A London Townhouse Gets a Gorgeous Renovation That Will Only Look Better Over Time

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

A 19th-century brownstone in a Historic District, featuring extensive mahogany woodwork, underwent a significant renovation to balance the preservation of its original details with the creation of a brighter, more contemporary living space. The project was led by architect Kim Letven of NV/design.architecture, with construction completed by Brooklyn-based Burda Construction over 14 months. The brownstone's layout was reconfigured, dedicating three floors to the homeowners and reserving the garden level for visiting relatives. The parlor floor now houses the living room and a new kitchen/dining area, the second floor contains the primary bedroom, a study, and a new bathroom, while the third floor accommodates two children’s rooms and two new bathrooms. A key aspect of the renovation involved extensive structural modifications, including blowing out the rear walls on both the parlor and garden levels. These openings were then fitted with large steel and glass installations to maximize natural light entry. Despite these modern interventions, great care was taken to restore the original architectural elements. The magnificent burled mahogany doors, carved moldings, and plasterwork throughout the house were meticulously retained and repaired, ensuring that the historical character of the home remained intact. Beyond aesthetics, the renovation encompassed a complete overhaul of the building's infrastructure. All mechanical systems, including plumbing and electrical, were replaced. Radiant heating elements were installed beneath new pale white oak floors, which feature a herringbone pattern on the parlor floor and a straight run elsewhere, contributing to both comfort and a clean, modern aesthetic. The interior decor was influenced by the clients' preference for the color blue, evident in the sectional sofa in the front room. Specific design choices highlight the blend of old and new. The kitchen features lower cabinets painted in Benjamin Moore’s Beau Green, complemented by white Caesarstone countertops and matte gold fixtures from Restoration Hardware. A subtle gap in the crown molding above the new window wall discreetly integrates an automatic roll-down window shade. The primary bedroom emphasizes minimalism, allowing the intact original moldings and window trim to stand out. The second-floor study/library is distinguished by blue-backed bookcases and a preserved plaster arch. Bathrooms throughout the house received modern updates. The primary bath employs a subtle color scheme with a custom wood vanity designed to resemble furniture, gold-toned hardware, and gray marble hex tiles. One of the top-floor baths features turquoise glass tiles in the shower and marble mosaics on the floor, while another uses Popham encaustic cement tiles from Ann Sacks. A new large skylight and a wood-veneer pendant from LZF illuminate the top floor landing, further enhancing the home's brightness. Even a boy's room was personalized with a wall covered in a rocket ship blueprint, adding a unique touch. The lower level, designated for guests, also received an expansive kitchen as part of its renovation. #ParkSlope #BrownstoneRenovation #HistoricPreservation #InteriorDesign #ModernHome #ArchitecturalRenovation #BrooklynRealEstate #NVdesignArchitecture

This article highlights the transformation of a Victorian terrace in south London, where designer Laura Stephens reconfigured its layout to inject light and modern living while preserving its historical character. The project addressed the common dilemma of modernizing classic townhouses by integrating contemporary elements without compromising original features like paneling, plasterwork, and traditional layouts. Instead of extensive structural changes, Stephens focused on a less interventionist approach, retaining the 19th-century architecture and skillfully adapting the floor plan to suit a modern family. Key changes included relocating the sitting room to the back, moving the kitchen to the middle, and positioning the dining room, which also functions as a small home office, at the front of the house. To enhance natural light, a glazed screen was installed between the hallway and dining room, creating an effect similar to an old-fashioned office partition, which significantly brightened the front of the home. The design incorporated fresh colors, and natural textures like jute and seagrass, along with subtle architectural details to create a living space that feels both contemporary and timeless. The kitchen features periwinkle blue cabinetry designed to complement the high ceilings, contrasted with 'utilitarian' white metro tiles and bronze hardware, which adds a touch of aged elegance. In the sitting room, a new fireplace was installed, and half-paneling was introduced to balance the striped wallpaper. The designer also focused on sustainability and cost-effectiveness by recovering existing furniture pieces such as sofas, armchairs, dining chairs, and an ottoman, demonstrating a commitment to preserving and repurposing items. The main bedroom underwent a significant transformation, with previously 'bleak' wardrobes being revitalized by glazed doors lined with gathered fabric. A gauzy pendant light was chosen for its sculptural quality, echoing the textured pink wallcovering that envelops the room. In the top-floor bathroom, an innovative solution was found when a shortage of mustard and white tiles led to the installation of a mirror panel. This not only extended the striped design but also visually expanded the cozy, eaves-tucked space. Laura Stephens also designed unique rugs in collaboration with Bombay Sprout, incorporating motifs based on antique passementerie and natural jute textures, reflecting the blend of past and present in the home's overall design. Laura Stephens shared her style inspiration, citing her satisfaction with the glazed wall, her preference for 'Spruce' by Paint & Paper Library as a go-to color, and drawing inspiration from interior design books, historical and contemporary, as well as her youngest daughter. She expressed admiration for architect Gil Schafer and the Chrysler Building in New York City. The project successfully created a bright, comfortable, and ageless living space that honors its Victorian roots while embracing modern functionality and aesthetics. #LondonTownhouse #VictorianRenovation #InteriorDesign #LauraStephens #HomeRedesign #ColorPalette #TextureMixing #NaturalLight #KitchenDesign #BedroomTransformation

The owner of a two-bedroom London maisonette, Gemma Edwards, who frequently travels for work with a government conservation agency, opted to hire interior designer Sean Symington to transform her home. Edwards sought a unique and non-standard interior, explaining her desire to avoid a “cookie-cutter” look and her focus on enjoyable aesthetic changes rather than extensive structural renovations. Symington, known for his adept use of color and pattern, was selected to invigorate the apartment. The living room, despite its inherent character, was previously described as dull and lacked a central feature. Symington addressed this by introducing a fireplace surround and incorporating alcove shelving, which served both as a focal point and provided display and storage options. A marble mantelpiece, sourced from a reclamation yard, enhances the room's coziness, particularly when candles are lit, despite not being a functional fireplace. The room features watermelon velvet sofas from Sofa.com and an armchair upholstered in an animal spot velvet. Edwards's existing Dashiki curtain fabric was adapted for the south-facing living room, with Sean lengthening them using an additional panel, offering a cost-effective alternative to purchasing new curtains. The room also benefits from a small balcony, providing a pleasant outdoor space for morning coffee and a developing potted garden, accommodating Edwards's busy schedule that limits traditional gardening. In the kitchen and bathroom, the strategy focused on redecorating rather than replacing existing fixtures and appliances, which were of good quality, to avoid waste. Edwards prioritized investing in fabrics and furniture, elements she could potentially take with her if she were to move. The kitchen now boasts soft, earthy red walls contrasting with dark blue cupboards and a chequerboard floor. Radiators were painted to match the walls, a budget-friendly solution. A matching Roman blind and sink skirt introduce softness, and vintage dining chairs were reupholstered. The narrow hallway was not overlooked in the decorative scheme. One wall features a gallery of framed prints, each without a backing to expose the wall behind. The radiator is cleverly concealed by a fabric skirt and a shelf, providing both style and utility. The main bedroom showcases a vibrant palette of emerald and mustard, combined with natural materials. A half-tester over the bed creates a bold statement, complemented by a classic William Morris print wallpaper. Table lamps from Pooky and smaller reading lights with scalloped seagrass shades adorn wicker-topped bedside tables. Fitted wardrobes, painted in Bancha by Farrow & Ball to match the woodwork, include both panelled doors and open shelves, aiding in creating a sense of spaciousness, with Ikea baskets used for storage. The home office underwent a significant transformation from an unliked baby blue to a warmer Farrow & Ball India Yellow. This color provides a suitable backdrop for a painting and a kilim rug, a souvenir from Edwards's time working in Africa. An antique desk from Vinterior and practical shelves with decorative scalloped edging complete the space. Edwards expresses her satisfaction with the final result, highlighting how each room now possesses a distinct character and individual color scheme, attributing the elevated aesthetic to the paint colors and fabrics chosen with Symington's expertise. #LondonMaisonette #InteriorDesign #ColorfulHome #PatternedDecor #BudgetDecorating #LivingRoomDesign #BedroomDesign #HomeOfficeIdeas #Renovation #SeanSymington

Mexican designer Stephanie Barba Mendoza and her Austrian husband embarked on a significant renovation of their Victorian home in northwest London seven years after moving in. Although the house was in good structural condition, the family sought to expand and update various spaces. The renovation, which commenced in 2022, involved a rear extension to enlarge the kitchen-dining area, modifications to the children's bathroom, and updates to several bedrooms. The project took eight months to complete, experiencing some delays, including a planning permissions error and construction during winter, which presented logistical challenges. The designer views her home as a "laboratory" for creative expression, allowing her to experiment with bold patterns and vibrant color palettes without creative limitations. A key focus of the renovation was the kitchen, which was designed to be warm and inviting. A custom dining table serves as the central gathering point, enhancing social interaction and practicality for a family with young children. To maintain a connection with nature despite sacrificing some outdoor space for the extension, botanical wallpaper was installed in the dining room, complementing the patio visible through the windows. Large rope beads were incorporated to create an architectural separation between spaces without using solid walls, fostering a continuous indoor-outdoor feel during summer. During winter, lighting in the patio's flower beds allows the family to enjoy the outdoor view from indoors. Green is a prominent color throughout the home, adorning the metal doors, window frames, and the patio ground, creating a calming effect and visually expanding the small outdoor area. The kitchen features whimsical Balineum tiles, hand-painted with artwork by Gergei Erdei depicting the family's astrological signs. In the living room, Barba Mendoza transitioned from a previous blue-green palette to a cozier hue, complementing a hand-painted fireplace with an updated mahogany-toned tortoiseshell effect. The living room, originally two separate rooms, was unified and infused with a peachy warmth, inspired by a Gucci dress pattern. Notable design elements include a plaster oyster shell pendant light, C&C Milano fabric drapery, and a bespoke plaster pedestal by artist Viola Lanari. The powder room, despite its small size, was made to feel expansive with antique mirrored panels, a moon brass and opal glass pendant, and a turquoise marble shelf. Further details include a Pierre Frey valance in the kitchen, a raspberry-pink powder-coated Visual Comfort star wall light, and custom kitchen cupboards designed with British Standard Cupboards, featuring rope trim and unlacquered brass handles. The primary bedroom, a loft conversion, is painted in Farrow & Ball’s Pink Ground, with an antique quilt and a Carlyle headboard from Ensemblier London. The children's bathroom features pale yellow porcelain fixtures from Water Monopoly’s Rockwell Collection, complemented by unlacquered brass faucets, and a citrus-themed shower curtain made from Schumacher’s Le Citron fabric. The eldest son's bedroom benefited from an expanded ceiling, creating a more spacious feel, and is decorated with an Istanbul-sourced rug and a headboard from Ensemblier London. The boys' playroom is designed for comfort and fun, featuring a drum kit, TV, wicker toy containers, and large crocodile decor, embodying the family's playful nature. The designer believes the home’s vibrant colors and patterns reflect classic Victorian and Georgian styles, suggesting a timeless appeal that may endure for many years. #VictorianRenovation #LondonHome #InteriorDesign #PatternAndPalette #KitchenExtension #IndoorOutdoorFlow #ColorfulInteriors #CustomFurniture #FamilyHome

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

This article details a personal account of a home renovation project, challenging the common perception that renovations are inherently stressful or nightmarish experiences. The author, Alice Stolz, National Managing Editor of Domain and a property expert, recounts her first renovation experience, emphasizing that despite a relatively tight budget and challenging circumstances, she found the process enjoyable and transformative. The initial objective for the renovation was to create a liveable and functional home within the established budget. The planning phase involved extensive discussion and iteration between the author and her husband, a process that, while initially frustrating, ultimately led to compromise and adherence to financial constraints. This period of intense planning and decision-making is presented as a crucial part of the overall positive experience, fostering personal growth and discipline. The renovation proceeded under difficult conditions, including lockdown restrictions and the inherent challenges of updating an old, compromised house. Despite these obstacles, the author expresses a deep appreciation for the demolition and construction phases, finding satisfaction in the physical transformation of the space and the strategic decisions involved in allocating resources—prioritizing essential elements like the kitchen benchtop and quality joinery, and economizing elsewhere. The project became a mental escape during a restrictive period, providing a sense of progress and purpose. A significant aspect of the positive experience was the collaboration with skilled professionals, including an incredible builder and interior design studio. The author highlights her admiration for their ability to envision and create spaces, likening them to magicians. The dedication and craftsmanship of individual tradespeople, such as meticulous tilers, patient painters, and precise joiners, are specifically praised, contributing to the overall satisfaction with the project. Ultimately, the renovation resulted in a home that, while not perfectly flawless with its existing structural quirks, is cherished for its character and history. The article concludes by advocating for embracing these imperfections, contrasting them with a prevalent desire for absolute perfection. The renovation transformed not just the physical space but also the author's perspective, fostering an appreciation for the journey and the unique qualities that make a house a home. #HomeRenovation #InteriorDesign #BudgetRenovation #PropertyDevelopment #HomeImprovement #PersonalExperience #BuildingProcess #DesignChallenges #SkilledTrades

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

Shane Stratton, owner of Stratton Exteriors and Urban Properties in Nashville, undertook the renovation of a 1930s bungalow-style duplex, transforming it into a 3,100-square-foot single-family home. The project began in late 2013 with the intention for Shane and his fiancée, Paige, to live there after their wedding. Collaborating with architect David Baird of Building Ideas, they developed an open floor plan suitable for entertaining, which involved significantly altering the internal architecture while preserving the front exterior and stone siding. The original 1,800-square-foot duplex was expanded, reflecting a meticulous and unhurried approach to design and construction. A key element of the renovation is the kitchen, which features an island painted in Stratton Blue by Benjamin Moore, a color originally considered for the exterior. This vivid blue island serves as a focal point, complemented by rustic wooden beams salvaged from an old warehouse. The design seamlessly blends a cook's kitchen aesthetic with an open and relaxing atmosphere, offering a view of the fireplace. The couple's collaboration involved Paige directing the floor plan post-marriage, while Shane focused on integrating details that honored the home's history, such as salvaging much of the original flooring. This approach successfully fused traditional elements with modern features like wainscoting and a contemporary fireplace design, keeping the home fresh and updated. After completing the renovation, Shane and Paige decided to sell the home, despite their emotional connection to the project. Shortly after listing, Michael Lohmann, director of photography for ABC’s "Nashville," discovered the property. He was immediately drawn to its exterior, open-living floor plan, large windows, and the kitchen's rustic beams. Lohmann recognized that these features created a unique look that aligned with the personality of the show and its character, Gunnar Scott, a young, successful musician. The home's suitability for filming was further enhanced by its "great depth in every direction," ample spaces, and the newly added garage, which was converted into a recording studio for the show. The renovated home now serves as Gunnar Scott's residence in the third season of "Nashville." Lohmann emphasized that the home's aesthetic fit the character by presenting a realistic aspiration for a successful musician, noting its unique look. The article highlights how the renovation successfully balanced contemporary design with traditional elements, integrating reclaimed materials like original flooring and wooden beams to add rustic charm, while modern features ensured functionality and style. The interior spaces are characterized by natural light, open layouts, and a harmonious blend of textures and colors. Additional details of the renovation include an updated farmhouse look in the bathroom, featuring six-foot tile pieces mimicking barn wood and granite countertops. The first-floor master bedroom is spacious with rich hardwood floors and abundant natural light. The second floor also benefits from an open layout, maximizing living and entertaining areas. The exterior additions increased the home to over 3,000 square feet, offering four bedrooms, two and a half baths, and an outdoor patio space. Resources for mimicking the home's style are provided, including specific brands and paint colors, alongside design tips from Shane Stratton emphasizing the blending of old and new elements, and the strategic placement of architectural details like accent walls, beams, or posts to create eclectic appeal. #HomeRenovation #BungalowStyle #NashvilleRealEstate #InteriorDesign #OpenFloorPlan #KitchenDesign #RusticModern #ArchitecturalSalvage #TelevisionSetDesign

This article details the comprehensive renovation of a 1927 Tudor-style house in Riverdale, New York, transforming its traditional interior into an avant-garde space. Purchased by Fritz and Lee Michel, the house initially featured a dated aesthetic with floral-print wallpaper and an abundance of brown tones. Designer Molly Luetkemeyer, founder of M. Design Interiors, spearheaded the project, drawing inspiration from the Wiener Werkstätte movement, contemporary to the house's original construction. This movement, known for its black and white geometric shapes and vibrant accents, became the guiding principle for the new interior. The renovation involved extensive structural changes to open up the cramped original layout. Thaddeus Briner of Architecture Outfit collaborated with Riccoboni Contracting to create a light-filled, open-plan living space. The entire renovation process spanned two years, allowing meticulous attention to detail, including a custom triangle-patterned carpet for the stairs, reminiscent of 1920s Viennese design. Each area of the house received a thoughtful modern update. The frequently used basement level, serving as the family’s primary entrance due to the house’s hillside location, was not overlooked. It was revitalized with a colorful paint scheme, bespoke cabinetry, and polished concrete floors. A central, open-concept kitchen was also integrated into the design. A key aspect of the project was the strong collaborative dynamic between the Michels and Luetkemeyer. Lee Michel contributed the idea for an Yves Klein blue dining-room table, while Fritz Michel sourced a unique chain-mail curtain to serve as a room divider from a Canadian armor maker. Even the couple's young daughters participated, requesting neon tubing, which Luetkemeyer translated into personalized nameplates above their beds. The most challenging design decision was the smoky-black color chosen for the living room, which required some persuasion but ultimately became one of the house’s most elegant and memorable features. The article highlights how the design team successfully merged the historical charm of the Tudor exterior with a bold, contemporary interior, creating a family-friendly home that is both personal and stylish, while subtly nodding to the architectural era's modern design movements. #DesignHunting #InteriorRenovation #TudorStyle #AvantGardeDesign #MollyLuetkemeyer #WienerWerkstätte #HomeDesign #RiverdaleRenovation #ModernInterior

The article details the renovation of a 1970s split-level row house in Hackney, London, undertaken by Archmongers, the architectural firm led by Johan Hybschmann and his wife, Anita Freeman. The project's primary goals were to modernize the home for contemporary living, enhance its energy efficiency, and introduce more natural light into the interior spaces. The renovation adheres to Archmongers' commitment to using honest, exposed materials and traditional wood joinery, incorporating a palette of brick, galvanized steel, cast concrete, and timber. Before the renovation, the house had remained largely untouched since the 1970s, retaining its original structural elements like masonry, timber framework, and exposed concrete. However, its layout was inefficient, marked by a ground-floor garage that created an awkward entrance and a constricted kitchen/dining area. The original design also featured excessive storage and limited daylight connection to the street, with most rooms facing the rear garden. Archmongers addressed these issues by extending the ground floor and converting the garage into more functional living spaces. A new in-situ cast concrete extension at the rear significantly expanded the kitchen and dining areas on the lower level. This extension's insulated slab not only provides thermal insulation but also forms a new garden terrace, which doubles as a structural foundation to help distribute the load of both the existing and new facades. The flat roof of this extension was designed to accommodate a green roof at the first-floor level, contributing to the home's sustainability and biodiversity. The renovation focused on opening up the three-floor structure to create a more spatially vertical feel. Plasterboard walls were removed to reveal the underlying structural logic of the house, making its various elements more legible. The underside of the stairs was exposed to enhance spatial clarity, and strategically placed internal windows were incorporated to introduce sight lines and flood the interior with natural light. The rear elevation was further opened up with sliding doors at ground level and a large new window on the first floor, offering views of the new green roof from the living room. The design draws inspiration from Northern European modernism, with specific references to architectural works in Hybschmann’s native Denmark, including Wohlert’s Louisiana Museum of Modern Art, Finn Juhl’s house in Ordrup, and Arne Jacobsen’s Søholm houses, as well as Alvar Aalto’s homes in Finland. The interior design features a harmonious blend of gray brick, white-washed walls, and natural timber finishes. These are complemented by bold accents of red in the exposed steel beams, columns, and handrails, and by the terra-cotta tiles used on the lower floor. Repeated rectilinear motifs are consistently applied throughout the material arrangement, contributing to a unified aesthetic. In terms of exterior enhancements, the rear garden and the wildflower green roof were planted with indigenous species. A new, small pond was added to encourage local wildlife. The planting scheme, designed by Anita Freeman, specifically aims to boost biodiversity within the property’s limited footprint. The renovation successfully transformed a dated 1970s house into a modern, energy-efficient home that maximizes natural light and space while maintaining a strong connection to its natural surroundings and modernist architectural principles. #LondonRenovation #SeventiesRowHouse #ArchitecturalRenovation #EnergyEfficiency #ModernistDesign #GreenRoof #ExposedMaterials #NaturalLight #SustainableDesign

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

A comprehensive renovation project was undertaken for a landmarked five-story brownstone in Cobble Hill, Brooklyn, prompted by the structural deterioration of its rear wall. The initial repair evolved into a complete top-to-bottom transformation, encompassing significant architectural and interior design changes. The project involved the installation of a new three-story wood and glass window system on the rear facade, enhancing natural light and views. The formerly low-ceilinged attic space was converted into a skylit home office, complete with a kitchenette and access to a newly created roof terrace. The restoration work paid careful attention to preserving historical elements, including the meticulous repair and reinstallation of original lacy plasterwork and other intricate historic details throughout the house. Concurrently, the homeowner, an interior designer, curated an entirely new color palette and furnishings scheme, blending modern aesthetics with the home's 19th-century character. Built in 1850 in the Anglo-Italianate style, the house is part of a unique architectural complex where three row houses are designed to appear as a single, larger mansion. This architectural type, characterized by its approximately 16-foot width and absence of a high stoop, is a notable, albeit rare, feature of the neighborhood. The English basement primarily serves for storage, with utilities entering at this level. The first floor, historically the staff and kitchen area, was reconfigured to improve light, airflow, and sightlines. The front room was preserved as a cozy sitting area with an arched window, while the kitchen and dining area were relocated to the middle and rear, offering expansive views of the backyard. The elegant second floor, known as the _piano nobile_, features a grand staircase leading to a central hall that separates a formal living room at the front from a more casual family room at the rear. The decorative plaster crown moldings on this level were restored, and the staircase was reinforced and given new treads. The third and fourth floors are dedicated to bedrooms, with a primary suite on the third floor and children's rooms on the fourth. The primary suite's layout was reconfigured so that it is entered from a generous hallway in the center of the house, rather than at one end, which is typical for row houses. A fitted closet connects the bedroom and bathroom, with the two-level bathroom design dictated by plumbing considerations. Children's rooms and bathrooms on the fourth floor were designed with vibrant patterns and colors. In the former attic space, The Brooklyn Studio created a functional penthouse study and a central kitchenette/bar area that opens onto an outdoor deck with a brick fireplace. An oval glass insert in the kitchenette floor allows natural light from the new skylight and sliding glass doors to extend to the floor below. The kitchen features a custom brass stove hood, a marble backsplash with prominent veining, and hand-blown glass knobs by Danish artist Nina Norgaard on the stained oak millwork. The design prioritized an airy feel by minimizing upper cabinetry. Throughout the renovation, existing floor structures were maintained where possible, with new parquet veneer flooring laid over original surfaces in some areas to preserve the underlying structure. #CobbleHill #BrownstoneRenovation #InteriorDesign #HistoricPreservation #TheBrooklynStudio #HomeOffice #Kitchenette #RoofTerrace #StructuralRenovation

Emily Pun, an interior architect, and her partner, Jono Taylor, undertook a significant renovation of a dilapidated three-bedroom Victorian terrace in East Ham, East London. The couple, who relocated to the UK in 2017, decided to move from their two-bedroom Georgian maisonette in Leyton during the pandemic, driven by a desire for more space, a larger garden, and a creative project. Despite a limited budget, they focused on areas of East London with potential and found a neglected Victorian terrace that, despite damp and mold issues and having been rented out to multiple tenants, had elegant proportions and a good-sized garden suitable for an extension. Their vision was to create a balanced and cohesive home where every space flowed naturally. To achieve this, they collaborated with architect Marilena Walton to design a side and rear wraparound extension, expanding the kitchen to the full width of the house and creating a seamless connection to the garden. This extension incorporated semi-recessed sliding doors, a built-in window seat, and a side-pitched roof with exposed oak beams to enhance height and natural light. They moved into the house in July 2022, and while living there, they began preliminary work on the main bedroom and living room, stripping them back, sanding floorboards, and reinstating period features like cornicing and ceiling roses. A notable achievement was restoring an original slate fire surround and repositioning it in their bedroom as a focal point. Upon the arrival of their build team, the main renovation phase commenced, lasting 20 weeks. During this period, Emily and Jono moved out but maintained weekly site visits to ensure design details were executed to a high standard, actively participating where possible. The new kitchen became a central feature, featuring a dedicated utility area with open shelving and strategic doors and walkways to create a circular flow downstairs. Emily selected red and black reclaimed quarry tiles for the flooring, intending them to be a focal point, complemented by warm oak-fronted cabinetry and durable quartz worktops. The outdoor space was equally important. Working with gardener Susanna Grant, they meticulously leveled the garden to create a smooth transition from the sliding doors to the patio. The garden was designed with pavers weaving through greenery and wildflowers, and a bespoke oak bench and large planter (which also serves as storage) were added to complete the integrated look. The rest of the house received comprehensive upgrades, including new double-glazed timber sash windows, updated electrics, and plumbing. For the interior, Emily embraced the north-facing living room's natural darkness by painting it a moody green and incorporating natural textures. The home's overall neutral palette was enlivened with earthy color accents and thoughtfully chosen art and furniture. Emily reflected on the renovation process, acknowledging that it pushed them to their limits but also deepened her passion for interior design. This experience inspired her to establish her company, Den, to assist others in their renovation journeys, aiming to provide guidance and support throughout the design and construction phases. The couple expressed immense pride in their transformed home, finding the evolution of their living space deeply rewarding and motivating to extend their expertise to others. #VictorianTerrace #HomeRenovation #EastLondon #InteriorDesign #KitchenExtension #GardenRedesign #PeriodFeatures #AdaptiveReuse #InteriorArchitecture

The French Room at the Adolphus Hotel in Downtown Dallas has undergone a significant 16-month renovation, transforming its aesthetic from pastel cherubs and red velvet to brilliant white and expensive gold. This extensive facelift encompassed the restaurant’s three primary areas: the salon, the bar, and the dining room, each now boasting a contemporary and ornate appearance. Historically, The French Room maintained an elegant but somewhat dated charm, characterized by faded colors and pleated window curtains. The renovation aimed to bridge the gap between its traditional elegance and modern appeal, seeking to attract a broader clientele while retaining its prestigious identity. This required a substantial effort from the renovation team to update the decor without entirely discarding its foundational character. In the salon, the space largely retains its original architectural essence, featuring extensive carved dark wood trim and molding. The room is adorned with various artworks, and a single chandelier casts a soft, iridescent glow. Modular seating arrangements provide flexibility for accommodating different party sizes, ensuring comfort and adaptability. The bar area has also been updated, adopting a much dimmer lighting scheme that evokes the ambiance of a high-end speakeasy. It is distinguished by deep blue walls, classical paintings, and a brass ceiling. Silver trays filled with cocktail elixirs are meticulously arranged on a dark stone bar top, enhancing the sophisticated and intimate atmosphere. The dining room, often considered the heart of The French Room, maintains its original architectural framework but features extensive interior design changes. The former crushed red velvet chairs have been replaced with elegant Bergere dining chairs upholstered in pristine white fabric. Thick pleated tablecloths are set with pure white china plates, accompanied by a single glass and a gold candleholder. The previous artwork and wall coverings have been substituted with clean white and gilded flourishes. The heavily ornate molding and trim are now coated in semi-reflective gold paint, featuring classic French-style framing. Additionally, a few booth seats have been incorporated to offer guests more private dining options. Chef Michael Ehlert presides over the culinary offerings, presenting a refined take on French cuisine with dishes that blend traditional flavors with modern plating techniques. The menu, which is seasonal, includes items such as snails with pommes dauphine and watercress, seared foie gras, and consommé chartreuse. To conclude the dining experience, guests can select from The French Room’s traveling dessert cart, providing a sweet finish to their meal in this renowned Dallas establishment. #FrenchRoom #RestaurantRenovation #DallasDining #AdolphusHotel #LuxuryInteriors #FineDining #InteriorDesign #HotelRenovation #DallasRestaurants