Patricia Urquiola designs tiles with subtle patterns for Mutina's Cover collection

Patricia Urquiola has developed a new collection of ceramic tiles named Cover for the Italian brand Mutina. This collection is one of five new additions to Mutina's product range, and it aims to explore diverse materialities and geometries through unglazed porcelain tiles. The Cover collection is distinguished by three primary textures: Base, Grid, and Nube. These textures can be further customized with a selection of eight distinct patterns, including Bouclé, Daphne, Liberty, Nouveau, Poppy, Rounded, Scarabeo, and Stitch. The designs primarily feature subtle geometric and figurative patterns that are intended to evoke a sense of continuous movement, similar to clouds shifting across the sky. The manufacturing process for the Cover tiles incorporates advanced Continua Plus compaction technology. This method facilitates the application of intricate aesthetic effects on large-format ceramic surfaces, allowing for a broad spectrum of irregular and geometric designs. The technology combines various clays with a micro-grit mixture to establish a foundational pattern, which is then refined using a silk-screen printing technique. This innovative approach enables Mutina to create a virtually limitless array of patterns, characterized by varying intensities and densities of color, even within the limited palette of white, grey, and black. The Cover collection offers tiles in multiple sizes to accommodate diverse design requirements. Large-format tiles, measuring 12 by 240 centimeters, are available in all three textures. Additionally, mid-size tiles (120 by 120 centimeters) and smaller tiles (30 by 120 centimeters) are part of the collection. The color variations within each of the white, grey, and black sets are achieved through differences in the intensity and density of the color application during manufacturing. Urquiola's design philosophy for Cover emphasizes the creation of unique material properties on large slabs, ensuring that the natural grit within the material body serves as a base for subtly contrasting patterns. A significant advantage of the compaction technology used is the enhanced strength and density of the resulting tiles compared to those produced by traditional pressing methods. This increased durability makes the Cover tiles suitable for both floor and wall applications, as well as for both interior and exterior environments. Patricia Urquiola has a long-standing collaboration with Mutina, dating back to 2008 with the launch of her Déchirer range, which Mutina credits with establishing its global reputation. The latest releases also include an extension of the Déchirer range, Déchirer XL, featuring large-format tiles with signature bas-relief decorations designed specifically for wall coverings, available in Gesso, Grafite, and Avana. Alongside Urquiola's collections, Mutina has introduced other new designs, such as Piano by French designers Ronan & Erwan Bouroullec, and Tape and Folded XL by London studio Raw Edges. These product launches coincide with Mutina's opening of a new showroom and a contemporary art exhibition space at its headquarters in Fiorano, Italy. The headquarters building itself was originally designed by architect Angelo Mangiarotti in the 1970s, underscoring Mutina's commitment to design and artistic expression. #PatriciaUrquiola #MutinaTiles #CeramicDesign #InteriorDesign #ProductDesign #ArchitecturalSurfaces #DesignCollaboration

Nathalie Du Pasquier, a Milan-based French artist and designer renowned for her paintings and her role as a founding member of the Memphis design collective, has collaborated with Italian tile manufacturer Mutina to create an extensive tile collection named Mattonelle Margherita. This collection is a vibrant fusion of simplicity and boldness, featuring plain-colored tiles alongside those adorned with graphic patterns. The Mattonelle Margherita collection encompasses a total of 41 distinct designs. This includes 27 graphic patterns and 6 plain designs, all in a 20.5 x 20.5cm size. Additionally, there are 6 patterns and 2 plain designs available in a smaller 10.1 x 20.5cm format. The entire range of colors and patterns is intentionally designed for versatile combination, allowing for imaginative configurations across various surfaces. These tiles can be utilized to cover entire walls or floors, or selectively applied to specific areas such as around windows or door frames, offering a broad spectrum of design possibilities for both residential and commercial spaces. For those seeking guidance in their design choices, the collection provides a series of suggested options, ranging from straightforward applications to more elaborate and creative installations. This guidance caters to different aesthetic preferences and levels of design confidence, encouraging users to experiment while also providing accessible starting points for integration into diverse interior environments. The Mattonelle Margherita tiles are manufactured from glazed porcelain stoneware, characterized by satin surfaces that yield a bright and lively finish. This material choice ensures both durability and a visually appealing aesthetic. Recognizing the importance of safety and compliance with regulations, Mutina has also developed a specialized anti-slip finish. This option is available for areas where anti-slip properties are mandated, broadening the applicability of these decorative tiles to spaces that require enhanced safety measures, such as bathrooms, kitchens, or commercial settings prone to moisture or high foot traffic. The collaboration brings Du Pasquier's distinctive artistic style, characterized by geometric forms, vibrant colors, and a playful approach to design, to a functional and architectural medium. Her background with the Memphis Group, known for its post-modern designs and use of bright colors and abstract patterns, is evident in the dynamic and expressive nature of the Mattonelle Margherita collection. Mutina, known for its high-quality ceramic products and collaborations with leading designers, provides the technical expertise and manufacturing capabilities to realize Du Pasquier's artistic vision in a durable and practical tile format. This partnership aims to offer consumers and designers a product that is both aesthetically stimulating and functionally robust, capable of transforming ordinary spaces into visually engaging environments. The collection is suitable for various applications, from creating a focal point in a minimalist setting to fully immersing a room in a rich tapestry of pattern and color. #TileDesign #NathalieDuPasquier #MutinaTiles #CeramicTiles #InteriorDesign #GraphicPatterns #HomeDecor #MemphisDesign #PorcelainStoneware

Nikki Chu, an interior designer with over two decades of experience, has launched her inaugural tile collection exclusively with The Tile Shop. Despite not having previously designed tiles, Chu leveraged her extensive knowledge of incorporating tiles into various rooms to create a line that reflects her signature “global modernism” aesthetic. Her collection stands out by focusing on organic, impactful patterns rendered in versatile, earthy neutral tones, a departure from the often brightly colored or overly patterned options she found lacking in the market. Chu emphasizes that while vibrant colors are readily available, finding sophisticated neutral patterns has historically been a challenge. The inspiration for Chu's tile collection, much like her previous lines of decorative pillows, bedding, and rugs, is rooted in her global travels. She specifically cites Africa, Indonesia, and Bali as primary sources, drawing from the textiles and cultural patterns observed in bazaars and markets. These elements are then simplified and refined to be palatable for a wide range of decor styles, maintaining a clean, soft, and contemporary feel without an abundance of color, aligning with her brand's established reputation for neutral textures. The collection features three distinct tile designs: Zulu, Tangier, and Luxor. The Zulu ceramic tile is praised for its modern versatility, allowing for various layout configurations—alternating horizontal and vertical patterns—to create eclectic visual texture while maintaining a peaceful, subtly colored aesthetic. Chu is installing this tile in her own home, highlighting its longevity and classic appeal. Zulu is available in Graphite, Pumice, and Cement colorways, all offering quiet, understated hues. Tangier, a porcelain pattern, showcases loose, concentric diamonds that deliver a bold impact. Its hand-drawn quality lends it a timeless simplicity, preventing it from feeling dated. Chu notes that Tangier's patterns are “flowy, easy-to-understand,” and substantial enough to make a statement without being overwhelming. She plans to use Tangier on a lanai floor for a celebrity client, bordered by Zulu tiles, to create a durable, rug-like effect. Luxor comprises ceramic subway tiles designed to complement Zulu and Tangier. These tiles, available in Winter White, Cement, and Pumice, feature an organic, handmade feel with intentional inconsistencies in texture and slight color variations. Chu’s aim with Luxor was to provide a clean yet artisanal option that enhances the collection's overall aesthetic. Her overarching design philosophy for this collection was to achieve a balance between extremes, creating patterns that are modern and contemporary without being excessively so, thus occupying a “sweet spot” that she intends to build upon in future designs. #NikkiChu #TileDesign #GlobalModernism #InteriorDesign #NeutralTones #PatternedTile #HomeDecor #TheTileShop #CeramicTile #PorcelainTile

Award-winning Milanese architect and designer Cristina Celestino, also the creative director of Fornace Brioni, has introduced two new collections of ceramic tiles: Araldica and Fluviale. These collections fuse a handmade aesthetic with factory-made technical ceramic tiles, showcasing Celestino’s talent for marrying industrial production with artisanal design. The Araldica collection features two distinct geometric patterns: Ducato and Corte. Ducato is characterized by its parallelogram-like shape, while Corte is circular. Both patterns incorporate white terra-cotta alongside Fornace Brioni’s signature variegato clay, resulting in rich, earthy tones. The design inspiration for Araldica comes from the intricate 12th-century mosaic work of the Cosmati family, renowned for their tessellations found throughout Rome. These tiles evoke Euclidean geometry through their complex arrangements. Beyond their aesthetic appeal, the Araldica tiles are noted for their durability and suitability for outdoor use, including exposure to water, making them a versatile choice for various applications. In contrast, the Fluviale series draws inspiration from nature, specifically the meeting of land and water, and nature's brushstrokes. This collection delves into tonal variations and layered textures. Within the Fluviale series, two patterns are highlighted: Alveo and Golena. Alveo is distinguished by its dense coloration, offering a strong visual presence. Golena, while also exploring tonal and textural nuances, contributes to the series' overall theme of natural fluidity. Both Alveo and Golena aim to capture the organic beauty and subtle complexities found in natural landscapes. Celestino’s approach in both collections emphasizes a sophisticated balance between modern manufacturing techniques and traditional artistic craftsmanship. By integrating a handmade feel into industrial products, she ensures that the tiles not only meet contemporary standards for durability and performance but also carry a unique, artistic character. The use of variegato clay, with its inherent variations, further enhances the artisanal quality of the tiles, ensuring that each piece contributes to a distinctive overall look. These collections are designed to add visual depth and sophistication to a wide range of interior and exterior spaces, reflecting Celestino’s vision for contemporary surface design. #CristinaCelestino #FornaceBrioni #CeramicTiles #GeometricPatterns #Tessellations #ArchitecturalDesign #InteriorDesign #ProductDesign

French designer Inga Sempé has collaborated with Italian tile manufacturer Mutina to launch a new collection of graphic tiles called Tratti. This collection stands out for its patterns that evoke a hand-drawn or hand-painted aesthetic, designed to be seamlessly integrated and allow for personalized arrangements. The Tratti collection includes three foundational base color tiles: white, beige, and grey. Complementing these are eight distinct single-patterned tiles, providing flexibility for designers and homeowners to mix and match according to their preferences. In addition to individual patterns, the collection also features three different pre-composed mixes, which consist of various patterns presented in white, grey, and dark grey color palettes. The tiles themselves are crafted from porcelain, each measuring 4 inches by 4 inches (10cm x 10cm). A key technical aspect of the Tratti tiles is their digital printing process, which applies a glaze to achieve the desired muted designs. This digital printing method allows for precision and consistency in reproducing the intricate patterns, while the glaze provides a protective layer and contributes to the tile's aesthetic finish. The material choice and manufacturing process ensure the tiles are durable and suitable for a wide range of applications. They are designed for both floor and wall installations, making them versatile for various interior and exterior spaces. This durability and adaptability mean they can withstand different environmental conditions, expanding their potential use in both residential and commercial settings. The article showcases several patterns from the Tratti collection, detailing their individual names and how they combine with the base colors. For instance, the "Triple" pattern is shown alongside the "Bianco" base color, demonstrating a clean and modern look. The "Tiers" pattern is highlighted, indicating another unique design option. The combination patterns "Aqua" and "Feutre" are displayed together, illustrating how different graphic elements can harmonize within the collection. The "Croisée" pattern is featured twice, emphasizing its visual impact and potential for repetition or variation. The "Epi" and "Croix" patterns further exemplify the diverse graphic language of the collection. The article also presents the pre-composed mixes in greater detail. The "Chiaro" mix is shown in two different images, providing examples of its appearance when installed. Similarly, the "Grigio" mix and the "Scuro" mix are presented, each offering a distinct combination of patterns and colors that are curated for ease of use while maintaining the collection's cohesive design philosophy. The overall approach of the Tratti collection emphasizes user creativity, allowing individuals to act as designers by combining different elements to create unique surfaces that reflect personal style and design sensibilities. The collaboration between Inga Sempé and Mutina brings together artistic vision with manufacturing expertise to produce a tile line that is both aesthetically pleasing and functionally robust. All photographic illustrations for the article were provided by Alessandro Paderni/EYE studio, ensuring a professional and detailed representation of the tile collection. This visual documentation effectively conveys the texture, patterns, and overall aesthetic of the Tratti tiles, offering readers a comprehensive view of the product's design and potential applications in various settings. The article serves as an introduction to this new product line, highlighting its innovative design and practical features for the home design and decoration market. #IngaSempé #MutinaTiles #GraphicTiles #TileDesign #InteriorDesign #HomeDecor #PorcelainTiles #ContemporaryDesign #ArchitecturalSurfaces

Lithos Design, an Italian brand specializing in marble products, has expanded its Pietre Incise wall covering collection with the introduction of four new three-dimensional textures: Agra, Bugna, Crystal, and Plissé. These additions are designed by Raffaello Galiotto and aim to highlight the inherent beauty and natural materiality of marble through intricate patterns and relief. The Pietre Incise collection, which now comprises 26 distinct designs, is characterized by its focus on how light interacts with carved stone surfaces, creating dynamic visual effects that change throughout the day. The newly launched textures draw inspiration from diverse sources, including architectural techniques and fabric manufacturing processes. Agra, for instance, is influenced by Oriental art and the monumental architecture of the Indian city of Agra, renowned for the Taj Mahal. Its three-dimensional surface aims to evoke the grandeur and detailed craftsmanship seen in such structures. Plissé, named after the fabric, replicates the soft, vertical folds of pleated material, translating this textile quality into a subtle, elegant stone wall covering. Crystal features a regular geometric structure, designed to mimic the captivating and organized patterns found in natural crystals. This texture creates a sense of order and depth, playing with light to produce a spellbinding effect. Bugna, the fourth new texture, is inspired by the ancient rustication technique, which has been used in architecture for centuries. It showcases rounded corners, staggered vertical grooves, and horizontal slits, all contributing to a rich interplay of light and shadow that adds visual interest and a sense of history to interior spaces. Each wall covering in the Pietre Incise collection is categorized into one of five subsections: linear, geometric, wavy, organic, and architectural, allowing for a wide range of aesthetic applications. The designs are engineered to maximize the impact of light, which accentuates the natural appearance of the marble and creates an evolving tapestry of shades and patterns on the walls as the brightness shifts. This thoughtful consideration of light interaction is a core element of the collection's design philosophy. The new textures are available in modular units, each measuring 60/120 x 60 x 2 centimeters, offering versatility for various installation requirements. Lithos Design emphasizes that these additions further demonstrate the infinite potential of marble as a design material, transforming functional wall coverings into artistic statements that celebrate natural stone. The brand encourages exploring the full Pietre Incise collection and its latest textures on its official website, providing designers and homeowners with innovative options for interior surface design. #MarbleWallCoverings #LithosDesign #PietreIncise #InteriorDesign #ArchitecturalSurfaces #ThreeDimensionalTextures #StoneDesign #RaffaelloGaliotto #HomeDecor

Designers are increasingly moving away from traditional, subdued tiling options, embracing bold colors, unique patterns, and varied textures to create distinctive interior spaces. This shift challenges the conventional use of standard subway tiles in kitchens and bathrooms, encouraging homeowners to infuse their personal style and vibrant hues into their living environments, even on floors. Katie Deedy of Grow House Grow, known for her narrative-inspired wallpapers, has successfully transitioned into designing cement tiles. Her Cuban heritage influenced her desire to create tiles reminiscent of those seen in family photos, but with a contemporary twist. While initially aiming for wallpaper-matching tiles, she adapted her designs to the tile format, exemplified by her cephalopod-inspired Captain Smith tile, which mirrors her best-selling wallpaper. The brand continues to prioritize nature-inspired themes, as seen in their three new tiles and the popular Otomi collection, featuring animal and floral folk art. These tiles are predominantly used on floors but are also gaining traction for backsplashes and walls, creating cohesive, patterned nooks in bathrooms. Artistic Tile, in collaboration with Michael Aram, also presents nature-inspired designs. Their Orchid Dimensional collection, a 2017 Interior Design magazine award winner for Best Wall Covering, combines innovation with natural stone. This collection showcases crystalline white Thassos marble flowers emerging from polished Bianco Carrara marble, offering a sophisticated and seductive aesthetic. Color is a significant trend, with Artistic Tile embracing vibrant palettes and mixed materials in their designs. Rachel Adler, a representative for the brand, highlights their new Fan Club mosaic glass design, which features a captivating blue ombre colorway. This design is suggested for adding a touch of elegance to wet bars or as a striking feature wall. Popham Design’s ceramic tile collection also emphasizes rich colors and playful patterns. Design editors, including Tori Mellott of Traditional Home Magazine, recommend these graphic tiles for entryways, noting their ability to set the mood and convey the homeowner's personality—whether formal, playful, artsy, or busy. Encaustic tiles, in particular, are praised for their individuality in entryways. Elle Decor editor-in-chief Whitney Robinson is particularly fond of India Mahdavi’s pink-driven collection for Bisazza, suggesting it for creating a personalized and cheerful washroom. Robinson argues that while bathrooms are utilitarian, they are also frequently visited spaces that should evoke happiness. Pink tiles, she notes, also have the added benefit of making skin appear radiant. Customization is another growing trend, allowing homeowners to create truly unique tile designs. Sarah Watson, founder of Balineum in England, specializes in small-batch custom orders. Her Hanley collection offers ceramic tiles in a dozen hand-mixed solid-color glazes, and clients can request custom glaze colors to match specific Pantone references, fabrics, or wallpapers. Watson highlights the passion customers have for finding the perfect hue, citing an instance where two brothers requested slightly different shades of blue for their shared bathroom. She suggests arranging custom tiles in graphic patterns like chevron to enhance their uniqueness. For those seeking texture and dimension, Granada Tile’s new Relief collection, launched after extensive development, masterfully combines color with unexpected tactile elements. Melanie Stephens, director of design and marketing, explains that these tiles achieve a tone-on-tone effect by contrasting a highly polished top surface with the matte finish of indented areas. Each pattern is available in four colors from Granada’s 40-color palette, with certain designs, like Tangalle, lending themselves to specific earth and rock tones. Textured tiles are also used to create futuristic and dynamic wall statements. The Tile Shop’s Yara Metal hex ceramic wall tile series, available in metallic black, silver, or white with a 3D geometric pattern, adds a reflective and conversational element. Pittsburgh designer Lauren Levant champions sculptural wavy tiles from Porcelanosa, emphasizing how textured tiles, made from materials like natural stone, porcelain, wood, metal, and glass, can introduce depth and allow light to interact beautifully with the surface. Even the classic subway tile receives a modern update. San Francisco designer Jon de la Cruz, known for the 2017 House Beautiful Kitchen of the Year, recommends Fireclay Tile’s handmade glazed thin brick. These recycled brick tiles offer texture and rich, saturated colors that suit both traditional and modern aesthetics, making them ideal for kitchen backsplashes and fireplace surrounds, adding a subtle patina while maintaining a clean and fresh look. The abundance of colorful and textural tile options makes decorating exciting, with the primary challenge being deciding where to begin. #TileDesign #HomeDecor #InteriorDesignTrends #CementTiles #NatureInspiredDesign #ColorPalette #CustomTiles #TexturedTiles #ModernTiling

Studio GdB, founded by Gilles de Brock and Jaap Giesen in ‘s-Hertogenbosch, The Netherlands, has revolutionized ceramic tile production through the development of a custom-built digital printer. This innovative machine allows for the computer-controlled application of liquid glazes onto ceramic tiles in their biscuit state, resulting in unique and highly customizable designs. The studio's process addresses a previous limitation in finding suitable finishes for their design vision, prompting them to engineer their own solution. This bespoke technology enables them to create a diverse range of patterns and vibrant color schemes, offering endless possibilities for aesthetic expression in tile design. The tiles produced by Studio GdB are characterized by their bold colors and visually complex, almost psychedelic patterns, which evoke a handmade quality despite being digitally fabricated. This blend of precision engineering and artistic flair allows for a broad spectrum of design choices, from subtle and understated to highly intricate and elaborate, catering to various design preferences. The custom printer's capability to accurately apply liquid glazes directly onto the ceramic surface ensures a high level of detail and consistency in each tile, surpassing the limitations of conventional manufacturing methods. The development of this specialized machinery highlights a creative approach to overcoming technical challenges in the design and production of ceramic tiles. By taking control of the manufacturing process, Studio GdB has opened up new avenues for customization and artistic experimentation within the realm of interior design materials. The studio's commitment to innovation has enabled them to achieve desired finishes that were previously unavailable, offering designers and consumers access to truly distinct and personalized tile options for various applications, from staircases to coffee tables and backsplashes. The resulting product line from Studio GdB provides an opportunity for integrating unique and visually striking elements into interior spaces, allowing for highly personalized and dynamic environments. The ability to create seemingly infinite patterns and color combinations means that each project can feature a bespoke tile installation, reflecting individual tastes and design concepts. This innovative method bridges the gap between traditional craftsmanship and modern technology, creating ceramic tiles that are both a functional building material and a work of art. The tiles are suitable for diverse settings, adding a distinctive touch to both residential and commercial projects. #CeramicTiles #DigitalPrinting #CustomDesign #InteriorDesign #StudioGdB #HomeDecor #ArchitecturalSurfaces #GlazeApplication #InnovativeManufacturing

Heath Ceramics, renowned pottery makers, has introduced 'Mural,' their latest addition to a series of pre-configured tile pattern combinations. The inaugural design within this series is named 'Twill,' which incorporates the 'Little Diamond' shape from their 'Dwell Patterns' collection. This unique pattern is distinguished by its use of six distinct glazes, creating a multidimensional and visually intricate effect. The combination of these glazes is carefully curated to produce a mind-tripping aesthetic, where the interplay of colors and textures adds depth and complexity to the overall design. The Twill pattern is available in eight different color ways, each meticulously designed to offer a dynamic configuration. These color ways integrate both matte and gloss finishes across the six glazes, allowing for a varied sensory experience. The glazes are strategically applied to enhance the multidimensional aspect of the tile, with each color way presenting a unique visual narrative. The inclusion of both matte and gloss elements ensures that the tiles not only offer a diverse visual appeal but also a tactile richness. Among the eight available color ways, several notable options are presented, each with its own distinct character. 'Arctic' offers a cool and serene palette, evoking images of icy landscapes. 'Rhythm' suggests a more energetic and flowing visual, possibly through a harmonious arrangement of colors and finishes. 'Yarrow' likely features a warm and earthy tone, drawing inspiration from natural hues. 'Alabaster' provides a classic, subtle, and perhaps luminous option, indicative of its namesake material. 'Black Walnut' hints at a deeper, richer color scheme, possibly incorporating dark and sophisticated tones. Further options include 'Tide Pool,' which might display a blend of blues and greens, reminiscent of shallow ocean waters. 'Old Growth' could feature colors and textures that evoke ancient forests, suggesting a natural and weathered aesthetic. Lastly, 'Denim' points to a familiar, comforting blue, possibly with a textured finish that mimics the fabric. These diverse color ways demonstrate the versatility of the Twill pattern, allowing it to adapt to various interior design styles and preferences. The introduction of Mural and its Twill pattern underscores Heath Ceramics' commitment to innovation in tile design, blending traditional craftsmanship with contemporary artistic vision. The multidimensionality achieved through the careful selection and combination of glazes and shapes offers a new avenue for interior designers and homeowners to create visually engaging and sophisticated spaces. The article highlights the intricate details and thoughtful design process behind these new tile patterns, providing insight into the aesthetic considerations and technical execution. #HeathCeramics #MuralTile #TwillPattern #TileDesign #InteriorDesign #HomeDecor #MultidimensionalPattern #CeramicGlazes #DwellPatterns

Serena Confalonieri has designed 'Tarsine,' a new range of modular inlaid wooden wall coverings for Portego, which debuted at Maison&Objet. This collection offers a contemporary reinterpretation of the ancient technique of inlay work, a craft that gained prominence during the Baroque period and was notably used in the flooring of Venetian Republic monuments and buildings. Historically, this technique involved intricate decorations using multi-colored marble, stone, and ivory. Confalonieri's 'Tarsine' pays homage to this rich artisan tradition while modernizing its style and application for contemporary interior spaces. The 'Tarsine' wall coverings are constructed from modular maple panels, each featuring an inlaid decoration crafted from burnished oak. These decorations extend across the entire surface of the panels. The design incorporates distinctively geometrical motifs, characteristic of traditional marquetry, yet these are refined and enlivened by the inclusion of fluid, stylized crenellations. These subtle lines are carefully combined to form a soft, sinuous pattern that flows across the wall, introducing a new and delicate visual dynamism to the interior environment. Each 'Tarsine' panel measures 25 cm in length and 25 cm in height, offering significant versatility for integration into various rooms and interior design schemes. The manufacturing process utilizes 2D laser cutting, ensuring precision and consistency in the intricate designs. Furthermore, the panels are treated with a special waterproof finish, making them suitable for use in diverse environments, including bathrooms, where moisture resistance is crucial. This thoughtful consideration of material and treatment enhances the functional applicability of the wall coverings, extending their use beyond typical dry spaces. Confalonieri's approach bridges historical craftsmanship with modern manufacturing techniques and aesthetic sensibilities. The project highlights a commitment to preserving and evolving traditional artistry through innovative design. By transforming a classic technique into a modular, adaptable product, 'Tarsine' offers designers and homeowners a unique option for creating sophisticated and visually engaging interior surfaces. The collection reflects a balance between historical reverence and contemporary innovation, making a statement about the enduring appeal of craftsmanship in modern design contexts. #SerenaConfalonieri #Portego #MaisonEtObjet #ModularWallCoverings #InlaidWood #InteriorDesign #HomeDecoration #DesignExhibition #VenetianBaroque

The online tile retailer clé has unveiled its new Artist Cement Collection, a series of handmade encaustic cement tiles. This collection is a collaborative effort, featuring designs from eleven artist studios spanning Europe, South America, and the United States. The curated group of artists, architects, designers, and sculptors includes ALT for Living, Boris Aldridge, Coletivo Muda, Deborah Osburn, Erica Tanov, Gachot Studios, John Whitmarsh, Michelle Weinberg, Ruan Hoffmann, Sarah & Ruby, and Smink Things. The Artist Cement Collection showcases a diverse range of aesthetic styles, moving from bold, graphic geometric patterns to motifs inspired by nature, and even incorporating typography. Each tile is available in 8-inch by 8-inch square and hexagonal formats, offering flexibility in design application. A key feature of these tiles is their pre-polished and pre-sealed finish, which enhances their durability and versatility. This treatment makes them suitable for a wide array of applications, both indoors and outdoors, and for installation on either walls or floors, expanding their potential use in various architectural and interior design projects. Among the featured designs, Coletivo Muda contributes the 'Lagoa' tile, which appears multiple times in the illustrations, highlighting its distinct appeal. Michelle Weinberg's contributions include 'Pattern 1' and 'Pattern 2,' demonstrating a varied artistic approach. Smink Things presents several designs that bear its studio name, indicating a unique and recognizable style. Ruan Hoffmann offers a selection of patterns, including 'Amsterdam Express,' 'Arrow Dynamic,' and 'Bio Circuit,' each bringing a different visual narrative to the collection. Deborah Osburn's 'Manuscript Letters' introduces a textual element, adding another dimension to the tile offerings. Boris Aldridge provides 'Pattern 4' and 'Pattern 5,' showcasing his design philosophy. Gachot Studios also features 'Pattern 4,' suggesting a potentially different interpretation or variation from Aldridge's similarly named pattern. Erica Tanov presents 'Baccio' and 'Jacobson,' contributing unique artistic expressions. Finally, Sarah and Ruby's 'Pattern 5' completes the selection of artists and their designs, ensuring a rich and diverse collection for consumers and designers. The collection emphasizes both artistic expression and practical application. The use of cement as a medium for these artistic designs provides a tactile and durable surface, while the handcrafted nature of the tiles ensures uniqueness in each piece. The curated selection of artists from various global locations brings a wide spectrum of cultural and artistic influences to the collection, allowing for a broad appeal across different design preferences and styles. The collection aims to provide distinctive and high-quality options for residential and commercial spaces, allowing for personalization and artistic flair in surface design. #CementTiles #ArtistDesigned #EncausticTiles #HomeDecor #InteriorDesign #TileCollection #ArchitecturalSurfaces #HandmadeTiles #GlobalArtists

The Adagio tile project, designed by Ronan Bouroullec for Mutina, revolutionizes the use of ceramics by transforming individual modules into large-scale, fabric-like wall installations. The term "Adagio," Italian for "slowly," reflects the unhurried and intentional process behind creating these intricate designs. Each ceramic module, simple on its own, interlocks to form complex reticular structures, echoing the texture and visual depth of woven textiles. This innovative application showcases Mutina's manufacturing capabilities and Bouroullec's design ingenuity. The core of Adagio's design lies in its single ceramic module, which measures 2.7 x 30 centimeters. This minimalist form transcends traditional functional constraints of tiles, offering an architectural sleekness. The modules are double-fired as white paste ceramic and then hand-finished to achieve an ultra-glossy surface. This meticulous process ensures a lustrous sheen and a sculptural effect, with all vertical sides of the module fully covered by the glaze. The precise notch on the back of each element is key to their interlocking mechanism, allowing for diverse configurations. Adagio is available in five glossy glazes: Bianco (white), Grigio (gray), Rosso (red), Blu (blue), and Verde (green). To simplify design choices, Mutina also offers five pre-defined color combination sets: Grigio + Blue, Grigio + Bianco, Grigio + Verde, Rosso + Blu, and Rosso + Verde. These combinations ensure harmonious integration within installations, making it straightforward for users to transform ordinary wall spaces into extraordinary artistic statements. The versatility of Adagio allows for endless arrangements, ranging from highly structured and enclosed patterns to more fluid, organic compositions that appear to expand naturally across surfaces. Beyond its aesthetic appeal and innovative design, Adagio embodies Mutina's commitment to environmental responsibility. The base tile body is formulated without Volatile Organic Compounds (V.O.C.) and other hazardous substances, adhering to stringent environmental standards. Furthermore, the product's packaging is designed to be fully recyclable, ensuring that the project's ecological footprint is minimized throughout its lifecycle, from production to eventual installation. The project debuted at the Résonance exhibition earlier this year at the Centre Pompidou in Paris. This exhibition celebrated Ronan Bouroullec's significant contributions to contemporary international design. Adagio was prominently featured as an entire wall installation, serving as a backdrop for other works by Bouroullec for Mutina Editions. This display not only demonstrated the modular system's adaptability but also its capacity to integrate various color palettes and configurations seamlessly. Adagio's inclusion in this prestigious exhibition solidified its impact and led to its acquisition for the Centre Pompidou's permanent collection, underscoring its lasting value in modern design. #RonanBouroullec #Mutina #CeramicTiles #ArchitecturalDesign #WallInstallations #ModularDesign #HomeFurnishings #SustainableDesign #ContemporaryArt

Susan Alexandra, known for its vibrant and beaded accessories, has opened a new store in New York City's Lower East Side, offering a colorful and whimsical retail experience. The store's design, spearheaded by founder Susan Korn in collaboration with Lula Galeano of Studio Galeon and Levi Shaw-Faber of Wiggle Room, transforms the space into a 'pigmented oasis' that draws inspiration from playful, retro aesthetics like '80s roller rinks, watermelons, and bananas. This design ethos extends beyond a mere shopping destination, providing a source of innovative and bold home decor inspiration that can be adapted for various personal styles. The store's exterior immediately captures attention with its bright yellow facade, setting the tone for the interior's vibrant color palette and unique architectural elements. One notable feature is the beaded banana door handle, a whimsical detail that exemplifies the brand's playful approach. Inside, the design incorporates several distinct elements that can be translated into residential settings. For instance, colored-glass bricks are used to create custom archways, room partitions, and corner tables, introducing a burst of color and a disco-like ambiance while minimizing the need for traditional wall hangings. This approach suggests an alternative to conventional wall decor, using structural elements to infuse color and light into a space. Another design technique highlighted in the store is color-blocking the ceiling and the top quarter of the walls, a concept referred to as 'Accent Wall 2.0.' This method creates a dynamic feel in any room and can be further enhanced by painting accent shelves and cubby spaces to match, integrating storage with the overall color scheme. The use of mosaics, described as a supersized version of Susan Alexandra's beaded bags, is prevalent throughout the store. Multicolored tiles in various shapes and sizes are employed to craft custom images and patterns, effectively embedding visuals directly into the walls, offering a creative alternative to wallpaper or paint for personalization. Lighting also plays a significant role in the store's design, featuring bespoke elements such as giant fruit sconces and intricate beaded chandeliers. While these are custom creations, the article suggests that antique and modern lighting fixtures can serve a similar purpose in residential interiors, introducing interesting colors and silhouettes that act as bold decorative choices. An example provided is the Matin wall sconce from Hay, illustrating how specific lighting pieces can contribute to a space's overall aesthetic. These design choices collectively offer a blueprint for homeowners looking to incorporate vivid colors, unique textures, and playful elements into their living spaces, moving away from neutral palettes toward more expressive and personalized interiors. #StoreDesign #HomeDecor #InteriorDesign #ColorBlocking #MosaicTiles #LightingDesign #RetailSpace #SusanAlexandra #NewYorkCity

Ghislaine Viñas, a New York-based designer known for her unconventional approach to design, shares a mood board inspired by a custom floral wallcovering she created for Wolf-Gordon. Her current inspiration showcases a blend of bold prints, timeless materials, and striking color combinations, demonstrating her signature style of thinking outside the box. Viñas describes the mood as soft, kind, and nonaggressive, maintaining a gentle quality without being overly cute, and presenting a genderless palette through its tone combinations. The design incorporates a diverse mix of graphic shapes and scales, including faceted grid-patterned tile and heavily veined polished marble, which add an element of intrigue. The overall aesthetic is unified by cool, pastel-leaning tones, though unexpected bursts of sulfur yellow and black introduce disruption and depth to the palette. Viñas meticulously details each element contributing to this unique design vision. The selection includes the 'Ms. Quilty 2.0 Fabric in Pure' by Ghislaine Viñas for HBF Textiles, chosen for its high performance, bleach-cleanable properties, and suitability for both indoor and outdoor use, while maintaining a sophisticated appearance. For a plush touch, the 'Baird Fabric in 123' by Fabricut, a plum velvet with FibreGuard stain treatment, is selected for its durability and comfort. The foundational piece, the 'Blooma Wallcovering in Custom Colorway' by Ghislaine Viñas for Wolf-Gordon, is a modern interpretation of a classic floral print that has captivated the designer for years. The mood board also features the 'Calyon Fabric in Iris' by Jane Churchill at Cowtan & Tout, valued for its appealing texture, emphasizing the power of blending similar hues with varied textures. A custom maplewood finish sample in 'Blazing Orange' by Scott James Furniture & Design is highlighted as a vibrant and unexpected element, specifically crafted for a four-poster bed in an Aspen project to inject a surprising color. The 'Rosso Luana Polished Marble' by Stone Source is chosen for its alluring flow and moody, impactful presence, recommended for liberal use due to its unforgettable effect. Ceramic and tile selections further enrich the composition: a glaze sample in matte blue by Entler, celebrated for its organic and otherworldly beauty in light fixtures; the 'Diva 14 Ceramic Tile in Emerald' by Nemo Tile + Stone, a lush deep green that is a recurring favorite; and the 'Soap Tile in Green Glossy' by Kaufmann Keramik, which creates a mesmerizing wavelike pattern on walls, offering elegance and a bold statement. The color palette is extended with 'Nurture Green Paint' by Sherwin-Williams, a calming and uplifting minty green shade, and 'Mocca' faucet finish samples by Vola, marking a resurgence of chocolate brown in Viñas's palette after a long hiatus. Custom elements play a significant role, including custom tiles by Durat, praised for their extensive color options and design flexibility for terrazzo effects or matte countertops. 'Custom Cigarette Tile in Pink' by BDDW, named for its whimsical resemblance to a pink ashtray, is particularly endeared by Viñas for its delicate hue juxtaposed with a playful concept. Hardware like the 'Tortoise 01 Pull in Polished Brass Unlacquered' by Nest Studio provides a touch of 'bling' with its unique and bespoke craftsmanship. Textiles include 'Reflex Fabric in 0639' by Raf Simons for Kvadrat, a long-standing favorite for its vibrant color combination and seamless textural transition. A 'Mohair Rug in Lavender' by Marc Phillips is noted for its luxurious quality and mesmerizing color, functioning as a versatile neutral. The 'Clay Tile in NUD-02' by Clayworks offers a delicately feminine texture and a comforting color palette. Flooring is represented by 'Glaze Engineered Wood Flooring in Light European Oak' by Hakwood, essential for creating a Scandinavian feel. A custom green silk rug by Mark Nelson Designs, with its natural heathering and patina, adds authenticity and warmth. Finally, concrete samples in mint and teal by Nood Co. are featured for their breathtaking colors and exquisite organic concrete sinks, alongside 'Prism Matte Tile in Emerald' by Atlas Concorde, a versatile porcelain tile for accent walls beyond typical bathroom applications. #GhislaineVinas #InteriorDesign #MoodBoard #ColorPalette #MaterialSelection #HomeDecor #TextileDesign #TileDesign #CustomDesign

The "among-us" installation at Heimtextil 2025, a 650 m² design by Patricia Urquiola in collaboration with Moroso, transformed Hall 12.0 of the textile trade fair. This expansive and open-concept installation serves as a platform for exploring innovative textile concepts, engaging in design discussions, and addressing sustainability. Patricia Urquiola's vision for "among-us" emphasizes the transformative power of textile design, highlighting its enduring influence on human civilization. The installation's title itself, "among-us," signifies togetherness and the celebration of new, hybrid relationships, manifest in a playful landscape populated by imaginative, hybrid creatures. The installation features contributions from various partners, enriching the textile landscape. These include Insula lounge islands by Kettal, upholstered with Kvadrat fabrics, and hanging textiles crafted by cc-tapis using Aquafil’s regenerated nylon yarn. Moroso provides the seating elements, integral to the installation's character. Moroso's contributions include plush lounge seating pieces like '_Gruuvelot_', '_Mushmonster_', and '_Giano_', which challenge conventional perceptions of furniture. These pieces are described as playful, organic, and seemingly alive, featuring dynamic upholstery that introduces varied textures and a mottled, almost squid-like coloring. Heimtextil serves as an international trade fair dedicated to innovations within the textile sector, with a particular focus on advancements in sustainability and new product releases. Patricia Urquiola, founder of Studio Urquiola, views Heimtextil as an ideal venue for fostering dialogue that extends beyond the fair itself, creating continuous engagement with individuals interested in textiles. She values the opportunity for personal exchange, emphasizing a desire to both present new ideas and actively listen to feedback. Olaf Schmidt, Vice President of Textiles & Textile Technologies at Messe Frankfurt, acknowledges the privilege of collaborating with Patricia Urquiola and Studio Urquiola, citing a shared enthusiasm for creative endeavors, trend discussions, and sustainable solutions in textile design. Moroso, established in 1952 by Agostino and Diane Moroso, began by producing sofas, armchairs, and furnishing accessories. The brand quickly became recognized for its commitment to uncompromising quality, innovation, and creativity, driven by a strong design sensibility and efficient manufacturing processes. In the 1980s, the second generation of the Moroso family took leadership, further elevating the brand's profile. Moroso has since partnered with a diverse array of renowned designers globally, including Ross Lovegrove, Konstantin Grcic, and Tord Boontje, continually pushing the boundaries of furniture design. Studio Urquiola, founded in 2001 by Patricia Urquiola and Alberto Zontone, brought a fresh perspective to the design industry. Patricia Urquiola, who studied architecture and design at Universidad Politécnica de Madrid and the Politecnico di Milano under Achille Castiglioni, applies Castiglioni's principle of the "fundamental element" in her work. This principle posits that spaces should be conceived in relation to human experience, a philosophy Urquiola fully embodies by designing spaces and objects that engage both the emotional and rational aspects of individuals. #PatriciaUrquiola #Moroso #Heimtextil #TextileDesign #InteriorDesign #DesignInstallation #Sustainability #FurnitureDesign #StudioUrquiola

Traditional tile installations typically feature predictable grids, but Mutina challenges this norm with its new Osso & Bottone collections, conceived by French designer Ronan Bouroullec. These collections reinterpret the role of grout lines, integrating them as fundamental elements of the design rather than mere afterthoughts. The unglazed porcelain stoneware tiles are meticulously cut, allowing the grout lines to create visually engaging seams and contribute to the overall aesthetic. This approach introduces subtle variations in line, shadow, and shape, imparting depth and dimension to the tiled surfaces. Both Osso and Bottone also mark Mutina’s inaugural venture into manufacturing tiles specifically for outdoor applications. The Osso collection adopts a linear design, characterized by slender cuts that extend along the tile's length, evoking the form of bones. When grouted, these lines generate delicate shifts in shadow and geometric patterns, infusing the installation with a dynamic, yet understated, sense of movement. This design diverges from the rigidity of conventional grids, guiding the eye through interwoven pathways that soften the surface and establish a rhythmic flow. The subtle modifications in the tile structure achieve an elegant, graphic effect. Conversely, the Bottone collection, named after its button-like appearance, features circular indentations along the perimeter of each tile. With a 4mm grout spacing, the installed surface exhibits a dotted, tactile rhythm. These circular elements playfully disrupt the uniformity of the grid, creating a surface that appears almost intricately stitched. The choice of grout color significantly influences the final look, ranging from a subtle textural enhancement to a bold graphic pattern. This demonstrates how minor adjustments to tile shape can lead to substantial visual impact. Bouroullec’s innovative use of grout lines transforms them from functional necessities into integral design features, opening new avenues for enhancing spaces with creative flair without overwhelming them. Whether through the distinctive punctuation of Bottone or the nuanced pathways of Osso, both collections offer a fresh perspective on conventional tile arrangements. The Osso collection is available in large (7.5 × 23.1 cm) and small (3 × 27.5 cm) sizes. The Bottone collection is offered in large (7.5 × 32.1 cm) and small (3 × 27.5 cm) sizes. Both collections are available in five color options: Sabbia (sand), Grigio (gray), Rosso (red), Blu (blue), and Verde (green). #MutinaTiles #RonanBouroullec #TileDesign #InteriorDesign #OutdoorTiles #ArchitecturalSurfaces #HomeDecor #CeramicArt

Kelli Fontana, a creative director and designer, has collaborated with The Tile Shop to launch her debut tile collection. Fontana, who has managed West Bay Homes with her husband Richard Vogelgesang for over two decades, has extensive experience in interior projects and considered product design a natural progression for her career. The collaboration with The Tile Shop, a company known for its partnerships with various designers and brands, provided Fontana with the opportunity to translate her design philosophy into tangible materials. Fontana describes her personal aesthetic as "classic, bold and whimsical," a philosophy she applied in developing the collection. She focused on three core pillars to define her approach to product design. The collection features three distinct designs: Tommas, Patina, and Inlay Proper, each embodying aspects of her signature style. Tommas represents classicism, Patina offers a bold, vintage glam, and Inlay Proper brings a whimsical and ornate element. The Tommas design features large-format, matte-finished ceramic wall tiles with raised, rounded fluting. Available in Carrara, which mimics Italian marble, and a soft white Classico, these tiles can be installed horizontally or vertically. Fontana named this design after her father, Thomas, and describes it as a foundational, masculine style that is both quiet and powerful in its simplicity. It is designed to add sculptural dimensionality and elegance to any space, akin to a Roman column. Patina tiles are designed to make a bold statement and reflect light, creating the illusion of extra space. These mirrored tiles come in three colorways: Gilded (amber gold), Siren (silver-tinged), and Eclipse (smoky blue-gray). Fontana suggests using the Gilded colorway for an entire bathroom to maximize its impact, or the Siren colorway as a backsplash to bring natural light and outdoor views into areas lacking windows. She emphasizes that while mirrored tiles can evoke a disco aesthetic, their application is key to achieving a sophisticated look. The lightly weathered finish of Patina tiles adds a sense of history, making them versatile for various interior styles, from contemporary to rustic, and ensuring their enduring appeal. Inlay Proper, the third design in the collection, provides a gorgeously ornate contrast. These 8-inch-square porcelain tiles feature a floral and leaf motif, translated from Fontana’s Bone Inlay wallpaper series. While classical and dramatic, the delicate blooms and winding vines impart a whimsical quality. Fontana envisions these tiles enhancing kitchen floors, foyers, four-season porches, and powder rooms. The palette includes neutral colorways like Florence Lace (white marble-look with silvery leaves), Naples Beach (warm taupe with white), and Eden Ode (rich veined black with beige), allowing them to complement diverse settings from beach houses to city apartments. Fontana expressed her satisfaction with the collaboration, highlighting The Tile Shop's accessibility and support in personalizing the collection. The designs are intended to function both individually and cohesively, with colorways and sizes chosen to integrate seamlessly with a broad range of other tiles. Fontana has numerous ideas for future collections, aiming to further explore her classic, bold, and whimsical approach with her partner, The Tile Shop, which is conveniently located near her. This partnership underscores The Tile Shop’s strategy of working with local talent and designers who bring a unique vision to their product lines. #KelliFontana #TheTileShop #TileCollection #InteriorDesign #ProductDesign #HomeDecor #DesignCollaboration #ArchitecturalMaterials #HomeFurnishings