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London's Coolest Caterers on the 'Feasting Table' Trend
This article explores the concept of 'feasting tables' as a sophisticated alternative to traditional grazing tables for holiday entertaining, particularly for Christmas buffets. It draws insights from Charlie Karlsen, co-founder and creative director of Opus 11, a luxury catering company based in London renowned for its design-forward event styling for high-profile clients like Chanel and Louis Vuitton. The article aims to inspire readers to elevate their own holiday serving arrangements by adopting principles used in professional feasting table designs.
Charlie Karlsen emphasizes that a feasting table should serve as a focal point and conversation starter, characterized by a design-led approach with numerous engaging elements. He provides six key strategies for achieving this theatrical effect. The first strategy involves using dramatic linens. Unlike conventional, flat tablecloths, Opus 11 utilizes theatrically draped and ruffled fabrics to introduce movement and visual interest. Karlsen advises being generous with fabric proportions, suggesting an extra 20cm of material beyond the table's edge to create a luxurious, draped or ruffled effect. For larger dining tables, he recommends having custom-made tablecloths to ensure a perfect fit.
The second tip focuses on leveraging height to create a dynamic display. While Opus 11 uses plinths, Charlie notes that any object can be used under a draped tablecloth to achieve varying heights. This principle extends to candle arrangements, where using candles and candle holders of different heights (e.g., 10cm, 15cm, 30cm, or 40cm) can significantly enhance the visual depth and drama of the table. The third piece of advice introduces the concept of 'cutlery art.' Instead of simply stacking cutlery, arranging it artistically, whether following the lines of the table or creating more intricate designs, adds an unexpected layer of sophistication. This approach is particularly effective for those who have invested in elegant flatware sets.
The fourth strategy highlights the importance of food as sculpture. Beyond its edible function, food is integral to the design of Opus 11's feasting tables. This involves sourcing aesthetically pleasing ingredients, such as tomatoes still on the vine, carrots with stems, and radishes with tails, to maximize their visual appeal. Karlsen also favors sculptural arrangements of fresh bread, including baguettes, loaves, and creatively stacked breadstick towers, to add to the table's artistic composition. The fifth suggestion is to embrace 'the art of the coupe,' specifically silver coupes. These versatile chrome accessories can be stacked, grouped, or used individually to hold nuts, olives, fresh fruit, or desserts, contributing to the table's tiered and luxurious aesthetic.
Finally, Charlie stresses the importance of leaving negative space on the table. While traditional grazing tables are often crowded, a feasting table achieves a sense of luxury and abundance through strategic pauses in the arrangement. This not only allows the eye to rest but also provides practical space for guests to place their plates comfortably without juggling items. Complementing this, Karlsen recommends using slightly smaller plates, such as starter plates with matching cutlery, for buffets. This prevents guests from overfilling their plates and ensures that the food they select fills the plate more aesthetically, contributing to the overall curated experience. The article concludes by encouraging readers to invest time in planning their buffet table design to create a memorable and visually stunning Christmas feast.
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