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Everyone Told This Designer to Open Up Her Prewar Apartment’s Layout—Here’s Why She Didn't
Interior decorator Sarah Lederman chose to embrace the original segregated layout of her Emery Roth–designed prewar apartment in Manhattan’s Upper West Side, despite advice to open up the floorplan. She shares the space with her husband, Evan, their two daughters, Gemma (5) and Isabel (2), and their goldendoodle, Ziggy. The defining feature of the apartment is its extra-large hallway, which Lederman views as a highly functional and versatile space. This hallway is not merely a transitional area but a central hub for family activities, accommodating everything from children's relay races and scooting to serving as a staging area for large dinner parties and storage for a stroller and dog leashes. Lederman consciously resisted modernizing the apartment by creating a single, open-plan living space, preferring the distinct separation of rooms, including the dining room, sitting room, and three bedrooms.
Lederman's design philosophy centers on integrating new pieces with existing architectural elements and vintage finds. She furnished the hallway with a petite vintage slipcovered sofa, ideal for her daughters to put on their shoes, and a shallow console table. Her approach to decorating the apartment involved leaning into its inherent character rather than undertaking a complete overhaul. For instance, in the sitting room, she preserved the original paneling, painting it with a distinctive chalky paint. The existing built-in bifold doors were cleverly utilized to conceal the television, maintaining a cohesive aesthetic. The sitting room blends traditional elements, like a roll-arm sofa, with mid-century pieces she has collected over time, such as a travertine coffee table and Danish accent chairs. Contemporary art from the Sears-Peyton Gallery further enriches the space, embodying her belief that a classic base allows for diverse layering of styles.
The dining room, a new addition for Lederman, became an opportunity for a bold design statement. She selected a vibrant English garden-style wallpaper and paired it with colorful modern artworks, creating a balance between traditional and surprising twists that reflects her personal style. The bathrooms, being nearly a century old, required more extensive renovation. In the girls' bathroom, which also functions as a guest powder room, Lederman aimed to create a luxurious yet child-friendly 'jewel-box moment.' This was achieved through dimmable wall sconces for ambient lighting and a textured shower curtain designed to hide bath toys. Custom Tabarka tiles, unlacquered brass fixtures, and travertine stone contribute to a sophisticated feel that still appeals to children.
For the primary suite, Lederman replaced the rarely used bathtub with a spacious double shower, incorporating a wide bench. She continued the use of warm travertine over marble to foster a tranquil, hammam-like atmosphere. Her choice of Fireclay's fish-scale tiles in three neutral tones, meticulously arranged using a computer program to avoid repetitive patterns, ensures a perfectly randomized and aesthetically pleasing design. The bedroom itself maintains a serene ambiance, highlighted by her favorite piece, a wavy-edged dresser acquired through an eBay alert after years of searching.
Lederman's dedication to sourcing unique items extends to her custom bedside lamps, which resulted from a collaboration with ceramicist John Born, inspired by his Instagram work. The children's bedrooms are characterized by playful patterns. Gemma's room, which doubles as a playroom, features gingham wallpaper framed by picture moldings. Isabel's smaller room, despite its structural challenges like steam pipes and air vents, was transformed into a 'Where the Wild Things Are' setting using scenic wallpaper. Both rooms are designed with plexiglass ledges and cubbyholes for toys and books, ensuring the beautiful wall coverings remain a focal point. Lederman emphasizes that the apartment is a lived-in family home where children are encouraged to play freely throughout, including the grand hallway, reinforcing that "nothing is off-limits."
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