Retro side tables, like a yellow-topped and chrome-legged piece from Ikea's 1971 catalogue, demonstrate that Space Age furniture isn't limited to monochromatic schemes. Dome table lamps, inspired by Vico Magistretti's Atollo lamp, offer sophistication with their geometric shapes and floating head illusion. Aluminium side tables, reminiscent of spacecraft materials, introduce an otherworldly quality with organic shapes and off-center tops. Chrome table lamps featuring spherical bulbs and curved bases evoke planets, providing a modern interpretation of the Space Age motif. Sputnik chandeliers, named after the satellite, create dramatic ceiling focal points with their starburst of metal rods. Low red chairs, inspired by Stanley Kubrick's '2001: A Space Odyssey,' incorporate primary colors popular in the era, adding vibrancy. Finally, retrofuturistic prints, like one depicting a character gazing at Earth, capture the blend of nostalgia and future excitement, offering a subtle way to embrace the trend without a full furniture commitment. #SpaceAgeDesign #FurnitureTrends #InteriorDesign #HomeDecor #Retrofuturism #MidCenturyModern #Nostalgia #FuturisticStyle #HomeFurnishings

The article introduces 'Hug,' a new high-backed sofa designed by Pearson Lloyd for furniture brand Cozmo, which launched at London Design Festival 2025. The designers, Luke Pearson and Tom Lloyd, are RDI-certified and bring 28 years of experience in creating ergonomically sound and comfortable products, from office chairs to airline seats. Cozmo founder Jacob Peres specifically sought out Pearson Lloyd for their expertise in comfort, aiming to address the oversight of high-back designs in contemporary, design-led furniture. Peres noted that while low, slim profiles are often easier to achieve with appealing proportions, they wanted to tackle the challenge of a high-back sofa that offers a sense of being 'held.' The design process for 'Hug' began unconventionally, not with drawings, but on the workshop floor in July 2024. Pearson and Lloyd presented a 'Frankenstein-like' wooden structure with moving parts, emphasizing a tactile and physical approach to comfort. Tom Lloyd explained that traditional sketching often focuses on aesthetics, materials, or construction, but for 'Hug,' the primary focus was the physical experience of comfort. This involved extensive exploration of foams, fabrics, posture, and ergonomics, which are challenging to convey through two-dimensional drawings. The designers aimed for the sofa's appearance to directly reflect its comfort, likening the process to tailoring a beautiful coat, where comfort is an intrinsic part of the design from the outset, not an afterthought. As the design evolved, full-scale mock-ups provided immediate feedback on ergonomics. The key to 'Hug’s' embrace-like feel lies in its significantly higher back compared to other contemporary upholstery, designed to cradle the back, neck, and head. An exaggerated lumbar support is integrated into the back, a feature that profoundly influenced the entire design direction. Peres highlighted that comfort was intended to be visibly communicated through the sofa's proportions, posture, and even the way the textile drapes over feathers, suggesting comfort before one even sits down. The sofa’s structure combines a webbed steel frame with varying densities of foam, memory foam, and a feather quilt to achieve a perfect balance of support and softness. The fabric treatment for 'Hug' departs from traditional tight upholstery; it is handled in a looser, freer manner, giving it the appearance of clothing draped over a body. This design choice also offers practical benefits, making it easier for customers to remove covers for cleaning or replacement. During the London Design Festival, 'Hug' is being showcased at an exhibition titled 'Comfort Lab' in Shoreditch’s Wax Building. This exhibition meticulously documents Pearson Lloyd’s research, design, and development journey, featuring early scale models and full-size prototypes. Cozmo has also produced a film illustrating the process. The 'Comfort Lab' offers visitors a comprehensive, behind-the-scenes look at the extensive work and research involved in creating the sofa, and allows them to personally experience its comfort. Peres concluded that the project demonstrated how a focused brief and genuine creative exploration can lead to remarkable achievements, emphasizing that comfort and design are mutually informative and exciting when integrated effectively. #SofaDesign #FurnitureDesign #LondonDesignFestival #ProductDesign #Ergonomics #InteriorDesign #ComfortLab #PearsonLloyd #Cozmo #HighBackedSofa

The Madrid-based Patricia Bustos Studio has unveiled 'Wonder Galaxy,' a retro-futuristic dressing room designed to evoke a sense of 'childhood energy' through its vibrant use of color and dream-like elements. This project draws inspiration from the aesthetic of video games and the Austin Powers film series, aiming to create an immersive and playful environment. The space features geometric patterns and rounded shapes, contributing to its asymmetric interior design. A central aspect of the 'Wonder Galaxy' is its innovative lighting scheme. The dressing room is bathed in pastel and neon hues, with smart lightbulbs and Philips Hue application used to choreograph changing light scenes. These dynamic lighting effects interact with various textures and shapes throughout the room, enhancing the other-worldly atmosphere. Iridescent and mirrored surfaces are strategically incorporated to expand the perceived depth of the interior, creating an illusion of infinite space. The design is further characterized by layered alcoves and intricate tiled mosaics. The windows feature lined methacrylates that are color-degraded to produce captivating light and shadow effects. These effects stand in stark contrast to the thin, matte tiles decorating the walls. The gresite tiles, made from recycled glass by the Spanish brand Hisbalit, contribute to a pixilation effect, immersing visitors in a video game-like experience. Unique lighting fixtures further emphasize the retro-futuristic theme. A ceiling lamp composed of an arrangement of bubbles conveys a sense of lightness and references zero-gravity. Additionally, pyramid lighting elements crafted from brushed brass and iridescent methacrylate evoke the aesthetics of retro puzzle video games. All furniture and accessories within 'Wonder Galaxy' were custom-made for the project, reinforcing its unique identity. Notable pieces include the 'bubble gum' sofa and 'spaceship' sinks. Bespoke shelves, designed to echo the brass accents and curved forms prevalent in the interior, are integrated into the rib-like structure of the space. This project was a highlight of Casa Décor, Madrid’s renowned design event, which was celebrating its 54th edition. Casa Décor serves as a platform for showcasing emerging trends in interior design, transforming a different central Madrid location each year. In its 2019 edition, held from January 24 to March 10 in a 1930s mansion in the upscale Salamanca neighborhood, Patricia Bustos's 'Futuristic Childhood Revival' concept was presented as the mansion’s dressing room, offering a compelling vision of contemporary interior design that blends nostalgia with futuristic elements. #PatriciaBustosStudio #WonderGalaxy #RetroFuturisticDesign #DressingRoomDesign #InteriorDesign #ColorPalette #GeometricPatterns #SmartLighting #CustomFurniture

The article explores the significant role of interior design in cinematic storytelling, highlighting how movie sets can profoundly impact viewers and even serve as characters themselves. It begins by likening the experience of being captivated by art to how an audience connects with a film's aesthetics, emphasizing the emotional resonance that well-designed spaces can evoke. The author notes a personal tendency to remember the intricate details of a movie's setting over its dialogue or performances, suggesting that these visual elements are paramount to the overall viewing experience. The discussion then delves into specific examples, starting with the universally acclaimed interior design work seen in Nancy Meyers' films, such as Meryl Streep's kitchen in 'It’s Complicated' and Diane Keaton’s coastal home in 'Something’s Gotta Give.' These examples illustrate how meticulous set design can achieve an almost iconic status, becoming deeply ingrained in popular culture. Wes Anderson's 'The Grand Budapest Hotel' is also cited for its vibrant and buoyant color palette, which significantly contributes to the film's distinct aesthetic. The article presents a curated list of nine films chosen for their outstanding interior design. Each entry provides a brief overview of the movie's plot and then focuses on the unique design elements that make its interiors memorable. 'Breakfast at Tiffany’s' is praised for Holly Golightly's minimalist yet bold Upper East Side apartment, characterized by its all-white decor, a single couch, and fuchsia pillows that add a striking contrast. 'The Danish Girl' showcases 1920s European interiors, particularly Redmayne and Vikander’s Copenhagen apartment, which features dusty steel blues and tapestries that reflect the artistic temperaments of the characters, creating a moody and ethereal atmosphere that later extends to Baroque designs in Paris and rich settings in England. 'It’s Complicated' is revisited for Meryl Streep’s Santa Barbara kitchen, described as a dream set with its marble-topped island, open shelving displaying white ceramics, and wooden spoons in stone vessels, all under a window that opens to the sky. 'The Shape of Water' is celebrated for Sally Hawkins’ loft-like apartment, set above a theater with a half-moon window and water-stained wood floors, a testament to exceptional set decoration that aligns with the film's magical and eerie plot. 'A Single Man' features John Lautner's iconic Schaffer House, a midcentury modernist gem composed of wood and glass that provides a demure yet commanding backdrop for the protagonist's emotional journey. 'Don’t Worry Darling' highlights midcentury modernism in a Palm Springs suburban setting, presenting it in a way that feels authentically present-time rather than a fetishized trend, adding an eerie twinge to the visual narrative. 'I Am Love' features the opulent Villa Necchi Campiglio in Italy, with its grandeur evident in buttery yellow dining rooms and mint green kitchens, which act as a character itself, complementing the story of a family steeped in the Milanese textile industry. 'Last Night' captures the understated yet expansive Soho loft of Keira Knightley and Sam Worthington's characters, notable for its practical, lived-in feel with books on the floor and high ceilings overlooking Manhattan. Finally, 'Call Me By Your Name' is lauded for its Italian summer house in Lombardy, embodying a sense of history and imperfect beauty with copper pots in the kitchen and a study brimming with books, contributing to the film's profound visual and emotional experience. #InteriorDesign #FilmSets #CinematicAesthetics #MovieInteriors #SetDecoration #DesignInMovies #ArchitectureInFilm #HomeDecorInspiration #MidCenturyModern

Axiom Space, a Houston-based private space company led by former NASA manager Mike Suffredini, is developing the planet’s first commercial space station, the Axiom Space Station, to broaden access to space travel. This station is designed as the successor to the International Space Station (ISS), which has been in Low Earth Orbit for 17 years. The Axiom Space Station will expand upon the ISS's capabilities by attaching new elements to its forward node, increasing research capacity, accommodating a larger crew, and facilitating commercial manufacturing opportunities. This initiative aims to ensure the continuity of human spaceflight and research beyond the operational life of the ISS. The initial configuration of the Axiom Space Station will consist of interconnected nodes and modules, forming its orbital structure. This includes a node, a habitation module, a research and manufacturing module, and a window observatory. A notable aspect of the project is the involvement of acclaimed Paris-based designer Philippe Starck, who is responsible for the interiors of the habitation module. Starck's design for each private crew berth features a nest-like cabin, offering unobstructed views of Earth. The interior surfaces are lined with padded, quilted, cream-coloured soft fabric and illuminated by hundreds of tiny LED lights. These lights can change hues, adapting to the time of day and the station's position relative to Earth. The berths are designed for both relaxation and productivity, with high-speed internet connections enabling occupants to work and share their unique views with those on Earth. The station’s design incorporates eight crew quarters and pressurized research space equivalent to the U.S. Laboratory module on the ISS. It also includes unpressurized payload locations for various experiments and equipment. The modular architecture allows the Axiom Space Station to evolve over time into a fully independent space station. A key feature of the station is its window observatory, which is touted as the largest ever constructed for a space environment. This observatory offers a panoramic view of low Earth orbit, intended to fully immerse the crew in the experience. Beyond its observational purpose, this area is also envisioned as a dining space where crews can enjoy gourmet meals while observing Earth. While the Axiom Space Station aims to make space travel more accessible, the experience remains highly exclusive due to its cost. Axiom Space plans to offer 10-day expeditions to the International Space Station, with trips beginning in 2020, at a price of USD 55 million per ticket. This venture represents a significant step towards commercializing space and integrating design elements into orbital living, transforming space travel from a purely scientific endeavor into a potentially luxurious experience. #AxiomSpace #AxiomSpaceStation #MikeSuffredini #OuterSpace #PhilippeStarck #CommercialSpaceTravel #SpaceDesign #OrbitalLiving #SpaceExploration

Satelliet Originals, a Dutch brand, has launched a new customizable furniture line for the hospitality industry, building on decades of craft experience from its parent company, Satelliet. This new brand aims to meet the growing demand for unique, high-quality, and robust furnishing solutions in modern hospitality spaces. The company emphasizes individuality and flair in restaurant interiors, moving away from the previously prevalent, stripped-down sameness in design. The collection features collaborations with various designers. One notable example is the 'ReUnited' collection by Lars Snellaars, inspired by the freedom and celebratory spirit of the 1920s post-pandemic era. Snellaars' designs, characterized by richly pigmented velvet, long fringed trim, and gold frames, symbolize togetherness and a call to party, reflecting a desire for liveliness after recent global disruptions. The Street Food Club, for instance, integrated standard and customized 'ReUnited' pieces to complement its tropical-themed venue in Breda. Erik Remmers, another contributing designer, brought his expertise in commercial interior design to the 'Pebble' series, which emphasizes wood as a primary material. Remmers, who runs the interior design studio Art2Go, conceived 'Pebble' with the Kyatcha restaurant project in Rotterdam in mind, addressing a need for more wooden seating options. His designs feature slender, tapered legs and curved wooden details, paired with softly upholstered backs, allowing for customization through various details and upholstery options. Studio Satelliet's in-house designers, Chris Montijn-Spiering and Wessel Storms, have introduced the 'Code' and 'Current' chairs, which are made entirely from post-consumer recycled materials, highlighting a commitment to sustainability. Elise Luttik's 'Chester' chair also forms part of the collection; crafted from ash, it cleverly creates the illusion of cushioned leather through intricate wood impressions. Satelliet Originals combines the manufacturing prowess of the 52-year-old parent company with the innovative ideas of designers, ensuring furniture meets the high quality standards required for intensive use in hospitality environments. The brand’s philosophy centers on providing entrepreneurs, creatives, and project developers with the tools to create inspiring hospitality locations, emphasizing that design is what one makes of it. Maico Pheninckx, creative consultant at Satelliet, reiterates this by stating that each furniture piece possesses a unique character, supporting the identity of a concept or interior, further enhanced by infinite possibilities in upholstery and finishes. The full collection is scheduled to officially launch at Salone del Mobile 2023 in Milan, marking a significant step in offering bespoke and robust solutions for hospitality interiors. #HospitalityDesign #FurnitureCollection #InteriorDesign #CustomizableFurniture #RestaurantInteriors #SustainableDesign #DutchDesign #ProductLaunch