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Ten maximalist interiors that are saturated with colours and patterns
This lookbook presents a collection of ten flamboyant interiors that exemplify the maximalist aesthetic, a design philosophy that embraces exuberance and a free-spirited use of pattern, color, and texture, in direct opposition to minimalism. The article highlights that while the Memphis Group, an 1980s design collective renowned for their bold postmodern creations, is often credited with pioneering this style, maximalism continues to be a prominent influence in contemporary interior design for both residential and public spaces.
One featured example is the Hotel Les Deux Gares in Paris, designed by Luke Edward Hall, where contemporary pea-green walls are contrasted with chintzy wallpaper and soft velvet sofas, aiming for an "anti-modern" aesthetic that references a historical Paris. Another example is Casa TEC 205 in Mexico by Moneo Brock, which draws inspiration from the vibrant works of Mexican architect Luis Barragán, incorporating striking wallpaper prints, geometric tiling, and color-blocked walls, notably a large floral mural in the kitchen and dining area.
The Rookies optician in Munich, designed by Stephanie Thatenhorst, challenges conventional healthcare facility aesthetics with a kid-friendly maximalist approach. It features a bright blue carpet, geometric wall tiles, U-shaped neon lights, and apricot-colored fabric display areas, creating a "noisy, wild and unique paradise for children." Marcel Wanders' renovation of the Schiphol airport lounge in the Netherlands showcases distinct, flamboyant rooms, including a seating area inspired by Amsterdam's canal houses, complete with wall panels resembling stained-glass windows and a cartoonish street light-mimicking lamp.
Kelly Wearstler's design for the Austin Proper Hotel and Residences in the USA blends local art and textiles with vintage elements to create an eclectic interior. The hotel's drinking establishment, for instance, features high ceilings adorned with decorative wallpaper, a cobalt blue-painted bar, low stuffed armchairs, chunky wooden tables, and stone plinths. Similarly, the members' club Annabel's in London, revamped by Martin Brudnizki Design Studio, uses clashing animal prints across its surfaces and includes whimsical elements like a gorilla sculpture, designed to transport visitors to another realm.
Marcel Wanders' maximalist touch is also evident in the Mondrian hotel in Doha, Qatar, which boasts mismatched patterns and oversized furnishings. A notable space is the 27th-floor swimming pool, crowned by a floral-patterned stained-glass dome and featuring bulbous white seating, a tactile grass-like bridge, and monochrome tiling. The Studio Job office in Belgium, designed by founder Job Smeet, is described as a "visual assault," featuring a bedroom with paint-splattered walls, shark-patterned wallpaper, a maze-like rug, and spaghetti-print bed sheets.
Jessica Schuster Design's overhaul of the Esme Hotel in Miami incorporates saturated tones and sculptural furnishings to achieve a "bohemian grandeur." A mahogany cocktail bar in the hotel is encircled by fringed stools and sculptural pendant lighting, all set against a checkered floor and a wooden ceiling. Finally, the Polychrome House in Sydney, a 1960s residence renovated by Amber Road and Lymesmith, integrates bright primary colors throughout its rooms. Its open-plan living space features graphic paved floors inspired by aerial photographs of the surrounding terrain, contrasting with white-painted brick walls partially covered by an abstract mural.
This collection demonstrates the diverse applications of maximalism, showcasing how designers employ bold choices in color, pattern, and texture to create visually rich and expressive interiors.
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