Taller Héctor Barroso designs Sierra Mimbres housing in Mexico City for three brothers

The article describes the transformation of an old Mexican house into an artist's retreat for financial adviser Dorsey Gardner, located in San Miguel de Allende. Gardner initially sought a small studio but acquired a significantly larger 19th-century cottage, which was later expanded to 12,000 square feet. The property, built in the late 1700s, was surrounded by high walls and presented several challenges. Upon acquiring the property, Gardner faced initial issues, including a dense "cactus farm" on the premises. Hundreds of cacti, including a large candelabra cactus, were carefully relocated. The house also featured numerous false ceilings installed in the 1950s in its oldest section, which architect Sebastian Zavala removed to restore the original height and appearance of the rooms. Zavala also enhanced some ceilings with grand wooden crossbeams and refinished existing 1950s wood doors and windows with a light whitewash. During the renovation, a hand-painted frieze in the primary bedroom was uncovered and preserved. Gardner, who had previously undertaken remodeling projects on his own homes in Boston, entrusted the design of this Mexican property to Zavala and Paris-born, San Miguel–based designer Anne-Marie Midy. Gardner expressed a preference for a neutral aesthetic, distinct from traditional Mexican decor. He provided the designers with inspiration from magazines and gave them "carta blanca" for the project before embarking on an extended trip. Midy, along with her partner Jorge Almada, founded Casa Midy, a design firm specializing in furniture and accessories. Gardner's house became their first major interior design project. He had discovered Midy and Almada at their former bistro, Plum, known for its distinctive all-purple decor, which Midy noted was an effective way to attract clients. Zavala converted the original structure into a three-bedroom, five-bathroom artist's retreat, maintaining the house's Spanish Colonial architectural elements, stone walls, and archways. He added a spacious studio and installed robust columns on the patio, using locally quarried stone. A new second-floor guest room was also added, offering views of the 17th-century parish church's Gothic-style tower, an 1880 addition inspired by European postcards. Midy and Almada adhered to Gardner's request for a more understated Mexican interior design. They avoided extensive use of decorative elements like talavera tiles, except for a minimal application in the kitchen, and chose muted colors. However, they integrated rich local decorative resources, using jute from Yucatán for curtains, linens from local cotton mills, and furniture sourced from regional antiques shops. Even the traditional lime-and-pigment paint was mixed with San Miguel dirt to achieve a warmer tone. Midy and Almada also designed furniture and accessories for the house, such as iron sconces, a leather cocktail table, and bed linens. They collaborated with Zavala to create trench-like fountains inspired by hacienda horse troughs. The project concluded after a year, with Gardner expressing immense satisfaction, declaring the house fit for a king. #MexicanDesign #ArtistStudio #SanMiguelDeAllende #HomeRenovation #InteriorDesign #SpanishColonial #ArchitecturalRestoration #CasaMidy #LuxuryHome

Furniture designer Mark Grattan has found his serene retreat in a 19th-century building in Mexico City's Colonia San Rafael enclave, an apartment located in a rare building designed by the renowned Mexican architect Luis Barragán. Grattan, the founder of VIDIVIXI, a prominent furniture design studio, has gained recognition from figures such as Solange Knowles, who enlisted him as a product development consultant for her design studio, Saint Heron, and Ellen DeGeneres, whose design competition, _Ellen’s Next Great Designer_ on HBO Max, features Grattan as a participant. Grattan's journey to Mexico City began in 2016 when he moved from Brooklyn, where he founded VIDIVIXI in 2014. Despite a tumultuous romantic relationship that ultimately ended, he chose to remain in the city, seeking a personal sanctuary. He subsequently found a two-bedroom apartment in a Barragán-designed building, which retained many of its original midcentury details, including paned windows and interior wooden doors designed to filter light. The apartment also features an iron balcony, which serves as Grattan's morning contemplation spot, offering views of the Jardín del Arte. The apartment's natural light deeply impressed Grattan, leading him to meticulously observe its patterns for over a year before commencing decoration. He noted the appearance of rainbows on the walls in the late afternoon and spectacular sunsets, which he sought to amplify. To achieve this, he installed a wall of mirrors at one end of the living room and another above the sofa. These mirrors interact with the incoming natural light, reflecting off each other to create dynamic and unexpected plays of luminescence throughout the space. Grattan's commitment to perfection is evident in the custom elements and thoughtful modifications throughout his home. He designed much of the furniture, including a wall-mounted sideboard in the living room that spans the entire back wall. In the bathroom, he relocated the showerhead to accommodate a bronze-glass door and suspended a fern above the entrance. These deliberate choices create a distinctive ambiance, particularly in the evening, when the mirrors, water, and foliage cast captivating shadows, enhancing the overall experience of the space. The bedroom features a custom king-size variation of his best-selling Docked En Rio platform bed, a design that blends Art Deco and Japanese influences. A guajillo tree positioned bedside on a cuboid plinth contributes to the room's tree-house-like atmosphere, reflecting a minimalist aesthetic and a profound sense of restraint. This approach aligns with his decision to live in the unfurnished space for an extended period, prioritizing quality and thoughtful design over immediate completion. Grattan expresses satisfaction with the final decor, viewing the creation of his beautiful space as a form of personal triumph and contentment. #MarkGrattan #MexicoCity #InteriorDesign #FurnitureDesign #VIDIVIXI #LuisBarragán #ModernistArchitecture #HomeDecor #DesignPhilosophy

Stellah De Ville, a designer and ceramicist, found her calling in working with her hands, starting with ceramics classes in San Francisco in 2014. Her career, which began in fashion in Australia, evolved into interior and product design. Following the COVID-19 pandemic, De Ville relocated to Mexico, first to Oaxaca, where she opened Stellah Gallery and undertook a home renovation. During this period, frequent trips to Mexico City exposed her to the city's dynamic design and fine art scene, leading her to seek a more permanent residence there. Her search for a rental home led her to a 1930s Casona in La Roma, Mexico City, the second listing she encountered. Despite being back in Oaxaca at the time, her friends toured the property on her behalf, with one friend's enthusiastic reaction to the checkerboard flooring in an upstairs sunroom sealing De Ville's decision. She secured a five-year lease on the property, which had previously served as an office for a film production company for 12 years. The Casona required extensive work to transform it into a functional home and event space. Key challenges included the absence of hot water and gas, significant bathroom repairs, a full exterior paint job, and stucco damage. Her landlord provided funds for essential renovations, while De Ville personally oversaw additional improvements, such as cultivating a tropical garden. The house, named Casa de Reunión, has since become a venue for various events, including dinner parties for 25 guests, pop-up art shows, and even opera performances. De Ville emphasizes the humbling lessons learned from ceramics, particularly in embracing failure and imperfection. She describes the house as having a unique character, with almost every floor featuring a different pattern and color, including green, pink, and red. This diverse flooring, unusual in her native Australia, influenced her approach to incorporating color into her designs. The entryway floor, split by an earthquake, was partially re-tiled, and De Ville commissioned replacement tiles for existing holes, highlighting her commitment to preserving the home's original elements while addressing necessary repairs. Respecting the house's materiality was a central theme in her renovation. Original terrazzo elements, including the stairs and a previously damaged foyer shelf, were restored or recreated. For the kitchen terrazzo, De Ville selected pink, yellow, and green tones to integrate the house's existing color palette. This work was executed by women from a local factory found by architect Alberto Franco, involving a four-day installation. The original stained glass window was also partially restored using pieces discovered on-site. The age of the house meant there were no straight lines, adding to its unique charm. The casual dining area, designed to accommodate her cookbook collection, provided functional space. A cabinet found in the house mirrored the floor pattern, and a rug from her previous California home complemented the grid of the windows, creating a cohesive aesthetic. The bathroom featured original wall tiles and tub, with new, locally custom-made basket-weave flooring designed to appear aged. A saffron paint color, initially considered for the exterior courtyard, was instead used in the guest bedroom/office, demonstrating adaptability in design choices. Her creative workspace, accessible through the primary closet, allows her to engage in ceramics for three hours each morning before dedicating time to her custom furniture, lighting, and art collaboration business. The article concludes by showcasing De Ville's dedication to her craft and her integrated approach to living and working within her unique Mexico City home, which she hopes to activate as an artist residency. #MexicoCityHome #DesignerHomeTour #CeramicsStudio #HomeRenovation #InteriorDesign #ArtResidency #LaRoma #TileDesign #Terrazzo

Luis Barragán’s reputation as one of the 20th century’s most influential architects primarily rests on a select number of iconic works, particularly his own house and studio in Mexico City, a UNESCO World Heritage site, and other residences built after 1945. His architectural style is globally recognized for its evocative qualities of silence, mystery, serenity, and thick walls adorned with vibrant colors, which are often linked to Mexican tradition. This perception was reinforced by figures such as Octavio Paz, who, upon Barragán receiving the Pritzker Prize in 1980, described his art as modern yet not modernist, infused with magic and surprise, and deeply rooted in the traditional and popular aesthetics of Mexican pueblos. However, this streamlined historical narrative often overlooks a significant period of Barragán’s career: his functionalist works in Mexico City from 1935 to 1940. Following a second trip to Europe in 1931, where he was profoundly influenced by Le Corbusier’s radical Modernist architecture, Barragán returned to Mexico and began to integrate Corbusian elements into his designs. Upon moving to Mexico City in 1935, he spent five years designing nearly two dozen apartment buildings and houses in developing neighborhoods. These works, which Barragán himself later downplayed as "edificitos" (little buildings), have largely been forgotten, despite containing embryonic elements of his later, more celebrated style. A closer examination of these early Mexico City projects reveals Barragán’s underlying genius and his internal struggles between pragmatic commissions and artistic vision. While some buildings from this period were anodyne, many featured meticulous details like modulated staircases, strategically placed skylights, or elegant metal mail slots, demonstrating his capacity to imbue even the most functional spaces with wonder and an agreeable spatial experience. These designs often contained unexpected angles, emotional progressions between rooms, and abundant natural light, showcasing Barragán’s unwillingness to compromise his artistic principles. One of the most important works from this period is Parque Melchor Ocampo 38, located in Colonia Cuauhtémoc. Recently restored, this building, designed in collaboration with German émigré architect Max Cetto, is notable for its striking Cubist exterior and its illustrious inhabitants, including artists and designers like Juan Soriano and Clara Porset. The building’s complex inner logic, designed on an irregular plot, reflects a sophisticated blend of Corbusian influences and German housing estate principles, emphasizing optimization and modern living while integrating local craftsmanship and materials. It features unique details such as a spiral staircase with volcanic stone steps, custom cabinets, and an almost complete absence of right angles, creating a dynamic and visually engaging interior. The facade of Melchor Ocampo 38, with its play of voids and solids, functions as both an autonomous form and a diagram of its interior, aligning with Barragán’s lifelong interest in two-dimensional abstractions. The interior spaces, particularly the double-height studios with large frame-like windows, are flooded with natural light, creating an illusion of expanded space and framing abstract views of greenery, despite the surrounding urban chaos. This early Modernist heritage in Colonia Cuauhtémoc, including Barragán’s forgotten works, faces preservation challenges amidst Mexico City’s booming real estate market. The survival of buildings like Melchor Ocampo 38 often depends on investors’ goodwill rather than official preservation efforts. Yet, even today, these spaces attract professionals drawn to their prime location and timeless, light-filled design, confirming their enduring modernity. The article also highlights Barragán’s often-overlooked entrepreneurial side. He was not just an artist but also a savvy businessman who engaged in speculative real estate development, a fact evident in projects like Jardines del Pedregal de San Ángel. This blend of artistic vision and commercial acumen was central to his success. Finally, the article explores Casa Ortega in Tacubaya, a crucial, yet semi-forgotten, early house and garden project that predates his iconic Casa Barragán. Begun around 1940, Casa Ortega served as a laboratory where Barragán’s long-standing ideas and influences, incorporating Mediterranean hues, loggias, and subtle references to the Alhambra, began to coalesce. This project marked the start of his lyrical phase, a period of experimentation with precise colors and a sophisticated synthesis of memories and references from his childhood haciendas to European gardens. Casa Ortega demonstrates a continuity between his earlier functionalist experiments and his later, more celebrated works, revealing a fundamentally Modernist sense of space beneath traditionalist aesthetics. The often-overlooked garden at Casa Ortega, with its multi-level terraces, hidden paths, and sculptural elements, is presented as one of Barragán’s best-kept secrets, emphasizing his equal dedication to garden design and physical rooms. This project, coinciding with his temporary retirement from architecture due to client frustrations, suggests that the discovery of Tacubaya was instrumental in his pursuit of greater creative freedom, leading to the development of his signature style that is widely recognized today. #LuisBarragan #MexicanArchitecture #ModernistArchitecture #FunctionalistArchitecture #MexicoCity #ArchitecturalHistory #MaxCetto #CasaOrtega #UrbanPreservation

Patrón, the premium spirits company, has created a luxury guest house, La Casona Guest House, at its Hacienda Patrón Distillery in Jalisco, Mexico. This exclusive facility serves as a first-hand brand experience for VIPs, media partners, and customers, allowing them to immerse themselves in the history and craft of Patrón tequilas. The guest house integrates art, architecture, local design, and Hispanic heritage, reflecting the brand's creation process. The project was a collaborative effort between Patrón’s architectural department and three local firms: Joaquin Homs Studio for interior design and interior landscaping, GVA architects for general landscape, and Grupo CASGO for construction management. The 20-room guest house, not open to the public, features dining and entertainment areas, a full-service bar, and conference facilities, offering world-class hospitality. Designed in a traditional Spanish Colonial style, La Casona incorporates architectural details from 1800s Spanish, French, and Italian designs to acknowledge their historical influence on Mexico. These traditional elements are seamlessly blended with modern design to achieve a cohesive, updated aesthetic. Joaquin Homs, who was deeply involved in the project, noted the correlation between the historical hacienda economic systems and the labor-intensive tequila distillation process. He emphasized the importance of community involvement, engaging over 2,000 local townspeople in creating almost all interior and exterior design elements. The design team implemented bioclimatic architectural processes to suit the local climate and pay homage to historical hacienda design principles. Features such as 16’ 6” high ceilings and strategically angled windows ensure optimal natural lighting and ventilation. Custom lighting systems compensate for variations in natural light throughout the day. The main building’s statement chandelier, crafted by local artisan Ernesto Cruz, features recycled glass and reclaimed wood with working bees on agave plants, symbolizing the importance of agave bees in tequila production. Other lamps and sconces are handmade from forged iron, metal, copper, hand-blown glass, and ceramic tile by local Mexican artisans. Attention to detail extends to the furnishings and fabrics, which are custom-made. Mattresses are custom-sized, and linens are locally sourced. All furniture is custom-designed, echoing early 1900s Mexican character while being modernized with various textiles. Wallpapers from Italy and France, textiles from Mexico and the U.S., French linens, and sustainable silk and grass fiber wallpapers are used throughout. Peter Leder, Patrón’s head of hospitality operations, highlighted the intention to convey Patrón’s legacy as a modern company rooted in heritage. Sustainability is a key aspect, with features like water recycling, rain absorption and well replenishment, red clay walls for climate and acoustic protection, LED lighting, and the use of cacti and semi-desert vegetation for reduced water consumption. Local materials such as Cantera (limestone), marble, onyx, clay tiles, and red bricks are utilized for their natural, reusable, durable, and biodegradable qualities. La Casona exemplifies a growing trend in design, where modern elements harmonize with old-world styles to create warm, inviting, and livable spaces, making commercial hospitality venues feel more like homes. #SpanishColonialDesign #ModernFlair #GuestHouse #MexicanArchitecture #LuxuryTravel #SustainableDesign #ArtisanCraftsmanship #BioclimaticArchitecture #InteriorDesign #PatronTequila

Mexico is recognized for its vibrant local handicrafts, which reflect the nation's energetic spirit and rich cultural traditions. Contemporary furniture designers are boldly reinterpreting age-old techniques to create distinctive and innovative furniture pieces. This article highlights five furniture designers who adeptly utilize local artistry, encompassing stone carving and weaving, through a forward-thinking and visionary approach. Fernando Laposse, a Mexico City-based designer, views furniture as a medium for powerful messages, transcending mere decoration. His work includes chaise-style seating crafted from avocado-dyed cotton marquetry, tables made from heirloom maize husks, and furniture adorned with agave fibers. Laposse, influenced by his childhood experiences in rural Tonahuixtla and design studies in London, collaborates with local communities to revitalize and evolve traditional craft methods. His pieces often convey messages addressing agricultural and cultural issues, reflecting a resurgence of appreciation for Mexico’s historical heritage. Gloria Cortina, a designer of modernist furniture and interiors, is deeply influenced by the inherent power of materials, particularly stone. Her creations, such as chairs, benches, and tables, are sculpted from onyx, marble, and obsidian, exuding a dynamic blend of art and functionality. Cortina’s work intentionally references Mexico’s ancient cultures, drawing parallels between her stone pieces and the craftsmanship of pre-Columbian civilizations. She divides her time between Mexico City and Manhattan, where she instructs at Parsons School of Design, continually seeking to integrate the natural landscape and topography of Mexico into her designs. Loyzaga, a design firm, features the legacy of architect and designer Jorge Loyzaga, with his daughters, Sophia and Fernanda, continuing and expanding the brand. The sisters emphasize classical ideals, focusing on culture, harmonic proportions, romance, and meticulous study. Loyzaga’s offerings extend from architectural and interior design to exquisite furniture pieces, including table lamps, side tables, and mirrors, all handcrafted by Mexican artisans. With backgrounds in architecture (Fernanda) and business and fashion (Sophia), they aim to broaden their international presence and foster dialogues about classical architecture and design through Mexican products and craftsmanship. Casamidy, founded by Anne-Marie Midy and Jorge Almada in San Miguel de Allende, celebrates the fusion of their personal love story with a shared passion for Mexico’s enduring traditions. Established in 1998, the firm has garnered a dedicated following for its distinctive use of iron combined with saddle leather, canvas, and wood in modernist forms, exemplified by their acclaimed metal Opera chair. Despite the recent passing of Jorge Almada, Midy is committed to preserving his legacy, expanding their artisan network, and incorporating new materials and traditions. Mestiz, led by designer Daniel Valero, showcases outspoken pieces from his San Miguel de Allende studio. Valero, trained in architecture and textile design, returned to handcrafting to honor Mexico’s historical syncretism—the fusion of cultures resulting in new creations—and to decentralize design from the capital. Since launching Mestiz in 2015, he has partnered with artisans in rural areas, fostering economic opportunities and innovation at the community level. His work includes wool rugs from Saltillo, wicker pieces from Tequisquiapan, and ceramics from Dolores, all reflecting a vibrant blend of tradition and contemporary design. #MexicanDesign #FurnitureDesign #TraditionalCraftsmanship #ModernistFurniture #ArtisanCollaboration #FernandoLaposse #GloriaCortina #LoyzagaDesign #Casamidy #Mestiz

The "Patio House" project, designed by herchell arquitectos, is located in San Sebastián del Oeste Centro, Mexico, and was completed in 2022. The house occupies an area of 715 square meters and was photographed by Lorena Darquea Schettini, with Miguel Hernandez Michel as the lead architect. The project's core philosophy centers on challenging conventional living standards and offering an experiential escape from urban daily life. The architectural design of the Patio House prioritizes integration with nature, featuring central patios and exterior corridors supported by steel columns. This design aims to create a harmonious coexistence between the built environment and the natural surroundings, inviting residents to engage with an unknown and refuge-like experience. The emphasis on nature is evident in the inclusion of gardens and courtyards, which are integral to the living spaces. The house incorporates a variety of materials, primarily wood and brick, which contribute to its aesthetic and structural integrity. The design features large windows and open facades that allow ample natural light and views of the exterior. Interior spaces showcase exposed beams and columns, highlighting the structural elements as part of the design narrative. The floor plan, including both ground and upper levels, indicates a thoughtful arrangement of rooms around the central patio concept, promoting an open and fluid living environment. The house also includes elements such as stairs with handrails and various living areas, suggesting a multi-functional and comfortable residential space. The project's design aims to evoke a sense of detachment from the typical urban experience, providing a serene and immersive environment. The use of specific materials like wood and brick, combined with the strategic placement of patios, reinforces this intention by blurring the lines between indoor and outdoor spaces. The house is categorized under residential architecture and houses, reflecting its primary function while also highlighting its unique design approach. Overall, the Patio House by herchell arquitectos represents a contemporary approach to residential design in Mexico, focusing on challenging traditional living paradigms and creating a deep connection between the inhabitants and the natural world. The project's architectural elements, material choices, and spatial organization all contribute to its overarching goal of providing a distinctive and enriching living experience. #ResidentialArchitecture #PatioHouse #MexicanArchitecture #HerchellArquitectos #SanSebastianDelOeste #WoodAndBrick #NaturalIntegration #ArchitecturalDesign

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

In 2021, graphic designer Victoria Herrera purchased her first home, a 900-square-foot apartment in Mexico City's Condesa neighborhood, with the intention of using it part-time and renting it out on Airbnb. The apartment's square layout with a central courtyard and numerous large windows, providing natural light in every room, were significant selling points. The existing architecture featured rounded elements, such as arched doorways and curved wall-to-ceiling transitions, which Herrera appreciated for their soft aesthetic against the industrial windows. Major renovations, including electrical and plumbing updates, had already been completed by the previous owners, allowing Herrera to focus her budget on decorating and selecting paint colors. Herrera aimed to infuse her home with a warm atmosphere that celebrated Mexican heritage, culture, and her Catholic upbringing. This inspiration led her to choose a yellow limewash for the bedroom walls, reminiscent of traditional Catholic convent walls. The apartment's entryway and hallway featured striking blue and black floor tiles. Although initially hesitant about these tiles, Herrera found that their integrated feel eventually inspired her to embrace bold color choices in other areas of the apartment. Her design philosophy successfully merges vintage and modern elements, exemplified by pairing a contemporary tulip table with antique chairs. A significant portion of Herrera's furnishing process involved frequent visits to Lagunilla Market, a large weekly furniture, vintage, and flea market in Mexico City. Over three months, she diligently explored the market every Sunday, learning how to navigate the vast array of goods, negotiate prices, and identify unique pieces. She developed a keen eye for spotting hidden treasures, often revisiting stalls multiple times to discover items that initially went unnoticed. Her finds included old artwork from Catholic convents, which contributed to the sense of tradition and beauty she sought to incorporate into her home. Beyond Lagunilla Market, Herrera also sourced items from other local establishments in Mexico City, such as El Resplandor Vidrio for blown glass, Pericon for artisan pottery, and Utilitario Mexicano for market-inspired decor and kitchenware. She also demonstrated creative resourcefulness, making custom throw pillows for the beds from "jerga" fabric, a common, inexpensive material typically used for cleaning, which she repurposed due to its graphic stripes and diverse color options. Among her most cherished market discoveries was a sun sculpture, initially found hidden in a pile of junk, which a friend later identified as a collectible Emaus Talleres piece. After completing the design, Herrera's plan to rent the apartment on Airbnb was put into action for about a year. However, she ultimately realized that she had furnished the space not as a temporary rental, but as a deeply personal home designed for her own living. This realization led her to move into the apartment herself, acknowledging that her design choices were intrinsically tailored to her own preferences and lifestyle rather than those of short-term tenants. #HomeTour #MexicoCityDesign #VintageDecor #SecondhandFinds #InteriorDesign #CulturalInspiration #GraphicDesignerHome #CondesaApartment

Mexican design firm Simon Hamui was commissioned to create bespoke furniture and millwork for AdH House, a minimalist two-story home in Mexico City designed by Francesc Rifé Studio. The home, located in the residential Lomas de Chapultepec neighborhood, features a dark grey facade and black aluminum shutters. Simon Hamui's task was to complement the existing contemporary architecture and interior, which was finished with cream-colored walls, natural stone, and wood surfaces, while also integrating the owners' art collection and amplifying their lifestyle. In the living room, Simon Hamui designed a custom coffee table and matching bench using honed, grand antique marble and starphire glass. These pieces are distinguished by sculptural solid brass legs and an integrated quartzite lamp that also serves as a support for the glass tabletop. The same quartzite used in the coffee table is repeated in the adjacent bar mirrors, and the aged brass detailing is also incorporated into the bar's base, creating a cohesive aesthetic throughout the space. A key architectural element in the dining room is a slatted screen divider. This divider features an aged brass frame, smoked glass, and thin wood slats, providing privacy for the dining area while still allowing natural light to penetrate. An aged eucalyptus wood console with a grey quartzite countertop and brass accents is seamlessly integrated into this room divider on the dining room side. The dining table mirrors these material choices with a stone top and removable smoked eucalyptus extensions, allowing for versatility in accommodating larger gatherings or serving as decorative consoles. The house also features a glass-walled, temperature-controlled wine cellar. Within this space, rectangular display cases made from starphire glass showcase wine bottles on inset satin aluminum racks, illuminated by integrated LED lighting. The design emphasizes a pure display of the bottles, arranged to create a rhythmic, tapestry-like visual element that enhances the exterior view and invites closer inspection. A Grigio Carnico marble table within the cellar provides a functional surface for small entertaining events. Responding to the evolving needs of the homeowners, a study was added after the home's initial completion, designed by Hamui in the wake of the coronavirus pandemic. This office space is conceived as a functional wooden box, with walls and ceiling clad in eucalyptus. Micro-perforations and sound insulation were incorporated to ensure privacy and optimal working conditions. The study includes a floor-to-ceiling bookcase lined with suede leather and brass details, complemented by an angular, stainless steel chandelier by Barcelona designer Jaime Tresserra. In the family room, a large figured eucalyptus bookcase with brass bookstands and LED lighting is built into the wall behind the sofa. This bookcase displays a textured Jason Martin painting and antique atlases. On the opposite side of the room, a millwork unit houses a television and a desk, further demonstrating Hamui's comprehensive approach to integrated furniture design. #MexicoCity #InteriorDesign #CustomFurniture #MinimalistDesign #LuxuryInteriors #FrancescRifeStudio #SimonHamui #ResidentialDesign #BespokeMillwork

Sergio Mercado, an interior designer with a distinctive modern aesthetic, shares insights into his journey and design philosophy. Mercado's career began in San Francisco, where he developed a signature style that blended contemporary sleekness with timeless luxury. He honed his skills working with prominent brands such as BAMO, Inc. and Clodagh Design, contributing his unique vision to residential, hospitality, and commercial projects. For the past nine years, he has focused on building his eponymous firm, Sergio Mercado Design Studio, where he emphasizes client-centric design while incorporating his artistic flair. Mercado's inspiration for interior design traces back to his childhood, where he enjoyed rearranging furniture and even designed his own bedroom at 16. His current work is characterized by spaces that are rich in design and texture, yet exude a sense of calm and serenity. He explains that his design ethos has evolved to prioritize creating life-enriching environments that are both beautiful and practical for daily living. When encouraging clients to step out of their comfort zones, Mercado believes in passionately presenting his concepts, allowing his enthusiasm to inspire their confidence in his vision. Regarding investment in decor, Mercado advises on prioritizing well-designed, limited-edition furnishings from renowned designers. He cites pieces by Finn Juhl, Wendell Castle, or Sergio Rodrigues as examples that not only make a significant impact visually but also retain their value over time. He mentions favorite brands like Avenue Road for furnishings, The Future Perfect for lighting, Rosemary Hallgarten for rugs and textiles, and Salvatori and Boffi for plumbing fixtures and bathroom vanities, all chosen for their quality and design. Mercado challenges the notion of strict design rules, stating that there shouldn't be any. To prevent client decision fatigue, Mercado's studio presents multiple concepts from the outset and aims to avoid revisiting decisions. He notes that original ideas often prove to be the strongest. Clients often seek the most assistance with selecting sofas and dining chairs due to the tricky nature of scale in seating. His team insists that clients physically test out seating options. A significant portion of Mercado's projects involve gut renovations. He also educates clients on the value of investing in certain pieces, providing biographies of designers and encouraging attendance at furniture fairs like Salon of Art & Design or Design Miami. Mercado has cultivated long-term relationships with clients, working on multiple homes for some. This repeated collaboration fosters a deeper level of trust and comfort, making it easier to discuss and implement shared visions and concepts in subsequent projects. #InteriorDesign #SergioMercado #HomeDesign #DesignPhilosophy #LuxuryInteriors #ClientCollaboration #Furnishings #DesignTrends #RenovationProjects

Contemporary Mexican architecture showcases a remarkable fluidity between indoor and outdoor spaces, a tradition deeply rooted in the country's historical architectural practices and influenced by its climate and cultural values. This design philosophy, which dates back to ancient structures like the palaces of Teotihuacan and colonial apartments centered around loggias, emphasizes seamless transitions between sheltered interiors and open-air environments. Mexican modernists of the mid-20th century, such as Luis Barragán and Enrique del Moral, were pivotal in integrating the International Style with local conditions, viewing gardens as extensions of interior rooms and designing homes that, while appearing private from the street, opened expansively to natural surroundings through courtyards and terraces. More recent architects like Alberto Kalach and Mauricio Rocha have continued this legacy, with contemporary firms developing even more innovative solutions to maximize the landscape. These approaches include large openings, strategic framing of vistas, fully retractable walls, and carefully selected material palettes that enhance the connection to nature. Five examples illustrate this diverse spectrum. Manuel Cervantes's homes near Mexico City exemplify how design can respond to topography. His own home in Amatepec, spread across multiple levels, uses the site's natural slope to create permeability. An existing jacaranda tree forms the basis for an aromatic entrance garden, while a spacious living room with pivotable floor-to-ceiling windows dissolves the barrier between inside and out. Planted inner spaces enclosed in glass offer private natural experiences, and the white brick exterior, clad in ceramic, organically blends with the green environment, allowing the climate to be sensed even indoors. Casa Mague, designed by MCxA in Malinalco, prioritizes existing vegetation. Built in 2020, its design respects the site's abundant trees, weaving a series of flexible, open, and closed spaces around the natural elements, sometimes allowing tree branches to penetrate the structure. This constant interplay between indoor and outdoor maximizes occupant interaction with the surrounding forest, using elements like latticed screen walls and glazed enclosures to blur boundaries. Material choices are also crucial in contemporary Mexican architecture for reinforcing indoor-outdoor continuity. Architects frequently select earthy materials in neutral tones, such as stone and cement tiles, to harmonize interiors with the exterior landscape. Casa Tejocote in Querétaro, designed by González Muchow Architects, uses high walls of pigmented rose-colored concrete to echo the region's colonial heritage and arid landscape. The design prioritizes privacy, with four modules arranged around a central garden and connected by bridges. Precise incisions in the stone walls frame views, creating strong links to the outside, while every space is partially open to a courtyard or garden, reflecting a modern evolution of del Moral's patio-centric prototypes. Fernanda Canales, a prominent female architect, reinterprets the patio as a hallmark of her practice. Her Recreo House (2017) in Valle de Bravo, built with local materials like gray stone, clay tiles, and timber, integrates a central patio as the heart of the home. This focal point connects access, service, and private areas to generous social spaces. The dining and living areas are extremely open, situated between the main courtyard and a large terrace with pool and views. L-shaped resting areas are near a more intimate patio, blending wild surroundings with privacy. Breezeways between bedrooms create covered, interstitial outdoor spaces. Casa Zicatela in Oaxaca, designed by Ludwig Godefroy in 2015, offers a radical paradigm. This compact weekend house, overlooking the Pacific, is almost entirely built from silvery concrete. Conceived as a 'country house by the sea,' its fortified exterior provides protection and privacy while echoing nearby mountains. Inside, open space abounds, resembling a mysterious concrete playground with no conventional indoor-outdoor boundaries. Rooms are arranged around a garden, with an open-air corridor and loggia-like areas, and a central structure housing living, dining, and kitchen areas seamlessly extending into the courtyard. Steps like a Mayan pyramid lead to a second level observatory, immersing occupants in the vibrant blue sky and surrounding landscape, where concrete walls and wood details contrast vividly. #MexicanArchitecture #IndoorOutdoorLiving #ContemporaryDesign #ArchitecturalInnovation #HomeTours #DesignInspiration #SustainableDesign

This article offers an intimate look into the Highland Park bungalow of Javier Burkle, a renowned interior designer featured in D Magazine's '2022 Best Designers' list. Burkle’s home serves as a reflection of his personality and design philosophy, characterized by an eclectic yet cozy aesthetic. The article details how Burkle rescued the 1930s property from demolition in 2015 and has since meticulously renovated it, infusing each space with personal significance. Many items within the home are souvenirs from his travels with partner Mason McCleskey, while others are nods to his professional beginnings, such as pieces from Ralph Lauren, where he started his design career. This blend of personal history and professional journey creates a unique and layered environment. The living room underwent a significant transformation after Burkle's Great Pyrenees rescue, Finn, damaged the original sofas. Starting anew, Burkle opted for ink leather Arteriors sofas, lacquered the original mantel, and added Carrara marble subway tile to the fireplace surround. He incorporated a 1960s art piece discovered at Benny Jack Antiques and installed a Ralph Lauren brass and leather chandelier after vaulting the ceilings, creating a sophisticated yet comfortable space. The detached garage, once his office, has been converted into a well-appointed closet, showcasing Burkle’s extensive collection of 384 shoes, including his signature Stubbs and Wootten slippers, which he uses to add character to his predominantly navy or black wardrobe. This space is illuminated by iron hat lights from Timothy Oulton, complemented by vintage zebra and Persian rugs. Burkle’s kitchen, the last room to be renovated, was designed for functionality and entertaining. It features continuous soapstone countertops, an island with a butcher block top, and concrete backsplash tiles sourced from Mexico. Recessed arched upper cabinets were designed to resemble furniture, and fluted-glass cabinets display his diverse dinnerware collection. The Ilve range completes the kitchen, designed to withstand frequent use and maintain a lived-in aesthetic. The entry point of the home combines practical storage, such as a dresser for dog leashes, with sentimental items like an umbrella holder for architectural blueprints. A graphic Cole & Sons wallpaper makes a strong first impression, enhanced by Burkle’s signature Santa Maria Novella scented potpourri, ensuring a memorable sensory experience for guests. The bedroom features a neutral Restoration Hardware unfinished wood and linen bed, allowing for seasonal bedding changes. Kravet fabric is used for the subtle, striped drapery, and a budget-friendly rug from World Market adds warmth. Burkle installed board and batten on the walls and displayed a curated collection of art pieces in complementary frames. A desk chair, a gift from his mentor John Tutolo, holds special significance, symbolizing their past conversations and his aspirations. The spare bedroom functions as a cozy den, where Burkle and McCleskey relax. The walls are painted Benjamin Moore 'Gentleman’s Gray,' with a complementary Wallshop wallpaper on the ceiling, and features a self-portrait of Burkle’s grandmother. Even the powder bath is treated as a 'jewel box,' designed to delight guests without the risk of weariness. Inspired by monkey pendants from Scout Design Studio, Burkle transformed the room into a 'little jungle' with Serena & Lily 'Valley' wallpaper and cabinetry lacquered in Benjamin Moore’s 'Enchanted Forest.' A Wisteria mirror completes the vibrant space. Burkle’s collection of turtle shells, displayed throughout his home, serves as a metaphor for his design philosophy, each shell a souvenir of a life well-lived, much like the meticulously chosen pieces in his home that reflect his personal and professional journey. #InteriorDesign #HomeDecor #JavierBurkle #HighlandPark #DesignPhilosophy #HomeRenovation #EclecticStyle #DallasHomes

This article details the renovation of an apartment located on the third floor of an ancient building near the Palau de la Música in Barcelona, Spain. The project, undertaken by Colombo and Serboli Architecture, was designed for a young Italian fashion designer seeking a serene and warm living space in the Catalan capital. The architects were immediately captivated by the apartment's open proportions and five-meter-high ceilings, and sought to preserve and enhance existing charming elements such as massive wooden beams, wooden floors, a mezzanine overlooking the living area, and two-floor metal windows. A key challenge involved rationalizing a compact bathroom and replacing structurally compromised stairs leading to the second level. The design philosophy embraced a 'wabi-sabi' approach, integrating original features and imperfections while maintaining the apartment's inherent charm. Shapes employed are simple and bold, featuring recurring basic forms like squares, circles, and spheres, with sturdy solid surfaces to complement the monumental existing elements. The architects drew inspiration from the architectural styles of Luis Barragán and Carlo Scarpa, with Scarpa's influence particularly evident in the sculptural stairs and a central furniture piece that defines the entire project. The core concept revolves around a multifunction block, a layered central element around which the space and activities are organized, maintaining an open, loft-like layout. The dining area extends from the central stair element. On the kitchen side, the block incorporates niches, openings, and shelves for tableware and pantry storage. A substantial, arch-shaped travertine marble slab protrudes from the block, forming a one-legged dining table and an integrated bench. A small square niche cleverly conceals a spotlight, functioning as a disguised sconce. The stairs themselves are conceptualized as layers of materials, transitioning from a solid plinth to wooden block steps, then to a suspended micro-cement landing with a half-circle cutout designed to accommodate a tall plant. The final steps, made of light-colored wood, appear to float and double as a light source above the dining table through integrated LED strips. On the second level, the bedroom area remains open to the living space. A wicker panel serves dual functions as both a headboard and a balustrade. A suspended ledge, inspired by Paul Rudolph's Halston House, runs along the double-height space, forming bedside tables and a display shelf for the living area. The closet in the bedroom is designed as a warm monolith, clad in woven wicker screens. One screen cleverly conceals the entrance to a small bathroom, another hides a hand washbasin within a mirrored box, and a third integrates the stair's handrail through a diagonal cut. The bathroom is finished with vertical ceramic tiles featuring an elegant nacre finish, introducing a new texture to the apartment's overall palette of neutral shades. The architects utilized a neutral color palette but played with a variety of finishes, ranging from glossy to rough, selecting materials based on their tactile and textural qualities. These include white microcement for the stairs and seat block, light natural wood, and woven wicker panels. Enameled painted walls reflect light, contrasting with matte microcement, a rough travertine slab, and porcelain kitchen tops. A textured bouclé fabric was chosen for seat cushions, and brushed steel details, such as in the bespoke cooker hood, complete the material palette. #BarcelonaApartment #WabiSabiDesign #StaircaseDesign #ArchitecturalRenovation #InteriorDesign #ColomboSerboliArchitecture #ModernLiving #MaterialPalette #FashionDesignerHome

The article details the design journey and unique features of 'Cliff House,' a Sonoma, California property developed by interior designers Austin Carrier and Alex Mutter-Rottmayer of Hommeboys, in collaboration with James Rottmayer of Rottmayer Design + Build. The project originated from a fire-damaged 16-acre lot in the 2017 Wine Country fires, which the team saw as an opportunity for revitalization. Perched on a rocky hill overlooking the Valley of the Moon, the home was named Cliff House due to its dramatic location. The design inspiration for Cliff House was largely drawn from a trip to Morocco, where Carrier and Mutter-Rottmayer sought to blend contemporary style with traditional building methods. This trip influenced their material palette, incorporating elements like natural zellige tile, wood-beam ceilings, and live-edge finishes. Upon their return, they selected materials that harmonized with the calming California landscape, ensuring a seamless integration of the home with its natural surroundings. A central focus of the design was to capitalize on the stunning views. In the kitchen and main living room, massive floor-to-ceiling moving walls of glass were installed. These expansive glass walls can be opened, creating a dramatic indoor-outdoor flow that epitomizes California living. The kitchen, considered the heart of the home, served as the starting point for design decisions, with elements and details often replicated or adapted in other areas to ensure cohesion throughout the house. An example of this cohesive design is the wood-slatted detail from the kitchen island being reinterpreted as a vanity in the primary bathroom. The designers skillfully blended earthy, old-world materials with modern applications. They also introduced variety in material use, such as incorporating different wood species in various rooms to create distinct energies while maintaining an overarching theme. The office-library, for instance, features a rustic orange Roman Clay wall finish called Yosemite, designed to be energizing, paired with warm white oak cabinets, and further connected to the home's aesthetic through fluted wood detailing. Throughout the home, the emphasis on natural materials and colors reflects the surrounding California landscape. Walnut cabinets were bleached to a blond tone, reminiscent of native grasses. Raw, free-form stone walls were utilized in the kitchen and pantry, and a textured Venetian plaster wall finish was applied to the faceted marble fireplace surround. Even custom cedar doors for the primary suite were stained in a bleached peachy tone to match the rough-sawed ceiling, highlighting the meticulous attention to detail and collaborative spirit that brought Cliff House to life, transforming a once-abandoned plot into a testament to livable beauty and perseverance. #Hommeboys #SonomaCalifornia #IndoorOutdoorLiving #MoroccanInspiredDesign #ContemporaryArchitecture #NaturalMaterials #KitchenDesign #HomeRenovation #CaliforniaViews

This article details the transformation of a modernist glass-and-steel villa in Guadalajara, Mexico, into a warm, colorful, and charming family home. The homeowners, a young family, enlisted their longtime friend, designer Alejandra Redo, to infuse personality and coziness into the architecturally sleek 6,500-square-foot residence. Architects Imanol Legorreta and Pablo Sepúlveda meticulously crafted the two-level house from steel, glass, and wood, with concrete, zinc, and walnut cladding, strategically designed to embrace Guadalajara's climate and natural light. However, the owners desired a more inviting interior, which led them to Redo, known for her vibrant use of color and pattern. Redo's approach to decorating the modern space involved a careful curation of individual pieces rather than her usual whimsical style. Her first significant acquisition was a midcentury black-and-gold table lamp by Arturo Pani, which became the focal point of the living room. The color palette in the living room is muted, featuring deep gray velour sofas and an ottoman, complemented by two red velvet chairs that add warmth, echoing the hues of an antique Persian rug. Mexican fabrics are prominently featured, with rebozos draped over furniture and cushions made from local textiles, reflecting Redo’s signature aesthetic. The dining room, adjacent to the living area, features Mexican walnut paneling that contrasts with the cool steel structure and marble surfaces, providing a sense of warmth. The entrance hall showcases Redo's eclectic sensibility, with a pine tree piercing both the ceiling and floor. A modern painting by Cuban-born artist Leslie Sardinias is displayed above a reproduction Louis XV console, and a custom Venetian-style mirror adds an artistic touch to the guest bath. Redo emphasizes her comfort in mixing different periods, colors, and designers to create an eclectic environment. The family room is another example of Redo’s unique design philosophy, anchored by a silk wall hanging crafted from a traditional Bhutanese man's robe. This is juxtaposed with a geometric cotton rug designed by Redo and made in India. The space also features a vintage Arco floor lamp by Achille and Pier Giacomo Castiglioni, a family heirloom, alongside a modern sofa and Wegner cowhide Shell chairs, demonstrating a blend of new and old. This room opens onto a garden and a deck, facilitating family gatherings and entertaining. Bedrooms, located downstairs, are characterized by their simplicity and abundant natural light. Redo incorporated playful colors for the children's rooms, with a pink scheme for the girl and a blue-and-red theme for the boy. An eccentric detail in the boy's room is the red wallpaper featuring leaping zebras pursued by arrows, a design reminiscent of Gino's, a historic Italian restaurant in New York. This touch highlights Redo’s ability to bring a lively and personal spirit to the serene modernist house, ultimately making the contemporary architecture feel cozy and lived-in. #InteriorDesign #ModernArchitecture #MexicanDecor #HomeDecor #EclecticStyle #GuadalajaraHome #ResidentialDesign

This article highlights a new residential design project in South Tampa, executed by Crespo Design Group. The project involved preparing a 6,120-square-foot, six-bedroom, six-and-a-half-bathroom home for a family of seven relocating from South Florida. Principal designer Enrique Crespo and senior designer Lisa Clark focused on combining luxury with functionality and durability, a key consideration for a home with five children. They integrated playful colors such as turquoise, chartreuse, and pink, along with stimulating textures and patterns, to create a lively yet cohesive interior. The design philosophy centered on maintaining a classic aesthetic while incorporating a "punch" of vibrant elements. Crespo emphasized the harmonious balance achieved through seamless transitions between rooms, ensuring that each space complements the others without abrupt changes. The selection of materials included commercial-grade, durable fabrics to withstand daily wear and tear, alongside natural materials and comfortable, classic furniture with an approachable elegance. The home features several notable amenities designed for family living and entertainment. These include a four-car garage with a side entry, a dedicated gym, a wine room, and an upstairs TV room specifically for the children. For the adults, there are separate offices and closets, while each child has an individual bedroom. The outdoor living space is extensive, boasting a spacious backyard, a swimming pool, an outdoor dining area, a fire pit, and a ping-pong table, making it suitable for year-round family enjoyment. Specific design choices are detailed for various areas of the house. The family room, designed for open-plan living, includes a Hickory Chair sectional with colorful pillows, an Old Biscayne Designs coffee table, a Pfeifer Studio console, and Made Goods stools. This area seamlessly connects to the wine room, kitchen, and dining room. The formal dining room is distinguished by a custom mural from local artist Mariya Nikolova, an Old Biscayne Designs table, and Jim Thompson Fabrics for the chair and window treatments. In the kitchen, a leather quartzite full backsplash serves as a sophisticated focal point, complemented by barstools and chairs from Vanguard Furniture and lighting from Visual Comfort & Co. The designers intentionally kept the kitchen's color palette subdued to avoid clashing with other vibrant elements in the open-plan space. The children’s bedrooms feature custom bunk beds and ceiling fixtures from Restoration Hardware, and an Old Biscayne Designs desk with a Bernhardt swivel chair. One of the bathrooms showcases vibrant wallpaper, along with gold and antique brass fixtures. The master bathroom is appointed with custom mirrors, Brizo fixtures, and an ottoman and fabric by Kravet. The outdoor patio is furnished with Brown Jordan furniture and No. 9 pillow fabric, enhancing the luxurious and functional exterior. #HomeDesign #InteriorDesign #LuxuryHomes #FamilyLiving #CrespoDesignGroup #TampaHomes #DurableDesign #ColorfulInteriors