Draga & Aurel Freeze Light Refractions in Frosted Coffee Tables

The Scraplights lighting collection by Graypants, a modern design team, showcases a commitment to storytelling through design, with an emphasis on the process and craftsmanship behind their products. The company, humorously named after its founders' initial meeting while wearing identical gray pants, focuses on creating designs that resonate with individuals and extend beyond their physical form. This ethos is particularly evident in their flagship Scraplights collection. The Scraplights are meticulously handcrafted from recycled cardboard, highlighting a dedication to sustainability and unique material utilization. The inherent qualities of the recycled cardboard impart a classic dark edge to the fixtures, which beautifully accentuates the warm light emitted through the corrugated layers. In addition to the natural cardboard finish, the collection also features an option made from custom-produced entirely white corrugated cardboard, offering an elevated and distinct aesthetic while retaining the signature layered design. Each Scraplight fixture is engineered to provide warm, intimate, and functional lighting suitable for various applications and spaces. The production process involves precision laser-cutting of the cardboard components, followed by careful hand-assembly using non-toxic adhesive. This combination of advanced technology and artisanal skill ensures the durability and quality of each piece. As a crucial safety and environmental measure, all Scraplights are treated with a non-toxic fire retardant, making them both robust and elegant additions to any interior. The collection includes a diverse range of lighting options, such as the Tilt Natural Floor Lamp, which offers a striking visual presence, and the Tilt White Table Lamp, providing a more compact yet equally sophisticated option. Pendant lights are a significant part of the Scraplights range, with models like the Drum24 Natural Pendant Light and Ohio24 Natural Pendant Light presenting unique spherical and elongated forms. Larger pendant options include the Dome36 Natural Pendant Light, designed for a more pronounced statement, and the Ausi8 Natural Pendant Light, offering a distinct geometric shape. Further expanding the variety, the collection features the Bell10 and Bell16 Natural Pendant Lights, characterized by their elegant bell-like silhouettes, and the Drop18 and Drop26 Natural Pendant Lights, which provide a flowing, elongated design. The Hive12 Natural Pendant Light offers a unique, intricate structure, while the Nest24 Pendant Light presents a more organic and encompassing form. Complementary table lamps like the Ausi Natural Table Lamp and Ebey White Table Lamp offer smaller, versatile lighting solutions. Additional pendant styles, such as the Allyn White Pendant Light and Alki White Pendant Light, introduce further variations in form and size, demonstrating the versatility of cardboard as a design material. Graypants’ Scraplights collection, available through the Design Milk Shop, represents a harmonious blend of innovative design, sustainable practices, and meticulous craftsmanship, transforming everyday recycled material into sophisticated and functional lighting fixtures for contemporary living spaces. #Graypants #Scraplights #CardboardLighting #RecycledDesign #SustainableDesign #HomeFurnishings #InteriorLighting #ModernDesign #Handcrafted

Studio Monsoleil, founded by designer Sevval Kalaycikli, introduces a collection of glass tables and lighting fixtures that employ optical illusions to enhance interior spaces. Kalaycikli primarily uses glass, valuing its timeless quality and its ability to create a sense of openness and brightness in a room. Glass's reflective surface and transparent nature are utilized to visually expand spaces and counteract the visual weight of other materials, contributing to a lighter, more airy atmosphere. The collection features several distinct designs. The "Cosmos" series comprises coffee tables characterized by gradient colors. These tables are designed to be central pieces in social settings, with the color harmonies in their bases symbolizing gathering and shared ideas. This series includes various color schemes, such as tables with green gradients, to complement different interior aesthetics. Another notable design is "Stardust," a coffee table inspired by cosmic themes. Its gradient purple glass evokes images of deep space and distant galaxies, adding an element of mystery and wonder to a room. The "Melted Mirrors" offer a playful element, encouraging a less serious interaction with reflective surfaces. The "Twist" coffee table draws inspiration from the yin-yang philosophy, representing the balance of opposing yet complementary forces. Its base is formed by two gradient glass pieces, abstractly illustrating the concept of continuous motion and change. This design aims to bring a dynamic and thoughtful element to living spaces. Studio Monsoleil also presents a range of lighting designs. The "Mermaid Table Light" is inspired by the ocean's deep blues, featuring a spherical light resting on a bisecting glass piece, reminiscent of a mermaid surfacing from water. This light casts a tranquil glow with its sapphire and turquoise hues. In contrast, the "Scarlet Sunset" light uses shades of red to mimic a radiant sunset, designed to evoke warmth and comfort as it appears to descend like the sun on the horizon. "Euphoria" is a table light that captures the iridescent and magical colors found in nature, drawing parallels to phenomena like the aurora borealis. This design brings a vibrant and enchanting light quality to its surroundings. Finally, "Timeless Glow" features a soft brown luminance, symbolizing enduring charm and lasting beauty through its subtle yet distinct presence. Each piece in the collection aims to transform spaces through light, color, and form, demonstrating the versatility and aesthetic potential of glass in contemporary design. More information about Studio Monsoleil and its collection is available on its official website. #StudioMonsoleil #GlassFurniture #OpticalIllusions #InteriorDesign #HomeFurnishings #GradientGlass #CoffeeTables #TableLights #ModernDesign

This article explores the aesthetic and functional benefits of downlights, which are designed to sit flush with the ceiling, offering a sleek and minimalist lighting solution. These fixtures provide direct illumination, making them ideal for tasks and for creating a contemporary ambiance in various indoor spaces. The versatility of downlights is highlighted by the availability of models with tilt mechanisms, allowing users to direct light precisely where needed, such as into specific corners of a room. The discussion also covers practical aspects such as the range of styles available, including classic white, chrome, and steel options, with finishes spanning polished, matte, and gloss, ensuring they can seamlessly integrate with diverse home interiors, from bathrooms to kitchens. Furthermore, the article delves into the technical characteristics and advantages of modern downlights, particularly those compatible with LED technology. It emphasizes their dimmable functionality, providing flexibility to adjust brightness levels from bright task lighting to softer, ambient illumination. Key questions regarding the longevity and maintenance of LED downlights are addressed, with an estimated lifespan of 10,000 hours or more, translating to over a decade of use. A step-by-step guide is provided for changing a downlight bulb, including crucial safety precautions like switching off power and allowing the bulb to cool, before detailing the process of removal and replacement for both unhooking and twist-lock bulb types. Guidance is also offered on determining the appropriate number of downlights for a room, factoring in room size, ceiling height, and desired brightness, suggesting a general guideline of approximately eight downlights for a 12m² room. The article encourages readers to explore a broader selection of indoor lighting options to find further inspiration for their home lighting projects. #Downlights #HomeLighting #InteriorDesign #LEDLighting #ModernLighting #HomeImprovement #LightingInstallation #EnergyEfficiency #ContemporaryStyle

Danielle Trofe, through her brand MushLume Lighting, is pioneering a new direction in design by transforming mushrooms into light fixtures. This innovative approach integrates nature, technology, and craftsmanship, offering a forward-looking vision for interior spaces. The article highlights an interview with Danielle Trofe in her Brooklyn studio, where she discussed the origins and development of her mycelium-based lighting products. Trofe's journey into biomaterials began in 2011 with Danielle Trofe Design, initially focusing on hydroponics. However, in 2014, her research into sustainable material alternatives led her to discover mycelium, the root structure of fungi. The realization that she could grow objects into specific shapes using a living organism became a pivotal moment, inspiring her to dedicate a decade to collaborating with a biomaterials company to bring mycelium to the forefront of lighting design. This commitment addresses the growing concern over the environmental impact of mass production by offering a sustainable alternative. Mycelium is a rapidly renewable material known for its strength, fire resistance, and biodegradability. It grows by binding agricultural byproducts, making it an excellent choice for eco-conscious design. Trofe explained that MushLume Lighting utilizes low-heat LED bulbs, which are well-suited to the fire-resistant properties of mycelium. The production process involves hand-packing hemp substrate into molds, allowing the mycelium to grow into a solid structure within 7-10 days, forming the base of the lamps. The lamps’ domes feature natural curves that enhance the interior illumination, creating a soft and inviting glow. The use of natural, VOC-free lime wash provides earth tones that complement the organic texture of the mycelium. Addressing common concerns about using living organisms in home products, Trofe clarified that the mycelium lamps are not 'alive' when they reach consumers. The material undergoes a heat and drying process that renders it inert, eliminating any possibility of mushrooms sprouting from the fixtures. The article notes the challenges Trofe faced in establishing MushLume Lighting, as there was no existing brand to support this novel material. This necessitated creating a new brand to introduce, cultivate, and validate mycelium as a viable product in the market. While MushLume Lighting has been established in the U.S. for a decade, it has recently gained traction in European markets, where sustainability is a central tenet of design. This expansion underscores the alignment of Trofe’s work with the continent's eco-conscious movement. Trofe's passion for nature and sustainability is a driving force behind her design philosophy, emphasizing the need for balance in human creations and a deeper connection with the environment. She expressed inspiration from algae as a potential future material due to its rapid renewability and ability to replace more resource-intensive options. The article concludes with a tour of Trofe's studio, highlighting the hands-on craftsmanship involved in filling molds and observing the mycelium growth process. This blend of scientific innovation and artistic creation reflects Trofe’s thoughtful approach to design. The interview ended with Trofe sharing her ideal dinner guests, including figures like Merlin Sheldrake, Paul Stamets, Tom Dixon, Zaha Hadid, Ray Eames, and Lonneke Gordijn, indicating a broad appreciation for both scientific and design pioneers. #LightingDesign #BiophilicDesign #InnovationDesign #InnovativeMaterials #SustainableDesign #MyceliumLighting #DanielleTrofe #MushLumeLighting

New York-based design studio Trueing has unveiled its latest lighting collection, Cerine, at this year's NYCxDesign festival. The collection, which includes two pendants, a floor lamp, and a sconce, features bold, hand-formed chain links made from thick borosilicate glass in a variety of vibrant colors. The Brooklyn studio, co-founded by Aiden Bowman and Josh Metersky, aimed to offer an "interesting spin on the familiar" by reinterpreting traditional chain motifs found in jewelry, industrial settings, and architectural ornamentation. The design draws inspiration from diverse sources, such as delicate golden chain necklaces, robust metal chains seen in shipyards, and the decorative elements on Beaux-Arts building facades. Metersky explains that while chain is a common element in traditional lighting design, Trueing sought to create a fresh interpretation, making the chain itself the focal point rather than merely a functional component. Each individual chain link is precisely seven centimeters wide and twelve centimeters tall, and can be customized in seven opaque or transparent color options to suit various bespoke arrangements. Beyond their aesthetic contribution, the glass chains play a crucial role in the structural integrity of the lights, allowing them to be positioned and held in place. The metal finishes accompanying the glass elements are available in brushed brass, satin or polished nickel, and oil-rubbed bronze, providing a range of complementary material options. Metersky highlights the unique character of the hand-made links, noting that their individual imperfections contribute to a cohesive and natural overall appearance. The Cerine series showcases different applications of these distinctive chains to support mouth-blown glass bulbs. One pendant design uses two hooks to suspend the fixture from the ceiling, creating a significant, inverse-arch-like droop. The sconce variant incorporates three glass links that dangle from a metal arm, which in turn holds the light bulb. The floor lamp design features nine stacked pieces of Carrara marble forming its base, with five pastel pink glass links suspended from an arched arm that supports the glass orb. The glass orb itself can be specified in classic white opaline or a selection of custom colors. Trueing launched the Cerine collection through a partnership with Pas De Calais, a Japanese clothing store situated in Manhattan's Soho district. This collaboration was deemed a natural fit due to the shared design sensibilities between Trueing and the fashion label, both prioritizing purity, nostalgia, and a refined, elemental approach to traditional forms. Bowman emphasized that the collection's essence—recalling traditional design pieces rendered in a reductive manner—aligns perfectly with Pas De Calais's ethos and aesthetic. The Cerine exhibition at 482 Broome Street was open until the end of May, coinciding with NYCxDesign 2019, which ran from May 10th to 22nd. This marks Trueing's second collection, following their debut range launched in January at The Future Perfect in Manhattan. The NYCxDesign festival also featured other notable exhibits, including Workstead and Calico Wallpaper's designs showcased at New York's Arcade Bakery, and an immersive lighting installation by Snarkitecture. Photography for the Cerine collection was provided by Lauren Coleman, with additional images by Alan Tansey for the installation at Pas De Calais. #LightingDesign #GlassChains #NYCxDesign #ProductDesign #InteriorDesign #TrueingStudio #HandFormedGlass #DesignExhibition #CerineCollection

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

This article highlights two innovative wall panel collections that redefine traditional wall surfaces through geometric patterns and material experimentation. The first collection, Sfera, by New York-based designer Alison Rose in collaboration with Artistic Tile, offers a modern take on stone mosaics. Sfera features circular, waterjet-cut quartz layered with disks of Carrara, Calacatta, and Nero marble. The seemingly random arrangement of these stone elements actually forms repeating triplets, a design approach reminiscent of Rose’s previous Bauhaus-inspired mosaics. The inspiration for this geometric pattern play, available in Grafite, Lilac, and Verde colorways, stems from biological cell movement, imbuing the orbs with a dynamic, almost bouncing visual effect across the surface. These mosaics are versatile and can be specified for various applications, including walls, floors, and wet zones like showers, offering a refreshing update to conventional stone mosaic designs. The second collection introduces new mosaic-style wood panels from The Wood Veneer Hub, a family-owned U.S. manufacturer. These Hex Wood Mosaic wall panels infuse traditional wood paneling with geometric vitality. Measuring approximately 12.5 by 11 inches, these tile-like units are made from hemlock and Douglas fir. A key feature of these wood panels is their thermal modification process: they are treated at super-high kiln temperatures instead of being chemically treated to enhance resistance to insects, moisture, and rot. This environmentally conscious manufacturing process also includes the recycling of sawdust and wood scraps, demonstrating a commitment to sustainability. These innovative wood panels are designed to add visual interest to both exterior and interior walls, providing a unique blend of natural material and modern geometric design. Both collections showcase a creative approach to surface design, moving beyond conventional materials and applications to offer unique aesthetic and functional solutions for architectural and interior spaces. #WallPanels #StoneMosaics #WoodVeneer #GeometricDesign #InteriorDesign #SustainableMaterials #AlisonRose #ArtisticTile #TheWoodVeneerHub

This article explores the benefits of upgrading swimming pool lighting to LED technology, focusing on energy savings, reduced maintenance, and enhanced aesthetic appeal. Many existing pools, equipped with older incandescent or fiberoptic lighting systems, present a significant opportunity for service professionals to offer LED conversions. LEDs offer substantial energy savings compared to traditional lighting. Incandescent lights consume up to 500 watts, fiberoptic lights use 150 to 200 watts, while LED pool lights typically use between 20 and 50 watts per hour. This drastic reduction in energy consumption can lead to considerable cost savings for pool owners, potentially paying for the conversion within one to two years, depending on usage habits. Beyond energy efficiency, LEDs also boast lower maintenance requirements. Incandescent bulbs need replacement approximately every 2,000 hours, and fiberoptic systems require replacement every three to seven years, alongside other components like motors and color wheels. LED lights, in contrast, have a much longer lifespan, often exceeding 10 years, significantly reducing the frequency and cost of replacements. This longevity makes LEDs a more sustainable and economically sound option for pool owners. The ease of upgrading is another compelling factor. Many LED models are designed to fit into existing light niches, simplifying the installation process for service technicians. For instance, Hayward’s Universal ColorLogic LEDs are UL listed for various niche styles, eliminating the need for technicians to determine specific niche types. Similarly, Pentair’s GloBrite lights are made entirely of plastic, removing the need for grounding or bonding and making them suitable for gunite, fiberglass, or vinyl pools. One of the most appealing aspects of LED pool lighting is its ability to introduce a vibrant spectrum of colors. Pool owners can select from a wide range of hues or program dynamic light shows to match specific moods or events. This customizable lighting transforms the backyard ambiance, offering a significant upgrade from the static illumination of older systems. The transition to LEDs also extends beyond just the pool; modern platforms allow for the integration of multiple LED lights on a single transformer, enabling homeowners to illuminate landscaping, water features, and other outdoor elements, thereby creating a cohesive and visually striking outdoor environment. This expanded application presents additional opportunities for service professionals to broaden their offerings. Specialized LED replacements are available for fiberoptic systems as well. Companies like Fiberstars offer small-niche LED lights that fit directly into existing wall fittings, replacing fiberoptic cables and connecting to a 'Power Tower' controller with built-in transformers and wireless remote control. This allows for a straightforward conversion from older, more expensive fiberoptic systems to modern, color-rich LED lighting. Finally, the convenience of remote control is a major draw for contemporary pool owners. Systems like Zodiac’s iAqualink enable users to manage their pool lighting and other features via smartphones or tablets, enhancing user experience and control. The inherent safety of low-voltage LED systems (typically 12 volts) is also highlighted, particularly in contrast to the potential electrical hazards associated with high-voltage pool lights. Overall, upgrading to LED pool lighting offers a combination of energy savings, reduced maintenance, aesthetic versatility, and enhanced safety, making it an attractive investment for pool owners. #LEDLighting #PoolDesign #EnergyEfficiency #HomeImprovement #OutdoorLighting #SmartHome #PoolMaintenance #TechnologicalAdvancement #BackyardDesign

The "2x Glass Vases" collection, created by Assembly Design, features unique glass vases that give the impression of ice crystals forming both on their interior and exterior surfaces. This distinct aesthetic is achieved through the application of master glass-blowing techniques, ensuring that each vase in the collection is entirely one-of-a-kind. The creation process for these vases involves the careful integration of broken glass shards into a freeform glass bubble. This bubble is initially shaped through mouth-blowing, a traditional glass-making method. Following the initial blowing, the piece undergoes a meticulous process of repeated heating and hand-molding. This iterative shaping and heating allow the glass shards to become seamlessly embedded within the vase's structure, transforming them into integral sculptural elements. The purposeful incorporation of these glass fragments is what contributes to the vases' unique, crystal-like appearance, giving them a texture and visual depth that distinguishes them from conventional glasswork. The manual and repetitive nature of the shaping process ensures that while they share a common design principle, no two vases are exactly alike, each possessing its own subtle variations in form and shard integration. Once the sculptural body of the vase is complete, the final steps involve cutting and polishing the top edges. This finishing touch refines the vase's aesthetic, providing a smooth, clear opening that contrasts with the textured body, and making it suitable for practical use while maintaining its artistic integrity. The entire production sequence underscores a commitment to craftsmanship and artistic expression, resulting in decorative objects that are both functional and visually striking. #GlassVases #AssemblyDesign #GlassBlowing #SculpturalArt #HomeDecor #UniqueDesign #ArtisticGlassware #Craftsmanship #InteriorDesign

As daylight hours diminish and the cooler seasons of fall and winter approach, interior design experts emphasize the critical role of strategic lighting adjustments to maintain a warm and inviting home atmosphere. The shift from abundant natural light to shorter, often gloomy days necessitates a proactive approach to indoor illumination, moving beyond simple decorative accents to functional and atmospheric lighting solutions. Designers recommend two primary shifts to transform living spaces into cozy sanctuaries: integrating low-level layered lighting and optimizing bulb temperatures for warmth. Layered lighting is a foundational principle in effective interior design, gaining heightened importance during months with less natural light. This technique involves using multiple light sources at varying heights and intensities to create depth, dimension, and a comfortable ambiance, preventing the stark and flat appearance often caused by relying solely on overhead fixtures. Caroline Milns, Head of Interior Design at Zulufish, highlights the need for flexibility, stating that a diverse array of light sources, such as table lamps, wall lights, and picture lights, is essential to provide adaptable illumination throughout the day and evening. Lauren Gilberthorpe, another interior designer, concurs, advocating for the increased use of low-level lighting to achieve a 'cocooning atmosphere' that overhead lighting cannot replicate. Christina Cruz of Christina Cruz Interiors suggests upgrading to more substantial lamp bases and larger, heavier lampshades to create a warmer, more intimate glow, as table lamps become the primary light source in winter. Furthermore, portable lamps, according to Jeanne Barber of Camden Grace Interiors, offer versatile solutions for areas lacking outlets, bringing pockets of warmth to shelves, side tables, and entryways. Kathy Kuo underscores the sentiment, recommending the addition of an extra table lamp or two in frequently used evening spaces, asserting that a cozy family room or bedroom can never have too many lamps. The second crucial lighting shift involves warming up bulb temperatures. Beyond merely increasing the amount of light, designers advise selecting bulbs with a lower Kelvin temperature to emit a warmer, more golden hue. Kailee Blalock from House of Hive Design Co. recommends swapping cooler bulbs for those closer to 2700K and utilizing timers or smart plugs to ensure homes are illuminated before occupants arrive. This creates an immediate sense of warmth and welcome. Lucy Harris of Lucy Harris Studio shares a similar practice, setting floor and table lamps to activate automatically about half an hour before sunset, particularly in regions where darkness falls early. She stresses the use of very warm bulbs (at least 2700K) to make rooms feel inviting. Lauren Gilberthorpe reinforces this by switching to warmer bulb tones to complement natural materials like timber and stone, fostering an intimate and seasonal feel. Michelle Murphy of DEMI RYAN echoes these recommendations, emphasizing the embrace of a 'golden, cocoon-like glow' and advocating for abundant lamps in a room during fall and winter. Lastly, Allison Lind of Allison Lind Interiors suggests incorporating mirrors into the lighting plan to bounce light, amplifying both natural and mood lighting effects, adding to the overall brightness and coziness of a space. These seemingly small adjustments collectively contribute to a significant transformation, reintroducing warmth, depth, and dimension precisely when a home needs it most. #InteriorDesign #LightingIdeas #FallDecor #WinterLighting #CozyHome #LayeredLighting #BulbTemperature #HomeComfort #SeasonalDecor #DesignerTips

Design duo Draga Obradovic and Aurel Basedow, known collectively as Draga & Aurel, are set to showcase their ‘Transparency Matters’ collection at Salone del Mobile. This presentation marks their first solo exhibition in a decade and prominently features resin as its primary material. The collection, which involved nearly a year of experimentation with resin and glass, aims to explore the interaction of light with various colours and opacities, reflecting the designers' meticulous attention to detail and sensitivity. Draga & Aurel's journey into design began after both studied art in Florence, with Obradovic specializing in textiles and Basedow in carpentry. After relocating to Como, their initial careers in fabric design and art/music education, respectively, gave way to a period of creative stagnation for Obradovic. This personal crisis ultimately led her to produce a small collection of hand-finished soft furnishings, which evolved into upholstering and reworking vintage furniture sourced from local thrift shops. Basedow's carpentry skills became integral to this endeavor, and their innovative approach quickly gained recognition, attracting collaborations with notable manufacturers like Baxter and Wall & Decò. For the ‘Transparency Matters’ collection, the designers have expanded beyond their earlier focus on vintage furniture and textiles. Resin was chosen for its versatility in achieving a wide spectrum of colours and opacities. The collection includes cast-bronze tables with resin tops in mineral shades like jade, amber, and amethyst, inspired by wildflowers. Tall cast-glass wall lights, created by melting together three tinted glass shades and inserting coloured resin over the light source, further manipulate hue and light. Cast-resin screens, with their unevenly saturated shading achieved through a week-long, three-stage process, will define the exhibition space. Additionally, deep-seated ‘Gaia’ chairs, originally designed by Carlo Bartoli, have been given a matte, soft-touch velvet-like finish. The exhibition will also feature outdoor furniture, writing desks, bookshelves, and additional lighting projects, all available for order. The duo draws inspiration from minimalist artists such as Dan Flavin and Donald Judd, not solely for their formal qualities but for their investigative approach to materials and craftsmanship. Basedow complements the furniture collection with large-scale paintings crafted from resin and found imagery. Despite a challenging path to their current success, the designers emphasize that all their past experiences are channeled into their work, contributing to their unique perspective. The ‘Transparency Matters’ exhibition will be on view from April 9-14 at H+ in Milan, with their ‘Heritage’ collection also featured at Baxter Cinema during the same period. #SaloneDelMobile #ResinArt #InteriorDesign #ContemporaryFurniture #MaterialExperimentation #MilanDesignWeek #DragaAndAurel #LightingDesign #ArtAndDesign

Transom windows, also known as transom lights, are small windows positioned above a larger window or a door, or, more specifically, above the horizontal beam called a transom. These architectural elements have a rich history, dating back to the 14th century, and have maintained their popularity through various design eras, including the Victorian, Art Deco, and Art Nouveau movements. Historically, they served both decorative and functional purposes, often featuring elaborate designs like leaded or stained glass. Even today, they are frequently seen in historic buildings, private homes, and various fictional settings, highlighting their enduring appeal and utility. Originally, transom windows were crucial for natural light and ventilation, especially before the widespread adoption of air-conditioning. In older buildings, such as offices, schools, and police precincts, they were strategically placed high up to allow hot air to escape and cooler, fresher air to circulate. This design also enabled light to penetrate interior spaces even when doors were closed, offering a balance of privacy and illumination. In the Federal and Neoclassical architectural styles, particularly prominent in Washington, D.C., transom windows are a common feature, often appearing above front doors. Some semi-circular or semi-elliptical transoms are specifically known as 'fanlights,' frequently complemented by 'sidelights'—narrow vertical windows flanking an entry door. Beyond their historical functions, modern transom windows continue to be valuable. They are no longer limited to specific architectural styles and can be found in various shapes, including half-round, rectangular, square, or trapezoidal. While many contemporary transoms are fixed, their primary modern function often revolves around increasing the overall glass area of a window package. This allows for more natural light to enter a space without requiring larger, potentially more cumbersome, operable window sections. This design consideration helps maintain manageable or standard window sizes while maximizing light penetration. The cost of incorporating transom windows into a home improvement project can vary significantly. Simple models can be relatively inexpensive, but prices can rise considerably for custom or highly decorative pieces. The window unit itself is often not the most significant expense; instead, the primary cost drivers are associated with the installation process. Adding a new opening for a transom window involves extensive work, including insulation, window trim, siding, woodwork, flashing, and potential structural modifications. If an existing framed opening is already present, installation is more straightforward. However, retrofitting a transom over an existing window is a more complex undertaking, heavily dependent on the structural conditions of the wall in question. In essence, transom windows are a versatile architectural feature that has evolved from being an essential functional element for ventilation and light in pre-air-conditioning eras to a modern design choice that enhances aesthetics and increases natural light. Their history underscores their adaptive nature, and their continued use highlights their timeless appeal in both historic preservation and contemporary home design. #TransomWindows #ArchitecturalFeatures #HomeRenovation #WindowDesign #InteriorDesign #NaturalLight #Ventilation #HomeImprovement #HistoricHomes

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

The increasing use of transluminous ceilings in architectural design is discussed, highlighting their contributions to sustainable building and occupant well-being. These ceilings, often employing thermoformed panels, leverage advancements in lighting technology to offer aesthetic and functional benefits. The article delves into the sustainability aspects of the materials used, particularly rigid vinyl (uPVC), addressing common concerns about vinyl's environmental impact. It emphasizes that while some organizations red-list vinyl due to manufacturing chemicals and combustion toxicity, certain manufacturers produce uPVC without harmful precursors and with stringent environmental controls. These panels can also achieve GreenGuard Gold certification for low volatile organic compound (VOC) emissions. The article notes that PVC compounds are inherently fire-resistant, and the minimal mass of thermoformed panels reduces their potential fuel contribution during a fire. Furthermore, the light weight and compact nature of these panels decrease the environmental burden associated with manufacturing, shipping, and handling. Beyond production, the life cycle performance of vinyl is explored. Despite vinyl's non-biodegradable nature, which is a disadvantage in landfills, it proves beneficial in building applications due to its durability. Thermoformed ceiling panels are water-resistant, do not support mold or fungi growth, and are easy to clean. Their robustness ensures resistance to damage during installation or maintenance, and UV inhibitors prevent discoloration. The article points out that these panels can often be salvaged and reused during redecoration or at the end of a building's life. If not reused, they are recyclable, with some manufacturers accepting scrap material to produce new panels with over 98 percent recycled content, demonstrating a high-quality closed-loop recycling process. The evolution of luminous ceilings, particularly with the integration of light-emitting diodes (LEDs), is a key focus. Grids with closely spaced LEDs positioned above and behind light-transmitting surfaces minimize the required distance between light sources and the finished ceiling. The article provides an example of LEDs spaced 25 mm (1 in.) on-center, positioned 125 mm (5 in.) above ceiling panels. This configuration allows frosted panels to create uniformly illuminated surfaces, while clear panels with molded surfaces effectively scatter the bright LED light. The unique interaction of different thermoformed panel styles with the LED array results in varied visual effects, and the appearance changes dynamically with the viewer's position. The discussion then draws upon Richard Kelly's three elements of visual design: focal glow, ambient luminescence, and play of brilliants. Traditional luminous ceilings excelled at providing ambient luminescence, characterized by shadowless, diffused light that minimizes form and suggests infinity, creating a reassuring and restful atmosphere. Modern transluminous ceilings have advanced to incorporate focal glow, achieved through variations in light intensity and color, which draws attention and highlights important areas. They also offer the 'play of brilliants,' creating sparkle and excitement through light shining through panel perforations or clear panel facets, akin to crystal chandeliers or Times Square at night. This technological evolution allows transluminous ceilings to provide a comprehensive lighting experience that can engage and stimulate occupants in diverse ways. #AcousticalCeilings #SuspendedPlasticCeilings #LuminousCeilings #Ceiling #Lighting #LED #Transluminous #SustainableDesign #Vinyl

Derek Pearce, an artist and designer, has been creating unique 'water tables' since 1997. These pieces function as both furniture and sculpture, characterized by a glass top that mimics the surface of water and a base featuring animal figures. The animals, which include hippopotamuses, dolphins, otters, and seals, are either carved from wood or cast from resin. The tempered glass used for the tabletop is central to the 'water effect,' providing a transparent surface that suggests a body of water through which the animal figures appear to interact. Pearce's design philosophy centers on bringing elements of nature and wildlife into interior spaces in an imaginative and functional way. Each table is a one-of-a-kind creation, showcasing the artist's detailed craftsmanship and artistic vision. The animal sculptures are meticulously rendered, capturing the dynamic essence and natural poses of the creatures, making them appear as if they are emerging from or interacting with the 'water's surface.' Over the years, these distinctive 'water tables' have gained international recognition, leading to exhibitions and sales across various global markets. The demand for these unique pieces has also prompted Pearce to offer custom commissions, allowing clients to request personalized 'water tables' tailored to their specific preferences and spatial requirements. This bespoke service ensures that each piece is not only a functional item but also a unique work of art designed to integrate seamlessly into diverse home aesthetics. In response to broader interest and to make his designs more accessible, Derek Pearce has also established an online store. This platform allows customers to purchase some of his more popular 'water table' designs, typically featuring resin-cast animal bases, which provides a more standardized yet still artistically driven option for those who admire his work. The availability through an online store broadens the reach of his artistic furniture, enabling a wider audience to acquire these sculptural coffee tables. #CoffeeTables #FurnitureDesign #AnimalSculpture #GlassArt #WoodCarving #ResinArt #InteriorDesign #FunctionalArt #DerekPearce

Gabriel Scott has unveiled the Welles Reimagined series, a new lighting collection developed in collaboration with renowned American architect David Rockwell. This collection serves as an evolution of Gabriel Scott's popular Welles Chandelier, initially launched in 2017. The original Welles Chandelier was designed to be a modular lighting system capable of expansion without visible rods, a concept that emphasized both luxury and innovative design in contemporary lighting. The Welles Reimagined series maintains the geometric foundational principles of its predecessor while introducing a modern interpretation. The design draws inspiration from natural formations, specifically referencing the clustered arrangements found in crystals, clouds, and chemical compounds, translating these organic structures into sculptural lighting fixtures. A significant design shift in the Welles Reimagined collection involves replacing the steel elements that previously encased the bulbs with hollowed glass polygons. This alteration imbues the fixtures with a jewelry-like aesthetic, enhancing their brilliance and sophistication. These luminous glass shapes are arranged at varying heights and in diverse dimensions, contributing to the sculptural and organic feel of the collection. The glass polygons are available in five distinct finishes: Smoked, Purple, Alabaster White, Bronze, and Clear. This variety in finishes allows for extensive customization, enabling designers and homeowners to tailor the lighting to specific interior aesthetics and preferences. This transformation signifies a continuous progression of the Welles design, with a strong focus on personalization and adaptability to diverse spatial requirements. Scott Richler, the Founder and CEO of Gabriel Scott, emphasized that the Welles Chandelier, and now its reimagined counterpart, embodies the brand’s core design philosophy: to create modular products that are highly customizable. Richler highlighted the Welles Reimagined by David Rockwell capsule collection as a sculptural masterpiece, noting the brand’s excitement to expand its allure with additional glass finish options in their standard series. This expansion directly addresses client demand for choice and personalization, reinforcing Gabriel Scott's commitment to meeting diverse needs within the luxury lighting market. David Rockwell further elaborated on the collaborative effort, stating that the partnership facilitated the creation of truly exceptional pieces. He underscored the blend of Gabriel Scott’s modular lighting approach and impeccable craftsmanship with his own emphasis on narrative and materiality. Rockwell explained that through systematic experimentation with volume, color, texture, and scale, the team developed organic compositions of light. These compositions are designed to profoundly influence the ambiance and spatial perception of the environments they illuminate, offering more than just functional light but also artistic elements that shape the character of a space. The Welles Reimagined collection is comprehensive, featuring a range of fixture types including chandeliers, pendants, and sconces. This broad offering provides numerous possibilities for mixing and matching finishes and forms, allowing for a cohesive yet customizable lighting scheme throughout a space. The versatility of these customizable options ensures that the Welles Reimagined series can effortlessly enhance any setting, whether the fixtures are actively illuminated or serving as decorative, sculptural elements during daylight hours. The collection's ability to function as both a source of light and a piece of art exemplifies its innovative approach to contemporary lighting design. #WellesReimagined #GabrielScott #DavidRockwell #LightingDesign #SculpturalLighting #HomeFurnishings #LuxuryDesign #ModularLighting #InteriorDesign

Plum Bottom Gallery in Door County recently hosted an opening reception showcasing new additions to fused-glass collections from artists Kellie Hanson and Laurel Grey. The gallery's Plum Bottom Road location features a garden setting where glass stands and sculptures interact with sunlight, flowers, and trees, extending this aesthetic indoors through mosaics and wall panels. The event provided an opportunity for artists and customers to engage in conversations about the art pieces. Kellie Hanson, one of the featured artists, specializes in mosaics, creating art for windows and walls. Her works, such as “Door County Waters” and “By the Lake,” use varying shapes and sizes of hand-cut glass to depict natural scenes, with larger pieces forming elements like the sky and smaller ones mimicking rippling water. Hanson's inspiration for mosaics originated from a stained-glass window in her aunt's home, prompting her to explore this art form. Her artistic focus is deeply influenced by the landscapes and waterscapes of Door County and Michigan’s Upper Peninsula. Laurel Grey, another artist, is known for her glass leaf strands, which are displayed in rainbow colors and brilliant turquoise throughout the gallery gardens and around the entrance. Grey's motivation for creating these pieces came from a desire to bring nature indoors due to limited opportunities to spend time outside. She transitioned from making flat, painted stained-glass leaves to more dimensional ones, aiming for each leaf to be as unique as those found in nature. Her process involves hand-painting, kiln-firing, drilling, and stringing individual glass leaves into columns. She often incorporates local elements like driftwood and stones from Door County into her designs, and also integrates her leaves into ornaments, tree sculptures, and wall panels. Grey's artistic style is significantly shaped by her childhood experiences in Japan, where she observed the organization of nature in bonsai trees and raked rock gardens. Her visits to glass factories in Japan also influenced her decision to focus on glass as her medium, as she witnessed skilled Japanese artists transforming molten glass into various beautiful objects. Furthermore, Buddhist philosophy, particularly the teaching of "letting go of the outcome," resonates with her approach to working with glass, as the material often reacts in unexpected ways. The versatility of fused glass is highlighted by Grey's leaf strands. In shaded areas or on cloudy days, they illuminate spaces with shiny color, while in direct sunlight, light dances off the leaves, creating vibrant reflections. The rainbow-colored strands exhibit an iridescent quality, symbolizing how different colors combine to form white light. This interplay of glass, color, and light enhances both indoor and outdoor settings, with pieces sparkling and capturing ambient light in any room, offering a whimsical impression of a sunny garden or a reminder of a Door County scene. #FusedGlass #ArtExhibition #PlumBottomGallery #DoorCounty #GlassArt #MosaicArt #NatureInspired #ArtisticProcess #GlassSculptures

Lori Olsen McElvain and Jay Eiler, former colleagues with a history of working together at two design firms, have reunited to establish a shared office space, transforming a former Webster dance studio into a functional and collaborative environment. This joint venture provides a mutually beneficial arrangement, especially for McElvain, who notes the challenges of maintaining a workspace alone while balancing a part-time and working mother's schedule. Eiler emphasizes that their established relationship, built on trust and respect, allows them to effectively brainstorm and share ideas, metaphorically leaving 'breadcrumbs on each other’s desk.' The designers' new office is strategically located within a developing 'mini-design district,' situated between two other interior design and architecture firms and in close proximity to a PPG Paints store, a factor Eiler highlights as making their shared space a logical choice. The office setup itself demonstrates practical design solutions for a dynamic workspace. To manage the inherent challenge of a large, open space that can quickly become cluttered, they utilize an ample supply of bins from IKEA to maintain organization and tidiness. Key features of their collaborative workspace include homemade presentation boards constructed from galvanized metal sheets set on plywood magnet boards. These boards are instrumental in helping clients visualize proposed designs, such as a unique whisk chandelier concept presented to St. Louis Kolache, one of McElvain's clients. The designers also incorporate versatile furniture, exemplified by a metal restaurant-style table that has served multiple functions, including a desk, kitchen island, and work table. Two tall desks are also present, allowing the designers to work standing up, which promotes productivity and physical well-being. This variety of surfaces is crucial for spreading out materials when working on multiple projects simultaneously. Lighting throughout the office is provided by metal Bryce table lamps, also known as hotel lamps, which are equipped with USB ports. This selection is particularly fitting given Eiler's extensive work in boutique hotel design, both nationally and locally, including the upcoming Hotel Saint Louis. These lamps serve the practical purpose of allowing the designers to charge their electronic devices throughout the day, aligning with McElvain's vision for a flexible workspace. The transformation of the dance studio into a dynamic and organized shared office underscores the designers' ability to combine their individual expertise and resources into a synergistic and efficient working model. This article was originally published in *Design STL*'s May/June 2018 issue, showcasing innovative approaches to interior design and collaborative professional spaces. #InteriorDesign #SharedWorkspace #OfficeDesign #CollaborativeEnvironment #DesignSolutions #WebsterGroves #LoriOlsenMcElvain #JayEiler #DesignSTL