Step inside a Brooklyn brownstone rejecting clichés

The article details the thoughtful reimagining of a century-old Brooklyn brownstone by the design studio Enso, co-founded by Yuria Kailich and Joel Harding. Located just one block from Prospect Park, this three-story home, originally constructed in 1888 by architect William Flanagan, has been transformed into a midcentury-inspired haven, particularly appealing during the autumn season. Enso's renovation philosophy emphasizes softness, restraint, and meticulous craftsmanship, creating a space that embodies a quiet intelligence. The interior design incorporates an eclectic array of furnishings, balancing high-end pieces with affordable finds, and significantly featuring vintage items sourced from platforms like 1stDibs, Amsterdam Modern, and Chairish. A subtle yet distinct mid-century modern aesthetic permeates the home, evidenced by design elements such as a paper lampshade, a geometric coffee table, chrome accents, a modular wall unit, and Nordic Knots rugs. These contemporary and vintage additions are harmoniously juxtaposed with the home's original architectural features, including period moldings, cornicing, and stained glass transoms in the living area, which contribute to a sense of timeworn elegance within the eclectic decor. A significant aspect of the renovation involved addressing the inherent challenges of a historic property. The architecture firm Practical Arts collaborated on the project, creating several bespoke elements to overcome these quirks. For instance, in the primary bedroom, a custom wall-to-wall upholstered headboard, composed of three striped fabric panels, was designed to not only visually enlarge the room but also ingeniously conceal electrical cords, negating the need for extensive structural modifications. Another innovative solution tackled the issue of immovable standing AC units. Enso devised custom millwork to integrate these units seamlessly into the design. In the living room, a credenza made from solid white oak with woven rattan panels and a slatted top was crafted to allow for both storage and efficient airflow. Similarly, in the dining room, a sideboard, drawing inspiration from the work of Jean Prouvé, features sliding doors with rhythmic circular cutouts, which provide necessary ventilation while also serving as a compelling visual feature. The design studio Enso draws its inspiration from the Buddhist principles of enso, which encompass zen, transience, and the unhurried passage of time. These values are deeply embedded in the home's aesthetic, which is characterized by the use of natural materials, tactile finishes, and an overarching sense of calm and tranquility. The resulting atmosphere is one of understated sophistication; the space avoids excessive polish or preciousness, yet it manages to convey an exquisitely elevated impression. The renovation successfully blends historic charm with contemporary and mid-century design elements, creating a unique and serene living environment. #BrooklynBrownstone #MidcenturyModern #HomeRenovation #InteriorDesign #EnsoDesignStudio #HistoricHomes #VintageFurniture #CustomMillwork #ArchitecturalPreservation

When Kate Yearwood Young and her husband acquired a 2013 Georgian-style townhouse in Boerum Hill, Brooklyn, they enlisted Frederick Tang Architecture for a design refresh. The 3,500-square-foot home, while livable with high ceilings and two terraces, suffered from a vexing layout and bland, new-build finishes, including faux-Colonial detailing, an Italianate-style iron staircase, and chrome hardware. The clients sought a modern aesthetic, a stark departure from the existing colorless palette. The architects, Frederick Tang and Barbara Reyes, approached the project as a cosmetic refresh rather than a gut renovation, allowing for more focus on design-oriented elements and a personalized budget allocation. Upon closing in November 2020, Tang and Reyes began transforming the five-story house and cellar into a cohesive, multi-hued environment. Their vision drew inspiration from the organic forms of late ceramicist Valentine Schlegel, evident in the sculptural modifications made throughout the home. The builder-grade stair rails were replaced with curved plaster masses, reeded glass, and brass trims, creating a sinuous, tactile staircase. Similarly, the fireplace in the foyer was reimagined in plaster, serving as a sculptural anchor that visually connects to the colossal ceiling height. These dramatic architectural interventions allowed each floor to develop its unique character. The design incorporates a rich color palette of black, cream, peacock blue, rust, oxblood, mulberry, wine, and blush, complemented by brass fixtures. The client, Kate Yearwood Young, known for her keen sense of style and appreciation for color, specifically requested a deep, not-too-bright red. Beyond significant structural changes, the project involved more minimal spatial adjustments and aesthetic enhancements. The small fifth-floor penthouse was converted into a dedicated home office, flanked by terraces, and custom millwork featuring a wet bar and bench was added to the second-floor landing. Further bespoke details include the dining room's inset ceiling, which was rounded into a curved cove, housing an Art Deco brass and marble chandelier. This chandelier overlooks a large painting inherited from the clients' grandmother, highlighting the integration of personal heirlooms. Other furnishings, such as their grandmother's L-shaped Selig modular sofa, were reupholstered in Knoll's Rebel fabric, retaining sentimental value while updating the aesthetic. Antiques, including a stone and brass dining table, a 1960s Italian chandelier in the powder room, and a 1970s DIA glass and brass swivel table, were sourced to contribute to the home's layered character. The architects also procured pieces from local Brooklyn vendors, as well as from Mexico and Portugal, resulting in a design that artfully blends global and historical influences into a contemporary and cohesive space. The kitchen's existing cabinetry was retained, but the island was replaced with a custom piece by Casa Quieta, and a Hurricane Black marble backsplash was installed against the crème millwork. The five-story home's vertical organization is emphasized by the bold staircase. The fifth-floor landing, which leads to the work-from-home space and rooftop gardens, features hand-painted botanical wallpaper from Artemest and an Anna Karlin Arc pendant. The penthouse bar and powder room are clad with Breccia Pernice marble from Verona, Italy, which offsets the painterly wallpaper, contributing to the home's dramatic and moody interior design. #BrooklynBrownstone #InteriorDesign #FrederickTangArchitecture #ResidentialDesign #DramaticInteriors #MoodyInteriors #PlasterSculpture #CustomMillwork #VintageAccents

Lisa Tharp's design firm often undertakes renovation projects, but for a specific residence on Beacon Hill, the team encountered a property that had already undergone a thoughtful gut renovation in 1900. This pre-existing modernization aligned well with the new homeowner's design preferences. The client desired a calm, relaxing interior with a minimalist sophistication, integrating existing cherished pieces while creating a fresh aesthetic. Crucially, the interior design needed to complement her extensive collection of modernist and contemporary art. The residence's curved bow windows offer panoramic views from the state capitol to Back Bay, a feature the client particularly admired. Tharp and her team drew inspiration from the rich wood tones in the library and subtle violet hues present in artworks by Alex Katz and Sol LeWitt to establish a soft and nuanced color palette throughout the home. Tharp also provided expert consultation on potential new art acquisitions, ensuring that any additions would seamlessly integrate with the existing collection and enhance the overall artistic coherence of the space. This collaborative approach underlined the significant role art played in unifying the design elements. The selection of furniture was heavily influenced by the client's collector's sensibility, with each piece chosen for its sculptural quality to harmoniously interact with the artwork displayed. This approach created an environment reminiscent of an art gallery, where furniture and art engage in a continuous dialogue. The design deliberately incorporated a blend of historical eras and influences, such as 1930s French art deco dining chairs and a contemporary settee paired with a vintage floor lamp beneath a Picasso in the library. This eclectic mix was intended to imbue the home with a sense of history, character, and timelessness, making it feel lived-in and deeply personal. To ensure the home immediately felt familiar, some of the client's personal belongings were incorporated into the new design. Rugs were resized to fit their new spaces, and a beloved patterned velvet from a chaise lounge was repurposed to adorn the library's window seat. A significant challenge arose with an oversized sectional from the client's previous residence, which was too large for the living room and obstructed adjoining areas. Tharp's team ingeniously relocated the sectional to the family room, reconfigured and reupholstered it, transforming it into a modular seating arrangement. This creative solution allowed the client to retain her comfortable, cherished piece while achieving a more open and elegant layout in the formal living room. Tharp's ability to address such design challenges, including the bold decision to modify a client's treasured possession, stemmed from the strong trust she had built with the homeowner. The client, described as an accomplished woman with a warm and flexible yet refined personality, shared Tharp's appreciation for good design and magnificent art. The interior design successfully mirrored the client's identity, reflecting her support for the arts and her discerning taste. Even the client's French poodle, often found lounging on the curved living room sofas by French designer Jean-Louis Deniot, seemed to appreciate the exquisite design. The project’s success is attributed to the synergistic relationship between the designer and the homeowner, resulting in a residence that is both aesthetically pleasing and deeply personal. #BeaconHill #InteriorDesign #HomeDecor #ArtCollection #Renovation #LuxuryHomes #LisaTharp #ModernistArt #EclecticDesign

Bella Mancini of Bella Mancini Design undertook the task of furnishing a nearly 3,500-square-foot loft in Dumbo, Brooklyn, for a family of four. The objective was to create a space that offered serenity at the day's end while also accommodating frequent entertaining. The loft, situated in a former industrial building, already possessed significant character with its natural wood columns, exposed brick walls, and floor-to-ceiling windows. High-end white oak floors and a new developer's kitchen were also existing features, meaning Mancini's focus was primarily on furniture, custom millwork, lighting, paint, wallpaper, and soft furnishings. The design process was heavily influenced by the clients' lifestyle. With two preteen daughters, a husband who works from home, and a wife with demanding hours, the need for both relaxation and functionality was paramount. The couple's enjoyment of entertaining also played a crucial role in the layout and furnishing choices. This led to the establishment of two distinct dining areas: a casual space near the large windows featuring an Eero Saarinen tulip table, wicker chairs, and a custom banquette that doubles as a desk, and a more formal dining setup elsewhere in the loft. The open kitchen and living area, centrally located, were designed for fluid movement and informal gatherings, encouraging guests to choose any available seat rather than adhering to a formal dining structure. Mancini aimed to infuse a relaxed, breezy Californian aesthetic into the New York setting. However, acknowledging the clients' British background and their Hamptons home's English country style, some glamorous and sparkly touches were incorporated to satisfy their preference for a slightly dressier city environment. The kitchen, visible upon entry, features a dropped ceiling painted in Farrow & Ball's Downpipe to conceal wiring, with Louis Poulsen glass globe pendants illuminating the island. The foyer is anchored by a vintage Scandinavian piece, setting an immediate tone for the home's curated style. Custom elements are prevalent throughout the loft, such as the banquette in the casual dining area, which is also painted in Farrow & Ball's Downpipe, a dark gray used in multiple spaces. The living area showcases a sophisticated and unconventional color palette, including a pink Chesterfield sofa complemented by vintage ochre and gray armchairs, with two coffee tables sourced from Jayson Home. The formal dining area is defined by pink grasscloth wall covering, featuring chrome Breuer chairs from Knoll upholstered in durable mohair, surrounding a wood table from the Danish Design Store. A custom-designed credenza by Mancini further enhances this space. The powder room received a facelift with Ellie Cashman floral wallpaper, an Apparatus light fixture, and a vanity painted in Farrow & Ball's Dead Salmon. The daughters' rooms also feature personalized designs, such as tie-dyed wallpaper from Donghia and canopy beds, alongside custom-built desks and bookshelves designed by Mancini. The master bedroom includes nightstands from Lawson Fenning, a whimsical side table from Artemest, and a chaise lounge from Gubi, with Italian garment-dyed linens from Society Limonata at ABC Carpet & Home. These design choices collectively create a functional, stylish, and comfortable environment tailored to the family's needs and aesthetic preferences. #BellaMancini #BellaManciniDesign #InteriorDesign #LoftDesign #OpenPlanLiving #DumboBrooklyn #CustomMillwork #ResidentialInteriors

OSSO Architecture undertook a significant renovation of an apartment situated in a former paper factory in Brooklyn, New York. The building, originally converted into artist studios in the 1980s, required extensive modernization to align with contemporary living standards. The Boerum Hill Loft project by OSSO Architecture aimed to transform the outdated space into an open and modern residence while preserving its inherent character through the integration of original architectural details. The renovation involved strategic modifications to the structural layout, notably the removal of a load-bearing brick wall. This alteration effectively doubled the living room space, creating a more expansive and adaptable central area within the loft. The design incorporates mid-century furnishings, contributing to a blend of historical context and modern aesthetic within this enlarged living space. The material palette selected for the renovation emphasizes natural tones and textures. This includes the use of natural oak, maple, American walnut, reclaimed brick, and blackened steel, all chosen to complement the industrial heritage of the building while introducing warmth and contemporary appeal. Vertical circulation within the loft is managed by two distinct staircases. An original spiral staircase provides access to the second floor, which houses the main bedroom, a bathroom, and an outdoor terrace. This original feature serves as a nod to the building's past, maintained and integrated into the new design. In addition to the main bedroom suite, a separate ladder-like staircase in the kitchen area leads to a loft bedroom, specifically designed to accommodate overnight guests. This maximizes the utility of the vertical space and offers a flexible sleeping arrangement. The overall design concept for the Boerum Hill Loft focuses on creating a harmonious balance between the building's industrial origins and the requirements of a modern residential dwelling. The careful selection of architectural finishes and the thoughtful layout demonstrate an approach that respects the history of the structure while injecting it with contemporary functionality and style. The project successfully re-imagines an industrial space into a comfortable and stylish home, highlighting the potential for adaptive reuse in urban environments. #BrooklynLoft #OSSOArchitecture #IndustrialConversion #ApartmentRenovation #BoerumHill #ModernDesign #InteriorArchitecture #AdaptiveReuse #ArchitecturalRenovation

The Frick Collection, housed in a 1914 limestone mansion in New York City, has undergone its most extensive upgrade in nearly 90 years, allowing visitors for the first time to explore the private second-floor suites of the Frick family. Previously, the museum primarily showcased its collection in the grand first-floor rooms, but now the more intimate, domestic-scale spaces—comprising about 10 rooms and several passageways that once served as bedrooms and sitting rooms for Henry Clay Frick, his wife Adelaide, and daughter Helen—have been converted into galleries. This transformation offers a unique perspective on the collection within a historically preserved domestic setting. Selldorf Architects completed this comprehensive renovation, which opened in April, revealing the grand architectural style and personal living spaces of the early 20th-century industrialist family. A notable artistic feature on the second floor is an enchanting ceiling mural along the corridor, contrasting with the formal interiors. This hand-painted work by John Alden Twachtman depicts cerulean skies and landscapes filled with monkeys dressed in Chinese costumes, engaging in human activities. This playful design is a nod to French Rococo traditions of singeries and chinoiseries, with a particularly charming detail being a monkey lighting candles for a floating lantern near the entrance to Adelaide’s bedroom suite. The mural's commission highlights the pioneering work of Elsie de Wolfe, considered America's first interior decorator. De Wolfe, at the beginning of her career, boldly pitched her services to Mr. Frick in 1914, emphasizing her expertise in detail and understanding of women's spaces, which she argued male decorators often overlooked. Her persistence led to her being hired, and she subsequently created the iconic Boucher Boudoir. This room, a vibrant display of 18th-century French exuberance, features eight cherub-laden panels painted by François Boucher, depicting the arts and sciences. After previously being displayed on the museum’s main floor, the Boucher Room has been meticulously restored to its original location adjacent to Mrs. Frick’s bedroom. This boudoir, serving as Mrs. Frick's private sitting room, is celebrated for its complete ensemble, including its corner location with windows offering views of Central Park and 70th Street. Another significant area now accessible is the beloved breakfast room, where the family shared their first meal of the day. This room, facing east, captures the morning light, creating a warm ambiance, and showcases the domestic routine of the Frick family, where meals were brought up from the lower-level kitchen by a waiter. To commemorate these enhancements, the museum is hosting the exhibition "Vermeer’s Love Letters" throughout the summer. This exhibition reunites the Frick’s masterpiece, Vermeer’s "Mistress and Maid," with two special loans: "The Love Letter" from Amsterdam’s Rijksmuseum and "Woman Writing a Letter" from the National Gallery of Ireland. Displayed together in a single gallery for the first time, these three works offer a fitting tribute to the newly refurbished Gilded-Age museum. #FrickCollection #NewYorkCity #MuseumRenovation #ElsieDeWolfe #InteriorDesign #GildedAge #VermeerExhibition #ArchitecturalHistory #ArtCollection

This article showcases a collection of historic brownstones in New York City, primarily located in the West Village and Brooklyn, which are currently on the market. These properties range from classic 19th-century townhouses to modern eco-friendly homes, each offering unique architectural styles, luxurious amenities, and captivating interior designs. The article highlights several distinct brownstones, detailing their features, prices, and locations. The first property presented is a renovated brownstone on the Upper West Side, priced at $23 million (£17.8m). This 25-foot wide, six-bedroom residence spans six floors, featuring two entrances and an elevator. Its main living area boasts 13-foot-high ceilings, ornate plaster moldings, a marble fireplace, Venetian-glazed walls, and original wooden shutters. The modern kitchen is equipped with two sinks, three ovens, a wine fridge, a center island, and oversized French doors leading to a 50-person patio. Additional features include a fully equipped gym, a 2,000-bottle wine cellar, and a butler's pantry. Next, an eco brownstone in the Upper West Side is featured, valued at $13.5 million (£10.5m). This property has been renovated to achieve passive house status, incorporating triple-glazed windows and a sophisticated ventilation system. Its interior is characterized by dark wood, white walls, and minimalist furnishings, with an 11-foot-high ceiling in the living room, an ethanol-burning fireplace, and floor-to-ceiling windows overlooking a garden. The kitchen, located on the entry level, includes high-end appliances, a Caesarstone center island, and ample storage. The entire third floor is dedicated to the master suite, which comprises a luxurious marble bathroom with a standalone bathtub, dark wood units, a reading nook, a private balcony, and two walk-in wardrobes. Another property is a restored brownstone built in 1887, also priced at $13.5 million (£10.5m), featuring seven bedrooms, five bathrooms, and seven fireplaces. The interior is tastefully decorated with wooden floors and a neutral color scheme, highlighted by a formal living room with floor-to-ceiling windows and a stone fireplace. The master bedroom, situated on the second level, includes an en-suite bathing room with a large fireplace, stained-glass windows, and a centrally placed tub. A games room with a modern pool table and a fireplace with yellow brickwork is also part of this residence. A Queen Anne brownstone, available for $8.8 million (£6.8m), has been restored to combine original features like arched doorways and soaring ceilings with a vibrant, modern interior. The dining and living area connects to the garden via three floor-to-ceiling French doors. A unique living area with 30-foot-high ceilings houses a library wall with a ladder and is adorned with colorful furnishings and abstract art. The master bedroom on this property has a peaked ceiling, a skylight, built-in wardrobes, and a bathroom with heated granite floors and a steam shower. An Upper East Side townhouse, priced at $5.4 million (£4.2m), offers a six-bedroom, five-and-a-half-bathroom layout with pre-war style and modern amenities such as built-in security and air conditioning. Its living area features parquet flooring, a carved fireplace, and sliding doors leading to a garden. The house includes two kitchens, with the ground-floor kitchen showcasing green marble worktops and country-style units. The master suite is equipped with a jacuzzi bath and steam shower. A five-story brownstone in Hamilton Heights, at $3.9 million (£3m), boasts 4,500 square feet, five bedrooms, and five bathrooms. Its parlor level has two large entertaining rooms, one in vivid yellow and another a piano room with an en-suite. The master bedroom on the second floor has a jet shower, walk-in wardrobe, built-in office, and two oak fireplaces. The third floor includes two additional bedrooms with en-suite bathrooms, one featuring skylights and 'his-and-hers' sinks. Finally, a modern brownstone house in Brooklyn, also at $3.9 million (£3m), has been recently renovated across four floors, including a penthouse and a finished basement, with a 1,000-square-foot garden. The parlor floor hosts a stylish kitchen with a stone-center island and high-end appliances, leading to a sitting area with glass doors opening to a deck and garden. The master suite occupies the entire third floor, featuring a large bedroom, 'his-and-hers' walk-in wardrobes, and a master bathroom with three large windows. The home also includes two separate laundry rooms, air conditioning, and surround speakers. These showcased brownstones illustrate a range of historical elegance, modern luxury, and eco-conscious design, providing inspiration for diverse tastes in home ownership. #NewYorkCity #BrownstoneHomes #LuxuryRealEstate #HistoricHomes #HomeDesign #InteriorDesign #EcoFriendlyHomes #PropertyMarket #Architecture

This article, part of Brownstoner’s "The Insider" series by Cara Greenberg, focuses on custom built-in cabinetry as a solution for the common lack of storage in Brooklyn brownstones. It highlights the work of Brooklyn-based design team Nastasi Vail, who specialize in creating built-ins that blend with 19th-century architectural character while providing modern storage solutions. The article details three specific examples of their custom designs in Cobble Hill, constructed by Alex Luchynskyi of A Royal Builder. The first example showcases a pair of dining room cabinets on the parlor floor of a brownstone. The space, initially a "blank slate" lacking original architectural details like cornices and ceiling medallions, was given a "false history" through the built-ins. A curved detail from a downstairs entry door was incorporated into the frosted-glass cabinet doors. Mirrored panels between upper and lower cabinets were strategically placed to enhance light reflection in the windowless room during the day and to amplify the glow of candlelight at night. A radiator was discreetly hidden behind the lower cabinet doors near the chimney breast. For an unexpected visual element, Nastasi Vail painted the interiors of these cabinets in Farrow & Ball’s Rectory Red, reflecting their preference for incorporating "surprises" and interior detailing, such as wallpapering the insides of closets when clients permit. The second case study features an all-purpose unit designed for the entry foyer of a pre-war apartment. This versatile built-in includes drop-down fronts that convert into functional surfaces for tasks like using a laptop or a sewing machine. The paneling design of this unit was specifically crafted to echo the architectural style of the building’s front door, which David Nastasi describes as having an "Eastlake Victorian" aesthetic. The third illustration of Nastasi Vail's work is a built-in created for the dining room of a small row house. This piece is designed to appear as a freestanding furniture item, featuring a footed base, a Gothic-inspired three-point arch, and drop pulls. It is topped with a glossy wood counter. This particular built-in offers storage solutions for wine and a stereo system, including a slide-out panel specifically for a turntable. The article also provides practical information for potential clients, noting Nastasi Vail’s design fee of $135 per hour and construction costs ranging from $1,100 to $1,500 per linear foot, depending on complexity and assuming an 8-9 foot ceiling. The built-ins are constructed using solid hardwood and medium-density fiberboard (MDF), finished with wood moldings. Ken Hild is credited for the photography. #InteriorDesign #BrownstoneRenovation #BuiltInCabinetry #StorageSolutions #CustomDesign #BrooklynHomes #CobbleHill #ArchitecturalDetailing

This blog post details a two-bedroom apartment available for rent in a Brooklyn Heights brownstone, highlighting its unique architectural and design features. The apartment is situated in a sprawling Italianate brownstone at 124 Remsen Street, a building that is exceptionally wide at 37.5 feet and spans through to the block's opposite side, having merged with its former stable. This particular unit, one of 17 in the building, appears to be on a prime floor, featuring a distinctive layout. The living space is a key highlight, characterized by an octagonal, oblong shape located at the rear of the brownstone. It boasts grand plaster details on the ceiling, a marble fireplace, and recently installed wood floors. Three original closets are integrated into the living room, alongside a large window with original shutters that has been converted into a glass double door with a transom, though the listing does not specify if this leads to any outdoor space. A short flight of steps connects this grand living room to the rest of the unit, which seems to occupy the building’s middle wing, offering windows on both sides for natural light. Moving beyond the living room, the unit includes an upstairs dining area featuring striking black and white diamond-patterned flooring, a design element that continues into the adjacent petite galley kitchen. The dining area provides ample space for a table and chairs, supplemented by wall-hung cupboards for storage. The kitchen is equipped with a tall arched window, a few wood cupboards, and a stone counter. While a dishwasher is not explicitly shown in the provided images, there is a designated space for one next to the sink. The apartment comprises two bedrooms, both described as spacious enough to accommodate a queen-sized bed. One of these bedrooms includes a built-in cupboard positioned high on a wall, accessible via a ladder, adding a unique touch. The hallway likely conceals additional closet space and the apartment’s 1.5 bathrooms. The full bathroom presented in the images is in good, functional condition, featuring a tub, white square wall tiles, and a basketweave patterned floor. The brownstone itself, constructed between approximately 1861 and 1879, showcases an imposing exterior with architectural details such as a dentil cornice and a deep entrance door hood, as noted on the Landmarks map. Historical records indicate that the Walter F. Hatch family resided in the brownstone starting in the 1870s, and the building underwent redecoration and stable updates in 1887. The units within the building are all market rate, and this specific apartment, listed by Lior Cohen of Brooklyn Heights Real Estate Inc., is available for occupancy starting in February at a monthly rent of $5,200. The post concludes by posing the question of whether the price is justified given the apartment's features and location. #BrooklynHeights #ApartmentForRent #Brownstone #ItalianateArchitecture #HistoricBuilding #LuxuryRental #InteriorDesign #RealEstate

This article features a New York City loft designed by Michael Ellison, taking inspiration from the aesthetic portrayed in the novel and film "American Psycho," albeit without the violent themes. The client, a businessman from Connecticut, commissioned Ellison to create a conversational and moody pied-à-terre in a former artist's building in Soho. The design significantly departs from a previous traditional Nantucket house Ellison designed for the same client, which featured fifty shades of white, cream, greige, and blue. This new project embraces a darker, more provocative atmosphere. Ellison's design strategy for the Soho loft involved emphasizing a dramatic and edgy ambiance. Upon entering, guests are greeted by a custom steel "fence" that subtly separates the entryway from the main living area, allowing for a gradual transition while still offering a view into the apartment. The living room is characterized by a textured black wall, which Ellison describes as an "abyss," complemented by oxblood wool curtains. The furniture selection includes a vintage De Sede Snake sofa, a distinctive swinging chaise suspended from the ceiling, and a gallery wall anchored by Vik Muniz's artwork "Amore and Psyche. In the dining area, a piece by Wayne Pate from Armature Projects is hung from chains, further contributing to the desired "dangerous" aesthetic. Ellison's primary goal was to ensure every element of the interior felt a little provocative and intriguing. Despite the dramatic aesthetic changes, the architectural modifications to the loft were kept minimal. Ellison focused on replacing the existing squeaky floors and upgrading the lighting with fixtures from Apparatus and Galerie Philia, along with a Noguchi paper globe. The kitchen received a modern update, featuring a waterfall island crafted from Arebescato Orobico marble. The cabinetry is painted in Benjamin Moore's Black Beauty, creating a sophisticated contrast. The designer, Michael Ellison, launched his firm three years prior to this project, having previously served as the design director at Workshop/APD. This project represents an adventurous new chapter for the client, offering a distinctive and bold living space in New York City. For Ellison, the loft demonstrates how even unconventional and darker inspirations can be transformed into a chic and compelling interior design. #NewYorkLoft #MichaelEllison #InteriorDesign #SoHo #AmericanPsychoInspired #DarkAesthetics #ModernDesign #LoftConversion

This article showcases four open house properties in Bedford Stuyvesant, Brooklyn, highlighting their architectural styles, interior details, and recent updates. All four properties are located in a neighborhood recently recognized as a top global destination, offering a concentrated opportunity for potential buyers to explore on a single Sunday. First, a Queen Anne style house at 147 Halsey Street stands out with its distinctive faux mansard roof, oriel windows, and Romanesque Revival arches. The interior boasts significant original details, including wood floors, intricate trim, and decorative mantels with colorful tiles. The wet rooms have been recently modernized, and the listing also notes the presence of an original full-wall mural by conceptual artist Sol Lewitt. This legal four-family residence is currently configured as an owner's duplex with two rental apartments, appealing to those seeking income potential alongside a historic home. Next, 593 Jefferson Avenue presents a grand Romanesque/Renaissance Revival brownstone from the early 20th century, designed by Langston and Dahlander. This two-family home, split into upper and lower duplexes, features impressive details such as stained glass, parquet flooring, a pier mirror, elaborate fretwork screens, and original tile-adorned wood mantels. A well-preserved circa 1940s bathroom maintains its charm with white subway tile walls, turquoise mosaic floor tile, and an arched tub niche. The property also includes new mechanicals and central air conditioning, offering modern comfort within a historic shell. This home was previously featured as a 'House of the Day' in 2018. Third, 437 MacDonough Street features an 1890s Queen Anne/Neo-Grec brownstone characterized by elaborate unpainted woodwork, richly colored walls, and slate mantels. Currently used as a single-family home, this two-family residence offers four bedrooms and three bathrooms, with a parlor floor kitchen and a deck leading to a landscaped garden. The bathrooms have been updated to contemporary styles, and one bedroom, set up as an office, benefits from large windows and a glass door overlooking the garden. Modern amenities include new mechanicals and zoned air conditioning and heating. Finally, 286 Stuyvesant Avenue showcases an 1881 Neo-Grec brownstone in Stuyvesant Heights. This single-family home retains classic details of its era, such as intricately carved marble mantels and plaster embellishments like arched niches and ceiling medallions. The house features four bedrooms, 2.5 recently renovated bathrooms, and a hidden fourth floor. Updates to plumbing, electric systems, and the roof have been completed, and original features like passthroughs with sinks, shutters, and Lincrusta are still intact. These four properties, ranging from $1.895 million to $2.8 million, provide a diverse look at Bed Stuy's desirable housing market, blending historic charm with contemporary living needs. #BedStuy #BrooklynRealEstate #Brownstone #QueenAnneArchitecture #NeoGrecDesign #HistoricHomes #OpenHouse #InteriorDesign #ArchitecturalDetails

Light and Air Architecture (L/AND/A), a Brooklyn-based studio, has completed a significant renovation of a 2,700-square-foot (251-square-meter) row house, originally built in the 1880s in the Bedford Stuyvesant (Bed Stuy) neighborhood. The project, named Switchback House, focuses on redesigning the interior around a new structural stairwell, aiming to address the inherent challenges of traditional row houses, which are often characterized by their dark, narrow, and divided spaces. The renovation strategically replaces the original stacked stair with a more dynamic "switchback" staircase. This design alteration is central to the project's goal of enhancing natural light penetration and visual connectivity throughout the home. A key element of this transformation is the installation of a 14-foot (four-meter) skylight directly above the new vertical stair volume. This skylight is designed to flood the interior with natural light, which then cascades down through the various levels of the house, thanks to the reconfigured stairwell. To facilitate the new staircase and improve structural integrity, steel beams were integrated at each of the three storeys. These beams reinforce the existing joists and enabled the doubling of the staircase's original opening, thereby creating a more expansive and open vertical circulation space. The switchback design also allowed for the removal of a traditional hallway that typically connected stacked stairs, resulting in a continuous 32-foot-high (10-meter) volume that visually unites the three floors. Additionally, other interior walls were eliminated to create open-plan living areas, further contributing to the sense of spaciousness. The interior aesthetic of the Switchback House is characterized by a minimal approach, complemented by warm material choices. The existing wooden spools and railings of the original staircase were replaced with solid white guardrails, harmonizing with the overall minimalist theme. American white oak flooring is used throughout, along with other timber accents that add warmth and texture to the spaces. The ground floor features a living room and a kitchen with a dining area, separated by a storage area and a powder room. The kitchen cabinetry includes lower timber units that match the flooring, tables, and chairs, contrasted with white storage units and white marble countertops. A large black pendant light by Brendan Ravenhill hangs above the dining table, serving as a focal point. The first floor accommodates a large bedroom and a bathroom, while the upper level houses three additional rooms and another bathroom. These stacked floor plans highlight the narrow footprint typical of row houses, with a private garden situated at the rear of the building. Light and Air Architecture noted that the house was found in disrepair, with much of its historic detailing removed and the original layout having been modified into a rooming house with multiple small apartments. This presented an opportunity to reimagine the potential of an urban townhouse, transforming a historically grand but subsequently neglected space into a bright, open, and visually interconnected contemporary home. This project is part of a broader trend of property renovations in New York City that often involve significant alterations to staircases to enhance light and open up interiors, as seen in various other Brooklyn and New York City projects. #SwitchbackHouse #BrooklynRenovation #StaircaseDesign #NaturalLight #OpenPlanLiving #NewYorkCityArchitecture #ResidentialInterior #HomeRenovation #MinimalistInterior

Architects frequently recommend transforming dark, elongated Brooklyn row houses into vibrant, spacious living areas by opening up the rear wall, a technique colloquially known as "blowing out the back." This renovation involves installing a wall of windows, often spanning the parlor or garden level, to introduce natural light and connect the indoor space with the outdoors. This architectural intervention seamlessly integrates 19th-century brownstone aesthetics with modern design principles, significantly enhancing the daily living experience for residents. The popularity of this modification is evident, with architects like Drew Lang receiving numerous requests specifically for this type of renovation, underscoring its profound impact on a home's ambiance. Various approaches exist for implementing this rear wall transformation. Depending on the house layout, especially if the kitchen is located at the back of the parlor level, an architect might install counter-height windows above lower cabinetry. In some instances, floor-to-ceiling accordion doors are used to create a seamless transition to the exterior. For more extensive renovations, a window system might extend across multiple stories, necessitating additional structural support. Material choices for these windows range from standard aluminum clad and more economical commercial storefront windows to the premium and most expensive steel options. Drew Lang favors replacing the entire back wall with a floor-to-ceiling steel window due to its slender profile, which maximizes glass area. However, such a significant alteration comes at a substantial cost, with starting prices around $75,000. This estimate typically covers demolition, structural work, and the window itself but may not include high-quality, thermally broken steel windows, which are designed to prevent heat transfer. Despite the high investment, Lang emphasizes that the transformation dramatically impacts light transmission throughout the house and improves the overall feel of the interior spaces. Architect Alexandra Barker notes that clients undertaking major renovations almost invariably request the opening of the back wall. Her budgeting for this project ranges from $25,000 to $30,000, which includes approximately $9,000 for basic aluminum-clad windows, $5,000 for demolition, $5,000 for new masonry, and $5,000 to $7,000 for a new steel lintel. This budget typically does not cover engineer and architect fees or the additional cost of a rear deck, which is often integrated with a wall of rear windows featuring a door. Barker highlights that the parlor floor is usually the primary focus for this renovation, as homeowners prioritize creating interconnected and well-lit spaces on this level. Bill Caleo, a partner at The Brooklyn Home Company, a home builder, consistently incorporates "blowing out the back" in his gut renovations of single- or two-family houses. He states that this modification fundamentally alters the traditionally tunnel-like dynamic of brownstones, transforming them into luminous and aesthetically pleasing homes. Caleo performs this renovation whenever feasible, only abstaining if intricate original details risk being compromised. The extent of the renovation frequently influences the height of the rear opening. For example, a two-story rear addition allows for easy integration of a double-height wall of windows since the structure is being built anew. In cases where floor-to-ceiling windows on the parlor-level kitchen might reduce counter space, a large kitchen island can compensate. Caleo notes that the parlor level is the most common location for this opening, approximately 95% of the time, as it optimizes light and offers views of the backyard, enhancing the connection to outdoor living space. #BrooklynRenovation #BrownstoneDesign #InteriorDesignIdeas #NaturalLight #ArchitecturalRenovation #SteelWindows #HomeTransformation #ModernDesign #BrooklynArchitecture

The article features a Greek Revival house at 49 Willow Place in Brooklyn Heights, currently on the market for $4.525 million. This residence is part of a rare, picturesque row of four Greek Revival colonnade houses, a style considered modern in the 1830s and 1840s, and now scarce in 21st-century Brooklyn. While the interior of the house underwent a gut renovation in the early 2000s, its exterior maintains its original character as part of a visually unified stretch of two-story brick houses, distinguished by simple wooden columns that form the colonnade. Historical records suggest this particular row on Willow Place was completed by the mid to late 1840s. City directories indicate residents were present in some of these houses by 1847. Notably, in early 1849, one of the houses in the row was acquired by the Oneida Association, a utopian religious community established in 1848, serving as their Brooklyn branch. The Association, comprised of "Perfectionists," later expanded to include another house in the row the following year. An 1888 article described the row on Willow Place, then considered a deteriorating street, as having been constructed by Anson Blake, though the attribution is not definitively confirmed. Blake was a real estate figure of the period and owned at least one other colonnade row nearby. The 1850 census shows William and Sarah Owens residing at 49 Willow Place (then known as No. 47) with their six children and a servant. William Owens was employed as a glassblower. Advertisements for the Oneida properties in 1857 provide insight into the typical interior features of these houses, including nine rooms, marble mantels, sliding doors, and gas service. The renovated interior of 49 Willow Place retains some of these historic elements, such as marble mantels, a period newel post, and wide-plank floorboards, while integrating modern amenities like updated wet rooms and central air. The house spans four floors, with the garden level housing the dining area and kitchen. The floor above features double parlors, and the top two floors are dedicated to bedrooms. The residence offers ample bathroom facilities, with three bathrooms distributed across the bedroom floors and a powder room on the garden level. The double parlors are separated by pocket doors, each featuring a black marble mantel and a wood-burning fireplace. The front parlor is equipped with full-height windows overlooking the front porch. The modern kitchen, located at the rear of the garden level, is fitted with wood cabinets and stainless steel appliances, including a stove hood. A long peninsula effectively separates the cooking area from the dining space. A brick fireplace is also present in this area, and a door provides access to a compact rear yard. The second floor accommodates two bedrooms and two bathrooms, one of which is en suite. On the top floor, only the rear-facing bedroom and its small attached office have external windows; the front bedroom and its corresponding bathroom are illuminated by skylights. The rear yard includes a paved patio suitable for dining, along with planting beds and space for container gardening. The property last changed hands in 2004 for $2.3 million. The current listing is held by Jeb Hart of Corcoran. #BrooklynHeights #ColonnadeRow #GreekRevivalArchitecture #HistoricHome #RealEstate #LuxuryHome #Brownstone #NewYorkCity

This article details a recently renovated brownstone located at 541 1st Street in Park Slope, Brooklyn, listed for $7.49 million. The property features eight bedrooms, four bathrooms, and private outdoor spaces, emphasizing a blend of historic preservation and modern upgrades. Lyons Studio professionally designed and furnished the home, highlighting original architectural details like millwork and molding while incorporating contemporary elements. The parlor level, boasting 10-foot-high ceilings, welcomes visitors with a wallpapered entryway featuring custom harlequin marble tile and includes a restored pier mirror and ornate banisters. The formal living room on this level is bright, characterized by new herringbone flooring, a spacious layout with a sitting area under large bay windows, a unique chandelier, and restored stained glass transom windows. A functional fireplace divides the living area from the dining space, which accommodates a large table. The rear of this level houses a generously sized kitchen equipped with new skylights, Calacatta marble backsplash and counters, an integrated Sub Zero refrigerator, and an eat-in banquette suitable for dining or a work-from-home setup. Sliding doors connect the kitchen to a new iron deck that leads down to the garden. The upper floor is dedicated to the primary bedroom suite, a sun-drenched space with custom lighting, bay windows overlooking the tree-lined street, a decorative fireplace, and elegant moldings. The en-suite bathroom, separated from the bedroom by a walk-in closet, offers a double vanity, custom marble and tile-work, a freestanding tub, and a spa shower. This floor also includes a small study. The top-level accommodates three additional bedrooms, a Jack and Jill bathroom, another study, and a washer-dryer. The garden floor, accessible via its own entrance, is designed for family-friendly use. It includes a mudroom, a laundry room, and an additional bedroom with a full bath. An extension on this level provides ample space for a family room, complete with a wet bar, wine fridge, and dishwasher, making it suitable for entertainment. The 20-foot-wide home features a private outdoor garden, accessible from both the garden level and the kitchen deck. Its location offers convenient access to Prospect Park, with commercial amenities on Seventh Avenue a block west, and Grand Army Plaza and the Brooklyn Public Library’s main branch to the north. Deeded parking is also available for separate purchase. The listing is managed by Jessica Buchman of The Corcoran Group. #BrooklynBrownstone #ParkSlope #LuxuryRealEstate #HistoricHome #HomeRenovation #InteriorDesign #NYCRealEstate #FamilyFriendlyHome