The American Society of Interior Designers Salute Past

This page functions as a comprehensive job board specifically tailored for the interior design and home industry. It lists a variety of available positions across different locations, employment types, and compensation ranges, catering to a wide spectrum of professionals from architects and interior designers to sales associates and logistics managers. The platform provides detailed job descriptions for each listing, outlining responsibilities, required experience, and company information. For instance, TAMARA FELDMAN, a Miami-based studio, is seeking an Architect with a minimum of seven years of experience, emphasizing design sensitivity and technical expertise. Thibaut Design, a historic wallpaper company, is looking for a Sales Associate for their NYC showroom with a salary range of $50k-$70k annually, focusing on delivering exceptional customer experiences. Charlap Hyman & Herrero (CHH) in Los Angeles is seeking an Interior Designer to support high-level interior design projects, requiring strong design sensibility and organizational skills. Armadio is hiring a Trade Sales Account Manager in Los Angeles to service existing high-end interior designer and architect clients and prospect new business. Caroline Gidiere Design LLC is looking for a Junior Designer & Procurement & Logistics Coordinator in Birmingham, AL, whose responsibilities include coordinating project logistics from procurement to installation and managing vendor relationships. Amy Aidinis Hirsch Interior Design in Greenwich, CT, requires a Logistics Manager to ensure smooth project execution by managing expediting, scheduling, and coordination between various stakeholders. SARAH & FRIENDS INTERIORS in Menlo Park, CA, is looking for a Senior Interior Designer specializing in high-end residential design. LLM Purchasing offers a remote full-time position for a Junior Procurement Associate, responsible for managing the full FF&E; procurement life cycle for interior design clients. Hawthorne House in Athens, GA, a furnishings and lighting showroom, is seeking a Furniture Showroom Sales Specialist to serve both local and national clients. Amy Kartheiser Design in Chicago is looking for a Senior Designer with a strong background in high-end procurement and elevated design details for luxury residential projects. Wecselman Design in Miami is seeking an Interior Designer with excellent design sensibility for sophisticated residential interiors. Jeremiah Brent Design in New York, NY, has openings for a Senior Design Documentation Specialist (contract) and a Senior Designer (FF&E;) for a historic estate renovation project, emphasizing creative sensitivity and technical precision. Mia Todd Studio in New York, NY, is seeking a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is looking for a Senior Interior Designer with a strong background in architectural design and project management. The platform also offers resources for employers to post jobs and provides a resume board for job seekers. Additional sections on the website include news, articles, products, events, experts, and a magazine, all related to the home and interior design industry. #JobBoard #InteriorDesign #HomeIndustry #DesignCareers #ArchitectureJobs #SalesAssociate #LogisticsManager #Procurement #ResidentialDesign

This blog post honors eleven legendary interior designers who have passed away, recognizing their significant contributions to the field. Each designer is highlighted for their unique style and lasting impact on interior design. Amy Lau, a 'Next Wave' designer, was known for her warm and joyful interiors, and her expertise in midcentury modern style. Lau, who founded an eponymous design firm, utilized color and texture to create personalised spaces for her clients. She passed away in January 2025 at the age of 56 following a battle with cancer. Iris Apfel, a style icon, was also a prominent interior design trendsetter. In the 1940s, she decorated for notable figures such as Estée Lauder and Joan Rivers. Alongside her husband, she co-founded Old World Weavers, a luxury fabric company that supplied textiles to the White House under nine different presidents. Apfel passed away in 2024 at the age of 102 due to natural causes. Suzanne Rheinstein, known for her elegant yet comforting approach to classic interiors, was a self-proclaimed advocate for the limited palette. The Louisiana-born, Los Angeles-based designer operated her own firm and a beloved shop called Hollyhock for decades. She died in 2023 at 77 after a struggle with cancer. Mario Buatta, often referred to as the “Prince of Chintz,” was a favorite among maximalists for his bold use of patterns, tassels, ribbons, and various textures. He believed that a house should evolve organically over time. Buatta passed away in 2018 at 82 from complications arising from pneumonia. Kimberly Ward, the founder of the Black Interior Designers Network, began her career designing homes for NFL clients. In 2008, she initiated the “Top 20 African American Interior Designers” list on the blog Pink Eggshell. She established the Black Interior Designers Network in 2011 to promote and support Black designers. Ward died of cancer in 2017 at the age of 43. Albert Hadley, a co-founder of the renowned Parish-Hadley design firm, was a significant figure in American design, blending contemporary flair with traditional elements. He designed for high-profile clients including the Astor and Getty families, Albert Gore, and Jacqueline Kennedy Onassis. Hadley passed away from cancer in 2012 at 91. Mark Hampton’s work, influenced by English country style and classic interiors, maintained a distinctly American feel while catering to his clients' personal tastes. His extensive client list included three U.S. presidents, Brooke Astor, and Estée Lauder. Hampton died in 1998 at 58 from cardiac arrest caused by liver cancer. Dorothy “Sister” Parish, co-founder of Parish-Hadley, is particularly noted for her work on the White House for the Kennedys, collaborating with Jacqueline Kennedy. Her designs featured laid-back, airy interiors with understated elegance, characterized by specific color palettes, accents like wicker and ticking stripes, and a timeless aesthetic. She passed away in 1994 at 84 after a prolonged illness. Billy Baldwin, a highly influential American tastemaker, was celebrated for integrating high style with comfort in his designs. He created refined interiors with eclectic furnishings for socialites and creative personalities such as Cole Porter and Diana Vreeland. Baldwin died of a heart ailment in 1983 at 80. Dorothy Draper established what is considered the first interior design business in 1925. Her distinctive Regency-influenced style featured bold colors, striped walls, and black-and-white checkered floors, extending beyond residential projects to iconic hotels like the Carlyle in New York City and the Greenbrier in West Virginia. Draper, who earned a record fee of $4.2 million for her work at the Greenbrier, died in 1969 at 79 after suffering from Alzheimer’s disease. Elsie de Wolfe, recognized as America's first professional interior designer in the early 1900s, was commissioned to decorate homes before the term “interior designer” was even widely used. Her elegant spaces often incorporated bright, feminine color schemes and French-inspired furniture, attracting clients including Oscar Wilde and the Duke and Duchess of Windsor. De Wolfe passed away in 1950 at 84. #InteriorDesign #DesignLegends #AmyLau #IrisApfel #SuzanneRheinstein #MarioBuatta #KimberlyWard #AlbertHadley #MarkHampton #SisterParish #BillyBaldwin #DorothyDraper #ElsieDeWolfe

The Interior Design's re:Source event in Arizona, held from September 15-17 at the Ritz-Carlton, Dove Mountain, brought together nearly 80 innovative manufacturers and designers to foster lasting and impactful relationships within the design community. The event commenced with Erica Waayenberg, head of research and content development at ThinkLab, presenting crucial insights into the factors influencing client decision-making in design. Waayenberg highlighted that decisions surrounding the built environment are taking longer, attributing this trend to a shift in benchmarks and the involvement of stakeholders with often conflicting priorities. Her data-driven presentation illuminated common pain points in the design process, prompting an interactive discussion among attendees. Participants contributed various solutions, including the need for greater transparency in pricing data and strategies to streamline the overall decision-making process for clients. Throughout the re:Source event, designers and manufacturers engaged in numerous informative, brief meetings, facilitating the exchange of ideas and the discovery of novel products. These professional interactions were complemented by a variety of engaging recreational activities designed to enhance networking and well-being. Attendees participated in sessions such as desk yoga, mala bead-making, and an apothecary workshop, offering creative outlets and opportunities for informal connection. Evenings featured cocktails on the lawn, complete with a powerful telescope for a unique stargazing experience, further fostering a relaxed and convivial atmosphere for networking. This year's re:Source also marked the launch of Metropolis Connect by Metropolis, an initiative that expanded the event's reach by inviting architects and architectural product manufacturers into the mix. This addition created a more diverse and comprehensive platform for creative professionals. Metropolis Connect, which aims to forge meaningful connections between brands and leading architects, is scheduled to co-locate with re:Source again in Fall 2025. John Bergstrom, Director of Business Development for Accurate Lock & Hardware, lauded the quality of the architect attendees, noting their exceptional engagement and keen interest in learning about new products. This sentiment was echoed by many industry attendees who gathered for three days dedicated to strengthening professional ties and advancing their craft. The event successfully facilitated hundreds of meetings between designers and manufacturers, allowing for direct engagement and product exploration under the Arizona sun. The blend of structured professional meetings with mindful and social activities, such as the apothecary workshop and stargazing, created a holistic experience that promoted both business development and personal well-being. The involvement of Metropolis Connect further enriched the event, bringing a broader spectrum of design professionals together. The overall atmosphere was conducive to learning, collaboration, and relationship building, reinforcing the value of such gatherings for the architecture and design community. A significant aspect of the event was its commitment to sustainability, with Material Bank generously offsetting the carbon footprint. The success of the re:Source event was also made possible by the support of numerous partners, including Accurate Lock & Hardware, Andreu World, Arktura, B+N Industries, Chemetal, Craftmade, Davis Furniture, Expormim, FiberBuilt Umbrellas & Cushions, Four Hands, Fyrn, Garden on the Wall, Haworth, Infinity Drain, Kaswell Flooring Systems, Lutron, Mak Studio, Matter Surfaces, Mizetto, Moroso USA, MPS Acoustics, Nichiha Fiber Cement, Oyster Wellness, Parla Design, Perennials and Sutherland, Pure + FreeForm, Regupol, Rockfon, Sancal, Sloan Valve, Turf, Tuuci, Versteel, Williams-Sonoma, Inc. Business to Business, and Yellow Goat Design. These partnerships underscored the collaborative spirit of the event and its dedication to advancing the design industry. #DesignEvent #ClientRelationships #InteriorDesign #ArizonaReSource #DesignManufacturers #ArchitecturalProducts #Networking #IndustryCollaboration #DesignDecisions

i29, an Amsterdam-based design office, focuses on interior and architecture projects, aiming to create spaces with strong, clear identities. Founded by Jaspar Jansen and Jeroen Dellensen, i29 works with a dedicated team of interior designers and architects on a diverse range of international projects. Their portfolio includes award-winning residential, hospitality, office, retail, and exhibition designs, with notable clients such as Booking.com, Bijenkorf Amsterdam, Amerborgh, Samsonite Europe, FRAME Magazine, and the National Ceramics Museum. The firm believes that the environment significantly influences human interaction, socialization, and daily life. Their approach involves distilling each assignment to its essence, striving to produce work that contributes to a better future. They see opportunities in both the renovation of monumental heritage, by integrating historical qualities into contemporary design, and in new construction, by focusing on future-proof solutions. This dual perspective informs their objective to create understandable, comfortable, and functional buildings that enrich daily life. i29 maintains a consistent interior design style by prioritizing clear communication with clients. They emphasize careful listening to initial requests and ideas to gather comprehensive information, which often leads to innovative and unexpected solutions. The firm asserts that every project requires unique solutions, rejecting standardized approaches in favor of personalized and specific designs. They aim to deliver progressive work characterized by its simplicity, creating clear, effective, and surprising physical experiences in an increasingly digital world. The diversity of their portfolio enables them to think creatively and inclusively for various clients and users. While their solutions are not standard, their working methods are standardized to ensure quality, efficiency, and creativity. The studio emphasizes continuous adaptation and close collaboration with clients and partners. Regarding influences, i29 acknowledges many admirable designers but strives to remain authentic to their own vision, avoiding excessive imitation. They are inspired by their everyday environment, including nature, literature, exhibitions, and films, drawing from the rich cultural resources of Amsterdam. Social media serves as a practical tool for marketing and sharing their projects, offering insights into their design philosophy, building processes, and inspirational concepts, while they consciously avoid being overly influenced by online trends. On sustainable design, i29 adopts a pragmatic approach, encouraging clients to opt for sustainable solutions whenever possible. Their goal is to maximize the impact of sustainable design, motivating broader adoption of eco-friendly materials, energy systems, and new developments for a better future. They have developed a system to categorize products and materials, raising client awareness about the sustainability, durability, and cost implications of their choices. This focus on awareness is a powerful driver for promoting sustainable design. i29 expresses aspirations to expand into architectural practice, combining their existing interior design expertise with a broader architectural vision to create places with strong identities. They anticipate upcoming large-scale projects, including hotels, spas, and sustainable homes, indicating their readiness for new challenges and collaborations with international partners. #InteriorDesign #ArchitectureProjects #AwardWinningDesigns #SustainableDesign #ClientCollaboration #DesignProcess #FutureProofDesign #DutchDesign

Art Deco interior design, drawing inspiration from the bold geometry and opulent style of the 1920s and 1930s, continues to captivate with its glamorous and sophisticated appeal. This design aesthetic is characterized by sleek lines, intricate patterns, and rich materials, offering a modern twist on a classic style. Several projects exemplify this blend, showcasing how historic buildings and contemporary spaces can be reimagined with Art Deco influences. One such example is the headquarters of venture capital firm Greylock Partners in San Francisco, located in a 26-story Art Deco tower originally built in 1925. Rapt Studio transformed the top floor into a modern office, incorporating a custom green banquette and matte-black laminate closets with fluted detailing that reference the building's original Art Deco architecture. This design honors the historical context while providing a functional contemporary workspace. Another notable project is the renovation of The Boca Raton hotel by Rockwell Group. This historic hotel, originally the 1926 Ritz-Carlton Cloister Inn, underwent extensive renovation to cohere its design, emphasizing luxury and site consideration while retaining its early 20th-century grandeur. Brooklyn’s King Tai bar, designed and refreshed by Palmer Thompson-Moss and Isobel Herbold of Salle, also features significant Art Deco accents. The updated interiors include a restored Art Deco bar, serving as a central focal point. The design of the South Beach lifeguard towers in Miami, created by William Lane Architect, also reflects Art Deco influences with their colorful and geometric forms, a modern reinterpretation of the style following Hurricane Andrew. Photographer Tommy Kwak documented these 38 towers, highlighting their unique aesthetic. Residential projects also embrace Art Deco. An Aspen, Colorado home belonging to an art collector and tech executive features vintage Art Deco furnishings, including tubular steel rocking chairs, incorporated into interiors masterminded by designer Ghislaine Viñas. The Neues Schloss Privat Hotel Zurich, built in 1935, combines Art Deco and Modernism. Its recent redesign by Carbone Interior Design incorporates a jewel-tone palette and velvety textures, maintaining the building’s original motto of bringing disparate elements together. Similarly, a Grand Rapids downtown office, redesigned by Eastlake Studio in collaboration with AMDG Architects, features custom walnut wood veneer walls with brass strips and fir wood feature walls, subtly referencing the area’s Art Deco history. In Melbourne, Australia, Hindley & Co. renovated an elegant 1930s Art Deco house, preserving its graceful arches and original terrazzo while updating the interiors to suit a modern family. The design includes Gubi pendants and contemporary furniture that nod to the Art Deco aesthetic. Lastly, the Georgian Hotel in Santa Monica, originally opened in 1933, underwent a revival by BLVD Hospitality and designer Tom Parker of Fettle. The hotel, known for its ocean-front turquoise facade and original Art Deco design, had its original luster restored, showcasing luxe curtains and blue sofas in spaces like the Sunset Bar. These projects collectively demonstrate the enduring appeal and adaptability of Art Deco interior design across various types of spaces, from offices and hotels to bars and private residences. #ArtDeco #InteriorDesign #ArchitecturalRenovation #HistoricPreservation #ModernAesthetics #HospitalityDesign #OfficeDesign #ResidentialDesign #DesignTrends

The concept of a ‘Sunday Reset’ extends beyond typical household chores like laundry and meal preparation to include design-driven tasks that refresh a home's aesthetic and atmosphere. Interior designers advocate for integrating small, impactful rituals into the weekly routine to foster a sense of balance and calm, preparing both the living space and its inhabitants for the upcoming week. These tasks are framed not as arduous chores but as pleasurable activities that enhance the emotional and visual quality of a home. One significant ritual involves regularly changing a piece of art. Rotating artwork, whether it's a family photo, a small print, a postcard, or even a magazine clipping, introduces new visual interest and evokes memories or anticipation. This simple act can shift the mood of a room, providing a fresh focal point that connects individuals to past joys or future plans. Leah Hook, founder of Gray Oak Studio, emphasizes that this practice helps build a collection of images reflecting personal memories and current moods, ultimately stirring a smile and a sense of presence. Another effective technique is creating a 'scent scene' for the week. Elizabeth Valkovics, founder of Batten Court Design, suggests choosing a consistent scent profile each Sunday and styling it intentionally with elements like a candle, a decorative dish, or a diffuser with greenery. This practice serves as an emotional transition, not only preparing the house but also calming the nervous system for the week ahead. She recommends using non-toxic soy or beeswax candles for a healthy and fresh impact and placing these scent scenes in high-traffic areas like the living room or kitchen to define the mood and support the home’s daily rhythm. Restyling vignettes is another key aspect of the Sunday reset. Gabriela Eisenhart, founder of Silo Studio Design, enjoys dedicating time to rearrange small decorative moments on surfaces like coffee tables, entryways, or bookshelves. By clearing clutter and making intentional swaps to decor, new life is breathed into the space. This process addresses visual noise, which can create mental unrest, and promotes a calm, organized environment, essential for a smooth week. The inclusion of fresh flowers or greenery is also highly recommended. Integrating a new bouquet of flowers or repositioning existing plants each week can instantly revitalize a room. Gabriela highlights that flowers are ‘instant mood-lifters’ and that their presence does not need to be reserved for special occasions. Moving potted plants to different suitable locations within the home also re-energizes interiors without requiring new purchases. Finally, rearranging throw pillows offers a quick and easy way to refresh a living area. Karina Plotko suggests that this small gesture instantly signals relaxation and can set the tone for the living room for the week. Instead of buying new pillows weekly, individuals can simply swap pillows between couches and accent chairs or experiment with different arrangements to create a renewed look. These designer-approved strategies collectively transform the Sunday reset into an opportunity for ongoing aesthetic enrichment and a heightened sense of well-being within the home. #SundayReset #InteriorDesign #HomeRefresh #HomeDecor #DesignerTips #HomeStyling #WeeklyRituals #MoodSetting #VisualInterest

The 34th annual Hall of Fame awards, hosted by Interior Design magazine, convened on November 29 at the I.M. Pei-designed River Pavilion at the Jacob K. Javits Convention Center in New York. Editor in chief Cindy Allen initiated the event with a superhero-themed address, emphasizing the importance of relevancy for designers and honoring the 2018 inductees as 'Super Originals' whose work significantly contributes to making the world a better place. Publisher Carol Cisco then acknowledged the event's sponsors and expressed gratitude for the design community's contributions and the industry's unique opportunities. This year's Hall of Fame recognized five individuals for their profound impact across various design sectors, including workplace, hospitality, retail, and residential design. Their leadership and innovative approaches are expected to leave a lasting legacy on the industry. The 2018 inductees included Lisa Iwamoto and Craig Scott of IwamotoScott, Kengo Kuma, Patrick Tighe, and Marcel Wanders. Each inductee shared personal insights and perspectives on their design philosophies and careers. Patrick Tighe, an architect, spoke about design's power to uplift and illuminate in challenging times, asserting that designers can be a beacon of good. Lisa Iwamoto and Craig Scott, a design duo who have collaborated for 16 years, shared a heartfelt message of mutual appreciation. Iwamoto described herself as the 'heart' of their firm, while Scott was the 'soul,' highlighting their complementary creative partnership. Marcel Wanders expressed gratitude and humility, recalling his childhood inclination to transform everyday objects into new creations. He views his current large-scale design work as a continuation of this intrinsic pursuit, describing it as a significant opportunity and responsibility. Kengo Kuma, in his address, thanked his muse—materials. He elaborated on his continuous effort to introduce a new softness into his projects through material exploration, appreciating the extensive freedom available today to delve into material possibilities. Approximately 1,200 designers, architects, and industry professionals attended the black-tie event held within Pei's iconic glass superstructure. Notably, seven students and a faculty member from Auburn University’s College of Human Sciences Interior Design Program were present, their attendance sponsored by design luminaries Richard and Catherine Frinier. These students were selected through a rigorous academic process, recognizing their deep knowledge of the event's 35-year history and their genuine passion for the design profession. The entrance to the event was a collaborative design by architecture firm Tsao & McKown, in partnership with Sunbrella and Sunbrella Contract. Maintaining the structural concept from the previous year, which featured strategically draped Sunbrella performance fabric strips and cords suspended from the ceiling to manipulate viewer perception and direct focus towards the banquet area, the 2018 design introduced a new color scheme. This year's palette transitioned from muted tones to a gradient of warm browns, fiery reds, and creamy whites. Following the event, all the fabric used for the installation was slated for donation to Materials for the Arts, a non-profit organization. The evening concluded with Cindy Allen reiterating her admiration for all attendees, acknowledging them as heroes within the dynamic and inspiring design industry, marking another successful Hall of Fame celebration. #InteriorDesign #HallOfFame #DesignAwards #Architecture #DesignCommunity #KengoKuma #MarcelWanders #PatrickTighe #IwamotoScott

This article advocates for the revival of several "outdated" home design trends to bring more personality, color, and functionality into modern living spaces. The author, drawing on a self-proclaimed expertise in home decoration through simulation games and a passion for design, expresses a desire to move beyond the current minimalist and often sterile aesthetic prevalent in contemporary homes. The discussion covers eleven distinct design elements, offering insights into their historical appeal, potential for modernization, and the benefits they could bring to residential architecture and interior design. First, the article champions conversation pits and sunken living rooms, highlighting their ability to create intimate gathering spaces and versatile floor plans. It dismisses the notion that these features are limited to a 1970s aesthetic, suggesting they can be adapted for various rooms and contemporary styles. Next, the piece argues for a return to closed floor plans, contrasting them with the open-concept layouts that have become standard. The author recalls a time when distinct rooms like living rooms, family rooms, dining rooms, and kitchens served specific purposes, fostering different types of social interaction and functional organization. This traditional separation is presented as a way to add depth and intentionality to a home's layout. A strong emphasis is placed on reintroducing color into home design, moving away from the dominance of millennial gray, white, and beige. The article suggests that bold, bright, and saturated colors, incorporated through paint, furniture, appliances, or accessories, can significantly enhance the mood and individuality of a space. Following this, the author defends wallpaper and accent walls, which have fallen out of favor, as excellent tools for adding unique patterns, textures, and artistic elements without the permanence of paint. The argument is made that these design choices allow for personal expression and can transform a room's vibe, even in rental properties. The concept of foyers is also explored, presented as a traditional and grand entryway that offers a sense of arrival and a layer of privacy by separating the main entrance from the core living areas. While acknowledging the modern preference for mudrooms, the article suggests that both formal foyers and practical mudrooms can coexist. Tuscan kitchens, reminiscent of early 2000s design, are proposed for a modernized comeback. The author suggests that by reinterpreting their core elements—richness, warmth, and a connection to culinary tradition—without succumbing to tackiness, they can inspire unique and inviting kitchen spaces. The idea of incorporating arches, which are described as timeless yet sometimes divisive, is supported as a means to introduce natural curvature, luxury, and elegance. Arches are highlighted for their versatility, not just as architectural features but also in mirrors, windows, and cabinetry. The article further advocates for vintage and repurposed furniture, citing environmental benefits and the unique character they bring. This trend is seen as a rejection of "fast furniture" culture, allowing homeowners to curate spaces with storied pieces that are both sustainable and distinctive. Glass bricks, often associated with 1980s office aesthetics, are presented as a versatile material that can add a cool, vintage touch while offering privacy and allowing natural light into a space, especially in bathrooms. Finally, textured ceilings are put forward as a way to add visual interest and cover imperfections, moving beyond the stigma of popcorn ceilings towards more eclectic and modern applications of texture. The piece concludes by championing marble beyond its current use in kitchen counters and bathrooms, proposing its broader application in floors, tables, and walls to make a grand, luxurious statement throughout the home. Ultimately, the article underscores the importance of subjective design choices, encouraging individuals to personalize their homes to truly reflect their tastes and make their space a personal sanctuary. #HomeDesign #InteriorDecor #DesignTrends #ArchitecturalRevival #VintageFurniture #ColorInDesign #PersonalizedSpaces

This article explores the concept of 'iconic' homes and interiors, drawing insights from Dominic Bradbury's book 'The Iconic Interior' and the Vitra Design Museum's exhibition 'Home Stories: 100 Years, 20 Visionary Interiors.' The discussion begins by questioning the definition of 'iconic' in design, noting that true iconic status is often achieved organically over time, influencing design beyond a project's initial ambition. The book and exhibition collectively span 20th and 21st-century domestic interiors, featuring approximately 600 images of remarkable houses. The article highlights various notable designers and architectural styles. It introduces Brazilian architect Lina Bo Bardi's 1951 Casa de Vidro and Danish architect Finn Juhl's 1941 interior, both celebrated for their modern aesthetics. A significant aspect explored is the historical gender bias in design, where interior decoration was often relegated to women as an amateur pursuit, contrasting with architecture as a male-dominated profession. Figures like US interior designer Elsie de Wolfe, known for her uncluttered style, and British cousins Rhoda and Agnes Garrett, recognized for their elegant and utilitarian interiors, are presented as examples of influential women in the field. Beyond individual homes, the article examines the impact of social and technological changes on interior design. It discusses the 'New Frankfurt' social housing project from 1926, which addressed housing shortages through efficient design principles. Austrian architect Margarete Schütte-Lihotsky's contribution of the prototype for a built-in kitchen, based on Taylorist principles for labor efficiency, is particularly emphasized. This innovative design led to the installation of around 10,000 'Frankfurt kitchens' in working-class apartments. In parallel to functional and affordable designs, the article also delves into flamboyant and fantastical interiors. Cecil Beaton's Georgian manor house, Ashcombe, and Tony Duquette's Dawnridge in Los Angeles are cited as examples of highly individualistic spaces that blurred the lines between living areas and theatrical sets. The discussion extends to the rebellious spirit of the 1960s, exemplified by Andy Warhol's Silver Factory, a pioneer of loft-living that profoundly influenced industrial aesthetics. French architect Claude Parent's 'anti-rationalist' apartment, with its eccentric sloping floors challenging traditional Modernist cube-like interiors, is also featured. The role of publicity in achieving iconic status is noted, with examples such as Lina Bo Bardi's Casa de Vidro, Cecil Beaton's Ashcombe, and Alison and Peter Smithson's House of the Future benefiting from media exposure. The article also touches upon homes designed by high-profile architects for themselves or adventurous clients, and those inhabited by artists who treated their spaces as canvases for creative expression, such as the Bloomsbury Group's Charleston farmhouse. Early examples like Henry van de Velde's Art Nouveau Villa Esche and Adolf Loos's Modernist Steiner House illustrate interiors that were radically unorthodox and ahead of their time, challenging conventional ornamentation. The evolution of Modernism into a softer, more organic approach in the 1930s is represented by Berthold Lubetkin’s penthouse and Russell Wright's proto-eco house, Dragon Rock, which harmonized with its natural surroundings. The article concludes by discussing the emergence of Postmodernism in the 1960s and 1970s, spearheaded by architects Roberto Venturi and Denise Scott Brown, who questioned Modernist principles and embraced historicism and ornamentation. Their Venturi House exemplifies an eclectic, kitsch, and ironic interior that combined diverse artistic elements, contrasting with earlier minimalist trends. The ultimate impact of books like 'The Iconic Interior' in conferring and solidifying the iconic status of these homes is acknowledged, highlighting how even private spaces can attain mythical recognition through documentation and imagery. #InteriorDesign #Architecture #IconicHomes #Modernism #Postmodernism #DesignHistory #SocialHousing #ArtNouveau #GenderInDesign

Albion Nord, a London-based residential interior design and project management studio, specializes in a blend of European classicism and British style. The studio, founded by Anthony Kooperman, Ben Johnson, Camilla Clarke, and Ottalie Stride, creates interiors that aim to be timeless, imbued with soul and character. Their design philosophy centers on responding to client desires, the surrounding environment, and the site's inherent features, with a strong emphasis on storytelling through carefully sourced antiques, furniture, art, and accessories. Camilla Clarke and Ottalie Stride personally travel across the UK and Europe to discover unique pieces that personalize each home. Albion Nord's design inspiration is rooted in creating depth and connection by reflecting the homeowner's narrative, the architecture, or the local area. This approach avoids a generic feel, ensuring each project possesses a distinct identity. Their preferred color palette includes earthy tones such as greens, dusky blues, ochres, chocolates, and creams, actively avoiding greys in favor of architectural creams or natural greens. Recently, they have incorporated yellows and pinks for their cheerful qualities. Pattern use is typically on a smaller scale, often featuring fabrics from designers like Tissus D’Helene, Zak & Fox, Soane, The Fabric Collective, and Blithfield. Antique fabrics are also frequently used for cushions or framed as artwork to add focal points. Three projects highlight Albion Nord’s design principles. The first, a Notting Hill Family Home, draws inspiration from its Georgian architectural setting in Holland Park. This extensive 11,000 sq ft property underwent significant refurbishment, including new upper and basement floors with a gym and a 15m pool. The interior design blends crafted, textured modernity in joinery and furnishings, such as a bespoke scallop headboard by David Seyfried and a Cox London Golden Oak Chandelier. The firm combines vintage and antique finds with oversized, comfortable bespoke sofas. Natural and soft materials like honed limestone, washed oak, wool, sisal, abaca rugs, and tadelakt walls were used. Lighting incorporates natural light from large windows, supplemented by pendants, lamps, and decorative fixtures for warmth. The color palette is light and fresh, featuring Paint & Paper Library’s Slate III and Farrow & Ball’s Hardwick White, providing a neutral backdrop for contemporary abstract art. The second project, Holland Park Apartments, emphasizes sustainability and individuality. Each apartment is designed with unique character, moving away from mass consumption by carefully selecting items and blending old with new. The team collaborates with independent craftsmen for bespoke pieces and sources antiques to create personal spaces. The layout maximizes views, with long, skylit corridors highlighted by statement artwork or sculptural tables leading to open-plan living areas. The color palette combines light, fresh tones with richer earthy greens, burnt oranges, and blues. A focus on textures and materiality ensures grounding, with timbers showcasing natural grains and marbles honed for softness. Finally, a Marylebone Terrace House, a Grade II-listed Georgian property overlooking Regent's Park, focuses on reinstating period features. The 12,000 sq ft space is subtly decorated with a mix of antique and mid-century furniture, contemporary art, and a light, fresh color palette. The design creates a timeless aesthetic, layering eclectic pieces and British art to highlight the property's architectural grandeur. The media room features Farrow & Ball’s Down Pipe, a dusty green-blue that changes with light, while Paint & Paper Library’s Slate III is used in the entrance hall to emphasize architectural details. The material selection prioritizes natural elements like oaks, linens, wools, silks, and sisals to add warmth, interest, and prevent the space from feeling static. #InteriorDesign #AlbionNord #ResidentialDesign #EuropeanClassicism #BritishStyle #AntiqueFurniture #ContemporaryArt #ColorPalette #SustainableDesign

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

The field of interior design is dynamic and ever-evolving, with what is considered a fundamental guideline one year potentially becoming an outdated rule the next. As of 2025, a shift is observed away from uniformity and perfection towards an appreciation for individuality, character, and spaces that narrate a story. Interior designers are increasingly advocating for breaking away from rigid, traditional interior design rules to create more personalized and authentic living environments. One significant outdated rule to reconsider is the emphasis on strict symmetry. While symmetry can create a sense of formality, asymmetry introduces movement, charm, and a relaxed, natural energy into a room. This principle extends to the idea that all elements in a space must match. Modern design encourages mixing styles, eras, and finishes to achieve a layered and lived-in aesthetic. Approaches like pattern sprinkling, combining different metal finishes such as wood with chrome, and utilizing small-scale artwork instead of conventional gallery walls are gaining traction, challenging the notion of perfectly coordinated interiors. For instance, mismatched table lamps on bedside tables can offer balance while reducing formality. Another fading design convention is the belief that a single hardware finish must be maintained throughout a space, especially in kitchens and bathrooms. Historically, matching hardware was the norm, with brass often being the preferred metallic finish. However, contemporary design champions the mixing of finishes. Pairing polished nickel or unlacquered brass with oil-rubbed bronze is now encouraged to add depth, contrast, and character. There's also a growing preference for hardware that develops a patina over time, moving away from overly polished, fingerprint-proof surfaces. Unlacquered and 'living' finishes that naturally show wear and watermarks are favored for their ability to bring warmth, history, and a timeless quality to a space. Furthermore, the perception that wallpaper is the sole alternative to painted walls is also becoming obsolete. While wallpaper trends are becoming more creative, incorporating murals, panels, and even ceiling applications, there's an increasing exploration of other textured wall finishes. Materials like Roman clay, plaster reliefs, and limewash offer a compelling middle ground, providing the simplicity of a single color with added depth, movement, and character that flat paint often lacks. Decorative elements such as the bas-relief trend are being utilized to subtly enhance walls, adding personality while maintaining cohesion and timelessness. Lastly, the universal preference for open-plan layouts is being re-evaluated. Post-pandemic insights have highlighted the increased need for privacy and visual separation within homes. While a complete return to closed-off rooms is not necessarily advocated, the approach to open-plan living is being refined. The current trend involves creating well-defined areas within an open layout through strategic furniture arrangement, the use of rugs, archways, or partial walls to achieve a balanced sense of separation. Even paint colors can be used to zone different functional areas within a large open space, such as distinguishing kitchen, dining, and living room zones. This nuanced approach ensures that homes remain adaptable and comfortable, reflecting personal needs rather than adhering to rigid design doctrines. #InteriorDesign #HomeDecor #DesignTrends2025 #AsymmetricalDesign #MixedMetals #TexturedWalls #OpenPlanLiving #PersonalizedInteriors #ColorfulCountertops

The article explores six architectural trends that are expected to define home design in 2025, emphasizing a shift towards more thoughtful and lasting styles rather than fleeting fads accelerated by social media. Architects observe a growing dissatisfaction with mass-produced, trend-driven designs like the modern farmhouse and advocate for more unique and historically informed approaches. The evolving trend cycle, influenced by digital platforms and home-improvement media, has led to an overabundance of certain styles, prompting a desire for change among design professionals and homeowners alike. The insights provided by four architects highlight key areas of transformation in residential architecture. One significant trend is Natural Modernism, characterized by an increased integration of natural elements such as large windows, raw materials like wood, steel, and stone, and nature-inspired color palettes. This approach aims to foster a stronger connection between inhabitants and their natural surroundings in an increasingly digital world. Another emerging trend focuses on Historical Character, moving away from monochromatic, overdone styles like the white farmhouse with black windows. There is a renewed interest in incorporating more color and drawing inspiration from diverse historical architectural styles, such as modern industrial, modern Tudor, and a sleeker interpretation of French Country, with regional variations in popularity. The article suggests that historical context plays a crucial role in the relevance of these styles. Additionally, there is a noted appreciation for 1920s Details, reflecting a renewed interest in the craftsmanship and elegant restraint of early modernism. This trend involves sculptural forms, minimal detailing, and the use of natural materials like wood, stone, and brick, often complemented by tile or metal roofs. A notable departure from recent open-concept living is the return to Closed Floor Plans. Architects observe a movement toward more defined spaces, where rooms like formal dining areas are re-evaluated, and kitchens are often designated as separate, distinct zones for cooking, while larger rooms accommodate various gathering activities. The concept of Third Spaces at Home also gains prominence, addressing a perceived lack of communal spaces outside the home. This trend involves creating dedicated areas within the residence for activities previously conducted externally, such as guest accommodations, storage for sports equipment, home gyms, and specialized workspaces, reflecting evolving lifestyle needs. Finally, a strong emphasis on American-Made Materials is highlighted. Triggered by past supply chain disruptions and geopolitical factors, there is a growing consciousness among clients and designers to source building materials domestically. This shift not only supports local economies but also helps reduce construction timelines due to shorter shipping distances and a focus on locally sourced goods like wood, stone, and metal. These trends collectively indicate a move towards more authentic, functional, and enduring architectural designs. #ArchitectureTrends #HomeDesign #NaturalModernism #HistoricalCharacter #ClosedFloorPlans #ThirdSpaces #AmericanMadeMaterials #InteriorDesign #Craftsmanship

This article explores a collection of "outdated" home design trends that individuals believe are superior to contemporary styles and should be reintroduced. The content is based on contributions from the BuzzFeed Community, highlighting a common sentiment of nostalgia and practicality over modern aesthetics. One prominent trend discussed is the preference for enclosed rooms over open-concept layouts. Many contributors express a dislike for open-plan designs, citing challenges in decorating cohesive spaces and concerns about heat distribution in homes without traditional hallways. The desire for distinct, designated rooms is emphasized for functionality and personal style. Another frequently mentioned trend is the return of bathtubs, especially in master bathrooms. While walk-in showers have become prevalent, many miss the option of a soaking bath for relaxation and decompression. The practicality of having a shower head above a tub is also noted, questioning the complete removal of tubs in modern designs. Practical storage solutions are a recurring theme. The article advocates for the comeback of coat closets near front doors for convenience in storing outerwear, shoes, and bags. Similarly, laundry chutes are suggested as a highly efficient feature that has fallen out of favor. Linen closets are also missed for their functionality in organizing household items. Flooring preferences lean towards older styles, with a call for wall-to-wall carpeting in bedrooms for warmth and noise reduction on stairs. Thick linoleum floors are also praised for their durability, ease of cleaning, and ability to protect glassware from accidental drops. Bathroom design is critiqued for its current trend of oversized, elaborate spaces. Contributors express a desire for traditional, smaller bathrooms with essential fixtures like a toilet, sink(s), and a standard tub/shower combo. The article rejects the idea of large, jetted tubs or glass-walled showers, and inconvenient layouts that require walking through closets or bathrooms to access other areas. Formal dining rooms are another trend that many wish to see revived. Despite the popularity of eat-in kitchens, the sentiment is that a dedicated, separate space is ideal for hosting and entertaining. This highlights a longing for more traditional living arrangements and spaces for special occasions. Kitchen aesthetics also draw attention, with a defense of white kitchen cabinets and subway tiles for their clean, bright, and open appearance. The flexibility these elements offer for incorporating color through accessories is appreciated. Functional kitchen elements like built-in lazy susans and garage-door-type cabinets from the 1950s and 60s are also championed for their convenience. Other specific trends mentioned include medicine cabinets for bathroom storage, kitchen hatches for practicality, large velvet sectional sofas for comfort, sponged walls and wallpaper borders for aesthetic appeal, and entertainment centers for both storage and display. The article also touches upon the appreciation for wood-stained oak or maple for its versatility and brass accents for their timeless and elegant appeal. Finally, unique architectural features like pocket doors and sunken living rooms/conversation pits are highlighted. Pocket doors are valued for their space-saving privacy, while sunken living rooms and conversation pits are admired for their cool, comfy, and inherently social design, prioritizing interaction over screen-centric layouts. #HomeDesign #InteriorDecorating #OutdatedTrends #NostalgicDecor #FunctionalLiving #ArchitecturalFeatures #HomeRenovation #DesignRevival

Metropolis, a prominent design publication, has announced its 2024 Future100 Interior Design Graduate Winners, recognizing 17 outstanding graduate students from universities across the United States and Canada. These individuals were selected by the Metropolis team for their exceptional talent, innovative design concepts, strong technical knowledge, and forward-thinking approaches to interior design. The recognized students demonstrate a profound understanding of design principles, a commitment to research, and an ability to create impactful and sensitive spaces. The featured winners include Helia Amini from Marymount University, whose design concepts are noted for superb technical knowledge and a strong research foundation. Lari Bittman, also from Marymount University, is recognized for her remarkable combination of raw talent, technical ability, and perseverance, evident in projects ranging from a playful daycare to a meticulously designed multi-use refuge community center. Brooke Bower from The University of Texas at Austin is highlighted for her imagination as a visual artist and embodied understanding of space, developing a portfolio reflecting an inspiring point of view poised to positively impact the built environment. Christa E. Gorman from Kansas State University is praised for her intensely creative and iterative design process, focusing on producing thoughtful and complete solutions. Sanjana Gopalakrishnan from The New School, Parsons School of Design, possesses a rare sensitivity toward playful design while remaining committed to circular economies. Henry Hammes, also from Kansas State University, is recognized as a talented and motivated student who creates carefully choreographed solutions through deep research and concept development. Kile Hotchkiss from The New York School of Interior Design exemplifies great promise with meticulous research and an insightful approach, integrating architectural details and clever interpretations of history. Pavitra Jairaj from the University of Oregon demonstrates a clear connection to client and user experience, grounded in research, precedent, and empathy. Malik Lovette, also from the University of Oregon, combines a background as a college athlete and artist into his design work, showcasing strong graphic communication and natural collaboration. Madina Masimova from The New School, Parsons School of Design, brings a global perspective to interiors and technology, leading with optimism on the future of design within the context of AI, design, and belonging. Eva Neri from Florida State University is described as a bright, free-spirited, and talented designer who weaves diverse research interests, including ambient sound and music, into multilayered designs focused on physical and emotional well-being. Tasha Singh from Drexel University is commended for her skill, enthusiasm, and consideration for people and place, possessing noteworthy design talent in both digital and hand-drawing mediums. Nihitha Sreenath, also from Drexel University, has a deep set of talents for communicating ideas across various mediums, demonstrating strong material sensibility and sensitivity to human needs. Melida Valera from the New York School of Interior Design is passionate about the design industry, with a deep respect for how things work and a diligent approach to learning. Nicolle Villa from Boston Architectural College is an attentive, detail-oriented student with fantastic interpersonal skills and a great eye for design and materiality. Jessica Wilsey from The University of Texas at Austin is an outstanding graduate student whose work has been repeatedly awarded for its design excellence, bringing remarkable sensitivity to extensive design research and the study of human behavior. Finally, Mingming Zhao from the Savannah College of Art and Design has chosen interior design to create beautiful and functional living environments that positively impact individuals and communities, with a design philosophy rooted in cultural context and locality. #Future100 #InteriorDesign #GraduateWinners #DesignExcellence #StudentDesign #ArchitecturalEducation #MetropolisMagazine #DesignInnovation