Roberto Lazzeroni's expressive screen for Giorgetti is inspired by Aurora Borealis

This blog post showcases the intriguing work of Felice Varini, a Swiss-born artist renowned for his unique optical art installations. Varini's artistic approach involves creating geometric patterns that appear to float in space when viewed from a very specific vantage point. These ephemeral designs are often applied directly to architectural surfaces, both indoors and outdoors, transforming the perception of the environment. The article highlights that Varini uses a light projector to precisely plot these figures onto walls and other structures before meticulously painting or adhering them. The magic of his work lies in its dependence on the viewer's position; from most angles, the patterns appear as fragmented, illogical scribbles or disjointed shapes across various surfaces. However, upon finding the designated viewpoint, these disparate elements coalesce into perfect geometric forms, such as circles, squares, or lines, creating a powerful illusion of three-dimensionality. Several examples of Varini's work are presented, illustrating the diversity of his installations and the impact they have on their surroundings. One instance described involves an art piece in Cardiff Bay, where seemingly random markings on a structure resolve into a coherent design from a particular perspective. Another example shows abstract lines and shapes within a museum setting, which, from afar, form a unified artistic statement. The article also mentions a prominent red line running around a museum, suggesting how Varini integrates his art with existing architecture to alter spatial perception. Further examples include patterns applied to a piano, creating a fringed effect, and other seemingly chaotic lines that resolve into defined geometric shapes. The art is not confined to indoor spaces; the blog notes its appearance in townscapes, where large-scale installations interact with urban environments. The beauty of the reflections of these patterns on floors is also highlighted, adding another layer to the visual experience. The diverse illustrations demonstrate how these artworks, initially resembling mere sticky tape or random markings from a casual glance, reveal their intricate design and purpose when viewed from the correct angle. The blog concludes by encouraging readers to explore more of Felice Varini's extensive portfolio on his official website, providing links for further immersion into his captivating world of optical illusions and architectural interventions. #FeliceVarini #OpticalArt #GeometricPatterns #InstallationArt #ArchitecturalArt #Illusion #PublicArt #VisualPerception #ContemporaryArt

New Orleans-based designer Bradley L Bowers has unveiled his latest wallpaper collection, the Moire Collection, which draws inspiration from the scientific principles of optical illusions. The collection features four distinct designs: Striae, Melange, Ripple, and Mirage, each crafted to explore visual depth and movement inherent in moiré patterns. Bowers, a firm believer in the transformative power of objects to enhance homes and lives, emphasizes the magic that emerges when design embraces excitement and vibrancy. The creative process for the Moire Collection began with digital algorithms and scripts, allowing Bowers to generate a multitude of bold and vibrant patterns. Through iterative experimentation with parametric designs, he meticulously adjusted compositions to achieve the desired visual effects. The Striae design, for instance, creates the illusion of a solid color through the layering of various hues and tones, resulting in a richness that surpasses flat coloration. Melange evokes a sense of emergence, with its patterns appearing to materialize from a soft, colored mist. Ripple finds its inspiration in the fluid movements of waves and the organic contours of sand dunes, translating these natural phenomena into captivating visual rhythms. The Mirage design employs a sophisticated interplay of stripes and curves, which, when combined, produce the perception of surface curvature, adding a three-dimensional quality to flat walls. This collection aims to bring dynamic and visually engaging elements into interior spaces, moving beyond traditional static wallpaper designs. The use of moiré patterns, a phenomenon where two similar patterns overlaid create new, larger patterns, is central to the collection's aesthetic and its ability to trick the eye with depth and motion. Each design within the Moire Collection is a testament to Bowers' innovative approach to design, merging artistic vision with scientific principles to create immersive and captivating environments. The collection is designed not just to decorate a space but to transform it, making walls appear to shift, undulate, or possess hidden depths depending on the viewer's perspective and the interaction of light. The wallpapers are intended to be visually stunning both on their own and when installed, activating the space with their dynamic patterns. The entire collection is available for purchase and further exploration on Bradley L Bowers' official website. #WallpaperDesign #OpticalIllusions #InteriorDesign #BradleyLBowers #MoireCollection #HomeDecor #PatternDesign #ModernDesign #VisualArts

Luminaire, an American design retailer, is hosting a retrospective exhibition in its Chicago showroom dedicated to the illustrious career of Italian architect and designer Antonio Citterio. This exhibition coincides with the design fair Neocon and serves to illuminate the intricate connections between design processes, final products, and overall design philosophy that characterize Citterio’s extensive body of work. The spotlight is cast upon his significant contributions to renowned brands such as B&B Italia, Vitra, and Kartell, among others. Throughout his remarkable career, Antonio Citterio has consistently prioritized a methodical approach over mere stylistic trends, cultivating a holistic design sensibility. This has led to the formation of enduring and special collaborative relationships with the companies he frequently partners with. The exhibition showcases a diverse range of Citterio's seminal pieces, illustrating the breadth and depth of his influence across various design categories. Notable inclusions are the sinuous ‘Mart’ lounge chair, originally designed for B&B Italia in 2003, and the ‘A.B.C’ club chair, which he created for Flexform in 1996. The scope of his work extends beyond furniture, encompassing gym equipment developed in collaboration with Technogym, lighting fixtures for Flos, and sophisticated bathroom fixtures for Axor. To provide a comprehensive understanding of Citterio's creative journey, the exhibition incorporates various multimedia elements. Videos and photographs offer insightful glimpses into the behind-the-scenes processes involved in the creation of his key pieces. Furthermore, additional imagery is presented to provide a broader context to his extensive oeuvre, featuring a selection of international architectural works that Citterio has brought to fruition over the years. These visual aids help visitors appreciate the multi-faceted nature of his talent and his consistent vision. Antonio Citterio has maintained a long-standing friendship and collaborative relationship with Luminaire. This partnership has manifested in several significant projects, including a 2006 fundraiser where Citterio adorned an Eero Aarnio ‘Puppy Love’ stool, and a distinctive paper installation at Luminaire's Miami showroom during Design Miami in 2008. These collaborations underscore the mutual respect and creative synergy between the designer and the retailer. In conjunction with the exhibition, Citterio is scheduled to deliver a lecture at the Museum of Contemporary Art Chicago on June 13. During this event, he will delve into the various aspects of his career, offering attendees a unique opportunity to gain insight into his creative process and design philosophy. The exhibition itself is open for public viewing until July 15, providing ample time for design enthusiasts and professionals to explore the enduring legacy of Antonio Citterio. Luminaire, located at 301 West Superior, Chicago IL 60654, serves as the venue for this significant retrospective, cementing Citterio's place as a pivotal figure in contemporary design. #AntonioCitterio #Luminaire #DesignRetrospective #ItalianDesign #FurnitureDesign #ArchitecturalDesign #InteriorDesign #Neocon #Vitra

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

Antolini MilanoDuomo Stoneroom hosted the “I WANT IT WOW” installation by Pietro Terzini during Milan Design Week 2023, showcasing a blend of street art's dynamic energy and the enduring beauty of natural stones. This interdisciplinary project centered on natural stone as a medium, featuring Terzini’s conceptual phrases brought to life through LED lights, inlays, and artworks, captivating visitors and stimulating their imagination. The installation involved Antolini’s advanced technology to meticulously carve Terzini’s phrases into the surfaces of various natural stones from the Antolini Exclusive Collection. Stones like Brèche Fantastique, Dalmata, and Calcite Azul were precisely cut using a high-pressure water jet, while Bianco Lasa|Covelano Vena Oro, Amazonite, and Noirblanc were shaped to form the lettering, creating ink-like elements. Three specific claims— “Good things take more or less 190 million years,” “Made by earth designed with heart,” and “Nothing is written in stone”—were translated into inlays titled “MOMENT,” “NO MISTAKES,” and “CHANGE” on the inner surfaces of double-sided exhibits. Antolini’s commitment to research, innovation, and technological progress, combined with their expertise in the ancient art of inlay, enabled them to transform natural stones into smooth canvases for Terzini’s phrases. This fusion of traditional techniques and modern artistry resulted in a unique poetic experience. The deliberate combination of different stones in the inlay process, each possessing distinct geological formations, colors, and mineral compositions, produced striking chromatic and textural contrasts. This visual impact, intended to evoke a profound sense of awe, directly inspired the installation's title, “WOW.” Alberto Antolini, CEO of Antolini Italy, highlighted that “I WANT IT WOW” aimed to inspire new possibilities in combining art, design, and innovation, with natural stone at its core. He emphasized that the harmonious integration of these elements demonstrated the extensive processing capabilities of stone through technology. He further explained that inlay technology was essential for translating Terzini’s creative vision, followed by a meticulous craftsmanship phase involving the manual assembly of hollow and solid stone pieces. The process concluded with stone polishing to enhance perspective effects and highlight the intricate inlays. Another part of the exhibition, titled “AFFAIR,” featured a luminous invitation—“Do you want to take a bath with me?”—displayed on a Lumix Crystal bathtub, encouraging viewers to embrace uninhibited experiences. The Perception Wall within the Antolini MilanoDuomo Stoneroom, also featuring Terzini’s input, conveyed the message, “Nothing is as it seems,” encouraging self-exploration. Pietro Terzini expressed his pride in the collaboration, noting that the artworks combined Italian craftsmanship with his ironic style, resulting in distinctive pieces. The collaboration reinforces the identity of Antolini MilanoDuomo Stoneroom as a vital hub in Milan. Since its opening two years prior, it has served as a laboratory and meeting point for architects, designers, and enthusiasts globally, focusing on the diverse applications and captivating nature of natural stone. #MilanDesignWeek #NaturalStone #PietroTerzini #Antolini #ArtInstallation #MaterialInnovation #InteriorDesign #Craftsmanship #DesignExhibition

During Milan Design Week 2023, Giorgio Armani opened his 17th-century Palazzo Orsini HQ to the public for the first time, showcasing his latest home collection. While the event featured a debut outdoor collection and new furniture pieces in frescoed rooms, a particular highlight was the smaller accessories, specifically the 'Tale' Tarot Cards by Armani Casa. This whimsical deck of 78 playing cards, which can function as both a traditional Tarot set and a standard playing card deck, integrates elements of Armani's fashion and home collections. The Major Arcana cards within the 'Tale' Tarot deck, such as the Juggler, Moon, or Hangman, as well as the various Kings and Queens, are distinctive. These cards feature photographs of models dressed in Armani clothing, artfully set against backdrops that include Armani Casa furniture, fabrics, wallpapers, and various accessories, creating a fusion of cartomancy and high fashion. An example is the Tower card, often associated with themes of danger, sudden change, and liberation. It depicts the silhouette of an 'Erika' centrepiece, a leaf-shaped design, and illustrates a couple precariously positioned, adorned in shimmering, tailored outfits from Armani's S/S 2023 collections, symbolizing the card's complex meanings. Beyond the Major Arcana, the standard suites of the deck adhere to traditional Italian playing card styles. Instead of the familiar clubs, spades, hearts, and diamonds, these cards display swords, batons, cups, and coins, maintaining a historical authenticity alongside the modern Armani aesthetic. The 'Tale' Tarot deck is meticulously designed with attention to detail, featuring a profile edge adorned with a repeating golden Giorgio Armani logo pattern. The entire deck is housed in an elegant box with a moiré design, a finishing technique frequently utilized in both Giorgio Armani fashion creations and Armani Casa collections. This choice of packaging further emphasizes the integration of the deck into the broader Armani brand identity, offering a sophisticated and luxurious touch to a centuries-old practice. The deck represents a unique intersection of traditional cartomancy with contemporary design, reflecting Armani's distinctive style across different mediums. #GiorgioArmani #ArmaniCasa #TarotCards #MilanDesignWeek #HomeAccessories #ItalianDesign #FashionDesign #InteriorDesign

Joel Fitzpatrick, a lighting designer with a diverse background spanning theater, fashion, interior design, and dance, discusses his latest project, 'Aurora,' a dynamic, multicolored light show for Rafael Viñoly’s 277 Fifth Avenue. Fitzpatrick explains that his career has come full circle with this project, which was inspired by his unforgettable experience witnessing the aurora borealis in Alaska during his art school years at Bennington, Vermont. He recounts how the sheer awe of the natural phenomenon compelled him to wake his entire campus to share the experience, emphasizing the mystical and volumetric qualities of the Northern Lights. The 'Aurora' installation at 277 Fifth Avenue presented a unique opportunity, as the building's unfinished state allowed for creative flexibility. Fitzpatrick highlights the architectural advantage of the tower's double-height loggias, which he describes as creating a sensation of 'flying in the city' and celebrating altitude. He explains that extensive lighting tests were conducted, drawing inspiration from these outdoor spaces. The initial 'Aurora' piece was installed at the top of the building before windows were in place, with future plans for a 3D light sculpture art piece within all the loggias. Fitzpatrick expresses profound inspiration from this project, viewing it as a convergence of his diverse experiences. He notes that New York City is currently experiencing a shift towards celebrating light as an architectural feature, akin to Paris's long-standing tradition. He observes that the Manhattan skyline is becoming more colorful, with architects increasingly integrating light into their designs to create compelling visual experiences for the public. The conversation also touches upon a pivotal moment in Fitzpatrick's career: his involvement with Hush Puppies, which was referenced by Malcolm Gladwell in 'The Tipping Point.' Fitzpatrick attributes his success in various fields to his passion, foresight, and willingness to embrace new challenges, describing it as a 'gut feeling' rather than just a 'tipping point.' He recalls how the advent of the blue LED enabled full-color spectrum lighting, revolutionizing his work in fashion, particularly with his Nolita store, Aether, which was an early adopter of fully color-lit commercial spaces. He considers the ability to be both technical and creative as crucial to his multifaceted career. Fitzpatrick further elaborates on his initial foray into lighting, explaining that his desire for collaboration, rather than the solitary nature of sculpture, led him to modern dance and theater. He values the collaborative process for its intellectual and creative stimulation, and its capacity to push boundaries and foster communication, while still allowing for solitary artistic creation. His ultimate aspiration, following the 'Aurora' project, is to create a permanent, artful outdoor light installation on the Manhattan skyline that would captivate viewers and offer a meditative experience. He admires natural light phenomena like 'Manhattanhenge' and sunsets, particularly those he's witnessed in Shelter Island and Lamu, Kenya, referring to the sun as 'the ultimate lighting designer.' He concludes by expressing his intention to plan a trip to Iceland and Greenland to re-experience the Northern Lights, viewing it as a prelude to a significant outdoor light sculpture project in New York. #LightingDesign #JoelFitzpatrick #ManhattanSkyline #ArchitecturalLighting #AuroraLightShow #NewYorkCity #277FifthAvenue #UrbanArt #PublicInstallation

The article discusses the debut of "Cascade," a new lighting collection designed by British creative Lee Broom for Lladró, an artistic porcelain brand, at Euroluce, a biennial exhibition of lighting design in Milan. This collection explores the duality of porcelain as a material for lighting, moving beyond its traditional uses and presenting contemporary designs rooted in the ritual of celebration. Broom's inspiration for the collection stemmed from his immersive experience at Lladró’s factory in the "City of Porcelain," outside València, Spain, where he gained a deep understanding of porcelain's intricate nature and the challenges involved in crafting precise geometric forms from it. This experience allowed him to push the material's boundaries while preserving the integrity of its craftsmanship, ultimately expanding his perspective on working with porcelain in innovative ways. "Cascade" comprises three primary porcelain pendant lamp silhouettes: two different-sized orbs with a distinct horizontal break and a vertically aligned tubular element. These made-to-order lamps feature a fine black cord, allowing for custom, cascading configurations. These intentional arrangements create narrative-driven connections, referencing traditional lanterns that are often strung together. The collection also includes a portable table lamp variation, enhancing its versatility and decorative appeal for various settings. A key aspect of Cascade's design is its dual personality. When unlit, each lamp appears opaque and solid, showcasing the classic, pure white form of porcelain. However, once illuminated, the fixtures transform, revealing a translucent quality that challenges conventional perceptions of porcelain's capabilities. This transformation is achieved through highly engineered production methods that combine a thin layer of material with multiple LED configurations to produce the desired luminosity. Broom expressed his satisfaction with achieving his vision of porcelain that transitions from a crisp white when off to a warm amber glow when on, similar to candlelight. He emphasized that this effect evokes an emotional response and brings a sense of joy, reminiscent of lanterns at celebratory events. The article highlights how the "Cascade" collection successfully blends traditional craftsmanship with modern design, utilizing Lladró’s material expertise to create lighting that is both functional and emotionally resonant. The collection is anticipated to be available on lladró.com starting in September. #LeeBroom #Lladró #LightingDesign #Porcelain #Euroluce #MilanDesignWeek #HomeFurnishings #DesignInnovation #CeramicCraftsmanship

Design duo Draga Obradovic and Aurel Basedow, known collectively as Draga & Aurel, are set to showcase their ‘Transparency Matters’ collection at Salone del Mobile. This presentation marks their first solo exhibition in a decade and prominently features resin as its primary material. The collection, which involved nearly a year of experimentation with resin and glass, aims to explore the interaction of light with various colours and opacities, reflecting the designers' meticulous attention to detail and sensitivity. Draga & Aurel's journey into design began after both studied art in Florence, with Obradovic specializing in textiles and Basedow in carpentry. After relocating to Como, their initial careers in fabric design and art/music education, respectively, gave way to a period of creative stagnation for Obradovic. This personal crisis ultimately led her to produce a small collection of hand-finished soft furnishings, which evolved into upholstering and reworking vintage furniture sourced from local thrift shops. Basedow's carpentry skills became integral to this endeavor, and their innovative approach quickly gained recognition, attracting collaborations with notable manufacturers like Baxter and Wall & Decò. For the ‘Transparency Matters’ collection, the designers have expanded beyond their earlier focus on vintage furniture and textiles. Resin was chosen for its versatility in achieving a wide spectrum of colours and opacities. The collection includes cast-bronze tables with resin tops in mineral shades like jade, amber, and amethyst, inspired by wildflowers. Tall cast-glass wall lights, created by melting together three tinted glass shades and inserting coloured resin over the light source, further manipulate hue and light. Cast-resin screens, with their unevenly saturated shading achieved through a week-long, three-stage process, will define the exhibition space. Additionally, deep-seated ‘Gaia’ chairs, originally designed by Carlo Bartoli, have been given a matte, soft-touch velvet-like finish. The exhibition will also feature outdoor furniture, writing desks, bookshelves, and additional lighting projects, all available for order. The duo draws inspiration from minimalist artists such as Dan Flavin and Donald Judd, not solely for their formal qualities but for their investigative approach to materials and craftsmanship. Basedow complements the furniture collection with large-scale paintings crafted from resin and found imagery. Despite a challenging path to their current success, the designers emphasize that all their past experiences are channeled into their work, contributing to their unique perspective. The ‘Transparency Matters’ exhibition will be on view from April 9-14 at H+ in Milan, with their ‘Heritage’ collection also featured at Baxter Cinema during the same period. #SaloneDelMobile #ResinArt #InteriorDesign #ContemporaryFurniture #MaterialExperimentation #MilanDesignWeek #DragaAndAurel #LightingDesign #ArtAndDesign

Idarica Gazzoni, an Italian artist turned textile designer, began her journey into decorative arts two decades ago while transforming an 18th-century Milanese palace apartment into a family home. Faced with challenging, stiff Lombard furniture inherited by her then-husband, Gazzoni opted to redirect attention to the walls and ceilings, embellishing them with fantastical trompe l’oeil scenes. Her living room was reimagined as a Napoleonic military headquarters, complete with campfires and tiny soldiers. The sitting room took on the ambiance of an exotic boudoir with a ceiling painted in Cintamani symbols, while the bedroom was transformed into a Scottish woodland, featuring shimmering foliage in the mist. Her unique approach quickly garnered attention, leading to numerous commissions worldwide. These projects included a Mondrian-inspired room in an 18th-century country villa in Parma, a Pierre Loti-inspired Turkish salon in Tel Aviv, a bedroom in Venice reminiscent of a Fabergé box, and a wine bar in Florence adorned with floor-to-ceiling decorative motifs based on vine leaves. Three years prior to the article's publication, Gazzoni decided to pivot from large-scale wall painting to designing her own line of printed fabrics. She established an atelier in her home and named her fabric company Arjumand, a tribute to the Mughal empress whose story of deep love inspired the Taj Mahal. Gazzoni explains that the empress's story resonated with her during a personal period of transition, helping her reconnect with the idea of romance. Arjumand's legendary travels also influenced Gazzoni's creative process, inspiring distinct collections. Her Russia Collection draws from the 17th-century palaces of the czars, while the China Collection is a deep dive into the vibrant culture and colors of southern China's Miao people. The Japan Blue Collection emerged from her exploration of Japan's late-19th-century fascination with indigo blue. Beyond her fabric designs, Gazzoni continues to undertake interior decorating projects globally. She recently completed the interior design for Liza, a prominent restaurant in Beirut, in collaboration with decorator Maria Ousseimi. She also decorated a house in Patmos, Greece, incorporating fabrics from her latest collection. Despite her focus on textiles, Gazzoni admits to a continued inclination for painting walls, even finding herself back on scaffolding for these projects. Her fabrics are available through harbingerla.com. #IdaricaGazzoni #TextileDesign #PatternDesign #InteriorDesign #MilanPalace #TrompeLoeil #ArjumandFabrics #GlobalInspirations #HomeDecoration

The Ebe collection, designed by Nicola Gallizia Design Studio for Masiero, draws inspiration from the reflections of the moon and is named after the goddess symbolizing youth and moonlight. The collection aims to create a warm and intimate atmosphere in contemporary homes through its unique design and material choices. The design process began with a formal and functional idea, evolving through continuous dialogue with the manufacturing company, Masiero, highlighting the importance of collaboration in design development. A central feature of the Ebe collection is the use of galvanized colored steel fabric. This material choice is deliberate, as it filters and modulates light to produce an effect that is both magical and rich, embodying Nicola Gallizia’s design philosophy of synthesis to enhance the value of materials and the illuminating function of the product. The collection’s aesthetic is characterized by its essential lines contrasted with the richness of its materials, allowing it to harmoniously interact with diverse decorative and architectural elements within a space. From the designer's perspective, the Ebe collection introduces a softer design language to the Masiero catalog, catering to the evolving needs of contemporary living. Modern homeowners are increasingly seeking warm, welcoming, and serene domestic spaces that reflect their personal style. Therefore, the lighting in these homes needs to be warm, delicate, and possess a magical quality, which the Ebe collection aims to provide. The versatility of the Ebe collection makes it suitable for various environments within a home. Its design, reminiscent of a jewel-object, is particularly well-suited for minimalist settings but can also complement other styles. The collection's ability to engage in a dialogue with surrounding elements due to its material richness and clean lines allows for aesthetic synergy, making it an adaptable choice for architects and interior designers. The collection stands out for its capacity to blend into different interior design schemes while offering a distinct character inspired by celestial luminescence. The collaboration between Nicola Gallizia Design Studio and Masiero has resulted in a product that is not only visually appealing but also versatile and adaptable, aligning with modern preferences for personalized and intimate living spaces. The Ebe collection is presented as an evolution in lighting design, offering a blend of classical inspiration and contemporary application to enhance the ambiance of residential interiors. #LightingDesign #InteriorDesign #NicolaGalliziaStudio #Masiero #MilanDesignWeek #HomeDecor #ContemporaryLighting #DesignCollaboration

Draga Obradovic and Aurel K. Basedow, known as Draga & Aurel, are a design duo celebrated for their artistic approach to materials and composition, drawing influences from fashion to traditional craftsmanship. They are pioneers in upcycling, having started their journey by reinventing furniture and objects. An early open studio event, where people brought old furnishings for reinvention, quickly grew into a significant venture, leading them to establish Draga & Aurel in 2007. Their multidisciplinary studio and workshop focus on art, collectible design, and furnishings. Their debut at Milan Design Week two years later initiated collaborations with brands like Baxter, a partnership that continues to influence their design philosophy. According to Basedow, Baxter was instrumental in professionalizing their design approach. A significant milestone in their career was the launch of the Transparency Matters collection in 2019, which marked a departure from their earlier focus on vintage items and textiles. This collection utilizes resin as the primary material, valued for its interaction with light, and is continuously updated. Obradovic draws inspiration from everyday visual stimuli, capturing images to create mood boards that fuel her imagination. For their "Friday Five" feature, Draga & Aurel share five key inspirations. The first is artist Dan Flavin, whose work on light and color deeply resonates with their own. They admire his ability to transform a common object, the neon tube, into sophisticated art with a "maximalist" effect, despite its minimalist origins. They highlight a recent exhibition "Dedications in Lights" at the Kunstmuseum Basel, one of their favorite museums, and note a permanent installation in its yard. Secondly, they express their appreciation for Superduper, a "Made in Italy" brand from Florence known for its handmade hats. They are drawn to the brand's fresh, creative, and informal style, emphasizing that hats are essential accessories for both of them. Their third inspiration is Joseph Beuys, a German artist and sculptor and a significant figure in conceptual art. His quote, "Jeder mensch ein Künstler" (everyone is an artist), profoundly influenced their approach to painting and their belief in the universal expression of creativity. Beuys is also a reference point for expanding the meaning of art. The fourth point of inspiration is The Venice Venice Hotel. They describe Venice as a city that continually surprises them with its beauty. The hotel, housed in the renovated Ca’ da Mosto Palace overlooking the Rialto, is a synthesis of architecture, fashion, art, and design, showcasing influential avant-garde movements. It is an evocative place owned by the founder of Golden Goose. Finally, their fifth inspiration is their hometown, Lake Como. They find constant inspiration in this historic town, appreciating the peace, relaxation, and freedom the lake offers, particularly enjoying sailing and discovering hidden coves and villages. They feel fortunate to live in such a beautiful place. The article also showcases some of Draga & Aurel's works. The "Flare Collection," an exclusive project for Todd Merrill Studio, explores color and light refraction through Lucite, an acrylic resin. This collection is inspired by Jiyong Lee's study of color's three-dimensionality and Vasa Mihich's acrylic sculptures, focusing on the concepts of composition and breakdown of matter. It premiered at Design Miami in 2023. Their exhibition "Per Speculum in Aenigmate," in collaboration with Contemporary Cluster at Palazzo Brancaccio, Rome (2022), highlighted the dialogue between Aurel K. Basedow’s pictorial works and the duo's iconic design pieces. The exhibition title, drawn from a biblical passage, focuses on "mirror" and "enigma," reflecting their practice of material experimentation, artistic creativity, function, and aesthetics. The "Heritage collection" consists of one-of-a-kind upcycled pieces, born from their passion for vintage items. They collect original vintage furniture from thrift shops and markets, then reinvent them using techniques such as screen printing, embroidery, and resin covering, drawing from their backgrounds in fashion, textiles, art, and graphic design. Each item is restored in their Como atelier. Lastly, "The power of lighthearted design – Exhibition “Tinted Hues” at Nilufar, 2024" is a collaboration with Nilufar gallery, featuring a capsule of playful objects. This collection emphasizes resin, rounded shapes, and pastel shades, exemplified by their Bon Bon lamps, Dewdrops coffee tables, and Glaze table. #DragaAurel #DesignStudio #UpcyclingDesign #MilanDesignWeek #TransparencyMatters #DanFlavin #JosephBeuys #LakeComo #CollectibleDesign

The distinct visual style of Pedro Almodóvar's films, characterized by vibrant colors, rich textures, and meaningful decor, can be integrated into home interiors. Carlota Casado, the Madrid-based creative who has collaborated with Almodóvar for over 15 years, offers insights into achieving this aesthetic, particularly inspired by his latest film, "The Room Next Door." The film, a moving examination of loneliness and mortality, features meticulously designed sets, including Martha’s bohemian New York apartment, Ingrid’s shabby-chic temporary home, and a modernist Airbnb in the woods. Casado emphasizes that while Almodóvar's films are renowned for their saturated color palettes, such as striking reds and greens in "The Room Next Door," a neutral base for walls is crucial to allow these accents to truly shine. She suggests calming tones like soft grey or desaturated green or blue for walls. Beyond color, the sofa is highlighted as a centerpiece, with examples from the film including a turquoise sofa, a forest-green mid-century modern sofa, and an antique velvet one. Almodóvar is known for memorable sofas in his films, and Casado notes that customizing or reupholstering sofas with unique fabrics and piping, or designing cushions with favorite prints, can personalize a space. Brands like Fornasetti are mentioned for their Almodóvarian styles. Mixing vintage and contemporary styles is another key element. Casado explains that even modernist settings in the film incorporated both mid-century pieces and their modern interpretations to create a lived-in feel. Specific examples include custom sun loungers, Stua armchairs, a Womb Chair Relax by Knoll, Pierre Chareau desks, and pieces from designers like Gio Ponti and Charlotte Perriand. Warm woods are also essential for creating a cozy atmosphere, especially when balancing modern and glass elements, as seen in the Airbnb setting of "The Room Next Door." Lighting plays a significant role in creating ambiance, with various designer lamps and wall sconces contributing to a gentle, golden glow and a feeling of homeliness. Displaying meaningful art and objects is central to the Almodóvar aesthetic. Casado describes Almodóvar as a "sponge" for culture, soaking up art, fashion, and music, which then influences his sets. Artworks in the film include a Georgia O’Keeffe print, a Louise Bourgeois print, personal photographs, and works by Spanish photographer Cristina García Rodero, all chosen for their emotional connection to the characters. The film also features a vintage *Paper* magazine cover and a painting by Jorge Galindo and Almodóvar himself. In the rental house, Edward Hopper’s *People in the Sun* is a central piece. Other tips include investing in blinds, with a nod to cinematic references like those in Hitchcock’s *Rear Window*, and upgrading kitchen appliances with distinctive pieces, such as a Dolce & Gabbana x Smeg toaster or Venini vases. Trawling flea markets in places like Paris, Rome, and Madrid is suggested for unique finds. Finally, Casado advises curating clutter by intentionally selecting objects like cookie boxes, old tickets, and fridge magnets, to tell the story of one's life. A well-stocked bookshelf, filled with works from authors like Paul Auster and Truman Capote, and films by directors such as Rainer Werner Fassbinder, completes the Almodóvarian home, reflecting the director's deep cultural inspirations. #AlmodovarAesthetic #HomeDecor #InteriorDesign #FilmInspired #SetDesign #ColorPalette #VintageModernMix #MeaningfulArt

This article features Lauren Jarrett and Melissa Greenwood, the Indigenous artists behind the brand Miimi + Jiinda, who gained recognition for their artwork showcased in Deb and Andy’s living area on the television show 'The Block.' The artists discuss their journey, inspirations, and creative process. Lauren, one half of the duo, has been painting for most of her life, while Melissa became seriously involved in art six years prior. Their inspiration stems from their tribal lands, ancestral teachings passed down through generations of grandmothers, and the stories of their strong matriarchal lineage. Their beautiful Gumbayngirr country and Melissa’s experiences as a modern-day Indigenous woman also significantly influence their work. They describe their art as a symbolic portrayal of their interpretation of Dreaming stories, drawing inspiration directly from nature. They utilize acrylics and pastels, with a distinct influence from their feminine matriarchal line. Creating a piece of art can vary in duration, from a week for smaller works to several months for larger ones, with the artists often working on multiple paintings simultaneously to maintain creative flow. Their personal aesthetic is characterized as earthy, natural, and minimal, deeply influenced by the textures and beauty of their traditional homelands. They also express a fondness for bright and bold elements that uplift the senses. The names for their artworks are derived from their Gumbayngirr language, which serves as a constant source of inspiration. The article highlights specific artworks, such as 'Mirrinmi' (Be Happy), which symbolizes finding joy in one's life path, and 'Yuludarra,' which represents their three hero ancestors in Gumbayngirr culture. The artists recount how their involvement with 'The Block' began when Deb and Andy contacted them via Instagram for a commissioned painting. Andy, being Biripi, was specifically seeking Aboriginal art, and the connection was made given Miimi + Jiinda’s Gumbayngirr heritage, located just a few hours from the Biripi Nation. They expressed immense excitement and honor in creating the piece for 'The Block,' hoping it would promote greater visibility for First Nations art across Australia and showcase their rich culture. They find inspiration in artists like Albert Namatjira and prefer to create their art 'on Country,' surrounded by their ancestral lands. Their creative environment often involves a soundtrack featuring artists such as Xavier Rudd, Ben Howard, Vance Joy, Ziggy Alberts, Nora Jones, and Baker Boy. A typical day for Lauren and Melissa is dynamic, ranging from intensive painting sessions, where their studio is filled with art supplies, to administrative tasks, order fulfillment, and sourcing materials. They also dedicate time to walking on Country, gathering natural fibers for weaving, and seeking inspiration for future artworks. Regarding balancing art with life and family, they suggest involving children in the creative process, as it can be a source of entertainment for hours and fosters shared artistic enjoyment. The article concludes by showcasing some of Miimi + Jiinda’s artwork, available online, and emphasizes their stunning original creations. #IndigenousArt #ArtistSpotlight #TheBlock #AustralianArt #GumbayngirrCulture #HomeDecor #ContemporaryArt #DreamingStories #ArtisticProcess

Italian artist Edoardo Tresoldi has created a new permanent public installation named _Opera_ on the Lungomare Falcomatà seafront in Reggio Calabria, Italy. This historic promenade is renowned as ‘The most beautiful kilometre in Italy’ and offers extensive views across the Strait of Messina and the Sicilian coasts. The _Opera_ installation, commissioned two years ago by the local Municipality and the Metropolitan City, features 46 towering columns crafted from Tresoldi’s signature material: wire mesh, which he refers to as ‘Absent Matter’. The artist was deeply inspired by the contemplative quality of the Strait of Messina, which he considers the city's true eternal 'monument', aiming to celebrate this natural feature through his work. The columns, each reaching up to eight metres in height, are designed to be spectral and translucent, possessing a ‘shy and delicate physicality’ that allows them to frame the constantly changing backdrop of the seascape. _Opera_ is envisioned as a tribute to the fundamental archetypes of Western cultural heritage and is expected to become a significant new landmark for the region. Positioned within the 2,500 sq m via Giunchi park, the installation is illuminated at night, fostering a visual dialogue between the organic forms of the environment and the structured rigidity of the architectural columns. The interplay between Tresoldi’s ‘Absent Matter’, the dynamic environmental movements, and the traditional language of classical architecture imbues _Opera_ with both a sense of permanence and ephemerality. The artistic arrangement of _Opera_ deliberately contrasts with the existing layout of the surrounding park, creating a tension that Tresoldi likens to a musical counterpoint. In this analogy, each architectural system operates independently yet coexists in harmony, forming a melodic and rhythmic balance within the space. Through _Opera_, Tresoldi challenges viewers to engage with contradictions, exploring themes such as reality versus representation, presence versus absence, and static versus kinetic energy. He notes that the installation serves to monumentalise the connection between individuals and their environment, promoting simple yet profound actions like observation, listening, and contemplation. Tresoldi’s artistic journey includes several notable works that showcase his distinctive use of wire mesh. In 2013, he created _Il Collezionista di Venti (The Winds Collector)_ in Pizzo Calabro, depicting a ghost-like human figure gazing out to sea. In 2016, his _Basilica di Siponto_ earned him a Gold Medal for Italian Architecture for its resurrection of a 12th-century basilica using wire mesh, blending contemporary art with archaeological themes. Another significant project was _Etherea_ for the 2018 Coachella Valley Music and Arts Festival, a temporary installation featuring three monumental wire mesh buildings inspired by neoclassical and baroque architecture. These projects highlight Tresoldi’s unique ability to revitalise classical architectural forms and create new narratives, demonstrating the expansive potential of his chosen medium. Looking ahead, Tresoldi has launched two new creative ventures: ‘Tresoldi Studio’, a design studio that draws inspiration from his artistic language, and ‘Studio Studio Studio’, an interdisciplinary project dedicated to fostering and supporting contemporary art initiatives. These new undertakings reflect his ongoing commitment to exploring and expanding the boundaries of art and design. #EdoardoTresoldi #PublicArt #InstallationArt #WireMeshSculpture #ReggioCalabria #ItalianArt #AbsentMatter #ArtAndArchitecture #CulturalHeritage

Christopher John Rogers, an acclaimed womenswear designer known for his vibrant and kaleidoscopic creations, has ventured into the world of interiors through a collaboration with the renowned decorating brand, Farrow & Ball. Rogers, whose designs have been worn by prominent figures such as Rihanna and Kamala Harris, has applied his distinctive aesthetic to a new collection of paints and wallpapers, named 'Carte Blanche.' This partnership merges Rogers' bold fashion sensibility with Farrow & Ball's heritage of quality and tradition. The genesis of this collaboration dates back to early 2022 when Farrow & Ball's creative director, Charlotte Cosby, initiated contact with Rogers, deeply impressed by his innovative use of patterns and shades in his fashion lines. Despite the initial surprise that Rogers would agree, the collaboration blossomed, leading to the creation of 12 new paint colors and three distinct wallpaper patterns. The collection is characterized by its playful exploration of shape and scale, with each wallpaper design available in three colorways and printed using the new paint range. The 'Carte Blanche' title signifies creative freedom and individuality, allowing for diverse combinations of paints and patterns. Rogers, a fan of design, expressed his admiration for Farrow & Ball's legacy and commitment to high-quality standards, viewing the collaboration as a natural fit given his own focus on timelessness over fleeting trends. The paint colors in the 'Carte Blanche' collection are a testament to Rogers' personal history and cultural background, drawing inspiration from cherished memories of food and family. Examples include 'Shallot,' a punchy pink reminiscent of Cajun cuisine; 'Sardine,' a silvery-blue named after his grandfather's favorite snack; and 'Raw Tomatillo,' a glorious green inspired by his grandmother’s fried green tomatoes. Rogers appreciates unexpected yet descriptive color names that also possess a sense of humor. Initially, the collection was conceived with eight shades, but the need for neutral tones to balance the intense hues became apparent. Cosby highlighted Rogers' nuanced approach to color, where each tone is given space to breathe, whether in a multicoloured garment or as a pop of color against a neutral backdrop. This philosophy is reflected in the paint collection, with neutrals like 'Au Lait' and 'Romesco' designed to temper the brights, offering versatility for decorating entire rooms or highlighting specific elements. The three wallpaper designs, 'Dot,' 'Stripe,' and 'Check,' directly reference Rogers' signature motifs, marking Farrow & Ball's first-ever wallpaper collaboration with an external creative. This move represents a modern and fresh direction for the brand, aligning with Rogers' contemporary ethos of challenging expectations and subverting norms. Rogers views color as a starting point for self-expression, embracing a lack of hierarchy in his creative process, where diverse influences, from children's television to 1960s architecture, contribute to his unique vision. The 'Carte Blanche' collection, set to launch in September, embodies this spirit, reflecting Rogers' characteristic exuberance and joy in his work. #ChristopherJohnRogers #FarrowAndBall #InteriorDesign #ColorPalette #WallpaperDesign #FashionCollaboration #HomeDecor #CreativeFreedom #TextileArt