Zoë Feldman is in the mood for soft ivory bouclés, chocolate brown velvets and antique brass finishes

Peggy and David Matthews, celebrating their 30th wedding anniversary, undertook a significant interior design renovation of their Southside Place home, which they built 20 years ago. The initial design of the house catered to their young children, but with their five children now ranging from 16 to 28, and several back home due to the coronavirus pandemic, the family's needs and lifestyle have evolved. Peggy Matthews, who owns Rapid Record Retrieval, a legal support company, expressed a desire to upgrade, redo, and refresh their living space, driven by her love for change. The redesign project was spearheaded by Marie Flanigan Interiors, with Marie Flanigan and design director Melanie Hamel leading the effort. A key aspect of the renovation involved transforming a multi-purpose front room, which had served as a playroom and teenage hangout, into Peggy's personal retreat. This room now features deep blue lacquered walls and built-in bookshelves, a sofa reupholstered in white fabric, a bold geometric rug with chartreuse accents, and a dark blue tufted ottoman. This space allows Peggy to relax privately, though it remains appealing to other family members as well. Peggy's passion for fashion significantly influenced the design choices, prompting the designers to incorporate sophisticated yet functional fabrics inspired by runway trends, including Hermes and Jean Paul Gaultier fabrics. The home's existing art collection, notably Andy Warhol's "Cowboys and Indians" lithographs, served as a primary source of color inspiration. The rich ochers and cobalts present in Warhol's pieces, such as "Mother and Child" in the front room, "Geronimo" in the family room, and "Kachina Dolls" in the hallway, guided the selection of the home's new color palette. Flanigan and Hamel aimed to create a vibrant interior that matched Peggy's dynamic lifestyle, moving away from an all-white aesthetic. The dining room, frequently used for family gatherings, was reimagined with customized de Gournay "Willow" wallpaper featuring delicate branches and a Lindsey Adelman "Branching Bubble" chandelier. Vintage side chairs, discovered on firstdibs.com with garish green frames and old upholstery, were meticulously restored with a gold-bronze finish and reupholstered to complement the wallpaper. The family room was designed with two distinct seating areas to accommodate both large group television watching and intimate conversations, and even includes a designated "dance floor" for entertaining. Minor updates were also made to the kitchen, including replacing traditional island legs with edgier stainless steel ones to match the existing stainless steel counters and range hood. New barstools, combining wood frames with varied fabric on the backs and seats, added warmth. A geometric patterned backsplash was installed after a range replacement, contributing to the updated decor. The breakfast area received new furniture, including a round table that can expand to an oval for larger gatherings. Furthermore, part of the backyard patio was enclosed with large glass panels to create an indoor-outdoor sunroom, offering a climate-controlled space that can be fully opened to the outdoors. This sunroom is furnished with a mix of blue and white patterns in performance fabrics, including a bold Martyn Lawrence Bullard Perennials print on a large ottoman, a striped chair, a solid sofa, and a chevron rug, ensuring durability and a cohesive aesthetic that extends the home's style into the outdoor living area. #InteriorDesign #HomeRenovation #FashionInspiredDecor #LuxuryInteriors #ArtCollection #CustomWallpaper #ModernTraditional #IndoorOutdoorLiving #FamilyHome

This article features an interview with Zoe Feldman, a Washington D.C.-based interior designer known for creating warm, characterful, and personal homes. Feldman, who trained at Parsons School of Design, emphasizes the importance of understanding a building's architecture as the foundation for her design approach. She believes that the 'bones of a building' set the tone for the interior, which she then enhances with bold colors, rich textures, and carefully selected art. The discussion begins with Feldman's initial assessment of a space, focusing on its inherent architectural qualities and whether it requires added warmth or soul. She describes her personal design philosophy as naturally warm, casual, and approachable, qualities she strives to infuse into every project. When working with new builds that often lack character despite soaring ceilings, Feldman's strategy involves creating coziness by framing areas to give them distinction and purpose. This might include adding moldings or slightly lowering ceilings to make open-concept spaces feel more intimate and functional, ensuring each area serves its intended role. Feldman views homes as a form of self-expression and guides clients by exploring their existing collections, such as vases, records, art books, or travel souvenirs. She believes that highlighting cherished analogue objects makes a home more conversational, inviting connection and dialogue among visitors. Being surrounded by such items, according to Feldman, creates a sense of wonder and warmth, making a living space feel like a rich tapestry of one's life experiences. Color plays a significant role in Feldman's designs, and she encourages clients to overcome their fear of using it. Inspired by artist Mark Rothko, who used bold shades to evoke emotion, Feldman suggests incorporating colors that resonate personally. For instance, blue for calm in a bedroom, pink for happiness in a sitting room, or green for connection to nature in a kitchen. For more cautious clients, she introduces color through upholstery or artwork, or by dedicating bold hues to specific, briefly experienced spaces like dens, dining rooms, or powder rooms, where a strong statement won't overwhelm the entire home. Texture is another subtle yet powerful element in Feldman’s work. She shares her current favorites, including mohair rugs for their softness and comfort, and cashmere for its luxurious feel, particularly in a buttery camel tone. She acknowledges that some choices, like cashmere sofas, are not practical for every household, especially those with children and pets. However, she advocates for using materials that suit the client's lifestyle. Lightweight wool drapes are also favored for their ability to catch light beautifully and adapt to different seasons. The interview also delves into art sourcing, where Feldman, with her background in art dealing, highlights its transformative power. She advises against matching art to a space but rather considering how it responds to the room, and she often plays with scale, using oversized pieces for dramatic effect or small, delicate ones to invite closer inspection. She encourages people to embrace art without intimidation, stressing that cost is not a barrier and that the key is to acquire pieces that evoke love and personal connection. #InteriorDesign #ZoeFeldman #HomeDecor #ColorPalette #TexturalDesign #ArtInDesign #SoulfulInteriors #DesignPhilosophy

The master bathroom serves as a space where designers leverage color and finishes to cultivate a specific mood, tone, style, and personality. While white and gray palettes continue to be prominent, designers are increasingly incorporating color to create unique and personalized spaces. Roshele Allison, CMKBD, CLIPP, NW Home Designers, notes the continued popularity of white and gray, viewing them as the 'new neutral' that offers a spa-like and tranquil ambiance. Karen King, architectural designer at Transitions Kitchen & Bath, echoes this sentiment, observing that these shades remain a benchmark for timeless and classic aesthetics, particularly in painted cabinetry. Richard Ryder, designer/builder at Clearcut Construction, often bases his projects on warm whites, allowing for strategic 'pops' of color to add interest. His clients frequently present inspiration images featuring warm white walls and low contrast between trim and walls. Chelsea Newton, of Chelsea Lauren Interiors, notes that her Southern California clients often prefer neutral colors inspired by nature, emphasizing natural materials like wood and stone. Michelle Fee, a designer at Change Your Bathroom, also finds her clients drawing inspiration from nature, moving away from purely monochromatic white and gray towards warmer tones and earth-friendly colors. Fee observes a growing interest in wood, particularly walnut and teak for furniture and cabinetry, as well as incorporating greenery, either through actual plants or nature-inspired accents like blues and greens, to evoke a restorative and calm feeling. When clients do opt for color beyond white or gray, blues and greens are frequently chosen. These hues are often introduced as easily changeable accessories, but also as more permanent features in cabinetry, tile, or semi-permanent paint applications. Allison highlights the tranquil quality of softer blues and greens, citing an example of a master bathroom with bamboo cabinetry, a green glass countertop resembling water, and green subway tile. Another project incorporated various shades of blue through a custom mosaic on vanity walls and accent walls, illuminated by LED-backlit niches, allowing the client to display international artifacts. Allison encourages clients to infuse personal elements into their designs, even with specific color preferences, ensuring the chosen hues harmonize with the space without being overwhelming. Newton's projects also feature green and blue, utilizing glossy handmade tiles with crackled detailing in master and children's bathrooms. She emphasizes that color and finishes can act as focal points, elevating a room's aesthetic. King notes that clients willing to be bolder are selecting deeper blues and greens, such as the dark navy cabinetry paired with warm gold hardware in a recent bathroom, providing a strong contrast to softer neutrals. She suggests that bathrooms, being more private and enclosed, allow for more daring color choices compared to open-concept kitchens. Ryder's clients also gravitate towards darker shades like dark blue, green, and black for pops of color, often maintaining a 75/25 neutral base-to-color ratio for balance, as demonstrated by a tall black cabinet against a white backdrop in a recent bathroom design. Beyond color, finish selections significantly influence a space, particularly in monochromatic schemes. Allison used large-format dimensional porcelain tile in a white and gray palette to create a focal wall in a 'bathing room' and a unique plumbing fixture to add interest. The increasing availability of tiles with varied finishes, textures, and dimensionality allows designers to personalize spaces. King points out the evolution of subway tile beyond traditional sizes, with options like 4"x12" or 5"x22" and creative finishes such as crackled or inverted bevels. Glossy finishes remain popular for their light-reflecting qualities. Grout color variations can also alter the look, from subtle gray for a refined trim to dark gray for a rustic farmhouse aesthetic. Contemporary designs often feature large-format tiles like 12"x24" or even 13"x40", laid horizontally and stacked with minimal joints to create a simplified, textural, and often multi-dimensional appearance. Allison and Fee's clients appreciate large-format tiles, especially those mimicking natural stone like travertine or marble, offering durability and easier maintenance while making rooms feel more expansive. Fee frequently combines natural and faux materials, such as marble shower floors with porcelain tile walls and floors, to achieve a nature-inspired theme. Matte finish plumbing fixtures, including matte black, brushed nickel, and brushed gold, are also popular for their aesthetic appeal and ease of cleaning, with Newton's clients favoring matte black and patinaed brass, and Ryder often incorporating mixed metals for a sophisticated, complementary look. #BathroomDesign #InteriorColorTrends #HomeFinishes #TileDesign #ColorPalette #NatureInspiredDesign #ModernBathrooms #LuxuryBathrooms

Meredith Heron, a Toronto-based maximalist designer, consistently integrates a diverse range of patterns and color combinations into her projects. Her design philosophy revolves around the idea that "more is more," prompting her to incorporate multiple fabrics within a single room while consciously avoiding a "matchy-matchy" aesthetic. Heron also embraces challenging color palettes, often selecting hues that initially intimidate her, such as contrasting reds and greens, to push her creative boundaries. To harmonize these bold elements, Heron strategically employs a nuanced spectrum of gradient blues. This approach prevents her vibrant selections from clashing, instead creating a cohesive visual experience. A key technique she utilizes involves incorporating the same pattern in various colorways throughout a space. Additionally, she often chooses paint colors that are slightly off from fabric shades to achieve a more lived-in and organic feel, viewing this deliberate mismatch as an enjoyable design puzzle. Heron's mood board, which serves as a visual representation of her current inspirations, exemplifies her eclectic style. It features a blend of striking motifs, including multitonal stripes, flame-stitched chevrons, and animal prints. Each element is carefully chosen to contribute to her signature maximalist aesthetic, without overwhelming the space. She thoughtfully curates each component, demonstrating how disparate patterns and colors can coexist in a harmonious and sophisticated manner. Among the specific items highlighted in her mood board are the Handsart Key Rug in Merlot, which she appreciates for its meandering design that helps open up a space. The Camber Stripe Fabric in Green and Blue by Jane Churchill is noted for its mint hues, allowing her to integrate other mutable greens into her palette. The Inferno Fabric in Sapphire by S. Harris, a flame stitch, is a favored choice for sofas due to its distinctive texture and pattern. She also features the Regal Fancy Fabric in Verdant by S. Harris, an Art Deco-inspired green with a shimmering sheen, and the Midori Fabric in Verdure by Clarence House, which she describes as textural and luxurious, particularly when paired with leather. Heron also incorporates unique accent pieces, such as an antique cloisonné vase, which she sources from auctions to add a sense of history and a richer narrative to her designs. The Fissure Rug in Azure, from her own Meredith Heron Collection, showcases her passion for ombres, a design element she frequently includes in her rugs and fabrics. For hardware, she selects the Pyra Mitered Handle in Bright by Shayne Fox Hardware, appreciating the craftsmanship of a fellow Toronto designer. An animal print is almost always a staple in her projects, represented here by the Darwin Fabric in Blue by Jane Churchill, which, despite being a dotted pattern, evokes the texture of a stingray or shagreen. Wallpapers also play a significant role in her designs, with the Marble Tile 1 Wallpaper in Pebble by The Vale London being a choice for creating a faux marble effect on ceilings or within decorative molding. Another selection from The Vale London is the Bagan Wallpaper in Deep Sea, a pearlescent paper that caught her attention for its unique finish. For anchoring her color schemes, she uses the Giles Embroidery Fabric in Red/Blue by Lee Jofa, which incorporates the majority of colors present in a room. Finally, the Cleo Fabric in Copper and Red by Jane Churchill is chosen for its feathery, animal print-like qualities, contributing to the "well-traveled" ambiance she aims to achieve in her interiors. #MeredithHeron #MaximalistDesign #InteriorDesign #FabricPatterns #ColorPalettes #HomeDecor #DesignInspiration #LuxuryInteriors #TextileDesign

The article explores the growing trend of rich and saturated colors in interior design, marking a significant departure from the minimalist and monochromatic palettes that have dominated since the early 2000s. This shift is characterized by a desire for depth, warmth, and character in living spaces, moving away from neutral grey gradients towards bold colors such as jewel tones, deep greens, blues, reds, and citrus hues. Sophie Alberry-King, an interior designer at City & Country, highlights that this trend allows for greater self-expression and personality in home design. She notes that experimenting with diverse shades and contrasts can enhance the living experience, both mentally and physically, through the psychological impact of vibrant colors. The resurgence in popularity of feature walls and sophisticated, bright accents is presented as a forward-thinking approach to design, diverging from any perception of these bold elements as aggressive or brash. The article emphasizes that the interior design world has observed a definite shift, with highly pigmented, eye-catching shades, ranging from bright to more muted yet rich tones like deeper wine, olive, and mustard variations, becoming increasingly prevalent. The rise of "bold chic" interiors on platforms like TikTok is cited as evidence of this trend, encouraging designers and homeowners to experiment with design conventions. Alberry-King points out the psychological benefits of vibrant colors, suggesting that people are turning to more saturated tones as a form of visual therapy within their homes. For those new to incorporating bold colors, a gradual approach is recommended, starting with smaller applications such as colorful tiles or brightly painted cabinets in bathrooms or entryways, or even introducing colorful dishes and utensils to build up a palette without overwhelming the entire home. To prevent over-stimulation while using vibrant colors, the article advises strategic application and the maintenance of balance. This involves pairing bold hues with contrasting neutral tones such as wood, creamy whites, and complementary shades on accent walls or trimmings. Statement furniture and curated décor pieces are suggested as effective ways to introduce color incrementally, preventing a room from becoming overpowering. Examples provided include using deep green vases, wine-red hardback books, and royal blue cushions or curtains as accent pieces. City & Country’s in-house design team, for instance, incorporates rich shades through plush armchairs and decorative cushions in show homes, aiming for a timeless aesthetic with pops of color. The trend also advocates for layering various textures and patterns alongside bolder colors to add depth and interest. Combining materials like wood, metal, and textured wallpaper can create a visually dynamic yet cohesive space. The article stresses the importance of maintaining a consistent style and theme throughout the home, blending vibrant features with neutral elements to achieve a surprisingly calming balance. Darker shades like rich browns, earthy moss greens, and deep burgundies are noted to complement natural materials such as wood, linen, and boucle, fostering a cozy atmosphere against a neutral backdrop. Color psychology, a long-standing element in interior design, is undergoing a reinvention with the bold and bright colors of 2025. This creates vibrant yet harmonious settings, promoting a new sense of serenity and self-expression through an optimal ratio of color and neutrals. The saturated colors trend is not just a passing fad but a reflection of a societal desire for personalized sanctuaries and vibrant self-expression, pointing towards a future where living spaces are more dynamically and richly colored. #InteriorDesign #ColorTrends #HomeDecor #SaturatedColors #JewelTones #BoldInteriors #DesignPsychology #AccentPieces #TextureLayering

This article explores a Washington, D.C., home designed by Zoe Feldman, which showcases a maximalist yet restrained approach to interior design. The residence, owned by a young, fashion-forward couple with an affinity for British style, particularly House of Hackney, challenges conventional design norms by seamlessly integrating bold patterns, vibrant colors, and diverse textures. Feldman emphasizes that despite the eclectic mix of elements, the home maintains a cohesive and surprisingly neutral feel. The dining room, for instance, features a large, square layout adorned with striped Farrow & Ball wallpaper. This bold pattern, rather than being overwhelming, is described as soothing. The space offers a view into a floral-covered foyer, which in turn leads to a chartreuse-colored living room where various animal prints are harmoniously incorporated. Feldman explains that the striped wallpaper in the dining room naturally complements the William Morris Pimpernel print found in the stairwell, with both areas utilizing tame color palettes that subtly prepare visitors for the vibrant chartreuse living room. A key design philosophy employed by Feldman is balancing quirky and traditional elements, ensuring that "everything can’t be the star." This approach is evident in the inclusion of a vintage landscape tapestry in one corner and a human hand-shaped catchall for keys, a signature touch in Feldman’s projects. She stresses the importance of natural relationships between design elements, rejecting the idea of simply throwing disparate items together. The leopard stair runner is highlighted as an example of a seemingly bold choice that functions as a neutral, according to Feldman, who believes animal prints are inherently neutral and can coexist in nearly any space. The living room further exemplifies this adventurous design, featuring nude sketches by a team designer, antique glass mirror panels, and a 1970s tiger-print daybed. The striking chartreuse walls and window trim, painted in a Benjamin Moore hue matched by Fine Paints of Europe’s Hollandlac finish, create the illusion of lacquer without the associated cost and labor. In contrast to the vibrant communal spaces, the kitchen acts as a palette cleanser with its gradient blue cabinetry. Feldman applied various shades of Farrow & Ball paint—Pale Powder for the walls, Light Blue for medium door fronts, and De Nimes for pantry cupboards—to create a calming, smudged effect. The Donatello marble countertops, integrated sink, and backsplash, with their subtle blue veining, enhance this optical illusion. The adjacent family room, described as the "heartbeat of the house," is designed for both the couple and their young children. A TV is concealed behind bifold cabinet doors, painted in Farrow & Ball’s Stone Blue to match the walls and baseboards, allowing for a versatile space that can be active during the day and serene at night. Feldman’s use of antique brass grilling to disguise lower cabinet panels, a technique often used for radiators and AC returns, adds a functional yet decorative touch. The primary bedroom features an upholstered bed frame that is complemented by speckled Matouk Margot print pillows and duvet, chosen to play up the pattern rather than mute it. Feldman argues that small-scale prints can complement larger ones in ways solids cannot. The children’s bedroom incorporates playful pink dinosaur wallpaper from House of Hackney, with the border painted in an icy blue-green, a tone present in the motif, to ensure a cohesive and impactful design. This careful consideration of trim, doors, and ceiling colors maximizes the effect of the wallpaper, avoiding a stark white that would feel out of place. #InteriorDesign #HomeDecor #MaximalistDesign #PatternMixing #ColorPalette #ZoeFeldmanDesign #WashingtonDCHome #TextileTrends #EclecticStyle

The article explores the enduring popularity of beige, a color trend that has transitioned from the S/S 19 runways to become a prominent feature in fall fashion. Despite its neutral nature, beige has been embraced by designers like Max Mara, Sally La Pointe, Rejina Pyo, and The Row, showcasing its versatility and modern appeal. The key to styling beige effectively and avoiding a monochromatic, uninteresting look lies in several strategic approaches. One primary method involves mixing various shades of beige within a single outfit. This technique creates depth and visual interest, moving beyond a single flat tone. For example, pairing toffee-colored trousers with a taupe trench coat and off-white accessories can result in a sophisticated and cohesive ensemble. This layered approach with different beige tones ensures that the outfit remains dynamic and far from mundane. Another crucial aspect of styling beige is to incorporate diverse fabrics and textures. This adds complexity and dimension to the look. The article suggests using materials such as mock-croc, luxurious leather, cozy cashmere, or faux fur. For instance, combining a Nanushka Poppy Tie-Front Vegan Leather Shirt with Frankie Shop Pleated Linen Blend Pants introduces a tactile contrast that elevates the overall aesthetic. Accessories like a Nanushka Lynne Mini Croc-Effect Leather Tote and & Other Stories Square Toe Leather Ankle Boots further contribute to this textural interplay. Adding volume through exaggerated silhouettes is also highlighted as a way to refresh an all-neutral outfit. Billowy sleeves, puff shoulders, slouchy wide-leg trousers, and voluminous dresses can transform a simple beige ensemble into a fashion-forward statement. An example provided includes a Cecile Bahnsen Alma Tie-Back Floral-Cloqué Top paired with Albus Lumen X Woolmark Solis Merino Blend Wide Leg Trousers, demonstrating how larger, flowing shapes can add an element of cool and contemporary style. Accessories play a significant role in enhancing a beige outfit. The article recommends elevating the look with gold jewelry, particularly a trending chunky chain link necklace and hoop earrings, which can provide a touch of sparkle and sophistication. Alternatively, breaking up the monochrome with contrasting black accessories, such as a statement black belt, strappy sandals, or cat-eye sunglasses, can introduce a chic and sophisticated edge, preventing the outfit from feeling too uniform. An example is pairing a beige utility jumpsuit with a Bottega Veneta Belt in French Calk and Topshop Nicole Black Strap Sandals. Finally, introducing prints and experimenting with different lengths are effective strategies. A subtle pop of print, such as a plaid or animal print shirt in similar neutral tones, can inject life into the outfit. Examples include a Who What Wear Animal Print Long Sleeve Scoop Neck Ruffle Shoulder Blouse or a Topshop Sand Suit. Varying lengths, like a longline trench coat with midi-length skirts or culottes, or ankle-grazing trousers and coats, creates a luxurious and refined silhouette, as illustrated with an ASOS Longline Trench Coat and Frankie Shop Faux Leather Trouser Shorts. The overall message is that with thoughtful layering, texture play, volume, and strategic accessorizing, beige can be a powerful and exciting fashion statement. #BeigeFashion #ColorTrend #FallFashion #NeutralTones #FashionStyling #TexturePlay #VolumeInFashion #GoldJewelry #BlackAccessories

Tim Pfeiffer, co-founder of Seattle-based firm Hoedemaker Pfeiffer, curated a mood board inspired by the rugged enchantment of the West Coast, specifically the California coastline. His design philosophy draws from the diverse landscapes, including redwood forests, ocean beaches, and sandy deserts. The resulting aesthetic is a balanced blend of burnt ambers, oranges, muted greens, and tawny browns, aiming to evoke the vibrant colors and natural elements of the coastal environment. Pfeiffer describes his scheme as warm and vibrant, featuring organic lines and natural materials such as handmade terracotta tile and solid wood. The layers within the mood board reflect the raw beauty of the land and sea. Key elements of Pfeiffer's mood board include a vintage handwoven rug from Turabi Rug Gallery, known for its artisanal quality and natural color palettes. He selected New California Tile in Bracken by Clé, a green-hued tile intended to complement titanium gold stone for a refined bar or kitchen setting. For artisanal decor, Pfeiffer incorporated bespoke ceramic vessels by Takuma Murakoshi, specifically his shigaraki ceramics, which he values for their everyday use and collectible nature. The mood board also features material samples from specialized fabricators and ceramicists. Harriet Industries provides a flame spray on steel sample, chosen for its ability to perfectly complement real bronze and its local fabrication. Stan Bitters Tile in Museum Black by Heath Ceramics is included for its bold, tactile quality and subtle movement, with both Museum Black and Redwood colorways noted for their quiet dynamism. Textile selections are diverse, including Shanty fabric in No. ZFSNYSH-01 by Zak+Fox, made of linen and paper ropes, chosen for its evocation of ocean surf and hillside sage textures. Pat McGann’s Ocean Stripe Warm fabric, woven in India from raw silk and wool, is earmarked for pillows and throws, while Rose Tarlow’s Linden Allée fabric in Copper Beech serves as a beautiful outdoor fabric. Pottery is represented by Elias Scalise Pottery at Housewright Gallery, admired for its wood-fired brutalist ceramic pieces that blend muscular forms with experimental glazes. A vintage Japanese Keyaki display stand from Housewright Gallery is also featured for its organic edge and varied wood grain, highlighting nature's artistry. Lighting is addressed with a Serif Swagged Chandelier Chain Sample in Dappled Brass by Trueing, chosen for its unique dappled finish that enhances the elevated coastal design. Fabric choices continue with Pierre Frey’s Tyrone fabric in Salmonbrown, a pure wool tweed with orange accents, and Teddy Mohair fabric in Acajou, a cinnamon-hued mohair. Designs of the Time’s Pancho fabric in YP22004 evokes an agricultural landscape, adding another textural layer. Material selections for larger surfaces include Titanium Gold Natural Stone by Architectural Surfaces, considered a sophisticated choice for dark kitchen countertops due to its depth and moodiness. Highland Linen fabric in Madras by William Yeoward provides vibrant color and soft texture. Hardware is represented by Sun Valley Bronze’s Fremont Ergonomic Lever in Dark Brown Patina, valued for its haptic experience and the way it patinas over time, offering a sense of lasting quality. Robert Kime’s Russell fabric, inspired by a 19th-century block-print, contributes an earthy color story and playful charm. Gregorius Pineo’s Ramie fabric in Stone Nettle adds texture and moodiness, ideal for cozy spaces. For wood finishes, Meyer Wells's Walnut Solid Wood Finish is selected for its deep, smooth appearance, bringing timeless elegance and sophistication. Lastly, Valverde Tile by Zia Tile, handcrafted cotto tiles, are chosen for their suitability in rustic settings, particularly when paired with black walnut and cedar woods, and De Le Cuona's Tuli fabric in Nectar provides warm colors reminiscent of beach cabin textiles. #TimPfeiffer #HoedemakerPfeiffer #WestCoastDesign #CoastalInteriors #MoodBoard #InteriorDesign #NaturalMaterials #TextileDesign #Ceramics #Hardware

Emily Van Hoff, an artist renowned for her textile work, explores the potential of quilts beyond traditional two-dimensional forms, creating pieces that possess significant visual weight and object-like qualities. Her work encompasses a variety of textile forms, including geometric tapestries, faceted weavings, and sculptural constructions. Van Hoff emphasizes her preference for quilts that feel substantial and robust, distinguishing them from flat, decorative pieces. She achieves this by continuously experimenting with different methods to infuse her creations with a chunky, three-dimensional presence. Van Hoff's artistic process frequently involves revisiting and reinterpreting her initial sketches and repurposing offcuts from previous projects. This approach allows her to construct new works by meticulously combining diverse textures, colors, and arrangements. A notable example of her recent experimental endeavors is a piece composed of three interlocking chain links. This particular artwork offers versatility in display, as its components can be rearranged to reveal various orientations, showcasing a dynamic interplay of angles and color combinations. She views this chain link design as an evolution of her existing wall hangings, which often feature overlapping and interwoven elements, further pushing the boundaries of textile art. In addition to her sculptural works, Van Hoff has ventured into commercial design with a new line of quilting fabric named 'Groove,' developed for Moda Fabrics. This collection, set to be released in May of the following year, embodies her characteristic vibrant color palette and incorporates playful, sinuous motifs. Van Hoff reflects on her background in graphic design and her long-standing passion for textile design, highlighting her prior experience working in a fabric shop during high school. She describes the opportunity to design her own fabric line as a dream realized, underscoring her deep connection to the medium. The article showcases several of Van Hoff's creations, including a geometric wall hanging with woven fabric panels and colorful facets, a square quilt with a bright orange and pink circle at its center framed by geometric borders, and a sculptural chain link piece perched on a wooden base. Other illustrations feature a quilted wall hanging in orange and yellow with curving geometry, a loosely tied knot-like quilted wall-hanging with bright color facets, and an array of small, colorful quilted swatches adhered to paper. The collection also includes soft, quilted shapes stacked on a wooden table, a display rack with multiple geometric quilted wall hangings, and a series of colorful, geometric fabric designs presented in strips. These images collectively demonstrate her innovative use of textiles to create visually engaging and structurally complex art. #EmilyVanHoff #Quilts #TextileArt #SculpturalQuilts #DimensionalArt #FabricDesign #Craft #GeometricDesigns #ModernQuilting

Léa Zana, a former fashion designer, transitioned into ceramics during the lockdown, establishing her homeware brand, Vaisselle. The brand's products are now available in department stores globally. Zana's design philosophy is characterized by an eclectic and authentic style, influenced significantly by her lifelong fascination with color and artistic expression. This interest in color dates back to her childhood, where she recalls a distinct vision for color palettes compared to her peers, a trait that continues to define her work today. Her early exposure to design came from flipping through La Redoute catalogues and designing clothes for Barbie dolls at age nine, demonstrating a nascent passion for creation. She pursued fine art before moving into fashion design, eventually working for luxury brands in Paris and then in footwear design for companies like Mellow Yellow, Zara, Topshop, and ASOS. A pivotal inspiration in her fashion career was Tom Ford's AW99 collection for Gucci, particularly its jewel-tone color palette and use of velvet, which instilled in her the importance of a coherent color scheme in design. Zana's creative inspirations are primarily drawn from nature, such as flowers, and Roman architecture. Each Vaisselle collection incorporates a floral element, and her French upbringing near Roman ruins has deeply influenced her aesthetic. The unexpected move from fashion to ceramics was prompted by a pre-Covid redundancy, which she viewed as an opportunity to pursue her long-standing passion for tableware and ceramics. This led to the creation of Vaisselle, built on principles of sustainability and fair trade. All Vaisselle products are handmade and hand-painted in Spain by local artisans, emphasizing craftsmanship and ethical production. Her personal style and inspirations extend to her home and hobbies. She spends her summers in Mallorca, admiring its antique cement tiles with their raw, matte finishes contrasting with floral designs. Zana is also a keen collector of various items, including elephant figurines from her childhood in Sri Lanka, glassware, and antique French crockery and linens, which evoke nostalgic memories of her grandmother. Literature and cinema also play a significant role in shaping her artistic vision. Françoise Sagan’s 'Bonjour Tristesse' is a favorite book, admired for its unique heroines and their pursuit of freedom. She anticipates new works by Leïla Slimani. Filmmakers Sofia Coppola and Pedro Almodóvar are major influences, particularly for their use of color palettes, artistic direction, and cultural references, with 'Lost In Translation,' 'Marie-Antoinette,' and 'All About My Mother' being notable examples. 'All About My Mother' particularly inspired her to incorporate Iberian culture into her life and art, contributing to her move to Spain before settling in London. Music is an integral part of her daily life, starting with Ethiopian jazz and moving to artists like Leonard Cohen, Bob Dylan, and Serge Gainsbourg. Hosting is a cherished activity, where she enjoys serving sparkling cocktails like Hugo spritzes and decorating her table with pieces from her St-Germain x Vaisselle Apéritif Edit and fresh flowers. French cuisine, particularly Louie in London, is a favorite. She admires glass artist Helle Mardahl and dreams of owning Chanel, reflecting her continued appreciation for high fashion and design. #LéaZana #Vaisselle #Ceramics #Homeware #FashionDesign #ArtisticInspiration #Sustainability #Handmade #InteriorDesign #EclecticStyle #ColorTheory

This article, part of the weekly "STYLE BAROMETER" series, delves into several emerging trends across home decor, fashion, and lifestyle. The piece opens by exploring the growing phenomenon of the "vase wardrobe," highlighting how individuals are accumulating extensive collections of vases. Florists and interior designers, such as Willow Crossley, Laura Stephens, and Jacqueline Mercer, are cited as examples, with collections ranging from 80 to 500 vases. These enthusiasts justify their habit by explaining the need for variety to complement different floral arrangements and interior aesthetics, emphasizing that a carefully chosen vase can significantly enhance the presentation of flowers, much like shoes complete an outfit. Transitioning to fashion, the article introduces the "swamp coat" as a new autumnal trend. This style, characterized by oversized, sludgy-green coats with textured materials like fuzzy wool or shaggy shearling, is gaining popularity, with designers like Ferragamo, Burberry, and Cos offering various interpretations. This trend signals a departure from more conventional beige and camel tones, embracing a more distinctive and perhaps unconventional aesthetic in outerwear. Beyond material trends, the article also profiles Emily Austen, a relative of Jane Austen, discussing her upcoming book "Smarter." Austen's work addresses the evolving definition of ambition for working women in the post-"girlboss" era. Her book is presented as a manifesto that encourages women to define success on their own terms and navigate their careers "smarter," drawing inspiration from motivational literature while addressing a perceived gap in female-led perspectives on work-life balance and ambition. Austen humorously speculates that her famous ancestor, a highly ambitious woman herself, might have approved of her endeavor. Finally, the article touches upon a peculiar social trend emerging in New York City: the grocery store as a dating hotspot. Drawing parallels to Los Angeles's Erewhon, Happier Grocery is identified as a new destination where Gen Z individuals mingle while shopping for high-end, niche health foods. The store sells expensive products like canned pickle juice, bone broth, detox water, and “raw milk,” along with exclusive merchandise created in collaboration with Rose Bakery. The clientele, attracted by the store's unique offerings and the opportunity to meet like-minded individuals, underscores a broader cultural shift where health, wellness, and conscious consumption intersect with social interaction and personal branding, evidenced by items like transparent woven bags that become eBay collectibles. This highlights how curated retail environments are becoming unexpected venues for social connection and community building. #StyleBarometer #VaseWardrobe #HomeDecor #InteriorDesign #FashionTrends #SwampCoat #EmilyAusten #FemaleEmpowerment #WorkplaceCulture #NewYorkTrends #HappierGrocery #GenZCulture #WellnessLifestyle

Los Angeles-based designer Sean Leffers shares his current design inspirations, particularly focusing on a mood board created for an oceanside home in Santa Monica. Leffers, who is known for his blend of traditional textiles with vibrant colors and playful patterns, aims to create rooms that are both elegant and cozy, imbued with a well-traveled, chic sensibility ideal for family summers by the beach. His approach for this specific project involves energizing whitewashed adobe walls and terra cotta tile floors with a carefully curated mix of timeless patterns, rich textures, and eclectic antiques. Leffers's design philosophy emphasizes creating spaces that reflect the essence of their inhabitants. For the Santa Monica home, the goal is a breezy yet comforting atmosphere, characterized by classic Americana fabrics, contrasting colors, and spirited motifs. He describes the aesthetic as "unimpeachable, good taste meets a well-traveled eye with nothing to prove," drawing a comparison to the refined style of Bunny Mellon at the beach. The chosen materials and patterns are detailed through a flat lay, providing a tangible representation of his vision. Among the selections is the "Etienne Floral Stripe in Vintage Black" from Ralph Lauren Home, which Leffers appreciates for its cheerful yet subdued elegance and antique appearance. He plans to use an antique Miao Chinese Batik cotton blanket, which he finds charmingly soft, for pillows. Another textile that sparks his interest is antique Japanese Boro cloth, revered for its earnestness and history of being repurposed from scraps for warmth. The "Jardin Floral in Summer Canvas" from Ralph Lauren Home captivated him with its subtle tonal sophistication, leading him to acquire a significant quantity for future projects. For a classic Americana touch, Leffers chose the "Stone Hill Gingham in Indigo" from Ralph Lauren Home, noting its soft hand-feel and purchasing 100 yards for repeated use. The "Le Borde in Indigo" from Le Gracieux, with its faded finish and resemblance to bandana patterns, further reinforces the Americana theme. The "Peverell Check in Tarn" from Ian Sanderson adds sophistication with its washed-out color, providing an analogous complement to the indigo hues in the scheme. The "Ivins Stripe in Soapstone" from Ralph Lauren Home offers a contemporary take on a French flour sack cloth, introducing a provincial element without being overly artistic. Another distinctive choice is "Pangea in Coconut" from C&C Milano, a raw silk fabric that offers an organic simplicity and material elegance, reminiscent of bamboo shades. An antique Javanese Batik, with its contrasting oxbloods and pinks, contributes a sophisticated palette, echoing the ombré petals of the Ralph Lauren floral. For bedding, Leffers selected the "Antik Matelassé Coverlet in Off White" from Matteo, praising its supersoft hand and classic, elegant look. Finally, "Lost and Found in Indigo by Kit Kemp" from Christopher Farr Cloth was chosen for its contemporary, fun, global, and Americana-compatible aesthetic. This detailed selection process highlights Leffers's ability to blend diverse elements into a cohesive and personally resonant design. #InteriorDesign #HomeDecor #TextileTrends #DesignerInspiration #AmericanaStyle #RalphLaurenHome #VintageTextiles #FabricSelection #SantaMonicaDesign

This article delves into the personal style and wardrobe of interior designer Suzie McAdam, presenting it as part of "Tales From My Wardrobe," a series that explores the fashion choices and cherished pieces of stylish individuals. McAdam's approach to fashion is characterized by a blend of historical appreciation, storytelling, and an embrace of the unexpected, mirroring her professional philosophy in interior design. Her wardrobe features silhouettes with a bohemian feel, often incorporating vintage references, tailored elements, or items that convey a sense of pre-existence and history. McAdam's daily attire typically follows a consistent "uniform," primarily consisting of denim with a 1970s cut or subtle print, paired with a distinctive blouse or shirt. This formula serves as a reliable foundation for her everyday look. In contrast, evenings allow for a shift in her style, where she opts for more dramatic pieces. These might include bold necklines, interesting textures, or silhouettes that experiment with proportion, reflecting a ritualistic enjoyment of dressing up. Among her current favorite wardrobe items is a feather-trimmed two-piece ensemble from La DoubleJ. She admires the brand's use of patterns and colors, finding it challenging to select just one piece from their collection. The green silk two-piece, despite its dressy nature, offers versatility as the trousers can be worn separately, making it a mood-lifting and adaptable choice. Another recent favorite is an Etro jacquard corset, featuring an Elizabethan-style neckline. She wore this piece to the Creators Awards in Paris, pairing it with a silk skirt and velvet Jimmy Choo pumps, noting its theatrical and romantic quality that influenced her demeanor during the event. A deeply sentimental item in her collection is her grandmother's fur coat. McAdam views this coat as a symbol of heritage and sustainability, having had it reconditioned to ensure its continued use and preservation. It holds significant historical and emotional value for her, offering a tangible connection to her grandmother each winter. Hats are a consistent accessory in McAdam's wardrobe, regardless of the season. In summer, she favors wide-brimmed straw hats, particularly those from Anthony Peto. During winter, she often chooses a classic wool trilby, which she finds an easy way to inject character into her outfits. Beyond these specific items, her preferred brands include Alligne, Ulla Johnson, Ganni, and Maria De la Orden. Currently, she expresses a desire for Simone Rocha's "coronation dress." For discovering unique fashion pieces, McAdam enjoys exploring the Marché aux Puces de Saint-Ouen in Paris, also known as Clignancourt. She describes it as a dream destination for vintage enthusiasts, where one can find an array of silk blouses, embroidered jackets, and occasional couture pieces among the extensive offerings. The process of searching and digging through the market is part of the appeal, often leading to discoveries from dealers who possess in-depth knowledge of the items' histories. Conversely, the least "fashionable" item she owns is a Barbour coat, which she considers a practical necessity given her lifestyle with two young boys and a dog, often involving time spent outdoors in the rain. Her Instagram handle is @suziemcadam, and the article also references her home, described as a whimsical and historic residence in Dublin. #InteriorDesign #PersonalStyle #FashionWardrobe #VintageFashion #BohemianStyle #DesignerSpotlight #FashionHistory #SentimentalValue #SuzieMcAdam

Melissa Oholendt, founder of Oho Interiors, has carved out a unique niche in the interior design world with her distinctive “Elevated Cozy” aesthetic. Although she initially pursued a finance degree, her passion for interior design, ignited by a childhood bedroom's Ralph Lauren Polo bears and the challenge of matching navy paint, eventually led her to launch her Minneapolis-based firm in 2019, which now extends its services to Colorado and beyond. Oholendt's early years in business, coinciding with the challenges of the COVID-19 pandemic, were a period of intense, hands-on learning. Without formal design education or prior experience in a design firm, she navigated the complexities of the industry, developing her expertise project by project. This rigorous self-education paid off significantly, leading to her first hire in 2022 and subsequent expansion of her team to seven by the following year, allowing her to focus more on creative direction. The Oho Interiors style is characterized by a fresh interpretation of traditional design, drawing heavily from English and European influences. Oholendt describes her approach as a blend of diverse elements: the vibrant color palettes found in English design, the natural materials and warmth of Belgian aesthetics, and the playful, unexpected curves seen in French and Spanish styles. This eclectic mix contributes to spaces that feel both sophisticated and inviting. Central to Oholendt's design philosophy is the concept of “Elevated Cozy.” She aims to create environments where clients can comfortably relax, kicking off their shoes and enjoying a glass of wine, yet also feel prepared to host an impromptu dinner party. This balance between comfort and elegance is a guiding principle for her team. While they appreciate and utilize a broad spectrum of colors, they also demonstrate restraint, knowing when to employ a neutral palette for a harmonious effect. Her designs often feature rich, deep hues, such as mulberry walls, complemented by carefully selected furnishings like leather ottomans and chintz drapery. A key aspect of Oholendt’s work is her belief in selecting pieces that improve with age, fostering a “nothing is too precious” mentality. This ensures that the interiors not only look beautiful upon completion but also develop character and charm over time, evolving gracefully as they are lived in. This timeless approach ensures that her projects retain their appeal and functionality for years, truly aging to perfection within a dynamic living environment. Oholendt shared insights into her design process, including a cherished antique, hoofed side table she's held onto for the perfect project. She encourages her team to step outside their comfort zones, citing a recent bathroom project featuring pink tile balanced with classic white and black accents, a campaign-style vanity, and polished nickel fixtures. Her dream collaboration would be with Casa Gusto, envisioning a collection of pattern-heavy upholstery and hand-painted furniture. She also expressed admiration for Ellen of Great Florals, known for her delft-inspired pottery, which frequently appears in Oholendt's own home. #InteriorDesign #HomeDecor #ElevatedCozy #TraditionalDesign #EuropeanInfluences #ColorPalette #TimelessDesign #MelissaOholendt #OhoInteriors

The current trends in interior textiles for spring 2020 emphasize a palette of muted pastels and warm earth tones, moving away from jarring colors towards more soothing and delicate hues. Designers are focusing on creating environments that offer visual calm and comfort. Popular patterns include subtle geometrics and brushstroke designs, while cushions often feature restful abstract prints or intricate embroidered details. Velvet remains a staple fabric, now appearing not only in solid colors but also with printed and color-block variations. The enduring popularity of blush tones continues to be a significant trend in the market. Several key players in the interiors industry are introducing new collections that align with these trends. Ottoline de Vries, a self-taught pattern designer celebrated for her wallpaper prints, has launched a website, ottoline.co.uk, where she now offers fabrics that complement her distinctive wallpaper designs. Her work, inspired by flowers and folk art, is characterized by an idiosyncratic use of color which, coincidentally, is perfectly in line with the season's trends. De Vries, whose wallcoverings are featured in Firmdale hotels, maintains that her primary focus is on color, contributing to her unique artistic signature. Lucy Tiffney, originally a textiles designer known for her vibrant, fantasy flora murals, has also shifted her focus towards softer hues. Her recent work incorporates pink, peach, and earth tones, aiming for a more neutral and calming aesthetic, particularly suited for bedrooms. Her new 'Palm Peach' throw exemplifies this shift. Tiffney's collection for Debenhams, launching on February 10, will offer kitchen linens featuring her feelgood prints, making the trendy aesthetic more accessible. Her inspiration also draws from vintage items, like 1970s lamps, leading her to appreciate colors such as terracottas, caramels, and orangey pinks. Another notable collaboration is between KDLoves and Bethie Tricks, an emerging Bristolian designer-maker. Kelling Designs, led by Emma Deterding, discovered Tricks through Instagram and was drawn to her optimistic style and the use of low-impact Belgian flax linen for all her designs. For the new season, KDLoves is integrating Tricks's upholstery into their furniture offerings and her fabrics into lampshades and cushions, further enhancing the trend of cheerful and environmentally conscious design. The article also highlights specific products from various brands that embody these trends. Vanderhurd's Les Croquis collection, inspired by Wiener Werkstätte, features muted colors and understated patterns in fabrics like Ophelia, Boe, Ondine, and Delphine. House by John Lewis will introduce a range of cushions with a cocktail of patterns including Tiger, Build, Boucle Stripe, and Stripe, alongside a toning Chunky Knit pouffe. Habitat's new collection showcases abstract shapes and vibrant colors with items like the Novak rug, Symbols rug, and Novak embroidered cushion. Very.co.uk offers an embroidered Landscape Blocks cushion in popular blush, blue, and cream hues. Larsen at Colefax and Fowler presents small geometrics in rust and terracotta for spring, with fabrics like Daloa, Mekele, Harvard, and Moroni. Niki Jones will launch the Hepworth cushion and a quilted teal velvet/linen throw. Christina Lundsteen's collection features velvet with modern color-blocking in bed covers and stripe bolsters. KDLoves and Bethie Tricks's collaboration includes ceramic lamp bases and lampshades. Manuel Canovas provides subtle botanical prints with fabrics like Salengro and Rivoli. Finally, Patty Collister offers the New Romantics sofa in Blush velvet and cushions in Chinoiserie, Myolchina, and Myolchina Petit, all contributing to the prevailing themes of gentle patterns, warm palettes, and tactile textures in contemporary interior textiles. #InteriorDesign #TextileTrends #HomeDecor #FabricDesign #SpringCollection #EarthTones #MutedPalettes #PatternDesign #Velvet #Cushions

Elena Frampton, founder of Frampton Co, is known for creating unique and characterful environments through an integrated approach that combines bold prints, tactile textures, and modern art. Her latest mood board, inspired by a recent trip to Paris and its opulent, layered schemes, reflects this aesthetic, focusing on an “early evening aperitifs” space. Frampton aimed to blend Parisian ornamentation, pattern, color, and richness with versatility, beginning with a vibrant Christian Lacroix pattern and building around it. The chosen palette features an eclectic mix of sumptuous materials and dynamic linework. Frampton incorporated a range of earth-toned textiles to balance luxury with livability, alongside complementary graphic elements and mixed accents of metals and woods. A surrealist blue mirrored bar is also envisioned as a central, dream-like feature. Key components of Frampton's mood board include the Josephine fabric in Reglisse by Christian Lacroix at Designers Guild, which sets a decadent tone with its rich material and imagery, drawing inspiration from a Parisian subculture of the late 1700s. This pattern serves as a foundation for accent colors and overall balance within the scheme. She selected Bayan fabric in ZFBY-04 by Zak+Fox, a cotton velvet that echoes the coloring of the Lacroix pattern. To introduce softness without overt femininity, Mohair Supreme fabric in Rosette by Maharam provides a muted rose hue. For upholstery, Tricotage fabric in Citron by Dominique Kieffer at Rubelli adds subtle texture with a classic menswear-inspired, knitwear-like weave. Nouvelles Vagues fabric in Tiger Eyes by Dedar is included for its luxurious look and feel, being a velvet jacquard embellished with luminous yarns, offering both softness and durability. Ragtime Band fabric by Gretchen Bellinger contributes a soft chenille with a strong graphic statement, while Muse fabric in Gunpowder by Kufri provides a linen organic linear pattern that acts as a neutral counterpoint to other stripes. Classic yet durable options include Leonie fabric in Ardoise by Pierre Frey, a woven material with a chevron pattern and soft texture, and Atherini fabric in Noir de Café by Dedar, another comfortable, hard-wearing chevron suitable for various applications. Madrid leather by Moore & Giles, an olive-tanned leather, is chosen for its natural beauty and ability to develop a rich patina, ideal for banquettes or seating. For unique details, a custom La Terre Cut Fringe by Samuel and Sons adds a celebratory “fringe moment” essential for an evening cocktail space. Whimsy by Nicole Fuller Field Tile in Ellsworth at Ann Sacks introduces a strong graphic element with soft pink and mauve tones. Oxidized Oakwood Swatch by Cuff Studio and Chocolate Brown Cerused Oak Swatch by Lawson-Fenning provide dark, rich wood tones that allow accent colors to pop, with the latter featuring complementary wood grain. Azul Macaubas Polished Stone by Artistic Tile is selected for its striking beauty, envisioned as a statement piece, particularly for an entire bar. A Blue Mirrored Glass Sample by Accura Glass Bending brings a surrealist touch with its bright, reflective quality. Dyed Parchment Finish Sample in Evergreen by Roman Thomas is imagined for lounge tabletops or coffee tables in relaxed seating areas. Finally, the Cherry Bomb Chandelier Sample in Sky Blue by Lindsey Adelman Studio offers a combination of whimsy and geometry, akin to jewelry for interiors, and vintage hardware with a matte finish provides subtle shimmer. #InteriorDesign #HomeDecor #ElenaFrampton #FramptonCo #MoodBoard #TextileDesign #LuxuryMaterials #ParisianStyle #DesignInspiration

Nidhi Kapur, the founder of Maiden Home, established the brand in 2017 to address a perceived gap in the modern home decor market. Her experience furnishing her first home revealed a prevalence of generic designs and subpar craftsmanship among large retailers. Leveraging her technology background, Kapur aimed to offer sophisticated yet affordably priced furnishings directly to consumers. Maiden Home sources its products from artisans in North Carolina, focusing on quality and distinctive design. The direct-to-consumer (DTC) model enables the brand to maintain competitive pricing while delivering high-end aesthetics. In the summer of 2022, Maiden Home launched Tribeca House, a temporary pop-up experience in New York. This initiative aimed to provide clients with a tangible interaction with the brand's aesthetic and demonstrate how Maiden Home's curated approach could be integrated into their personal living spaces. The pop-up was situated in a two-story, 2,500-square-foot loft, offering ample space to showcase a selection of items from the brand's summer 2022 collection. The layout and presentation at Tribeca House were designed to inspire visitors and offer fresh perspectives on contemporary home styling. The featured pieces at Tribeca House included several key designs from the summer 2022 collection. Among these was the minimalist Mulberry ottoman, characterized by its clean lines and functional design, reflecting a blend of modern simplicity and practicality. Another highlight was the Kenmare chair, crafted from ash wood and upholstered in a white tweed fabric, emphasizing texture and natural materials. The Vestry nesting tables also garnered attention; this pair of tables featured asymmetrical forms and were constructed from domestically sourced red oak, showcasing the brand's commitment to quality materials and unique design elements. The pop-up aimed to illustrate the brand's 'collected home mindset,' encouraging customers to view furnishings as cohesive elements that contribute to a unified and sophisticated living environment. By presenting these items in a curated physical space, Maiden Home sought to bridge the gap between online browsing and the tactile experience of selecting home decor. The initiative reinforced the brand's dedication to providing accessible, high-quality modern furnishings that prioritize both design and craftsmanship. While Tribeca House was a temporary installation designed to engage customers and introduce new collections, Maiden Home's core philosophy emphasizes the enduring nature of its products. The brand's focus on timeless design, durable materials, and expert craftsmanship ensures that its furniture is intended for long-term use, contrasting with the fleeting trends often associated with mass-produced items. This commitment to longevity is a central tenet of Maiden Home's identity, promising pieces that will remain relevant and cherished in customers' homes for years to come. #MaidenHome #HomeDecor #NewYorkPopUp #ModernFurnishings #DirectToConsumer #InteriorDesign #FurnitureDesign #ArtisanCraftsmanship

Pita and Bloom, founded in 2010 by Florencia Pita and Jackilin Hah Bloom, emerged from their collaborative experience at SCI-Arc and Greg Lynn's Form. The firm, a finalist in MoMA PS1's YAP competition in 2014, is recognized for its distinctive approach to architecture, which emphasizes color theory, abstraction, and pop art influences. Their designs integrate bright color palettes, collage, pattern, and geometry, intentionally embracing ornament in an architectural context. The practice is typically small, consisting of the two founders, and occasionally expands to include one or two designers and interns for specific projects. The motivation behind establishing their practice stemmed from a strong working relationship and friendship developed during their time at Greg Lynn's office. This led to a natural collaboration, initially exploring shared ideas on color and form through competition projects and speculative work. This early body of work provided the foundation for their nomination in the MoMA PS1 competition. Over time, their collaboration evolved from self-initiated projects to commissioned architectural work, with their academic roles at the Southern California Institute of Architecture (SCI-Arc) continuously informing and being informed by their practice. An example of this synergy is Florencia's Los Angeles River studio, which reimagined the infrastructural space as a public landscape through painting the concrete riverbed, leading to the project 'Flat Pools,' featured in 'Art Papers.' One significant challenge faced by Pita and Bloom is grounding their interests and ideas within the rapidly evolving discourse of architecture, which shifts with advancements in arts, technology, and society. Having transitioned from traditional drafting methods to embracing digital technology, and now navigating a landscape where representational techniques define architecture, they employ a range of analog and digital tools tailored to each project. Despite these evolving mediums, their core template remains consistent: defining the parameters of color and form in architecture. Their projects consistently explore color as a material with texture and patterns, and forms that transition from flat to 2.5D through concurrent lines and volumes. The firm does not set specific goals for its size, viewing growth as an organic process. They value the contributions of talented collaborators and project teams, which allows their practice to remain open and experimental while maintaining a serious and earnest approach. The benefits of a small practice, though not always by choice, include the ability to dedicate extensive time and focus to idiosyncratic and self-initiated projects. This affords them the luxury of sustained creative thought and exploration of ideas, contributing to their unique architectural output. The article showcases several projects by Pita and Bloom, illustrating their design philosophy. 'FLAT POOLS' for the Los Angeles River proposes painting the riverbed to transform it into a public landscape. 'LA MEDIANERA' in Tetla de la Solidaridad, Mexico, presents a rural house prototype for Infonavit's 'From the Territory to the Dweller' initiative. 'THE NEW ZOCALO' for Mexicantown, Detroit, was a project for the 15th Venice Architecture Biennale's U.S. Pavilion, 'The Architectural Imagination.' Finally, 'SIGNATURES' is an entry façade installation for the Princeton School of Architecture in Princeton, New Jersey. These projects exemplify their consistent exploration of color, form, and ornament in diverse architectural contexts. #ArchitecturalDesign #ColorTheory #OrnamentInArchitecture #PitaAndBloom #SmallPractice #ArchitecturalInnovation #LosAngelesArchitecture #AcademicPractice #ArchitecturalCollaboration

This article explores how incorporating specific fabrics and materials can significantly enhance a home's style and luxurious feel, drawing inspiration from the design principles of the 2023 INFINITI QX60 Crossover SUV. The article emphasizes that attention to detail, even in the smallest characteristics, can create a substantial impact on the overall aesthetic and comfort of a living space. The goal is to make one's home as stylish and indulgent as a high-end vehicle, offering a welcoming retreat after a long day. The article highlights five key materials, each chosen for its unique properties of comfort, effortlessness, and durability. The first material discussed is leather, known for its ability to add warmth and comfort. It notes that INFINITI conducted extensive research to identify the most pleasing material feels, including soft-touch leather, which is integrated into the QX60. Leather is presented as a durable and easy-to-care-for option for home furnishings, such as kitchen stools, to introduce a contrasting texture against hard surfaces. Next, faux fur is introduced as a way to inject coziness and warmth into a room, particularly during colder months. The article advises a minimalist approach, suggesting one or two faux fur pieces per room—like an area rug, a throw blanket, or a pillow—to prevent overwhelming the space while still achieving an inviting ambiance. Velvet is presented as a material that exudes sophistication and luxury due to its sleek and soft texture. It is recommended for various home items, including sofas, throw pillows, dining chairs, and curtains. A key advantage of velvet is its ability to intensify color, allowing for bold design choices with vibrant hues such as royal blue, emerald green, or mustard, thereby adding a significant design statement to any room. This is compared to the INFINITI QX60's availability in distinct exterior colors like Deep Bordeaux and Grand Blue, suggesting parallel design philosophies. Stainless steel is discussed as a material to create visual interest through metal accents. The article suggests using stainless steel wall art, bar carts, cocktail accessories, brushed nickel hardware, and copper cookware to introduce a blend of textures. This juxtaposition with softer elements, like chunky knit throws, can add depth and brightness to a room. The interplay of different materials and finishes is central to achieving a balanced and dynamic interior. Finally, marble is highlighted for its chic, elegant, and highly durable properties, as well as its resistance to high heat. While ideal for countertops, its versatility extends to other areas of the home, such as sturdy coffee tables, decorative bowls and vases, or even a marble fireplace surround. The unique veining of each marble slab ensures a personalized and one-of-a-kind touch, underscoring the material's inherent exclusivity and natural beauty. These material choices collectively contribute to elevating the home's overall style and creating a sophisticated, comfortable environment. #HomeDecor #InteriorDesign #FabricSelection #MaterialTrends #LuxuryInteriors #LeatherFurniture #VelvetDecor #FauxFurAccents #MarbleDesign

Brittany Hakimfar, the founder of Philadelphia's Far Studio, emphasizes the importance of natural materials and tactile textures in her interior designs, allowing them to take center stage. Her design philosophy centers on the inherent sophistication of organic elements, which she believes always shine through in an arrangement. For her current flat lay, Hakimfar drew inspiration from richly veined marbles, specifically Calacatta Viola with its lavender hues and Nero Marquina with its bold black-and-white patterns. These marble selections guided her choice of fabrics and finishes, resulting in a cohesive and visually captivating scheme. The final palette, as described by Hakimfar, exudes organic refinement with a touch of glamour. She incorporates eye-catching all-natural pieces, such as honey-hued zellige tile and dark brass counter stools, to celebrate nature's raw beauty. Key elements in her design breakdown include vintage black beads, which infuse an eclectic vibe, and Brinjal paint by Farrow & Ball, chosen for its rich, deep purple hue that acts as a statement color and creates a special mood when used in a lacquered finish for cabinetry. Hakimfar frequently uses one-of-a-kind ceramic pieces and found objects, such as vintage ceramic dishes and bud vases, to add unique qualities to spaces. For custom wood furniture, she relies on Faithful Roots, praising their craftsmanship and natural oak finishes, which she notes can be seamlessly mixed with marble. Brizo's Brilliance finish in Luxe Gold is her preferred choice for subtle brass, as it lacks yellow undertones and complements various wood tones and marbles. For custom stools, Thomas Hayes Studio's dark patina brass finish is favored for its ability to blend with her interiors. Fabric selections play a crucial role in adding texture and color. Verellen's Nevada fabric in Emerald mohair is highlighted for its perfect color and texture. Donghia at Kravet's Covet fabric in Bordeaux velvet was used to complement the Calacatta Viola veins of a marble fireplace, offering a luxurious and soft feel. Jiun Ho's Linyati fabric in Lion velvet adds interest and shine, particularly when used for pillows. For tiling, Riad Tile's zellige tiles in Honey and Forest Green are appreciated for their beautiful mustard tones and unique, natural, handmade quality. Marble selections from Stone Tech Fabrication include Calacatta Viola for its dramatic swirling veining and grounded natural materiality, and Nero Marquina for its subtle yet dramatic mix, often used for book-matched applications. Marble Systems' Chester Plaid marble mosaic in Britannia Light, Snow White, and Black Honed is destined for a bathroom project, promising a mix of pattern and neutral colors. François & Co.'s natural limestone in Paris Grey is anticipated to add texture and a timeless feel to upcoming kitchen projects. Wallcoverings include Phillip Jeffries' vinyl plastered wallcovering in Fresca, which mimics a textured plaster look, and vinyl abaca wallcovering in Fern, chosen for its texture and color. Phillip Jeffries' Venetian plaster wallcoverings in Espresso Brown are noted for their moody vibe and realistic resemblance to authentic plaster. Finally, Sacco Carpet's Thisby rug in Ivory offers luxurious texture in a neutral tone, grounding spaces like primary bedrooms, while Stout Textiles' Emory fabric in Toast is used for window treatments due to its sheer texture and neutral colors. Vintage zen stones are also incorporated as simple, sculptural, and tactile styling elements. #InteriorDesign #NaturalMaterials #BrittanyHakimfar #FarStudio #Marble #TextileDesign #HomeDecor #DesignInspiration #LuxuryInteriors