Michelle Gage’s ornate assemblage of floral velvet, leopard print and beaded blue trim

Peggy and David Matthews, celebrating their 30th wedding anniversary, undertook a significant interior design renovation of their Southside Place home, which they built 20 years ago. The initial design of the house catered to their young children, but with their five children now ranging from 16 to 28, and several back home due to the coronavirus pandemic, the family's needs and lifestyle have evolved. Peggy Matthews, who owns Rapid Record Retrieval, a legal support company, expressed a desire to upgrade, redo, and refresh their living space, driven by her love for change. The redesign project was spearheaded by Marie Flanigan Interiors, with Marie Flanigan and design director Melanie Hamel leading the effort. A key aspect of the renovation involved transforming a multi-purpose front room, which had served as a playroom and teenage hangout, into Peggy's personal retreat. This room now features deep blue lacquered walls and built-in bookshelves, a sofa reupholstered in white fabric, a bold geometric rug with chartreuse accents, and a dark blue tufted ottoman. This space allows Peggy to relax privately, though it remains appealing to other family members as well. Peggy's passion for fashion significantly influenced the design choices, prompting the designers to incorporate sophisticated yet functional fabrics inspired by runway trends, including Hermes and Jean Paul Gaultier fabrics. The home's existing art collection, notably Andy Warhol's "Cowboys and Indians" lithographs, served as a primary source of color inspiration. The rich ochers and cobalts present in Warhol's pieces, such as "Mother and Child" in the front room, "Geronimo" in the family room, and "Kachina Dolls" in the hallway, guided the selection of the home's new color palette. Flanigan and Hamel aimed to create a vibrant interior that matched Peggy's dynamic lifestyle, moving away from an all-white aesthetic. The dining room, frequently used for family gatherings, was reimagined with customized de Gournay "Willow" wallpaper featuring delicate branches and a Lindsey Adelman "Branching Bubble" chandelier. Vintage side chairs, discovered on firstdibs.com with garish green frames and old upholstery, were meticulously restored with a gold-bronze finish and reupholstered to complement the wallpaper. The family room was designed with two distinct seating areas to accommodate both large group television watching and intimate conversations, and even includes a designated "dance floor" for entertaining. Minor updates were also made to the kitchen, including replacing traditional island legs with edgier stainless steel ones to match the existing stainless steel counters and range hood. New barstools, combining wood frames with varied fabric on the backs and seats, added warmth. A geometric patterned backsplash was installed after a range replacement, contributing to the updated decor. The breakfast area received new furniture, including a round table that can expand to an oval for larger gatherings. Furthermore, part of the backyard patio was enclosed with large glass panels to create an indoor-outdoor sunroom, offering a climate-controlled space that can be fully opened to the outdoors. This sunroom is furnished with a mix of blue and white patterns in performance fabrics, including a bold Martyn Lawrence Bullard Perennials print on a large ottoman, a striped chair, a solid sofa, and a chevron rug, ensuring durability and a cohesive aesthetic that extends the home's style into the outdoor living area. #InteriorDesign #HomeRenovation #FashionInspiredDecor #LuxuryInteriors #ArtCollection #CustomWallpaper #ModernTraditional #IndoorOutdoorLiving #FamilyHome

Pita and Bloom, founded in 2010 by Florencia Pita and Jackilin Hah Bloom, emerged from their collaborative experience at SCI-Arc and Greg Lynn's Form. The firm, a finalist in MoMA PS1's YAP competition in 2014, is recognized for its distinctive approach to architecture, which emphasizes color theory, abstraction, and pop art influences. Their designs integrate bright color palettes, collage, pattern, and geometry, intentionally embracing ornament in an architectural context. The practice is typically small, consisting of the two founders, and occasionally expands to include one or two designers and interns for specific projects. The motivation behind establishing their practice stemmed from a strong working relationship and friendship developed during their time at Greg Lynn's office. This led to a natural collaboration, initially exploring shared ideas on color and form through competition projects and speculative work. This early body of work provided the foundation for their nomination in the MoMA PS1 competition. Over time, their collaboration evolved from self-initiated projects to commissioned architectural work, with their academic roles at the Southern California Institute of Architecture (SCI-Arc) continuously informing and being informed by their practice. An example of this synergy is Florencia's Los Angeles River studio, which reimagined the infrastructural space as a public landscape through painting the concrete riverbed, leading to the project 'Flat Pools,' featured in 'Art Papers.' One significant challenge faced by Pita and Bloom is grounding their interests and ideas within the rapidly evolving discourse of architecture, which shifts with advancements in arts, technology, and society. Having transitioned from traditional drafting methods to embracing digital technology, and now navigating a landscape where representational techniques define architecture, they employ a range of analog and digital tools tailored to each project. Despite these evolving mediums, their core template remains consistent: defining the parameters of color and form in architecture. Their projects consistently explore color as a material with texture and patterns, and forms that transition from flat to 2.5D through concurrent lines and volumes. The firm does not set specific goals for its size, viewing growth as an organic process. They value the contributions of talented collaborators and project teams, which allows their practice to remain open and experimental while maintaining a serious and earnest approach. The benefits of a small practice, though not always by choice, include the ability to dedicate extensive time and focus to idiosyncratic and self-initiated projects. This affords them the luxury of sustained creative thought and exploration of ideas, contributing to their unique architectural output. The article showcases several projects by Pita and Bloom, illustrating their design philosophy. 'FLAT POOLS' for the Los Angeles River proposes painting the riverbed to transform it into a public landscape. 'LA MEDIANERA' in Tetla de la Solidaridad, Mexico, presents a rural house prototype for Infonavit's 'From the Territory to the Dweller' initiative. 'THE NEW ZOCALO' for Mexicantown, Detroit, was a project for the 15th Venice Architecture Biennale's U.S. Pavilion, 'The Architectural Imagination.' Finally, 'SIGNATURES' is an entry façade installation for the Princeton School of Architecture in Princeton, New Jersey. These projects exemplify their consistent exploration of color, form, and ornament in diverse architectural contexts. #ArchitecturalDesign #ColorTheory #OrnamentInArchitecture #PitaAndBloom #SmallPractice #ArchitecturalInnovation #LosAngelesArchitecture #AcademicPractice #ArchitecturalCollaboration

The Gee’s Bend textile artists, including Loretta Pettway, Delia Bennett, Annie E. Pettway, Magdalene Wilson, and Mary Lee Bendolph, have inspired a new furniture collection. Their renowned kaleidoscopic quilt patterns are being translated into a vibrant home furnishing line by the Philadelphia Museum of Art and Cloth & Company, a Chicago-based firm. This collaboration marks a fresh approach to bringing the celebrated artwork of these Alabama artists into people’s homes, following various other reproductions like puzzles, notecards, and scarves. The Gee’s Bend quilts gained international recognition through an exhibition at the Museum of Fine Arts, Houston, in 2002. The current furniture collection is a direct outgrowth of the "Souls Grown Deep: Artists of the African American South" exhibition, which was hosted by the Philadelphia Museum of Art in 2019. Christine Kostyrka, the director of retail at the Philadelphia museum, was deeply inspired by the quilts during this exhibition and recognized their potential for furniture reproductions. Kostyrka initiated the collaboration by contacting Meganne Wecker, founder of Cloth & Company. Wecker embraced the concept, leading to engagement with the artists and their estates. The project also involved Dilys Blum, senior curator of costume and textiles at the museum, to ensure the quilters' narratives and the integrity of their handiwork were respected and accurately represented. The goal was to tell the quilters' stories and honor their traditional craft through this new medium. The collection comprises sixteen upholstered furniture and décor items, such as chairs, headboards, pillows, and ottomans. Each piece is adorned with reproductions of five specific quilts from the Philadelphia Museum of Art’s permanent collection. The nature of the quilt patterns lends itself particularly well to furniture upholstery, with the reproductions meticulously capturing the visual texture, including wrinkles and patinas, that characterize the original hand-stitched works. This attention to detail makes the furniture appear as if it is upholstered with the actual quilts. These exclusive pieces are retailed solely through the Philadelphia Museum of Art’s retail store. The store provides comprehensive biographies of the featured artists and historical context for each quilt design, enriching the consumer's understanding and appreciation of the art. Each furniture item is made to order by Cloth & Company in Chicago and typically delivered within three weeks of purchase. A significant aspect of this initiative is that every sale generates royalties for the artists, providing a direct benefit to the Gee's Bend community and acknowledging their invaluable artistic contributions. This collaboration not only celebrates the work of these talented women but also offers a unique way for individuals to incorporate these iconic designs and their rich cultural legacy into their living spaces. #GeeBendQuilts #FurnitureCollection #TextileArt #HomeDecor #PhiladelphiaMuseumOfArt #ClothAndCompany #AfricanAmericanArt #CulturalHeritage #HandcraftedDesign

Medallion patterns, a timeless motif characterized by their symmetrical, spherical, and repeating designs, are undergoing a contemporary re-imagining in today's marketplace. This trend sees these classic designs infused with modern aesthetics, appearing across a variety of home decor items from rugs to tiles and fabrics. The enduring appeal of medallions, rooted in historical art and architecture, is being revitalized to suit current design sensibilities, offering a blend of tradition and novelty. Jaipur Living introduces the Aakar rug by Kavi, a hand-knotted piece crafted from bamboo and wool. This rug draws inspiration from the intricate architectural details of old-school carved lattice screens, showcasing how historical elements can be translated into modern home furnishings. Its design reflects a sophisticated approach to pattern-making, bringing a sense of heritage and artistry to contemporary interiors. Vaughan offers the Maritsa Printed Linen, a fabric inspired by a 17th-century Turkish Ottoman design. This printed linen features multicolored stripes and a striking graphic motif, providing a vibrant and historically rich textile option for interior decorators. The fabric's design is a testament to the lasting influence of global artistic traditions on modern decor. The Tile Shop presents the Zara Blue Porcelain Tile, a high-contrast floor design with a matte finish. This tile showcases a bold deep blue floral pattern set against a soft white background, offering a dramatic and eye-catching option for flooring. Its design merges traditional floral motifs with a modern color palette, creating a versatile aesthetic. Mariaflora's San Ysidro Medallion Fabric is a performance fabric that belies its intricate woven pattern with exceptional durability. Made from stain- and water-resistant acrylic fibers, this fabric is suitable for both indoor and outdoor use, making it ideal for throw pillows and seating. Its design combines intricate detailing with practical resilience, catering to both aesthetic and functional demands. TSAR Carpets features the Spring Blue rug, a piece crafted from pure New Zealand wool and Tencel. This rug uniquely combines two contemporary trends: asymmetrical silhouettes and 1990s-style daisy prints. The juxtaposition of these elements creates a dynamic and fresh interpretation of traditional rug design, highlighting a playful yet elegant approach to home textiles. Élitis introduces Moda Fabric, available in 10 distinct colorways. The silky satin threads of Moda give it a flowing drape and a shimmery sheen, making it an excellent choice for elegant window treatments. Its luxurious texture and wide range of colors allow for diverse design applications, enhancing the sophistication of any space. The Tile Shop also offers the Laura Ashley Sunflower Tile, a porcelain wall and floor tile that provides a contemporary twist on a nostalgic pattern. This tile is adorned with a two-toned sunflower motif based on an original Laura Ashley print, celebrating a classic design with a fresh, modern appeal. It exemplifies how beloved patterns can be reinterpreted for new generations. Marcus William's Dubonnet Fabric is a versatile jacquard with a botanical twist, available in four earth-toned colors. This fabric features an elaborate lotus motif, offering a rich and intricate pattern that can add depth and elegance to various interior applications. The botanical theme, combined with the jacquard weave, creates a refined and timeless aesthetic. #MedallionMotifs #HomeDecor #InteriorDesign #TextileDesign #RugDesign #TileDesign #FabricDesign #ModernSymmetry #ProductShowcase

Meg Braff, an interior designer with roots in Tupelo, Mississippi, and homes in West Palm Beach and Locust Valley, New York, brings a playful glamour and cheerful traditional aesthetic to both her interior design work and her approach to entertaining. Her design philosophy, which embraces vibrant colors and traditional silhouettes with a contemporary twist, draws clients from diverse locations and influences her personal style, often seen in her preference for bright, '60s-inspired kaftans. Braff's skill as a hostess, honed from an early age by observing her mother and grandmother, is evident in her elaborate dinner parties. She prides herself on owning all necessary entertaining pieces, accommodating up to 24 guests in Palm Beach and 40 up north without relying on rentals. To keep each event unique, she frequently introduces new tablecloths, often utilizing textiles from her own line. These fabrics feature custom colors and patterns, including adaptations from historical archives like those of New York wallpaper designer Philip Graf, whose collection she acquired. She also incorporates inherited china, showcasing a large collection of napkins, chargers, and plates. Her themed parties are meticulously planned, often starting with the menu and guest list to inform the table settings and signature cocktails. For instance, a surprise birthday for her mother-in-law, inspired by chinoiserie, was held at Newport's Marble House and featured custom "Forbidden City" fabric tablecloths and orchid arrangements, with a pagoda-shaped cake. For her husband's Cuban-themed birthday during the pandemic, Havana-inspired "Southwind" print tablecloths were extended to custom aprons and masks for waiters, demonstrating her attention to detail even amidst unexpected elements like a summer rainstorm. Braff often finds inspiration at wholesale flower markets, allowing available blooms to guide her color schemes. During a recent springtime celebration at her Mediterranean Revival home overlooking the Intracoastal Waterway, she used a discontinued "Benedicte" Clarence House fabric for the tablecloth. Chargers and glasses echoed the botanical print's chartreuse, while bamboo accents adorned plates and flatware. Leontine Linens napkins, embroidered with lemon trees, tied into the tablecloth's yellow and blue tones. The long, narrow table, designed for intimate conversation, was adorned with bouquets of yellow tulips and lavender sweet peas. The menu for this event included cheese soufflé, filet with green peppercorn sauce, and flourless chocolate cake. Her home, acquired in 2020, reflects her design vision, featuring saturated jade greens, peachy pinks, and robin's-egg blues, complemented by vintage brass fixtures and smoked-glass mirrors. Her own fabrics and wall coverings are displayed alongside antiques and artwork from her Georgia Avenue store, which opened in 2022. Braff considers green a neutral, integrating it seamlessly into her decor and coordinating it with her garden. Palm Beach's outdoor-centric lifestyle and vibrant aesthetic have significantly influenced her work and personal style, including collaborations such as a recent towel collection with Weezie and a limited-edition fashion line with designer Sue Sartor. Braff's overarching advice for successful entertaining emphasizes having fun and being resourceful, even if it means sourcing food rather than cooking it herself. She shares practical tips for hostesses, including mixing casual and formal elements, preparing as much as possible in advance, strategically seating guests, adjusting lighting, and considering back-to-back parties to maximize efforts. Conversely, she advises against using the same plate for every place setting (suggesting alternating sets), overdoing mixed patterns, using short hurricane glasses for candles, and running out of food or wine. Her philosophy centers on creating memorable, stylish, and enjoyable gatherings through thoughtful design and a relaxed attitude. #InteriorDesign #HomeDecor #Entertaining #HostessTips #MegBraff #PalmBeachStyle #TraditionalDesign #ColorPalette #TextileDesign

Italian textile manufacturer Dedar has launched its new "Velvets" collection, an extensive range of velvet fabrics available in various luxurious and lustrous colors. This collection integrates a wide array of high-quality yarns, including wool, silk, cotton, mohair, and linen, resulting in ultra-soft textiles suitable for diverse applications in interior design. The Velvets line is designed to offer both aesthetic appeal and practical durability. The collection boasts a rich and varied color palette, encompassing everything from deep, vibrant hues to fabrics adorned with bold prints, intricate graphic motifs, and sophisticated geometric patterns. This broad selection allows for versatile use across different design schemes and preferences, providing options for both classic and contemporary interiors. Functionality is a key aspect of the Velvets collection, as these fabrics are designed for a wide range of applications. They can be used for upholstery, providing a soft yet resilient covering for furniture pieces like sofas and armchairs. Additionally, the fabrics are suitable for creating elegant curtains, drapes, and other decorative elements, enabling designers and homeowners to introduce texture and color throughout a space. Among the notable designs within the Velvets range is "Splendido," a velvet characterized by its bulky yet soft composition of silk and viscose. This particular fabric features a four-millimeter pile, offering a plush feel while maintaining elasticity and resistance to wear. Its robust nature makes it especially well-suited for intensive use, such as in high-traffic seating areas. Another distinguished offering in the collection is "Vladimiro," an exceptionally soft velvet crafted from kid mohair. This premium mohair is sourced from the first shear of Angora goats, known for its superior softness and luster. Beyond its luxurious feel, Vladimiro velvet is inherently durable and fire-retardant, adding a layer of safety and longevity to its sophisticated appeal. The Elektra velvet is also part of this comprehensive collection, distinguished by its luminous long-pile texture. This fabric is an ideal choice for curtains and seating, combining aesthetic brilliance with practical considerations, as it is both washable and hardwearing. Its ease of maintenance, coupled with its elegant appearance, makes it a versatile option for various interior settings. Finally, the "Romeo & Giulietta" fabric stands out as a precious silk velvet. It is renowned for its soft-to-the-touch quality and distinctive silky sheen, which adds a touch of opulence to any piece it adorns. This fabric embodies the luxurious essence of the Velvets collection, offering a refined option for upscale interior textile needs. The Dedar Velvets collection collectively represents a comprehensive and high-quality solution for textile requirements in sophisticated interior design projects. #VelvetsTextileCollection #DedarFabrics #InteriorDesign #Upholstery #LuxuryTextiles #SilkVelvet #MohairVelvet #HomeDecor

Meredith Heron, a Toronto-based maximalist designer, consistently integrates a diverse range of patterns and color combinations into her projects. Her design philosophy revolves around the idea that "more is more," prompting her to incorporate multiple fabrics within a single room while consciously avoiding a "matchy-matchy" aesthetic. Heron also embraces challenging color palettes, often selecting hues that initially intimidate her, such as contrasting reds and greens, to push her creative boundaries. To harmonize these bold elements, Heron strategically employs a nuanced spectrum of gradient blues. This approach prevents her vibrant selections from clashing, instead creating a cohesive visual experience. A key technique she utilizes involves incorporating the same pattern in various colorways throughout a space. Additionally, she often chooses paint colors that are slightly off from fabric shades to achieve a more lived-in and organic feel, viewing this deliberate mismatch as an enjoyable design puzzle. Heron's mood board, which serves as a visual representation of her current inspirations, exemplifies her eclectic style. It features a blend of striking motifs, including multitonal stripes, flame-stitched chevrons, and animal prints. Each element is carefully chosen to contribute to her signature maximalist aesthetic, without overwhelming the space. She thoughtfully curates each component, demonstrating how disparate patterns and colors can coexist in a harmonious and sophisticated manner. Among the specific items highlighted in her mood board are the Handsart Key Rug in Merlot, which she appreciates for its meandering design that helps open up a space. The Camber Stripe Fabric in Green and Blue by Jane Churchill is noted for its mint hues, allowing her to integrate other mutable greens into her palette. The Inferno Fabric in Sapphire by S. Harris, a flame stitch, is a favored choice for sofas due to its distinctive texture and pattern. She also features the Regal Fancy Fabric in Verdant by S. Harris, an Art Deco-inspired green with a shimmering sheen, and the Midori Fabric in Verdure by Clarence House, which she describes as textural and luxurious, particularly when paired with leather. Heron also incorporates unique accent pieces, such as an antique cloisonné vase, which she sources from auctions to add a sense of history and a richer narrative to her designs. The Fissure Rug in Azure, from her own Meredith Heron Collection, showcases her passion for ombres, a design element she frequently includes in her rugs and fabrics. For hardware, she selects the Pyra Mitered Handle in Bright by Shayne Fox Hardware, appreciating the craftsmanship of a fellow Toronto designer. An animal print is almost always a staple in her projects, represented here by the Darwin Fabric in Blue by Jane Churchill, which, despite being a dotted pattern, evokes the texture of a stingray or shagreen. Wallpapers also play a significant role in her designs, with the Marble Tile 1 Wallpaper in Pebble by The Vale London being a choice for creating a faux marble effect on ceilings or within decorative molding. Another selection from The Vale London is the Bagan Wallpaper in Deep Sea, a pearlescent paper that caught her attention for its unique finish. For anchoring her color schemes, she uses the Giles Embroidery Fabric in Red/Blue by Lee Jofa, which incorporates the majority of colors present in a room. Finally, the Cleo Fabric in Copper and Red by Jane Churchill is chosen for its feathery, animal print-like qualities, contributing to the "well-traveled" ambiance she aims to achieve in her interiors. #MeredithHeron #MaximalistDesign #InteriorDesign #FabricPatterns #ColorPalettes #HomeDecor #DesignInspiration #LuxuryInteriors #TextileDesign

The "messy girl" aesthetic, a grungier evolution of Y2K styles and an antithesis to the "clean girl" aesthetic, is gaining traction in home interiors. This trend embraces warmth, comfort, and self-expression over perfection, taking inspiration from figures like early-aughts Drew Barrymore, Jane Birkin, and Ashley Olsen. Interior designers highlight that the term "messy" is often misunderstood, emphasizing the intentionality behind the aesthetic rather than suggesting chaos or carelessness. This style is not about random clutter but about curated collections that reflect personality and a lived-in feel. Key elements for achieving the "messy girl" aesthetic at home include incorporating vintage and well-loved pieces. Secondhand shopping is crucial for finding items with a natural patina, which contributes to the cozy, worn-in feel. Layered textiles, such as velvet, linen, and soft fabrics, are essential for creating comfort, along with mismatched throw pillows, blankets, and even floor pillows for a bohemian touch. Open shelving is also a prominent feature, allowing for the display of knickknacks, books, used candles, and eclectic art, all contributing to the intentionally cluttered yet structured environment. Designers stress that while the look appears effortless, there is a strategic approach to organizing these displays, ensuring they are meaningful and visually appealing rather than genuinely chaotic. In terms of pop culture influences, designers point to diverse figures and eras. Audrey Hepburn's character Holly Golightly in "Breakfast at Tiffany’s" is cited as an example, with her unpolished yet creative and lived-in apartment embodying the aesthetic's vibrancy. The grunge era of the 1990s, particularly the music videos of artists like Alanis Morissette and Gwen Stefani, is also recognized for its "messy girl energy." More recently, Coco Greenblum notes Charli XCX’s “brat summer” movement from 2024, which encouraged self-confidence and authenticity, aligning with the aesthetic's embrace of imperfection. Color palettes for the "messy girl" aesthetic tend to be moody and reflective of early 2000s grunge. This includes darker hues, mixed colors, deep reds, rusts, blacks, and dusty blues, offering an alternative to minimalist whites and blush tones. Designers also suggest incorporating vibrant colors like fuchsia and magenta for a bolder statement or opting for muted earth tones such as sage green, mustard, and terracotta for a cozy and organic feel. Mixed metals can further enhance this look, providing a sense of grounding without being overwhelming. Layering extends beyond textiles to accessories, where stacked books, thrifted ceramic bowls with jewelry, and mohair throws create depth and visual interest. Imperfect symmetry is another defining characteristic, moving away from perfectly matched furniture and decor. Instead, it involves arranging items in a slightly off-center or unexpected manner, such as an asymmetrical gallery wall or different chairs framing a table, to achieve an organic and relaxed balance. Wall decor plays a significant role, with gallery walls featuring a mix of black-and-white and color images, ripped book pages, fabric scraps, or 3D elements like paper fans and propagated plants, all arranged with a carefree yet curated approach. Lastly, maintaining a consistent theme, even with eclectic pieces, helps prevent chaos, ensuring that all items, regardless of their individual style, complement each other to create a cohesive and personalized space. Bringing nature indoors with houseplants and potted trees adds a fresh and grounding element, enhancing the overall sense of ease and natural imperfection.

Diana Gould, a renowned floral and event décor designer, transitioned from a 43-year residency in a Georgian Colonial-style home in Scarsdale to a contemporary, 4,000-square-foot residence in Purchase. Her new home is characterized by a vibrant presence of various floral elements, from potted orchids and peonies to cut flowers, which are meticulously arranged throughout her living spaces. This deep appreciation for nature's aesthetics is consistently reflected in Gould's interior design choices. Her home features a warm and inviting color palette, incorporating reds, burgundies, pinks, blues, and celadon greens, which harmoniously complement her collection of English and Oriental-style furnishings and decorative items. Many of these pieces are adorned with floral designs, further emphasizing her signature style. Among the cherished items in Gould's collection is a ceramic Chinese garden seat, a gift from her sister, which features a tobacco-leaf design in colors that seamlessly integrate with her living room's scheme. A 100-year-old armoire with Chinoiserie accents holds sentimental value, having belonged to her late husband Chet's grandmother. Chet personally enhanced the piece by adding legs to increase its height. Recent additions to her decor include white and celadon ceramic vases from Two's Company in Elmsford, showcasing a distinctive dragon and floral motif, aligning with the "Year of the Dragon" theme. A significant art piece in her home is a peony painting on silk fabric, a gift from her son, Robert, purchased with his first paycheck over 25 years ago. This artwork now commands a prominent position above her living room fireplace. Another treasured set includes Old English Staffordshire urns, acquired at an auction more than four decades ago. Gould particularly values their rust and deep blue hues. Her den houses an extensive collection of Chinese soapstone vases, accumulated over years from antique stores and tag sales, all uniformly featuring floral designs. The sentimentality of her furnishings extends to a set of antique silver and glass decanters, purchased during her honeymoon in St. Thomas 46 years prior, which served for after-dinner drinks. A jade horse, a gift from her sister from China 30 years ago, is admired for its unique character and the way its color matches her wallpaper. Gould's home is a testament to her lifelong passion for floral artistry, showcasing a carefully curated environment that blends personal history with a sophisticated appreciation for natural beauty and decorative arts. #DianaGould #HomeDecor #FloralDesign #InteriorDesign #WestchesterHome #AntiqueCollection #Chinoiserie #PersonalStyle #LuxuryDecor

This article introduces Dana Gibson, a designer known for her fresh and vibrant home accessories, textiles, and art. Her design philosophy centers on a new traditional approach, blending historical influences with a modern sensibility. Gibson started manufacturing home accessories in 1993, drawing inspiration from ancient ikats, Chinese vases, painterly florals, and curvaceous ogees. Her work is characterized by bright colors and bold, hand-painted patterns that reflect a relaxed and lighthearted aesthetic. The article highlights Gibson's ability to imbue traditional forms, such as ginger jars, with a new identity through her distinctive use of color and pattern. Her artistic lineage is noted, as she is the great-granddaughter of Charles Dana Gibson, creator of the iconic Gibson Girl drawings, suggesting a family tradition of artistic expression. This legacy contributes to her unique perspective on beauty in the world. Gibson's loose, painterly style is evident across her diverse product range, which includes textiles designed for Stroheim, as well as collections of furniture, wall coverings, art prints, and various home accessories. She has successfully transitioned from an artist focused on pottery to a multifaceted designer, expanding her creative output into a wide array of home decor items. The article emphasizes that Dana Gibson's designs are recognizable and stand out, aiming to bring a sense of cheerfulness and modern flair to any living space. Her approach offers a way to enhance home interiors with elements that are both rooted in tradition and strikingly contemporary, appealing to those who appreciate vibrant and distinctive decor. The piece concludes by inviting readers to explore her refreshing designs and learn more about her unique contributions to the world of interior design. #DanaGibson #HomeDecor #InteriorDesign #Textiles #HomeAccessories #TraditionalDesign #ModernAesthetic #BoldColors #PatternDesign

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship

Serena and Lily is a brand recognized for its coastal chic aesthetic, featuring elements like baby blues, crisp linens, seashell prints, and rattan. This style combines Southern charm with Hamptons elegance, but often comes with a luxury price point, such as a $500 table lamp. For consumers who appreciate this aesthetic but prefer a more budget-friendly approach, the market offers numerous alternatives that capture a similar vibe. Many home decor brands have embraced the elevated-beach-house trend, producing items that either closely mimic Serena and Lily's designs or evoke a similar "coastal granddaughter" energy. This article curates a selection of 16 such products, ranging from furniture to decorative accents, that allow individuals to achieve the desired look for less. These dupes span various categories, providing options for different areas of the home. Among the recommendations are practical and stylish items such as a set of modern farmhouse lamps available on Amazon. These lamps offer functionality with LED bulbs, dimmable touch control, and USB charging ports, while providing an aesthetic appeal. Another notable mention is a crosshatched console table from Joss & Main, which incorporates a rattan pattern to deliver a coastal feel. For dining and kitchen areas, washable quilted placemats with scalloped edges from Amazon are suggested, offering both charm and ease of maintenance. Seating options include a vibey patio bar stool from Birch Lane, featuring woven backs and stained wood, and a solid wood bar stool, also from Birch Lane, which provides additional cushioning and a contemporary cane design. For lighting, a ceramic and jute bedside table lamp with a scalloped lampshade is presented as an affordable alternative to Serena and Lily's Rainier Table Lamp. Small decorative details, such as a rattan tissue box cover, are also highlighted for their ability to elevate a room's overall aesthetic by concealing less attractive everyday items. The article also features larger decor pieces like scalloped curtains that can transform a room into a coastal haven, and a tasseled patio umbrella that closely resembles a much pricier Serena and Lily counterpart. An elevated bar cart from Perigold with a blue and white rattan design is suggested for those looking to stylishly display beverages and glassware. Other lighting solutions include a rope nightstand lamp that adds texture and emits a warm glow. For storage, a modern accent cabinet from SICOTAS provides a deep blue credenza with solid wood doors and soft-close hinges. Bedding is addressed with a reversible blue floral quilt from Flysheep, offering a chic and versatile option for layering. Dining and patio spaces can benefit from a set of outdoor woven dining chairs from T.J. Maxx, which are both functional and stylish. Finally, two different scalloped rugs are presented: an ivory Anna scalloped jute area rug from Rugs USA, made from pet- and eco-friendly materials, and a Greta scalloped raffia floor lamp from Crate and Barrel, which combines a brushed brass base with a raffia shade for a balanced aesthetic. These diverse options collectively enable consumers to infuse their homes with the coastal granddaughter aesthetic without exceeding their budget. #HomeDecor #CoastalGranddaughterAesthetic #SerenaAndLilyDupes #BudgetFriendlyDecor #InteriorDesign #AffordableHome #RattanFurniture #ScallopedDetails #HomeStyling

The article presents room design ideas from maximalist expert Abigail Ahern, focusing on creating personalized and character-filled homes. Ahern, known for her 'more is more' philosophy, encourages bold color palettes, luxurious textiles, diverse patterns, and embellishments, contrasting with minimalist aesthetics. Her new book, *Everything*, serves as a guide for individuals to express their personalities through home design, especially relevant given the increased time spent indoors. Ahern emphasizes the importance of incorporating tactile textures to add depth and interest to a space. She suggests mixing various textures, such as shaggy rugs, metallic accents, woolly cushions, and fluffy throws, to create friction and visual richness. A key principle highlighted is the 'golden rule' of repetition, where any single texture should be used at least three times within a space to ensure cohesion and harmony. This approach helps prevent a room from feeling disjointed and contributes to a well-integrated maximalist design. Regarding color, Ahern advocates for intuition over apprehension, particularly when considering dark hues for smaller rooms. She advises against seeking external opinions, as color choices often provoke fear in others, and encourages designers to trust their own instincts. To inject vitality into predictable spaces, she recommends introducing a few colors that seemingly deviate from the main palette, thereby infusing the room with unexpected life and energy. For furniture arrangement, Ahern prioritizes traffic flow but advises against overthinking it. The primary goal is to ensure ease of movement without obstruction. A distinctive tip from Ahern is to float furniture in the middle of a room, even in compact spaces, to foster intimate conversation areas. She argues that pushing furniture against walls can make a room feel institutional, akin to a waiting room, and encourages regular rearrangement to revitalize the home's ambiance. Lighting plays a crucial role in transforming a dull space into a cozy retreat. While acknowledging the vast array of styles, Ahern prefers lighting fixtures that complement existing decor rather than overtly standing out. She specifically recommends investing in table lamps, which can either blend with the room's style or serve as an interesting focal point. Mixing two different table lamps with similar colors or geometric shapes can introduce visual symmetry. For dramatic effect and definition, pendants are suggested. Layering materials is another essential technique for creating depth. Ahern advises against matching materials too closely, such as a grey ceramic coffee table with a grey concrete floor, instead suggesting a marble alternative. Incorporating rustic elements like rattan or cane and blending shiny with matte finishes adds complexity. For a cozy atmosphere, the article highlights the warmth of wood, with finer grains offering formality and larger grains providing a casual feel, or a combination of both for a richer effect. To avoid a monotonous, catalogue-like appearance, Ahern stresses the importance of varying heights and scales within a room. She suggests combining tall and short, thin and plump items, such as placing a small chair next to a larger table. Oversized lamps or sculptures can serve as captivating focal points, creating visual interest without clutter. The article emphasizes that grand gestures often yield the most mesmerizing results. Finally, the article underscores the need to inject personality through pattern. Homes should reflect their occupants' individuality. Creating a gallery wall with beloved prints, or clustering patterned cushions on a solid-colored sofa, are immediate ways to add dimension. For those feeling more adventurous, mixing patterns through rugs and wallpapered walls is encouraged, combining graphic with organic elements or leopard print with florals. Incorporating diverse cultural influences can also create a fascinating design. To maintain an eclectic yet cohesive look, linking motifs, scales, and colors is crucial. #AbigailAhern #MaximalistDesign #InteriorDesign #HomeDecor #RoomDesign #TexturalElements #ColorTheory #FurnitureArrangement #LightingDesign #PatternMixing

Margo Selby, a celebrated designer-weaver, has been at the forefront of innovative textile design for over a decade, distinguishing her work through the creation of colourful, three-dimensional fabrics that form the core of her vibrant cushions, throws, rugs, and various home accessories. Her signature style, characterized by strong graphics and intricate patterns, originates from her Kent studio, where she utilizes a 24-shaft dobby loom to develop her unique hand-woven textiles before they are put into production by specialized mills. Selby's artistic journey is deeply rooted in her family's tradition of textile craftsmanship, with her grandmother, Edith Selby, having taught her crocheting and cross-stitching. This early exposure to textile arts naturally led her to pursue a focus on textiles during her foundation studies at Chelsea College of Arts, where she also explored graphic design, sculpture, and three-dimensional design. Her formal education continued with an MA in woven textiles from the Royal College of Art, followed by a fellowship at The Ann Sutton Foundation. During her fellowship, Selby engaged in projects that included developing products for Shetland wool and designing dobby fabrics for the interiors fabric industry in Yorkshire, establishing her initial connections with industrial mills. It was through these experiences that Selby began to bridge her hand-woven concepts with industrial manufacturing processes, leading to the development of her brand's hallmark silk and Lycra fabrics. The inspiration for her innovative three-dimensional fabric concept stemmed from her fascination with surface and texture, particularly the desire to emulate the tactile quality of bubble wrap packaging using silk. This pursuit involved extensive research into different fibers that would shrink when exposed to heat, which she then wove in combination with silk to achieve the desired three-dimensional surfaces. Selby's design philosophy is intrinsically linked to the art of weaving, which serves as the primary source of inspiration for all her creations. Beyond her personal handloom work, she actively explores global trends in woven textiles, drawing stimulation from highly decorative designs rich in pattern and color. Recent collections reflect an appreciation for indigenous and tribal fabrics, including techniques such as Japanese dyeing and African prints. The design process for her fabrics begins with the careful planning of the warp, which forms the structural backbone of the fabric on the loom, allowing for experimentation with different structures and weft yarns until a satisfactory product is achieved. This methodical and contemplative approach allows the fabric to evolve one row at a time, providing ample opportunity for design refinement. Once a fabric design is perfected through numerous developmental warps, Selby explores its potential for industrial production, collaborating with mills. For her flooring collection, her woven patterns were adapted into carpet constructions, manufactured in the UK. Operating from an open-plan studio in Whitstable, Selby immerses herself in a creative environment filled with materials, yarns, and inspiring imagery. Her daily routine involves addressing emails and collaborating with her team before dedicating the majority of her day to weaving at her loom. Her collaborations extend to companies like Alternative Flooring, for which she developed wool carpet and runner designs inspired by her deflected double-weave hand-woven cloths. Selby sources yarns globally, with Japan and the US being notable for their vibrant hand-weaving communities, and emphasizes selecting the most skilled weavers for specific material types. The business, which began in her bedroom, has expanded significantly to a bustling textile studio employing eight full-time staff and additional piece workers in Whitstable, focusing on bespoke textiles for a diverse range of applications. The handloom and the traditional craft of weaving remain central to all her products. The current re-emergence of carpet and color in fashion presents an exciting opportunity for her designs, particularly the translation of soft silk and wool fabric designs into large-scale, recolored flooring options. Selby's future plans include developing interiors fabrics for sale by the meter and expanding her accessories range to include bedlinen and towels. #TextileDesign #MargoSelby #WovenTextiles #HandloomWeaving #ThreeDimensionalFabrics #InteriorDesign #HomeAccessories #Craftsmanship #IndustrialCollaboration

Mimi Meacham, founder of Houston-based Marian Louise Design, emphasizes the importance of thoughtful accents in interior design, such as bee-shaped hardware or block-printed floral fabrics, to make a significant impact. Her current inspiration is drawn from the refreshing colors associated with summer drinks like Topo Chico or homemade lemonade, leading to a mood board that combines blues and yellows to evoke an upbeat and fresh atmosphere. This design approach integrates dainty patterns and pastel tones with natural materials to create a grounded yet lively scheme, reflecting the newness of spring and the ease of summer. Meacham's selection includes a variety of textiles, finishes, and trinkets. Among these is the Camona Wallpaper in Camona Green by Anna Spiro Textiles, praised for its ability to instantly elevate a space with its fresh blue-green print. Fabrics like V Dot in Ocean and Flower Burst in Teal by Teil are highlighted for their playful prints and geometric-artistic styling, respectively. A unique Bee Door Knocker by Akuababes from Etsy adds a chic and playful touch to a front door, while Silestone slabs in Cala Blue and Posidonia Green by Cosentino offer durable and stylish countertop options in soothing hues. Her material palette extends to furniture finishes, featuring a Conrad Nightstand sample with Pristine Faux Raffia finish by Made Goods, chosen for its ideal cream color and easily wipeable surface. The Zinnia Arc Fabric in Emerald by Teil is noted for its vibrant colors and unique patterns, consistent with Teil's reputation for fun textiles. Schumacher’s Hydrangea Drape Wallpaper in Delft is celebrated for its classic blue and white design, seamlessly blending stripe and floral elements for a fresh traditional aesthetic, inspired by Meacham's favorite flower. Locust Lane’s Jute & Wool Combo Rug in Cotton White, Sea Blue, and Daffodil Yellow provides a quality foundation with a broad range of color options. The mood board also incorporates decorative items such as a Coral Sculpture by The House of Kariel, offering a spiky contrast in warm white. Additional fabrics include Marigold in Multi Navy/Light Blue by Anna Spiro Textiles, a beautiful block print; Missoni Vasto Rug in Teal by Stark Carpet, recognized for its iconic design; and Flower Fly in Dusty Blue by Teil, a floral print well-suited for pattern-rich spaces. Schumacher’s Aurelia Embroidery Fabric in Sky is admired for its luxurious embroidery and festive combination of soft blue, poppy yellow, and fresh ivory. For surfaces, Artigiano Wall Tile in Italian Alps by Daltile offers a perfect neutral with a hand-painted appearance. A Vanity Countertop Sample with Dark Gloss Maple Burl finish by Made Goods contributes a smooth, rich, and moody element suitable for a bathroom. Rebecca Atwood’s Dashes Fabric in Moss Green, a refined Belgian linen with a teal print, is suggested for pillows. A Whitewashed Cotton White Finish Rope Bench by Villa & House is included for its coastal charm. Paint selections feature Sherwin-Williams’s Yellow Bird, a soothing yellow, and Icy Lemonade, a cool lemon color that provides a pop without being overwhelming. Finally, the Fairfax Rug in Coastal Blue by Serena & Lily, a wool-and-cotton blend, rounds out the selections with its steel blue hue. #InteriorDesign #MimiMeacham #MarianLouiseDesign #SummerDesign #FloralPrints #Textiles #HomeDecor #MoodBoard #DesignInspiration

Meg Ryan's approach to decorating her marble mantelpiece offers a masterclass in creating an elegant and seasonally adaptable display. This strategy is centered on a 'mantelscape' featuring a trio of distinct vases, which are varied in color, size, and material. This diverse selection — a dark, a light, and a medium-toned vase — is strategically placed against a cool white marble surface. This contrast between the solid colors of the vases and the intricate veining of the marble not only adds visual depth but also enhances the overall intrigue of the display. The deliberate variation in height, shade, and material among the vases ensures that the arrangement is both complementary and visually engaging, establishing a strong foundation for the evolving seasonal decor. The adaptability of Ryan’s mantelscape is further highlighted by her integration of seasonal elements. For autumn, she incorporates fall foliage in hues of orange, red, and gold, which resonate with the patterns in her wallpaper, creating a cohesive and festive look. This seasonal transition can be easily managed by swapping out the foliage for other seasonal touches such as mini pumpkins, pinecones, or acorns as the year progresses. These natural elements help to bring the outdoors in, making the decor feel fresh and dynamic with each changing season. This method demonstrates how a foundational display can be effortlessly updated to reflect the current time of year, maintaining a consistent sense of style while embracing seasonal variations. Another crucial element in creating a seasonally transitionable display is the inclusion of candles. Beyond their aesthetic appeal, candles play a significant role in signaling seasonal shifts through their fragrances. For instance, an amber or sandalwood candle can evoke the warmth of fall and winter, while a clean linen scent is perfect for the lighter, fresher ambiance of spring and summer. This thoughtful consideration of scent contributes to the overall sensory experience of the space, further enhancing the seasonal theme without requiring a complete overhaul of the decor. To ensure the longevity and versatility of the mantelscape, it is advisable to select a timeless and non-seasonal background. Ryan's choice of wallpaper, featuring a leaf pattern and a neutral gray and white color scheme, provides an excellent example. This neutral palette serves as an ideal backdrop, allowing any seasonal decor to be swapped in and out seamlessly. The timeless nature of such a background ensures that the display remains elegant and appropriate year-round, regardless of the specific seasonal elements introduced. Earth tones and neutral shades are particularly reliable for this purpose, as they complement almost any decorative scheme. Ultimately, the key to successful seasonal decorating, as exemplified by Meg Ryan’s mantel, lies in creating a display where all elements feel connected to their surroundings. By combining complementary vases, carefully chosen seasonal foliage, and fragranced candles, a mantel or table display can evolve gracefully throughout the year. The use of a neutral, timeless background allows for effortless transitions, ensuring that the space remains elegant and inviting regardless of the season. This approach allows for continuous refreshment of the home's aesthetic with minimal effort, maintaining a sophisticated and dynamic environment. #MegRyan #HomeDecor #SeasonalStyling #MantelpieceDesign #InteriorDesign #CelebrityHomes #DecoratingIdeas #VaseArrangement #NeutralPalette

The city of Mulhouse in eastern France holds significant historical importance within the textile community, serving as a prominent center for textile manufacturing in the early 19th century. Today, it is home to the Musée de l’Impression sur Étoffes, a museum dedicated to preserving and showcasing the history of fabric printing from the 17th century to the present day. To bring the museum's extensive collection to a wider audience, TASCHEN has published a two-volume set titled "The Book of Printed Fabrics: From the 16th Century Until Today." Authored and compiled by Aziza Gril-Mariotte, an art historian, textiles specialist, teacher, and former head of the Mulhouse museum, these books feature high-resolution images of nearly 900 textile pieces. These artifacts represent a broad geographical and historical scope, spanning four continents. The collection begins by tracing the origins of textile design in the Far East, detailing how these patterns subsequently influenced and were adopted by European manufacturers. It explores the evolution of popular textile styles, such as toile de Jouy, and the development of specific color palettes over time. The second volume shifts its focus to the innovations that characterized textile manufacturing and design during the 19th and 20th centuries. This includes an examination of the emergence of distinctive cashmere motifs and the increasing prevalence of natural and floral depictions in fabric designs. The books delve into the technical and artistic advancements that shaped the industry during these periods, illustrating the continuous evolution of textile art. Beyond their informative content, these volumes are designed to be aesthetically pleasing objects. Their bright red spines and an accompanying slipcase are intended to make them visually appealing as decorative items for various home settings, including coffee tables, side tables, or bookshelves. The publication aims to serve as both a comprehensive resource for textile enthusiasts and a beautiful addition to any interior, showcasing the artistry and historical richness of printed fabrics. #TextileDesign #FabricPrinting #DesignBooks #MulhouseMuseum #TASCHEN #ArtHistory #HomeDecor #PatternDesign #FrenchTextiles

Joon Loloi, an extension of Loloi's home furnishing offerings, has launched its inaugural collaboration with Seattle-based interior designer Heidi Caillier. This collection introduces over 30 pieces, primarily bespoke rugs and throw pillows, reflecting Caillier's signature timeless aesthetic and affinity for patterns. Caillier, known for her design work, including projects that have garnered attention from figures like Joanna Gaines, designed these pieces with a focus on integrating them into a family home setting, specifically showcasing them within her own residence. This approach highlights the versatility and livability of the collection. The collaboration emphasizes layered looks within interior design. For example, Caillier incorporated the Mayla rug, characterized by its antique touches, into her living room, and the Lilette rug, noted for its vibrant hues, into her sons' bedroom. The collection features a variety of materials and constructions, ranging from hand-tufted wool to natural jute, catering to different textural preferences and functional needs. A notable inclusion is Loloi's CloudPile rugs, which are praised for their softness underfoot. Caillier's collection offers three CloudPile options, appealing to those who prioritize comfort and a plush feel. Each item in the collection, whether a rug or a pillow, possesses a distinct pattern and style, allowing for individualized room refreshes while maintaining a cohesive collaboration. The Lindy Hand Tufted Wool Rug, inspired by Scandinavian design, features a boxy yet floral pattern that adds texture without overwhelming a space. It is made of 100% hand-tufted wool. The Ginna CloudPile Printed Rug combines the plush feel of CloudPile with an antique pattern and is designed to be resistant to shedding, making it suitable for high-traffic areas. The Mayla CloudPile Printed Rug offers a neutral option with a subtle, faded floral pattern, power-loomed for durability and ease of care. Beyond rugs, the collection extends to throw pillows designed to complement the rug offerings. The Kayleigh Lumbar Pillow provides both style and support, available as a cover or with poly or down inserts. The Liam Pillow, with its denim-inspired layered geometric design, aims to add a lived-in feel to sofas or armchairs. The Kate Pillow, offered in Clay or Wheat colorways, serves as an all-purpose throw pillow with a double-flange edge, adding a subtle pattern to a neutral design. The Rainier Rug, named after a Washington mountain, introduces a checkerboard pattern in an earthy palette, aligning with current design trends. The Dana Pillow incorporates a nostalgic, hand-embroidered aesthetic with a floral design and fringe trim. Finally, the Shrader Jute Rug provides natural textures ideal for layering, while the Aster Rug, adorned with storybook-style roses, offers a romantic touch for various rooms, featuring a low pile suitable for placement under furniture. The collaboration presents diverse options for home decoration, blending timeless aesthetics with contemporary comfort and style. The pieces are designed to be integrated into different home environments, offering both aesthetic appeal and practical considerations like durability and ease of maintenance. #HeidiCaillier #JoonLoloi #RugCollection #HomeDecor #InteriorDesign #ThrowPillows #NostalgiaInspired #CloudPileRugs #ScandinavianDesign

In this installment of 'What I Love,' San Francisco-based textile designer and editor of The Textile Eye, Saana Baker, presents a mood board showcasing her current inspirations in fabrics and wallcoverings. Baker, renowned for her ability to identify exceptional prints and patterns, has curated a selection that emphasizes bold hues and tactile textures, driven by a commitment to diversity in design and a response to contemporary global shifts. Baker’s mood board is a vibrant and eclectic collection featuring samples and swatches from international makers, reflecting a broader discussion within the design industry about ethical sourcing and cultural mindfulness. She explains that the theme is deeply rooted in significant global changes, including the social justice movement and its subsequent influence on design aesthetics. The result is a maximalist-friendly compilation characterized by plush materials, striking graphic motifs, and deeply saturated colors. The chosen palette is described as rich and unusual, utilizing innovative color combinations to convey an optimistic outlook for the future. Baker provides a detailed breakdown of 25 items on her mood board. She begins with the Linyati Fabric in Waterfall by Jiun Ho Textile, a linen velvet praised for its elegant luster and livability, making it an ideal complement for complex patterns. Next is the Hingtham Wallcovering in Clay by Black Artists + Designers Guild for S. Harris, a printed grass cloth inspired by Bhutanese ikat, which achieves visual depth through fine detail and polychromatic layering. The Tiger Nest Fabric in Lake, also from Black Artists + Designers Guild for S. Harris, is a fine embroidery mimicking ikat with feathered edges, noted for its evocative name and fresh palette of chartreuse, cobalt, and pale yellow. Jiun Ho Textile's Seronera Fabric in Thorn was inspired by Jiun Ho's extensive travels in the Serengeti, aiming to evoke a mood rather than literal motifs. The Machakos Fabric in Earth and Sky by Nzuri Textiles is a hand-painted Belgian linen design by Eno Jonah, drawing inspiration from African mask details. Shinto Fabric in Cinnabar by Jiun Ho Textile is a rustic boucle with a wool-blend warp yarn that allows for subtle colorations, supporting diverse palettes. The Anna May Wong Fabric in Midnight/Teal by Makrosha, designed by Esha Ahmed, is a finely woven jacquard inspired by the glamour of the art deco period. Makrosha’s Marci Mohair in Sumac is a classic plush mohair available in a wide range of rich colors, known for its enduring quality and ability to develop character with wear. Anamar’s Lamu Meshi Fabric in Lapis Bluff is a hand-woven, ribbed plain-weave silk fabric created in the Philippines using warp screen-printing. The Lightray Wallcovering in Patina is a collaboration between visual artist Lisa Hunt and Lori Weitzner, showcasing geometric yet subtle designs translated from fine art. The Banda Indigo Flatweave Rug by Eskayel is part of a unique collaboration where designer Shanan Campanaro worked with master ikat artisans in Sumba, Indonesia, to reinterpret her watercolor designs into rugs, wallpapers, and textiles. Malene Barnett’s Heritage Wallpaper for Lulu and Georgia, created by the Black Artists + Designers Guild founder, is inspired by her hand-built ceramics, featuring a raised surface-print technique for tactile dimensionality. Karen J. Revis for A-Street Prints designed the Waves Blue Wall Mural, a flowing watercolor design intended as a wall-sized mural. The Maji Fabric in Peacock by Black Artists + Designers Guild for S. Harris is a jacquard velvet with bright blue and striking gold yarns, creating a complex pattern. Anamar’s Beijing Kikko Fabric in Lazurite Peak features a hand-screen-printed globe pattern on the warp, with each color applied separately before hand-weaving. The Hamaka Textile in Humacao by Breuwen, designed by Grey Lux, is a digital linen print inspired by the weaving legacy of his Taino ancestors. Malene Barnett’s Alaari Wallpaper for Lulu and Georgia offers a sophisticated update to millennial pinks with its tonal spice combination. The Akimbo 5 Indigo Flatweave Rug by Eskayel is another example of collaboration with ikat weavers, noted for its inky depth. Nzuri Textiles' Yankari Fabric in Turkana showcases subtle color gradations and hand-drawn details, preserving the hand-touched imperfection of Eno Jonah’s original artwork. Makrosha’s Marci Mohair in Teal is a second colorway of their luxurious mohair velvet, known for its stunning depth of color. Anamar’s Andorra Meshi Fabric in Milori Crown, an archival pattern depicting dragon scales, is a heavy, hand-woven silk with a hand-screened warp and alternating teal colors in the ribs. The Majani Trim in Brass by Black Artists + Designers Guild for S. Harris features gold-toned beads juxtaposed with stiff raffia, creating compelling material contrast. The Bhavana Desert Fabric by Black Artists + Designers Guild for S. Harris is a decorative panel stripe combining print and embroidery with an antiqued white ink and crewel-like embroidery. The Amboseli Pillow in Maasai Blue by Nzuri Textiles is a special hand-woven textile from West Africa, produced on a strip loom by weavers who commit complex traditional patterns to memory. Finally, the Patu Trim in Bark by Black Artists + Designers Guild for S. Harris is a chic trim reminiscent of Maori incised decorations, embellished with beads and tonal embroidery. #TextileDesign #InteriorDesign #MoodBoard #SaanaBaker #Fabric #Wallcovering #JacquardVelvet #EmbroideredTrims #GlobalInspiration #DiversityInDesign