Dims. Collabs With Wade and Leta on the Maximalist New Eclectic Lounge + Ottoman

Danish design brand Hay and London-based designers Nipa Doshi and Jonathan Levien have collaborated to create the 'Quilton' sofa, a modular system characterized by its quilted motif and sartorial inspiration. This partnership, which began in 2014, builds on previous successful projects like the 'Uchiwa chair' and the 'Dapper' chair, demonstrating a strong, focused collaboration between the two entities. The 'Quilton' sofa emerged from Doshi Levien's strategic suggestion to Hay to introduce a softer, more elegant, and tailored seating collection. The designers' hands-on approach, involving extensive sketching and hand-prototyping in their London studio, was central to its development. This method fostered a relationship of trust with Hay, allowing the design to evolve from initial sketches without the need for elaborate renderings. Modularity is a core aspect of the 'Quilton' sofa, offering 13 distinct modules and a standalone three-seater option. The design aims for a balanced aesthetic, combining elegance with generous, soft forms. The bold quilting on the seat is a defining feature, inspired by classic sofa designs, yet it is applied with restraint to maintain a clean and uncluttered appearance, particularly on the back of the piece. Attention to detail is evident in various elements of the sofa, such as the subtle floating base that contributes to its lightness. A thin strip of material separates the sofa from its base, enhancing this effect. The modular configuration also allows for customization, enabling users to mix and match materials and colors for the front, back, and base of the sofa, with options in textiles and leather. Given Doshi and Levien's extensive experience with surfaces and textiles, the choice of upholstery was crucial. The debut collection features Kvadrat fabrics, including 'Raas' with voluminous yarns, Margrethe Odgaard’s ‘Re-wool,’ ‘Atlas,’ and Fanny Aronsen’s ‘Vidar’ in a bold green. The designers also art-directed the launch photography at their Barbican apartment in London, aiming to convey a sense of eclecticism and cultural exchange by blending modern design with traditional objects and the architectural context of the Barbican. The 'Quilton' sofa, introduced in 2021, also acknowledges the shifting role of furniture in a post-pandemic world. As homes have become central to work and daily life, the sofa is now viewed as a versatile platform. The design reflects this change by offering comfort and functionality for various activities, underscoring the increased importance of home environments that are both appealing and adaptable. #DoshiLevien #HayDesign #ModularSofa #QuiltonSofa #FurnitureDesign #InteriorDesign #CollaborativeDesign #TextileDesign #ContemporaryFurniture

British architect John Pawson has partnered with Danish timber brand Dinesen to introduce a new furniture collection. This collaboration marks Pawson's latest venture into product design, following a long-standing relationship between the architect and the 125-year-old wood company. The collection, characterized by its pared-back aesthetic and minimal design, features a range of tables and seating options crafted primarily from Dinesen's signature ash wood. The launch encompasses a Lounge Series, which includes a stool, a daybed, and an armchair. These upholstered pieces are available with textiles from the renowned brand Kvadrat, adding a touch of softness to the otherwise austere wooden frames. Additionally, the collection introduces a Dining Series, comprising various tables and complementary seating. The design philosophy behind these pieces reflects Pawson's well-known minimalist approach, emphasizing clean lines, functional forms, and the inherent beauty of the natural material. The partnership between Pawson and Dinesen dates back approximately three decades, originating from the architect's need for simple, custom-made furniture for his London residence. Pawson initially crafted these pieces from Dinesen's ash wood planks, effectively laying the groundwork for this official collaboration. Both Pawson and Hans Peter Dinesen, the fifth-generation brand director, share a profound appreciation for wood as a foundational element in design. They view furniture not merely as objects but as stages upon which life unfolds, highlighting its role in shaping personal narratives within the home. Hans Peter Dinesen articulates this sentiment by stating that furniture serves as a medium for shared stories, particularly within domestic settings. Pawson further emphasizes the significance of furniture placement, noting that even minor adjustments can profoundly impact a space's ambiance and functionality. This attention to detail and thoughtful arrangement underscores the collection's alignment with principles of intentional living and design. To formally unveil the collection, Pawson and Dinesen are preparing a special presentation for the upcoming 3 Days of Design festival in Copenhagen. During this event, Dinesen's Copenhagen showroom will be transformed into a model apartment, meticulously furnished with pieces from the new line. This immersive experience will allow visitors to witness the collection in a realistic setting, demonstrating its versatility and integration within a residential environment. The exhibition will also serve as a practical demonstration of Pawson's philosophy on furniture arrangement and its impact on living spaces. #JohnPawson #Dinesen #FurnitureCollection #MinimalistDesign #WoodFurniture #InteriorDesign #DanishDesign #DesignCollaboration #ContemporaryFurniture

This article highlights 25 influential power duos comprising high-end clientele and their style gurus who collaborate to curate spectacular interiors, ranging from private homes and palaces to public monuments and retail spaces. These partnerships are notable for their impact on the design world, setting high standards for aesthetics and functionality. The article details various collaborations, showcasing the diverse styles and approaches employed by these design teams. One prominent duo features hip-hop superstar Kanye West and Belgian designer Axel Vervoordt. Vervoordt, known for his tasteful minimalism and admiration for the Japanese aesthetic concept of wabi (exalting simplicity), was enlisted by West to perfect his Los Angeles crib's look. Vervoordt's client list also includes Bill Gates, Sting, and Calvin Klein, underscoring his reputation in high-end design. Actress Gwyneth Paltrow partnered with Robin Standefer and Stephen Alesch of Roman and Williams for the Goop Lab in Brentwood, her first permanent store. Roman and Williams, named for their grandfathers, also opened the Guild, a showroom and café in Soho, indicating their expanding influence in the design and lifestyle sectors. Fashion mogul Tom Ford and William Sofield, an inseparable pair for 25 years, have redefined luxury retail spaces. Their collaborations on stores in Madison Avenue and Rodeo Drive are renowned for their opulent design, challenging conventional retail aesthetics. Sarah Jessica Parker initially sought decorating tips from movie executive Eric Hughes in the '90s. His design career officially launched in 2002 after Parker commissioned him to design her Bridgehampton home. Hughes is currently working with architect Morris Adjmi to merge Parker's two West Village townhouses, demonstrating a long-standing and evolving client-designer relationship. The Beckhams, Victoria and David, chose antiques dealer Rose Uniacke to decorate their $44 million Holland Park palace in London. Uniacke is celebrated for her ability to modernize historical settings, creating a unique blend of classic and contemporary design. Lauren Santo Domingo, co-founder of Moda Operandi, continued a family tradition by enlisting French designer Francois Catroux to work on her 18th-century Paris apartment. Catroux has a history with the Santo Domingo family, having worked with them since the early '90s. LVMH CEO Bernard Arnault consistently collaborates with architect Peter Marino, who has designed numerous Louis Vuitton stores, including the flagship on Place Vendôme, showcasing Marino's significant role in shaping the luxury brand's physical presence. Actor Brad Pitt engaged starchitect David Adjaye for sustainable housing projects in New Orleans following Hurricane Katrina. Pitt's Make It Right Foundation, with Adjaye's involvement, constructed over 100 homes in the Lower 9th Ward, highlighting a commitment to socially conscious design. Adjaye later gained acclaim for his work on the National Museum of African American History and Culture. Raf Simons, during his tenure at Calvin Klein, relied on artist Sterling Ruby to infuse the brand's shows, headquarters, and flagship store with distinctive, vibrant energy. This partnership highlights the intersection of art and fashion in design. Collectors Edythe and Eli Broad have a long-standing relationship with Pritzker Prize winner Frank Gehry, commissioning him for their Brentwood manor and the Walt Disney Concert Hall in Los Angeles. Their collaborations underscore their patronage of groundbreaking architecture. French luxury boss Francois-Henry Pinault entrusted Parisian designer Pierre Yovanovitch with his personal office and the Hôtel de Clermont-Tonnerre, the headquarters of his Artémis conglomerate. Yovanovitch is known for incorporating vintage touches into contemporary settings. Former Vice President Joe Biden and his wife Jill selected Victoria Hagan, known as the “queen of restrained elegance,” to design their official private residence. Hagan's clean, timeless interiors aligned with the Bidens' aesthetic preferences. Designer Robert Couturier, celebrated for French-inspired exuberance, is collaborating with artist Jeff Koons to combine two Upper East Side townhouses. This partnership merges Couturier's classic style with Koons's grand artistic vision. John Pawson and Ian Schrager have a two-decade-long friendship and professional collaboration, extending from apartments at the Gramercy Park Hotel to Schrager's penthouse at 40 Bond, and now the West Hollywood Edition hotel. Their work emphasizes minimalist yet luxurious design. Tory Burch first met designer Daniel Romualdez in the late '90s and subsequently hired him for her apartment at the Pierre, followed by numerous homes and over 100 stores, including her Long Island location, showcasing a long and fruitful design partnership. Fashion designer Alexander Wang and Ryan Korban are close friends who collaborate on various projects, including Wang's flagship store and private residences, highlighting a youthful and contemporary approach to design. Ken Fulk, known for his flamboyant designs, is the trusted designer for Silicon Valley's elite, including Instagram's Kevin Systrom. Fulk designed Systrom's home and his wedding, demonstrating his versatility in creating bespoke experiences. Jamie Drake, known for his crisp and colorful rooms, has designed multiple properties for Michael Bloomberg, including his Upper East Side townhouse and his Georgian estate in Southampton, and also restored Gracie Mansion during Bloomberg's mayoral term. Michael Smith decorated the private residence of the Obamas in the White House, earning praise from former First Lady Michelle Obama for upholding the building's history. Smith also designed their 8,200-square-foot Kalorama home after their departure from office. The bond between decorator Stephen Shadley and Oscar winner Diane Keaton spans over 30 years and four homes. Keaton even documented their creation of her 8,000-square-foot Brentwood compound in her book, "The House that Pinterest Built," illustrating a deep, enduring creative partnership. #DesignDuos #InteriorDesign #LuxuryHomes #ArchitecturalPartnerships #CelebrityDesign #HomeDecor #HighEndClientele #ResidentialDesign #CommercialDesign

Los Angeles-based designer Willett launched his eponymous furniture brand in September 2024, introducing a six-piece, locally made collection. His designs evoke a sense of nostalgia, combining golden-toned wood, silky-smooth lacquer, and soft angles that reference early 20th-century modernism while incorporating the playful aesthetic of the 1960s and 1970s. The debut collection includes the glossy black lacquered 'Popo' chair, 1960s-inspired credenzas with asymmetrical doors, a low-slung armchair with leather cushions, dining tables with integrated seating, a daybed, and a black lacquer coffee table featuring a recessed band of veneer inlay. Willett's journey into furniture design began during the pandemic after he and his wife, chef Molly Baz, relocated from New York to LA. Previously, he worked as an in-house creative director for brands like Nike and YZY GAP, where he focused on experiential spaces, making the transition to bespoke furniture for his own home a natural progression. Currently, Willett operates from his newly opened showroom in LA's Arts District, where he is developing new furniture designs for release next year and engaging in interior design and ground-up building projects. Before the end of 2024, Willett is scheduled to showcase his collection at Design Miami 2024 through installations with the Swiss furniture brand USM and the online marketplace Basic.Space. In an interview, Willett discusses how his experience designing for brands like Nike and YZY GAP influenced his holistic approach to interiors and furniture, emphasizing that every detail contributes to the overall experience. He aims for precision and efficiency in his designs, ensuring every element serves a purpose. Willett is drawn to materials like veneered bent plywood and lacquer because they are readily available and align with his vision of making good design accessible. He believes his pieces should feel familiar yet offer a refreshing perspective amidst market saturation. For Design Miami 2024, Willett is debuting his first dining chair, the 'WT G1 Popo' chair, in new colorways—Willett Red and Cream—alongside the previously released Ebony. These chairs are a contemporary interpretation of a modernist classic, designed to be versatile enough for sophisticated dining rooms or as standalone art pieces. His collaborations with USM and Basic.Space developed organically, stemming from a shared passion for design. Visitors to Willett's LA showroom can expect to see a rotating selection of his pieces, which he lives with and finesses before their official release, ranging from dining tables to daybeds and small stools. The showroom is intentionally pared back to allow the furniture to take center stage. Looking ahead to next year, Willett has several projects that explore the symbiotic relationship between his furniture and the spaces they inhabit. One ground-up build project will feature a roofline that echoes the silhouette of his 'WT G1 Baby Grand' coffee table, demonstrating his integrated design philosophy. He explains that each space is tailored to its environment while maintaining a consistent design language, creating what he refers to as a 'Willett Space.' For Willett, there is no distinction between creating spaces and designing furniture; he approaches both with the same objective: to enhance people's lives through thoughtfully crafted built environments. The Willett showroom is accessible by appointment only through his website. #FurnitureDesign #DesignMiami #Willett #InteriorDesign #Modernism #RetroStyle #LAdesign #ProductLaunch #LuxuryFurniture

The Milan Design Week showcased a strong and growing synergy between luxury fashion and home décor, with several high-profile fashion houses extending their design expertise into interior furnishings. This trend highlights the increasing influence of fashion aesthetics on home design, offering consumers opportunities to incorporate runway-inspired pieces into their living spaces. Seven notable collaborations and collections stood out, demonstrating diverse approaches to this cross-industry integration. Fendi's new Casa collection, under the direction of Silvia Venturini Fendi, featured Christina Celestino’s “Ottavia” chairs. These chairs, inspired by the Roman landscape, boast a rounded back for comfort and sophistication, along with stained wood that accentuates the natural grain. The collection also included Piero Lissoni’s modular Taiko sofa system, the “Blow Up” modular seating by Controvento Studio under Gabriele Chiave, and a logo-adorned “Artichoke” pendant lamp by Louis Poulsen, reimagined in metal and yellow glass. Fendi's offerings emphasized fashion-forward color palettes such as yellow micro bouclé, pink velvet, and grey bouclé. Missoni unveiled a new line of poufs, bringing their iconic zig-zag prints and geometric patterns to life. The brand described its display as a "surreal space with decorative visions that overcome the force of gravity," offering more artistic than purely functional pieces designed to add glamour. A notable item was a circular stool embellished with Swarovski crystals, exuding a disco-inspired aesthetic. Dior Maison continued its collaboration with renowned designer Philippe Starck, presenting the latest iteration of the Monsieur Dior’s armchair at Milan’s 18th-century Palazzo Citterio. This modern reinterpretation of the classic medallion design was showcased through a sound and light extravaganza, available in various colors and materials, including a fluorescent orange toile de Jouy. Versace introduced the “Zensational” sofa, a modular seating system characterized by the brand's signature swirls and Medusa head adornment. This luxurious piece is offered in two distinctive options: crocodile-embossed leather or Baroque-print jacquard, embodying classic Versace style. Loro Piana's collection, developed with Argentinian designer Cristián Mohaded, featured 12 towering stone structures wrapped in the house’s archival interiors fabrics. The art-inspired furniture collection highlighted the transformation of raw materials into desirable items, emphasizing preservation and natural beauty. Materials like chiseled wood, undyed raw cashmere, silk velvet, and vicuña were prominently used. Loewe, under designer Jonathan Anderson, presented a collection that reimagined Welsh stick chairs. Anderson, an avid collector of these chairs, collaborated with artisans globally to transform these humble pieces into haute design objects. The chairs were adorned with various materials such as paper, twine, shearling, leather, raffia, and even emergency insulating foil, creating unique, emotionally resonant pieces. Marni collaborated with Belgian brand Serax to launch its first tableware collection, "Midnight Flowers." This 120-piece hand-illustrated porcelain set features whimsical florals and a fresh color palette, inspired by Marni's quirky-elegant runway collections. Creative director Francesco Risso noted the shared ground between ready-to-wear and tableware in their emphasis on dialogue, materiality, tactility, and sensorial emotions. These collaborations collectively underscore the expanding boundaries between fashion and interior design, bringing high fashion sensibilities into the home décor market. #MilanDesignWeek #LuxuryFashion #HomeDecor #FashionInteriors #DesignerCollaborations #FendiCasa #DiorMaison #VersaceHome

West Elm has unveiled a new furniture collection that stems from a collaboration between the company and Diego Olivero of Meso Goods, designed to support Guatemalan artisans. The partnership originated from West Elm's involvement in the Lake Atitlán initiative, where they assisted in painting homes in a Guatemalan lakeshore town. This initial community engagement evolved into a significant design collaboration, culminating in a collection of vibrant furniture pieces, including chairs and ottomans. The entire collection was handcrafted by local artisans, emphasizing traditional craftsmanship and celebrating the rich native culture of Guatemala. The collection features several distinctive items. One notable piece is the Roar + Rabbit x Diego Olivero Phoebe Chair, priced at $999. This chair is characterized by a watercolor-wash mosaic print that introduces a subtle yet colorful element to any room. Another item is the Roar + Rabbit x Diego Olivero Ottoman, available for $399. Described as a small stool with a significant design impact, it showcases the intricate patterns and vivid colors typical of the collection. The Roar + Rabbit x Diego Olivero Mid-Century Show Wood Chair, costing $899, blends a classic Mid-Century wood frame with a fresh aesthetic, featuring lapis and bright white accents. Beyond seating, the collection also includes textiles, such as the Roar + Rabbit x Diego Olivero Floral Rug, which starts at $149. This rug, noted for its floral design, is presented as a sophisticated option that avoids being overly elaborate. Completing the highlighted items is the Roar + Rabbit x Diego Olivero Retro Wing Chair, priced at $749, which leverages one of the collection's appealing prints on a distinctive furniture piece. The article expresses enthusiasm for the collection's aesthetic appeal and its foundational mission. A key aspect of this collection is its philanthropic component. All proceeds generated from the sale of each piece through an official auction will be directly donated to the Lake Atitlán Project. This initiative underscores a commitment to giving back to the community where the artistic inspiration and labor originated. For those interested in acquiring more pieces from this design, an even larger selection of the collection is available online. Laurel Benedum, the Market Editor for ELLE Decor, authored the article, highlighting the blend of design innovation and social responsibility evident in this collaboration. #WestElm #GuatemalanArtisans #MesoGoods #FurnitureDesign #HomeDecor #ArtisanCrafts #SocialResponsibility #DesignCollaboration #LakeAtitlanProject

This monthly series, "In Our Carts," highlights a curated selection of new product launches and collaborations in the home and lifestyle sphere. The June 2024 edition features a range of items, from bedding and rugs to furniture, lighting, and kitchenware, all chosen for their design and functionality. One of the notable collaborations is between Danish home brand Tekla and Artek, which resulted in a new line of bedding. This collection includes duvets and shams in three colors, adorned with Finnish architect Aino Aalto’s Kirsikankukka pattern, inspired by a Japanese scarf. The collaboration also marks Tekla's first venture into kids' bedding. Cold Picnic, known for its printed rugs, has expanded its offerings with a new collection of richly hued, solid-color rugs. These nature-inspired designs, such as Grass Green, Roasted Tomato, Sky Blue, and Pear, are crafted from 100% New Zealand wool, providing a luxurious feel underfoot. Dusen Dusen has introduced three new vibrant and graphic throw pillow designs: Daisy, Hourglass, and Ricrac. These pillows come in bold colors like sunflower yellow, denim blue, and Kelly green, adding a playful touch to home decor. CB2 has launched new alabaster sconces designed by Australian studio VUUE. These hand-carved alabaster globes are available in two sizes, 6 and 10 inches, and offer a blend of old-world glamour with a modern sensibility, suitable for various interior and exterior settings. Fashion designer Carly Cushnie has collaborated with Lulu and Georgia on her first furniture collection. This 11-piece line showcases a mix of materials, including cane, wood, bouclé, fringe, and velvet. Standout pieces include the warm-toned Yucca sofa and the burl-wood Sabal console table, offering extensive mix-and-match possibilities. Opinel has released a cleverly designed grilling set that emphasizes simplicity and utility. The stainless steel tongs are extra-long with notched tips and a curved edge for effective gripping. A unique feature is the folding knife that ingeniously transforms into a spatula handle, complete with a Virobloc locking ring. The knife handle also integrates a bottle opener, enhancing its functionality for outdoor cooking. R+D Lab has partnered with Mexican chef Elena Reygadas and Fenn Apartamento to create the Rosetta collection of glassware. This collection features three new glass shapes—Acqua, Sour, and Martini—inspired by ancient vessels discovered in Pompeii. While named for specific drinks, these versatile glasses are suggested for various beverages, such as white wine in the water cups and cordials in the stemmed glasses. Finally, Belgian architect Vincent Van Duysen continues to expand his collection with Zara Home. The latest additions emphasize natural materials like wood, concrete, and solid brass, featuring pieces such as a daybed, a library system, and organically shaped concrete side tables. Dark brown is a prominent color throughout this new iteration of the collection, reflecting a sophisticated aesthetic. Baggu has also collaborated with Collina Strada on a line of limited-edition prints for its reusable bags, picnic blankets, and towels. A new highlight from this collaboration is the Horse Bag, a mini zippered pony-shaped bag, and the Boxer Plaid print on the Small Cloud carry-on, combining playful design with practical application. #ProductLaunches #HomeDecor #InteriorDesign #TextileDesign #Furniture #Lighting #Kitchenware #DesignCollaborations #NewArrivals

The article discusses the architectural installation "Spirit of the City" by London-based United Visual Artists (UVA) at A/D/O in New York, presented during New York Design Week. This installation is a collaboration with Mini, hosted in their innovative creative space, A/D/O. The primary goal of the installation is to offer a reflective experience within the dynamic urban environment, metaphorically and physically mirroring its surroundings and New York City at large. The installation consists of 9-foot-high modular columns that revolve, creating an immersive experience for visitors. The rotation patterns are not arbitrary; they are based on extensive research into human activity within the city. This research allowed UVA to develop a 24-hour algorithm that dictates the movement of the columns, transitioning from tranquil rhythms to more urgent, dynamic movements. As visitors navigate the space around these colossal totems, they can observe subtle shadows cast onto the ground, forming intricate, poetic patterns that respond to the kinetic energy of the columns. The surface of the columns themselves presents varying perspectives, shifting from serene sky blues to the grittier, industrial aesthetics of A/D/O's creative hub. This visual transformation further emphasizes the interplay between the installation and its urban backdrop. UVA, founded in 2003, is known for its art practice that integrates technology to create experiences that often extend beyond conventional physical boundaries. Their previous works have been showcased globally in prestigious institutions such as the Victoria and Albert Museum and YCAM in Japan. Matt Clark, founder of UVA, poses a fundamental question through "Spirit of the City": do human activities shape urban landscapes, or do urban landscapes, in turn, define human activities? This philosophical inquiry underpins the interactive and reflective nature of the installation. A/D/O itself, located in a converted warehouse in Brooklyn, opened the previous year, featuring a diverse array of design-focused retail, bars, and restaurants, aligning with Mini's broader design agenda. Mini's head of brand strategy and business innovation, Esther Bahne, states that Mini believes in design's capacity to foster a more humane world. A/D/O initially launched with Design Academy, a three-day festival for professional designers to explore cultural themes. "Spirit of the City" marks the space's first major showcase for NYCxDesign since its opening and was on display until 2 September. The installation, through its thoughtful design and interactive elements, invites contemplation on the symbiotic relationship between people and their urban surroundings. #NewYorkDesignWeek #ArchitecturalInstallation #UnitedVisualArtists #UrbanEnvironment #AdoSpace #MiniCollaboration #KineticArt #PublicArt

The article introduces the Diesel Home Collection, a collaboration between fashion brand Diesel, lighting brand Foscarini, and furniture brand Moroso. This collection, showcased at the Salone Internazionale del Mobile in Milan, features a range of furniture and lighting designed to express the Diesel style through ironic, irreverent, and creative means. The lighting collection, developed with Foscarini, offers lamps inspired by various themes, from rock music to retro aesthetics. The Graf collection, for instance, draws inspiration from pop music, featuring graphic representations of DJ consoles and natural elements on its opaque weave fabric. These lamps are available in hanging, table, or floor versions and provide a warm, diffused light. The Rock lamp, a standout piece, is an artistic interpretation of a split volcanic rock, with a rough, dark exterior and a shiny, iridescent interior that creates dramatic visual effects when illuminated. Stud, another lighting design, embodies rock energy with metal nails on its base and a chrome-plated diffuser reminiscent of mirrored sunglasses, offering variable lighting effects. Cage lamps are inspired by old lanterns, featuring a luminous body protected by a decorative metal cage with an irregular structure. These come in white, black, and light green, offering different moods and visual transformations when switched on. Glas reinterprets classic work lights found in warehouses and factories, using innovative materials like glass with a silver-colored surface to create a unique decorative element with a retro feel. The Fork lamp is an ironic nod to camping, with a canvas shade resembling tent stitching, available in floor and table versions. Tri-p is a portable floor lamp with an umbrella-like structure, designed for easy transport and featuring a changeable elastic fabric shade. For furniture, the collaboration with Moroso resulted in the "Successful Living from Diesel with Moroso" collection, designed to embody a relaxed and comfortable informal lifestyle. This collection targets consumers who appreciate simple shapes combined with high-quality materials and distinctive, pure-lined designs. Patrizia Moroso, who oversees the design projects, explains that the collection explores two coexisting aspects of contemporary trends: a darker, underground-inspired aesthetic with an aggressive and enigmatic feel, and a lighter, nature-inspired one with soft, welcoming shapes. This approach led to the creation of the Camp and Rock collections. The Camp collection includes the Nebula Nine Sofa, described as soft like a large cloud with generous shapes and stonewashed linen covers, providing an ideal space for relaxation. The Cumulus Chair offers similar comfort with its large cushions. This collection also features hand-painted wooden furniture such as the Overdyed Lounge Chair, Overdyed Side Chair, and two tables (rectangular Overdyed Table and round Overdyed Side Table). The painting technique, known as ragging, reveals the natural wood streaks and creates a special vintage effect, complemented by black-painted steel support structures. The Rock collection takes a different direction, drawing heavily from music, concerts, and visual idioms. The Xraydio 2 Disc occasional table features an X-ray print of a DJ console on glass, using electric blue and black shades to create a strong, evocative, and iconic effect. The Xraydio 1 Razza table uses a similar process with an image of a ray fish. The 3-panel screen, Xraydio 3 Natura Morta, displays a photographic image playing with the archetype of a seventeenth-century still life. Further rock-inspired elements include the Bar Stud stools, available in two heights, and the Ego Stud mirror, both adorned with studs on leather. A special item is the Flightcase storage unit, inspired by musician's instrument cases, available with two or three doors. The entire collection aims to create an alternative and distinctive mood, where each product possesses a strong identity that is further enhanced when combined, resulting in a laid-back, fun, and rock-inspired atmosphere. #DieselHomeCollection #FurnitureDesign #LightingDesign #MilanDesignWeek #Foscarini #Moroso #InteriorDesign #ContemporaryDesign #ProductLaunch

Domino has announced a collaboration with Lenox Corporation to launch a curated collection of dinnerware. This partnership aims to introduce vibrant and distinctly patterned tabletop items, catering to various design aesthetics. The inaugural Domino by Lenox line is designed to offer essential dinnerware, providing options for those seeking a complete new set or merely a few complementary pieces for their existing collection. The collection features three distinct patterns, each embodying a unique character while aligning with the core ethos of Domino. The first pattern, named Optique, is set to debut at New York’s Tabletop Market. Optique draws inspiration from the grid-like appearance of digital pixelation, featuring an ombre effect with gradient blues, purples, and pinks. This design is described as simultaneously contemporary and classic, appealing to a wide range of consumers. Kate Berry, Domino Style Director, revealed that the inspiration for Optique considered the typical Domino reader and market viability, including individuals registering for weddings or furnishing their first apartments. The concept for the ombre pixelation originated from observing cross-stitching gradients and the pixelated appearance of zoomed-in screenshots of colors. Despite its bold nature, the modern print is versatile and can be integrated into minimalist settings by pairing it with crisp white linens and simple table decor. To further accommodate a pared-back aesthetic, the Optique line also includes pieces in solid colors such as deep cobalt blue and soft peach, which are designed to create striking contrasts when layered. Berry emphasized the collaborative nature of the design process between Domino and Lenox, highlighting that the collection was conceived with various complementary ideas, including regular ombre, pixelated versions, and solid colors with contrasting borders. Following its initial showcase at the Tabletop Market, Optique will be available for purchase nationwide in the fall on Lenox.com, in the Domino shop, and at select specialty retailers. Two additional patterns, Technic and Gradiance, are also scheduled for release in the autumn. Technic is a vintage-inspired design that incorporates pale pinks, deep blue, and electric citron, reminiscent of retro arcade games. Gradiance offers a softer aesthetic with floral-inspired reds and pinks, presented in smudged brushstrokes that evoke the appearance of watercolors. Technic will be available at Bloomingdales, while Gradiance will be sold at Anthropologie. Michele Barbone, CMO of Lenox Corporation, expressed enthusiasm for the partnership, stating that it reinforces Lenox’s position as a leading tableware and entertaining company in North America. She also highlighted the potential for growth opportunities that this new dinnerware brand presents. Domino echoed this excitement, affirming that the collaboration successfully translates their passion for entertaining into a collection that is simultaneously timeless, modern, and enjoyable. #TabletopDesign #DinnerwareCollection #HomeDecor #ProductLaunch #DesignCollaboration #Lenox #DominoMagazine #InteriorStyle #TableSetting

The intersection of fashion and home decor is becoming increasingly prominent, with designers extending their creative vision from clothing to interior spaces. This trend has seen luxury and established houses like Ralph Lauren, Dior, and Louis Vuitton offering home goods for some time, but in 2025, newer and particularly Black fashion brands are embracing this expansion. Victor Glemaud, known for his knit materials and exquisite patterns, recently unveiled a collaborative rug collection with Patterson Flynn. This collection is characterized by warm tones and abstract yet classic patterns, influenced by Glemaud's travels to Abidjan, Côte d’Ivoire, and Dakar, Senegal. The designs feature artistic animations of fish, turtles, and lizards, alongside floral motifs. Glemaud emphasizes that his design DNA translates naturally between fashion and home, highlighting the importance of respecting artisans and craftspeople in these new ventures. Similarly, Chuks Collins has ventured into home decor through a collaboration with Lush Decor. His collection, which was presented alongside his Fall/Winter 2025 fashion line, includes linens, duvets, and shams. Collins views home as an extension of oneself and a sanctuary, believing that personal style and home curation are intertwined. His designs incorporate intricate prints and craftsmanship, drawing inspiration from themes of renewal and healing. He foresees a continued integration of fashion and home design, aligning with Pinterest’s 2025 trend predictions for “Surreal Soirees,” which feature fanciful prints of fungi and wildlife. Sade Mims, founder of Edas, a brand known for its vibrant accessories, also delves into home decor. Her work aligns with the “Mix And Maximalist” trend, utilizing bold colors and textures. Mims designed a side table in 2019 and is planning more homewares, including an incense holder. She initially aspired to be an interior designer and always saw the potential for fashion and interior design to intersect, despite earlier industry resistance. Mims expresses her happiness at the current shift, where creatives are encouraged to explore various realms of design without being constrained by traditional industry blueprints. She believes that the fashion industry's constant search for innovation has led to the successful integration of home styling, particularly for Black designers, given the rich history and aesthetic storytelling embedded in Black homes. This natural progression reflects a broader understanding that both fashion and interior design ultimately aim for self-expression and embodiment. #FashionDesigners #HomeDecor #InteriorDesign #BlackDesigners #VictorGlemaud #ChuksCollins #SadeMims #FashionTrends #CollaborativeCollections

Daniel Lalonde, CEO of Design Holding, a prominent luxury multibrand group in the high-end interiors market, outlines his strategic vision for the company's future, focusing on making the experience of purchasing high-end interior products more accessible. Design Holding, established through Investindustrial's acquisitions of Flos (2014), B&B Italia (2015), and Louis Poulsen (2018), has expanded its portfolio to include nine brands, such as Maxalto, Azucena, Arclinea, Fendi Casa, Audo, and Lumens. This consolidation has positioned the group as a significant entity in design-led, luxury interior products, operating in over 130 countries with ten manufacturing facilities. Lalonde, who assumed the CEO role in late 2021, brings extensive experience from luxury multi-brand companies like LVMH, Louis Vuitton, Ralph Lauren, and SMCP. He acknowledges the transition from high fashion to interiors as a "leap of faith" but recognizes commonalities in heritage, craftsmanship, and the use of top designers. The company's brands collectively boast an extensive collection of works from celebrated designers, including modern classics by Achille and Pier Giacomo Castiglioni, Poul Henningsen, Arne Jacobsen, and contemporary pieces by Tobia Scarpa, Antonio Citterio, Philippe Starck, Naoto Fukasawa, Jasper Morrison, and Piero Lissoni, among others. The group also actively seeks emerging design talent. A key aspect of Lalonde's strategy involves shifting the sales model to be more consumer-centric. Historically, over half of Design Holding's business relied on wholesale channels. To address this, the company has opened a 25,000 sq ft retail center at 135 Madison Avenue in New York. Designed in part by Lissoni & Partners, this flagship store provides distinct spaces for each brand, offering a comprehensive multibrand experience. This move aims to engage architects and designers, who significantly influence furniture sales (up to 45% in the US), by providing an immersive environment for both professionals and consumers to make informed decisions. Technological advancements are also integral to the strategy, with new e-commerce platforms and a configurator app being developed for individual brands. However, Lalonde emphasizes the importance of physical interaction with products, which the Madison Avenue store facilitates. The company is also exploring other innovative showcases, such as the West Coast model home at the Mandarin Oriental Residences in Beverly Hills, which features B&B Italia products exclusively. Lalonde's role includes maintaining the distinct identity and character of each brand while fostering collaboration. He highlights the complimentary nature of the brands, noting, for example, the different design DNA between a B&B Italia sofa and a Maxalto sofa. Collaborative efforts among contract teams across brands are encouraged, especially for large projects. The group includes Italian brands (B&B Italia, Maxalto, Azucena, Flos, Arclinea, Fendi Casa), Danish brands (Louis Poulsen, Audo), and the San Francisco-based Lumens. Sustainability and ethical practices are central to Design Holding's environmental, social, and corporate governance (ESG) strategy. The company prioritizes product longevity, quality, ease of maintenance, and repairability. They also focus on sourcing sustainable and ethical supply chains, with benefits extending across all nine brands, such as sourcing wood from certified forests. The preservation of traditional manufacturing techniques and skills is also a priority, with investments in technical schools in Italy to ensure the continuity of craftspeople. The company is also targeting expansion into new markets, particularly Asia, where there is a large luxury market but a relatively nascent high-end design market. Plans are underway to open stores in China, as Design Holding aims to bring the enduring value of design to a global audience. #DesignHolding #LuxuryInteriors #FurnitureBrands #RetailStrategy #DanielLalonde #SustainableDesign #GlobalExpansion #DesignInnovation #Craftsmanship

Liberty, traditionally known for its heritage floral textiles, has launched a new interiors and fashion fabrics collection named FuturLiberty. This collection, which debuted at Milan Design Week 2023, is deeply influenced by the early 20th-century art movements of Futurism and Vorticism, both of which celebrated the dynamic and rapidly evolving aspects of modern life. The creative direction for FuturLiberty was spearheaded by nonagenarian Italian designer Federico Forquet. His collaboration with Andrea Petochi, Liberty Fabrics’ managing director, began after the Covid pandemic, with Forquet challenging Liberty to look beyond its signature floral designs and explore how avant-garde artists responded to periods of crisis and social change. Forquet specifically pointed towards the Futurists, an Italian art group from the early 20th century known for their admiration of machines, industry, power, and speed, expressed through abstract and dynamic forms. Under Forquet’s guidance, Liberty’s fabrics and product team, led by design director Mary-Ann Dunkley, delved into Futurist paintings to develop new patterns. Dunkley highlighted Forquet’s emphasis on geometrics and the importance of rhythm in each design. The design process involved extensive research into Liberty's own archives, spanning over 50,000 historic designs. The team found inspiration in the 1960s collections of former Liberty design director Bernard Nevill, particularly his Tango and Jazz ranges, which were inspired by Vorticism—the British art movement that evolved from Futurism. This discovery provided a valuable historical connection for Liberty, aligning the new collection with the brand’s past while embracing an avant-garde aesthetic. After gathering a wealth of inspirational material, Dunkley’s team synthesized and adapted pictorial references to create repeatable fabric patterns. These patterns, characterized by a strong geometric language, were then applied to various fabrics in a diverse range of colorways. Forquet's emphasis on color and nature helped to infuse a playful quality into the designs, distinguishing them from the potentially more austere nature of their artistic inspirations. To further contextualize the FuturLiberty collection, Liberty is hosting two exhibitions in Milan. One exhibition, at Museo del Novecento, showcases the original Futurist and Vorticist artworks that inspired the collection, alongside some of the new FuturLiberty interiors fabrics, demonstrating the translation of artistic inspiration into design. The second exhibition, at Palazzo Morando, explores Liberty’s historical trajectory from the Arts and Crafts movement through Nevill's 1960s designs to the contemporary FuturLiberty collection. This exhibition prominently features the fashion fabrics of the new collection in an immersive installation. Both exhibitions were developed in collaboration with Ester Coen, a renowned art historian, who underscores the exhibitions’ aim to highlight the dialogue between Futurism and Vorticism and to show how FuturLiberty embodies the energy and commitment of avant-garde art towards a valuable future. In conjunction with Milan Design Week, Liberty is also launching a book about the FuturLiberty project, published by Thames & Hudson, which will delve deeper into the interplay between art and design. Andrea Petochi views this initiative as a return to Liberty's artistic roots, fostering a dialogue between society and creativity. As Liberty approaches its 150th anniversary in 2025, the FuturLiberty collection positions the brand as both an innovator and a disruptor, grounded in its rich tradition. #MilanDesignWeek2023 #Futurism #Vorticism #LibertyFabrics #FedericoForquet #TextileDesign #InteriorDesign #FashionFabrics #ArtAndDesign

Diptyque, the Parisian luxury brand, has expanded its Home Décor collection with a new tabletop line called 'Artist’s Palette' and a range of wallpaper designs. This expansion builds upon the brand's 60th-anniversary celebration last year, which marked its initial foray into homeware. The brand's deep artistic heritage is evident in these new offerings, stemming from its origins in the 1960s at 34 Boulevard St Germain. This original store functioned as a creative salon, drawing inspiration from a diverse clientele of literary and artistic figures. The three founders, Christiane Montadre-Gautrot, Desmond Knox-Leet, and Yves Coueslant, a decorator, painter, and designer respectively, collaborated to establish an extensive archive of art, patterns, and designs, some of which are now part of the collections at the Museum of Decorative Arts in Paris. Diptyque has become synonymous with a cultivated chic and sensory pleasure, notably pioneering the widespread appreciation for scented objects like luxury candles. The Home Décor collections allow consumers to further immerse themselves in Diptyque’s distinctive sensory world, extending its recognizable aesthetic to tableware and wall coverings through a variety of textures and materials. The 'Artist’s Palette' range is a permanent addition to the collection, joining existing tableware lines such as 'Basile.' Unlike the monochromatic lines and curves of 'Basile,' 'Artist’s Palette' introduces a vibrant color scheme, featuring cerulean blues and soft greens that adorn vases, dishes, glasses, and trays. These collections are designed to complement each other, enabling the creation of unique and elaborate tablescapes. The newly introduced wallpaper designs are equally inspiring, drawing significantly from the maison’s extensive historical archive. These designs effectively showcase Diptyque’s heritage patterns; for instance, 'Pretorian' incorporates distinctive oval shapes reminiscent of ancient Roman shields, while the black and white 'Basile' design offers a bold and dramatic statement. The wallcovering range is characterized by its theatrical and sometimes unexpected nature, presenting a rich assortment of patterns and hues. Among these are three panorama wallpaper patterns—'Landscape,' 'Les Lilas,' and 'Jardin Clos'—which are directly inspired by the travel journals and pointillist sketches of Desmond Knox-Leet. Demonstrating a commitment to sustainability, Diptyque has opted for digital printing techniques on non-woven wallpaper, moving away from fabric-based alternatives. This approach utilizes advanced contemporary methods, ensuring a high level of precision during the printing process. Diptyque’s venture into wall décor represents a comprehensive journey through its history, showcasing its evolution into a contemporary titan of style. The new collections provide an opportunity to integrate the brand's unique aesthetic and rich heritage directly into home environments, offering both visual appeal and a continuation of its sensory design philosophy. #Diptyque #HomeDecor #ArtistPalette #Tableware #WallpaperDesigns #LuxuryHomeware #InteriorDesign #SensoryExperience #Sustainability

Milan Design Week, also known as Salone del Mobile, traditionally serves as a pivotal event for design enthusiasts and a leading international exhibition for furniture and interior design. In recent years, the event has expanded its scope, attracting significant participation from the fashion industry. Brands such as Gucci and Loro Piana are increasingly featured alongside established home brands, presenting events and new product launches that blur the lines between fashion and home design. Among the highlights of Milan Design Week 2025 is Miu Miu's Literary Club, which dedicates two days to exploring the works of French philosopher and writer Simone de Beauvoir. Concurrently, Prada Frames will host a symposium centered on the multifaceted concept of transportation. Louis Vuitton is set to introduce a new home collection, further solidifying the convergence of high fashion and interior aesthetics. La DoubleJ will host tarot card readings at its new headquarters, adding a unique experiential element to the design week offerings. Loewe, marking its ninth appearance at Salone, has collaborated with 25 artists, designers, and architects to create a collection of teapots. These pieces, crafted by figures such as Edmund de Waal, Walter Prince, and David Chipperfield, explore the cultural significance and conventions surrounding tea, ranging from highly literal to abstract interpretations. Loewe is also offering a Salone homewares collection, which includes coasters and leather charms. Prada Frames, the annual symposium organized by Prada, focuses this year on “In Transit,” investigating the infrastructures that facilitate the movement of both people and ideas. Discussions are held in unique historical settings, including the recently restored 1950s train, Arlecchino, designed by Gio Ponti and Giulio Minoletti, and the ornate Padiglione Reale, a former royal waiting area at Milan’s Central Station. Louis Vuitton is launching its inaugural home collection, showcased at Milan’s Palazzo Serbelloni. This new line encompasses furniture, lighting, tableware, textiles, and games, with a pinball machine reportedly inspired by Pharrell. The collection complements the brand’s existing Objets Nomades, a series of limited-edition pieces created by notable designers like India Mahdavi and the Campana brothers, which will also be on display. La DoubleJ is celebrating its 10-year anniversary by unveiling its new five-story headquarters, dubbed the “LDJ Starquarters,” in Milan’s Navigli district. This new space is designed to foster positive energy and will host a week of events, including tarot card readings and sound healing sessions in the newly opened Gong Temple on its rooftop. The brand is also releasing new versions of its Napoli Rosa homeware collection. Miu Miu's Literary Club returns for its second chapter, “A Woman’s Education,” building on last year's “Writing Life.” This year’s program explores themes of girlhood and love through the works of Simone de Beauvoir and Japanese author Fumiko Enchi, featuring performances and talks by authors such as Lauren Elkin, Geetanjali Shree, and Naoise Dolan. Gucci presents “Bamboo Encounters,” an exhibition at the 16th-century Milan monastery Chiostri di San Simpliciano. Curated by architect Ippolito Pestellini Laparelli, the exhibit highlights bamboo’s historical significance to the house through multidisciplinary works, including sculptures, bamboo baskets, and kites. Kartell is commemorating 25 years of its lighting line with an exhibition at its Milan flagship store, featuring iconic lamps and lighting pieces. The Kartell Museum, also celebrating its 25th anniversary, will host a retrospective on Italian industrial designer Joe Colombo. New products and re-editions, including a reissue of Colombo’s 1964 KD28 lamp, will also be released. Finally, Loro Piana has partnered with Dimoremilano to create “La Prima Notte di Quiete,” an installation transforming the courtyard of Loro Piana’s headquarters into a 1970s-style home. The space features furniture by Dimorestudio for Loro Piana Interiors, Dimorestudio pieces with Loro Piana fabrics, items from Loro Piana’s The Art of Good Living collection, and artworks from Milanese galleries. #MilanDesignWeek #FashionHomeCrossover #LuxuryInteriors #ArtAndDesign #PradaFrames #LouisVuittonHome #LaDoubleJ #MiuMiuLiteraryClub #GucciBamboo #KartellLighting #LoroPianaDimoremilano

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

Parachute, a prominent bedding and decor brand known for its minimal, California-inspired, and sustainably-minded designs, has expanded its product offerings with a new living room furniture collection. This expansion follows the brand's successful ventures into bedroom furniture, which included bed frames launched last year and benches and nightstands introduced earlier in the current year. The decision to delve into living room furniture was a natural progression, driven by the positive reception of their previous furniture lines. Launched on October 5th, the new collection is available on Parachute’s website and features 15 "trendless" foundational pieces. These pieces, designed with a neutral color palette, cover essential living room furnishings such as sofas, chairs, coffee tables, side tables, and lamps. Ariel Kaye, founder and CEO of Parachute, highlighted that the brand drew inspiration from the soft lines of its existing collections and the natural landscape of California to create an effortless aesthetic for the new line. The goal was to produce timeless pieces that possess character and durability, intended to integrate seamlessly into various home styles. Sustainability was a core consideration in the development of the living room collection. Kaye emphasized that each piece is crafted to be "forever furniture," designed to transcend fleeting trends and offer longevity to customers. The manufacturing process reflects Parachute's commitment to environmental responsibility; the collection explicitly avoids the use of PFAS (per- and polyfluoroalkyl substances) and incorporates sustainably sourced wood. Additionally, customers have the option to choose between recycled polyester blend fabrics and natural fiber fabric options, further enhancing the collection’s eco-friendly profile. Upholstered items are made-to-order, a strategy implemented to minimize waste associated with bulk manufacturing. This debut living room collection represents an edited mix of products, but Kaye confirmed that this is just the beginning of Parachute's journey into this category. The brand plans to continuously iterate and introduce new products to its furniture collection in the coming months and years, signaling a long-term commitment to expanding its home furnishings range beyond its initial bedding and decor offerings. The brand's philosophy of creating high-quality, sustainable, and aesthetically pleasing items remains at the forefront of this new venture. #ParachuteHome #LivingRoomFurniture #HomeDecor #SustainableDesign #CaliforniaInspired #InteriorDesign #FurnitureCollection #TimelessPieces