Lee Broom Explores Porcelain’s Material Duality in Lighting Launch for Lladró

The Random collection by Lodes, designed by Chia-Ying Lee, transforms lighting into an exercise of compositional freedom, offering a modular system to enhance various spaces. The concept behind this collection emphasizes light's role in shaping space, engaging with surfaces and materials, and redefining the perception of form and volume. This approach allows architects and designers to craft bespoke lighting configurations that complement furnishings, colors, and interior details. Central to the Random collection is Lodes’ "Standard Bespoke" philosophy, which involves a system of standardized elements that can be reconfigured to create original and dynamic lighting layouts. This philosophy allows for tailored compositions where the position, finish, and number of lights are integral to the design process. The collection is characterized by essential components: blown-glass spheres and ceiling canopies connected by thin metal cables, providing a flexible tool for designers in both residential and commercial settings. The evolution of the Random collection began with a collaboration with Taiwanese designer Chia-Ying Lee, initially featuring a composition of three spherical diffusers of varying sizes. This initial design has since expanded to include new expressive possibilities. Random Solo, for instance, offers single pendants or multiple compositions that form dynamic light constellations. Random Stick reinterprets the design along a horizontal axis, transforming light into an architectural element. Random Cloud groups transparent spheres to create an ethereal, floating effect, adding to the collection's versatility. The modularity of the system enables designers to combine lamps and ceiling canopies freely, resulting in custom compositions and tailored lighting solutions. This aligns with Lodes’ "Out of Scale" philosophy, which extends the bespoke approach to large-scale installations and immersive lighting solutions. These designs are intended for spaces requiring significant aesthetic and emotional impact, offering a platform for extensive personalization. Beyond aesthetics, Lodes provides continuous technical support to professionals, assisting them in optimizing performance and enhancing spaces through light. The brand is committed to developing the Random collection further, with plans to introduce an updated color palette. This expansion aims to align the collection with contemporary design languages, enriching its character while maintaining its core identity as a versatile and customizable lighting solution. #LightingDesign #LodesRandomCollection #ModularLighting #InteriorDesign #BespokeLighting #ArchitecturalLighting #HomeLighting #DesignInnovation #ChiaYingLee

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

Lodes has officially launched its first outdoor lighting collection, 'Outdoor,' following its preview at Euroluce 2025. This collection marks a significant expansion for the Venetian brand, extending its established indoor aesthetic and design philosophy to exterior spaces. The collection aims to redefine the continuity between indoor and outdoor living by offering high-performance lighting solutions with a strong decorative appeal, suitable for both residential and hospitality environments. Instead of serving a purely technical function, the lighting is designed to enhance the experience of living spaces, combining well-being, visual allure, and a seamless transition between interior and exterior areas. The core principles guiding the 'Outdoor' collection include aesthetic innovation and visual comfort, evident in the shapes, details, and finishes that interact harmoniously with the environment. Advanced technology is integrated to ensure efficiency and durability, utilizing carefully selected materials and components to guarantee superior performance under various conditions. The collection emphasizes light customization, allowing for enhanced color rendering and emission control, thereby merging visual quality with design flexibility. Furthermore, sustainability is a key consideration, reflected in the modularity and detachability of the products. These features promote longevity, ease of maintenance, and responsible resource utilization, positioning each lighting fixture as a subtle yet impactful architectural element that enriches outdoor spaces with a poetic and enduring presence. The 'Outdoor' collection comprises seven distinct projects, each contributing to a unified design language while showcasing diverse sensibilities. Collaborations include designers Patrick Norguet, Snøhetta, and estudi{H}ac, alongside Lodes' in-house design team, ensuring consistency with the brand's philosophy. Each product tells a unique story about experiencing outdoor light, ranging from technical versatility and integration with nature to formal elegance, decorative impact, and direct engagement with architectural surfaces. This approach highlights how light can simultaneously fulfill functional, emotional, and architectural roles. Patrick Norguet's contributions include 'Focus,' a versatile projector inspired by photography, offering adjustable light and various installation options across different settings. 'Kinno,' a bollard with an organic, mushroom-like design, is available in plant-inspired finishes and can be mounted on walls, ceilings, or the ground, adding movement to lighting compositions. 'Chelsie' is a compact architectural light designed as a floor washer or step light, providing uniform illumination with a discreetly concealed LED source, emphasizing its decorative nature. Snøhetta studio introduces 'Volum Outdoor,' which translates the elegance of blown-glass spheres from Lodes' indoor collection to exterior spaces. These fixtures, with their unique yet similar shapes and glossy finishes, emit a soft, even light, fostering continuity between indoor and covered outdoor areas like loggias and terraces. Estudi{H}ac's 'Stitch' family of lanterns brings a decorative vision to the collection, with technical fabric ribbons woven through metal frames to create intriguing light and shadow effects, serving as a versatile furnishing element. The Lodes design team developed 'Reed' and 'Puzzle Outdoor.' 'Reed' features slender metal stems with organic diffusers, designed to blend seamlessly with vegetation, creating a natural extension of the landscape. 'Puzzle Outdoor' adapts Lodes' indoor wall lights for exterior use, producing grazing light that highlights surfaces and textures. Available in single or double versions with customizable rotation and tilt, it offers designers creative freedom to transform walls into luminous backdrops. The 'Outdoor' collection represents a pivotal moment for Lodes, expanding its design horizon and introducing new possibilities for how light shapes and interacts with both natural and built environments, ultimately blurring the boundaries between design and nature. #Lodes #OutdoorLighting #ExteriorDesign #LightingDesign #HomeDecoration #ProductLaunch #ArchitecturalLighting #SustainableDesign

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

Architects Serene Kim and Elliot Meier, recognizing a common challenge in the design world, have launched Equal Equal, a new lighting studio dedicated to creating functional yet aesthetically pleasing light fixtures. The ongoing joke among architects and interior designers highlights the common issue where a visually striking light fixture often fails to adequately illuminate a room. Kim and Meier, having consistently encountered this problem on various projects, began custom-designing fixtures to bridge this gap between form and function. Their accumulated experience over a decade in crafting bespoke lighting solutions for projects ultimately led to the official launch of Equal Equal in May. The studio's name, Equal Equal, draws inspiration from the architectural symbol for equidistant length, 'EQ', reflecting their commitment to precise and balanced design. The company offers made-to-order pieces directly to consumers, encapsulating the architects' meticulous approach to design. Equal Equal's initial offerings include two distinct collections: the Frankie and the Vianne. The Frankie collection features classic ceramic lights, meticulously pressed and glazed in their New York City studio. These lights are highly customizable, available in an extensive palette of 18 color and glaze combinations. Expanding on the Frankie collection, the Sena light incorporates a hand-blown glass shade atop a Frankie light base, allowing for playful and unique color pairings that enhance the visual appeal. The Vianne collection introduces the Jessica pendant, a design that pays homage to the vibrant glasswork prevalent in 1920s French collectives, known for their bold colors and distinctive shapes. The glass components for the Jessica pendant are custom-produced at Brooklyn's KEEP studio, ensuring unique craftsmanship. Kim and Meier then personally assemble these pieces, integrating them with warm, contemporary hardware to create a harmonious blend of vintage inspiration and modern sensibility. The Jessica pendant is designed for versatility, capable of enhancing diverse spaces, from a dining area with a wooden table to a bathroom featuring tiled walls. Meier humorously likens the fixture's role to an award-winning supporting actor in a film, emphasizing its crucial yet complementary function. Despite the potentially bold color combinations, such as a pink-and-yellow sconce in a white-walled hallway, Kim and Meier encourage clients to embrace an open-minded approach to design. Kim articulates their philosophy, stating their goal is to demonstrate that color accents do not need to be overtly loud to create a significant impact. They believe that often, the most unexpected color combinations can result in the most harmonious and visually appealing outcomes, challenging traditional notions of color application in interior lighting. #LightingDesign #ArchitecturalLighting #CeramicLighting #GlassArt #HomeDecor #CustomLighting #InteriorDesign #ProductLaunch

This article highlights various innovative design pieces from global makers, showcasing a blend of traditional craftsmanship and contemporary materials. The featured designers and studios, hailing from locations such as Brooklyn, Copenhagen, and Ukraine, emphasize unique artistic visions and sustainable practices in their creations. Each piece is a testament to meticulous design and material exploration, ranging from intricate glass sculptures to furniture made from reclaimed materials. The article begins by introducing Reevein Studios, specifically Sara Rosa Oppermann and Alice Soro Cilliara, who create mouth-blown glass sculptures. Their 'Spora' sculpture, available in amber and electric blue, demonstrates the artistic manipulation of glass into fluid forms. Following this, Djivan Schapira's 'Divergent' foyer and low tables are presented, characterized by resin inlaid with bronze wire, offering a modern aesthetic with intricate detailing. Kateryna Sokolova's 'Flock' chair for Noom, featuring an upholstered injection-molded soft-foam body and stained-ash feet, illustrates a combination of comfort and sculptural form. Faina's Victoria Yakusha contributes the 'Sontsehryv' sculpture, which stands out for its sustainable composition. This piece is crafted from Ztista, a proprietary blend of cellulose, clay, flax fiber, wood chips, and biopolymer, reflecting a commitment to eco-conscious design. Streicher Goods, led by Ethan Streicher, showcases a collection of lamps—Archie, Ping Pong, and Drum—fabricated using various stoneware clays, underglazes, mid-range glazes, and sometimes blown glass or 3D-printing processes. These lamps explore diverse material combinations and manufacturing techniques. Mansi Shah of Manu Nanu presents an interlocking vase made of hand-blown borosilicate glass in amber and cobalt-blue, demonstrating a sophisticated approach to color and form in glasswork. Nathan Litera's side table combines natural rope and grand antique marble, offering a textural and material contrast that evokes both rustic and luxurious sensibilities. Astraeus Clarke, by Chelsie and Jacob Starley, features the 'Lenox Small' three-globe light, available in wall sconce and chandelier formats, constructed from powder-coated steel, brass, and glass, indicating a versatile lighting solution. Eduardo Rivas of ERM Studio contributes the 'Materia Digital' cast-aluminum coffee table with a glass top, showcasing a blend of industrial materials with a refined finish. Kiki Goti's 'Belted and Buttoned Up' wall lights, made from aluminum, polished nickel, and steel, exemplify a contemporary and structured lighting design. Feyza Kemahlioglu of Feyz Studio, through Wexler Gallery, introduces the 'Glowing Sentiments' lighting collection, which incorporates hand-blown Murrine glass, brass chain, and Meerschaum, a hand-carved clay mineral, highlighting intricate details and unique material sourcing. Ciara Jade Dockery’s 'Creature Comforts' collection includes a Flokati wool pouf, a Mohair bench crafted from vintage rugs, and a Ply occasional table made of FSC-certified plywood. These pieces emphasize comfort, sustainability, and the repurposing of materials. Matt McKay presents the 'Jib' shearling and lacquer stool, the 'Ahoo' cashmere-upholstered lounge chair, and the 'Cap' resin and lacquer coffee table, all demonstrating a focus on tactile luxury and modern forms. Finally, Michelle McLaughlin of Calyer Ceramics features the 'Sprig' floor lamp, which features a ceramic stoneware base with a handmade glaze and a linen shade, showcasing a handcrafted approach to lighting. #MaterialInnovation #ProductDesign #SustainableDesign #Handcrafted #Ceramics #GlassArt #FurnitureDesign #LightingDesign #InteriorDecor

Ambience Studio, a lighting design firm based in Melbourne, has introduced the Linear LEGO Luminaire, a lighting fixture crafted entirely from repurposed LEGO bricks and plates. This innovative design offers a vibrant and playful addition to any space, utilizing a sleek, minimalist form while radiating a whimsical character through its colorful frame and diffused LED light source. The luminaire's frame is meticulously constructed from carefully chosen LEGO pieces, ensuring a lively and engaging aesthetic. At the core of the Linear LEGO Luminaire's design is a 7W opal diffused linear extrusion, which emits a soft, even LED glow. This lighting element is seamlessly integrated into the LEGO brick frame, creating a harmonious blend of recycled materials and modern illumination technology. The light is designed for versatility in placement; it can be suspended from the ceiling as a pendant light, adding a focal point to a room, or positioned upright on the ground to serve as a decorative sculptural element. This adaptability is facilitated by a two-toned, color-matched flex cord that complements the vibrant LEGO construction. This new offering is a part of Ambience Studio's 'Symphony' range, a collection that specializes in creative linear, pendant, profile, LED neon, and strip lighting solutions. The studio, established in 1987, has a notable history of collaborating with prominent clients such as Aesop, MUJI, and Hilton, and has received international acclaim through various design awards including \[d\]arc, LIT, and the London Lighting Design Awards. Their expertise in lighting design is evident in the thoughtful execution of the Linear LEGO Luminaire, which combines sustainable practices with sophisticated design principles. The Linear LEGO Luminaire represents an intersection of playful nostalgia and contemporary design, transforming discarded toy components into a functional and aesthetically pleasing lighting solution. The use of repurposed LEGO bricks not only champions sustainability but also injects a sense of fun and creativity into interior lighting. The product's design ensures that it is not merely a light source but also a conversational art piece that can enhance the ambiance of diverse environments, from residential spaces to commercial establishments. Through this design, Ambience Studio continues to demonstrate its commitment to innovative lighting concepts and environmentally conscious product development. #LightingDesign #LEGO #RepurposedMaterials #SustainableDesign #LinearLuminaire #PendantLight #LEDLighting #HomeDecor #ProductDesign

This article highlights an innovative optical illusion integrated into the flooring of a showroom for Casa Ceramica, a tile company located in Manchester, UK. The design creates the visual effect of a large, deep hole in the floor, but it is, in fact, a perfectly flat surface. The primary purpose of this ingenious design is to deter visitors from running through the showroom's hallway, encouraging a slower, more deliberate pace. While the precise reasons for people rushing in a tile showroom are not explicitly stated, it is humorously suggested that the tiles themselves might be so compelling that customers are eager to see them. The owner of Casa Ceramica, Duncan Cook, demonstrated the illusion in a video, initially navigating the seemingly treacherous floor cautiously before revealing its flat nature by walking directly over the 'hole' with ease. A representative from the company explained that the inspiration behind this flooring was to craft an entrance that plays on illusions, aiming to redefine expectations of how tiles can be utilized in design. The design effectively creates a sense of disorientation upon entering the showroom. However, the illusion is directional, meaning it only works when viewed from one specific angle, ensuring that visitors can safely exit the showroom without experiencing the same disorienting effect. The article includes several images and GIFs that visually demonstrate the optical illusion from different perspectives, showcasing its effectiveness. These visuals confirm that the floor indeed appears to have significant undulations and depressions, despite being entirely level. The illusion is achieved through a meticulous pattern and shading of tiles, creating a trompe l'oeil effect that tricks the eye into perceiving depth where none exists. This creative application of tile design not only serves a practical purpose—slowing down foot traffic—but also acts as a memorable and engaging feature for the showroom, leaving a strong impression on visitors. Public reactions to the illusion, as noted in the article, indicate widespread impression and sometimes a sense of unease or vertigo from the convincing visual trick. Comments from individuals suggest that even after knowing it's an illusion, the visual impact can be so strong that it remains difficult to 'unsee' the perceived hole or wavy surface. This feedback underscores the success of the design in achieving its intended effect of both captivating and cautioning visitors. The floor's design exemplifies how artistic creativity and an understanding of perception can be applied to functional spaces to enhance user experience and achieve specific behavioral outcomes. #OpticalIllusion #TileDesign #ShowroomDesign #InteriorDesign #CreativeFlooring #TrompeLoeil #ArchitecturalInnovation #CasaCeramica

Jason Krugman, a New York-based artist, creates captivating light sculptures using wire mesh forms embedded with thousands of hand-soldered LED bulbs. His journey into art began after a career in investment banking, leading him to study technology and art at NYU's Interactive Telecommunications Program (ITP). There, he learned about microcontrollers, soldering, digital fabrication, and new materials, which became foundational to his artistic practice. In 2009, Krugman established his studio in Brooklyn, focusing on the intersection of physical computing and fine art, transforming electricity into remarkable sculptures. Krugman's work is characterized by its fluid appearance, despite being constructed from static materials, often mimicking natural phenomena or intricate systems like swarms of mini-drones. He has developed several proprietary technologies, including a hand-soldered LED mesh, various cable systems, and custom printed circuit boards for LED artworks, holding two US patents. His designs are unique in that they often use the physical structure of the sculpture to conduct electricity to the light sources, eliminating the need for insulated wiring. This innovation allows thousands of LEDs to appear to float weightlessly within minimal wire forms, creating a soft, ethereal glow. His recent recognition includes a LIT Lighting Design Award for 'Capella Basket,' a large-scale installation described as a rectangular sheet of 2,000 LED bulbs rolled into a cannoli-like shape and seamed. This particular piece represents a decade of development, inspired by the challenge of shaping mesh material into complex forms. The 'Capella Basket' itself was a monumental undertaking, involving over 10,000 circuit boards, extensive prototyping in collaboration with Arup engineers, and fabrication with the support of the Brooklyn Navy Yard and other local businesses. Krugman views his work as a three-dimensional puzzle, where aesthetic form is deeply intertwined with functional utility. He believes that the beauty of his art is enhanced by its ability to perform, allowing viewers to engage with it intellectually and emotionally. The sculptures are shaped by their inherent capacity to efficiently distribute electricity. The artist's approach combines craft with technology, a process he manages by always building smaller versions and mockup sections, regardless of the project's scale or edition count. Feedback on Krugman's installations frequently highlights their resemblance to scientific structures and natural forms, fostering a sense of connection and collaboration with his audience. Looking ahead, Krugman aims to create even more complex forms while maintaining structural clarity. He also plans to explore folding and stretching techniques with different materials to delve deeper into surface creation, moving beyond his current focus on points and lines. He is also beginning to offer smaller sculptures for sale on his Instagram and website, providing more accessible ways for the public to engage with his art. #LightingDesign #ArtDesign #LightSculptures #LEDArt #InteractiveArt #PhysicalComputing #ContemporaryArt #Innovation #DesignProcess

Adriano Rachele's latest collection for SLAMP, named Drusa, draws inspiration from naturally occurring crystal formations that emerge from rocks. This concept is translated into a series of contemporary lighting fixtures designed to mimic the multifaceted appearance and light-play of these geological wonders. The Drusa fixtures are crafted from Lentiflex®, a proprietary material developed by SLAMP, which is then finished with a Velvet print. This combination of material and printing technique is engineered to create a dynamic kaleidoscope effect when light interacts with the numerous surfaces and angles of the fixture. The design principle behind the Drusa collection centers on a central light source within each fixture. This strategic placement ensures that light reaches and reflects off every individual facet and angle in a distinct manner. The result is an illusion of dynamic depth and texture, which changes depending on the viewer's perspective and the ambient lighting conditions. This careful consideration of light interaction aims to create an engaging visual experience, transforming the static fixture into an object that constantly shimmers and shifts with perceived movement. The Drusa collection offers versatility in its application, catering to various interior design needs. It is available in two primary configurations: a suspension version and a ceiling/wall version. The suspension fixtures are designed to hang from above, making them suitable for illuminating specific areas or serving as central decorative elements in a room. The ceiling/wall versions offer a more integrated lighting solution, suitable for general ambient lighting or for creating focal points on vertical surfaces. This dual offering allows designers and homeowners to incorporate the crystal-inspired aesthetic into different spaces and for diverse functional purposes. SLAMP, the manufacturer, is known for its innovative use of technopolymers in lighting design. Lentiflex®, the material utilized in the Drusa collection, is one such technopolymer chosen for its unique light-diffusing properties. The addition of the Velvet print further enhances these properties, creating a soft yet reflective surface that contributes to the overall crystal-like effect. The collaboration with Adriano Rachele, a designer recognized for his sculptural approach to lighting, underscores SLAMP's commitment to combining artistic vision with advanced material science to produce distinctive and functional lighting solutions. Overall, the Drusa collection by Adriano Rachele for SLAMP represents a modern interpretation of a natural phenomenon. By leveraging advanced materials and thoughtful design, the fixtures aim to bring the mesmerizing beauty of crystals into contemporary interior spaces. The collection's various forms and the intricate play of light and shadow are intended to create visually rich and engaging environments, enhancing the aesthetic appeal of any room where they are installed. The fixtures are presented as both functional lighting elements and sculptural pieces of art, embodying a fusion of nature-inspired design and modern manufacturing techniques. #LightingDesign #ModernLighting #HomeFurnishings #CrystalInspired #AdrianoRachele #SLAMPLighting #InteriorDesign #SculpturalLighting

Masiero, an Italian lighting company established in 1981, has grown from a small workshop in Northern Italy to a global leader in lighting. The company’s success is attributed to its dedication to merging traditional Italian craftsmanship with contemporary aesthetics, as well as its collaborative approach with internationally renowned designers. Masiero works closely with designers and its in-house R&D department to produce distinctive lighting fixtures that shape its product portfolio. The collaborative process typically begins with Masiero providing designers with a brief outlining mood, product type, price range, and materials. However, Masiero also welcomes proposals from designers inspired by their own concepts. This fosters a unique relationship between designers and Masiero’s internal team, focusing on achieving optimal shapes and finishes. Masiero emphasizes the challenge of industrializing a designer's vision while maintaining economic sustainability, leveraging its expertise in metal processing and technological innovation in light management and flexibility. This flexibility, especially concerning color and size, is crucial for designers managing diverse projects. Masiero further supports these collaborations with a commercial network spanning 80 countries and robust marketing efforts, both online and offline. Alessia D’Alesio, Masiero's Global Marketing Manager, highlights the Horo collection by Pierre Gonalons as a particularly successful collaboration, having won the Good Design Award 2021. Gonalons' creative concept for Horo, featuring a sandwich construction of two prismatic glass circles within an outer frame, was faithfully translated into the final product. Masiero's internal team meticulously worked on optimizing illumination, refining the frame's finish, and selecting a decorative yet delicate glass. Gonalons describes Horo as a disk of light that simultaneously offers a light show, emphasizing his passion for handcrafted materials that narrate a story. He appreciates Masiero’s expertise in material and finish selection, which facilitated a natural development of the collaboration. The prototyping phase involved significant modification and improvement, demonstrating a strong collaborative spirit. Gonalons also praises the unique quality of Masiero’s hand-finished metalwork, achieved in their workshop, especially considering its competitive price point. Giovanni Battista Gianola's Sound collection was inspired by the artisans' ability to create perfect curves from shiny tubes, evoking musical instruments. This inspiration translated into lighting fixtures where material and shape are integral to the lamp’s aesthetic, much like they are to an instrument’s sound. The collection features gracefully shaped arms supporting glass diffusers encased by wide metal shades, resulting in layered sconces, floor lamps, chandeliers, and pendant lights. Gianola emphasizes that creating a new lamp involves a deep understanding of the brand's DNA, selecting materials that reflect its heritage, such as Masiero’s crystals, shining metals, and warm light. He views Masiero as having an eclectic spirit rooted in Venetian heritage, pursuing a distinctive path driven by a love for materials rather than fleeting trends. Marco Zito's Nappe collection, developed in 2018, showcases Masiero's material processing capabilities and the potential for a contemporary yet timeless language that integrates design technology with an artisanal approach. Zito's vision for Nappe drew inspiration from Venetian 'nappine' (tassels), reinterpreting this classical ornament into 10 modern pendant designs that can be combined for various installations. He believes such collaborative work generates virtuous processes and knowledge exchange, leading to innovative forms. Oriano Favaretto, who created the Honicé collection in 2018, commends Masiero's extensive experience and ability to balance contemporary designs with its foundational values of quality craftsmanship, noble materials, and ongoing research. He values the company's family-oriented approach to projects and shared perspectives. The Honicé collection, consisting of suspension lamps and wall lights, features a striking blend of opaque gold or brass finishes with natural onyx diffusers, paying homage to Masiero's history. Successful collaborations, according to Gonalons, involve a thorough assessment of the strengths of both the company and the designer. Masiero has honed this skill over the years, understanding his creative identity while he grasped their history and production capabilities. Masiero's D’Alesio notes that designers serve as a rich source of ideas, providing essential creative input from external perspectives. The brand encourages designers to express their creativity while considering the potential client's needs, offering 40 years of experience to produce beautiful, functional, well-finished, and recognizable items. #LightingDesign #ItalianCraftsmanship #DesignCollaboration #MasieroLighting #InteriorDesign #ProductDesign #ContemporaryAesthetics #DesignInnovation #LuxuryLighting

Italian door brand Lualdi has announced a new focus in its design process for 2023, aiming to create products through experimental combinations of textures and materials. This shift in design philosophy is geared towards developing new door aesthetics by creatively utilizing and integrating traditional materials such as wood, fabric, glass, and aluminum. The brand states that many of its latest products and collections are specifically engineered to interact with light from various angles, thereby expanding a broad spectrum of "creative possibilities." These possibilities range from innovative surface treatments and overlapping patterns to the thoughtful combination of diverse materials. A key example of this new approach is Lualdi's L7 door collection, which was unveiled at the Salone del Mobile furniture fair during Milan Design Week 2023. This collection, developed in collaboration with architect Piero Lissoni, thoroughly explores the interplay between glass and aluminum. The brand highlights that this exploration is evident not only in the patterns created with these materials but also in how they are integrated. For instance, the L7 Edit, a component of the L7 door collection, features glass panels accentuated with aluminum stripes. These stripes are intended to introduce a "rhythmic feel" to the product and give the design a fence-like silhouette, demonstrating a novel application of materials for aesthetic and functional purposes. Beyond glass and aluminum, Lualdi is also actively pursuing the "quest to discover wood's untapped potential." The strategic mixing of materials is designed to "inject furniture systems with energy," effectively transforming individual pieces into adaptable, state-of-the-art architectural elements that possess significant decorative impact. An illustration of this is the Koan sliding system, conceived for Lualdi by Kokaistudios, which incorporates wooden strips to enhance its design and material composition. Similarly, the brand's cladding solutions, such as Tai Boiserie, exemplify this material-focused design. Tai Boiserie features a symmetrical arrangement of wooden geometric patterns that extend across walls and doorways. This design aims to infuse interior spaces with a sense of warmth and coherence. The graphic interplay of shadows and lines produced by these designs is specifically crafted to "breathe fresh life into wood's inherent solidity," challenging conventional perceptions of wood's application in interiors. Furthermore, Lualdi is intensifying its engagement with fabrics and leathers, materials that are increasingly seen as facilitating a "reconciliation, a fusion almost, between the product and the world of furniture." The brand employs these materials to present increasingly adaptable solutions capable of defining the visual character of the spaces they connect. Lualdi, an Italian design company established in 1859, specializes in interior doors and maintains showrooms in prominent cities including Milan, Miami, Los Angeles, and New York. The brand's commitment to exploring material combinations and textures signifies a forward-thinking approach to interior design elements, aiming to offer sophisticated and versatile solutions for modern spaces. #Lualdi #DesignProcess #MaterialInnovation #InteriorDoors #PieroLissoni #MilanDesignWeek #ArchitecturalElements #HomeDecor #ProductDesign

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

The Italian brand Fiandre Architectural Surfaces has introduced the Luce collection of antibacterial finishing tiles, exclusively presented at Cersaie 2021. Designed by Guillermo Mariotto for Iris Ceramica Group, these tiles are characterized by a captivating interplay of light and shadow, achieved through sinuous lines and a chiaroscuro effect. The collection's core inspiration is the transformative power of light to reveal, mold, draw, and sculpt matter. This design philosophy translates into tiles featuring swirling lines and abstract reflections, which collectively create a sense of depth and dynamism within architectural spaces. According to Fiandre, this unique aesthetic elevates architectural environments to a new dimension. The Luce tiles are versatile, suitable for both indoor and outdoor applications in various settings, including commercial, residential, and even external facades. Beyond traditional uses for flooring and wall coverings, the material is also adaptable for creating furnishings and accessories, demonstrating its broad applicability in interior and exterior design. A notable feature of the Luce range is its integration with Fiandre's patented Active Surfaces innovation. This advanced technology transforms ceramic slabs into eco-active materials through a process called photocatalysis. This photocatalytic process harnesses the properties of titanium dioxide combined with silver, initiating an oxidation reaction that imparts several high-performance characteristics to the tiles. As a result, the Luce tiles are antibacterial, anti-viral, and anti-odour, contributing to a healthier and more hygienic environment. Additionally, they possess self-cleaning properties, simplifying maintenance and ensuring long-lasting aesthetic appeal. The collection offers a neutral color palette, comprising six iridescent shades: pearl, black, blue, gold, silver, and grey. This selection allows for diverse design possibilities, enabling designers and homeowners to choose colors that complement their specific aesthetic visions while benefiting from the tiles' advanced functional attributes. In summary, the Luce collection by Fiandre Architectural Surfaces, designed by Guillermo Mariotto, combines sophisticated aesthetics with cutting-edge technology. The tiles' ability to create dynamic light and shadow effects adds an artistic dimension to spaces, while their antibacterial, anti-viral, anti-odour, and self-cleaning properties provide practical benefits for modern living. The wide range of applications and neutral color options make Luce a versatile and innovative choice for contemporary architectural and interior design projects, offering both visual appeal and enhanced functionality. #LuceTiles #FiandreArchitecturalSurfaces #GuillermoMariotto #IrisCeramicaGroup #CeramicTiles #ActiveSurfaces #InteriorDesign #ExteriorDesign #AntibacterialTiles

Danielle Trofe, through her brand MushLume Lighting, is pioneering a new direction in design by transforming mushrooms into light fixtures. This innovative approach integrates nature, technology, and craftsmanship, offering a forward-looking vision for interior spaces. The article highlights an interview with Danielle Trofe in her Brooklyn studio, where she discussed the origins and development of her mycelium-based lighting products. Trofe's journey into biomaterials began in 2011 with Danielle Trofe Design, initially focusing on hydroponics. However, in 2014, her research into sustainable material alternatives led her to discover mycelium, the root structure of fungi. The realization that she could grow objects into specific shapes using a living organism became a pivotal moment, inspiring her to dedicate a decade to collaborating with a biomaterials company to bring mycelium to the forefront of lighting design. This commitment addresses the growing concern over the environmental impact of mass production by offering a sustainable alternative. Mycelium is a rapidly renewable material known for its strength, fire resistance, and biodegradability. It grows by binding agricultural byproducts, making it an excellent choice for eco-conscious design. Trofe explained that MushLume Lighting utilizes low-heat LED bulbs, which are well-suited to the fire-resistant properties of mycelium. The production process involves hand-packing hemp substrate into molds, allowing the mycelium to grow into a solid structure within 7-10 days, forming the base of the lamps. The lamps’ domes feature natural curves that enhance the interior illumination, creating a soft and inviting glow. The use of natural, VOC-free lime wash provides earth tones that complement the organic texture of the mycelium. Addressing common concerns about using living organisms in home products, Trofe clarified that the mycelium lamps are not 'alive' when they reach consumers. The material undergoes a heat and drying process that renders it inert, eliminating any possibility of mushrooms sprouting from the fixtures. The article notes the challenges Trofe faced in establishing MushLume Lighting, as there was no existing brand to support this novel material. This necessitated creating a new brand to introduce, cultivate, and validate mycelium as a viable product in the market. While MushLume Lighting has been established in the U.S. for a decade, it has recently gained traction in European markets, where sustainability is a central tenet of design. This expansion underscores the alignment of Trofe’s work with the continent's eco-conscious movement. Trofe's passion for nature and sustainability is a driving force behind her design philosophy, emphasizing the need for balance in human creations and a deeper connection with the environment. She expressed inspiration from algae as a potential future material due to its rapid renewability and ability to replace more resource-intensive options. The article concludes with a tour of Trofe's studio, highlighting the hands-on craftsmanship involved in filling molds and observing the mycelium growth process. This blend of scientific innovation and artistic creation reflects Trofe’s thoughtful approach to design. The interview ended with Trofe sharing her ideal dinner guests, including figures like Merlin Sheldrake, Paul Stamets, Tom Dixon, Zaha Hadid, Ray Eames, and Lonneke Gordijn, indicating a broad appreciation for both scientific and design pioneers. #LightingDesign #BiophilicDesign #InnovationDesign #InnovativeMaterials #SustainableDesign #MyceliumLighting #DanielleTrofe #MushLumeLighting