An Atlanta Loft Gets an Artsy Makeover - Bryan Patrick Flynn Atlanta Home

Poul Olson acquired his unit in City View Lofts, Atlanta, in 2015 with the intention of undertaking a comprehensive remodel to align the space with his personal aesthetic preferences. The renovation project involved gutting the kitchen, remodeling both bathrooms, replacing the original flooring, and, more recently, installing new walnut stair treads, which Olson personally stained. He sought the expertise of an interior designer from Chosen Interiors to help articulate a vision for the loft that blended modern and industrial styles with a grayscale color palette. The loft, spanning 990 square feet, features one bedroom and one-and-a-half bathrooms. A key design decision was painting the ceilings black to minimize the visual impact of exposed pipes and ductwork, a common characteristic of loft living, and to impart a cozier ambiance, particularly in the master bedroom. Olson aimed to create a serene and calming environment within the loft, especially for his private sleeping quarters. The renovation also included the installation of a new walk-in closet system and a tankless electric water heater. A low-profile wall in the loft area was replaced with an open railing to match the new stair railing and to enhance natural light penetration into the master bedroom. In the master bathroom, to counteract the often-constrained feeling of loft bathrooms, Olson opted for a floating vanity and frameless shower doors from Shower Doors by TJ. An opaque window in the shower further contributes to the sense of spaciousness by allowing ambient light from the rest of the loft to filter in. The living room features a concrete coffee table from CB2, which reinforces the gray-scale theme and industrial aesthetic. The kitchen is anchored by dark cabinetry from Wellborn Cabinets, installed by Strathmore, with pendant lights made from bamboo fibers and polypropylene from Lumens suspended over the island. The master bedroom's focal point is an accent wall clad in wood-grain tiles from Floor & Decor, complemented by a gallery wall showcasing art collected during Olson's international travels, including pieces from Kenya, Ethiopia, and Mozambique. Key design elements highlighted include the black ceilings, the consistent gray color scheme, and various industrial accents throughout the home. Outdoor features include bamboo screening on the patio. Furniture and decor were sourced from retailers such as CB2, Room & Board, Crate & Barrel, and West Elm. Paint colors used include Benjamin Moore Wolf Gray for the bedroom, Benjamin Moore Stonington Gray for the master bathroom, and Benjamin Moore Moonshine for the half bathroom. The project successfully transformed the loft into a modern and industrial living space tailored to the homeowner's tastes. #LoftRemodel #ModernDesign #IndustrialStyle #GrayscalePalette #InteriorDesign #AtlantaLofts #HomeRenovation #SpaceOptimization

New York City lofts have a rich history, transitioning from industrial warehouses and manufacturing centers of the late 19th and early 20th centuries into desirable residential spaces. These structures were characterized by high ceilings, exposed brick, and large windows, originally designed to maximize natural light for industrial purposes. By the mid-20th century, as industries relocated from Manhattan, artists and creatives began to repurpose these buildings into versatile living and working environments. Today, lofts represent a fusion of historical character and contemporary design, offering a flexible foundation for innovative renovations. One such renovation project was undertaken by BOND, a design studio led by Noam Dvir and Daniel Rauchwerger. Their task was to revitalize a 1,000-square-foot Tribeca Loft situated within a landmarked New York City building. The goal was to preserve the loft's industrial heritage while integrating a modern, bright aesthetic. This particular loft had remained largely unaltered since the 1980s, necessitating a comprehensive update to accommodate contemporary living standards. BOND's approach emphasized careful preservation and enhancement rather than stripping away the original charm. The renovation involved significant structural and systems upgrades, including replacing old wiring, removing dropped ceiling panels, and installing a central air conditioning system. These improvements were crucial for modern comfort without compromising the loft's inherent character. A key design element was the introduction of a glass partition between the bedroom and living area. This strategic addition allows natural light to permeate the entire space, creating an open and airy atmosphere while still providing a subtle division between functional zones. This technique is commonly employed in contemporary loft conversions to enhance the sense of spaciousness. Reflecting the communal aspect of New York City loft living, BOND centered the design around the kitchen. A prominent 15-foot-long island, featuring waterfall edges and a distinctive cut-in detail, serves both as a practical workspace and a central gathering point. The island is complemented by walnut 'Tractor' stools from BassamFellows, fostering social interaction and connecting to the loft's historical role as a hub for creativity and community. The design philosophy embraced the loft's ability to evolve while retaining its original character. BOND achieved a balance between minimalism and warmth through carefully selected design elements. The bathrooms incorporate subtle yet vibrant pops of color, providing a playful contrast to the overall neutral palette. Gold and brown tones were chosen to complement the natural light streaming through the west-facing windows in the main living area. Sculptural furniture pieces, such as a metal coffee table, elevate the aesthetic while maintaining a sense of flow within the space. The loft also functions as a showcase for the owners' art collection, which includes geometric works by Mika Tajima and whimsical pieces by John Armleder. This integration of art into daily life harks back to the legacy of early artist-occupied lofts in the city, which often served as both residences and creative studios. The renovation successfully transforms a historic space into a modern, functional, and aesthetically pleasing home, honoring its past while catering to contemporary needs. #NewYorkCityLoft #LoftRenovation #BONDDesign #TribecaLoft #HistoricPreservation #InteriorDesign #ModernLiving #ArchitecturalRenovation #HomeDecor

This article explores the inner-city loft apartment of Alex Eagle and her partner Mark Wadhwa, highlighting its eclectic style that blends theatrical flair with a relaxed, lived-in feel. The apartment, situated in a city, serves as both a home and a dynamic showroom for Alex's design, art, and fashion store. The couple moved into their home on Christmas Eve in 2013 and hosted Christmas lunch for 20 people the very next day, emphasizing the home's ability to accommodate social gatherings comfortably. The apartment's spacious layout and a large, extendable dining table, capable of seating up to 35 people, are central to this functionality. The article notes that many items sold in Alex's store often cycle through her home, creating an organic and ever-evolving display. The open-plan design of the loft provides a flexible canvas for the arrangement of art and furniture. Large-scale photographic artworks and colorful sculptures contribute to the visual interest, while vintage furniture and cozy textures ensure the space remains inviting and informal. A custom-built kitchen centrally anchors the open-plan area, defining separate zones for dining and lounging, and a more private section housing the bedroom, bathrooms, a formal sitting area, and Alex's home office. The office features ceiling-height bookshelves that span the entire wall. Alex's background, influenced by her art dealer father and 'serial decorator' mother, is cited as a source for her appreciation of art and design. Her childhood home, located in a leafy area, inspired the inclusion of large potted plants throughout the apartment, adding a touch of nature to the urban dwelling. The article describes the overall aesthetic as colorful and lively, reflecting Alex's inherent passion for design. #LoftApartment #EclecticStyle #HomeDecor #InteriorDesign #OpenPlanLiving #VintageFurniture #ArtCollection #HomeOffice

Kimberly Awad, a tech professional in New York City, meticulously sought out a unique living space after 12 years in the city, transitioning from a modern high-rise to a Brooklyn loft with character. Her search on StreetEasy utilized keywords such as 'loft,' 'exposed beams,' 'exposed brick,' 'industrial,' and 'high ceilings,' leading her to the perfect unit which she secured on the same day as her initial viewing. This studio apartment, spanning 900 to 1,000 square feet, is situated across the East River in Brooklyn. The defining features of Kimberly's loft are its impressive 15-foot ceilings and expansive walls, which she envisions as a canvas for a growing art collection. To complement this gallery-like aesthetic, she has opted for a minimalist approach, keeping the walls white and selecting low, neutral-toned furniture. A significant design element in her home is a 12-foot Audrey Ficus tree, a striking plant that often leads guests to question its authenticity. Her furniture choices include a secondhand white linen Restoration Hardware Cloud sofa and a white linen Soft Frame Designs bed, both chosen for their quality materials and harmonious visual flow. While the loft largely met Kimberly's criteria, the kitchen initially presented a design challenge with its orange subway tiles. Rather than replacing them, she embraced the existing color scheme by painting the kitchen walls in a similar shade, Farrow & Ball's Dutch Orange, with plans to add a third coat. The kitchen features a substantial 6-foot-wide solid wood slab table from Burke Decor, which serves dual purposes as a workspace for her two to three days a week of remote work and as a gathering spot for weekend hosting. She prioritizes a well-stocked bar and an updated Spotify playlist for entertaining. Kimberly's home reflects her personality, which she describes as akin to a Libra: embodying romantic details, an aesthetically pleasing environment, and serving as a social hub for friends and laughter. She maintains a strict 'shoes off, no bad vibes, speak nicely to Audrey (the tree)' policy within her home. Despite being a single-room studio, Kimberly perceives the space as well-distributed, with the bed feeling sufficiently separate from the kitchen and entry areas. The loft also boasts ample storage, which Kimberly humorously refers to as her home's 'dirty secret.' Future plans include upgrading the bathroom. The inspiration for starting her art collection came from the previous tenant, an artist whose work was displayed throughout the loft, from whom Kimberly even purchased a piece. #BrooklynLoft #HighCeilings #IndustrialDesign #InteriorDecor #HomeStyling #ArtCollection #KitchenRenovation #SpaceUtilization #NewYorkLiving

This article details the transformation of a 120-year-old industrial loft in SoHo into a contemporary, "cloud-like" home for an art historian. The project was a collaboration between Ferguson & Shamamian Architects, represented by principal Andrew Oyen, and Bunny Williams Interior Design, with partner Elizabeth Lawrence. The 2,800-square-foot unit, previously a studio for architect and sculptor Maya Lin and a manufacturing facility before that, retained few original industrial features apart from two cast-iron columns. The design team focused on restoring the remaining historical elements and adapting the space to the client's modern lifestyle, which included both academic pursuits and frequent entertaining. The renovation involved a significant restoration effort. The original wood windows and floors were preserved, and layers of acoustic tile were removed from the ceiling beams and ducts to expose the industrial character. A 1970s door was replaced with a period-appropriate vintage metal door sourced from Demolition Depot in Harlem, which Oyen highlights as a key element of the space. All exposed features, including the restored elements, received a fresh coat of white paint to create a bright and airy atmosphere. The front entrance was strategically relocated to immediately showcase the dramatic cast-iron columns, a design choice that also allowed for the creation of a sunlit open kitchen at the front of the unit. The client, Emma Lasry, now a research analyst at an art advisory firm, desired a space that felt comfortable and "cloud-like," yet incorporated vibrant fabrics, patterns, and colors, avoiding an overly antique aesthetic. Both design firms were familiar with her preferences, having previously worked on her parents' larger homes. Lawrence, the interior designer, developed a palette featuring bright pinks and blues and designed a layout that included a large kitchen island and ample space for entertaining. The design successfully integrated traditional pieces with modern elements, reflecting the client's sophisticated taste. The living room, a massive open floor plan, was configured to serve as a comfortable entertaining area. Key design choices included a Serena & Lily swing, a sofa from Mitchell Gold + Bob Williams, and various pillows from John Robshaw and Lee Jofa. An Anthropologie coffee table, Bunny Williams Home lamp and side table, and a Studio Four NYC rug completed the space. A statue of Allen Iverson was intentionally included by the client as a unique, conversation-starting element. The kitchen features custom cabinets painted in Collingwood by Benjamin Moore, distinguishing it from the white-walled apartment. It is equipped with Wesley Hall stools in Fabricut fabric, Hudson Valley Lighting pendants, and appliances from Viking and Sub-Zero. The powder room was designed for a "wow" effect, incorporating a vibrant Paper Mills wallcovering, a lotus-inspired pendant from Shades of Light, and fixtures from Circa Lighting and Waterworks. The bedroom incorporates hints of black to modernize the Tulu Textiles fabric on a Wesley Hall chair, alongside a Niermann Weeks bed, an Eloquence bench, and lighting from Horchow and Circa Lighting, with walls painted in Benjamin Moore's Dreamy Cloud. The project demonstrates the ability of the design firms to adapt their expertise, typically associated with more opulent projects, to create a uniquely vibrant and personalized urban loft. The result is an apartment that feels unexpected given its historical context, effectively blending industrial heritage with modern comfort and a playful aesthetic. #SoHoLoft #LoftRenovation #IndustrialInteriorDesign #ElizabethLawrence #AndrewOyen #BunnyWilliamsInteriorDesign #FergusonShamamianArchitects #NewYorkCityHome #EclecticInterior

The article offers a detailed look into the Atlanta home of interior designer Whitney Durham, owner and lead designer of Whitney Durham Interiors, and her husband Nathan Durham. Purchased in 2013, the 1932 cottage-style home, measuring 3,800 square feet with four bedrooms and three bathrooms, has undergone several updates to reflect Whitney's evolving design aesthetic while retaining its original charm. The Durhams initially bought the property with existing additions, such as an owner’s suite, an expanded kitchen, and a screened-in porch, which they later enclosed in 2016 to create a sunroom. In early 2020, a pool and cabana were added to the backyard, enhancing the outdoor living space. Whitney's design philosophy centers on injecting color, mixing old and new, and combining high-end and budget-friendly pieces to create a curated, joyful atmosphere. This is evident throughout the home. For instance, the foyer features an antique Turkish rug and an abstract painting by Michelle Armas, complementing the home's original Gothic blue front door. The living room showcases new sofas from Ellenburg Chair Company alongside antique mirrors and a vintage zebra hide, while an abstract painting by Elaine Burge and a two-tier chandelier by Aerin from Circa Lighting serve as focal points. The formal dining room was converted into a sitting room, furnished with custom swivel tub chairs, a vintage Lucite chandelier, art by Renee Bouchon, and a large abstract painting by Whitney herself. This space also incorporates Schumacher fabric for window treatments and Moroccan ottomans from B.D. Jeffries. The guest suite, which was the original owner’s suite, features bold coral walls with Hale Navy accents, beds from SWOOX Curated Consignment, a vintage dresser, and art by Teil Duncan and Christina Baker. The sunroom, created from the enclosed porch, provides a family gathering space with a custom sectional, swivel chairs, layered rugs, and an open connection to the kitchen. The kitchen itself has been updated with white quartz countertops on the island, a classic white subway tile backsplash, and vintage Turkish runners. Lighting fixtures by Sean Lavin and art by Elaine Burge further enhance the space. The owner’s suite is characterized by high ceilings, a collection of art, an antique canopy bed, and lamps made from vessels passed down from Whitney's grandmother. The children's bedroom features custom headboards, bedding from Serena & Lily and Ballard Designs, and monogrammed pillows, while their shared bathroom includes new mirrors, shiplap, and a whimsical cowboy painting by Elaine Burge. The playroom offers ample seating with a custom sofa and leather club chairs, adorned with their sons' artwork. The article highlights the collaborative effort in the home’s renovation, with landscape architect Graham Pittman working on the backyard. Whitney emphasizes that a home should be a source of happiness, filled with meaningful and carefully chosen pieces, reflecting her consistent approach to interior design. #InteriorDesign #HomeDecor #AtlantaHomes #WhitneyDurhamInteriors #HomeRenovation #CottageStyle #EclecticDesign #ArtCollection #FamilyHome

This lookbook explores ten examples of loft conversions and renovations across New York City, showcasing how designers have ingeniously utilized open spaces through the strategic insertion of partitions, storage solutions, and other architectural elements. Loft apartments, characterized by their expansive open floor plans, soaring ceilings, and large windows, are a quintessential part of New York City's architectural landscape, often found in converted commercial, manufacturing, or warehouse buildings. Their industrial heritage provides a vast, flexible canvas that has been continuously reimagined by creatives. The featured projects demonstrate a variety of approaches to organizing these open interiors, including the removal of existing walls, the addition or reduction of mezzanines, and the integration of glass or wooden storage units, all while often embracing and highlighting the building's original structural components. One featured project, Another Seedbed in Williamsburg by Ignacio G Galán, Jesse McCormick, and Future Projects, transformed a 19th-century cast iron hat factory into a dual-purpose loft apartment that functions as both a residence and an event space. This was achieved by strategically placing plywood and clay-covered volumes to define private areas within the open plan, complemented by movable furniture to facilitate easy conversion for performances. In Dumbo, Crystal Sinclair Designs introduced a library mezzanine and a substantial glass partition to demarcate space within a loft, leveraging the building's 14-foot ceilings for the mezzanine addition and using the glass to enclose the bedroom while maintaining an open feel for the rest of the apartment. No Architecture's 'The Urban Tree House' in West Village saw the combination of two skyscraper units into a double-height apartment, which now features an extensive wooden structure with net beds spanning above the living area, designed to connect the interior with the adjacent Hudson River Greenway. Andrea Leung's renovation of her own Tribeca loft involved a complete gut renovation, including the removal of a mezzanine level. She organized private spaces in a linear fashion, concealing all but the living and dining areas behind a mirrored wall, drawing inspiration from hidden rooms in her grandmother's penthouse. Tala Fustok Studio's Manhattan loft in West Village employs a large glass and maple wood storage unit to separate the kitchen from the living area, with a custom corten steel staircase leading upstairs. The design emphasizes the apartment's tall ceilings and large windows, while limestone-washed walls add a softer touch. Worrell Yeung revitalized a NoMad loft, removing all internal walls to expose the building's original structures and pipes, then inserting bookcase units and cabinetry to redefine the space for a growing family. Light and Air's Frame Loft in the Financial District, originally a cluttered commercial building, was transformed by removing internal partitions to maximize the generous floor area and natural light from large windows. The studio also reduced the footprint of an overhead storage loft to increase ceiling height, integrating light wood shelving, seating, and a desk. In Clinton Hill, Dean Works inserted a Baltic birch plywood volume into a Brooklyn loft, creating additional storage and a private sleeping area further enclosed by a glass partition, positioning the living area near windows, the kitchen centrally, and the bedroom at the entrance. Julian King's Soho Loft, housed in a former silk warehouse, features a sculptural sleeping mezzanine and a built-in bookcase, maintaining an open feel under 13-foot ceilings. The mezzanine, which holds only a bed, is subtly hidden behind a partial wall with integrated LED lighting. Finally, Worrell Yeung's Chelsea Loft renovation focused on preserving continuous public living zones and maximizing daylight by minimizing partitions, concentrating private rooms on one side of the apartment, and updating a large kitchen island. #NewYorkCityLofts #InteriorDesign #OpenSpacePlanning #LoftConversions #ArchitecturalRenovations #CreativeInteriors #ResidentialArchitecture #SpaceUtilization

This article features a New York City loft designed by Michael Ellison, taking inspiration from the aesthetic portrayed in the novel and film "American Psycho," albeit without the violent themes. The client, a businessman from Connecticut, commissioned Ellison to create a conversational and moody pied-à-terre in a former artist's building in Soho. The design significantly departs from a previous traditional Nantucket house Ellison designed for the same client, which featured fifty shades of white, cream, greige, and blue. This new project embraces a darker, more provocative atmosphere. Ellison's design strategy for the Soho loft involved emphasizing a dramatic and edgy ambiance. Upon entering, guests are greeted by a custom steel "fence" that subtly separates the entryway from the main living area, allowing for a gradual transition while still offering a view into the apartment. The living room is characterized by a textured black wall, which Ellison describes as an "abyss," complemented by oxblood wool curtains. The furniture selection includes a vintage De Sede Snake sofa, a distinctive swinging chaise suspended from the ceiling, and a gallery wall anchored by Vik Muniz's artwork "Amore and Psyche. In the dining area, a piece by Wayne Pate from Armature Projects is hung from chains, further contributing to the desired "dangerous" aesthetic. Ellison's primary goal was to ensure every element of the interior felt a little provocative and intriguing. Despite the dramatic aesthetic changes, the architectural modifications to the loft were kept minimal. Ellison focused on replacing the existing squeaky floors and upgrading the lighting with fixtures from Apparatus and Galerie Philia, along with a Noguchi paper globe. The kitchen received a modern update, featuring a waterfall island crafted from Arebescato Orobico marble. The cabinetry is painted in Benjamin Moore's Black Beauty, creating a sophisticated contrast. The designer, Michael Ellison, launched his firm three years prior to this project, having previously served as the design director at Workshop/APD. This project represents an adventurous new chapter for the client, offering a distinctive and bold living space in New York City. For Ellison, the loft demonstrates how even unconventional and darker inspirations can be transformed into a chic and compelling interior design. #NewYorkLoft #MichaelEllison #InteriorDesign #SoHo #AmericanPsychoInspired #DarkAesthetics #ModernDesign #LoftConversion

This article details the transformation of a 1,700-square-foot loft in a century-old industrial building in Brooklyn, New York. Designed by Hormuz Batliboi of Batliboi Studio for Valerie Tsvetkova, the two-bedroom, two-bath residence blends historic industrial elements with a modern, playful aesthetic. The design process began by embracing the loft’s original character as a former manufacturing site. Hidden timber beams and steel joints, discovered during renovation behind a dropped ceiling, were intentionally exposed and integrated into the design, serving as visual anchors and contributing to the space’s authentic industrial feel. Initially, the loft presented challenges typical of converted spaces, including disjointed utilities and an inefficient kitchen layout. Batliboi addressed these issues by centralizing the utility infrastructure and strategically raising the floor in certain areas. This thoughtful alteration enabled a seamless integration of the kitchen into the heart of the home, optimizing both functionality and flow within the space. The renovation showcases an innovative approach to spatial planning, turning initial limitations into design opportunities. A prominent feature in the main living area, particularly the dining room, is a 15-foot sculptural shelf. This piece, characterized by its green, wave-like ripples, is constructed from layers of CNC-milled wood and precisely color-matched to the client’s existing pendant lights. It functions as both a practical sideboard and an artistic focal point, demonstrating the designer’s ability to merge utility with aesthetic appeal. This bespoke element adds a unique and dynamic visual texture to the loft, embodying its playful aesthetic. In the kitchen, the design combines sleek stainless steel countertops with brass accents and natural stone, creating a sophisticated yet warm ambiance. Rather than fully custom cabinetry, Batliboi utilized a flat-pack system from REFORM, carefully customizing it to achieve a high-end, built-in appearance. This cost-effective approach allowed for a luxurious aesthetic without excessive custom work, reflecting a sustainable design mindset. The integration of diverse materials and strategic use of pre-fabricated components contribute to the loft's refined industrial charm. The bathrooms feature contrasting material palettes to enhance the home’s eclectic character. One bathroom presents a moody design with deep black zellige tiles, matte black flooring, and a bold granite shower, amplified by natural light from an industrial window. Other areas incorporate a mix of penny tile and marble, providing a tactile and visual contrast. These carefully selected materials and custom fabrications, combined with clever spatial solutions, ensure that the home feels personalized, thoughtfully designed, and genuinely lived-in, successfully merging industrial edge with a playful modern aesthetic. #BrooklynLoft #IndustrialDesign #ModernAesthetic #InteriorDesign #BatliboiStudio #ResidentialArchitecture #CustomFabrication #SpatialPlanning

New York City loft living has evolved significantly since its popularization in the 1980s, transitioning from a gritty, industrial aesthetic to a more comfortable, flexible, and streamlined design approach. Contemporary lofts prioritize warmth, smart space-saving features, and integrated industrial elements rather than highlighting them. This article showcases seven distinct loft renovations across New York City, each offering a unique perspective on modern loft design while often preserving the historical character of the buildings. The Williamsburg Loft, designed by architect Antonio Monserrat, is an 800-square-foot space in a former 20th-century bakery. Monserrat integrated his love for colorful and multifunctional design into the renovation, utilizing original exposed timber beams, 12-foot ceilings, and large windows as a backdrop for vibrant colors, small-scale studio prototypes, and contemporary furnishings. This approach resulted in an eye-catching design, blending creative inspiration with functionality through elements like an emerald-green entryway with a hot-pink ceiling and sunshine-yellow storage pieces. In West Chelsea, the Spears Building Loft by Ravi Raj and Evan Watts transformed a dated, 2,700-square-foot loft into a family-friendly home. The architects replaced cold concrete floors with bleached walnut and introduced a warmer, lighter palette to soften the heavy industrial elements. Custom built-ins were incorporated for a streamlined appearance, while historic features like exposed brick and oversized openings were preserved, maintaining the loft's original appeal. The Bed-Stuy Loft, renovated by New Affiliates, is a 1,000-square-foot space within a 1947 chocolate factory, completed on a budget of approximately $100 per square foot. The design emphasizes affordable materials and transformed a dark, cluttered area into a warm, light-filled home. The space efficiently accommodates two sleeping areas, a bathroom, a study, a new kitchen, and a living/dining area without sacrificing its open feel. Key to its success was exposing materials such as pine plywood for walls and cabinets, and integrating existing Art Moderne columns into the design. Workstead’s renovation of an 1,800-square-foot Tribeca loft in an 1864 factory building drew inspiration from the setting sun, creating a cozy atmosphere with a timber palette and custom woodwork. Awkward interior partitions were removed, and original fir joists were exposed to restore the loft’s open and airy character. Oversized windows, a light color palette, and a minimalist design maximize natural light penetration and offer views of the Hudson River. Rachel and Nick Cope, founders of Calico Wallpaper, demonstrated a personal, design-led approach to loft living in their Red Hook rental, an industrial 1860s warehouse. They used the space as a testing ground for their marbleized wallpaper business, installing custom pieces that reflected the loft’s surroundings, such as a silver-and-gold marbled mural complementing exposed structural beams and a color-gradient wallpaper inspired by the Red Hook sunset. OSSO Architecture renovated a Brooklyn loft in a former paper factory, which had remained untouched since the 1980s. The 1,400-square-foot, two-story apartment was reconfigured to create a large, open living space, with an office on the first floor and a loft guest bedroom above. The second floor features a primary bedroom and bath with access to a rooftop terrace. Level changes subtly define different areas on the open-plan first floor, furnished with the owner’s midcentury furniture and international artwork. Finally, the SoHo Loft, renovated by architect Andrew Berman and designed by Justin Charette, is a 2,800-square-foot, two-bedroom pied-à-terre. Charette furnished the interior with minimalist pieces and built-ins, complementing the landmark building’s industrial and historical features, including a pressed tin ceiling and exposed wood beams. The design maintains high ceilings and tall windows that illuminate the open-plan interior, while a streamlined aesthetic, a neutral palette of white oak, painted exposed brick walls, and sleek contemporary furnishings sourced locally contribute to its modern appeal. #NewYorkLofts #ModernDesign #IndustrialConversion #LoftRenovation #InteriorArchitecture #SpaceOptimization #HistoricPreservation #BrooklynDesign #TribecaLoft

Miles Redd, a renowned designer, returned to his hometown of Buckhead, Atlanta, to undertake a significant design project for his mother. The endeavor involved transforming an underused library into a functional office space, drawing inspiration from the New York Public Library's lighting design, which features pairs of lights illuminating tables. For this office, Redd utilized a Lee Jofa's Althea chintz dining table with Samuel & Sons fringe, noting that a table skirt effectively conceals items like correspondence and shopping bags, while lamp cords were discreetly snaked beneath the table and rug. Redd's design philosophy emphasizes symmetry to instill a sense of order and calm. This principle is evident in his styling choices, including the placement of table lamps, which were acquired at auction and fitted with shades from Gracious Home. The dining room received a notable upgrade with a breakfront, painted in an 18th-century-inspired chalky green, one of his mother's preferred hues. A taffeta table skirt provided a soft contrast to the room's mahogany ladder-back chairs, contributing to a refined aesthetic. The home also showcases a curated collection of heirlooms, reflecting his mother's Virginian roots and appreciation for fine items. Tiffany & Co. silver and D. Porthault linens adorn the table, highlighting a blend of collected and cherished pieces. In the family room, Redd reimagined the art display, clustering blue and white china, previously purchased at auction, for a striking visual impact. He also rehung existing artwork throughout the home to enhance its overall presentation. The petite powder room features a playful element: a poodle figurine, a nod to Mrs. Redd's fondness for the breed. The master bedroom was designed for serenity and luxury, with custom curtains and pelmets crafted from pea-green silk taffeta with cream trim, replacing existing shutters. A Stark carpet adds an additional layer of softness to the room, aligning with Redd's belief that every bedroom benefits from a touch of comfort. The article also includes an image of Miles Redd showcasing his Schumacher fabrics, including Brighton Pavilion, Deconstructed Stripe, The Wave, Peacock, and Capri, to his sister, Sarah McCain, and parents, Buddy and Sue Redd. This familial collaboration underscores the personal nature of the design project, which blends traditional aesthetics with thoughtful, practical updates. #InteriorDesign #HomeRenovation #TraditionalStyle #AtlantaHomes #MilesRedd #DesignInspiration #HomeDecor #LuxuryInteriors

James LaForce and Stephen Henderson, a New York couple of 34 years, embarked on a significant home transformation when they acquired a 6,000-square-foot loft in a historic Chelsea factory building. The expansive space, complete with broad windows and an auxiliary studio, presented a unique challenge: how to balance their social lives, which often involve hosting fundraisers and gatherings, with their desire for intimate downtime together. Their initial attempt to engage a trusted decorator, Fernando Santangelo, led them to Ryan Lawson, who was highly recommended by Santangelo himself. Lawson, known for his deep knowledge of decorative arts and innovative ideas, drew inspiration from diverse architectural and design references for the project. These included Lina Bo Bardi’s Casa de Vidro, Carlo Scarpa’s color-blocked Casa Tabarelli, and the playfully furnished Menil House in Houston. His objective was to craft a coherent narrative for the apartment that would reflect the couple's vibrant lifestyle, despite the disparate nature of his inspirations. The design process began with surgical layout adjustments to enhance the overall flow and functionality of the loft. One key modification involved reconfiguring the entry to create a more elegant foyer, guiding visitors through glass doors. This space was distinguished by Donald Judd-inspired shelves, a feature inherited from the previous owner, painter Tom Levine. The kitchen, originally an internal area, was opened up to an adjacent room, significantly increasing natural light and creating interconnected cooking and lounging zones. Throughout the apartment, ceiling planes were simplified, with exposed conduits removed and architectural lighting streamlined into a geometric vocabulary of squares, rectangles, triangles, and circles. Lawson meticulously emphasized artisanal craftsmanship wherever possible. This included mouth-blown glass panes in the internal partitions and monochromatic tile grids that distinctively mark each of the four bathrooms. Color played a pivotal role in establishing a spatial framework, with Lawson employing a unique palette inspired by Scarpa. Instead of conventional white walls, he opted for a shade he termed “cream of mushroom soup” as a neutral backdrop. Against this, bold splashes of color were introduced to act as visual anchors, such as striped paneling in the kitchen, a floating red bookcase in the library, and large wall-mounted fabric panels in the living room. These bold elements, counterintuitively, were designed to provide visual rest, freeing the eye from an overload of smaller details. The apartment serves as a showcase for LaForce and Henderson's eclectic yet unpretentious collection of art and furniture. Their acquisitions range from flea-market finds to pedigreed pieces, including vintage claw-foot consoles from the estate of Picasso biographer John Richardson and a Gothic Revival center table from the Mario Buatta estate. Unattributed vintage sofas were given new life through daring upholstery choices. The art collection, often small-scale and thrifty, was thoughtfully arranged. In the den, dozens of works, some anonymous and others by friends, form an immersive salon-style arrangement, treating them as “wallpaper” grouped from floor to ceiling. Provenanced pieces by artists like Robert Indiana and Paul Cadmus, whom the couple regard as gay forebears, were given prominent displays. Lawson highlighted that the success of the project stemmed from the clients' openness to innovative ideas. He appreciated their willingness to embrace a unique design formula, which allowed him to incorporate more esoteric references and bigger conceptual constraints. The resulting apartment is both beautiful and robust, designed to evolve with the couple’s expanding collections, as exemplified by the Josef Hoffmann picture nails on the kilim-lined partition in the sitting area, making artwork changes effortless. The loft successfully balances its role as a vibrant venue for social events with a comfortable retreat for the couple’s private moments, reflecting their dynamic lifestyle and refined taste. #ManhattanLoft #InteriorDesign #RyanLawson #HistoricBuilding #EclecticDecor #ArchitecturalDigest #LuxuryLiving #ArtCollection #ColorPalette

The "Providence" residence in Milton, Georgia, a luxurious six-bedroom, nine-bathroom abode near the Atlanta National Golf Course, underwent a significant interior design transformation led by Aliesha Porto of Stevie Interiors. The project aimed to elevate the home's aesthetics, focusing on an elegant black and white color scheme. The client, who discovered Stevie Interiors through their Crabapple studio, sought design assistance to enhance the property's grandeur. A key feature of the redesigned home is the foyer, which sets a formal tone with its black and white marble flooring. This traditional yet fashionable design choice was a specific vision of the homeowner, which Stevie Interiors helped actualize. The dining room showcases a striking spiral chandelier, chosen for its texture to complement the marble flooring. Additionally, a dried floral arrangement commissioned from The Crafted Company introduces a natural element into the space, blending indoor and outdoor aesthetics. Meghan Basinger, CEO of Stevie Interiors, provided insights into the design process and offered advice for individuals embarking on their own home renovation projects. She emphasized the importance of a focused, room-by-room approach, advocating for quality and completion over attempting to address multiple areas simultaneously. Basinger suggested that rather than scattering efforts across various rooms, it is more effective to perfect one space before moving on to the next, even if it extends the renovation timeline over several years. She cautioned against underestimating the duration and complexity of renovations, advising homeowners to multiply their expected timeline by five to establish more realistic expectations. This perspective highlights the firm's commitment to thoroughness and client preparedness in design undertakings. #InteriorDesign #MiltonGeorgia #LuxuryHome #StevieInteriors #HomeRenovation #BlackAndWhiteDesign #AlieshaPorto #MeghanBasinger

Loft apartments, characterized by their expansive open floor plans, soaring ceilings, and oversized windows, are highly sought after by urban dwellers. These spaces are often housed in former factory buildings and frequently retain industrial elements such as exposed pipes, support columns, or original wood-plank floors. Their long, uninterrupted walls provide an ideal canvas for showcasing large artworks or sophisticated designer furnishings. This article showcases ten distinctive loft spaces curated from the pages of *Architectural Digest*, illustrating how raw industrial spaces can be masterfully transformed into luxurious and unique residences. Each example highlights innovative design solutions and a sophisticated approach to modern living. One prominent example is a Manhattan loft designed by Shelton, Mindel & Associates. The master bedroom in this residence features a striking floating wall that elegantly silhouettes a 1954 lamp by Max Ingrand for FontanaArte. The headboard is upholstered in a Holly Hunt Great Plains fabric, complemented by Pratesi bed linens. The room is further adorned with chairs by Alvar Aalto and Kerstin Hörlin-Holmquist, demonstrating a blend of classic and contemporary design. In Seattle, designer Terry Hunziker undertook an extensive renovation of his own loft. He employed free-floating planes to intelligently define distinct spaces, such as a gallery area, within the expansive layout. This approach maintains the open feel of the loft while providing functional delineation. Another Manhattan loft, belonging to Bernd Goeckler, features whimsical Italian chairs that infuse a vibrant energy into the space. This design was a collaboration between architect Francine Monaco and decorator Carl D’Aquino of D’Aquino Monaco, showcasing how artistic furnishings can personalize an industrial setting. A New York loft, also designed by Shelton, Mindel & Associates, is furnished with iconic pieces by Charlotte Perriand, Knoll, and Poul Kjærholm, reflecting a commitment to high-quality, timeless design. The selection of these pieces contributes to a refined and sophisticated atmosphere. Investor Yoon Kim’s Manhattan penthouse, designed by David Mann and Brett McMullen of MR Architecture + Decor, features a custom-made De Angelis sofa covered in Edelman leather. A custom-made blackened-steel console by Soraya Ltd. and a Ball chair with goat-hair upholstery by Inmod add distinctive touches. A cowhide rug by Beauvais Carpets grounds the living area, while the walls throughout the loft are painted in a custom white blend by Benjamin Moore, enhancing the sense of spaciousness. The sheer scale of Yoon Kim's loft immediately impresses visitors, with large windows extending the visual dimensions and offering expansive views. The dining area is illuminated by a chandelier by David Weeks for Ralph Pucci and furnished with Eero Saarinen Tulip chairs by Knoll, alongside Hudson counter stools by Emeco, creating a contemporary and inviting space. In the New York loft of architect Steven Harris and interior designer Lucien Rees Roberts, monumental bookshelves serve to delineate the living and dining areas, effectively creating distinct zones within the open plan. A Sherwin-Williams taupe paint provides a neutral backdrop for a 1960 Georges Braque print and vintage Vistosi pendant lights. The dining table, a Rees Roberts + Partners design, is surrounded by Ib Kofod-Larsen chairs upholstered in Roger Arlington silk and adorned with Dorothy C. Thorpe Lucite candlesticks. Designer Campion Platt addressed the challenge of high ceilings in his SoHo loft kitchen by devising a “room within a room,” partially enclosing the kitchen area in his New York residence. He also integrated an illuminated cove above the walls to create a visually striking floating effect. In Manhattan’s West Village, a collaboration between architect Preston T. Phillips and designers Randy Kemper and Tony Ingrao of Ingrao Inc. resulted in a sun-drenched, art-filled loft for financier Chad Leat. The living area boasts a Ron Arad table atop a goatskin carpet by Patterson, Flynn & Martin, flanked by facing Vladimir Kagan sofas from Ralph Pucci International upholstered in Bergamo fabric. A red sculpture by Keith Haring adds a vibrant focal point. Finally, photographers Inez van Lamsweerde and Vinoodh Matadin's Manhattan residence was created by combining adjacent lofts by Simrel Achenbach of Descience Laboratories in collaboration with Daniel Sachs of Sachs Lindores. The living area features a crocheted mushroom stool by Anne-Claire Petit paired with Yves Klein’s 1961 Table Bleue, showcasing a unique blend of artistry and design. #LoftApartments #InteriorDesign #UrbanLiving #IndustrialChic #ManhattanLofts #LuxuryInteriors #ArchitecturalDigest #ApartmentDecor #SpaceDesign

Lauren Wesley Designs, an Atlanta-based interior design firm founded by Ebonee Clark and Jameelah Watkins, both featured on HGTV's "Married to Real Estate," has transformed a fashion model's historic Roswell loft into a distinctive work of art. The designers aimed to create a bold, passionate, yet comfortable and welcoming space that reflects the client's personality and style. Their approach eschewed monochrome trends, embracing a colorful boho aesthetic characterized by natural elements and striking statement pieces. The designers emphasized the transformative power of wallpaper, noting that modern options offer unique ways to add interest, texture, and artistry to a home, with the added benefit of being removable for versatility. They highlighted that contemporary wallpaper is far removed from its traditional, often dated, perception. A key aspect of the design involved leveraging the loft's architectural features, particularly its breathtaking windows. The designers sought to integrate the outdoors, creating a seamless flow between the interior and the natural environment. A standout space in the home is the "content room," which features large black panel windows providing abundant natural light. This room was specifically designed to serve as a perfect backdrop for fashion hauls and content creation. The application of palm leaf wallpaper throughout this room adds a unique touch, complementing a blush sofa and a beaded blue chandelier, thereby contributing to the room's overall aesthetic and functionality. Ebonee Clark and Jameelah Watkins underscore the importance of taking risks in interior design. They believe that apprehension about selecting bold wallpaper or non-traditional upholstery colors can limit creativity. Instead, they encourage clients and aspiring designers to be adventurous in their choices, asserting that design should be inspiring and enjoyable. This philosophy is central to their work, enabling them to craft spaces that are not only visually appealing but also deeply personal to their clients. Beyond merely beautifying homes, Lauren Wesley Designs aims to inspire their clients to embrace a lifestyle that celebrates individuality and personal well-being. They view their role as interior designers as an opportunity to connect with clients on a deeper level, transforming living spaces into reflections of who their clients are and aspire to be. This holistic approach to design fosters environments that are vibrant, authentic, and conducive to a fulfilling life, moving beyond mere aesthetics to create meaningful and inspiring personal sanctuaries. #InteriorDesign #HomeDecor #AtlantaDesign #HGTV #RoswellLoft #BohoStyle #WallpaperTrends #LaurenWesleyDesigns

Lofts are highly sought-after living spaces, especially for singles or couples, due to their characteristic high ceilings, open layouts, and distinct industrial aesthetic. Their popularity originated from the conversion of warehouses and commercial buildings into residential units, particularly in urban centers like New York and Boston. These spaces often retain and highlight original architectural elements such as exposed brickwork, pipes, and support beams, contributing to their unique charm. Despite this signature aesthetic, there is a wide range of decorating possibilities to personalize a loft and make it feel like home. The article provides 20 diverse decor ideas, demonstrating how lofts can be styled to suit various tastes while maintaining their inherent functional and cool appeal. The 'Luxe Loft' concept employs a sophisticated brown and black color palette, combining industrial features like concrete walls and metal-framed windows with luxurious elements such as a chandelier and wooden accents. An 'Ambient Loft' maximizes natural light through floor-to-ceiling windows, featuring minimalist decor, a blend of wood and metal, and vibrant plants. The 'Industrial Loft' emphasizes exposed pipes and decorative lighting, with white-coated brick walls to brighten the space and velvet textures for softness. For smaller areas, the 'Petite Loft' integrates a mounted bed within an oak frame, leaving ample space for a sofa and desk, complemented by an exposed brick wall for warmth. Lofts can also embrace festive themes, as seen in the 'Spirited Loft,' which uses a neutral cream and chestnut base to accommodate seasonal decorations. 'Colorful Lofts' and 'Maximalist Lofts' showcase playful palettes, vibrant houseplants, abstract artwork, and unique furniture, with the latter incorporating vintage art and oversized pieces to enhance the sense of height. A 'Rustic Loft' draws on the inherent warmth of exposed walls, using deep purples, blues, and oaky finishes to create a cozy atmosphere, punctuated by contrasting pink and green accents. An 'Airy Loft' achieves an open, refreshing feel with wall-to-wall windows, pale brown floors, and large plants that connect the interior with nature. The 'Tuxedo Loft' adopts a classic black and white scheme, featuring a dramatic black accent wall, a B&W gallery leading upstairs, and striking lighting fixtures. A 'Woodsy Loft' transforms the space into a consolidated office with wood-paneled desks and black seating, balanced by abundant natural light from large windows. 'Spacious Lofts' highlight industrial elements like exposed piping and brick, with red and blue accents and large artwork to enhance the sense of vastness. A 'Lush Loft' creates a storybook-like ambiance with towering plants, French doors, and bohemian decor, using warm hues and natural textures to soften concrete elements. 'Cozy Lofts' maximize space for both work and relaxation, incorporating long dining tables, patterned rugs, and ambient lighting like Noguchi-style lamps. An 'Artsy Loft' presents a futuristic aesthetic with soft seating, geometric shapes, and yellow and blue accents, featuring skylights and a surrealist painting. A 'Jungle Loft' adopts a specific theme with lush plants, animal portraits, and warm woods, using creative storage solutions like chest coffee tables and natural materials. 'Moody Lofts' are characterized by dark hues, with grey cushions and wood accents adding warmth and visual interest. A 'Bohemian-Style Loft' opts for lighter tones and pops of color, featuring a playful mix of dining chairs and a Moroccan-style rug. 'Romantic Lofts' achieve a dreamy atmosphere with sheer drapes, arched windows, and curvy furnishings, complemented by colorful artwork and houseplants. Finally, 'Partitioned Lofts' demonstrate how selective boundaries, such as a concrete wall, can minimize visual clutter and create privacy while maintaining an open feel, using neutral colors to integrate with existing architectural elements. #LoftDecorIdeas #IndustrialStyle #SmallSpaceDesign #HomeDecor #InteriorDesignTrends #ApartmentLiving #ModernLoft #BohemianDecor #ContemporaryLiving