Fakir Bari House / Design Works Studio

The article explores the transitional design style, which combines traditional and contemporary elements, in the context of the Pakistani Ambassador's residence. This eclectic approach to design is gaining popularity in residential and commercial spaces. The residence, built in 2007 as part of the Pakistani embassy complex, was designed by Indonesian architect Adhitya Sasongko in consultation with Pakistani architects. The house is an L-shaped, two-story structure connected to the embassy. The architectural inspiration for the residence draws from Islamic architecture, featuring mosaic-tiled round domes and geometrical patterns reminiscent of the Mughal era. A prominent round dome silhouette adorns the entrance facade. The interior's modern aesthetic is achieved through a beige and white color palette, which contributes to a bright ambiance. The layout centers around a large sitting area, which leads to a high-ceiling dining room and a guest room. The sitting area is conceptually divided into three islands and benefits from abundant natural light provided by a skylight. This space exemplifies the transitional eclectic interior style, showcasing a mix of Pakistani fine artworks alongside Indonesian and oriental-themed decorative items. Ambassador Mohammad Aqil Nadeem and Madame Tahsina Aqil, who host many social functions in the residence, have a significant influence on the interior. Madame Tahsina Aqil, with a background in art and an interest in interior design, personally undertook the interior decoration of the house, incorporating suggestions from her husband. She describes her decorating style as transitional eclectic but appreciates other styles like minimalist and modern designs. Her approach prioritizes comfort and visual appeal for occupants, ensuring ample space for movement within the house. The couple are art collectors, and many of the artworks displayed in the residence reflect the social, cultural, and political history of Pakistan. Notable pieces include a canvas print by the renowned artist Sadequain, known for his murals and calligraphy, and two pen-and-ink sketches by Pakistani painter Abrar. These art pieces contribute to a harmonious contrast within the home. For the Ambassador and Madame Aqil, successful home design balances comfort, elegance, and style. They carry meaningful decorative items, such as handmade Pakistani rugs, paintings by famous Pakistani artists, and pieces representing their heritage, as they move between diplomatic postings. The transitional eclectic design of the residence provides a distinctive and original character, proving practical for their diplomatic lifestyle, which requires frequent relocations. Madame Tahsina highlights how this style allows her to integrate furniture acquired from previous occupants, efficiently addressing the challenges of furnishing a new residence every three years. The design philosophy embraces versatility and adaptation, making it suitable for a transient yet distinguished diplomatic life. #TransitionalStyle #PakistaniResidence #InteriorDesign #IslamicArchitecture #EclecticDesign #ArtCollection #DiplomaticResidence #HomeDecor #ArchitecturalDesign

The Central Courtyard Villa project, designed by NextOffice–Alireza Taghaboni, is located in Lavasan, Iran, and was completed in 2024. The project covers an area of 734 square meters and is characterized by a distinctive tunnel/bar structure that incorporates a continuous arrangement of stacked arches. This design creates an intricate three-dimensional central courtyard, which serves as a focal point of the villa. The courtyard is designed with varying degrees of permeability, influencing the interaction between different elements of the structure and the surrounding environment. This permeability is evident in the floor, which features a pool, in the walls that offer open views, and in the way the space opens up towards the sky. The architectural team responsible for the project included Majid Jahangiri, Farideh AghaMohammadi, Sahar Javadi, Ali Ghods, Meysam Ebrahimi Moghaddam, Hoodad Zoroofchian, Shiva Pourheidar, Gelareh Geranseresht, Mohammad Shahsavar, Ali Jahani, Meysam Feizi, Elaheh Samani, Yasin Salehi, Farzad Farasat, Parnian Naiieri, Sepideh Moussavi, Amir Pourmohammad, Asal Karami, and Saba Salehi. The construction management was handled by HRM Group, with Hassan Rezaei Mahalleh leading the efforts. Tarh Asayesh Pars, with Afshin Masoudi, served as the structural engineering consultant, while Azmayesh Group provided both mechanical and electrical engineering services. Key materials used in the construction include glass, steel, and brick, contributing to the villa's modern aesthetic and structural integrity. The villa's design emphasizes the integration of indoor and outdoor spaces, a common theme in courtyard architecture, but reinterpreted through the stacked arch motif. This approach allows for a dynamic interplay of light and shadow, and controlled ventilation, enhancing the living experience within the residence. The use of a central courtyard, a traditional element in Iranian architecture, is reimagined in a contemporary context, offering both privacy and connection to nature. The selection of materials like brick further grounds the modern design in local architectural traditions, while glass and steel introduce contemporary transparency and structural expression. The project's photography was carried out by Reza Nasseri, Parham Taghioff, and Neel Studio, capturing the essence of the villa's exterior, interior, and the unique features of its central courtyard. The curated images highlight the architectural details and the spatial qualities of the residence. The villa is classified under residential architecture and specifically as a house, reflecting its primary function as a private dwelling. The meticulous planning and execution by a diverse team of architects and engineers underscore the complexity and innovative nature of the Central Courtyard Villa, positioning it as a notable example of modern residential design in Iran. #ResidentialArchitecture #VillaDesign #CentralCourtyard #StackedArches #ModernIranianArchitecture #NextOffice #AlirezaTaghaboni #ArchitecturalDesign #BuildingMaterials

The 'B House,' designed by Kit Design Architect, is a three-story residential building located on the outskirts of Bangkok, Thailand. The house occupies a 320 square meter land plot and is intended for a married couple and their children. The architectural design integrates principles of Feng Shui while maintaining a modernist aesthetic. The house’s exterior is characterized by simple box-like geometries, which are softened by the incorporation of sliding timber screens on the second-floor balcony. These timber screens serve a dual purpose: they provide effective sun shading and enhance privacy for the residents, adapting to the tropical climate of Bangkok. The interior layout and overall design concept are rooted in Feng Shui principles, guiding the arrangement of spaces to promote harmony and positive energy flow. Despite this traditional influence, the house presents a contemporary architectural statement, blending modern forms with functional elements. The total area of the house is 650 square meters, completed in 2019. Kit Design Architect was responsible for the architecture, landscape design, and consulting services for the project. The selection of materials and manufacturers for the B House reflects a commitment to quality and contemporary design. Key manufacturers involved include AGC for glass products, AutoCAD and Trimble Navigation for design and modeling, Dulux for paints, Medici Wood for timber elements, Thaisoung, and Tile-it for various building components. Beersingnoi captured the architectural photographs, documenting both the exterior and interior spaces, including staircases, handrails, facades, windows, dining areas, kitchens, and other detailed views. The design team at Kit Design Architect, led by clients Ekkapol Chatmongkolchai and Mr. Ekkapol Chatmongkolchai, collaborated with Penang Isara for engineering aspects. The project's location in Bangkok, known for its warm climate and vibrant urban context, influenced design decisions related to passive cooling and privacy. The sliding timber screens are a prime example of how the design responds to environmental conditions, allowing for control over natural light and ventilation while offering aesthetic appeal. Various illustrations, including exterior and interior photographs, floor plans (ground, second, and third floors), sections (A, B, C, D), and elevations (1, 2, 3, 4), provide a comprehensive overview of the B House. These visuals highlight the interplay of geometric forms, material textures, and the thoughtful integration of natural light throughout the residence. The house exemplifies a modern approach to residential architecture in Thailand, where cultural traditions and contemporary design converge to create functional and aesthetically pleasing living spaces. The emphasis on both privacy and environmental responsiveness through design elements like the timber screens underscores a holistic architectural approach. #ResidentialArchitecture #Modernism #BangkokArchitecture #Thailand #FengShuiDesign #TimberScreens #SustainableDesign #ContemporaryHousing #KitDesignArchitect

Feri Feryal Turker, an interior designer, began her professional journey five years ago, building on her craftsmanship in furniture, murals, and charcoal painting. Her venture was inspired by her son's encouragement to pursue formal education in interior design and supported by her husband's expertise in consulting engineering. Feri Designs is a family-run company that started with minimal capital but grew through their collective experience and dedication. The company specializes in designing and implementing interior projects for luxury condos, single-family homes, and commercial spaces, working with a team of professional licensed contractors. Feri Turker emphasizes that her unique background, originating from Turkey—a country bridging Europe and Asia—allows her to infuse her designs with contemporary orientalist influences. This distinctive approach differentiates Feri Designs from other firms. Her design philosophy prioritizes reflecting clients' tastes and wishes while subtly incorporating her personal touches, aiming to create living spaces that bring joy and a sense of identity to her clients. She believes that a designer's role is to create happiness through their work. Her personal journey into interior design began at the age of 53, a challenging endeavor given the language barrier in a new country. Despite these obstacles, Feri pursued her education with discipline and dedication, successfully establishing her own business. This experience solidified her belief that perseverance can overcome any objective. When asked about recommendations for visitors, Feri and her husband often suggest St. Augustine, one of the oldest cities in the USA, for its historical significance. They also recommend visiting the NASA Kennedy Space Center for a unique global perspective. For leisure and culinary experiences, the Florida Keys are highlighted for their vibrant life and traditional food culture. In Delray Beach Downtown, their preferred dining spots include La Sorelle, an Italian restaurant known for its cuisine and wines, and Amar Mediterranean Bistro, celebrated for its Middle Eastern dishes and respectful service. For a quiet drink and live music, the Colonial Hotel Bar with its outdoor seating on Atlantic Avenue is a favored choice. Feri credits her husband for imparting foundational knowledge in measurement and construction, and her son for his unwavering support. She also acknowledges the crucial role of friends in Turkey who never ceased to support her aspirations. Furthermore, she expresses gratitude for the recognition and interest shown by publications like Shoutout Miami, which have contributed to the success and visibility of Feri Designs. #FeriFeryalTurker #InteriorDesign #FeriDesigns #Entrepreneurship #DesignPhilosophy #MiamiBusiness #TurkishInfluence

This article details the transformation of a 1,700-square-foot loft in a century-old industrial building in Brooklyn, New York. Designed by Hormuz Batliboi of Batliboi Studio for Valerie Tsvetkova, the two-bedroom, two-bath residence blends historic industrial elements with a modern, playful aesthetic. The design process began by embracing the loft’s original character as a former manufacturing site. Hidden timber beams and steel joints, discovered during renovation behind a dropped ceiling, were intentionally exposed and integrated into the design, serving as visual anchors and contributing to the space’s authentic industrial feel. Initially, the loft presented challenges typical of converted spaces, including disjointed utilities and an inefficient kitchen layout. Batliboi addressed these issues by centralizing the utility infrastructure and strategically raising the floor in certain areas. This thoughtful alteration enabled a seamless integration of the kitchen into the heart of the home, optimizing both functionality and flow within the space. The renovation showcases an innovative approach to spatial planning, turning initial limitations into design opportunities. A prominent feature in the main living area, particularly the dining room, is a 15-foot sculptural shelf. This piece, characterized by its green, wave-like ripples, is constructed from layers of CNC-milled wood and precisely color-matched to the client’s existing pendant lights. It functions as both a practical sideboard and an artistic focal point, demonstrating the designer’s ability to merge utility with aesthetic appeal. This bespoke element adds a unique and dynamic visual texture to the loft, embodying its playful aesthetic. In the kitchen, the design combines sleek stainless steel countertops with brass accents and natural stone, creating a sophisticated yet warm ambiance. Rather than fully custom cabinetry, Batliboi utilized a flat-pack system from REFORM, carefully customizing it to achieve a high-end, built-in appearance. This cost-effective approach allowed for a luxurious aesthetic without excessive custom work, reflecting a sustainable design mindset. The integration of diverse materials and strategic use of pre-fabricated components contribute to the loft's refined industrial charm. The bathrooms feature contrasting material palettes to enhance the home’s eclectic character. One bathroom presents a moody design with deep black zellige tiles, matte black flooring, and a bold granite shower, amplified by natural light from an industrial window. Other areas incorporate a mix of penny tile and marble, providing a tactile and visual contrast. These carefully selected materials and custom fabrications, combined with clever spatial solutions, ensure that the home feels personalized, thoughtfully designed, and genuinely lived-in, successfully merging industrial edge with a playful modern aesthetic. #BrooklynLoft #IndustrialDesign #ModernAesthetic #InteriorDesign #BatliboiStudio #ResidentialArchitecture #CustomFabrication #SpatialPlanning

Parentheses House, designed by SAI Architectural Design Office, is located in Fukui, Japan, an area characterized by its open rural landscape and proximity to the Kuzuryu River embankment. This 172 square meter house was completed in 2019, with photographs by Norihito Yamauchi. The project addresses the challenge of designing in a tranquil, sparsely populated area that is anticipated to see future residential development, given Fukui City's active promotion of residential land. The architectural strategy involved creating a design that interacts meaningfully with its surroundings while acknowledging future uncertainties. The core concept revolves around two stable U-shaped walls, which form the structural backbone and define the interior spaces. This configuration allows the roof to be suspended, creating a sheltered and cohesive internal environment. The design intends to establish a unique dialogue between the house and its expansive natural setting, particularly in anticipation of increased urbanization. The construction involved several notable manufacturers and specialists. JUNG, Vectorworks, Abvent, Catalano, Dulux, and Schindler were among the companies contributing to the project. Satoshi Saito served as the lead architect, while ARCREA Corporation provided engineering expertise. Ippei Yasue was responsible for the structural design. The building primarily utilizes wood as a key material, contributing to its aesthetic and functional qualities. The interior features elements such as shelving, large windows, and exposed beams, indicating a design focus on natural light, functional storage, and structural expression. The exterior showcases concrete facades, offering a robust and modern appearance that contrasts with the natural landscape. The use of concrete and other durable materials reflects a pragmatic approach to construction, ensuring longevity and resilience in the local climate. Parentheses House is categorized under residential architecture, specifically focusing on houses and house interiors. It exemplifies a contemporary Japanese residential design that balances functionality, aesthetic appeal, and a thoughtful response to its environment. The project is an example of modern living in a rural-urban transitional zone, highlighting how architectural design can anticipate and adapt to evolving landscapes while retaining a distinctive identity. #ResidentialArchitecture #Houses #HouseInteriors #Fukui #Japan #SAIArchitecturalDesignOffice #NorihitoYamauchi #ConcreteFacade #WoodConstruction

Ambika Hinduja Macker undertook the design of her brother Shom's suburban Mumbai home, transforming an octagonal guest cottage into a modern sanctuary. The original structure, over 30 years old and designed by architect Phiroze Pantaki with interiors by the late Parmeshwar Godrej, served as the foundation for Ambika's vision. Shom's desire for a space of relaxation and reflection led him to Ambika, a polymath with diverse experience in film, interior and product design, and art curation. The design ethos for the home was a blend of old and new, incorporating the original octagonal form with contemporary rectilinear elements. Key influences included the natural world, particularly flora and fauna, the Japanese aesthetic of wabi-sabi which embraces imperfection, and the minimalist styles of Scandinavian and Japanese design. To achieve Shom's vision, Ambika retained only parts of the original octagonal structure and its sloping roofs, which were converted into green roofs to promote sustainability—a principle both Shom and Ambika, as a conscious designer, strongly support. The rest of the structure underwent significant reinforcement, restructuring, and redesign. A central aspect of the renovation involved opening up the living spaces. Exposed beams and columns were removed to create a more expansive and free-flowing interior with larger rooms and cleaner lines. Ambika collaborated with landscape designer Kunal Maniar to enhance the surrounding lush gardens, ensuring that the interiors and exteriors harmonized. Each room was imbued with a distinct personality, designed to be deeply calming, sensual, and evocative, benefiting from uninterrupted views of the garden and the Arabian Sea. The dining area, a part of the original design, maintained its sloping ceiling structure, which Ambika clad in naturally oiled Burma teak, creating an engaging contrast in design language. This area features vintage 1952 tan leather dining chairs by William Katavolos, Ross Littell, and Douglas Kelley, and a 1960s ceramic screen by the Cloutier Brothers. Artwork plays a significant role, with Bruce Munro's 'Whizz Pop' fibre-optic light installation adding a fantastical element, and Alex Turco’s aluminum composite triptych of painted branches serving as a ceiling installation to conceal trapdoors. Janaina Mello’s 'Ciclotrama', a site-specific installation of unwoven strands, evokes natural forms like plant roots and circulatory systems. Shom's passion for cooking and hosting influenced the inclusion of two kitchens. The guest powder room features customized metallic wallpaper from De Gournay. In the den, Fred Eerdekens’s copper-wire sculpture creates a calming shadow. The focal point of the home's art collection is Joseph Walsh’s 'Magnus', a three-dimensional wooden sculpture that hangs gracefully in the living room ceiling, designed specifically for the space. Ambika, who represents Walsh as an artist, designed the entire living area around this piece. The overall design results in a home that feels like a luxurious yacht journey, particularly at dusk when the glazed living room offers panoramic views of the sea. #HomeDesign #InteriorDesign #BeachHouse #MumbaiArchitecture #AmbikaHindujaMacker #JosephWalshArt #LuxuryHomes #SustainableDesign #ArtInstallation

This article explores ten distinct home bar designs, showcasing a range of styles from minimalist to opulent, suitable for various residential settings. The featured designs demonstrate how home bars can be integrated into diverse living spaces, serving as functional and aesthetic focal points for entertaining or personal enjoyment. Each example highlights unique design elements, material choices, and spatial considerations that contribute to the overall ambiance and utility of the home bar. The first design focuses on a Manhattan apartment, where the founder and principal designer of The Whistling Well, Milena Bica-Shibata, created a tranquil kitchen with a minimalist home bar. This design caters to a family's lifestyle centered around hosting and connecting over homemade meals, transforming an outdated apartment into a modern sanctuary. The bar seamlessly blends into the kitchen, emphasizing multifunctionality and a calm atmosphere. Another example from a two-story villa in Knokke, Belgium, owned by real-estate investor and art collector Hubert Bonnet, features a chic bar cart. The villa, restored by Fronton Architecture, incorporates Bauhaus-inspired rugs and classic furniture pieces, alongside minimalist and conceptual art. The mobile bar cart adds a touch of flair and flexibility, complementing the artful and sophisticated interior. In Mumbai, a 1,250-square-foot apartment designed by kaviar:collaborative for an extroverted family incorporates a magnificent home bar and lounge. Given creative freedom, designers Kasturi Wagh and Vineet Hingorani crafted a space that reflects the homeowners' outgoing personalities, making the bar a central element for entertaining. A large 12,000-square-foot house in La Quinta, California, underwent a remodel by Lucas, which included a striking home bar adorned with collectible art. This residence, ideal for hosting extended family and friends, demonstrates how a home bar can be a focal point for artistic expression within a spacious home. A London apartment belonging to a famous British singer features a built-in bar with fluted MDF doors, designed by Owl Design. The bar, which can be discreetly tucked away, contributes to the apartment's transformation into a vibrant party spot, while also accommodating the owner's passion for art, specifically a portrait of David Bowie. A historic Pelham, New York, house, renovated by Dufner Heighes, includes a custom bar in ribbed oak in the lower-level family room. This renovation modernized the 7,100-square-foot dwelling while preserving its historical essence, incorporating bold patterns and a sophisticated bar design for a growing family. An Aspen, Colorado, residence, designed by CCY Architects with interiors by David Kleinberg Design Associates, features a cozy rec room home bar. The design emphasizes a limited, neutral palette and natural materials, allowing art and nature to take center stage, with the bar complementing the serene and art-filled environment. In Bilbao, a blue-hued kitchen island doubles as a chic home bar in an apartment designed by Tenka Arkitektura. The design, inspired by nautical themes, uses sinuous walls and a continuous flow to create a compact yet multifunctional space, where the bar seamlessly integrates into the open-plan living area. A Miami condominium, home to Interior Design Hall of Fame member Lee F. Mindel, features an updated kitchen and home bar as part of a renovation by SheltonMindel. The design optimizes the ocean-view unit, creating a refined and functional space for the residents. Finally, a Dublin home designed by DesignLed features an expansive kitchen island that doubles as a home bar. The project, which involved tearing down a 1970s house to build a modern home with Georgian architectural influences, showcases how a central island can serve both culinary and social functions, becoming a showstopping element in the theatrical interiors. #HomeBarDesign #InteriorDesign #ResidentialSpaces #KitchenIslandBar #LuxuryHomes #ModernLiving #EntertainingSpaces #ArtfulInteriors #RenovationProjects

The article presents the "House LU" project by KC Design Studio, located in Hsinchu, Taiwan, and completed in 2024. This project focuses on the intricate design considerations for a townhouse compared to a standard apartment, emphasizing the need to optimize space utilization, privacy, and safety. The design prioritizes aligning the spatial plan with the residents' preferences and daily routines, ensuring a highly functional and personalized living environment within the townhouse typology. The overall area of the project is 330 square meters, with photography credited to Yi-Hsien Lee Photography. Key aspects of the design approach for House LU include a meticulous assessment of the client's specific needs and desires. The architects aimed to create a home that not only provides comfort and aesthetic appeal but also supports the family's lifestyle. This involved careful planning of the functional zones across multiple floors, a characteristic challenge in townhouse design. The integration of various living spaces, such as the living room, dining area, bedrooms, and other utility areas, was executed to ensure a smooth flow and logical progression between them. The visual documentation of the project highlights areas like the living room with its sofa, a dining area featuring a table and chairs, and a staircase, showcasing the interior design choices. The project demonstrates how design can be tailored to maximize the potential of a townhouse structure. Considerations for privacy and safety, often more complex in multi-level residential units, were integral to the planning process. The goal was to establish distinct private and public zones while maintaining a sense of openness and connectivity where appropriate. The selection of materials, lighting, and furnishings likely played a crucial role in defining the atmosphere and functionality of each space, contributing to the overall coherence of the design. The architectural firm KC Design Studio, with interior designers Kuan-huan Liu, Chun-ta Tsao, and Huang, Hsuan-Hsuan, aimed to deliver a solution that transcends conventional apartment layouts by offering a more personalized and adaptable living experience. The project's focus on user-centric design principles ensures that every element of the townhouse is thoughtfully placed to enhance the inhabitants' daily life. This includes optimizing natural light and ventilation, incorporating storage solutions, and selecting finishes that contribute to a serene and comfortable ambiance. The text emphasizes that the design goes beyond mere aesthetic considerations, delving into the practicalities of living in a townhouse. By addressing both the functional demands and the personal preferences of the residents, House LU stands as an example of tailored architectural design in a compact urban setting. The comprehensive approach to space planning and interior design reflects a deep understanding of the unique challenges and opportunities presented by townhouse typology in Hsinchu, Taiwan. #ResidentialArchitecture #ApartmentInteriors #InteriorDesign #TaiwanArchitecture #HsinchuDesign #KCDesignStudio #TownhouseDesign

Interior designer Dina Sebti undertook the redecoration of a 1960s Casablanca home, originally reimagined by architect Jacqueline Alluchon, who founded Casamémoire to preserve Casablanca’s architectural heritage. Sebti's primary challenge was to modernize the 1,500-square-meter property while respecting its historical integrity. Upon her initial visit, Sebti noted the house's serene, cocoon-like atmosphere, enhanced by birdsong from the garden and a spacious layout. A significant feature that captivated her was the extensive art collection, which provided a strong visual and emotional identity to the space. The homeowner is a notable art collector, and the brief emphasized creating an environment that could stylishly and sensitively showcase their collection. This collection includes significant works by Moroccan masters such as Mohamed Melehi, Chaïbia Talal, Mahi Binebine, and Hassan El Glaoui, alongside pieces by European artists like Picasso, Miró, and Buffet. A key issue identified was the lack of natural light on the ground floor and the need to update some finishes. Sebti aimed to introduce clarity and modernity without compromising the home's authentic character, fulfilling the client's desire for a comfortable, accessible, and bright living space. Sebti maintained her admiration for Alluchon’s original interior architecture, particularly her well-planned layouts and striking ceilings. Consequently, Sebti preserved the existing ceiling designs, intricately inlaid floors, and original woodwork. Her focus was on restoring the finishes that were part of Alluchon’s earlier renovation. Room functions were reconfigured to align with the client’s contemporary lifestyle, and bathrooms, electrical systems, and lighting were upgraded. The interiors were refreshed with a palette of warm neutrals and rich earthy tones, complementing the home's style and location, and fostering the tranquil atmosphere the client desired. To address the issue of insufficient natural light on the ground floor, Sebti implemented several strategies. She applied a silver-leaf finish to the ceilings, which introduced a soft, reflective quality that distributed light more effectively. The walls were painted in a creamy white with a subtle metallic sheen, further enhancing light reflection. Additionally, mirrored paneling was installed in strategic locations to amplify light and integrate the lush garden views into the interior. A central principle guiding Sebti’s design decisions was that the art should be the focal point. To this end, she devised an innovative modular picture-rail system throughout the house. This system allows for easy rearrangement and evolution of the art display over time, providing flexibility and dynamism to the collection's presentation. To enrich the home's character, Sebti sourced artisanal and vintage pieces from Clay Concept, a design hub based in Dubai that specializes in Moroccan heritage. This curated selection included 1970s Arflex sconces, Modernist items by Knoll, and contemporary pieces from Italian and Danish brands like &Tradition;, Tacchini, and Gubi. She also incorporated unique vintage finds, handmade decorative objects, and candles to create a warm and inviting ambiance. Sebti noted that the year-long project benefited from an unhurried approach, allowing for thoughtful layering and organic maturation of the design, resulting in a home that harmonizes modern design with heritage architecture, respecting its past while embracing its future. #CasablancaHome #InteriorDesign #ArtCollection #MoroccanHeritage #VintageFurniture #LuxuryHomes #ArchitecturalRenovation #DesignInspiration #ModernDesign

First-time homeowners Kaisha and Joey Flynn embarked on a significant renovation of their unique Bernal Heights home, a property characterized by its unusual setback and hidden nature. Initially, the couple sought to revamp only two bathrooms, a task that proved challenging in San Francisco due to architects' reluctance to undertake small-scale projects. They enlisted Ryan Leidner, an architect who had recently established his own practice. While Leidner agreed to the bathroom assignment, he was immediately struck by the property's challenging layout, which involved descending over 30 stairs to a sunken front yard and then climbing another 20-plus steps to reach the front door. During a conversation, Joey Flynn asked Leidner what changes he would make without any limitations. Leidner, who had been contemplating the property's design throughout the meeting, proposed building a bridge to address the complex entry. This suggestion transformed the project from a modest bathroom renovation into a comprehensive reimagining of the entire property. The renovation, which began before the COVID-19 pandemic, spanned two and a half years. The finished entry now features a new gate that leads to a 30-foot-long footbridge. This bridge dramatically improves accessibility and offers an ideal vantage point to view the house. The property's exterior is clad in charcoal-stained cedar planks, evoking the appearance of redwood weathered by San Francisco's fog, and the landscape, designed by Stephens Design Studio, bursts with lush greenery. The bridge leads directly to the front door, opening into an entry landing illuminated by a skylight that connects to the main living area. The original exposed-beam ceiling has been meticulously restored, and the interiors feature light white oak floors and cabinets, complemented by gallery-white walls, providing a versatile backdrop for the couple's burgeoning art and vintage furniture collection. Both Kaisha and Joey Flynn are product designers themselves, working at Open AI and Instagram, respectively, and share a keen eye for detail. Leidner frequently collaborates with creative clients who are similarly committed to intricate design. The home showcases a blend of modern architecture and vintage pieces, carefully curated by Joey. Notable items include a 1970s patchwork leather sofa by Swiss brand de Sede and vintage Italian dining chairs. An innovative design feature is a cross-beam converted into a ceiling-spanning planter box, adding a touch of nature and a unique aesthetic. The home's design was also influenced by the couple's travels, particularly a record-listening lounge on the lower level, inspired by similar concepts in Japan. This room features floor-to-ceiling white oak, a dedicated turntable station, a comprehensive vinyl collection, a wet bar, and a built-in olive green daybed. The lounge can be fully opened to the front garden through disappearing pocket doors, integrating the indoor and outdoor spaces. The Flynns designed the house as a child-free couple but welcomed their daughter shortly after the renovation's completion, reaffirming their design philosophy that their choices would not have significantly changed even with children in mind, given their initial willingness to embrace the property's unique challenges. #BernalHeights #HomeDesign #ArchitecturalRenovation #ModernArchitecture #InteriorDesign #SanFranciscoHomes #LandscapeDesign #VintageFurniture #CreativeClients

The Khesht Baf building, located in west Tehran, is a four-story structure designed by Image Architects. It comprises two underground levels featuring a swimming pool, gym, parking lot, storage, and mechanical room, while the first and second levels house the primary living spaces. The design's central challenge was to create a living environment for two brothers that balanced contemporary Iranian lifestyle requirements with the existing structure's unique form. The initial phase of the project focused on allocating spaces for shared activities in the roof garden, backyard, pool, and gym, which guided the integration of interior and exterior elements. A key design consideration involved managing privacy from neighboring buildings while simultaneously maximizing views of a nearby park. This led to the implementation of curved panels with parametric patterns on the building's exterior. These strategically designed apertures effectively limited views from the street into the rooms, enhancing the privacy of the residents, while simultaneously optimizing the sightlines from the interiors towards the green area on the west side of the structure. This approach to visual control contributed to a sense of security and tranquility within the living spaces, aligning with both climatic principles and traditional Iranian cultural values regarding privacy. Further functional benefits of the parametric design included the creation of lattice shells that provide necessary thermal regulation. These shells are designed to supply warmth during winter months and block excessive sunlight in the summer, contributing to energy efficiency and occupant comfort. Additionally, these brick panels served as a filter against urban visual pollution, enhancing the aesthetic quality of the views from within the building. The dynamic interplay of inside-out framing, the fluidity of the parametrically expanded frames, and the intricate patterns collectively offer a visually engaging experience for observers. Beyond aesthetic and environmental considerations, the project also addressed practical concerns such as construction speed and economic viability. The need for a rapid construction start-up and cost-effectiveness influenced the modularization of the building's panels and architectural features. This modular approach significantly accelerated the operational pace of the construction, demonstrating how parametric design can integrate complex aesthetic and functional requirements with efficient and economical building practices. The Khesht Baf building, completed in 2018 with a total area of 912 m², represents a fusion of traditional design principles with modern parametric architectural techniques. #KheshtBaf #ImageArchitects #ParametricDesign #BrickArchitecture #IranianArchitecture #ResidentialDesign #FacadeDesign #SustainableDesign #ModularConstruction

Amanda Khouri and Mary Catherine Murray, the dynamic duo behind the interior design firm Murray Khouri, have been making significant strides in the design world, undertaking projects from New York to Nashville. Their distinctive approach to interior design is characterized by a spirited and unique style that incorporates abundant layers of texture and textiles, aiming to tell a compelling design story in every space they create. Their work recently garnered national attention when they were the only Nashville-based firm to exhibit at Atlanta’s prestigious Southeastern Designer Showhouse & Gardens, highlighting their growing influence and recognition in the industry. The inspiration for their design careers stems from varied personal experiences. Amanda, always a creative individual, discovered her passion for design during the renovation of an early 1900s apartment in Washington, D.C. This experience solidified her desire to transition from a political career, where she had worked on Capitol Hill and as an in-house lobbyist for Twitter and Google. She reconnected with Mary Catherine, whom she had met years prior during a Senate Staff Delegation trip to China, and together they decided to pursue their shared dream of establishing a design firm. Mary Catherine's love for design was sparked at a young age by her grandparents' eclectic collection of global treasures, which illustrated the power of a home to narrate a life story. This early exposure instilled in her a desire to help others craft personalized spaces filled with unique items, a vision she now realizes through Murray Khouri. When asked about their favorite projects, both designers emphasized the importance of client trust and collaboration. They find immense satisfaction in projects where clients are open to their suggestions, particularly those that might initially seem unconventional or risky. These instances, they note, consistently lead to the clients' most beloved spaces within their homes, underscoring the success of their collaborative approach. Their recent participation in the Southeastern Designer Showhouse & Gardens was a significant milestone, occurring rapidly after an unexpected invitation. With only ten weeks to prepare, they chose to transform a lower porch into a space that challenged conventional outdoor design, incorporating readily available antiques and vintage pieces. Their goal was to demonstrate that antiques can be utilized in unexpected settings to create warm and inviting atmospheres, pushing the boundaries of traditional interior design. Their Showhouse space drew inspiration from their travels, particularly envisioning the breezy, open-air ambiance of an old Moroccan hotel. They aimed to create a design that encouraged connection and conversation, making bold decisions while maintaining a sense of livability and serenity. This vision translated into a space that transported guests and invited them to linger. For those seeking to elevate their homes, Amanda advises focusing on the "little things"—the details that often make the biggest impact. Mary Catherine encourages buying only what one truly loves, advocating for patience to find cherished items that bring lasting satisfaction, rather than settling for less. This philosophy aligns with their aesthetic, which Mary Catherine describes as starting with a traditional foundation, then thoughtfully layering interesting and exotic accents to create a collected, energetic, inviting, and timeless feel. In their personal homes, both designers cherish items that reflect their unique tastes and experiences. Amanda's favorite piece is a large portrait by Nashville artist Anton Weiss, admired for its colors and the mischievous expression of its subject, acquired from an estate sale—a testament to her love for finding deals. Mary Catherine is particularly fond of the whimsical chintz wallpaper by Soane in her powder room, a choice inspired by a special piece of art from Marrakesh and reminiscent of Lee Radziwill's consistent use of beloved prints. Looking ahead, Amanda is excited by trends such as authenticity, citrus colors, and increased attention to ceiling design. Mary Catherine expresses enthusiasm for the decline of the open floor plan, preferring the value of cozy, intimate spaces that offer more opportunities for unique and diverse designs. #InteriorDesign #MurrayKhouri #TraditionalDesign #HomeDecor #DesignPhilosophy #Showhouse #ClientCollaboration #DesignTrends

Jávri Lodge, a boutique hotel located at the edge of the wilderness in Saariselkä, Finnish Lapland, underwent an expansion in 2017. The building, once the skiing retreat of Finland's longest-serving president, Urho Kekkonen, and host to notable guests including royalty, superpower leaders, and the Shah, was designed by Arkkitehtitoimisto Teemu Pirinen. The expansion added a new main entrance, a dining hall, and four new hotel rooms, integrating these new volumes with the existing structure. The new sections are characterized by their copper-clad exteriors, strategically placed in front of and on top of the original building, creating a contemporary yet harmonious extension. The architectural design of Jávri Lodge prioritizes functionality and comfort, recognizing that guests typically engage in various outdoor activities throughout the day. The hotel is conceived as a warm and cozy refuge where visitors can rest, relax, and enjoy culinary experiences after active days spent exploring the surrounding wilderness. This approach is reflected in the interior design, which aims to provide a welcoming and restorative environment. The project, covering an area of 336 square meters, was completed in 2018, with photographs by Marc Goodwin capturing its distinctive features. Key collaborators in the project included Corrotech Oy for glazing, LVI-Insinööritoimisto Meskanen Oy (Matias Meskanen) for HVAC systems, Räihä Interiors for interior design, and Rakennusmestari (Tatu Valkonen) as the builder. Structural engineering was managed by Mikko Keränen of Pohjois-Suomen rakennetekniikka Oy, and electrical design by Veijo Mikkola of Ivalon Raja-Sähkö Oy. The carpentry work was carried out by Tapani Laine. The clients for this project were Katja Kivioja and Juha Mehtäjärvi. The materials used in construction largely include wood, glass, and steel, contributing to the lodge's modern aesthetic while ensuring durability in the Nordic environment. Jávri Lodge is categorized under hospitality architecture, specifically hotels, reflecting its primary function. Its location in Saariselkä, Finland, plays a significant role in its design ethos, emphasizing integration with the natural landscape and providing a comfortable base for guests exploring the Lapland region. The project showcases how an existing historical building can be respectfully expanded and modernized to meet contemporary demands, while still retaining its unique character and connection to its past. The blend of traditional and modern elements, particularly the use of copper cladding against the older structure, illustrates a thoughtful approach to renovation and extension in a sensitive natural setting. #JávriLodge #FinnishLapland #BoutiqueHotel #HospitalityArchitecture #ArchitecturalExpansion #CopperCladding #WildernessRetreat #NordicDesign #InteriorDesign #Saariselkä

The project "Office in Hashima" is a collaborative effort between PERMANENT Co., Ltd. and Atelier Nagara Architectural Design Office, located in Hashima City, Gifu Prefecture, Japan. The 302 square meter office building was completed in 2025. The architectural design was led by Kazuo Hara (PERMANENT), Masaki Takeuchi (PERMANENT), and Takuya Iwata (Atelier Nagara), with photography by Kenta Hasegawa. The project site is situated within a serene rural landscape characterized by rice fields, an environment that significantly influenced the design concept. The initial visit to the site, where rice ears swayed in the wind from nearby mountains, left a lasting impression on the architects, guiding their approach to integrate the building with its natural surroundings. The design philosophy for the Hashima office focused on creating a space that harmonizes with the rural context while providing a functional and comfortable working environment. The building's architecture aims to reflect the tranquility and natural beauty of the Gifu Prefecture landscape. Although specific details about the materials and construction techniques are not extensively elaborated in the provided text, the emphasis on the natural setting suggests an architectural approach that likely prioritizes local materials, sustainable practices, or designs that allow for ample natural light and views of the surrounding scenery. The mention of exterior and interior photography, including elements like wood, beam, kitchen, garden, concrete, and courtyard, indicates a varied material palette and a thoughtful consideration of both the indoor and outdoor spaces. Key design considerations for the office would have included optimizing the spatial layout for productivity and collaboration, incorporating elements that promote well-being, and ensuring structural integrity appropriate for the region. The collaboration between two architectural firms, PERMANENT Co., Ltd. and Atelier Nagara Architectural Design Office, suggests a synergy of different design perspectives and expertise, likely resulting in a well-rounded and innovative solution for the office space. The project's completion in 2025 highlights its contemporary nature and adherence to modern architectural standards and trends. Photographer Kenta Hasegawa captured the essence of the office, likely emphasizing the interplay between the building's structure and its natural context, as well as the functional and aesthetic aspects of its interior and exterior. The various categories and tags associated with the project, such as 'Offices', 'Hashima', and 'Japan', position it within a broader architectural discourse, contributing to the understanding of contemporary office design in rural Japanese settings. The overall presentation suggests a project that not only serves its primary function as an office but also makes a considered statement about architectural integration within a specific natural and cultural landscape. The abstract nature of the building is in keeping with the emphasis on blending in with the surrounding area. In summary, the "Office in Hashima" project represents a carefully considered architectural response to its rural Japanese location. The design, spearheaded by a collaborative team of architects, seeks to create a harmonious and functional office environment, drawing inspiration from the tranquil rice fields of Gifu Prefecture. The project exemplifies a modern approach to office architecture, emphasizing contextual sensitivity and thoughtful integration with the natural landscape, as documented through the comprehensive photography. The collaborative nature of the design process, involving both PERMANENT Co., Ltd. and Atelier Nagara Architectural Design Office, suggests a rich and diverse approach to achieving the project's objectives. #OfficeArchitecture #JapaneseArchitecture #RuralDesign #ArchitecturalCollaboration #GifuPrefecture #ModernOffice #SustainableDesign