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Steal My Noguchi: 41 Expert-Recommended Noguchi Lamps 2023 | The Strategist
The article showcases 41 different Akari lamps designed by Isamu Noguchi, featuring how various individuals have incorporated these distinctive washi-paper light sculptures into their homes and professional spaces. Since their introduction in the 1950s, Noguchi's Akari lamps have maintained consistent popularity, serving as a symbol of tasteful yet understated design.
Despite their widespread appeal, the article highlights a common challenge faced by potential buyers: determining the appropriate size and style of Akari lamp for a specific space, given the minimalist nature of the Noguchi website's product descriptions. To address this, the authors interviewed and gathered photographic contributions from a diverse group of owners, including writers, architects, designers, illustrators, and artists, each sharing their personal experiences and styling choices.
Alexis Cheung, a writer, opted for a 1AY conical lamp, appreciating its unexpected color over a more conventional white. Architect Brent Buck centered a large spherical 120A lamp in his room, aligning it with a fireplace and hanging it low to create a sense of breathing space. Designer TyLynn Nguyen chose a 35N to hang above her dining table, seeking warmth and coziness for dinner settings. Illustrator Joana Avillez views her BB3-33S lamp as a singular, sculptural element, likening its shape to a floating crescent or a moon. Jared Blake, co-founder of Lichen, uses a UF4-L10 as his primary light source, valuing its warmth and architectural qualities, especially in a smaller living area. Designer Rafael Prieto finds his 7AD lamp brings peace to his apartment, appreciating Noguchi's translation of emotion into sculpture. Interior and furniture designer Pali Xisto Cornelsen integrated a PL2 lamp into a red-carpeted sunken living room, emphasizing its sculptural rather than purely utilitarian function.
Co-founder of Inamorata, Kat Mendenhall, chose a 95F, drawn to Noguchi's philosophy that a futon and an Akari lamp are all a young couple needs, valuing its soft, comforting glow in her bedroom. Valérie Maltaverne, founder of Ymer&Malta;, received a special Akari BB2-15A commissioned directly from Japan, highlighting the unique connection with the Noguchi Museum. Beauty consultant Alexis Page selected a 10A for its lower profile and traditional shape, praising its warm lighting and ability to either blend in or become a focal point. Avril Nolan, co-founder of FORM Atelier, appreciates the commanding presence of the larger 21N and 23N floor models, favoring early editions with natural patina. Artist Serena Mitnik-Miller chose a 125F, the largest available at the time, to fill the high ceilings of her home, viewing it as a sculptural element. Natasha Garrett, founder of Roam Studio, selected a smaller, more affordable 1A lamp for its functional and sculptural qualities, creating a peaceful, glowing orb. Dung Ngo, founder of August Editions, sees the UF4-L9 as Noguchi’s ethereal tribute to Brâncusi, transforming heavy stone into light and paper.
Author Fanny Singer installed a 50F over her dining table, aiming for a substantial yet non-overwhelming feature. Kerrilynn Pamer, co-founder of CAP Beauty, fell in love with an L6 lamp, describing it as having a couture dress form and a distinct personality. Filip Sevo of A.P.C. was drawn to the unique angular shape of the 26N, creating an intimate atmosphere in his living room. Textile designer Caroline Cockerham chose a 21A ceiling light for its interesting shape that doesn't obstruct views and expressed a desire to fill her entire home with Akari lamps. Architectural designer Amanda Gunawan connects her 45D and 21A lamps to Asian traditions of paper lanterns, finding them nostalgic and comforting. Go Kasai, founder of Go Kasai, Inc., selected the triangular 1P for its unconventional shape and portability, noting its harmony with another triangular table lamp. Chay Costello, merchandising associate director at MoMA Design Store, chose an orange patterned 1AT, finding its warm, sunlike glow resonant with Noguchi's inspiration. Decorator Carrie Carrollo positioned a 16A above her dining table, valuing its asymmetrical shape and ability to be a focal point. Michele Janezic, brand director at Umber & Ochre, uses a 1AG in a sentimental corner of her home, where its diffused light sets the mood. Artist and sculptor Dike Blair, a long-time Akari owner, replaced a damaged JP lamp, appreciating its simple design and 45-degree twist. Interior designer Sara Ruffin Costello uses a UF4-L10 in her bedroom and large 120A balls in her living room, highlighting their clean lines and harmony. Reporter Max Abelson inherited an XP1, viewing it as a "perfect block of light" and a treasured keepsake. Writer and curator Andrew Gardner received a 1N during the pandemic, seeing it as a symbol of beauty and comfort amidst chaos. Spencer Bailey, a writer, installed a PL2 across his ceiling, transforming the room into a lightbox and creating a cocoon-like feeling. Graphic designer and illustrator Naomi Otsu, reminiscent of Japan, chose a condensed 21A for its warm and inviting light, ensuring it didn't obstruct her TV view. Interior designer Colin King moved a 120A between various rooms, noting how its vastness subtly enhanced space. Finally, Ed Be, co-founder of Lichen, received a 1P as a gift, appreciating its organic lighting source compared to his metal-housed lamp collection. Spatial designer Christine Espinal received a 37D as a birthday gift and found a perfect spot for it in front of her corner window, noting how it lights up like a full moon. Another Akari 24N is also presented. Interior stylist Theresa di Scianni acquired a 125F after renovating her A-frame home, loving its warm, inviting light. This collective sharing offers practical insights into styling and appreciating these iconic designs.
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