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An Unpopular Tile Inspired This Old-Meets-New Brooklyn Kitchen | domino
Designers Amanda Jesse and Whitney Parris-Lamb of Jesse Parris-Lamb embarked on a kitchen remodel for the Brooklyn Heights Designer Showhouse, seizing an opportunity to utilize a Spanish terra-cotta tile from Walker Zanger that previous clients had deemed too heavy or old-fashioned. This 1820s freestanding house, requiring an update to attract younger buyers, provided the perfect canvas for their vision. The project was completed in a swift five weeks, blending youthful design with nods to the home's 200-year history.
To modernize the terra-cotta tile, the designers implemented it in an unconventional manner, covering the kitchen walls from floor to ceiling, including the vent hood and a window ledge. This application created a minimal, monolithic aesthetic, which, when combined with seamless white cabinets, resulted in a vibrant and light space, defying the tile's perceived heaviness. The designers emphasized their approach of using tile three-dimensionally to achieve a unified treatment.
The kitchen's narrow oak plank floor, a late 20th-century addition, did not align with the wider, more impressive flooring in adjacent rooms. Instead of replacing the floor due to time constraints, Jesse and Parris-Lamb opted to paint it. They began with a white base and then, drawing inspiration from an early 1900s sketch by textile artist Anni Albers, collaborated with a decorative painter to hand-apply a geometric pattern. This central motif functions similarly to an area rug, adding character without the practical drawbacks.
The color palette strategically balanced the warm rust and cream tones of the tile and painted floor. Black countertops and appliances, including an apron-front farmhouse sink, were incorporated to provide a striking contrast and a graphic punch, with Jesse noting that black is treated as a neutral in their designs. The window frames received a high-gloss coat of teal paint, chosen to complement the copper hues of the tile.
A bay window in the kitchen was transformed into a functional breakfast nook featuring a curved bench. The designers selected a clean, minimal shape for the bench to provide a counterpoint to the ornate upholstery by Décors Barbares. The nook was further furnished with a vintage Osvaldo Borsani dining table, which merges Art Deco elements with 1960s design, and bistro-style curtains made from Muriel Brandolini fabric. The overall aim was to create a warm, approachable, and homey space where residents could envision themselves enjoying daily life, demonstrating that even a traditionally moody, chestnut-colored tile could contribute to such an atmosphere with thoughtful design and execution.
This renovation successfully reimagined a historic Brooklyn kitchen, proving that unpopular materials can become focal points when used creatively. The design firm's innovative approach transformed perceived limitations into unique features, garnering significant positive attention and establishing the kitchen as a neighborhood highlight.
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