Lindsey Adelman launches Paradise lighting collection

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

Allied Maker, a New York-based design and manufacturing studio founded in 2012, recently introduced four new lighting fixtures at the Architectural Digest Design Show. The studio is known for its minimalist designs that emphasize the inherent beauty of materials such as brass, glass, and hardwoods. The newly unveiled collection continues this aesthetic, incorporating both angular, structural lines, specifically triangles, and soft, curving circular forms into their latest creations. One of the new additions is the Tri Cone Pendant, a fixture that features a cone-shaped shade designed to direct a focused beam of light. This focused illumination is achieved with a glass disc, all contained within a tetrahedron-inspired structural frame. The design seamlessly blends geometric precision with functional lighting, creating a visually compelling piece that is both modern and elegant. Another significant launch is the Grand Aperture 4, an expanded version of Allied Maker's existing Aperture 4 chandelier. This larger chandelier is specifically engineered to make a substantial visual impact in spacious environments. It comprises four glass domes strategically placed to encircle four distinct light sources. This arrangement ensures a broad and even diffusion of light, making it suitable for grand living areas or commercial spaces where significant ambient lighting is desired, all while maintaining a sophisticated aesthetic. The collection also includes the Contour Wall Lamp 22”. This wall-mounted fixture is characterized by its graceful, hand-bent arc, which extends to connect with a glass sphere. The design's functionality is enhanced by its ability to swivel against the wall, allowing for adjustable lighting direction and adaptability to various room configurations. The elegant curve and spherical element offer a blend of art and utility, providing both illumination and a sculptural presence. Completing the quartet of new fixtures is the Concentric 15”, a versatile piece designed for either wall or ceiling installation. This fixture stands out due to its handcrafted wooden dome, which features a series of concentric circles. These circles create a topographic effect, giving the fixture a unique textural and visual depth. The pleasing arrangement of the concentric rings adds a subtle yet striking decorative element to any space, reinforcing Allied Maker's commitment to thoughtful design and meticulous craftsmanship. These new offerings from Allied Maker reinforce their dedication to creating lighting solutions that are not only functional but also serve as artistic statements within a space. The combination of high-quality materials, expert craftsmanship, and a keen eye for minimalist design ensures that these fixtures enhance the ambiance and aesthetic of contemporary interiors. #AlliedMaker #LightingFixtures #ArchitecturalDigestDesignShow #MinimalistDesign #BrassLighting #GlassDesign #Chandeliers #WallLamps #HomeFurnishings

Lighting designer Lindsey Adelman premiered her new installation, titled 'Show Me,' at Wright gallery on Manhattan's Upper East Side. The exhibition's opening night featured a music video, also titled 'Show Me,' which was projected in a darkened room. The video showcased a performance by a group of 16 dancers, with the music composed by Leo Madriz. Notably, the cast of the music video, including the dancers and lead vocalist Laura Young, were members of Adelman's studio or former colleagues. Young, Adelman's former director of operations, served as the lead vocalist, and the choreography demonstrated a blend of professional execution and playful enjoyment. The 'Show Me' music video intricately integrated pieces from Adelman's latest collection, which features a distinctive aesthetic. The collection includes punk-inflected jewelry, such as fringed, gold ear cuffs and leather bracelets adorned with gold quills. Gilded mirrors embellished with patterns resembling mushroom gills are also part of the new works. Additionally, luminaries reminiscent of Adelman's 'Cherry Bomb' fixtures are present, all contributing to a unique gothic sensibility infused with elements akin to 'A Midsummer Night's Dream.' These new pieces, alongside a striking five-foot-long gold candelabrum, were strategically placed to establish a dark-romantic and alluring atmosphere within the gallery space. Adelman established her studio in 2006, initially gaining recognition for her 'Branching Bubble' chandelier. Since then, her business has expanded significantly, incorporating a wider array of lighting fixtures and a diverse range of home objects. Adelman views her foray into various mediums beyond lighting as a natural evolution of her studio's creative trajectory and an opportunity to explore new avenues for enjoyment. She emphasizes that her decision to create a music video for the exhibition was not a sudden concept but rather an organic expression of her inherent interests, allowing her to integrate her personal passions with her daily professional endeavors. This approach underscores her belief in the fluidity between artistic exploration and business growth. The exhibition 'Show Me' will be open for public viewing at the Wright gallery, located at the Parke-Bernet Building, 980 Madison Avenue, New York, NY 10075, until August 1st. The show provides a comprehensive look at Adelman's expanded creative vision, demonstrating her capacity to merge industrial design with artistic performance and personal expression. This presentation not only highlights her new collection but also offers insight into the collaborative and innovative spirit that defines her studio's work. #LindseyAdelman #WrightGallery #LightingDesign #ArtInstallation #MusicVideo #NewYorkArt #DesignExhibition #HomeDecor #GothicSensibility

Leanne Ford, known from HGTV's "Restored by the Fords," is launching a lighting collection with Target under its in-house home brand, Project 62. This collaboration brings Ford's distinct design aesthetic to an accessible market, featuring elements such as brass exteriors, intricate netting, and exposed bulbs. The collection is designed to offer a significant interior transformation without a high cost, aligning with Ford's vision of making stylish lighting available to a broader audience. Ford had previously shared her predictions for 2019's top lighting trends, where cage fixtures were highlighted as a key trend. Her new Project 62 line directly reflects this prediction, incorporating net-like, cage features in at least five of its more than 30 different lighting options. This demonstrates a cohesive link between her professional insights and the products she is bringing to market, suggesting a well-thought-out collection that is both on-trend and practical for home decorators. The designer emphasized her motivation for creating the collection, stating that she aimed to produce lights that were not readily available at an affordable price point. She sought to fill a gap in the market by offering clean, classic lighting styles that are accessible to everyone, easy to find, and budget-friendly. This approach underscores a commitment to democratic design, making high-quality aesthetics attainable for a wider consumer base. Prices for the collection start at $30, making it an economically viable option for many households. The range of products is extensive, including floor lamps, sconces, and oversized pendant lights, ensuring that various lighting needs and preferences are met. This comprehensive selection allows consumers to integrate Ford's design philosophy into different areas of their homes, from ambient lighting to task-specific illumination. The collection is set to be released in-store and online on February 10. This launch provides an opportunity for consumers to acquire designer-grade lighting solutions from a recognized HGTV personality at a mass-market retailer, blending celebrity endorsement with affordable home decor. The initiative is poised to influence interior design trends by popularizing specific lighting styles and making them more widely available. #LeanneFord #TargetCollaboration #LightingCollection #Project62 #HomeDecor #AffordableDesign #InteriorLighting #DesignTrends #BrassAccents

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt

This article highlights the new 48-piece lighting collection from Arteriors, a collaboration with architecture and design firm Workshop/APD. This partnership marks a significant first for Arteriors, as it is their initial venture with an external design firm, aiming to infuse a distinctly contemporary aesthetic into their typically more traditional offerings. The collection is designed to serve as the “jewelry of a room,” emphasizing the transformative power of lighting in interior design. A central feature of this collection is the “Glaze” assortment, which draws inspiration from the ceramic artistry of Workshop/APD principal Andrew Kotchen’s wife. Each piece within this line incorporates a handmade ceramic shade or backplate, notable for its delicate crackled ivory glaze. This ceramic component is thoughtfully contrasted with blackened steel elements, creating a sophisticated and modern look. The versatility of these fixtures is a key selling point, as they are suitable for various settings, whether installed individually as a focal point or in multiples to create a cohesive design statement. The article showcases several specific pieces from the Glaze collection, providing descriptions and potential applications. The Glaze Large Sconce, priced at $715, is praised for its sleek shape and subtle hue, making it an ideal choice for bathrooms or bedside areas due to its effortless integration into diverse decors. The Glaze Linear Pendant, available for $1,040, is highlighted for its ability to stand out as a singular piece while also creating a striking impact when hung in a series. This suggests its adaptability for different spatial requirements and design ambitions. Another featured item is the Glaze Large Flushmount, costing $965, which distinguishes itself with a trio of frosted opal glass globes that add visual intrigue to a classic bowl-shaped flush-mount design. For larger spaces, the Glaze Floor Lamp, priced at $1,395, is presented as an ultramodern silhouette that casts a warm, inviting glow, enhancing the ambiance of its surroundings. Finally, the Glaze Sculptural Sconce, at $1,365, is noted for its geometric form and rotating armature, offering the unique capability to create a personalized focal point on any wall. This adjustability allows users to customize the lighting effect and direct light as needed. Overall, the collaboration between Arteriors and Workshop/APD introduces a collection that blends artistic inspiration with functional design, providing contemporary lighting solutions that can refresh and brighten any home interior. The pieces emphasize unique craftsmanship through ceramic details and modern silhouettes, offering versatile options for various design preferences and spatial requirements. #Arteriors #WorkshopAPD #LightingDesign #HomeDecor #InteriorDesign #ContemporaryLighting #CeramicLighting #DesignCollaboration

The 'Accent Light' is a limited-edition desk lamp designed by Zürich-based designer Fritz Jakob Gräber, focusing on perspectives, symmetries, and colors. Gräber, who possesses extensive experience across various crafts, aims to create an eclectic range of products, furniture, and lighting. The 'Accent Light' exemplifies his approach to design, which centers on transforming flat materials into three-dimensional forms. The development of the 'Accent Light' was driven by Gräber's ambition to establish his own design practice and produce his own editions, a challenging endeavor for a young designer. The lamp is designed to be highly practical, emphasizing ease of production, storage, and shipment through its super flatpack design. This minimizes labor costs and logistical complexities, making it an efficient product to manufacture and distribute. The lamp's aesthetic is minimalistic yet visually striking, crafted from a specialized type of paper. This material choice is integral to the lamp's ability to create volume from a flat form. The production process involves a unique technique where all envelopes are hand-printed on a Dainippon flatbed offset machine, a vintage piece of equipment from 1971. This detail highlights Gräber's dedication to craftsmanship and his appreciation for traditional printing methods, adding a unique character to each lamp. Functionally, the 'Accent Light' emits a subtle warm downlight, designed to create an inviting and cozy atmosphere. The lamp is a limited edition, with only seven pieces produced, all manufactured in Switzerland. This exclusivity underscores its status as a collectible design object, reflecting the designer's personal commitment to quality and unique artistry. The limited availability and local production emphasize the bespoke nature of Gräber's work and his focus on maintaining high standards of craftsmanship. The design reflects a blend of artistic vision and practical considerations, addressing both aesthetic appeal and the challenges of independent production. The 'Accent Light' is not just a lighting fixture but a statement piece that embodies the designer's philosophy of creating impactful objects from simple materials while managing the complexities of establishing an independent brand in the design industry. #LightingDesign #LimitedEdition #DeskLamp #FritzJakob #MinimalisticDesign #SwissDesign #Handcrafted #ProductDesign #InteriorDesign

British design brand Tom Dixon and Austrian manufacturer Prolicht have unveiled their new 'Code' collection of LED track lights at the Virtual Design Festival (VDF). This collaboration introduces a unique approach to lighting design by celebrating, rather than concealing, the electronic circuits and components that are typically hidden within conventional track lighting systems. The 'Code' collection features bare LEDs mounted on printed circuit boards (PCBs), allowing for various configurations to create visually striking and graphic lighting sculptures. The genesis of this partnership began with a shared vision between Tom Dixon and Prolicht's founder, Walter Norz, to innovate within the track lighting sector. Their discussions, which started in Innsbruck, focused on developing a minimal track system that would strip away unnecessary embellishments and highlight the intrinsic beauty of the light engine itself. Tom Dixon expressed his curiosity regarding the prevalent industry practice of concealing these intricate and ubiquitous circuit boards, questioning how to showcase their simple yet complex aesthetics. The 'Code' collection offers designers and architects a versatile kit of parts, enabling infinite possibilities for creating customized lighting solutions. The LED light sources are available in three distinct shapes: Dot, Dash, and Grid. These can be combined to form various light structures, including blocks, spheres, strips, or columns of light. This modularity allows for a high degree of creative freedom in tailoring lighting arrangements to specific spaces and design intentions. The collaboration between Tom Dixon and Prolicht was characterized by a mutual reliance on each other's strengths. Prolicht contributed its extensive expertise in light engineering, while Tom Dixon provided the overarching design vision. This synergistic approach resulted in a collection that is both technically sophisticated and aesthetically decorative. Walter Norz, CEO of Prolicht, highlighted the swift and effective connection with Tom Dixon and his team, emphasizing that 'Code' exemplifies their collaborative spirit, producing something that neither party could have achieved independently. The collection is a testament to the successful merger of diverse backgrounds and complementary skills, culminating in a product that redefines the aesthetics of functional lighting. #TomDixon #Prolicht #CodeLighting #LEDTrackLights #LightingDesign #VirtualDesignFestival #ProductLaunch #HomeDecoration #CircuitBoardAesthetics

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

Lumibright has introduced an innovative Integrated LED Handrail Lighting System, designed with a focus on both aesthetic appeal and practical functionality. This system is engineered to provide unique lighting solutions with exceptional uniformity and photometric performance. A key aspect of its design is the elimination of the need to illuminate entire areas, thereby contributing to increased safety and security while maintaining minimal energy consumption. The LED Railing Module is a versatile system that integrates lighting directly into handrails. Constructed with a durable stainless steel body and boasting an IP67 waterproof rating, this lighting system is suitable for a wide array of interior and exterior applications. These include staircases, atrium surrounds, balconies, viewing galleries, ramp ways, pedestrian bridges, and walkways. Its robust build quality ensures reliability and longevity in various environmental conditions. A primary function of these handrail lights, particularly in public spaces, is to enhance safety and provide resistance against vandalism. The integrated lighting significantly improves visibility, which is crucial in dimly lit areas or during nighttime. Beyond its safety features, the illuminated handrail system also serves as a decorative element, capable of being incorporated into street furniture and urban art installations. This dual functionality allows for both practical illumination and an enhancement of urban aesthetics. Each CREE LED module within the system is designed to be powerful yet unobtrusive. These modules produce an oval-shaped beam with a sharp cut-off, a design choice intended to deliver non-overbearing illumination. The system prioritizes a high degree of uniformity in light distribution, minimizing glare, light spill, and wasted light. This precise light control ensures that illumination is directed where it is most needed without causing discomfort or unnecessary light pollution. Flexibility in installation is another notable feature of the Lumibright LED Handrail Lighting System. It can be integrated into newly constructed handrails or retrofitted into existing ones, offering a practical upgrade solution for various settings. This adaptability makes it a suitable choice for a broad range of projects, from new developments to renovations, allowing for enhanced safety and aesthetic improvement across different architectural contexts. #LEDLighting #HandrailSystem #ArchitecturalLighting #SafetyLighting #UrbanDesign #OutdoorLighting #EnergyEfficiency #CREELED #Lumibright

Stickbulb, a sustainable lighting company founded by Yale University architecture graduates Russell Greenberg and Chris Beardsley, recently opened its first showroom in Long Island City, New York. Previously operating from a cramped space with limited shelving, the company acquired a 10,000-square-foot former steel factory to accommodate its growing operations. The new location, featuring terracotta walls and wooden floors, not only provides ample space but also reflects the company's commitment to sustainability and modern design. Stickbulb's core mission revolves around sustainability, utilizing salvaged wood from demolished buildings and dismantled water towers for its LED light fixtures. This approach allows each product to carry a unique history, traceable back to its original source. The founders emphasized the importance of this narrative, noting that the wood, often high-grade and knot-free from water towers with a 40-year lifespan, is no longer actively harvested, making its reclamation both environmentally conscious and integral to the product's character. The company’s design process is highly collaborative, focusing on iterating on a foundational system of wooden sticks with embedded LEDs and various metal connector pieces. This modular approach allows for the creation of a diverse range of lighting solutions, including linear pendants, chandeliers, wall sconces, and even functional pieces like side tables, all while maintaining the common element of the reclaimed wooden sticks. A notable art piece in the showroom, "Ambassador," was inspired by Russell Greenberg's sketch of a water tower. This sculpture aims to convey the history and urban context of the reclaimed water tower redwood without explicit words, highlighting the material's past in a sculptural form. The decision to use water tower wood was driven by its iconic presence in New York and other Northeastern urban centers, its consistent supply due to replacement cycles, and its high quality, being free of defects. The new showroom consolidates all aspects of Stickbulb's business—design, production, sales, and marketing—under one roof, a long-held dream for the founders. This unified space allows visitors to not only view the finished products but also observe the manufacturing process and meet the team behind them. The design of the showroom itself was approached with flexibility in mind, incorporating elements like curtains to easily reconfigure the space. While currently enjoying their expanded premises, the founders expressed confidence in the space's ability to support future growth. #Stickbulb #LongIslandCity #SustainableDesign #LEDLighting #ReclaimedWood #ArchitecturalSalvage #ShowroomDesign #ProductDesign #NewYorkCity #InteriorLighting

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign

Rich Brilliant Willing (RBW), a New York-based design firm, introduced Queue, a linear LED pendant system, at ICFF 2015. This lighting solution aims to address the shortcomings of traditional office lighting, offering a more dynamic and aesthetically pleasing alternative to the common overhead fluorescent fixtures often found in corporate environments. Queue is designed with a modernist sensibility, yet it transcends the rigid order and repetition typically associated with such designs by allowing for variations in height and lighting direction. The system comprises extruded aluminum sections, each 44 inches in length, which can be interconnected like train cars. This modularity enables users to create diverse lighting configurations, providing both direct and ambient light either upwards or downwards. The design seeks to inject softness and organic roundness into fixtures, a contrast to the often harsh and impersonal nature of standard workplace lighting. While conceived for office spaces, its versatile design makes it suitable for various settings, including bars or residential kitchens, offering a warm and inviting atmosphere. Alex Williams, a co-founder of RBW, explains that Queue is their interpretation of typical architectural lighting products, elevating the concept of a simple aluminum box with a fluorescent tube. The system allows for dynamic changes in height and flexible connectivity, pushing the boundaries of conventional linear lighting. Theo Richardson, another co-founder, emphasizes the deliberate effort to imbue the form with a softer, more organic aesthetic, a departure from the angularity often found in workplace fixtures. Queue is assembled in Brooklyn and utilizes high-end LED boards sourced from the Netherlands. These components enable the system to deliver exceptionally warm color temperatures, contributing to a more pleasant and comfortable lighting experience. The system also features two lens profiles, further enhancing its adaptability and lighting quality. Rich Brilliant Willing anticipates that Queue will enter production soon, with shipping expected to commence by late September. The company plans to maintain a stock of the product, ensuring a lead time of 1-3 weeks for orders. This product represents an innovative approach to architectural lighting, blending functional efficiency with refined design to create more engaging and human-centric spaces. #lightingDesign #LEDLighting #pendantSystem #RichBrilliantWilling #ICFF2015 #architecturalLighting #officeLighting #modernDesign #productLaunch

The French clothing brand Sezane, established in 2013, has expanded its signature aesthetic into a home line called Les Composantes, which includes a notable collection of lighting. This article highlights how Sezane's home offerings, much like its fashion, embody a timeless yet fresh French sensibility. The lighting collection features a variety of fixtures, such as sconces, pendants, and table lamps, all crafted with an emphasis on quality materials and distinctive designs. These pieces are manufactured in Portugal or the Czech Republic, utilizing natural elements like jute, rattan, and brass, and are characterized by shapes that are considered innovative without being overly trendy. The article showcases several selections from the Les Composantes lighting range, beginning with the Piano Pendant Light. This pendant, priced at $390 for the small model, features a hexagonal jute shade designed to cast diffused light downwards, making it suitable for entryways, small dining areas, or corners requiring additional illumination. Next is the Traviata Wall Lamp, available in sage green or biscuit ceramic for $195. Its scalloped design is suggested as an elegant addition to powder rooms or hallways, complementing various wall finishes from wood to plaster or limewash. Another featured item is the Bolero Wall Lamp, retailing at $495. This lamp can be customized with an ecru burlap, woven fabric, or a brass finish. The brass version is particularly noted for its unique character, as each metal piece exhibits slight irregularities from the manufacturing process, making every lamp one-of-a-kind. It's recommended for use within a gallery wall arrangement or as a pair above nightstands. The collection also includes the Small Traviata Table Lamp, priced at $295. This lamp echoes the ridged design of its wall lamp counterpart and comes in two heights and multiple colors, including mahogany, pink, and olive green. Finally, the Adagio Wall Lamp is presented as an affordable option at $85. This lamp distinguishes itself with crisp edges that contrast with its natural woven fabric or burlap construction, which is lined with rattan. Its design incorporates a simple structure on the back for easy wall attachment. The article emphasizes that despite the sophisticated designs and European craftsmanship, the prices for these lighting fixtures are not excessively high, making them an accessible option for those looking to incorporate French-chic design into their homes. #Sezane #HomeLighting #FrenchDesign #InteriorDesign #ShoppingGuide #WallLamps #PendantLights #TableLamps #HomeDecor

Decimal, a company with bases in Vancouver and Mexico City, is at the forefront of integrating design and technology to produce innovative 3D printed light fixtures. The company emphasizes a novel approach to lighting, departing from the traditional lightbulb and socket paradigm that has persisted since 1879. Instead, Decimal centers its products around a single, high-quality LED module, engineered for longevity and superior performance. These LED modules are designed to last up to 70,000 hours, offering a sustainable and efficient lighting solution. The unique forms of Decimal's light fixtures are made possible through additive manufacturing, commonly known as 3D printing. This technology allows for the creation of intricate and previously impossible shapes and designs, offering a significant advancement in the aesthetic and functional possibilities of lighting. The company highlights that these fixtures are highly customizable, with a variety of attractive colors and finishings available to suit diverse preferences and interior design schemes. This level of customization ensures that each fixture can be tailored to meet specific aesthetic requirements. Decimal operates on a collaborative platform, engaging tech-savvy designers from around the globe to create its 3D printed shades. This international collaboration fosters a diverse range of design perspectives and constantly pushes the boundaries of lighting design. The company aims to appeal to individuals worldwide who possess a passion for both design and technology, offering them access to cutting-edge lighting solutions that merge artistry with engineering. The integration of LED technology and additive manufacturing represents a transformative period in the lighting industry. LED technology provides endless design possibilities by liberating designers from the constraints of traditional light sources, allowing for greater flexibility in form and function. Concurrently, additive manufacturing empowers the creation of complex geometries and intricate details that would be unachievable with conventional manufacturing methods. Decimal positions itself at this intersection, leveraging these advancements to deliver a new generation of light fixtures that are both visually striking and technologically sophisticated. By focusing on a single, optimized LED light source and utilizing the creative potential of 3D printing, Decimal is challenging conventional notions of lighting. Their products are not merely functional items but serve as contemporary design elements that embody the synergy of modern technology and global design talent. This approach promises to reshape consumer expectations for lighting, offering products that are durable, energy-efficient, customizable, and aesthetically revolutionary. #3DPrinting #LightFixtures #LEDTechnology #ProductDesign #AdditiveManufacturing #HomeDecor #TechnologicalInnovation #SustainableDesign