kazuhiro yamanaka fastens roll of A3 paper with power cable for playful lighting fixture

The article explores the enduring appeal of paper lantern lights, tracing their origins to Isamu Noguchi's iconic Akari light sculptures. Noguchi, a Japanese-American artist, designer, and architect, developed these designs in 1951 in Gifu, Japan, a town historically known for paper umbrella and chochin production. His collaboration with the Ozeki family studio led to over 100 Akari designs, blending traditional craftsmanship with modern aesthetics. The name "Akari," meaning "light" and "lightness," perfectly encapsulates the ethereal quality of these lights, crafted from washi paper and bamboo ribbing. Noguchi's experimental approach resulted in various styles, from classic spherical pendants to multicolored, anthropomorphic standing lanterns. More than half a century later, paper lanterns remain a versatile and desirable lighting option. They can serve as a luminous focal point in Scandinavian minimalist interiors or as a subtle accent in bohemian spaces. While original Noguchi designs are still available, many retailers offer more budget-friendly alternatives and high-end variations inspired by his vision. The article then presents a curated list of ten top paper lantern lights, categorized by their unique features and appeal. Among the recommendations is the "Early Isamu Noguchi Akari Light Sculpture" for those seeking a vintage and authentic piece, with details on its 1968 design, materials, and Noguchi's signature logo. The "Flora Lantern" is highlighted as the best hand-painted option, featuring whimsical designs by Pilar Almon, available in various shapes and patterns. For a budget-friendly choice, the "HAY Rice Paper Shade" offers a classic, timeless design in multiple sizes, ideal for individual display or constellations, noting the need for a separate pendant cord set. The "Floral Lace Battery Lantern, Long Oval" is presented as an indoor-outdoor solution, crafted from UV-resistant Tyvek fabric with a lace-inspired geometric pattern and remote control features. The "Nogy Pendant Light Fixture" is identified as a great Amazon find, mimicking Noguchi’s Akari E ceiling lantern with its elongated rice paper design, multiple bulbs, and hardwired installation. The "Pleated Paper Table Lamp" from H&M is recommended for its cottagecore aesthetic, available in various colors and floral prints, suitable for children's rooms or as a playful accent. The "West Elm Hanging Paper Lanterns" are suggested as the best set, offering mix-and-match flexibility with accordion-like forms and including fairy lights. The "Temari Japanese Paper Lamp Shade," available on Etsy, stands out for its unique patterns, inspired by traditional temari handballs, made from reinforced paper. The "1-Light Geometric Paper Lantern Pendant" from Hokku Designs is chosen for its sculptural appeal, featuring contrasting black bands and adjustable length. Finally, the "Meri Meri x Molly Mahon Lanterns (x 3)" are featured as the best decorative lanterns, offering colorful, whimsical designs ideal for year-round use or party settings, complete with hanging cords and coordinating fabric options. #PaperLanterns #HomeDecor #LightingDesign #IsamuNoguchi #AkariLightSculptures #InteriorDesign #HomeAccessories #ModernLighting #DecorativeLighting

The VTNA Table, designed by Yuta Takahashi Design Studio, showcases a radical transformation of an overlooked material: styrofoam. This work table is not merely a functional piece but a symbolic representation of creativity, willpower, and sculptural intention, turning what is often considered disposable into an extraordinary design statement. The design challenges conventional perceptions of material value by elevating styrofoam to a medium capable of bold expression. From an initial glance, the VTNA Table immediately captures attention due to its avant-garde silhouette. The tabletop is gently rounded, providing a softer and more fluid aesthetic compared to the rigid, angular forms commonly found in desk designs. This choice introduces a sense of organic flow to the piece. Beneath the tabletop, the table's legs are formed by two sharply angled triangles that intersect. These triangular structures are designed to provide both strength and stability, grounding the piece with a subtle reference to the Earth's power. The interplay between the tabletop's soft curves and the legs' sharp angles creates a visual tension, which is central to the table's overall sculptural presence and distinctive character. Upon closer inspection, the hand-polished surface of the tabletop reveals subtle irregularities. These imperfections are intentionally crafted to mimic the natural patterns found in wood grain, effectively making the viewer question the table's actual styrofoam composition. This clever detail adds depth and an unexpected natural quality to the material. The contrast between the smoothly polished flat surfaces and the rippling, uneven edges, all meticulously created by hand, establishes a compelling juxtaposition of textures. This tactile variety enhances the piece's futuristic form by injecting warmth and a sense of handmade artistry. The careful execution of these details highlights the studio's commitment to craftsmanship and the deliberate manipulation of material perception. The construction of the VTNA Table involves carving the entire structure from polystyrene foam using a hot wire. After the individual components are shaped, they are securely glued together to form the complete table. To ensure enhanced strength and long-term durability, the assembled styrofoam structure is then coated with a fiber-reinforced polymer (FRP) resin. This final coating not only strengthens the table but also seals and refines its surface. The process exemplifies how a material typically regarded as disposable can be transformed through innovative design and manufacturing techniques into a robust and aesthetically significant piece of furniture. This project serves as a powerful illustration of design's capacity to derive daring possibilities and significant artistic value from everyday, unassuming materials. The VTNA Table by Yuta Takahashi Design Studio stands as a testament to transformative design, demonstrating that even humble materials like styrofoam can be recontextualized into high-design objects. The table's unique blend of soft and sharp geometries, combined with its textural contrasts, creates a distinctive aesthetic that challenges traditional notions of furniture design. Its meticulous construction process, from hot-wire carving to FRP coating, underscores a dedication to both form and function, ultimately producing a piece that is both visually striking and structurally sound. #VTNATable #YutaTakahashiDesign #StyrofoamFurniture #InnovativeMaterials #SculpturalDesign #ModernFurniture #SustainableDesign #HomeFurnishings

The article introduces the 'Nest Lamp' by Bored Eye, a design studio founded by industrial product designer Liam de la Bedoyere, as their submission to the Render Weekly challenge. The challenge tasked designers with creating a custom light shade that seamlessly integrates with a provided socket. Bored Eye's innovative approach for the Nest Lamp focuses on accentuating the light's long cables, turning what is typically hidden into a central design feature. This concept was partly inspired by Gantri's ethos and their use of 3D printing in lighting products. The Nest Lamp is designed with a minimalistic aesthetic, appearing as a nest for a large 'egg lamp.' Its body is crafted from a plant polymer, which provides a soft-touch matte finish. This material choice is intended to avoid harsh, unflattering lighting, contributing to a more comfortable and natural illumination. The design philosophy behind the Nest Lamp aims to transform a seemingly messy pile of cables into a relatable and functional art piece, which Bedoyere believes is achievable by most users. Key features of the Nest Lamp include its eclectic warm opal shade, which effectively diffuses light to produce a natural and evenly distributed glow. Furthermore, the lamp boasts an extra-long cord, offering greater flexibility in terms of placement and how users can interact with the lamp within their environment. This extended cord length not only enhances the lamp's functionality but also contributes to its unique visual identity, reinforcing the idea of the cables as an integral part of the design rather than a component to be concealed. The design studio Bored Eye, based in Essex, UK, aims to create conceptual objects that blend function, style, and imagination. Liam de la Bedoyere, the founder, emphasizes crafting products that are far from conventional or 'boring,' focusing on unique solutions to common design challenges. The Nest Lamp exemplifies this by reimagining the functional elements of a light fixture as aesthetic components. This product represents a shift from traditional lamp designs where cables are typically hidden, instead embracing them as a core element that defines the lamp's form and interaction. #LightingDesign #ConceptDesign #InnovationDesign #IndustrialDesign #ProductDesign #SustainableDesign #HomeDecor #MinimalisticDesign

The article showcases 41 different Akari lamps designed by Isamu Noguchi, featuring how various individuals have incorporated these distinctive washi-paper light sculptures into their homes and professional spaces. Since their introduction in the 1950s, Noguchi's Akari lamps have maintained consistent popularity, serving as a symbol of tasteful yet understated design. Despite their widespread appeal, the article highlights a common challenge faced by potential buyers: determining the appropriate size and style of Akari lamp for a specific space, given the minimalist nature of the Noguchi website's product descriptions. To address this, the authors interviewed and gathered photographic contributions from a diverse group of owners, including writers, architects, designers, illustrators, and artists, each sharing their personal experiences and styling choices. Alexis Cheung, a writer, opted for a 1AY conical lamp, appreciating its unexpected color over a more conventional white. Architect Brent Buck centered a large spherical 120A lamp in his room, aligning it with a fireplace and hanging it low to create a sense of breathing space. Designer TyLynn Nguyen chose a 35N to hang above her dining table, seeking warmth and coziness for dinner settings. Illustrator Joana Avillez views her BB3-33S lamp as a singular, sculptural element, likening its shape to a floating crescent or a moon. Jared Blake, co-founder of Lichen, uses a UF4-L10 as his primary light source, valuing its warmth and architectural qualities, especially in a smaller living area. Designer Rafael Prieto finds his 7AD lamp brings peace to his apartment, appreciating Noguchi's translation of emotion into sculpture. Interior and furniture designer Pali Xisto Cornelsen integrated a PL2 lamp into a red-carpeted sunken living room, emphasizing its sculptural rather than purely utilitarian function. Co-founder of Inamorata, Kat Mendenhall, chose a 95F, drawn to Noguchi's philosophy that a futon and an Akari lamp are all a young couple needs, valuing its soft, comforting glow in her bedroom. Valérie Maltaverne, founder of Ymer&Malta;, received a special Akari BB2-15A commissioned directly from Japan, highlighting the unique connection with the Noguchi Museum. Beauty consultant Alexis Page selected a 10A for its lower profile and traditional shape, praising its warm lighting and ability to either blend in or become a focal point. Avril Nolan, co-founder of FORM Atelier, appreciates the commanding presence of the larger 21N and 23N floor models, favoring early editions with natural patina. Artist Serena Mitnik-Miller chose a 125F, the largest available at the time, to fill the high ceilings of her home, viewing it as a sculptural element. Natasha Garrett, founder of Roam Studio, selected a smaller, more affordable 1A lamp for its functional and sculptural qualities, creating a peaceful, glowing orb. Dung Ngo, founder of August Editions, sees the UF4-L9 as Noguchi’s ethereal tribute to Brâncusi, transforming heavy stone into light and paper. Author Fanny Singer installed a 50F over her dining table, aiming for a substantial yet non-overwhelming feature. Kerrilynn Pamer, co-founder of CAP Beauty, fell in love with an L6 lamp, describing it as having a couture dress form and a distinct personality. Filip Sevo of A.P.C. was drawn to the unique angular shape of the 26N, creating an intimate atmosphere in his living room. Textile designer Caroline Cockerham chose a 21A ceiling light for its interesting shape that doesn't obstruct views and expressed a desire to fill her entire home with Akari lamps. Architectural designer Amanda Gunawan connects her 45D and 21A lamps to Asian traditions of paper lanterns, finding them nostalgic and comforting. Go Kasai, founder of Go Kasai, Inc., selected the triangular 1P for its unconventional shape and portability, noting its harmony with another triangular table lamp. Chay Costello, merchandising associate director at MoMA Design Store, chose an orange patterned 1AT, finding its warm, sunlike glow resonant with Noguchi's inspiration. Decorator Carrie Carrollo positioned a 16A above her dining table, valuing its asymmetrical shape and ability to be a focal point. Michele Janezic, brand director at Umber & Ochre, uses a 1AG in a sentimental corner of her home, where its diffused light sets the mood. Artist and sculptor Dike Blair, a long-time Akari owner, replaced a damaged JP lamp, appreciating its simple design and 45-degree twist. Interior designer Sara Ruffin Costello uses a UF4-L10 in her bedroom and large 120A balls in her living room, highlighting their clean lines and harmony. Reporter Max Abelson inherited an XP1, viewing it as a "perfect block of light" and a treasured keepsake. Writer and curator Andrew Gardner received a 1N during the pandemic, seeing it as a symbol of beauty and comfort amidst chaos. Spencer Bailey, a writer, installed a PL2 across his ceiling, transforming the room into a lightbox and creating a cocoon-like feeling. Graphic designer and illustrator Naomi Otsu, reminiscent of Japan, chose a condensed 21A for its warm and inviting light, ensuring it didn't obstruct her TV view. Interior designer Colin King moved a 120A between various rooms, noting how its vastness subtly enhanced space. Finally, Ed Be, co-founder of Lichen, received a 1P as a gift, appreciating its organic lighting source compared to his metal-housed lamp collection. Spatial designer Christine Espinal received a 37D as a birthday gift and found a perfect spot for it in front of her corner window, noting how it lights up like a full moon. Another Akari 24N is also presented. Interior stylist Theresa di Scianni acquired a 125F after renovating her A-frame home, loving its warm, inviting light. This collective sharing offers practical insights into styling and appreciating these iconic designs. #HomeDecor #AkariLamps #IsamuNoguchi #LightSculptures #InteriorDesign #HomeLighting #WashiPaper #DesignInspiration #HomeStyling

Paper lantern lights are experiencing a significant resurgence in popularity, becoming a prominent feature in contemporary interior design. These lights, typically featuring a single bulb encased within a paper shade, are not a new invention but rather a re-emerging design trend with a rich history. The most influential origin of these iconic fixtures can be traced back to Japanese-American artist Isamu Noguchi. While Noguchi was renowned for various contributions to the design community, including his famous Noguchi Coffee Table, his paper lanterns, known as Akari, have recaptured widespread attention. Noguchi introduced his first Akari lantern in 1951 during a visit to Gifu, Japan. The city's mayor commissioned Noguchi to revitalize the local lantern industry by creating modern designs that transcended mere illumination, serving as both lighting fixtures and sculptural art. This endeavor led to the creation of the Akari series, which translates to “light” in Japanese. These pieces were envisioned as light sculptures, offering a blend of functionality and artistic expression. The original Akari lamps were a welcome addition to the design world, praised for their unique aesthetic and cultural significance. However, authentic Noguchi Akari lanterns, recognized as works of art, come with a substantial price tag, with some pieces fetching upwards of $7,000. Recognizing that such an investment might be prohibitive for many design enthusiasts, this article explores more accessible alternatives that capture the same aesthetic. A selection of paper lantern lights priced under $250 is presented, allowing individuals to achieve the coveted paper lantern look without the hefty expenditure. For those interested in investing in a genuine piece of design history, one original Noguchi Akari lantern is included as an homage to its iconic status. Among the featured alternatives, the HAY Rice Paper Shade, a product from the Danish brand HAY (founded in 2002), offers a perfectly spherical design that aligns with a midcentury modern aesthetic. It comes in two shapes and multiple sizes, though the hanging cord is sold separately. Another highly affordable option is the TopAAA White Round Paper Lantern, praised for its soft glow and durability, making it suitable for temporary setups or rentals. Urban Outfitters' Large Paper Lantern provides a unique blush shade that emits a warm, watermelon-colored light when illuminated, also available in white. For those seeking a direct Noguchi-inspired look, the Nogy Paper Lamp on Amazon closely resembles the Akari 1A, featuring an egg-shaped design with a paperclip base and available in various shapes and even LED color options. The Joss & Main Astri 1 Pendant draws inspiration from Noguchi's Akari 50EN, a floating ceiling pendant with an adjustable wire. The Case Furniture Soft Paper Pendant Light offers a creative take on Noguchi's work with a flat top and bottom and a black metal base, adding visual contrast. The Ebern Designs Daughtry 1 Pendant is reminiscent of Noguchi's Akari 100D, characterized by its perfectly imperfect internal webbing and available in three affordable sizes. Lastly, the H&M Home Rice Paper Lampshade, despite its unconventional shape, is a close match for the Akari 25N, providing a versatile option that can be hung or used as a table lamp with a separate base. The article concludes by presenting the Isamu Noguchi Akari 55A, an early design from 1951, showcasing the craftsmanship of handmade washi paper and bamboo, and described as a pristine vintage piece for serious collectors. #PaperLanterns #HomeDecor #LightingDesign #IsamuNoguchi #AkariLamps #InteriorDesign #AffordableLighting #DesignHistory #MidcenturyModern

Isamu Noguchi's Akari lamps, crafted from Japanese washi paper using traditional Gifu region methods since 1951, are celebrated as modern classics adaptable to diverse interior styles. This lookbook showcases eight distinct homes that integrate these sculptural lamps, highlighting their versatility and enduring appeal. The featured residences span various geographical locations and design philosophies. In a London home designed by Architecture for London, a small, playful orange Akari 1AY lamp adds a touch of vibrancy to a minimalist, energy-saving interior, strategically placed in the hallway entrance. Meanwhile, OWIU's Duane House in Los Angeles, a 1926 renovation blending mid-century modern and traditional Japanese aesthetics, features two Noguchi lamps in its airy bathroom: a smaller one on a side table and a large, cloud-shaped 25N model on the floor, enhancing the serene atmosphere. BC Arquitetos’ renovation of a 1970s São Paulo apartment incorporates a large, asymmetrical Akari light with black dots. This graphic piece provides a striking contrast against the apartment’s monolithic concrete columns and walnut paneling, injecting a playful element into an elegant space. In another London project, the Powerscroft Road townhouse by Daytrip, an Akari lamp playfully rests on a wood-fired stove in the excavated basement kitchen, complementing the gleaming stone floors and white marble table. Interior designer Yana Molodykh’s Kyiv apartment uses the spaceship-like Akari 9A lamp to complement its eclectic array of decorative objects and extensive storage solutions. The attic flat, designed with a palette of natural wood and cream, aims for a bright and inviting ambiance. Studio MK27’s Flat 6 in São Paulo, adorned with a mix of vintage and contemporary furniture, features a small Akari lamp illuminating a reading corner, harmonizing with the ipe wood paneling and basalt stone flooring. Freight Architects’ Oku House in Singapore, which draws inspiration from traditional shophouses and the Japanese concept of ‘oku’ (inwardness), strategically places Akari lamps in sparse, uncluttered minimalist interiors, including the staircase and light-filled kitchen. Lastly, House Bäumle in Austria by Bernardo Bader Architekten features an Akari 9A lamp flanking a wood-fired stove, contributing to the light and airy interior achieved through extensive use of pale wood, contrasting with the home’s blackened timber exterior. These examples demonstrate how Akari lamps, with their diverse shapes and colors, seamlessly integrate into various architectural and interior design contexts, from minimalist to eclectic, adding character and sculptural interest. #AkariLamps #IsamuNoguchi #HomeInteriors #LightingDesign #JapaneseDesign #WashiPaper #InteriorDesignInspiration #SculpturalLighting #ModernClassics

Industrial designer Keiji Takeuchi, based in Milan, has introduced a new line of pendant lamps named Lacquer, which draw inspiration from traditional Japanese lacquer bowls. These lamps, despite their contemporary release, possess a timeless aesthetic that could easily be mistaken for classic designs from the 1970s. The initial concept for the collection originated from Takeuchi's visualization of a Japanese lacquer bowl suspended upside down from the ceiling. This foundational idea led to the development of a small-sized pendant lamp, which subsequently expanded into a comprehensive collection featuring several larger variations. A key design element highlighted by Takeuchi is the intricate detail incorporated into the light diffuser. This component was meticulously crafted with a concave contour. This specific shaping ensures that the diffuser remains concealed within the lampshade when viewed from certain angles, maintaining the clean lines and aesthetic integrity of the design. Beyond its discreet appearance, this concave diffuser also serves a functional purpose: it effectively broadens the light distribution, spreading illumination across an impressive 180-degree wide angle. This thoughtful integration of form and function enhances both the visual appeal and practical utility of the lamps. The Lacquer collection is currently being manufactured and distributed by Nine Furniture, a European design brand. This collaboration brings Takeuchi's vision to a broader market, offering consumers a lighting solution that marries traditional Japanese artistry with modern industrial design principles. The emphasis on subtle details, such as the hidden yet highly functional diffuser, underscores a design philosophy that values both aesthetic beauty and innovative engineering. The overall impression is one of refined simplicity, where every element contributes to a cohesive and effective lighting fixture. The lamps reflect a blend of cultural heritage and contemporary design, making them versatile additions to various interior spaces. The collection is designed to provide both direct and ambient lighting, suitable for diverse residential and commercial applications. The production process by Nine Furniture ensures high-quality craftsmanship and adherence to the original design intent, making these lamps a notable addition to the modern lighting market. #PendantLamps #KeijiTakeuchi #JapaneseDesign #IndustrialDesign #LightingDesign #NineFurniture #HomeLighting #ModernDesign #DesignInnovation

This article explores the benefits of upgrading swimming pool lighting to LED technology, focusing on energy savings, reduced maintenance, and enhanced aesthetic appeal. Many existing pools, equipped with older incandescent or fiberoptic lighting systems, present a significant opportunity for service professionals to offer LED conversions. LEDs offer substantial energy savings compared to traditional lighting. Incandescent lights consume up to 500 watts, fiberoptic lights use 150 to 200 watts, while LED pool lights typically use between 20 and 50 watts per hour. This drastic reduction in energy consumption can lead to considerable cost savings for pool owners, potentially paying for the conversion within one to two years, depending on usage habits. Beyond energy efficiency, LEDs also boast lower maintenance requirements. Incandescent bulbs need replacement approximately every 2,000 hours, and fiberoptic systems require replacement every three to seven years, alongside other components like motors and color wheels. LED lights, in contrast, have a much longer lifespan, often exceeding 10 years, significantly reducing the frequency and cost of replacements. This longevity makes LEDs a more sustainable and economically sound option for pool owners. The ease of upgrading is another compelling factor. Many LED models are designed to fit into existing light niches, simplifying the installation process for service technicians. For instance, Hayward’s Universal ColorLogic LEDs are UL listed for various niche styles, eliminating the need for technicians to determine specific niche types. Similarly, Pentair’s GloBrite lights are made entirely of plastic, removing the need for grounding or bonding and making them suitable for gunite, fiberglass, or vinyl pools. One of the most appealing aspects of LED pool lighting is its ability to introduce a vibrant spectrum of colors. Pool owners can select from a wide range of hues or program dynamic light shows to match specific moods or events. This customizable lighting transforms the backyard ambiance, offering a significant upgrade from the static illumination of older systems. The transition to LEDs also extends beyond just the pool; modern platforms allow for the integration of multiple LED lights on a single transformer, enabling homeowners to illuminate landscaping, water features, and other outdoor elements, thereby creating a cohesive and visually striking outdoor environment. This expanded application presents additional opportunities for service professionals to broaden their offerings. Specialized LED replacements are available for fiberoptic systems as well. Companies like Fiberstars offer small-niche LED lights that fit directly into existing wall fittings, replacing fiberoptic cables and connecting to a 'Power Tower' controller with built-in transformers and wireless remote control. This allows for a straightforward conversion from older, more expensive fiberoptic systems to modern, color-rich LED lighting. Finally, the convenience of remote control is a major draw for contemporary pool owners. Systems like Zodiac’s iAqualink enable users to manage their pool lighting and other features via smartphones or tablets, enhancing user experience and control. The inherent safety of low-voltage LED systems (typically 12 volts) is also highlighted, particularly in contrast to the potential electrical hazards associated with high-voltage pool lights. Overall, upgrading to LED pool lighting offers a combination of energy savings, reduced maintenance, aesthetic versatility, and enhanced safety, making it an attractive investment for pool owners. #LEDLighting #PoolDesign #EnergyEfficiency #HomeImprovement #OutdoorLighting #SmartHome #PoolMaintenance #TechnologicalAdvancement #BackyardDesign

Paper pendant lights are celebrated for their versatility and enduring appeal in interior design, seamlessly fitting into diverse aesthetic settings from rustic farmhouses to modern minimalist studios. These fixtures offer an ethereal yet grounding presence, available in a wide range of sizes, shapes, and price points, making them accessible for various budgets. The article highlights several standout options, beginning with Hay's Rice Paper Shade, a contemporary classic supported by a bamboo frame and available in four sizes, positioning itself as a mid-range option between budget and high-end selections. For those seeking affordability, Pearl River Mart's Paper Lantern is presented as a highly economical choice. With 14 available sizes, most priced under $30, including a substantial 36-inch fixture, these lanterns offer a more expensive look than their cost suggests. The brand also provides various shapes to cater to different design preferences. Moving to a more artisanal category, Made by Hand's Papier Single Pendant, stocked by Urban Natural, is designed by Nina Bruun. These Danish paper styles, accompanied by a hardwired, fabric-covered cord set, are also compatible with plug-in options, offering flexibility in installation. Another budget-friendly option is the Henjjras White Oblate Pendant Lamp Shade from Amazon, praised for its ease of installation, ideal brightness, and ability to create a warm, cozy ambiance for just $30. At a higher price point, the Noguchi Akari Pendants, conceived by artist Isamu Noguchi, are presented as a lifetime investment and a piece of art. Manufactured since 1951 in Japan, these light sculptures offer both functionality and aesthetic value. The Ingo Maurer Floatation Suspension Pendant, a 1980s design touchstone, is an heirloom-worthy fixture featuring three handmade Japanese paper shades and a red iron ring for height adjustment, making it a distinctive statement piece for dining or living rooms. For those looking for value, Methedeeco White Paper Pendants from Amazon offer a set of two (one oval and one UFO shape) for under $40, suitable for pairing or separating across different spaces. AllModern's Guliana Single Light Paper Dimmable Pendant provides adjustable height, four size options, and a sloped ceiling adapter, though caution is advised due to its delicate nature. West Elm's Mooney Pendant stands out with its unique shape, ideal for dining tables, and its mixed materials including a diffusing shade, wood, and dark bronze-finished metal accents. Available in two contract-grade sizes under $200, it emphasizes durability. Lastly, &Tradition;'s Formakami JH Pendants, designed by Spanish artist Jamie Hayon, feature open bases and a wood veneer ring, offering unique silhouettes that serve as conversation starters. The article concludes by showcasing these paper pendants in various home tour settings, illustrating their practical application and aesthetic impact in real-world interiors. #PaperPendants #LightingDesign #HomeDecor #InteriorLighting #PendantLights #DesignInspiration #AffordableLighting #LuxuryLighting #ShoppingGuide

Japanese designer Yasutoshi Mifune has developed an innovative modular paper screen called Kakine, which translates to "hedge" in Japanese. This screen allows for variable shapes and sizes through the assembly of its individual paper components. Each unit of the Kakine screen is uniquely formed like a branch, yet all units share the same size and shape, designed to interlock seamlessly like puzzle pieces. This modularity is a core aspect of its design, enabling users to customize the screen's configuration to suit different spatial requirements and aesthetic preferences. The Kakine screen's apparent complexity belies its simple construction, as it is composed solely of a single, replicated paper piece that fits together repeatedly. This approach highlights an elegant simplicity in design, demonstrating how a singular, well-conceived element can be multiplied to create intricate and adaptable structures. The design emphasizes sustainability and resourcefulness by relying on a single material and a repetitive manufacturing process. Mifune's work with the Kakine screen exemplifies a blend of traditional Japanese aesthetic principles, such as modularity and natural forms, with contemporary design methodologies. The concept of a "hedge" not only informs the product's name but also its function, providing a delicate yet distinct partition within a space. The use of paper as the primary material contributes to the screen's lightweight nature and allows for a certain translucency, which can enhance the ambient light rather than blocking it entirely. The adaptability of Kakine means it can be used in various settings, from private homes requiring subtle room divisions to larger commercial spaces seeking flexible and artistic partitions. Its reconfigurable nature provides a practical solution for dynamic environments where spatial arrangements may need to change periodically. The screen’s artistic quality also positions it as a decorative element, capable of adding a unique textural and sculptural dimension to interiors. In essence, the Kakine paper divider screen represents a thoughtful design solution that marries aesthetic appeal with functional versatility. It showcases how simple materials and intelligent modular design can result in a product that is both visually striking and highly practical, allowing for personal expression in the configuration of living or working spaces. #PaperDivider #ModularDesign #JapaneseDesign #YasutoshiMifune #HomeFurnishings #InteriorDesign #SustainableDesign #CustomizableDecor

Malgorzata Mozolewska, through her Studio MMozolewska, has developed an innovative approach to lighting and decorative items by weaving metal into a flexible fabric. This unique material allows for the creation of curvy, organic shapes that interact dynamically with light. Her project, titled "Eye of the Light," explores the versatile applications of this metal textile beyond traditional lighting fixtures, extending to room dividers and various decorative objects. The inspiration for these distinctive forms is drawn from natural elements. Mozolewska references the intricate patterns and structures found in butterfly wings, fish scales, and bird feathers, which are evident in the fluid and natural aesthetics of her creations. This connection to nature imbues each piece with an organic quality, making them stand out as both functional and sculptural art pieces. The production of these items is a collaboration with local artisans in Poland, emphasizing craftsmanship and supporting regional talent. The metal fabric itself is designed to interact with light in a particularly striking manner; it glistens and changes appearance depending on how light strikes its surface. This reflective quality is enhanced by the dual-sided nature of the fabric, with each side offering a different visual texture and light play. The article features a series of illustrations showcasing various pieces from the "Eye of the Light" collection. These images highlight the diverse shapes and applications of the woven metal fabric, from lamps that cast intriguing shadows to decorative elements that capture and redirect ambient light. The photography by Sonia Szostak captures the subtle nuances of the material and its light-reflecting properties. Overall, Mozolewska's work represents a fusion of material innovation, natural inspiration, and artisanal craftsmanship. The "Eye of the Light" project demonstrates the potential of textile-like metal in contemporary design, pushing boundaries in home furnishings and interior decor by introducing a novel material that is both aesthetically pleasing and functionally versatile. The pieces offer a fresh perspective on how light can be manipulated and how materials can be reimagined to create impactful design statements within living spaces. #MalgorzataMozolewska #StudioMMozolewska #MetalFabric #WovenMetal #LightingDesign #HomeFurnishings #InteriorDesign #DecorativeItems #EyeOfTheLight

New York-based design studio Trueing has unveiled its latest lighting collection, Cerine, at this year's NYCxDesign festival. The collection, which includes two pendants, a floor lamp, and a sconce, features bold, hand-formed chain links made from thick borosilicate glass in a variety of vibrant colors. The Brooklyn studio, co-founded by Aiden Bowman and Josh Metersky, aimed to offer an "interesting spin on the familiar" by reinterpreting traditional chain motifs found in jewelry, industrial settings, and architectural ornamentation. The design draws inspiration from diverse sources, such as delicate golden chain necklaces, robust metal chains seen in shipyards, and the decorative elements on Beaux-Arts building facades. Metersky explains that while chain is a common element in traditional lighting design, Trueing sought to create a fresh interpretation, making the chain itself the focal point rather than merely a functional component. Each individual chain link is precisely seven centimeters wide and twelve centimeters tall, and can be customized in seven opaque or transparent color options to suit various bespoke arrangements. Beyond their aesthetic contribution, the glass chains play a crucial role in the structural integrity of the lights, allowing them to be positioned and held in place. The metal finishes accompanying the glass elements are available in brushed brass, satin or polished nickel, and oil-rubbed bronze, providing a range of complementary material options. Metersky highlights the unique character of the hand-made links, noting that their individual imperfections contribute to a cohesive and natural overall appearance. The Cerine series showcases different applications of these distinctive chains to support mouth-blown glass bulbs. One pendant design uses two hooks to suspend the fixture from the ceiling, creating a significant, inverse-arch-like droop. The sconce variant incorporates three glass links that dangle from a metal arm, which in turn holds the light bulb. The floor lamp design features nine stacked pieces of Carrara marble forming its base, with five pastel pink glass links suspended from an arched arm that supports the glass orb. The glass orb itself can be specified in classic white opaline or a selection of custom colors. Trueing launched the Cerine collection through a partnership with Pas De Calais, a Japanese clothing store situated in Manhattan's Soho district. This collaboration was deemed a natural fit due to the shared design sensibilities between Trueing and the fashion label, both prioritizing purity, nostalgia, and a refined, elemental approach to traditional forms. Bowman emphasized that the collection's essence—recalling traditional design pieces rendered in a reductive manner—aligns perfectly with Pas De Calais's ethos and aesthetic. The Cerine exhibition at 482 Broome Street was open until the end of May, coinciding with NYCxDesign 2019, which ran from May 10th to 22nd. This marks Trueing's second collection, following their debut range launched in January at The Future Perfect in Manhattan. The NYCxDesign festival also featured other notable exhibits, including Workstead and Calico Wallpaper's designs showcased at New York's Arcade Bakery, and an immersive lighting installation by Snarkitecture. Photography for the Cerine collection was provided by Lauren Coleman, with additional images by Alan Tansey for the installation at Pas De Calais. #LightingDesign #GlassChains #NYCxDesign #ProductDesign #InteriorDesign #TrueingStudio #HandFormedGlass #DesignExhibition #CerineCollection

Kriskadecor's aluminium chain-link hangings, a design patented by the Spanish brand in 1932, offer diverse applications in interior design, particularly for striking ceiling installations. These versatile chains are available in a broad spectrum of colours, finishes, shapes, densities, and alignments, allowing for extensive customization to suit various aesthetic and functional requirements. Beyond their traditional use as space dividers, wall coverings, and facade cladding, architects and designers increasingly leverage these chains to create visually impactful ceiling features. Several projects exemplify the creative potential of Kriskadecor's chains in ceiling applications. For instance, the 61 Osteria restaurant in Fort Worth, Texas, showcases an opulent geometric gold chain arrangement that crowns the interior. Similarly, the Ecla Paris Villejuif youth co-living residences in France feature vibrant loops of chains suspended from the ceiling, adding a dynamic and colourful element to the shared spaces. In the Barcelona offices of Papernest, a colourful installation of circular chain arrangements defines the ceiling, enhancing the office environment. According to Kriskadecor, the ceiling presents a significant opportunity in interior design to instantly capture attention and inject a sense of surprise and charm into an environment. The brand notes that an increasing number of interior design professionals are focusing on the creative possibilities of ceiling treatments, utilizing these chains to achieve original and striking designs. These installations can dramatically influence the perception of space within an interior. The reflective properties of the aluminium chains contribute to the ambiance by diffusing natural daylight or accentuating the glow of artificial lighting, thereby enhancing the overall brightness and visual depth of a room. The lightweight nature of the aluminium material is a key advantage, enabling the creation of a wide variety of large-scale hanging sculptures and intricate designs. Designers can form soft waves, dense volumes, or even create the illusion of falling rain with the chains. These installations also serve practical purposes, such as altering the perceived height of a ceiling, making large rooms feel more intimate, or clearly delineating different areas within an open-plan space without erecting solid barriers. Kriskadecor offers an extensive colour palette for its chains, including various anodised finishes and the option to match any RAL or Pantone hue. The brand further provides a custom in-house design tool that can reproduce any picture, pattern, or logo by treating each individual chain link as a pixel. This capability allows for highly personalized and detailed artistic expressions. In terms of sustainability, Kriskadecor's aluminium chains are durable and low-maintenance, resistant to corrosion and wear. Furthermore, aluminium is an infinitely recyclable material, and the chain links themselves are composed of 20 per cent recycled content, supporting circular economy principles. Kriskadecor's technical office collaborates closely with clients on each project, ensuring that every installation is custom-designed to meet the specific requirements and aesthetic vision for the space. This tailored approach allows for the maximization of the chains' decorative and functional attributes, ultimately contributing to unique and impactful interior environments. #Kriskadecor #CeilingInstallations #InteriorDesign #AluminiumChains #DecorativeMaterials #SpaceDividers #CustomDesign #SustainableMaterials #ArchitecturalDesign

Replacing a light fixture, while seemingly straightforward, can often present unexpected challenges for DIYers. This guide provides comprehensive electrical tips and techniques, gleaned from master electricians, to ensure a smoother, safer, and quicker installation process. Before beginning, it's crucial to prioritize safety by always flipping the circuit breaker. However, merely turning off the breaker might not be sufficient, as some junction boxes contain live wires from multiple circuits. A non-contact voltage detector is recommended to verify that all wires in the box are de-energized before disconnection. The article addresses common issues encountered during light fixture replacement. One frequent problem is ill-fitting mounting brackets. To circumvent this, it's advised to purchase additional styles of mounting brackets when buying a new fixture, saving potential trips to the hardware store mid-project. If fixture mounting screws are too long, a wire stripper with built-in bolt cutters offers a clean and efficient solution, preserving thread integrity better than a hacksaw. Another common hurdle is short wires within the junction box, which can make connections difficult. Stab-in connectors are suggested as an easier alternative to twist-on nuts in tight spaces. By attaching a “pigtail” (a new, same-gauge wire) to the existing short wire using these connectors, sufficient length is created for proper fixture connection. Special attention is drawn to aluminum wiring, which requires professional handling due to specific connection techniques. Electrical code compliance is also highlighted, particularly concerning recessed junction boxes. If a box is recessed more than 1/4-inch from the wall or ceiling surface, a box extender should be used to rectify this violation, often occurring when additional layers of drywall or wood have been installed. For convenience during wiring, a practical tip involves creating an improvised third hand by hanging the fixture with a scrap of wire or a coat hanger, freeing both hands to make connections. Aligning canopy screw holes can be simplified by using a skinny screwdriver or nail to locate the second screw hole. When selecting a new light fixture, it's important to consider the age of the home’s wiring. Homes built before 1985 may have wiring insulation that cannot withstand the heat generated by certain modern fixtures, which often carry a “Use wire rated for at least 90 degrees C” warning. In such cases, fixtures that do not carry this warning, like hanging fixtures, should be chosen unless the house is rewired. The article explains how to identify newer, heat-resistant wiring types (e.g., “NM-B,” “UF-B,” “THHN,” “THWN-2”). It also recommends upgrading from plastic twist-on connectors, which often lack secure grip, to metal-threaded connectors for a more reliable connection. Connecting stranded wire from a fixture to solid household wiring can be tricky. The recommended technique involves stripping slightly more insulation from the stranded wire (5/8-inch) than the solid wire (1/2-inch), then holding them together so the stranded wire extends about 1/8-inch beyond the solid wire before twisting on the connector. This ensures the stranded wire bunches securely inside the connector. To avoid working in the dark, users are advised to plug in lamps on a different circuit or use a camping headlamp if the fixture and outlets share a circuit. If screw holes in a metal box are stripped, an electrician’s tap can cut new, larger threads, accommodating No. 10-32 screws. Finally, the importance of grounding is emphasized. New fixtures require a ground wire, and if an older metal box lacks one, a ground wire can be added by connecting a six-inch copper wire to the box with a No. 10-32 ground screw. However, it is crucial to first verify that the box itself is grounded using an electrical tester; if not, a licensed electrician is needed to run a ground wire. #LightFixture #ElectricalWiring #HomeImprovement #DIYProjects #ElectricalSafety #JunctionBox #WireConnections #HomeMaintenance

Kubo Tsushima Architects has designed two distinct hotel rooms within a boutique hotel in Kyoto, Japan, focusing on creating unique and memorable guest experiences through integrated design elements. The first room, Room 103, nicknamed 'Moon Phases,' addresses the challenge of a narrow window by featuring a circular light fixture carved into the wall. This fixture is designed to mimic the phases of the moon, transitioning from a full moon to a crescent as the room's lights are dimmed. This interactive lighting aims to connect guests with the natural rhythm of lunar cycles, drawing a parallel between the moon's influence on tides and its perceived impact on human emotions and the body, a concept highlighted by the architects given the body's high water content. The design of Room 103 further enhances a sense of seclusion and comfort by incorporating rounded junctions between the walls and ceiling, creating a soft, enveloping environment. The second room, Room 401, is themed 'Morning Dawn' and is situated on the fourth floor, offering expansive views of the city through a large window. For this space, the architects sought to evoke the serene atmosphere of an early morning dawn shrouded in mist. This is achieved through a deliberate use of color and form: a green carpet covers the floor, symbolizing a grassy plain, and extends upwards onto the walls with a gradient paint scheme that shifts from green to white. This artistic transition blurs the lines between floor and wall, immersing guests in the sensation of being surrounded by a field. The room's architecture emphasizes soft, continuous surfaces, with rounded walls concealing structural elements like columns and beams. Indirect lighting is strategically placed in a slit between the ceiling and walls, designed to replicate the gentle, sharp light of the rising sun. This combination of diffused lighting, gradient colors, and rounded forms creates a hazy, undefined space, offering a quiet and contemplative experience reminiscent of a deeply foggy, pure morning. Both rooms, totaling 51.81 sqm for Room 103 and 50.39 sqm for Room 401, were completed in December 2019 and showcase Kubo Tsushima Architects' innovative approach to interior design, using natural phenomena as inspiration to craft immersive and experiential hotel environments at The Screen Hotel in Kyoto. #HotelDesign #InteriorArchitecture #ExperientialDesign #LightingDesign #JapaneseArchitecture #KuboTsushimaArchitects #TheScreenHotel #Kyoto

Decimal, a company with bases in Vancouver and Mexico City, is at the forefront of integrating design and technology to produce innovative 3D printed light fixtures. The company emphasizes a novel approach to lighting, departing from the traditional lightbulb and socket paradigm that has persisted since 1879. Instead, Decimal centers its products around a single, high-quality LED module, engineered for longevity and superior performance. These LED modules are designed to last up to 70,000 hours, offering a sustainable and efficient lighting solution. The unique forms of Decimal's light fixtures are made possible through additive manufacturing, commonly known as 3D printing. This technology allows for the creation of intricate and previously impossible shapes and designs, offering a significant advancement in the aesthetic and functional possibilities of lighting. The company highlights that these fixtures are highly customizable, with a variety of attractive colors and finishings available to suit diverse preferences and interior design schemes. This level of customization ensures that each fixture can be tailored to meet specific aesthetic requirements. Decimal operates on a collaborative platform, engaging tech-savvy designers from around the globe to create its 3D printed shades. This international collaboration fosters a diverse range of design perspectives and constantly pushes the boundaries of lighting design. The company aims to appeal to individuals worldwide who possess a passion for both design and technology, offering them access to cutting-edge lighting solutions that merge artistry with engineering. The integration of LED technology and additive manufacturing represents a transformative period in the lighting industry. LED technology provides endless design possibilities by liberating designers from the constraints of traditional light sources, allowing for greater flexibility in form and function. Concurrently, additive manufacturing empowers the creation of complex geometries and intricate details that would be unachievable with conventional manufacturing methods. Decimal positions itself at this intersection, leveraging these advancements to deliver a new generation of light fixtures that are both visually striking and technologically sophisticated. By focusing on a single, optimized LED light source and utilizing the creative potential of 3D printing, Decimal is challenging conventional notions of lighting. Their products are not merely functional items but serve as contemporary design elements that embody the synergy of modern technology and global design talent. This approach promises to reshape consumer expectations for lighting, offering products that are durable, energy-efficient, customizable, and aesthetically revolutionary. #3DPrinting #LightFixtures #LEDTechnology #ProductDesign #AdditiveManufacturing #HomeDecor #TechnologicalInnovation #SustainableDesign