A Globetrotting Couple’s Light and Bright Tiny Home Is Born Out of a Love for Adventure

Marie Lu, a bestselling author, and Primo Gallanossa, a game designer, sought a flexible and inspiring urban sanctuary in downtown Los Angeles's Arts District. They commissioned architecture firm CHA:COL to transform a 1,450-square-foot live/work loft into a space that could accommodate their writing and game design needs between frequent travels. The design brief emphasized creating a creative den for work, relaxation, and retreat. CHA:COL, led by design principals Apurva Pande and Chinmaya Misra, drew inspiration from the couple's professional backgrounds, particularly the game "Monument Valley" and the whimsical geometries of M.C. Escher. The central element of the loft is the "Writer’s Block," a custom-designed, multifaceted piece of oak veneer millwork. This versatile unit functions as a desk on one side, a lounge on the other, and incorporates shelving, effectively dividing the space while offering multiple uses. The design aimed to allow the clients to navigate and inhabit the loft in unique ways, much like Princess Ida moves through different levels in the Monument Valley game. The loft's design integrates both two-dimensional and three-dimensional elements. For example, white oak planks from the Writer’s Block seamlessly transition into FLOR carpet tiles that extend up an opposing wall, complemented by a matching mural. This playful mashup creates an optical illusion, making the two-dimensional elements appear three-dimensional and vice versa. Extensive studies were conducted to achieve the precise geometry for the wall art, eventually simplifying to paint swatches to complete the effect. Beyond the primary workspace, the loft also includes dedicated sleeping and kitchen areas. The kitchen features IKEA cabinets and a peninsular bar designed to encourage social interaction. Acoustic considerations were incorporated into the design, and the space is illuminated by a Zaneen pendant in addition to natural light from a facade of windows. The bathroom features a minimalist, monochromatic aesthetic with a custom white lacquer vanity and Porcelanosa tiles. The sleeping area is discreetly tucked away at the back of the loft, illuminated by a George Nelson Saucer Lamp. The project successfully created a highly functional and creatively stimulating environment. Initially conceived as an occasional getaway, the loft proved so effective that the clients found themselves spending more time there, reducing their need for frequent commuting. The design prioritized a simple, streamlined palette and carefully selected light fixtures that enhanced the spatial flow and movement within the loft, creating an urban oasis that fosters creativity and well-being. #LiveWorkLoft #CreativeSpace #GameDesignInspired #MultifunctionalFurniture #LosAngelesArchitecture #SmallSpaces #InteriorDesign #CustomMillwork

Lindsey and Ruth, a couple from Teesside with two young children, Aria and Ivy, faced significant challenges with their home's layout before renovation. The existing structure featured a cramped living room, kitchen, and dining room, offering limited living space and minimal storage. A major inconvenience was the tiny hallway at the entrance, which opened directly onto the stairs, making it difficult to maneuver a baby stroller and causing a bottleneck for entering and exiting the house. Furthermore, the cloakroom's location near the kitchen meant traversing the entire house to store coats and shoes, highlighting a general lack of practicality in their living arrangement. Despite having a beautiful garden, the house's internal design failed to optimize its potential or cater to the needs of a growing family. The couple allocated £52,000 for the renovation, surpassing their initial budget of £40,000, after securing design proposals from architects Laura Jane Clark and Robert Jamison on the BBC2 show 'Your Home Made Perfect.' They were particularly drawn to Laura Jane Clark's design, which promised to transform their disjointed dwelling into a cohesive, open-plan space. The core of Clark's innovative approach involved relocating the staircase to the left, which dramatically opened up the entrance. This created a spacious, light-filled hallway that not only solved the immediate problem of navigating with a pram but also established a clear connection between the front entrance and the rear of the house and garden. This alteration also provided ample storage solutions, addressing a critical need for the family. The renovation also entailed breaking down walls to merge the previously segmented kitchen, living room, and dining room into a single, expansive open-plan area. This change was crucial for Lindsey and Ruth, who desired an interconnected space where they could easily keep an eye on their children while engaging in other household activities. The new design incorporated bi-fold windows, allowing abundant natural light to flood the interior and offering continuous views of the garden. Although Clark initially envisioned the open space primarily for dining and an open kitchen, the couple adapted it to include a central dining table and a comfortable sitting area, effectively extending the living space by 1.7 meters into the garden. Another significant transformation involved the garage, which had previously served as an overflow pantry due to the kitchen's lack of storage. Despite Lindsey's initial reluctance to convert it for fear of devaluing the property, the garage was ultimately repurposed into a functional utility room, equipped with a washing machine and dryer. The comprehensive redesign included the integration of sleek, modern cupboards throughout the kitchen and in the new entrance hallway, ensuring that storage was no longer an issue. The outcome was a home that not only met the practical demands of the family but also garnered widespread praise from viewers for its stunning transformation and thoughtful design elements. #HomeRenovation #OpenPlanLiving #StaircaseRelocation #HomeDesign #InteriorTransformation #FamilyHome #ArchitecturalDesign #SpaceOptimization #StorageSolutions

Architects Annie-Laurie Grabiel and Arthur Furman, founders of Austin-based firm Side Angle Side, embarked on a seven-year-long renovation of their 1939 H-shaped bungalow in Texas. Their initial attraction to the property was its footprint, specifically its double-courtyard layout that allowed natural light to permeate from multiple angles, a characteristic appealing to architects. Despite the presence of a large oak tree shading the front yard and the bungalow having only two bedrooms for their family of four, the potential for light and the inherent charm of courtyard homes drew them in. The extensive renovation was unexpectedly triggered by the failure of a quirky, portable dishwasher. This appliance, which required a sink hook-up and was notoriously noisy, became a focal point. When it finally ceased to function, the couple's decision to replace it evolved into a more ambitious project. They reasoned that if they were updating cabinets for a new dishwasher, they might as well tackle countertops and lighting. This domino effect led to considering electrical upgrades, vaulting ceilings, and eventually, a full roofing overhaul. The sheer scale of their ideas initially led to a feeling of paralysis. However, Furman initiated the renovation by dismantling cabinets, creating a situation that necessitated moving forward. They enlisted the help of Waller Building Co. and Fort Structures to execute their vision. A significant change involved a temporary relocation from the house to facilitate a 200-square-foot addition. This seemingly modest expansion enabled the creation of an extra bedroom and bathroom, significantly improving the functionality of their home for a growing family. During construction, the couple demonstrated a commitment to sustainability and historical preservation by reusing many of the original steel casement windows. One innovative design choice was incorporating the home's original facade into the new foyer, maintaining a sense of honesty and creating an intentional sequence of arrival, as described by Grabiel. The exterior, once a faded blue, received a modern update with Sherwin-Williams Peppercorn, a black-gray shade with blue undertones. Internally, the design emphasized material consistency to avoid decision fatigue, with Saltillo tile used across the entryway, kitchen, bathrooms, and exterior courtyards. Reclaimed longleaf pine boards added warmth to the living areas and bedrooms, while crisp white kitchen cabinets and countertops provided a clean backdrop that allowed vibrant greenery, art, and daily objects to stand out. The project culminated with the addition of a swimming pool constructed from chukum, a Mexican resin known for its versatility. This material allowed for a seamless application across all pool surfaces, eliminating the need for coping or waterline tile. The challenging topography of their property, with a rear half climbing over 10 feet, required significant excavation—30 dump trucks of dirt were removed—to accommodate the pool, terraces, and cement retaining walls. Despite initial fears that nothing would grow again, the excavated area transformed into a mini oasis. The architects' goal was to create an inviting outdoor space for relaxation and social interaction, allowing for conversations to be heard without the noise of the old dishwasher, fostering a beloved outdoor lifestyle common in Texas. #ArchitecturalDesign #HomeRenovation #Bungalow #CourtyardHome #AustinHomes #InteriorDesign #SustainableDesign #OutdoorLiving

Ashley and Max, newlyweds, recently transformed their 1,068-square-foot 1920s bungalow in Madison, Wisconsin, into a cozy and personalized home. The couple moved from Boston, where homeownership was financially challenging, to Madison for Max's PhD studies at UW Madison. Inspired by Ashley's father, a civil engineer with a construction background, they sought an older home with character that they could renovate themselves. They purchased the bungalow, which, despite being livable, was in need of significant updates. The kitchen, in particular, was outdated and poorly designed, with an illogical layout that included the refrigerator obstructing a bedroom doorway. The outdoor space was also overgrown, and the interior walls featured bright orange and yellow paint. Their renovation journey began with gutting and revamping the kitchen. Max personally laid the new tile, while Ashley's father and uncle assisted with painting and assembling ready-to-assemble cabinets. This collaborative family effort resulted in the kitchen becoming one of their favorite rooms. Beyond the kitchen, they meticulously repainted all interior walls and the exterior siding and trim. Ashley also worked with a local nursery to select native plants for the yard and uncovered a hidden patio and fire pit, which they later used as the venue for their wedding in July 2022. This personal connection imbued the home with significant sentimental value, symbolizing their shared commitment and teamwork. The couple's personal interests are visibly integrated into the home's aesthetic. Ashley, with a background in art and poetry, and Max, a PhD student in U.S. history and education policy, appreciate older items, which aligns with the bungalow's 1920s architecture. Original features like scalloped arches, a large multi-panel dining room window, and 1920s bathroom tile were preserved and highlighted during the renovation. Ashley curated a gallery wall from her extensive collection of personal artwork, travel photographs, old maps, and souvenirs, creating a deeply personal and meaningful display. Their furniture selections reflect an eclectic approach, combining sentimental family heirlooms, such as a leather chair from Ashley's grandmother, with self-built pieces like a bookcase/TV stand, and budget-friendly finds from IKEA and Facebook Marketplace. This mix of textures, colors, and styles, featuring pops of orange and green against neutral tones, contributes to the home's warm and personal ambiance, with each item holding a unique story. The dining room, open to the living space, stands out as Ashley's favorite area. She envisioned it as a versatile space for work, reading, art, hosting, and games, appreciating the abundant natural light from the large window and the conversational appeal of the gallery wall. A bright yellow front door further adds to the home's charm. Their latest acquisition was an Art Deco mirror, a $20 Facebook Marketplace find, placed above an IKEA bar cart, highlighting their knack for discovering unique pieces affordably. Their advice for creating a beloved home centers on choosing items that bring joy, rather than strictly adhering to matching aesthetics, and experimenting with various colors, materials, textures, and furniture styles to achieve a cohesive and personal space. #HomeRenovation #Bungalow #DIYHome #EclecticDecor #HistoricArchitecture #CoupleGoals #PersonalizedHome #MadisonWisconsin #HouseTour

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

Ayni Raimondi Vienna and Sean Vienna, a couple from San Francisco's Outer Sunset neighborhood, sought a new home that offered more privacy, natural surroundings, and proximity to the beach, eventually finding their "magic house" in San Anselmo, California. Their initial move to San Anselmo was accidental, driven by an opportune Craigslist rental, leading them to sell their San Francisco home and embark on a dedicated house hunt in the new town. The criteria for their dream home included being within 30 minutes of the beach in California and allowing Sean to bike to work, which he, an ocean photographer, enthusiastically pursued. During their search, they encountered a 1921 home previously owned by a Sausalito seafood restaurateur, featuring unique sea-inspired elements such as abalone shells on doors and a spiral staircase. Despite initial reservations from their real estate agents, the couple immediately recognized the property as their ideal, "magic house," drawing parallels to their shared passion for the ocean, exemplified by their second date involving free diving in a kelp forest. Upon purchasing the home, they engaged designer Shelbie Cox and contractor Abel Maldonado for extensive renovations. Ayni had been in contact with Cox throughout the search, securing her interest in the project. The renovation process involved meticulously preserving original architectural details, such as the Douglas fir window casings, which were carefully removed, new energy-efficient windows installed, and the original casings reassembled. This commitment to preservation set their project apart from the common modern farmhouse aesthetic prevalent in Marin County, which often favored new, black and white designs. The couple was actively involved in material selection, with Ayni even meeting a cabinetmaker in a gas station parking lot to approve teak board options for their primary bathroom. For the flooring, Ayni consulted her friend Emily Christensen of Good Wood, a company specializing in reclaimed lumber, ultimately choosing a soft redwood that, despite its susceptibility to nicks, offered a luxurious feel underfoot. The design choices throughout the home reflected their personal stories and practical needs. Sean, known for his ocean photography, contributed to the home's aesthetic with his artwork, and his dedication to plant care extended to watering plants on the balcony during the renovation. The couple's extensive art book collection, a tradition from their early courtship, became a central feature during dinner parties, encouraging guests to explore them. The home also evolved to accommodate their growing family, transforming a sunroom into a nursery for their newborn son, Woods, and an adjacent sitting area into a family hangout. Sean’s DIY skills were put to use refurbishing a dresser for the nursery, a piece they found on Facebook Marketplace. The nursery itself was designed with thoughtful details, including specific paint colors and custom curtains made from a rare Josef Frank fabric, which Ayni went to significant lengths to acquire from Stockholm. The guest bathroom was designed with a unique "makeup colors" palette, a concept inspired by soft, blush-like shades, resulting in a two-tone pink concrete tile arrangement. Despite its feminine aesthetic, Sean frequently used this bathroom after his long bike commutes. The primary bathroom featured a large Americh tub, a conscious choice reflecting their shared love for bathing and hot springs, with Sean, being tall, having the final say on the tub size. The couple's daily routine in their renovated home involves starting their Sundays with coffee and music, tending to their garden, and occasionally venturing to Shell Beach for a swim, highlighting their connection to nature and a relaxed lifestyle. The renovation successfully blended the home's historic charm with contemporary comfort, creating a space that reflected their personalities and evolving family needs. #HomeTour #SanAnselmo #CaliforniaLiving #RenovationProject #InteriorDesign #OceanPhotography #NurseryDesign #HistoricHome #SustainableMaterials

David and Emma Engerer, a young couple, have embarked on a significant endeavor to revitalize the historic Stuart Neighborhood in Kalamazoo through the renovation and rental of its aging houses. David, 28, from metro Detroit, and Emma, 22, from Austin, Texas, met at a skateboarding contest in Houston and later married in October 2019. Their venture into real estate began after David's graduation from Western Michigan University, encouraged by his father to purchase and renovate older homes to generate rental income. The couple's commitment to the neighborhood is evident in their hands-on approach to renovations, with David performing most of the restoration work alongside Emma. Their efforts have been lauded by local residents, including Gary Wark, president of the Stuart Area Restoration Association, who notes the positive contrast with absentee landlords. The Engerers are part of a growing trend of younger individuals investing in the historic area, which boasts many houses dating back to the 1870s when it was a thriving community for businessmen and professionals. David emphasizes the importance of maintaining a vision for the properties' potential, despite the inherent challenges of home fix-ups. Their first acquisition was an American Foursquare stucco house at 821 Kalamazoo Ave., built in 1910. Originally a single-family residence, it had been converted into a duplex in the 1920s and suffered from neglect, including foundation, roof, plumbing, and electrical issues. Emma humorously compared it to the 'Money Pit' movie. Despite its condition, the house had existing tenants, and its structural integrity was surprisingly sound. This initial project served as a significant learning experience for the couple. Following this, the Engerers purchased two more 19th-century homes in the neighborhood, with plans for additional acquisitions. One of these is their personal residence, a 4,000-square-foot Queen Anne Victorian at 418 Stuart Ave., known as the French/Allen House, built in 1895. This house, rich in history with four bedrooms, 3.5 bathrooms, stained-glass windows, and a sweeping veranda, was originally appointed by Marshall Field. It was once owned by Dorr French, a justice of the peace and city attorney, and later by Harold Allen, vice president of First National Bank and corporate secretary for The Upjohn Co. They acquired this house in May 2020 at a reduced price, undertaking interior upgrades such as replacing old galvanized steel pipes and plumbing, replicating door moldings, and re-doing bathrooms, all while meticulously preserving the historic integrity. David expresses strong disapproval of renovations that strip old homes of their original charming features. Local historian Sharon Carlson, a resident of the Stuart Neighborhood, commends the Engerers' dedication, noting that landlords who live in the neighborhood tend to be the most effective. In July 2020, they bought another rental property at 500 Stuart Ave., a four-unit dwelling built by George Rickman in the late 1880s, one of three brick Queen Anne-style houses on the street. They are currently performing exterior and limited interior renovations, with more extensive work planned as tenant leases expire. This house, along with its neighbors, is distinctive for its brick construction, unusual for Victorian homes of that era. Emma, who initially had no plans to leave Texas, credits her move to Michigan to her relationship with David and a strong sense of divine guidance. She discovered Michigan's distinct seasons, a new experience compared to Texas. David's background includes a past as an aspiring professional skateboarder and snowskater, sponsored by Ambition Snowskates. He graduated from Western Michigan University with a degree in exercise science, initially intending to become a physical therapist, but discovered a passion for home renovation after summer jobs involving repairs. David's father, a successful physical therapist and experienced home renovator, has been a significant mentor, guiding them with insights into making properties profitable and managing renovations. The Engerers emphasize that while financial viability is crucial for such projects, passion and vision are paramount. They plan to remain in the Stuart Neighborhood long-term, expressing their love for the community and its historical homes. #HistoricHomeRenovations #StuartNeighborhood #KalamazooRealEstate #PropertyInvestment #CommunityRevitalization #QueenAnneVictorian #OldHouseRestoration #RentalProperties #NeighborhoodDevelopment

Emma and Graeme undertook a significant renovation of their 1780-built, four-bedroom detached cottage in Hucknall, Nottingham, transforming it into a modern, open-plan family home with a Scandi-inspired aesthetic. The property, though well-maintained, was dated, featuring numerous small, dark rooms, dusky pink carpets, patterned curtains, and a dark pine kitchen. The couple, with Emma being an interior stylist and Graeme skilled in DIY, decided to create a large open-plan kitchen, diner, and living space by knocking down walls, aiming to complete the major work before their first child arrived. The total project cost was £72,000. The renovation began with the demolition of internal walls to merge four smaller rooms into one expansive area. Graeme utilized a Room Sketcher app to plan the layout, and a builder friend assisted with wall removal and steel beam installation. Emma, inspired by a high-end kitchen design, achieved a similar look on a budget by collaborating with a local company, Inspirational Interiors. They opted for white Shaker-style units with a blue island, incorporating a custom double larder from what was intended to be a boiler box-in, and a built-in microwave in the island to maximize counter space. The dining area features a bespoke reclaimed wood table, replicating a Pinterest design, complemented by rattan pendant lights and Camaro LVT flooring with a wood finish and grey/blue tint. The staircase, initially problematic after wall removal, was custom-built by Graeme using timber for simple spindles, costing only £50, instead of expensive glass that would show fingerprints. The living room was designed with a darker palette, using Farrow & Ball's 'Down Pipe' to create a more formal, luxurious evening atmosphere. Graeme updated the fireplace with reclaimed brick, a wood mantle, and York stone, giving it a high-end look on a budget. Efforts to panel the room were eventually replaced by gloss paint on the walls to give the illusion of wood, and the dark wood window frames were painted white to brighten the space. In the master bedroom, Graeme installed timber panelling on the back wall, painted in 'Inchyra Blue,' while the bathroom, initially featuring a dated corner bath, was upgraded with a navy blue roll-top bath and a custom-made vanity unit crafted by the same furniture maker who built the dining table. The patterned floor tiles in the bathroom served as a focal point, allowing the rest of the decor to remain simple. For their daughter Arla's nursery, the couple attempted a painted wooden floor, which Graeme sanded extensively and filled gaps with rope, though in hindsight, Emma suggested carpet for practicality. Future plans for the property include renovating the rear garden, converting an outbuilding into an office and gym, and eventually transforming the double garage into a guest annexe, reflecting their long-term vision for the home. The project highlights how DIY skills, strategic planning, and resourceful sourcing can achieve a high-quality renovation at a reduced cost, illustrating effective ways to transform a dated property into a functional and aesthetically pleasing open-plan living space. #HomeRenovation #DIYProjects #OpenPlanLiving #BudgetRenovation #InteriorStyling #ScandiDesign #FamilyHome #CostSavingTips #PropertyTransformation

Architectural and interior design duo Arya and Michael Martin, founders of Studio OSKLO, have spent three years meticulously crafting their biophilic home in the Hollywood Hills. Their design philosophy focuses on integrating nature and minimalist aesthetics, blurring the lines between indoor and outdoor living. The property, located in the exclusive Doheny Estates, features an earthy color palette and natural materials, harmonizing with the surrounding granite hillside. The home incorporates elements typical of 1960s and 1970s Los Angeles architecture, such as architectural columns that conceal a series of interconnecting terraces accessible from every living space. A central atrium with a second-floor overlook brings greenery into the heart of the home, complemented by walls of rift oak and matte plaster detailing. Large retracting glass panels and expansive corridors create an open atmosphere, offering views of black olive trees, grasses, and aged stepping stones. The exterior uses white and cream tones to soften the columns, which are exposed to direct sunlight. Hinoki-inspired wooden paneling wraps the second-floor terraces to provide privacy. A limestone promenade leads to a zero-edge pool, a private dining garden with a fireplace, and a granite rock formation inspired by the luxury hotel Amangiri in Utah. Inside, the plasterwork is predominantly white, with exceptions in the taupe cloakroom and the oak-paneled TV room. The sitting room features a fireplace carved from a two-ton block of Paloma limestone, assembled on-site by 16 men. The kitchen boasts Calacatta Paonazzo marble, lending a vintage feel to the contemporary space, while a Calacatta gold marble bar adds warmth. Each bedroom is designed with a unique palette to enhance personality. The interiors are furnished with a rich mix of textures, including boucle, velvet, mohair, and linen. Irani carpets, inherited from Arya’s family, blend seamlessly with pieces by notable designers like Vladimir Kagan, Gio Ponti, and Rick Owens. The couple also incorporated collectibles from their travels to Madrid, São Paulo, and Marrakech, creating a curated global aesthetic. Many furniture pieces were custom-made by Studio OSKLO, characterized by gentle abstract shapes and textures. Accessories from Tokyo, sourced during their trips to Japan in 2021 and 2022, contribute an Eastern influence to the Los Angeles views. Pottery, 19th-century bronzes, and clay objects are artfully displayed on built-ins, shelving, and tabletops. The dining room features a Tamara de Lempicka artwork, and a 1960s-era bronze bust adorns the second-floor hallway, reflecting the Martins’ personal tastes and careful attention to every detail in their home. #BiophilicDesign #HollywoodHills #StudioOSKLO #MinimalistInteriors #NaturalMaterials #EarthyPalette #LuxuryHomes #CustomFurniture #ArchitecturalDesign #InteriorDesigners

Joanna Grawunder and Mark Jensen, an architect couple, transformed a dilapidated Depression-era summer cabin on the Russian River near Healdsburg's Fitch Mountain into a modern, multilevel retreat. Initially repulsed by the property's condition in 2012, Grawunder was convinced by Jensen, who had childhood memories of the Russian River, to explore its potential. Despite the abandoned house being in a state of disrepair with numerous issues, including septic problems and termites, the couple was captivated by the "gobsmacking" river views, recognizing the prime location. Their professional expertise as architects instilled confidence that they could overcome the structural challenges. Undeterred by a long list of county violations that had scared away previous prospective buyers, Jensen understood the site's unique value. Building a new house so close to the river was prohibited, but they found that they could rebuild on the existing foundation and footprint of the old cabin. The permitting process alone took two years, followed by another two years for construction. Eight years ago, they finally moved into their completed home. The resulting house is a modest, multilevel structure with board-and-batten siding and a concrete base, designed to evoke a farm building and blend with the rural landscape. Its simplicity contributes to its comfort. The location is highly desirable, being a mere two-mile walk from Healdsburg Plaza, allowing them to integrate into a community with friends who often share fresh produce. The pandemic prompted them to move from San Francisco to live in the Healdsburg home full-time, falling in love with the lifestyle, though Jensen maintains a small loft in the city for workdays. While most of the original structure was replaced, the couple preserved the steep, concrete steps leading to the old dock. A significant discovery during renovation was the unearthing of 20th-century Boho art embedded in the terraced walls leading to the river. These decorative elements, including abalone shells, mirror and tile fragments, glass bottles, and candle niches, were initially buried under sand and silt. This annual task of digging out the terraces, which they playfully call "shovel camp," has become a cherished spring ritual. The interior of the 1,100-square-foot house is open and simple, featuring a winding staircase to a bedroom loft. From this elevated position, Grawunder enjoys unique views of local wildlife, such as great blue herons, bald eagles, and ospreys. The casual furnishings are largely indoor-outdoor, allowing for flexible entertaining, and a wide deck with a retractable awning expands the living space. The compact kitchen is efficient for cooking, even when hosting frequent guests who often arrive by kayak or canoe. Despite the overall simplicity, the house incorporates elements that reflect the couple's appreciation for modern art and design. A dining table from the famed Italian design collective Superstudio, where Grawunder once studied, serves as a focal point. Grawunder, who also has a background in artistic design, including limited edition furnishings and lighting, has incorporated one of her acrylic mirror light pieces into the living space, resembling a window. The couple enjoys observing the changing seasons from their home. While winters offer cozy views of the rushing river from an alcove, summers are for leisurely entertaining, often starting with drinks at the dock and moving to the covered deck for dinner. A unique "Italian grandmother elevator"—a rope with a basket—is used to transport food, like pasta and pizza, to guests below. The Russian River fosters a sense of casual camaraderie, with neighbors often paddling by and impromptu gatherings occurring, sometimes involving Negronis delivered by paddle. #HealdsburgHome #RussianRiver #Architecture #HomeDesign #Renovation #SonomaCounty #WaterfrontLiving #ModernHome #ArchitecturalDesign

Megan and Chris Lim, a couple with two children, purchased the smallest house on their block in October 2019, drawn to the urban suburban feel and family-friendly atmosphere of their Sacramento, California neighborhood. The original 920-square-foot house, while not their dream home, offered a strong community connection. As their family grew, the couple quickly outgrew the limited space. Rather than relocating, they decided to expand their current home, enlisting Christina Valencia and Kele Dobrinski of Colossus Mfg., known for HGTV’s 'Mash-Up Our Home,' to manage the renovation. A primary challenge for the designers was to harmonize Megan's preference for 'organized chaos,' characterized by colorful tchotchkes, with Chris's desire for a streamlined, minimalist space. Valencia and Dobrinski focused on understanding the couple's lifestyle and how they envisioned living in their home to bridge these differing aesthetics. This approach proved successful, notably evident in the harmonious design of their bedroom. The most significant addition to the house was a 320-square-foot en suite, constructed by utilizing a portion of their backyard. The design concept for this new space was inspired by a boutique hotel suite, featuring an open-concept shower and vanity area, with the toilet discreetly enclosed in a separate section. For privacy, the designers opted for opaque fluted acrylic panels rather than traditional glass, set within mahogany frames. Mahogany was chosen for its durability and resistance to moisture, making it suitable for a bathroom environment. A distinctive element in the en suite is a repurposed dresser, transformed into a double vanity with a tiled countertop and integrated sinks, with interior drawers modified to accommodate plumbing. Given the substantial investment in the en suite addition, the kitchen renovation required a more budget-conscious approach. Valencia and Dobrinski focused on cost-effective updates, preserving the existing galley kitchen's cabinet boxes and replacing only the doors with white oak fronts to achieve a clean, modern aesthetic. The original countertops were also retained. A custom-designed shelving unit featuring a flip-down countertop doubles as a breakfast bar, providing a functional and inviting space for Megan, particularly during her maternity leave, to work and supervise her child in the adjacent living room. Throughout the home, clever design solutions cater to both aesthetic and functional needs. In the living area, a television is concealed behind a colorful wall tapestry, allowing it to be hidden when not in use. Similarly, in the primary bedroom, a small television is integrated into a built-in wardrobe, preventing media elements from dominating the space. A last-minute addition was a nursery for their second child, Phoebe, designed in soft blush pink and furnished with essentials from local store Bitte. The crib, a sentimental piece, was originally Dobrinski’s, passed down from his parents, used by his own children, and now serving a third generation in the Lim household, embodying a sense of continuity and community. #HomeRenovation #HouseTour #InteriorDesign #SmallSpaceLiving #EnSuiteBathroom #KitchenRemodel #CustomDesign #FamilyHome #DesignSolutions

The Rowan is the newest tiny house model introduced by the online marketplace, Tiny House Listings. This 34-foot-long (10-meter) tiny house distinguishes itself with a useful porch area and an expansive interior layout, uniquely arranged on a single floor. While its length is comparable to many North American tiny houses, its increased width of 10 feet (3 meters) — 1.5 feet wider than the standard 8.5 feet (2.6 meters) — contributes significantly to a more spacious and home-like feel inside. However, this extra width necessitates a permit for towing on public roads in the USA, making it less ideal for frequent relocation. The Rowan is constructed on a six-axle trailer, a notable feature that suggests a design choice to distribute weight effectively. The exterior is finished with engineered board and batten wood, complemented by a metal roof, ensuring durability and a contemporary aesthetic. The interior boasts drywall finishes, providing a clean and modern canvas for residents. Access to the home is through a 6-foot (1.8-meter) porch, which leads into the living room via double glass doors. The living area is well-lit with generous glazing and is designed to accommodate a sofa, a TV, and a cabinet, creating a comfortable space for relaxation. Adjacent to the living room is the kitchen, which is equipped with an induction stove and a sink. It offers ample cabinetry and designated space for additional appliances, catering to practical cooking needs. A breakfast bar with seating for two further enhances the kitchen's functionality, serving as a casual dining or workspace. Moving deeper into the tiny house, past the living and kitchen areas, is the bathroom. This facility includes a shower, a sink, a flushing toilet, and some storage, providing essential amenities within a compact footprint. One of the most significant design aspects of the Rowan is its single-floor layout, particularly evident in the bedroom. Unlike many tiny houses that feature loft bedrooms requiring occupants to crawl, the Rowan’s bedroom offers ample headroom, allowing residents to stand and move around comfortably. Located at the opposite end of the house from the entrance, the bedroom is designed to accommodate a queen-sized bed. It also includes a large built-in closet and washer/dryer hookups, maximizing convenience and storage within the limited space. The Rowan is currently available for purchase at US$92,000. This model aligns with Tiny House Listings' recent offerings, which include the larger duplex-style TinyPlex and the more budget-friendly Cortado, showcasing the marketplace's diverse range of tiny home solutions. The Rowan represents a practical yet comfortable option for individuals or couples seeking a tiny house experience with an emphasis on interior spaciousness and a semi-outdoor living component provided by its porch. #TinyHouses #TinyHouseDesign #SmallSpaceLiving #MobileHomes #AffordableHousing #CompactLiving #MinimalistLiving #OutdoorLiving #ArchitecturalInnovation

This article details how a pair of architects transformed their 700-square-foot top-floor condo in a 1920s walk-up into a highly functional live/work space for themselves and their young son. The couple, Oliver Valle of Oliver Valle Office and Blandine Seguin of NOUS Studio, both work from home and faced the challenge of maximizing a small, narrow apartment, measuring 13 feet wide and 50 feet long, without introducing new walls. Their primary goal was to create clear divisions and defined areas within the open layout while preserving light and a sense of spaciousness. The innovative solution involved the creation of a custom-built white oak “ribbon” of built-ins, meticulously crafted by Shengning Zhang of Studio SNNG. This architectural element functions as a multi-purpose landscape of wood, integrating seating, shelving, storage, and work surfaces along the perimeter of the apartment. This approach effectively delineated different zones for entry, work, and living without physical barriers, addressing the couple's need for distinct yet interconnected spaces. Complementing the built-ins are carefully selected freestanding furniture pieces, primarily Alvar Aalto designs from Artek, which contribute to the apartment's aesthetic and functionality. A significant design challenge was to maximize natural light within the limited space. The architects achieved this by installing angled mirrors above each of the three west-facing windows and lining the deep window casings with mirrored glass. This technique not only visually expands the space but also amplifies light and offers extended views of trees and sky, effectively bringing more of the outside in. The strategic placement of these mirrors ensures that light permeates the apartment from various directions and extends the duration of direct sunlight. Specific design features highlight the apartment's ingenuity. The entry area is clearly defined by the built-ins, creating a distinct threshold before entering the main living space. A bioethanol gas fireplace from Brasa is seamlessly integrated into the wall separating the seating banquette from the entry. A 25-foot-long floating credenza runs beneath the windows, further enhancing storage and display options without cluttering the floor. The cantilevered seating platform is deliberately raised to create a floating effect, countering the potentially heavy appearance of built-ins. Artwork by Seguin is displayed throughout the apartment, adding a personal touch. Practical elements also include black vinyl laminate from Forbo cladding plywood doors, which conceal storage beneath stairs leading to the roof. A unique cat-shaped cut-out in these doors provides access to a hidden litter box for the resident cat, Moshi. The apartment's original floorboards were treated with a pickled whitewash, and new windows from Quality Window Service & Repair feature deep casings lined with custom mirror glass and unusual wool-felt sills from FilzFelt. These details collectively demonstrate a thoughtful and experimental approach to interior design, successfully transforming a compact urban apartment into a highly efficient and aesthetically pleasing home and workspace. #InteriorDesign #SmallSpaceLiving #BuiltInFurniture #LiveWorkSpace #ArchitecturalDesign #SpaceMaximization #ProspectHeights #Brooklyn #CustomMillwork