Architecture and design features and interviews | CLADglobal.com - Christian Louboutin

The article discusses the evolution of biophilic architecture from a niche concept to a mainstream design approach, emphasizing its benefits and challenges. Biophilia, defined by Edward O. Wilson in 1984, posits that humans have an innate need to connect with nature. Incorporating natural elements into built environments has been shown to improve human well-being, including lower blood pressure, reduced stress, enhanced attentiveness, and increased happiness and creativity. Beyond human benefits, biophilic design also contributes to environmental health by fostering biodiversity, decreasing energy consumption, reducing carbon emissions, and purifying polluted air. Richard Hassell, co-founder of WOHA, a Singaporean architectural firm, notes the shift in perception where developers, initially skeptical, now actively embrace biophilic principles. However, he cautions against the reduction of biophilia to a mere marketing buzzword, stressing the importance of thoughtful and effective implementation rather than just adding plants. The success of biophilic design hinges on how deeply it integrates natural elements and functions, moving beyond superficial aesthetics. MK Leung, director of sustainable design at Ronald Lu & Partners (RLP) in Hong Kong, highlights the need to quantify the quality of biophilic interventions. RLP utilizes a custom script within Rhinoceros with Grasshopper to evaluate projects based on biophilic elements a user would experience, such as views of greenery, natural sounds, scents, and sensations. This ensures that biophilic principles are consistently applied and sustained throughout a project. Examples like RLP's Garden Crescent, a residential tower with vertically linked gardens, and Echo House, a modular residential development integrating biophilic elements to soften its manufactured feel, demonstrate this commitment. Despite Hong Kong's challenging hyper-dense urban landscape and rigid building codes, biophilic design has found fertile ground. The E-Co Village, a recreational space on a former landfill site designed by AOS Architecture, exemplifies this by offering a natural environment for learning about sustainability, powered by solar energy. Corrin Chan of AOS Architecture drew inspiration from Thich Nhat Hanh's "Zen and the Art of Saving the Planet," emphasizing that humans are integral to the environment. Swire Properties' redevelopment of Taikoo Place further illustrates this trend, incorporating 6,500 square meters of public open space, inspired by traditional feng shui woods, to connect urban areas with natural ecosystems and enhance biodiversity. Richard Hassell underscores the importance of designing not only for human-centric biophilia but also for biodiversity, suggesting that a garden rich in butterflies and birds offers a more profound biophilic experience. WOHA's upcoming Faber House in Singapore, for instance, features interconnected vertical gardens and a 15-story waterfall, designed to create interconnected ecosystems. The article also addresses the critical question of environmental sustainability in biophilic design. Leung emphasizes that biophilic designs must not consume more energy than conventional designs to be truly beneficial. Hassell acknowledges the complexity of this calculation, noting that while a poorly designed green wall might be unsustainable, the wellness and mental health benefits, along with improved air quality, often justify the investment when executed thoughtfully. Ultimately, biophilic design aims to harmonize environmental support with human wellness, representing a convergence of these critical objectives. The article also mentions several other biophilic projects in Asia, including Central Park in Vietnam, which integrates engineered 'trees' for rainwater collection and solar power generation; Heatherwick Studio's 1000 Trees in China, resembling a cliffside forest; Kai Yufuin Ryokan in Japan, a hot springs resort designed with terraces inspired by rice fields; and WOHA's Pan Pacific Orchard in Singapore, known for its lush greenery and open-air spaces in a vertical setting. These projects collectively showcase the diverse applications and growing acceptance of biophilic principles in contemporary architecture across the region. #BiophilicArchitecture #SustainableDesign #UrbanPlanning #EnvironmentalSustainability #HumanWellbeing #ArchitecturalInnovation #HongKongArchitecture #SingaporeArchitecture #GreenBuildings

Architect Mariam Issoufou discusses her design philosophy and recent projects, including the Rolex Pavilion at the Venice Architecture Biennale and the upcoming Bët-bi museum in Senegal. Issoufou, founder of Mariam Issoufou Architecture and a professor of architecture heritage and sustainability at ETH Zurich, emphasizes a research-led approach that prioritizes local contexts, craftsmanship, and sustainable practices. Her work spans various regions, with a notable focus on projects within the African continent and Europe. The Rolex Pavilion, commissioned for the Venice Architecture Biennale, was designed to reflect Rolex's identity while addressing Carlo Ratti's 2025 theme of adaptation to climate change. Issoufou's design for the pavilion showcases a commitment to local materials and artisan collaboration. The facade is constructed from recycled wooden beams sourced locally, and the interior features a translucent colored ceiling crafted by Murano glassmakers, which creates dynamic light effects. The terrazzo flooring incorporates recycled Cottisso crushed glass. Issoufou aimed to honor Venice's heritage of making and to demonstrate how recycled and local materials can be used effectively in high-profile projects, similar to her work in Africa where materials like recycled metal, earth, and cement are commonly employed. Her design process for the Rolex Pavilion began by considering the unique shape of Venice, a city divided by the Grand Canal, which inspired the form and exhibition spaces of the structure. The project also focused on collaboration across different intelligences and showcased resource efficiency. Issoufou expressed pride in seeing the pavilion come together through the work of local glass, metal, and woodworkers, highlighting the successful integration of traditional Venetian artistry with contemporary sustainable design principles. Issoufou’s practice is characterized by a consistent research-led methodology across all her projects. Instead of imposing a design, she first investigates the architectural history, climate, and vulnerabilities of a specific location. Following this, she identifies and engages with local makers and their existing knowledge and skills. This collaborative and context-driven research then informs the design process, ensuring that each project is uniquely tailored to its environment and community. This approach allows the questions she asks in her projects to remain consistent, while the solutions and outcomes vary based on the specific research findings. Sustainability, for Issoufou, is an intersectional concept that extends beyond mere ecological considerations. She integrates green standards with social, cultural, and economic upliftment for the communities involved in her projects. This holistic view ensures that her architectural interventions contribute positively to the broader well-being of people and places, preserving cultural heritage and fostering economic opportunities. Beyond the Rolex Pavilion, Issoufou is currently focused on the construction phases of two significant projects: the Bët-bi museum in Senegal and the Ellen Johnson Sirleaf Presidential Center in Monrovia, Liberia. The Bët-bi museum, commissioned by the Josef and Anni Albers Foundation and Le Korsa, will be a 1,000-square-meter center for contemporary and historic African art, also serving as a temporary home for repatriated objects. Its triangular form is inspired by the Indigenous Serer people's belief system, symbolizing the relationship between elements, the living, and the dead. The museum will be built into the landscape using sustainable, traditional materials with the help of local artisans, reflecting Issoufou’s commitment to culturally resonant and environmentally responsible design. The Ellen Johnson Sirleaf Presidential Center, where Issoufou is the lead architect, involves collaborations with Sumayya Vally and Karen Richards Barnes, further exemplifying her collaborative and community-focused design ethos. These ongoing projects underscore her dedication to creating spaces that are deeply rooted in their cultural and environmental contexts while promoting sustainability and community engagement. #Architecture #SustainableDesign #VeniceArchitectureBiennale #RolexPavilion #MariamIssoufou #CulturalHeritage #CommunityEngagement #AfricanArchitecture #LocalCraftsmanship

The French shoe designer Christian Louboutin has expanded his hospitality venture, Vermelho Hotel, in Melides, Alentejo, Portugal, with the addition of two new villas. Louboutin, known for his red-lacquered sole shoes, opened his first hotel project in Melides in 2023. His connection to the region began when he discovered the coastal town after an injury, leading him to transform a traditional fisherman’s shack into a maison de famille-style retreat. The original Vermelho Hotel, developed with local architect Madalena Caiado, features 13 distinct rooms, a small wellness area, a hammered-silver bar, and the in-house restaurant Xtian, which serves Alentejan cuisine on hand-thrown crockery. The hotel's interior design blends Louboutin’s French and Egyptian heritage with the local Portuguese aesthetic, incorporating elements like azulejos (glazed tiles), architectural ceramics, and a vibrant use of color, creating an environment that is both deeply rooted and innovative. The new additions include "La Salvada" and "La Maison des Bateaux." La Salvada is a pink, kasbah-inspired villa designed in collaboration with Egyptian designer Tarek Shamma. It is situated in a wildflower meadow and can accommodate up to four guests. Its interior features a sandy color palette, accented with red and indigo details, such as a built-in bench upholstered in quatrefoil fabric and a Jean-Louis Viard tapestry. The skylit living room is adorned with antiques under high ceilings. The villa also offers three rooftop terraces, providing spaces for relaxation and enjoying the natural surroundings. The design reflects a fusion of cultural influences, creating a unique and luxurious living space. In contrast, "La Maison des Bateaux" offers a more rustic experience, drawing inspiration from a whitewashed Alentejan boathouse. This villa is nestled among rice fields and embraces a maritime theme with a pared-back aesthetic. Its decor includes shell-cluster lamps and miniature boats, set against a backdrop of white, deep blue, and sun-baked terracotta. The villa showcases furniture from Louboutin's personal collection alongside works by various artists. A garden path leads to a large, secluded swimming pool, complementing the cooler interiors with a sunlit outdoor space. Both villas offer distinct styles, expanding the Vermelho Hotel’s unique guest experience. Rates for La Salvada start from €2,200 per night, and La Maison des Bateaux starts from €1,700 per night. #ChristianLouboutin #VermelhoHotel #LuxuryTravel #HotelDesign #AlentejoPortugal #InteriorArchitecture #Hospitality #VillaRental

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

This article highlights 25 influential power duos comprising high-end clientele and their style gurus who collaborate to curate spectacular interiors, ranging from private homes and palaces to public monuments and retail spaces. These partnerships are notable for their impact on the design world, setting high standards for aesthetics and functionality. The article details various collaborations, showcasing the diverse styles and approaches employed by these design teams. One prominent duo features hip-hop superstar Kanye West and Belgian designer Axel Vervoordt. Vervoordt, known for his tasteful minimalism and admiration for the Japanese aesthetic concept of wabi (exalting simplicity), was enlisted by West to perfect his Los Angeles crib's look. Vervoordt's client list also includes Bill Gates, Sting, and Calvin Klein, underscoring his reputation in high-end design. Actress Gwyneth Paltrow partnered with Robin Standefer and Stephen Alesch of Roman and Williams for the Goop Lab in Brentwood, her first permanent store. Roman and Williams, named for their grandfathers, also opened the Guild, a showroom and café in Soho, indicating their expanding influence in the design and lifestyle sectors. Fashion mogul Tom Ford and William Sofield, an inseparable pair for 25 years, have redefined luxury retail spaces. Their collaborations on stores in Madison Avenue and Rodeo Drive are renowned for their opulent design, challenging conventional retail aesthetics. Sarah Jessica Parker initially sought decorating tips from movie executive Eric Hughes in the '90s. His design career officially launched in 2002 after Parker commissioned him to design her Bridgehampton home. Hughes is currently working with architect Morris Adjmi to merge Parker's two West Village townhouses, demonstrating a long-standing and evolving client-designer relationship. The Beckhams, Victoria and David, chose antiques dealer Rose Uniacke to decorate their $44 million Holland Park palace in London. Uniacke is celebrated for her ability to modernize historical settings, creating a unique blend of classic and contemporary design. Lauren Santo Domingo, co-founder of Moda Operandi, continued a family tradition by enlisting French designer Francois Catroux to work on her 18th-century Paris apartment. Catroux has a history with the Santo Domingo family, having worked with them since the early '90s. LVMH CEO Bernard Arnault consistently collaborates with architect Peter Marino, who has designed numerous Louis Vuitton stores, including the flagship on Place Vendôme, showcasing Marino's significant role in shaping the luxury brand's physical presence. Actor Brad Pitt engaged starchitect David Adjaye for sustainable housing projects in New Orleans following Hurricane Katrina. Pitt's Make It Right Foundation, with Adjaye's involvement, constructed over 100 homes in the Lower 9th Ward, highlighting a commitment to socially conscious design. Adjaye later gained acclaim for his work on the National Museum of African American History and Culture. Raf Simons, during his tenure at Calvin Klein, relied on artist Sterling Ruby to infuse the brand's shows, headquarters, and flagship store with distinctive, vibrant energy. This partnership highlights the intersection of art and fashion in design. Collectors Edythe and Eli Broad have a long-standing relationship with Pritzker Prize winner Frank Gehry, commissioning him for their Brentwood manor and the Walt Disney Concert Hall in Los Angeles. Their collaborations underscore their patronage of groundbreaking architecture. French luxury boss Francois-Henry Pinault entrusted Parisian designer Pierre Yovanovitch with his personal office and the Hôtel de Clermont-Tonnerre, the headquarters of his Artémis conglomerate. Yovanovitch is known for incorporating vintage touches into contemporary settings. Former Vice President Joe Biden and his wife Jill selected Victoria Hagan, known as the “queen of restrained elegance,” to design their official private residence. Hagan's clean, timeless interiors aligned with the Bidens' aesthetic preferences. Designer Robert Couturier, celebrated for French-inspired exuberance, is collaborating with artist Jeff Koons to combine two Upper East Side townhouses. This partnership merges Couturier's classic style with Koons's grand artistic vision. John Pawson and Ian Schrager have a two-decade-long friendship and professional collaboration, extending from apartments at the Gramercy Park Hotel to Schrager's penthouse at 40 Bond, and now the West Hollywood Edition hotel. Their work emphasizes minimalist yet luxurious design. Tory Burch first met designer Daniel Romualdez in the late '90s and subsequently hired him for her apartment at the Pierre, followed by numerous homes and over 100 stores, including her Long Island location, showcasing a long and fruitful design partnership. Fashion designer Alexander Wang and Ryan Korban are close friends who collaborate on various projects, including Wang's flagship store and private residences, highlighting a youthful and contemporary approach to design. Ken Fulk, known for his flamboyant designs, is the trusted designer for Silicon Valley's elite, including Instagram's Kevin Systrom. Fulk designed Systrom's home and his wedding, demonstrating his versatility in creating bespoke experiences. Jamie Drake, known for his crisp and colorful rooms, has designed multiple properties for Michael Bloomberg, including his Upper East Side townhouse and his Georgian estate in Southampton, and also restored Gracie Mansion during Bloomberg's mayoral term. Michael Smith decorated the private residence of the Obamas in the White House, earning praise from former First Lady Michelle Obama for upholding the building's history. Smith also designed their 8,200-square-foot Kalorama home after their departure from office. The bond between decorator Stephen Shadley and Oscar winner Diane Keaton spans over 30 years and four homes. Keaton even documented their creation of her 8,000-square-foot Brentwood compound in her book, "The House that Pinterest Built," illustrating a deep, enduring creative partnership. #DesignDuos #InteriorDesign #LuxuryHomes #ArchitecturalPartnerships #CelebrityDesign #HomeDecor #HighEndClientele #ResidentialDesign #CommercialDesign

This article highlights several Latinx-owned interior design studios, showcasing their unique approaches and contributions to contemporary home design. It emphasizes how these designers integrate cultural heritage, local materials, and traditional techniques with modern aesthetics to create distinctive and meaningful spaces. The piece begins by noting a common desire among Latin American designers to blend a sense of local belonging with cosmopolitan and international influences, a trend observed since the 1940s. This approach allows them to adapt modern design vocabularies to local contexts, materials, and production systems. Bravo Studio, founded by Rodrigo Bravo in Santiago, Chile, is presented as an example of this innovative spirit. Since its establishment in 2005, the studio has explored various mediums and materials, experimenting with modern methods. Bravo's "Monolith Series," which uses Chilean volcanic rock to create unique home décor pieces, exemplifies his ability to transform natural elements into contemporary art. His work, including designs for Fintual headquarters and the Neruda family office, showcases an alluringly minimalistic yet stylish approach, often leveraging the natural beauty and versatility of materials. The studio's collaborations, such as with WeWork, further demonstrate its versatility in both residential and commercial projects. Estudio Persona, led by Uruguayan designers Emiliana Gonzalez and Jessie Young in Los Angeles, focuses on chic and sleek interior design. Their philosophy centers on the subversive quality of minimalism, where seemingly simple designs are in fact incredibly complex and thoughtfully constructed. They prioritize unique shapes, distinctive lines, and unexpected accents, utilizing natural materials and traditional techniques without imposing creative boundaries. Their work, seen in projects like the H Bench at CDMX Design House and the UNA counter stools for Studio Fauve, reflects a subtle yet impactful aesthetic that questions perspectives without being overtly flashy, resonating with their preference for understated elegance. Casa Marcelo, founded by Abigail Marcelo Horace, an American interior designer with Dominican and Panamanian roots, integrates classic pieces, traditional styles, and natural accents. Horace draws inspiration from artisans and hand-woven objects, particularly the Mola art of Panama's Guna tribe, highlighting her appreciation for custom, handcrafted elements. Her studio, established in 2018, creates spaces that range from moody modern looks to those incorporating natural touches in contemporary interiors. Casa Marcelo’s designs are often characterized by vibrant colors, comfort, and chic elements, with Horace emphasizing the importance of creating peaceful and well-designed environments that nurture clients' passions and offer a safe escape from daily life. Blooming Home Society, led by Brazilian-born designer Ju DePaula, brings a vibrant and feel-good approach to interior design. DePaula, based in England, emphasizes the significant impact of home on well-being, advocating for spaces that allow individuals to relax, express themselves, and be authentic. Her entrepreneurial endeavors extend to a design school, offering online classes for individuals to learn how to create stylish spaces. Her signature style, evident in a colorful office space with bold floral wallpaper and a lively living room, incorporates bright shades, unique ideas, and pleasing touches, often featuring a blend of vibrant colors and black-and-white contrasts. Agnes Studio, a husband-and-wife duo comprising Estefania de Ros and Gustavo Quintana-Kennedy from Guatemala, focuses on future-inspired concepts and unrestrained techniques. De Ros, with a background in interior and furniture design, and Quintana-Kennedy, with expertise in architecture, launched their studio in 2017. Their artistic approach to design, drawing inspiration from the world around them and exploring potential existences, results in stunning spaces. Examples include a wood-filled area featuring their own Lana Chair and Códice Side Table, as well as a light-filled studio that combines natural materials, comfortable furniture, and modern accents, showcasing their ability to blend traditional influences with contemporary design. #LatinxDesign #InteriorDesignStudios #HomeDesignTrends #CulturalInfluences #MinimalistDesign #SustainableDesign #ArtisanCraftsmanship #ModernAesthetics #GlobalDesign

Palatino, a key entity within La Bottega Collective and a leader in hospitality design and accessories, has marked its tenth anniversary by introducing a new capsule series. This innovative series was developed in collaboration with a curated selection of architectural and design talents from around the world. The initiative, conceptualized with Paragone, a Paris and New York-based agency representing prominent and emerging design and architecture figures, solidifies Palatino's reputation as a curator blending hospitality, culture, and collectible design. Each capsule in the series consists of a limited collection of non-commercial, heirloom-quality objects, produced in extremely small quantities for specific hospitality properties globally. The series made its debut during Dubai Design Week, featuring Italian interior designer and artistic director Alessandro Moriconi. Moriconi's capsule for Palatino Hospitality embodies a refined approach to living, characterized by his sensitive and intuitive design philosophy. This approach integrates a strong sense of proportion, clean lines, material interaction, and a pursuit of natural harmony. The collection includes a walnut and leather catchall, a sculptural ceramic and aged metal vase, a mirrored tray accented with leather, and a lidded box made of aged metal with stone embellishments. Each item is designed as a functional artwork, combining elegant forms, contrasting textures, and precise finishes, reflecting a contemporary elegance rooted in craftsmanship and timeless design. The collection, which avoids ostentation, highlights refined simplicity and lasting character, echoing Moriconi's skill in creating interiors and objects that convey emotion, memory, and materiality. These pieces will be permanently showcased within the architectural framework of Jumeirah Marsa Al Arab, specifically in their iconic Pearl Suite. Following its launch in Dubai, the second installment of Palatino’s capsule collections was revealed in the newly renovated Waldorf Astoria in New York City, featuring Studio Akademos, the Paris-based architectural duo of Aurélien Raymond and Costanza Rossi. These pieces, described as “small architectures,” are characterized by their clean lines, minimal embellishments, and detailed craftsmanship. The use of textured woods, nickel or silver-plated metals, and jewelry-inspired handles emphasizes material richness and timeless elegance. The collection, which began with a jewelry box as a symbol of crafted simplicity, has expanded to include amenity boxes, trays, fruit bowls, and waste bins. Each item is designed to offer thoughtful functionality and subtle luxury for daily use, serving as permanent exhibition pieces in the Waldorf Astoria New York’s Waldorf Suite and Empire Suite. Looking ahead, Palatino has announced two new collaborations for 2026: with London-based design studio Campbell Rey, known for its vibrant and color-driven narratives, and with Dinosaur Designs, an Australian creative house celebrated for its sculptural resin art. These upcoming capsules are expected to further develop Palatino’s design language and reinforce its position as a trendsetter in narrative-driven hospitality design. Gabriella Zavatti, Co-Founder of Palatino, emphasized that this anniversary signifies not only a decade of craftsmanship and creativity but also the beginning of a new phase for the brand. She noted that each capsule represents a dialogue among design, architecture, and hospitality, exploring how objects can transcend their functional roles to become narratives, memories, and expressions of place. Tommaso Pacini, CEO of La Bottega Collective, stated that Palatino is a compelling example of design innovation within the collective, radically transforming the guest experience by reimagining occupancy supplies and equipment as cultural artifacts that redefine luxury for future generations of hospitality. The Palatino 10th Anniversary Capsules represent a significant moment in the brand’s creative history, celebrating design, craftsmanship, and collaboration, and setting the direction for its continued influence in hospitality design over the next decade. Palatino's client base includes prestigious hospitality brands such as Mandarin Oriental, Rosewood, Peninsula, Orient Express, and Bulgari Hotels, as well as renowned properties like Badrutt’s Palace and Hotel du Cap-Eden-Roc. #Palatino #LaBottegaCollective #HospitalityDesign #DesignInnovation #LuxuryInteriors #CollectibleDesign #ArchitecturalDesign #BoutiqueHotelDesign

Christian Louboutin, the renowned French shoe designer, has ventured into the hospitality industry with his first hotel, Vermelho, located in the unassuming Alentejan town of Melides, just south of Lisbon, Portugal. The hotel's name, meaning "red" in Portuguese, is a direct homage to Louboutin's iconic red soles and his profound fascination with the color. Vermelho is conceived as a celebration of heritage craftsmanship, intricate design, and maximalist aesthetics, all infused with an unrestrained sense of joy and beauty. The hotel's exterior maintains the characteristic feel of Melides' small-town architecture, discreetly concealing the vibrant design within. Upon entering, guests are immediately immersed in a world of kaleidoscopic color and detailed design. The entrance features a 100-year-old Moroccan wooden portcullis, sourced by Louboutin during his travels. The flooring is an elaborate sea of geometric tiling, with over 15,000 tiles produced by Fábrica de Azulejos de Azeitão, a traditional tile producer. Notably, the glossy, carmine red tiles in the hotel bar feature a unique pigmentation developed in collaboration with Louboutin himself. Italian ceramicist Giuseppe Ducrot, known for his religious iconography, contributed the intricately molded window and door surrounds, balcony railings, and frescoes. The interior design continues to showcase an eclectic mix of influences and carefully curated objects d'art. The bar area, for instance, features gilded arches inspired by Seville’s Holy Week floats, crafted by the same liturgical goldsmith’s workshop. Silver tassels and red velvet stools evoke a romantic, sun-hazed ambiance, complemented by vintage Bollywood posters and a 400-year-old cabinet from the Spanish Revolution. Art installations are ubiquitous, including a glass-like coral sculpture in the Indian Lounge, ceramic bird's heads by Elisabeth Lincot, and a ceiling lamp by Nicolas Cesbron adorned with sea urchin shells. Several suites feature intricate mosaics made from hundreds of individual butterfly wings. Despite the abundance of detail and global artifacts, Vermelho maintains a sense of refined elegance rather than overwhelming maximalism. Each of the 13 rooms possesses a distinct character. Examples include the Matinha Suite with murals by Konstantin Kakanias, featuring sunset-pink walls, daisy patterns, and geometric wooden parquet floors. Other rooms incorporate unique elements like monkey-shaped wicker tables, antique tulip-red chests of drawers from Louboutin's personal collection, and outdoor bathtubs. The Jardim Português suites, located on the ground floor, offer private terraces leading to the hotel's colorful gardens. These suites often feature traditional tiled headboards with untraditional tie-dye patterns, hand-crafted rattan cupboard doors by Maison Gatti, and terracotta floor tiling interspersed with red-glazed accents. Attention to detail extends to the smallest items, such as monogrammed bed sheets, scarlet leather shoe horns, and distinctive room keys with vast leather tassels. The hotel's culinary offerings include breakfast, served either in the restaurant, on the patio, or on private terraces, featuring fresh pastries, cold cuts, fruits, and eggs. The Xtian restaurant, located off the bar, offers a seasonal menu for lunch and dinner, focusing on light summer flavors such as gazpacho, scallops, cuttlefish with tomato rice, and elevated piri piri chicken. Desserts include salted caramel fondant and honey-drizzled cheesecakes. The bar serves classic cocktails and locally inspired drinks, often featuring Moscatel de Setúbal, a local fortified wine. In winter, the bar hosts talks with local historians by its large fireplace. Amenities at Vermelho include a small pool, with guests provided with monogrammed jute bags, panama hats, and exclusive Loubi’s on the Beach towels. A Moroccan-inspired tower houses a spa treatment room, helmed by South African Ayurveda expert Timóteo Carmo. While not a full-sized spa, plans for a sister hotel with a comprehensive wellness suite are underway. Complimentary yoga sessions are offered on Saturdays, and bikes are available for exploring the surrounding rice fields and lagoon. The hotel adheres to contemporary eco-credentials, utilizing local, seasonal produce and refillable amenities. Accessibility is addressed with one accessible room and an elevator, though guests with specific needs are encouraged to contact the hotel in advance. The clientele is described as sophisticated and discerning, reflective of the hotel's luxurious and unique offering. #ChristianLouboutin #LuxuryHotel #MelidesPortugal #MaximalistDesign #HotelReview #InteriorDesign #BoutiqueHotel #PortugueseCraftsmanship #RedAesthetics

Milan Design Week, also known as Salone del Mobile, traditionally serves as a pivotal event for design enthusiasts and a leading international exhibition for furniture and interior design. In recent years, the event has expanded its scope, attracting significant participation from the fashion industry. Brands such as Gucci and Loro Piana are increasingly featured alongside established home brands, presenting events and new product launches that blur the lines between fashion and home design. Among the highlights of Milan Design Week 2025 is Miu Miu's Literary Club, which dedicates two days to exploring the works of French philosopher and writer Simone de Beauvoir. Concurrently, Prada Frames will host a symposium centered on the multifaceted concept of transportation. Louis Vuitton is set to introduce a new home collection, further solidifying the convergence of high fashion and interior aesthetics. La DoubleJ will host tarot card readings at its new headquarters, adding a unique experiential element to the design week offerings. Loewe, marking its ninth appearance at Salone, has collaborated with 25 artists, designers, and architects to create a collection of teapots. These pieces, crafted by figures such as Edmund de Waal, Walter Prince, and David Chipperfield, explore the cultural significance and conventions surrounding tea, ranging from highly literal to abstract interpretations. Loewe is also offering a Salone homewares collection, which includes coasters and leather charms. Prada Frames, the annual symposium organized by Prada, focuses this year on “In Transit,” investigating the infrastructures that facilitate the movement of both people and ideas. Discussions are held in unique historical settings, including the recently restored 1950s train, Arlecchino, designed by Gio Ponti and Giulio Minoletti, and the ornate Padiglione Reale, a former royal waiting area at Milan’s Central Station. Louis Vuitton is launching its inaugural home collection, showcased at Milan’s Palazzo Serbelloni. This new line encompasses furniture, lighting, tableware, textiles, and games, with a pinball machine reportedly inspired by Pharrell. The collection complements the brand’s existing Objets Nomades, a series of limited-edition pieces created by notable designers like India Mahdavi and the Campana brothers, which will also be on display. La DoubleJ is celebrating its 10-year anniversary by unveiling its new five-story headquarters, dubbed the “LDJ Starquarters,” in Milan’s Navigli district. This new space is designed to foster positive energy and will host a week of events, including tarot card readings and sound healing sessions in the newly opened Gong Temple on its rooftop. The brand is also releasing new versions of its Napoli Rosa homeware collection. Miu Miu's Literary Club returns for its second chapter, “A Woman’s Education,” building on last year's “Writing Life.” This year’s program explores themes of girlhood and love through the works of Simone de Beauvoir and Japanese author Fumiko Enchi, featuring performances and talks by authors such as Lauren Elkin, Geetanjali Shree, and Naoise Dolan. Gucci presents “Bamboo Encounters,” an exhibition at the 16th-century Milan monastery Chiostri di San Simpliciano. Curated by architect Ippolito Pestellini Laparelli, the exhibit highlights bamboo’s historical significance to the house through multidisciplinary works, including sculptures, bamboo baskets, and kites. Kartell is commemorating 25 years of its lighting line with an exhibition at its Milan flagship store, featuring iconic lamps and lighting pieces. The Kartell Museum, also celebrating its 25th anniversary, will host a retrospective on Italian industrial designer Joe Colombo. New products and re-editions, including a reissue of Colombo’s 1964 KD28 lamp, will also be released. Finally, Loro Piana has partnered with Dimoremilano to create “La Prima Notte di Quiete,” an installation transforming the courtyard of Loro Piana’s headquarters into a 1970s-style home. The space features furniture by Dimorestudio for Loro Piana Interiors, Dimorestudio pieces with Loro Piana fabrics, items from Loro Piana’s The Art of Good Living collection, and artworks from Milanese galleries. #MilanDesignWeek #FashionHomeCrossover #LuxuryInteriors #ArtAndDesign #PradaFrames #LouisVuittonHome #LaDoubleJ #MiuMiuLiteraryClub #GucciBamboo #KartellLighting #LoroPianaDimoremilano

Shutterstock founder Jon Oringer and his wife Talia embarked on a search for a home in Miami Beach that would align with their vision of a welcoming oasis, distinct from the prevailing aesthetic characterized by aggressive geometrics and glossy surfaces. Their quest led them to a property overlooking Biscayne Bay, which, despite requiring significant renovation, offered an exceptional location and views. To transform this property into their dream home, they enlisted the expertise of AD100 interior designer Kelly Behun, who had previously worked on their Bridgehampton residence. Behun is recognized for her ability to create interiors that blend fanciful elements with refined sophistication, resulting in spaces that are both imaginative and serene. The home’s architectural transformation was initiated by Blaze Makoid of BMA Architects, who softened the exterior’s angularity with bronze and wood accents and introduced a sculptural staircase to enhance the interior’s dynamism. This established a visual language emphasizing fluidity and warmth, a quality the homeowners desired. Behun further collaborated with To Better Days Building, another AD PRO Directory firm, to realize the couple's vision. Within this architectural framework, Behun curated a vibrant collection of pieces from a global network of artisans, combining them with striking art and vintage items. Each room's design is often anchored by a central element, such as a unique lighting fixture or a captivating artwork, which harmonizes the color, pattern, and scale. Contemporary materials like white oak, plush fabrics, and muted metals are employed in sculptural forms, grounding the whimsical elements in an atmosphere of elegance and luxury. The entryway, for instance, features a custom stained glass light fixture by Greek artist Kostas Lambridis, whose design reflects the client's personal narrative. This piece hangs above a Mimi table by Garcé & Dimofski, complemented by Martino Gamper circus stools and a woven chair from Space Available Studio, all echoing the fixture's colors. Similarly, a stained glass fixture by Maarten de Ceulaer commands attention in the dining room, balancing a substantial table by Yabu Pushelberg. In the double-height library, four ceiling pendants by Bennet Schlesinger, inspired by cumulus clouds, playfully disrupt the room's formal upholstered seating arrangements. The lounge is enlivened by a cut-paper collage of dancing women by Heidi Lanino, set against curvaceous furniture by designers like Achille Salvagni and Chris Wolston. For the children’s playroom, a Nuage fixture by Wout Wessemius creates an ethereal ambiance. Beyond individual pieces, foliage plays a crucial role in animating the spaces. Large Alocasia Calidora leaves at the second-floor atrium window add drama to the primary bedroom. Landscape architect Raymond Jungles collaborated on the home's vegetation, including an immense American oil palm at the entryway that helps scale down the property, contributing to a relaxed and comfortable atmosphere despite its grandeur. The overall design achieves a ravishing and rejuvenating effect, perceived as both sublime and sensual by the homeowners. Jon Oringer praised Behun’s capacity to translate their identity into the living space, affirming that the designer successfully delivered a home that is uniquely theirs. #HomeDesign #InteriorDesign #LuxuryHomes #MiamiArchitecture #ContemporaryDesign #CustomFurniture #ArtCollection #LandscapeDesign #ArchitecturalDigest

This article, originally published in January/February 2012, details the private retreat of French shoe designer Christian Louboutin in the Egyptian desert near Aswân. Louboutin, known for his signature red-soled stilettos that frequent international red carpets, maintains a contrasting lifestyle, spending significant time at this tranquil oasis not far from the Nile River, with ancient temple ruins within walking distance of his home. He utilizes this retreat to design new collections, find repose, and practice yoga, indicating its role as both a creative sanctuary and a personal escape from the demanding fashion world. The residence itself was once a craftsman’s workshop, constructed using ancient Egyptian earthen brick techniques. Louboutin undertook extensive renovations, adding an additional floor and a rooftop belvedere. This belvedere offers panoramic views of the surrounding desert, suggesting a deep connection to the natural landscape. The construction process was challenging due to the region's extreme temperature fluctuations and limited availability of building materials, a detail Louboutin humorously acknowledges. The interior design reflects Louboutin’s global travels and eclectic taste. The rooms are adorned with items he has personally collected, including Uzbek embroidered fabrics, Moroccan rugs, and handmade furniture sourced from Cameroon. The floors are made of waxed terra-cotta, which invites barefoot living and contributes to the home's relaxed, earthy ambiance. Despite these interior details, the heart of the home is identified as the open-air courtyard. This central space features a fireplace, which becomes a focal point during the cool desert evenings, providing warmth and a communal gathering area. A notable modern contrast to the traditional furnishings is an ultramodern telescope positioned on the roof. This instrument, trained on the stars, serves as a symbolic bridge between the ancient construction methods and the contemporary world, highlighting a blend of history, culture, and modern pursuits. The article implies that this retreat serves as a vital counterbalance to Louboutin’s high-profile career, offering a place for introspection, creativity, and connection with a simpler, more natural existence. The blend of traditional architecture, globally-sourced decor, and modern scientific instruments creates a unique living space that reflects the designer's personal philosophy and lifestyle. #ChristianLouboutin #EgyptianRetreat #CelebrityHomes #DesertArchitecture #InteriorDesign #GlobalDecor #YogaSanctuary #Aswan #FashionDesigner

This article features an interview with Arianna Bavuso and Andre Chedid, the husband-and-wife team behind AB+AC Architects, a design studio known for its cross-cultural approach and considered designs. The interview delves into their professional backgrounds, design philosophies, and current projects, highlighting their unique perspectives on architecture and its impact on human well-being. Arianna Bavuso discusses her research and teaching in neuro-architecture, a burgeoning field that explores the connection between design and the nervous system. Her interest began during her time researching informal settlements in Nairobi, leading her to question how design can inspire positive emotions. This curiosity intensified during her fast-paced work in Beijing, prompting her to reassess her values during the COVID-19 pandemic. She founded The Beauty Equation Project to educate others on how aesthetics influence health and well-being, emphasizing that everyday spaces profoundly impact us. Bavuso's course for Gritnova teaches architects and design enthusiasts about brain stimulations and their effects, advocating for a user-centered design approach that promotes holistic well-being in cities, offices, schools, hospitals, and especially homes. Bavuso explains that neuro-architecture bridges neuroscientific discoveries with design that engages all senses to evoke positive responses. She notes that the perception of beauty activates the parasympathetic nervous system, leading to the production of endorphins, reduced pain, and an enhanced sense of wonder. This response boosts the immune system, promotes cellular repair, and contributes to overall well-being and longevity. Furthermore, factors like materials, natural light, clean air, vegetation, and connectivity to social and cultural hubs all significantly impact health. She identifies the home as the primary space where resources should be invested to meet a range of physical, social, and emotional needs. Andre Chedid elaborates on a recent office project in Lisbon, where they transformed an apartment for a landscape architecture studio without structural alterations. Their solution involved a modular furniture system of desks, libraries, storage, and seating, all made from 3-ply pine panels with a natural finish. These modules are designed for easy assembly and disassembly without glue or screws, manufactured using CNC milling for precision. The off-site production minimized material waste and assembly time, allowing for the entire office to be set up within a single day. Custom stationery objects were also designed using the same natural pine, reflecting their passion for minimalist Japanese design principles. The duo also discusses their conceptual Red Sea Cultural Landmark, a meditation space in Saudi Arabia. This project combines land art with architecture, featuring a monumental concrete portal mixed with local earth that connects the Red Sea to the inland. The design integrates harmoniously with the landscape, using a roof punctured by skylights to stimulate the senses and soothe the mind, accessible by foot or sea. Chedid details the challenges of designing a high-end apartment building in Praca das Flores, Lisbon, a protected heritage area. The project required careful navigation of local residents' concerns and city regulations, especially after a previous contemporary design was rejected. AB+AC Architects conducted extensive surveys of existing facades to integrate traditional elements like ashlar corners, friezes, and stone window portals into a new main facade. They plan to use pre-casted modules manufactured off-site and assembled quickly on-site, combining traditional craftsmanship with contemporary construction methods. Reflecting on his past, Chedid recounts his experience designing a hotel in Jingdezhen as a project architect at Vector Architects. He learned the importance of capturing initial site instincts, translating them into detailed designs, and leading a talented team. The project taught him about meticulous attention to detail, respect for natural site conditions, and the cumulative impact of minor modifications on a project's quality. This experience solidified his belief in creating harmony between existing elements, vision, and physical creation. Chedid also shares his decision to leave Mashrou’ Leila in 2013 to pursue architecture in Lisbon, a move he found rewarding due to the city's potential. He advises aspiring architects to understand industry challenges, learn about business aspects beyond design, embrace non-linear progress, and be good listeners. Bavuso encourages following instincts and cultivating passion. Both emphasize architecture's active role in shaping human lives, advocating for beautiful cities that positively define future inhabitants. #ABACArchitects #NeuroArchitecture #InteriorDesign #ModularFurniture #CulturalLandmark #SustainableDesign #LisbonArchitecture #UserCenteredDesign #WellnessDesign

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Louis Vuitton's design philosophy, originating from a foundation of structure, functionality, and elegance, began with its classic trunks and luggage. This initial venture evolved into a global design empire, extending beyond fashion accessories to encompass furniture and home decor that embodies the brand's signature playful yet refined aesthetic. At this year's Milan Design Week, Louis Vuitton unveiled significant additions across five of its esteemed home collections: Objet Nomades, Signature Collection, Exceptional Gaming, Home Decoration and Textiles, and Table Arts. Each collection thoughtfully integrates classic Louis Vuitton motifs with contemporary design elements. The Objet Nomades collection, which commenced in 2012, continues to represent an innovative and experimental approach to home furnishings. This year's showcase included the Kaleidoscope Cabinet, a series of eight unique pieces, each individually crafted. The collection's ethos is to continuously elevate its predecessors through exclusive designs. The Home Decor and Textiles collection introduced vibrant ceramics and leather items designed by Spanish artist Jaime Hayon, contributing a cheerful and colorful spirit ideal for the springtime season. Patricia Urquiola also contributed to this collection with catch-all trays and vases, drawing inspiration from the Objet Nomades line, thereby fostering a cohesive design narrative across the different collections. The Signature Collection is presented as the brand's intimate connection to the home, characterized by its use of warm woods and diverse textures. This collection features modular couches and other furniture pieces that exemplify comfort combined with elegance. It bridges historical Louis Vuitton motifs with contemporary designs, creating a space filled with cultural and spiritual connections. The Exceptional Gaming collection received a notable new entry: a pinball machine inspired by Louis Vuitton Men's SS25 runway show, conceptualized by menswear director Pharrell Williams. Furthermore, Estúdio Campana offered a fresh interpretation of a football table within this conceptual collection. The Table Arts collection was updated with a new deep black color option for the coiling collection, designed by Japanese artist Nendo. A portion of this collection also serves as an homage to the futurist designer Fortunato Depero, with tableware and textiles that echo his distinctive avant-garde style. Collectively, these new additions across Louis Vuitton's Home Collections underscore the brand's ongoing commitment to innovative design and its ability to blend heritage with modernity. #LouisVuitton #MilanDesignWeek #HomeDecor #LuxuryDesign #FurnitureDesign #ObjetNomades #InteriorDesign #FashionHome #DesignInnovation

Friedmann & Versace is an interior architecture studio based in Paris, founded in 2018 by Virginie Friedmann and Delphine Versace. The duo specializes in designing restaurants, bars, hotels, boutiques, homes, and custom furniture, emphasizing a sophisticated 'art de vivre.' Their design philosophy centers on creating a dialogue between historical and contemporary elements, using a blend of colors, materials, and objects from various styles and periods to tell a unique story for each project. Notable projects include eateries like Bistrot Rougemont and Baby Doll. The article features an interview with Friedmann and Versace, discussing their approach to narrative design and their inspirations. They delve into two of their recent restaurant projects in Paris: Matilda and La Riviera. The Matilda project began when a client sought to open an Italian restaurant in a space with large windows and Art Nouveau wooden decorations, honoring his Italian grandmother. The designers aimed to retain these existing features while creating a poetic, dreamlike atmosphere. Their inspiration for Matilda came from Milanese reception rooms, the aesthetic of frescoes aged by time, and the elegance of Italian furniture, blending different eras and styles. For La Riviera restaurant, the vision was to evoke an endless summer and a Mediterranean journey. The design draws inspiration from the Mediterranean coast, the scent of pine trees, enameled, raw, and varnished terracotta, the architecture of cruise ships, and the artistic world of Jean Cocteau. The primary challenge for La Riviera was to construct an immersive environment that transports diners to a different setting, despite its location in a busy Paris neighborhood near Gare du Nord, devoid of a natural seaside view. Friedmann and Versace observe that restaurant design trends have evolved significantly over the past decade, with owners increasingly prioritizing distinct designs. Their narrative design approach involves crafting a unique story for every project, focusing on developing lifestyle spaces with soul and personality. They extend their design work beyond mere decoration to include graphic elements such as logos, menus, signage, and the selection of tableware and music, ensuring a cohesive and perceptible story throughout the customer experience. Their French design heritage significantly influences their work. They express admiration for designers like Charlotte Perriand, Roger Capron for his ceramic paintings, and Madeleine Castaing for her patterns. Their earliest design memories include a Gabriella Crespi bronze and rattan lamp and Charlotte Perriand's furniture for Le Corbusier's La Cité Radieuse. They draw inspiration from industry figures such as Janine Abraham and Dirk Jan Rol, appreciating their collaborative spirit, compositional skills, respect for traditional craftsmanship, and shared creations. Dimore Studio is also cited for their singular projects and adept blending of colors, styles, and eras. Virginie Friedmann describes her own home as a Haussmannian apartment in Paris, characterized by large windows, velvet accents, green-hued lamps, and a mix of contemporary and vintage furniture, ceramics, candles, and plants. The studio has several upcoming projects, including two new restaurants in Paris slated to open by year-end: one designed as an Estancia's winter garden in the 8th arrondissement and another as a warm, elegant country house with a fireplace in the 13th arrondissement. In 2020, they plan to complete two houses near Paris, a skin studio concept, and a showcase at Hotel Lutetia. For leisure reading, both designers enjoy lifestyle magazines, and Delphine Versace recently reread Virginia Woolf's "A Room of One’s Own." #InteriorDesign #RestaurantDesign #ParisianDesign #NarrativeDesign #FrenchDesignCulture #DesignInspiration #FriedmannVersace #HospitalityDesign #ResidentialDesign

This article features an interview with Tobi Tobin, a Los Angeles-based interior designer known for her work gracing the pages of prominent magazines such as *Architectural Digest* and *House Beautiful*. Tobin owns an eponymous store on Sunset Boulevard, which reflects her signature aesthetic characterized by a blend of black, white, and wood tones. The store offers a diverse range of items, including furniture from her collection, candles, chocolates, vintage jewelry, and dresses. The interview delves into various aspects of Tobin's daily life, personal philosophies, and professional insights. She begins by describing her morning routine, which typically involves being woken by her 110-pound Swiss Mountain Dog, Theo, at 6 AM. Her mornings include feeding Theo, preparing fresh orange juice, and making a fruit smoothie, followed by returning to bed to check emails and read. Her nighttime routine involves showering, gathering magazines, her computer, and a sketchbook, often working for several hours in bed before sleep. Tobin shares her thoughts on various topics, including her perception of a "well-dressed man" as someone confident and her advice for women to always move forward, leaving the past behind. For men, she suggests seizing opportunities to meet special people by confidently introducing themselves with a phrase like, "Hello, aren't you fabulous!" She recounts the *Los Angeles Times* dubbing her the "Rock n' Roll Martha Stewart," a label she acknowledges while clarifying that she is simply Tobi Tobin. If she weren't pursuing her current career, Tobin believes she would "go crazy." She envisions her legacy as building a significant architectural church in a town currently lacking one. A core philosophy she emphasizes is never abandoning a great idea but continuously pushing it forward. When asked about Botox, she expresses a preference for natural beauty, stating that women are amazing, beautiful, and sexy at every age, and believes Botox can actually age a person by altering their "soul." She describes her mother as "fabulous" and finds it impossible to select a single soundtrack for her life. Looking to the future, Tobin plans for the global expansion of her brand, with upcoming ventures into fragrance, candles, body care, and chocolate. She defines happiness as her faith and asserts that there is always a time and place for cocktails. Tobin also expresses concern about the prevalence of negative and exploitative news, advocating for a greater focus on solutions and the people, places, and organizations making a positive difference. In her concluding remarks, Tobin reflects on a life filled with amazing friends and family, extensive travel, love for her pets, abundant laughter, occasional tears, and an unwavering refusal to accept "no" for an answer. She cherishes the great loves of her life, holding them perpetually in her heart. The article is accompanied by photos, including a portrait by Michelle Peerali, all provided with permission from Tobi Tobin. #InteriorDesign #TobiTobin #HomeDecor #DesignerInterview #LosAngelesDesigner #LuxuryLiving #ArchitecturalDigest #HouseBeautiful