Inside a couple's smart renovation of a rundown Victorian terrace in East London

Jamie and his wife undertook an ambitious renovation of a dilapidated two-bedroom 1960s bungalow in a Nottinghamshire village, transitioning from Birmingham city life to a more intentional, rural lifestyle. The decision to move was influenced by the pandemic, which highlighted their preference for a quieter environment away from city noise. Despite initially seeking a larger, fully renovated house, a last-minute sale fall-through led them to the bungalow. They were somewhat naive about the extent of work required but quickly committed due to their children securing places in local schools and their affection for the village. The village, with only 250 residents, offers a unique blend of countryside living and convenient access to Nottingham, being just 20 minutes away by car. The compact nature of the 1960s property presented a significant challenge for the family of four. To address this, Jamie enlisted architect David Jackson-Crane, who reimagined the single-storey layout. The redesign focused on creating open spaces and maximizing natural light, all while adhering to green belt regulations. Jackson-Crane proposed utilizing the roof’s volume to achieve higher ceilings instead of adding a second floor with sloped ceilings, a solution Jamie, being six-foot-two, found ideal. This approach successfully created space for the children's bedrooms and a home office. The main bedroom suite was positioned at the opposite end of the bungalow. The original part of the house was opened up to establish an open-plan kitchen, dining, and living area at the rear, fostering a more connected family environment. During the renovation, the family temporarily resided in a nearby village. The planning phase experienced frustrating delays, including a six-month wait for a bat survey due to seasonal restrictions after a single bat dropping was discovered. Despite these setbacks, the local planners were impressed with their design and efforts to incorporate eco-friendly solutions. Collaborating with specialists Carbon Legacy, they integrated an air source heat pump and solar panels into the property. Jamie and his wife strategically planned every detail to make the most of the smaller living space. Interior designer Laura Gray worked with the architect from the project's inception, ensuring that each room was both functional and thoughtfully furnished. Gray's involvement ensured that window designs complemented desired curtains and blinds, and she helped refine the layout to create a practical and livable home. The interior design adopted a mid-century modern aesthetic, with accents of Art Deco and bold colors, providing a fresh design foundation. To ensure a cohesive new interior, they even gave away most of their old furniture. Living in a single-storey home has provided unexpected benefits, including a stronger family connection and a future-proof design without steps or ledges. The eco-friendly installations have also significantly reduced their energy bills to a quarter of what they previously paid. Despite the challenges, including the prolonged planning process and exceeding the initial budget, Jamie remains confident in their decision, expressing daily appreciation for their well-designed and functional family home. #HomeRenovation #BungalowMakeover #InteriorDesign #EcoFriendlyHome #RuralLiving #OpenPlanLiving #FamilyHome #ArchitecturalRedesign #Nottinghamshire

Lindsey and Ruth, a couple from Teesside with two young children, Aria and Ivy, faced significant challenges with their home's layout before renovation. The existing structure featured a cramped living room, kitchen, and dining room, offering limited living space and minimal storage. A major inconvenience was the tiny hallway at the entrance, which opened directly onto the stairs, making it difficult to maneuver a baby stroller and causing a bottleneck for entering and exiting the house. Furthermore, the cloakroom's location near the kitchen meant traversing the entire house to store coats and shoes, highlighting a general lack of practicality in their living arrangement. Despite having a beautiful garden, the house's internal design failed to optimize its potential or cater to the needs of a growing family. The couple allocated £52,000 for the renovation, surpassing their initial budget of £40,000, after securing design proposals from architects Laura Jane Clark and Robert Jamison on the BBC2 show 'Your Home Made Perfect.' They were particularly drawn to Laura Jane Clark's design, which promised to transform their disjointed dwelling into a cohesive, open-plan space. The core of Clark's innovative approach involved relocating the staircase to the left, which dramatically opened up the entrance. This created a spacious, light-filled hallway that not only solved the immediate problem of navigating with a pram but also established a clear connection between the front entrance and the rear of the house and garden. This alteration also provided ample storage solutions, addressing a critical need for the family. The renovation also entailed breaking down walls to merge the previously segmented kitchen, living room, and dining room into a single, expansive open-plan area. This change was crucial for Lindsey and Ruth, who desired an interconnected space where they could easily keep an eye on their children while engaging in other household activities. The new design incorporated bi-fold windows, allowing abundant natural light to flood the interior and offering continuous views of the garden. Although Clark initially envisioned the open space primarily for dining and an open kitchen, the couple adapted it to include a central dining table and a comfortable sitting area, effectively extending the living space by 1.7 meters into the garden. Another significant transformation involved the garage, which had previously served as an overflow pantry due to the kitchen's lack of storage. Despite Lindsey's initial reluctance to convert it for fear of devaluing the property, the garage was ultimately repurposed into a functional utility room, equipped with a washing machine and dryer. The comprehensive redesign included the integration of sleek, modern cupboards throughout the kitchen and in the new entrance hallway, ensuring that storage was no longer an issue. The outcome was a home that not only met the practical demands of the family but also garnered widespread praise from viewers for its stunning transformation and thoughtful design elements. #HomeRenovation #OpenPlanLiving #StaircaseRelocation #HomeDesign #InteriorTransformation #FamilyHome #ArchitecturalDesign #SpaceOptimization #StorageSolutions

Marie Lu, a bestselling author, and Primo Gallanossa, a game designer, sought a flexible and inspiring urban sanctuary in downtown Los Angeles's Arts District. They commissioned architecture firm CHA:COL to transform a 1,450-square-foot live/work loft into a space that could accommodate their writing and game design needs between frequent travels. The design brief emphasized creating a creative den for work, relaxation, and retreat. CHA:COL, led by design principals Apurva Pande and Chinmaya Misra, drew inspiration from the couple's professional backgrounds, particularly the game "Monument Valley" and the whimsical geometries of M.C. Escher. The central element of the loft is the "Writer’s Block," a custom-designed, multifaceted piece of oak veneer millwork. This versatile unit functions as a desk on one side, a lounge on the other, and incorporates shelving, effectively dividing the space while offering multiple uses. The design aimed to allow the clients to navigate and inhabit the loft in unique ways, much like Princess Ida moves through different levels in the Monument Valley game. The loft's design integrates both two-dimensional and three-dimensional elements. For example, white oak planks from the Writer’s Block seamlessly transition into FLOR carpet tiles that extend up an opposing wall, complemented by a matching mural. This playful mashup creates an optical illusion, making the two-dimensional elements appear three-dimensional and vice versa. Extensive studies were conducted to achieve the precise geometry for the wall art, eventually simplifying to paint swatches to complete the effect. Beyond the primary workspace, the loft also includes dedicated sleeping and kitchen areas. The kitchen features IKEA cabinets and a peninsular bar designed to encourage social interaction. Acoustic considerations were incorporated into the design, and the space is illuminated by a Zaneen pendant in addition to natural light from a facade of windows. The bathroom features a minimalist, monochromatic aesthetic with a custom white lacquer vanity and Porcelanosa tiles. The sleeping area is discreetly tucked away at the back of the loft, illuminated by a George Nelson Saucer Lamp. The project successfully created a highly functional and creatively stimulating environment. Initially conceived as an occasional getaway, the loft proved so effective that the clients found themselves spending more time there, reducing their need for frequent commuting. The design prioritized a simple, streamlined palette and carefully selected light fixtures that enhanced the spatial flow and movement within the loft, creating an urban oasis that fosters creativity and well-being. #LiveWorkLoft #CreativeSpace #GameDesignInspired #MultifunctionalFurniture #LosAngelesArchitecture #SmallSpaces #InteriorDesign #CustomMillwork

This article details a renovation project by London-based firm LLI Design, focusing on a Victorian townhouse in North London. The project aimed to infuse modern style while restoring period-appropriate elements that had been stripped away in previous renovations. The primary focus of the redesign was a windowed kitchen extension that fully opens to the garden, creating a seamless indoor-outdoor living experience. The previous state of the Victorian townhouse lacked its original character, as earlier renovations had removed many historical details. LLI Design meticulously reintroduced these elements, starting with the front fanlight window, which was adorned with stained glass. The entry hall received vintage black and white tiles, re-establishing a sense of historical authenticity right from the entrance of the home. These subtle yet significant changes contributed to restoring the townhouse's original charm and aesthetic. Inside, the living room also underwent significant transformations. Outdated cabinetry was replaced with custom-built shelving units, carefully designed to flank the fireplace, providing both functionality and a refreshed aesthetic. The old mantle was removed and replaced with a more traditional marble fireplace surround, further enhancing the room's classic appeal. The flooring throughout the living spaces was updated with light herringbone-patterned floors, which successfully blended historical charm with a contemporary feel, bridging the gap between the home's past and present. The kitchen, however, stands out as the centerpiece of this renovation. It was completely revamped with new pale gray cabinets that offer a sleek and modern look, complemented by crisp white countertops. The most striking feature of the kitchen is its entire rear wall, which is composed of large-paned windows framed in dark gray aluminum. These windows are designed to open completely, transforming the kitchen and dining area into an open-air space that directly connects to the garden. This innovative design allows for an abundance of natural light and ventilation, creating a bright, airy, and inviting atmosphere that blurs the lines between the interior and exterior environments. This renovation exemplifies how modern architectural interventions can respect and enhance historical properties. By carefully reintroducing period details while integrating contemporary design elements, LLI Design successfully transformed the Victorian townhouse into a functional and aesthetically pleasing home. The emphasis on opening the interior spaces to the garden not only enhances the living experience but also creates a unique connection to the outdoors, making the home more adaptable to modern lifestyles while preserving its inherent character. #VictorianTownhouse #HomeRenovation #LondonArchitecture #InteriorDesign #KitchenExtension #GardenConnection #LLIDesign #ModernStyle #PeriodDetails

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

Mexican designer Stephanie Barba Mendoza and her Austrian husband embarked on a significant renovation of their Victorian home in northwest London seven years after moving in. Although the house was in good structural condition, the family sought to expand and update various spaces. The renovation, which commenced in 2022, involved a rear extension to enlarge the kitchen-dining area, modifications to the children's bathroom, and updates to several bedrooms. The project took eight months to complete, experiencing some delays, including a planning permissions error and construction during winter, which presented logistical challenges. The designer views her home as a "laboratory" for creative expression, allowing her to experiment with bold patterns and vibrant color palettes without creative limitations. A key focus of the renovation was the kitchen, which was designed to be warm and inviting. A custom dining table serves as the central gathering point, enhancing social interaction and practicality for a family with young children. To maintain a connection with nature despite sacrificing some outdoor space for the extension, botanical wallpaper was installed in the dining room, complementing the patio visible through the windows. Large rope beads were incorporated to create an architectural separation between spaces without using solid walls, fostering a continuous indoor-outdoor feel during summer. During winter, lighting in the patio's flower beds allows the family to enjoy the outdoor view from indoors. Green is a prominent color throughout the home, adorning the metal doors, window frames, and the patio ground, creating a calming effect and visually expanding the small outdoor area. The kitchen features whimsical Balineum tiles, hand-painted with artwork by Gergei Erdei depicting the family's astrological signs. In the living room, Barba Mendoza transitioned from a previous blue-green palette to a cozier hue, complementing a hand-painted fireplace with an updated mahogany-toned tortoiseshell effect. The living room, originally two separate rooms, was unified and infused with a peachy warmth, inspired by a Gucci dress pattern. Notable design elements include a plaster oyster shell pendant light, C&C Milano fabric drapery, and a bespoke plaster pedestal by artist Viola Lanari. The powder room, despite its small size, was made to feel expansive with antique mirrored panels, a moon brass and opal glass pendant, and a turquoise marble shelf. Further details include a Pierre Frey valance in the kitchen, a raspberry-pink powder-coated Visual Comfort star wall light, and custom kitchen cupboards designed with British Standard Cupboards, featuring rope trim and unlacquered brass handles. The primary bedroom, a loft conversion, is painted in Farrow & Ball’s Pink Ground, with an antique quilt and a Carlyle headboard from Ensemblier London. The children's bathroom features pale yellow porcelain fixtures from Water Monopoly’s Rockwell Collection, complemented by unlacquered brass faucets, and a citrus-themed shower curtain made from Schumacher’s Le Citron fabric. The eldest son's bedroom benefited from an expanded ceiling, creating a more spacious feel, and is decorated with an Istanbul-sourced rug and a headboard from Ensemblier London. The boys' playroom is designed for comfort and fun, featuring a drum kit, TV, wicker toy containers, and large crocodile decor, embodying the family's playful nature. The designer believes the home’s vibrant colors and patterns reflect classic Victorian and Georgian styles, suggesting a timeless appeal that may endure for many years. #VictorianRenovation #LondonHome #InteriorDesign #PatternAndPalette #KitchenExtension #IndoorOutdoorFlow #ColorfulInteriors #CustomFurniture #FamilyHome

This article details the home renovation project undertaken by Victoria and Marcus Ford, focusing on the transformation of their bedroom, bathroom, and laundry room. The couple's approach to home decor is described as "intentional," selecting items that reflect their personalities and bring soul to their living spaces. The bedroom makeover centered on creating a tranquil retreat using a light blue paint color for the walls, complemented by darker blue tones in a patchwork quilt and a Kazak-style rug. Personal touches such as souvenir pennants, vintage tennis rackets, and an old state fair sign were integrated to add meaning. A gallery wall above the bed features reproduced "Black ABCs" flash cards, reflecting Victoria's appreciation for African American culture. For functionality, a multipurpose desk replaced traditional nightstands, accommodating work-from-home needs and paired with a repurposed barrel chair. The bedroom also incorporated a pillow-top mattress from the Country Living Welcome Home collection to enhance comfort. Nautical elements, including a flag with Captain James Lawrence's famous order and wooden African American sea captains, were introduced on a dresser, which was painted in Sherwin-Williams' Courtyard, to align with Marcus's interests. The bathroom underwent a significant reconfiguration, moving from an off-center vanity layout to a symmetrical design featuring two wooden vanities. This transformation incorporated a mix of ribbed hardware, brass sconces, chrome faucets, and brass-framed mirrors to create a layered, evolved aesthetic. A large-scale, four-inch hexagon tile flower motif on the floor provided a fresh yet nostalgic feel. A key design element was the sixty-inch-tall blue beadboard wainscoting, adding both height and texture to the space. The shower area was also expanded by removing a glass door, and its walls and ceiling were covered with handmade dusty blue subway tiles, designed to seamlessly integrate with the bathroom's blue theme. For the laundry room, an unused bedroom and an extra hall closet were combined to create a dedicated and spacious area. The new layout features a space-saving laundry tower, built-in cabinets with folding space, and a small work sink. The couple chose a navy and white striped shirt motif wallpaper, which Victoria found appealing and appropriate for the room's function. A large checkerboard tile floor, laid diagonally, was selected to visually expand the space and complement the wallpaper and navy high-gloss paint on the millwork. A vintage sink, reminiscent of Victoria's childhood, was installed, accompanied by a print from artist Elizabeth Mayville. The article highlights the detailed choices and personal touches that defined each room's renovation, resulting in spaces that are both functional and deeply personal to the homeowners. #HomeRenovation #InteriorDesign #DIYProjects #BedroomMakeover #BathroomRemodel #LaundryRoom #DecoratingIdeas #CountryLiving #HouseTour

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

This article details the renovation of a 19th-century Newton home, transforming it into a luxurious yet family-friendly space for a family of six. The homeowners, moving from a condo, were drawn to the original charm of the 1848 abode, including its authentic millwork, curved staircase, and glass-etched double front doors. Their vision was to infuse the historic property with a fresh, modern energy while preserving its inherent character. Interior designer Cara Fineman spearheaded the "glow up" primarily focusing on the first floor. This involved minor modifications to improve livability in the kitchen, pantry, and three bathrooms. Key updates included new countertops, tile backsplashes, brass hardware, and modern fixtures. Notably, the existing custom Kochman Reidt + Haigh kitchen cabinetry was in excellent condition, necessitating only a fresh coat of wispy white paint. The adjacent pantry and wet bar received a more dramatic makeover with bold new color schemes on existing cabinets, complemented by Aux Abris grasscloth and Ferrick Mason wallcoverings, along with linen window treatments, enhancing both functionality and aesthetic appeal. Fineman's design strategy for the study, family, and living rooms centered on integrating soft furnishings crafted from family-friendly textiles and contemporary lighting. In the family room, a spacious and plush sectional, ottoman, and lounge chairs were installed to create a comfortable gathering space. The living room now features a sleek game table made of lacquered swirl resin, designed to encourage board games and social activities. A significant design element across the communal spaces was the strategic incorporation of color and pattern, particularly through wallpaper, fulfilling the clients' desire for a vibrant and dynamic interior. The home boasts a sophisticated yet serene atmosphere, achieved through a diverse material palette including silk, grasscloth, antique brass, velvet, and rattan. A personalized sanctuary was created for the mother of the house in the first-floor study. This feminine space, designed for quiet reading, features an opal wall color, warm artwork, and bookshelves filled with books, accompanied by an overstuffed sofa for relaxation. Despite having four young children under the age of six, the first floor was intentionally designed to feel luxurious and mature without being overly precious or inaccessible to the kids. The design philosophy emphasized materials that were not easily damaged and the rehabilitation of existing elements rather than complete replacement, such as using natural fibers and updating existing cabinetry. This approach allowed for the preservation of the home's originality while adapting it to the contemporary needs of a young family. The playroom, adjacent to the boys' bedroom, features a lively Serengeti wallpaper, beanbags, storage baskets, and wall shelves, designed to be age-appropriate yet durable for a growing family. #HomeRenovation #InteriorDesign #NewtonHome #HistoricHome #FamilyLiving #ModernDesign #LuxuryInteriors #ResidentialDesign

David and Emma Engerer, a young couple, have embarked on a significant endeavor to revitalize the historic Stuart Neighborhood in Kalamazoo through the renovation and rental of its aging houses. David, 28, from metro Detroit, and Emma, 22, from Austin, Texas, met at a skateboarding contest in Houston and later married in October 2019. Their venture into real estate began after David's graduation from Western Michigan University, encouraged by his father to purchase and renovate older homes to generate rental income. The couple's commitment to the neighborhood is evident in their hands-on approach to renovations, with David performing most of the restoration work alongside Emma. Their efforts have been lauded by local residents, including Gary Wark, president of the Stuart Area Restoration Association, who notes the positive contrast with absentee landlords. The Engerers are part of a growing trend of younger individuals investing in the historic area, which boasts many houses dating back to the 1870s when it was a thriving community for businessmen and professionals. David emphasizes the importance of maintaining a vision for the properties' potential, despite the inherent challenges of home fix-ups. Their first acquisition was an American Foursquare stucco house at 821 Kalamazoo Ave., built in 1910. Originally a single-family residence, it had been converted into a duplex in the 1920s and suffered from neglect, including foundation, roof, plumbing, and electrical issues. Emma humorously compared it to the 'Money Pit' movie. Despite its condition, the house had existing tenants, and its structural integrity was surprisingly sound. This initial project served as a significant learning experience for the couple. Following this, the Engerers purchased two more 19th-century homes in the neighborhood, with plans for additional acquisitions. One of these is their personal residence, a 4,000-square-foot Queen Anne Victorian at 418 Stuart Ave., known as the French/Allen House, built in 1895. This house, rich in history with four bedrooms, 3.5 bathrooms, stained-glass windows, and a sweeping veranda, was originally appointed by Marshall Field. It was once owned by Dorr French, a justice of the peace and city attorney, and later by Harold Allen, vice president of First National Bank and corporate secretary for The Upjohn Co. They acquired this house in May 2020 at a reduced price, undertaking interior upgrades such as replacing old galvanized steel pipes and plumbing, replicating door moldings, and re-doing bathrooms, all while meticulously preserving the historic integrity. David expresses strong disapproval of renovations that strip old homes of their original charming features. Local historian Sharon Carlson, a resident of the Stuart Neighborhood, commends the Engerers' dedication, noting that landlords who live in the neighborhood tend to be the most effective. In July 2020, they bought another rental property at 500 Stuart Ave., a four-unit dwelling built by George Rickman in the late 1880s, one of three brick Queen Anne-style houses on the street. They are currently performing exterior and limited interior renovations, with more extensive work planned as tenant leases expire. This house, along with its neighbors, is distinctive for its brick construction, unusual for Victorian homes of that era. Emma, who initially had no plans to leave Texas, credits her move to Michigan to her relationship with David and a strong sense of divine guidance. She discovered Michigan's distinct seasons, a new experience compared to Texas. David's background includes a past as an aspiring professional skateboarder and snowskater, sponsored by Ambition Snowskates. He graduated from Western Michigan University with a degree in exercise science, initially intending to become a physical therapist, but discovered a passion for home renovation after summer jobs involving repairs. David's father, a successful physical therapist and experienced home renovator, has been a significant mentor, guiding them with insights into making properties profitable and managing renovations. The Engerers emphasize that while financial viability is crucial for such projects, passion and vision are paramount. They plan to remain in the Stuart Neighborhood long-term, expressing their love for the community and its historical homes. #HistoricHomeRenovations #StuartNeighborhood #KalamazooRealEstate #PropertyInvestment #CommunityRevitalization #QueenAnneVictorian #OldHouseRestoration #RentalProperties #NeighborhoodDevelopment

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

HÛT Architecture undertook the renovation of a three-story, mid-terrace townhouse in De Beauvoir Town, East London, for a musician and a furniture designer. The neighborhood is characterized by early Victorian villas and townhouses, many of which are in a conservation area, influencing the architectural approach. Rachel Eccles, Associate Director at HÛT Architecture, guided the project, emphasizing a simple palette of minimal, handcrafted materials chosen for their ability to age gracefully and develop a natural patina over time. This design philosophy aimed to ensure the building's longevity and aesthetic improvement for another century. The exterior rear extension was constructed using black Petersen bricks, chosen to complement the original masonry of the terrace row while establishing its own contemporary identity. These coal-fired bricks impart vibrant light and dark shades, contributing to a robust and high-craft appearance. Although the front facade was meticulously restored to its original Victorian state, including repairs to sash windows and brickwork, the rear allowed for a more playful and modern design. The new front door, painted an olive green, matches the kitchen cabinetry and the master bedroom walls, creating a cohesive color scheme throughout the interior. The interior renovation focused on reconfiguring the ground floor to create an open-plan social area, culminating in a full-width kitchen-dining extension at the rear. This extension features high ceilings and floor-to-ceiling doorways, enhancing the sense of space and light. Robust materials like terrazzo, timber, and steel were consistently applied. For instance, the handcrafted fireplace, made from recycled building rubble by Granby Workshop, echoes the terrazzo floor tiles in the bathroom. Douglas fir timber flooring on the ground floor mirrors the timber used to over-clad the original staircase, further unifying the design elements. Visual connectivity was a key aspect of the design. A black steel-framed glazed partition separates the living room from the entrance hallway, a motif repeated in the steel-framed glass doors leading from the extension to the patio and the bathroom shower screens. An internal picture window connects the extension to the front of the house, maintaining clear sightlines through the entire ground-floor living space and extending views into the garden. This intentional design fosters a sense of openness and allows natural light to penetrate deeply into the home. Despite planning restrictions limiting the extension's height at the boundary wall to eight feet, HÛT Architecture incorporated an angled skylight with a ribbon of glazing. This design maximizes natural light and volume, offering views of trees and sky to the tall client. The seamless connection between the extension and the garden, achieved with an almost flush threshold, allows the living space to extend outdoors during warmer months, while visual connectivity is maintained through glass windows in winter. The upper floor retains its original layout but integrates contemporary finishes and materials, such as olive green walls and built-in cabinetry in the master bedroom, completing the blend of historical preservation and modern design. #LondonTownhouse #HomeRenovation #HÛTArchitecture #VictorianArchitecture #DeBeauvoirTown #ContemporaryDesign #HandcraftedMaterials #SustainableDesign #InteriorDesign

The article details the renovation of a 1970s split-level row house in Hackney, London, undertaken by Archmongers, the architectural firm led by Johan Hybschmann and his wife, Anita Freeman. The project's primary goals were to modernize the home for contemporary living, enhance its energy efficiency, and introduce more natural light into the interior spaces. The renovation adheres to Archmongers' commitment to using honest, exposed materials and traditional wood joinery, incorporating a palette of brick, galvanized steel, cast concrete, and timber. Before the renovation, the house had remained largely untouched since the 1970s, retaining its original structural elements like masonry, timber framework, and exposed concrete. However, its layout was inefficient, marked by a ground-floor garage that created an awkward entrance and a constricted kitchen/dining area. The original design also featured excessive storage and limited daylight connection to the street, with most rooms facing the rear garden. Archmongers addressed these issues by extending the ground floor and converting the garage into more functional living spaces. A new in-situ cast concrete extension at the rear significantly expanded the kitchen and dining areas on the lower level. This extension's insulated slab not only provides thermal insulation but also forms a new garden terrace, which doubles as a structural foundation to help distribute the load of both the existing and new facades. The flat roof of this extension was designed to accommodate a green roof at the first-floor level, contributing to the home's sustainability and biodiversity. The renovation focused on opening up the three-floor structure to create a more spatially vertical feel. Plasterboard walls were removed to reveal the underlying structural logic of the house, making its various elements more legible. The underside of the stairs was exposed to enhance spatial clarity, and strategically placed internal windows were incorporated to introduce sight lines and flood the interior with natural light. The rear elevation was further opened up with sliding doors at ground level and a large new window on the first floor, offering views of the new green roof from the living room. The design draws inspiration from Northern European modernism, with specific references to architectural works in Hybschmann’s native Denmark, including Wohlert’s Louisiana Museum of Modern Art, Finn Juhl’s house in Ordrup, and Arne Jacobsen’s Søholm houses, as well as Alvar Aalto’s homes in Finland. The interior design features a harmonious blend of gray brick, white-washed walls, and natural timber finishes. These are complemented by bold accents of red in the exposed steel beams, columns, and handrails, and by the terra-cotta tiles used on the lower floor. Repeated rectilinear motifs are consistently applied throughout the material arrangement, contributing to a unified aesthetic. In terms of exterior enhancements, the rear garden and the wildflower green roof were planted with indigenous species. A new, small pond was added to encourage local wildlife. The planting scheme, designed by Anita Freeman, specifically aims to boost biodiversity within the property’s limited footprint. The renovation successfully transformed a dated 1970s house into a modern, energy-efficient home that maximizes natural light and space while maintaining a strong connection to its natural surroundings and modernist architectural principles. #LondonRenovation #SeventiesRowHouse #ArchitecturalRenovation #EnergyEfficiency #ModernistDesign #GreenRoof #ExposedMaterials #NaturalLight #SustainableDesign