Portland interior designer George Covin

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

In 2017, Charlie and Todd, along with their daughter India, moved into a 1930s Tudor house in Portland, Oregon. While the charming location and sweeping views were appealing, the home suffered from a series of hodgepodge renovations by previous owners. One of the two bathrooms, for instance, was so outdated with shiny brass fixtures, cracked floral tiles, and excessive recessed lighting that the family avoided using it altogether. A year after moving in, the couple enlisted Andee Hess of Osmose Design to transform their living space. The couple provided Hess with diverse inspirations, including carved cave interiors, Italian modernist furniture, and vibrant mosaic tiles. The consistent theme across their references was a desire for unique, non-generic designs. Hess embraced this challenge by conceptualizing a "hobbit fantasy," as described by Charlie. The kitchen, in particular, underwent a significant transformation. The existing white Shaker cabinets and butcher block counters were replaced with Tetris-like white oak cupboards featuring grooves and bumps instead of traditional hardware, allowing for foot operation. Charlie's preference for tile edges and tops led to the unconventional choice of tiled countertops, which required a skilled general contractor to execute the intricate cuts needed for the wavy surface. The flooring in the kitchen was also reimagined with glazed tiles laid in diagonal stripes with thick grout lines, creating an effect reminiscent of exterior pavers. This design was framed by a silver travertine border and toe-kick, highlighting the serpentine shape of the cabinets. The wall behind the stove received a floor-to-ceiling cream ceramic tile backsplash with floating shelves painted to match, a technique used to visually heighten the low ceilings. Undulating windows were adorned with inlaid strips of four different wood types. Local artist Scott Foster contributed a sculpted plaster vent hood. A double-tiered kitchen island became a focal point, featuring a sturdy Boos butcher block on its higher section and a chunky low table sculpture by Vince Skelly, which became a favorite spot for their daughter. Moving to the upstairs bathroom, the article highlights the controversial terracotta-hued faucet, which was intentionally chosen to complement an ochre tone in the custom mosaic floor. The manufacturer's allowance for selecting each stone color made the design process enjoyable for Hess. To balance the busy mosaic pattern, warm gray glazed wall tiles were installed. In the living room, Foster's expertise was again sought to plaster the fireplace surround in a complex concave curve, adorned with brown zellige tile. This installation, despite its difficulty, proved to be a valuable addition. A forgotten nook in the open-plan family room was transformed into a dining area, featuring a pointed archway and a tiered ceiling with wood inlay. A plush floating bench encircles a green onyx table, creating a new gathering space for the family to eat, read, and enjoy the view. #HomeTours #InteriorDesign #TudorRevival #KitchenRenovation #BathroomDesign #CustomCabinetry #MosaicTile #EclecticDesign #PortlandHomes

This blog post explores a Toronto home, designed by Ashley Montgomery Design for podcast host and food blogger Rivki Rabinowitz, that masterfully blends traditional aesthetics with a bold, colorful palette. Rabinowitz, who describes her style as “grandma who likes to party,” sought to create a home that felt like the “structural personification of a hug,” a desire influenced by the cold Canadian winters. Drawing inspiration from designers like Beata Heuman and Pierce & Ward, the 5,000-square-foot property is a testament to layered patterns, flavors, and textures built upon an ironically traditional foundation. The design departs significantly from Rabinowitz's previous home, which she found sterile due to its neutral color scheme. In contrast, this residence incorporates 35 different paint colors, including cinnamon, ochre, raspberry, chocolate brown, smoky blue, and burnished brass tones, all contributing to a cohesive and warm atmosphere. Designer Ashley Montgomery highlights the challenge of achieving this vibrant look without it feeling chaotic, emphasizing the restraint required to balance such a broad spectrum of colors. The collaboration between Rabinowitz and Montgomery was seamless, with Montgomery finding Rabinowitz's unique style inspiring and pushing her out of her comfort zone. Key areas of the home showcase this distinctive approach. The foyer, for instance, features a yellow and maroon-colored checkered floor, an element that initially concerned Montgomery but ultimately proved successful. The kitchen, designed with the family’s Kosher observance in mind, includes three distinct sinks for dairy, meat, and general use, along with plaster molding, an arched hood, a second fridge, freezer, and dishwasher. The pantry, described as a workhorse area, boasts jade green marble countertops, initially seen as unconventional but now cherished by Montgomery. The primary bathroom exudes richness and elegance with yellow wallpaper, burgundy cabinetry, and sky-blue tiles, while the powder bath combines Farrow & Ball India Yellow paint with a Red Earth ceiling and blue quartzite stone. The living spaces are equally thoughtful; the family room ingeniously conceals a television behind custom art, and the dining room features mural-like wallpaper and a unique light fixture. The office spaces are tailored to individual tastes: Rabinowitz's office is a feminine sanctuary with a ladylike palette, vintage prints, and Benjamin Moore Old Stone walls, while her husband’s office, inspired by Moroccan design, incorporates 18th-century Egyptian doors and House of Hackney wallpaper. Bedrooms for the three daughters continue the theme of personalized and vibrant design. The oldest daughter's room showcases House of Hackney wallpaper and Penny Morrison drapery. A shared bathroom for two daughters balances personality with adjoining bedroom palettes, featuring Pierre Frey wallpaper and durable penny tile. Throughout the home, custom details, vintage finds, and a meticulous selection of materials contribute to a space that is not only visually stimulating but also deeply personal and functional, designed to be lived in and enjoyed for everything from playdates to Shabbat gatherings. #HomeDesign #InteriorDesign #TorontoHome #ColorfulInteriors #TraditionalModern #AshleyMontgomeryDesign #RivkiRabinowitz #EclecticDecor #CustomDesign

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

This blog post offers a curated overview of significant happenings in the world of interior design, focusing on a major auction event, the expansion of a renowned design firm, the release of a new book on modern architecture, and a luxury home accessories collaboration. The final installment of the Ann and Gordon Getty sale at Christie's, titled '_Wheatland_', is highlighted as a significant event. This auction concludes a series that began a year prior and features items from Ann Getty's childhood home in Northern California, which she transformed into an English country house. The collection showcases a blend of antique furniture, textiles, extensive use of fabric shades, lamps, and Far Eastern accessories. Notable items include an early George III Ebony and Chinese reverse-painted library bookcase, George II Giltwood armchairs, a royal George III Ormolu-mounted white marble mantel clock, and Chinese export mirror paintings, alongside Dutch paintings reflecting Getty's heritage. Christie's Deputy Chairman, Americas, Jonathan Rendell, emphasizes Ann Getty's discerning eye that integrated history, art, and nature into a tapestry of elegance at the Wheatland estate. The auction is scheduled for October 18 and 19 in New York City, with an online sale ending October 20. In parallel, Martin Kemp Design, a London-based firm known for its international luxury projects in Europe and Asia, is expanding its presence into the United States with a new outpost in New York City. The firm, which caters to clients with superyachts and chateaus, is recognized for its ability to merge international luxury with the specific aesthetics and materials of the project's location. Examples provided include a modern English country house-inspired townhouse in London, a Bayview Penthouse in Guangzhou featuring Chinese screen paintings, and a private jet design for a Zurich client that reflects ultra-luxe and streamlined designs. CEO Jemimah Graff will lead the US expansion. The post also introduces architect Celeste Robbins's first book, '_The Meaningful Modern Home: Soulful Architecture and Interiors_,' published by Monacelli Press. Robbins, principal architect of Robbins Architecture, explores modern architecture's relationship with nature, characterized by angular shapes, ample windows, and open spaces that foster a connection to the outdoors. The book, set for release on September 20th, features 175 photographs by Roger Davies showcasing nine of Robbins's projects across the United States. It challenges the perception of modern architecture as cold, advocating for a holistic vision that integrates architecture, interior design, and landscape. Robbins's own childhood in a mid-century modern home with wood paneling, floor-to-ceiling glass, and flat roofs has profoundly influenced her professional work. Finally, Dior Maison's new line of home accessories, created in collaboration with Paris-based interior designer Pierre Yovanovitch, is presented. Yovanovitch, who transitioned from a career with Pierre Cardin, is celebrated for his mastery of volumes, proportions, and light. The collection includes essential items such as trays, candleholders, pencil pots, and trinket dishes, all featuring a darker palette and embossed leather. The line also incorporates playful elements like a deck of cards designed by Roman artist Pietro Ruffo and a set of dominoes, aiming to elevate everyday objects. #InteriorDesign #LuxuryHomeDecor #Auction #ModernArchitecture #DesignFirmExpansion #DiorMaison #PierreYovanovitch #CelesteRobbins #AnnGettyCollection

Colton Dixon Winger, cofounder and owner of the styling agency Cuniform, has expanded his expertise from personal wardrobe curation to sustainable home design. Winger’s approach, rooted in the philosophy of repurposing existing items and sourcing vintage or pre-owned goods, mirrors his successful strategy in fashion. His venture into interior design began with "rearranging services," where he would reorganize a client's current furniture and decorative items to create more cohesive and intentional spaces. This hands-on method stems from his lifelong interest in architecture and interior arrangement, a passion he cultivated since childhood by constantly reconfiguring his own room. Now, Cuniform Interiors operates with a dedicated head of design, Bethanie Jones, and offers comprehensive services, including 3D renderings, structural modifications, and full kitchen remodels. A significant challenge in this expansion has been adapting the sustainable ethos from clothing to home furnishings, as the logistics of transporting and sourcing larger items differ considerably. However, the core principle remains consistent: prioritize what a client already possesses and, when new items are necessary, seek out sustainable and second-hand options. One notable project involved Mia Malave, a long-standing styling client of Cuniform, who sought Winger’s help when moving into a midcentury modern home in West Seattle. Malave desired an open, interconnected living space where conversations could easily flow between the living room, dining room, and kitchen. Her existing kitchen, however, was enclosed by walls and low-hanging cabinets, obstructing the desired open-plan feel. Winger collaborated with Casual Surveying Co., a local design-build firm, to dismantle these barriers, creating an open-concept kitchen furnished with midcentury-appropriate walnut cabinets and a central oak island. For Malave's guest room, Winger skillfully repurposed her existing rug, table, and other decor, augmenting them with unique finds like a vintage metal ladder from Epic Antique to serve as a blanket holder. The furniture for the ground floor was meticulously sourced, with nearly every piece being vintage or recycled. This commitment to intentional, sustainable sourcing often requires patience, as clients may need to wait longer for the perfect, ethically acquired item rather than settling for readily available new products. For instance, a Parisian desk was acquired from local antique dealer Kassie Keith, and a large bamboo dining table was found on Craigslist for a mere $100, complemented by refurbished German chairs. After several attempts to find a suitable sofa, Bethanie Jones located an investment-quality 1970s Milo Baughman piece from her warehouse, which became a central element in Malave’s living room. Malave, still searching for a coffee table, has embraced the deliberate pace and vintage aesthetic, acknowledging that her preference for timeless, well-preserved older items aligns perfectly with the midcentury character of her home. The process highlights Cuniform's dedication to functional design and conscious consumption, demonstrating that beautiful, meaningful spaces can be created through thoughtful selection and repurposing rather than relying solely on new purchases. #HomeDesign #InteriorDesign #SustainableDesign #VintageFurniture #MidcenturyModern #Repurposing #ConsciousConsumption #WardrobeCurator #SeattleInteriors

Designer Philip Gorrivan and his wife, Lisa Rossi, purchased an 1840 farmhouse in Washington, Connecticut, six years prior to the article's publication. The 3,800-square-foot home was intended as a weekend retreat from Manhattan life for their family and two children. The house possesses a unique history, having been moved to its current seven-acre plot in the 1950s after avoiding a flood. This relocation provided the home with desirable country living attributes: historic charm, a substantial land parcel, and a full basement. Gorrivan meticulously oversaw the interior design and landscaping of the property. The home features vibrant wallcoverings, some from his own designs for Holland & Sherry, alongside carefully selected furnishings. The expansive gardens are cultivated with hydrangeas and rare boxwood varieties. Gorrivan's personal design philosophy, influenced by his upbringing in Maine with a Yankee father and French-Moroccan mother, incorporates a blend of vivid, saturated colors and strong patterns with neutral tones like taupe and dove grays. He humorously refers to certain patterns, such as pink camouflage in a guest bedroom, as his "favorite neutral." This combination results in an aesthetic that is both timeless and modern. Quirky elements are integrated throughout the home, possibly as a nod to his mother's whimsical taste. Examples include an acid yellow-glass vessel in the dining room, a den wall adorned with small antlers, and zebra-print fabrics in his daughter's bedroom. The influence of his New England heritage is evident in antique side tables, a Wallace Nutting stool, and a 19th-century Vermont rocking chair, which is a family heirloom. Gorrivan employs a design technique he calls "massing," involving the display of groups of similar small objects to highlight their shape or color. This is demonstrated by the arrangement of 18th-century creamware in the kitchen, amethyst glass lining a dining room window, and vintage crystal glassware in an antique armoire used as a bar. Additionally, ancient bottles, some discovered by his children in the backyard, are showcased on a den étagère, reflecting his appreciation for beauty over strict provenance. In 2012, the family's weekend routine was disrupted when Rossi was transferred to London, necessitating a move for the family from New York to South Kensington. While Gorrivan was able to manage his work remotely and felt little attachment to their New York apartment, he found it impossible to part with the Connecticut home. Despite the logistical challenges of maintaining the property from overseas, including its distance from an airport and harsh climate, Gorrivan cherishes the home deeply. He makes efforts to return, spending weeks in the summer with his family or occasional winter weekends alone, finding solace and a sense of belonging in the environment he created. He acknowledges the impracticality but views his attachment as an emotional necessity. #ColonialHome #ConnecticutDesign #InteriorDesign #PhilipGorrivan #CountryLiving #HomeDecor #HistoricHomes #DesignInspiration

Designer Krysta Gibbons, a principal at Minneapolis-based Kipling House Interiors, embarked on a unique challenge to construct a new home that would seamlessly blend with its historic neighborhood, mimicking the character of 100-year-old residences rather than appearing as a modern 'glass box.' When a grand estate in her neighborhood was demolished, creating six prime city lots, Gibbons seized the opportunity to build from the ground up after selling her own home. Her primary goal was to create a new construction that felt storied and soulful, making it indistinguishable from older homes in the area. Gibbons focused on creating a floor plan that optimized space for her family of five while emulating the interiors of the historic period. The kitchen design was central to this vision, with Gibbons noting that a vibrant kitchen aesthetic influences surrounding spaces. She drew inspiration from the historic mansions of Newport, Rhode Island, incorporating elements like floor-to-ceiling tiles, center table islands, and large hoods. A visit to La Mercerie restaurant in New York City, known for its timeless feel despite being relatively new, further inspired her approach to use textiles in muted colors and surfaces with worn patinas. She aimed for the entire house to evoke a sense of aged elegance, as if the fabric had faded and paint had yellowed, avoiding a 'too fresh' appearance. The home features a rich visual tapestry and vintage appeal beyond the kitchen, utilizing a palette of subdued colors such as lavender and deep green, checkerboard floors, antique furniture, and an extensive use of 16 different wallpapers throughout. Gibbons expressed a preference for surfaces to be wallpapered, paneled, plastered, or tiled over drywall, reinforcing the home's layered and textured aesthetic. To further embed a sense of history, she even left notes for future homeowners within the walls, envisioning an ongoing narrative for the house. Each room was designed with meticulous detail and a nod to functionality and aesthetic continuity. The kitchen features a marble-topped island that resembles an antique baker's table, cleverly concealing custom, millimeter-measured drawers for every kitchen tool. The butler's pantry, designed for effortless entertaining, integrates appliances seamlessly behind panels and uses antique mirror inserts to enhance light, creating a luminous yet functional space. A bonus pantry extends the kitchen's utility, providing an accessible area for guests and children, dressed in a soft color palette and a small-scale wallpaper. The great room, the sole entertaining space on the main floor, was designed to comfortably seat eleven without appearing over-furnished, incorporating repurposed vintage items and layered textures. A large Flemish mirror, a long-held possession, found its place above the fireplace, while the television is discreetly hidden. The formal dining room, positioned prominently from the front door, boasts a custom mural and reupholstered vintage chairs, aiming for a theatrical and romantic ambiance. The foyer and vestibule set a quiet yet distinctive tone with paneled walls and a salvaged 1800s gas lantern, respectively. The private spaces continue the home's theme of thoughtful design. The primary bedroom is a serene retreat with blue-gray tones, rust accents, and layered textures, designed for quiet relaxation. The primary bath features Swedish-inspired vanities and marble floors with a subtle lattice motif. The daughters' rooms include a cozy bed nook for privacy and a dedicated lounge area for the three sisters, designed to encourage interaction while providing personal space. Even the younger daughter's playful yet polished bathroom showcases clever use of materials, including salvaged tiles, and a purple grasscloth. Finally, a garden shed, initially presented as a tool shed, was transformed into a secret 'Swiftie headquarters' for the daughters, complete with hand-painted floors and a salvaged church pew, extending the home's personalized and imaginative design outdoors. #InteriorDesign #NewConstruction #HistoricHomes #MinneapolisArchitecture #KrystaGibbons #KiplingHouseInteriors #HomeDecor #CustomDesign #VintageAppeal

The article presents Stable Acre House, a residential project by architect David Kohn, located in Norfolk. David Kohn, a graduate of Cambridge and Columbia University, established his London studio in 2007. His practice quickly gained recognition, winning the Young Architects of the Year award just two years after its inception, following his notable work at Caruso St John, where he contributed as a project architect for award-winning projects like the Museum of Childhood and Gagosian Gallery. Stable Acre House is described as Kohn's most recent work, characterized by its minimal and respectful approach to a stable conversion. The design was created for London-based gallerist Stuart Shave. The house is situated within the remains of a 19th-century stable complex. It features a long, orthogonal brick structure composed of an agglomeration of different volumes. The design incorporates an open living space positioned between two smaller pavilions. These pavilions include entrance areas and the private quarters of the house. The materials chosen for the construction are intentionally simple, consisting of oak cladding, a metal roof, a concrete floor, and white-painted brick. The architect notes that the contemporary construction and material choices serve to complete what was originally a functional ruin, integrating new elements with the historical structure. This project represents the practice's first significant residential commission. Alongside Kohn's temporary rooftop venue, Skyroom, which was installed on the Architecture Foundation HQ in Southwark, Stable Acre House has cemented his reputation in the architectural field. The article features multiple illustrations that provide a visual tour of the property, showcasing various rooms and design elements. These illustrations depict the living room, a dining area integrated with the living space, a single bedroom, a work area complete with a desk and bookshelf, another bedroom, and a bathroom. An interactive floor plan is also mentioned, allowing for a detailed exploration of the layout. The visual content supports the description of the house's minimalist aesthetic and the careful integration of contemporary design within the existing historical framework. The article also includes additional images of other design-related content, such as 'The Savoy, London' which underwent an extensive renovation, highlighting its restored elegance, the Beaufort Bar, and its new logo. Other visual elements include various works by Brent Dzekciorius, Raw Edges, and Seongyong Lee, covering diverse design objects from furniture and installations to tableware and lighting fixtures. These additional sections, while not directly related to Stable Acre House, offer a broader context of contemporary design and architecture, showcasing a range of talents and projects previously featured by the publication. #Architecture #ResidentialDesign #StableConversion #DavidKohn #Norfolk #MinimalistAesthetic #ArchitecturalRenovation #ContemporaryConstruction #InteriorDesign

The exhibition, 'Dear Future,' showcases five decades of Gaetano Pesce's work at Goldwyn House in the Hollywood Hills, presenting a blend of his historic pieces and new editions. The event, hosted by LA Design gallery The Future Perfect, is situated within a 20th-century mansion converted into an appointment-only gallery space. Key pieces on display include Pesce's Monolithic table, Airport Lamp, Nobody’s Perfect chair, Fiona Table, Multicolour Floor Lamp, Side Table with Rocks, and the Soho armchair in red. A central highlight is the 'La Mamma' armchair, an iconic design inspired by the ancient 'Venus of Willendorf,' now presented in a new edition crafted from recycled bottle corks, accompanied by a tapestry depicting a pregnant woman. Other notable works feature the 'Leaf Shelf,' a resin-based shelving unit available in various colors, and the 'One of Us Lamp,' characterized by its anthropomorphic eyes, nose, and mouth. Pesce’s distinctive, playful design ethos is also evident in the 'River Table,' which integrates grassy banks and resin water onto a table structure, and the 'Some of Us' series of anthropomorphic vases. Gallery founder David Alhadeff characterizes Pesce's artistic approach as a form of 'counter-design,' which challenges conventional design paradigms by embracing elements such as incoherence, unpredictability, eccentricity, and originality. This perspective underscores the unique and unconventional nature of Pesce's creations, positioning them as a departure from more prescriptive design philosophies. The exhibition offers a comprehensive overview of Pesce's creative evolution, from early works to contemporary pieces, emphasizing his consistent use of unconventional materials and forms. Many of the items displayed are available for purchase, allowing collectors and enthusiasts to acquire pieces directly from the show. The Goldwyn House setting provides an intimate and exclusive environment for viewing the collection, reinforcing the artistic integrity and curatorial intent behind 'Dear Future.' The exhibition runs until March 31, providing a limited-time opportunity to experience Gaetano Pesce's influential and imaginative designs in a unique architectural context. #GaetanoPesce #FurnitureDesign #ArtExhibition #GoldwynHouse #TheFuturePerfect #LAEvents #Postmodernism #DesignHistory #InteriorDesign

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

The article profiles Ilana Aronowitz, a senior interior designer at Clive Daniel Home in Boca Raton, highlighting her expertise in residential, commercial, and hospitality interior design. With over 20 years of experience, Aronowitz has been a part of CDH since its inception almost a decade ago. Her design philosophy centers on creating a comfortable and personalized haven for clients, emphasizing that a home should be an oasis from the demands of everyday life. She meticulously understands each client's needs and lifestyle, often beginning a design project with a focal point such as a piece of art, a specific chair, or a color, and then building the rest of the design around this central element. If a client doesn't have a clear starting point, she takes the initiative to create one for them. Aronowitz's approach involves a hands-on method to bring visions to life. Instead of merely describing ideas, she physically tapes walls and places material samples on them, allowing clients to see and feel how the proposed design elements will look and interact within their space. She has a particular passion for creating dynamic backgrounds and incorporating various layers into her designs. This includes not only hanging art but also blanketing feature walls with a mix of wallpaper, stone, and wood to generate visual interest and depth. Her intuitive understanding of color is another hallmark of her work, as she enjoys introducing clients to new palettes and blending different hues. Currently, popular color trends Aronowitz observes and incorporates include rusts, earth tones, and dusty rose, which she notes are presented with a modern and improved aesthetic compared to their 1980s counterparts. In terms of patterns, geometrics, houndstooth, and herringbone are prominent, often combined with a rich variety of textures within the color schemes. She asserts that Clive Daniel Home is a trendsetter in Boca Raton, constantly innovating and offering fresh perspectives on design. The company's 70,000-square-foot showroom in Boca Raton features a vast selection from over 250 suppliers, ensuring they remain at the forefront of design trends. Aronowitz's educational background includes degrees in photography and advertising and design from the Fashion Institute of Technology in New York City, followed by interior design studies at Berkeley College in New Jersey. After establishing her career in design, she moved to Florida 17 years ago. Her contributions to the field have been recognized with multiple Gold and Silver Aurora Awards, underscoring her achievements and influence in the interior design industry. #InteriorDesign #HomeDecor #CliveDanielHome #BocaRaton #IlanaAronowitz #ResidentialDesign #CommercialDesign #HospitalityDesign #DesignTrends

This article details the transformation of a 100-year-old American Craftsman home in the foothills of Colorado’s Rocky Mountains by the design firm Salvesen Graham. The project was initiated when a young couple, one American and one British, relocated from California and sought a home that blended their cultural traditions, offering both relaxation and elegance without being overly formal. The designers, Mary Graham and Nicole Salvesen, aimed to create a comfortable yet sophisticated living space. The house, part of a community of heritage homes dating back to the early 20th century, presented a unique opportunity for Salvesen Graham, a firm more accustomed to working with buildings over 100 years old in the UK. The designers meticulously preserved and enhanced the home's period features, such as its brick and shiplap exterior and expansive veranda. Their approach balanced respect for the original architecture with a desire to update it for modern living, rather than creating a "living museum" of a 1900s mining town house. In the entryway, a small-scale patterned wallpaper contributes to a Victorian aesthetic, complemented by an Arts and Crafts lantern. The designers made a conscious decision to paint some of the original pine woodwork a sage green to neutralize its overwhelming orange tones, allowing the unpainted sections of craftsmanship to be appreciated more easily. This thoughtful intervention highlights the delicate balance between preservation and contemporary adaptation. The drawing room was designed as a sophisticated space for entertaining, with the clients actively participating in sourcing art, including an abstract floral piece. The living room, in contrast, serves as a more casual gathering area. The project was significantly impacted by the early days of the COVID-19 pandemic, leading to initial client-designer interactions via Zoom. This period also amplified the British client's desire to infuse English design elements into the American architectural style. A central pass-through space in the house was transformed into a hallway-cum-library, offering an intentional quiet zone that connects different rooms. The kitchen, designed in a Shaker style, bridges functional utilitarianism with English charm. Its formal layout was maintained, rejecting the trend of open-plan spaces, and features fitted units and a large island painted in various shades of blue. The dining room, referred to as the "hearth room," provides an informal dining experience with windows on three sides, creating a sense of dining among treetops. The space incorporates a striped floral fabric for curtains and Roman shades, aligning with painted tongue-and-groove paneling on the ceiling. Upholstered dining chairs, vintage rattan chairs, and a vibrant green built-in window seat contribute to a layered aesthetic. The bedrooms, particularly the master suite, are characterized by a rich interplay of color and pattern, featuring florals, stripes, paisleys, and soft geometrics in a cheerful palette of pinks and greens. Salvesen Graham, founded in London in 2013 by Mary Graham and Nicole Salvesen, is known for its layered aesthetic and timeless approach, aiming to create warm and soft interiors inspired by Georgian England and 18th- and 19th-century Indian textiles, while bringing an edge to quintessential British charm. #HomeDesign #InteriorDesign #AmericanCraftsman #BritishCharm #SalvesenGraham #ColoradoHomes #HistoricRenovation #TraditionalModern #LayeredAesthetic

This article highlights the vibrant and personality-filled Brooklyn home of creative director Dan Pelosi, offering a glimpse into his design philosophy centered around color, houseplants, and creating a space conducive to entertaining. Pelosi, who initially lived in the West Village, relocated to Brooklyn driven by the desire for a larger space, specifically a dining room, to host friends and pursue his passion for cooking. He discovered his current apartment, the upper two levels of a brownstone, through a friend's social media post and quickly secured the lease, recognizing it as the ideal setting for his vision. A central feature of Pelosi's home is a custom-designed dining table, built in collaboration with Brad Miller of Bronx Woodworks. Pelosi's design prioritized functionality, with inset legs to accommodate up to 14 guests comfortably, reflecting his love for communal dining. He intentionally collected various pairs of chairs, allowing guests to choose seating that best suits their comfort, fostering a democratic and inclusive dining experience. The dining area is further enhanced by a gallery wall showcasing a diverse collection of art, predominantly from friends and former classmates from the Rhode Island School of Design, emphasizing personal connection over anonymous aesthetics. Pelosi's approach to art placement is intuitive, creating a relaxed and imperfect arrangement that aligns with his personal style. The home's comfortable and colorful atmosphere extends throughout. The living room serves as a serene retreat, furnished with a well-loved leather sofa, layered rugs, and an abundance of houseplants, creating a jungle-like ambiance. Pelosi's deliberate layering of rugs adds a tactile and luxurious feel to the space. The kitchen, a fresh remodel when Pelosi moved in, has been infused with color through additions like stools by Eric Trine and a vintage turquoise dome light fixture. It also features a "prop library" of color-coded serving ware and a wet bar setup, reflecting Pelosi's dedication to culinary arts and entertaining. The bathroom stands out as the only non-white room, painted a blush color that Pelosi notes creates a flattering glow. Pelosi's design ethos rejects the notion of a single "pop of color," instead embracing an entire home filled with vibrant hues and personal touches. His bedroom features a bench serving as a long nightstand, and a wall adorned with an inspiring collection of emotionally significant items, reminiscent of design school "swipe" walls. The guest bedroom, a cherished space, displays a quilt made by his mother, highlighting the sentimental value placed on personal items. Overall, Pelosi's home is a testament to his belief that a living space should be inspiring, relaxing, and a reflection of one's personal aesthetic and passions, especially in a world that can often feel isolating. He aims for his home to be a sanctuary where he and his friends feel comfortable and connected. #BrooklynHome #CreativeDirector #ColorInDesign #Houseplants #EntertainingSpace #CustomFurniture #ArtCollection #InteriorDesign #HomeDecor

In the early 1990s, renowned interior designer Steven Volpe embarked on a pioneering journey into loft living in San Francisco's SoMa neighborhood, becoming the first resident of a converted 75-year-old General Electric warehouse. This bold move was initially met with skepticism, as loft living was still a nascent concept in the city. Having established his own firm after training with elite decorators like Anthony Hail and Eleanor Ford, Volpe brought a blend of adventurousness and respect for tradition to his new home. Initially, he attempted to merge the industrial character of the warehouse, with its double-height brick walls and redwood beams, with a classical aesthetic, aiming to appease his mentors and adhere to established design norms. His early approach, though tasteful, ultimately felt inauthentic. After a few years, Volpe experienced an epiphany while reflecting on his meticulously crafted space. He recognized that his design choices, while conventional, no longer resonated with his evolving artistic vision or the changing times. This realization prompted him to "start all over," leading to a profound reevaluation of his design philosophy and a quest to discover his unique voice as a decorator. Volpe sought to create environments that were not only aesthetically pleasing but also intellectually stimulating, engaging all five senses. His San Francisco loft became the ultimate expression of this new approach, characterized by an edgy art collection, intriguing furniture, and luxurious details. Volpe's transformation involved actively engaging with the art world, forging relationships with dealers, attending art fairs, and acquiring significant artworks for both his clients and his personal collection. He developed a particular affinity for conceptual art, evidenced by pieces like a shadow photograph by Hiroshi Sugimoto, a perforated terra-cotta plaque by Lucio Fontana, and a mixed-media collage by Sterling Ruby. He systematically removed anything he deemed "mediocre" from his home, curating every object, from Japanese cutlery to German dinner porcelain, to ensure it possessed integrity and meaning. The loft's walls were repainted in earthy, clay-like hues from Farrow & Ball, further enhancing the cohesive and meaningful atmosphere. Volpe's global travels became a source of unique treasures that enriched his living space. He acquired a Burmese carved-wood owl from his mentor, Axel Vervoordt, and a limited-edition T5 bookcase by Martin Szekely from Galerie Kreo in Paris, admiring Szekely's sculptural furniture. His daily ritual of burning Japanese wedding incense, discovered in a Tokyo kimono shop, added another layer of sensory experience to his home. The living area's focal point, a console by John Dickinson, crafted from galvanized tin and brass to mimic drapery, exemplifies Volpe's appreciation for innovative design that transforms industrial materials into elegant forms. He also embraced contemporary art furniture, such as the gravity-defying Ron Arad Oh-Void chair, acquired during a serendipitous encounter in Paris. Volpe's passion for blurring the lines between furniture and art led him to co-own Hedge, a San Francisco gallery, with Roth Martin for eight years. This venture allowed him to showcase artists like California ceramist Tony Marsh, whose intricately perforated white earthenware forms are displayed on the Dickinson console. Volpe and Martin also collaborate on furniture designs, such as the Nakashima-inspired live-edge walnut dining table in the loft, featuring nickel butterfly joints and accommodating a dozen guests. Despite the unconventional and artistic nature of his designs, Volpe's skill ensures that the loft remains a relaxed and livable space. He likens his design process to that of a modern painter, emphasizing the importance of classical training to understand the rules before breaking them. Volpe's loft stands as a testament to his evolution as a designer, where art and decor seamlessly merge, creating a unique and deeply personal 21st-century aesthetic. #StevenVolpe #LoftLiving #InteriorDesign #SanFranciscoDesign #ArtCollecting #ModernDesign #WarehouseConversion #DesignPhilosophy #FurnitureDesign

This article delves into the design of a contemporary library within a newly built house located on the coast of northern Connecticut. The project was overseen by interior designer Roger Jones of Sibyl Colefax & John Fowler, who has an extensive background in both law and antiques before transitioning into interior design. The house, designed by a local architect for an American couple, was conceived to appear smaller from the exterior than its actual size, featuring traditional clapboard construction with a sophisticated internal layout. The library, situated away from the main areas of the house, serves as a quiet, informal living room. The overarching design philosophy for the entire house, including the library, was to integrate the couple's traditional preferences with a light, contemporary touch. A key objective was to ensure that while English antiques were incorporated, the overall ambiance remained distinctly American. This was achieved through careful consideration of room proportions and the selection of fabrics and colors, which were largely influenced by the bright, clear light characteristic of the east coast. The article provides specific recommendations for achieving this contemporary library aesthetic, focusing on key elements such as lighting, fabrics, and furniture. For lighting, Vaughan at Design Centre Chelsea Harbour is suggested for its range of classic designs that align with the scheme's style. For fabrics, the Sommersby linen used on the sofa and chairs in the featured project is from Claremont, with Colefax and Fowler also recommended for its wide selection of classic fabrics and wallpapers. When it comes to furniture, Kingcome Sofas is highlighted as a reputable source for traditional upholstered pieces, including sofas, armchairs, and stools. The article is authored by Giles Kime, Country Life's Executive and Interiors Editor, who brings decades of experience from his career in interior design journalism, including roles at The World of Interiors, The Telegraph, and Homes & Gardens magazines. Kime's expertise spans architecture, gardening, and interior design, and he has authored several books on these subjects. He emphasizes the importance of balancing traditional elements with modern sensibilities to create a comfortable and elegant living space, reflecting a nuanced understanding of design principles and client preferences. #InteriorDesign #LibraryDesign #ContemporaryStyle #HomeDecor #RogerJones #SibylColefaxJohnFowler #ConnecticutHome #TraditionalMeetsModern #GilesKime